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Ralph W. Judd Collection on Cross-Dressing in the Performing Arts
http://oac.cdlib.org/findaid/ark:/13030/kt487035r5 No online items Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. ONE National Gay and Lesbian Archives 909 West Adams Boulevard Los Angeles, California 90007 Phone: (213) 741-0094 Fax: (213) 741-0220 Email: [email protected] URL: http://www.onearchives.org © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Finding Aid to the Ralph W. Judd Coll2007-020 1 Collection on Cross-Dressing in the Performing Arts Finding Aid to the Ralph W. Judd Collection on Cross-Dressing in the Performing Arts Collection number: Coll2007-020 ONE National Gay and Lesbian Archives Los Angeles, California Processed by: Michael P. Palmer, Jim Deeton, and David Hensley Date Completed: September 30, 2009 Encoded by: Michael P. Palmer Processing partially funded by generous grants from Jim Deeton and David Hensley. © 2009 ONE National Gay and Lesbian Archives. All rights reserved. Descriptive Summary Title: Ralph W. Judd collection on Cross-Dressing in the Performing Arts Dates: 1848-circa 2000 Collection number: Coll2007-020 Creator: Judd, Ralph W., 1930-2007 Collection Size: 11 archive cartons + 2 archive half-cartons + 1 records box + 8 oversize boxes + 19 clamshell albums + 14 albums.(20 linear feet). Repository: ONE National Gay and Lesbian Archives. Los Angeles, California 90007 Abstract: Materials collected by Ralph Judd relating to the history of cross-dressing in the performing arts. The collection is focused on popular music and vaudeville from the 1890s through the 1930s, and on film and television: it contains few materials on musical theater, non-musical theater, ballet, opera, or contemporary popular music. -
Hollywood Films and Foreign Markets in the Studio Era: a Fresh Look at the Evidence
Centre for International Business History Discussion Paper Hollywood Films and Foreign Markets in the Studio Era: A Fresh Look at the Evidence December 2014 Peter Miskell Henley Business School, University of Reading Discussion Paper Number: IBH-2014-08 The aim of this discussion paper series is to disseminate new research of academic distinction. Papers are preliminary drafts, circulated to stimulate discussion and critical comment. Henley Business School is triple accredited and home to over 100 academic faculty who undertake research in a wide range of fields from ethics and finance to international business and marketing. www.henley.ac.uk/research/research- centres/the-centre-for-international-business- history © Miskell, December 2014 ii © Miskell, December 2014 Henley Discussion Paper Series Hollywood Films and Foreign Markets in the Studio Era: A Fresh Look at the Evidence Abstract The international appeal of Hollywood films through the twentieth century has been a subject of interest to economic and film historians alike. This paper employs some of the methods of the economic historian to evaluate key arguments within the film history literature explaining the global success of American films. Through careful analysis of both existing and newly constructed datasets, the paper examines the extent to which Hollywood’s foreign earnings were affected by: film production costs; the extent of global distribution networks, and also the international orientation of the films themselves. The paper finds that these factors influenced foreign earnings in quite distinct ways, and that their relative importance changed over time. The evidence presented here suggests a degree of interaction between the production and distribution arms of the major US film companies in their pursuit of foreign markets that would benefit from further archival-based investigation. -
The Globalisation of Hollywood Entertainment, C.1921-1951
International films and international markets: the globalisation of Hollywood entertainment, c.1921-1951 Article Accepted Version Miskell, P. (2016) International films and international markets: the globalisation of Hollywood entertainment, c.1921-1951. Media History, 22 (2). pp. 174-200. ISSN 1469-9729 doi: https://doi.org/10.1080/13688804.2016.1141044 Available at http://centaur.reading.ac.uk/44329/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1080/13688804.2016.1141044 Publisher: Taylor & Francis All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online International films and international markets: the globalisation of Hollywood entertainment, c.1921-1951 The international appeal of Hollywood films through the twentieth century has been a subject of interest to economic and film historians alike. This paper employs some of the methods of the economic historian to evaluate key arguments within the film history literature explaining the global success of American films. Through careful analysis of both existing and newly constructed datasets, the paper examines the extent to which Hollywood’s foreign earnings were affected by: film production costs; the extent of global distribution networks; and also the international orientation of the films themselves. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
On Shifting Ground: the Women Airforce Service Pilots
ON SHIFTING GROUND: THE WOMEN AIRFORCE SERVICE PILOTS OF WWII - PUBLIC IMAGES, PRIVATE REALITIES, AND THE BURDENS OF LASTING PROGRESS _______________ A Thesis Presented to the Faculty of San Diego State University _______________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in Women’s Studies _______________ by Kimberly Ann Enderle Summer 2018 iii Copyright © 2018 by Kimberly Ann Enderle All Rights Reserved iv DEDICATION This thesis is dedicated to the 1,102 Women Airforce Service Pilots of World War II, who demonstrated unselfish passion, resiliency, courage, and commitment while accomplishing something no women had been allowed to do before – fly U.S. military aircraft. This thesis celebrates these courageous female aviators who volunteered to serve their nation during World War II, and to risk it all: their lives, their personal and professional reputations, simply for the opportunity to become the United States’ first women military aviators. This thesis is specifically dedicated to the five women that opened their hearts and their homes to me, who willingly shared their intimate life stories with me, and trusted me to tell their unvarnished stories: Beverly Loyola (Beesie) Beesemyer, Florence “Shutsy” Reynolds, Barbara (Bobbi) Willis Heinrich, Millicent (Millie) Amanda Peterson Young and Jean Landis. Without their generosity, patience, and kindness none of this would have been possible. In the 1940s these women bravely challenged prevailing notion that women were second class citizens, informed by patriarchy and were ultimately deemed “unnecessary and undesirable” by Congressman Robert C.W. Ramspeck (D-GA) who sought to discredit them. Some in society labeled them unfeminine, promiscuous, perverse or immoral, and some defied heterosexual norms simply because they chose to pursue their love of flight which was perceived to transgress gender roles and eschew societal norms. -
1 Senile Celluloicl': Lnclepenclent Exltiijitors, Tite Major Stuclios Ancl Tite Figltt Over Feature Films on Television, 1939-1956
Film History, Volume 1O, pp. 141-164, 1998. Text copyright ©David Pierce 1998. Design copyright ©John Libbey & Company ISSN: 0892-2160. Printed in Australia 1 David Pierce he Presiden! of RKO received many letters American representative, noted, 'television is pre from motion picture exhibitors. The corre ciselythe same visual medium as theatres offer-this spondence from the Allied Theatre Owners isn't night baseball or radio or sorne other entirely T of New Jersey complained about RKO 'fur different form of competition'. 2 nishing films for use over television'. Their concerns In 1939, RKO's participation in television was were simple: 'You can readily understand that if our tentative. The studio had supplied a trailer for patrons are able lo see a picture such as Gunga Din Gunga Din for sorne experimental television tests in on their television seis al home, they are not likely to come into the theater.' Pointing out that this was in their mutual interest, the letter concluded that '[we] urge that you discontinue this practice. The exhibitor has enough lo contend with lo keep his house open during these depressing times' .1 Depressing times? Yes, this letter was written in 1939, and exhibitors already recognised that television would threaten their very existence. They had survived the introduction of radio intoAmerican life, but as Morris Helprin, Sir Alexander Korda's Film History, Volume 10, pp . 141 - 164, 1998. Text copyright © David Pierce 1998. Design copyright © John libbey & Compony ISSN : 0892-2 160. Printed in Austra lia 1 Senile celluloicl': lnclepenclent exltiiJitors, tite major stuclios ancl tite figltt over feature films on television, 1939-1956 David Pierce he Presiden! of RKO received many letters American representative, noted, 'television is pre from motion picture exhibitors. -
Waiting in the Wings: a History of the Women Air Force Service Pilots of World War II
Sarah Lawrence College DigitalCommons@SarahLawrence Women's History Theses Women’s History Graduate Program 5-2015 Waiting in the Wings: A History of the Women Air Force Service Pilots of World War II Jessica Wilson Sarah Lawrence College Follow this and additional works at: https://digitalcommons.slc.edu/womenshistory_etd Part of the Women's Studies Commons Recommended Citation Wilson, Jessica, "Waiting in the Wings: A History of the Women Air Force Service Pilots of World War II" (2015). Women's History Theses. 8. https://digitalcommons.slc.edu/womenshistory_etd/8 This Thesis - Open Access is brought to you for free and open access by the Women’s History Graduate Program at DigitalCommons@SarahLawrence. It has been accepted for inclusion in Women's History Theses by an authorized administrator of DigitalCommons@SarahLawrence. For more information, please contact [email protected]. Waiting in the Wings: A History of the Women Air Force Service Pilots of World War II Jessica Wilson Submitted in partial completion of the Master of Arts Degree at Sarah Lawrence College May 2015 Contents Acknowledgements………………………………………………………………………………………..iii Preface…………………………………………………………………………………………………………..iv List of Abbreviations……………………………………………………………………………………….v Introduction “Unacknowledged”…………………………………………………………………….1 Chapter One “…a weapon waiting to be used.”………………………………………………12 Chapter Two “They promised us. We were promised we would be militarize.”.24 Chapter Three “This is Vegas, Baby.”……………………………………………………………..50 Bibliography…………………………………………………………………………………………………65 ii Acknowledgements I never dreamed I would have the honor of attending Sarah Lawrence College. My son, Robert Leleux, is a graduate of Sarah Lawrence. While there, he invited me to join him on a field trip conducted by one of his women’s history professors. -
Motion Picture Lobby Cards, 1913-1999
http://oac.cdlib.org/findaid/ark:/13030/kt700021m7 No online items Motion Picture Lobby Cards, 1913-1999 Finding aid prepared by UCLA Library Special Collections Staff; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] © 2004 The Regents of the University of California. All rights reserved. Motion Picture Lobby Cards, PASC 65 1 1913-1999 Title: Motion picture lobby cards Collection number: PASC 65 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 55.5 linear ft.(111 boxes) Date (inclusive): 1913-1999 Abstract: The collection consists of primarily of American motion picture lobby cards dating from 1913 to ca 1980s. Language of Materials: Materials are in English. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. Preferred Citation [Identification of item], Motion Picture Lobby Cards (Collection PASC 65). -
Current Catalog
ASHFAULT VIDEO CATALOGUE 13 Lead Soldiers (1948) 13 West Street (1962) 13 Women (1932) 13th Hour, The (1947) 13th Man, The (1937) 1984 (1956) 2,000 Women (1944) 20 Mule Team (1940) 20,000 Men a Year (1939) 20,000 Years in Sing Sing (1932) 21 Days (1940) 23 1/2 Hours Leave (1937) 23 Paces to Baker Street (1956) 24 Hours (1931) 25th Hour, The (1967) 27th Day, The (1957) 30 Years of Fun (1963) 39 Steps, The (1978) 4 Just Men, The (1939) 45 Fathers (1937) 49th Man, The (1953) 50 Million Frenchmen (1931) 6,000 Enemies (1939) 7 Women (1966) 70,000 Witnesses (1932) 711 Ocean Drive (1950) 7th Cavalry (1956) 80,000 Suspects (1963) 99 River Street (1953) Aaron Slick from Punkin Crick (1952) Abandoned (1949) About Face (1942) About Mrs. Leslie (1954) Accent on Love (1941) Accent on Youth (1935) Accidents Will Happen (1938) Accomplice (1946) Accused (1936) Accused, The (1948) Accusing Finger, The (1936) Across to Singapore (1928) Act of Violence (1979) Action for Slander (1937) Action in Arabia (1944) Action of the Tiger (1957) Actress, The (1953) Ada (1961) Adding Machine, The (1969) Adorable (1933) Advance to the Rear (1964) Adventure in Baltimore (1949) Adventure in Blackmail (1942) Adventure in Diamonds (1940) Adventure in Manhattan (1936) Adventure in Washington (1941) Adventurers, The (1951) Adventures of Chico (1938) Adventures of Gerard, The (1970) Adventures of Hairbreadth Harry (1920) Adventures of Hajji Baba, The (1954) Adventures of Jane Arden, The (1939) Adventures of Kitty O'Day (1944) Adventures of Martin Eden, The (1942) Adventures -
Collection of Motion Picture Lobby Cards, 1913
http://oac.cdlib.org/findaid/ark:/13030/kt700021m7 No online items Finding Aid for the Collection of Motion Picture Lobby Cards, 1913- Processed by Arts Special Collections Staff; machine-readable finding aid created by Cheryl E. Clayton and Caroline Cubé University of California, Los Angeles, Library Performing Arts Special Collections, Room A1713 Charles E. Young Research Library, Box 951575 Los Angeles, CA 90095-1575 Phone: (310) 825-4988 Fax: (310) 206-1864 Email: [email protected] http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm © 2004 The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 65 1 Motion Picture Lobby Cards, 1913- Finding Aid for the Collection of Motion Picture Lobby Cards, 1913- Collection number: 65 Note This online finding aid is not edited. (Check this website for updates.) The complete, edited paper copy of the finding aid, with container list, is available at the UCLA Performing Arts Special Collections for in-house consultation and may be obtained for a fee. See Contact Information below. UCLA Library, Performing Arts Special Collections Los Angeles, CA Processed by: UCLA Library, Performing Arts Special Collections staff Encoded by: Cheryl E. Clayton and Caroline Cubé © 2004 The Regents of the University of California. All rights reserved. Descriptive Summary Title: Collection of Motion Picture Lobby Cards, Date (inclusive): 1913- Collection number: 65 Extent: 110 boxes Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Abstract: The collection consists of primarily of American motion picture lobby cardsdating from 1913 to ca 1980s.