DOCSLIB.ORG

Catalogue – Case Studies

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Catalogue – Case Studies Catalogue – Case studies Study on Audience Development - How to place audiences at the centre of cultural organisations Alessandro Bollo, Luisella Carnelli, Macarena Cuenca, Cristina Da Milano, Alessandra Gariboldi, Jonathan Goodacre, Lars Göran Karlsson, Marcin Poprawski, Niels Righolt, Antonia Silvaggi, Iker Tolosa, Chris Torch, Anne Torreggiani, Dea Vidovic January – 2017 EUROPEAN COMMISSION Directorate-General for Education, Youth, Sport and Culture Directorate D — Culture and Creativity Unit D2 — Creative Europe Contact: Barbara Gessler E-mail: [email protected] European Commission B-1049 Brussels EUROPEAN COMMISSION Study on Audience Development. How to place audiences at the centre of cultural organisations Catalogue – Case studies Directorate-General for Education, Youth, Sport and Culture Creative Europe programme 2017 EAC-2015-0440 EN Europe Direct is a service to help you find answers to your questions about the European Union. Freephone number (*): 00 800 6 7 8 9 10 11 (*) The information given is free, as are most calls (though some operators, phone boxes or hotels may charge you). LEGAL NOTICE This document has been prepared for the European Commission however it reflects the views only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein. More information on the European Union is available on the Internet (http://europa.eu). Luxembourg: Publications Office of the European Union, 2017 ISBN 978-92-79-65075-8 doi: 10.2766/557971 © European Union, 2017 Reproduction is authorised provided the source is acknowledged. 4 Catalogue – Case studies – Study on audience development - How to place audiences at the centre of cultural organisations “Audience Development. How to place audiences at the centre of cultural organisations” is a study promoted and commissioned through an open call for tender by the European Commission – Directorate-General For Education And Culture. Partners: Fondazione Fitzcarraldo, Culture Action Europe, ECCOM Progetti s.r.l., Intercult Experts: a group of additional experts in the field of Audience Development – with various backgrounds and nationalities – contributed to the study. Macarena Cuenca – Institute for Leisure Studies, University of Deusto (Spain) Marcin Poprawski – AMU Culture Observatory, Adam Mickiewicz University (Poland) Niels Righolt CKI – The Danish Centre for Arts and Interculture (Denmark) Antonia Silvaggi – MeltingPro (Italy) Iker Tolosa, Donostia – San Sebastian 2016 (Spain) Anne Torreggiani & Jonathan Goodacre – The Audience Agency (UK) Dea Vidovic, Kultura nova Foundation (Croatia) Associate Partners: a group of relevant institutions, networks and entities associated and committed to the project took part in the advisory board. ADESTE Be SpecACTive! CORNERS Donostia/San Sebastian 2016 ENCATC IETM Matera 2019 River//Cities Many thanks to all the Organisations, which applied to the open call and to those who have dedicated time for interviews INDEX Premise 7 Asociația Culturală Metropolis - Bucharest, Romania 8 Auditorio de Tenerife - Tenerife, Spain 13 Brighton Early Music Festival – Brighton, United Kingdom 18 Bunker – Ljubljana, Slovenia 23 CAOS – Indisciplinarte – Terni (TR), Italy 27 Click Festival – Elsinore, Denmark 30 Cirkus Cirkör – Norsborg, Sweeden 34 Corners of Europe - Europe 37 Dansens Hus – Stockholm, Sweeden 40 John Rylands Library - Manchester, United Kingdom 43 Kilowatt Festival – Sansepolcro (AR), Italy 47 Kinodvar City Cinema - Ljubljana, Slovenia 53 Künstlerhaus – Vienna, Austria 56 Łaźnia Nowa Theatre & Cultural Centre – Krakow, Nowa Huta, Poland 61 Maison des Métallos - Paris, France 69 MAS - Museum am de Stroom – Antwerp, Belgium 73 MAXXI Foundation - Rome, Italy 78 Mercat de les Flors – Barcelona, Spain 82 New Wolsey Theatre – Ipswich, United Kingdom 88 Ohi Pezoume – Athens, Greece 93 Opgang2 Theatre - Aarhus, Denmark 97 People Express - Swadlincote, United Kingdom 101 K.H.Renlund Museum - Kokkola, Finland 106 St. Christopher Chamber Orchestra - Vilnius, Lithuania 110 Södra Teatern – Sweden, Stockholm 116 Teatro dell’Argine - San Lazzaro di Savena (BO), ITALY 119 The Point – Eastleigh, United Kingdom 124 Theater Zuidplein – Rotterdam, the Netherlands 130 Trafó House of Contemporary Arts - Budapest, Hungary 133 York Theatre Royal – York, United Kingdom 137 6 Catalogue – Case studies – Study on audience development - How to place audiences at the centre of cultural organisations PREMISE The present Catalogue forms part of the “Study on audience development - How to place audiences at the centre of cultural organisations“. It reports in alphabetical order 30 synthetic sheets describing the Case Studies from 17 European Countries that have been selected through an open call. The catalogue can be considered as a learning tool for other organisations that would like to take their inspiration from the described initiatives or from specific aspects and innovative paths that are encapsulated in the different case studies. The case studies have been produced by the research team through desk research and in depth interviews addressed to the direction of the institution and to the staff that are responsible for audience strategies. All the case studies are described following the same threefold articulation, preceded by a synthetic data sheet: • Background information explaining the organisation and its history, and the reasons behind the idea of developing a more audience-centric approach • Goals and achievements ("What do they do? Goals and achievements") related to Audience Development strategies, with particular attention to the general vision, the kind of audience to whom to address actions, projects and engagement approaches • Implementation aspects ("How do they do it? Making it happen") related to the way organisations intend to develop their strategies and the institutional/organisational implications stemming from the pursuing of the Audience Development objectives. ASOCIAȚIA CULTURALĂ METROPOLIS - BUCHAREST, ROMANIA Key words: building capacity | by habit | by choice | by surprise | community rooted | place | organisational change Synthetic data sheet Full name Asociația Culturală Metropolis Str. Constantin F. Robescu, nr. 1 bis, sect. 3, Address Bucharest, ROMANIA Legal status NGO Year of establishment 2011 Associatia Culturala Metropolis: http://www.asociatia.metropolisfilm.ro/ Metropolis film: http://www.metropolisfilm.ro/ Balkanik Festival: Website http://www.balkanikfestival.ro/ KINOdissea International Film Festival for Children: http://www.kinodiseea.ro/en/ CARAVANA Metropolis: http://2016.caravana.metropolisfilm.ro/ Social Media Facebook, Twitter, Youtube Area of activities Cinema FESTIVALS - film, media literacy, cultural Type of activities heritage – music, craftsmanship, visual arts; FILM DISTRIBUTION 469.000 € (2.110.637 LEI) from non- Total amount of budget economic activities, 38.500 € (173.342 LEI) from economic activities Data refer to 2015 Background information Asociația Culturală Metropolis is an NGO association founded by Daniel Mitulescu in 2011 in Bucharest. The cultural profile coupled to Asociația Culturală Metropolis is quality audio-visual and film productions presenting high quality national and international (European) films; world music from the middle east and Balkan. Asociația Culturală Metropolis is involved in a large range of activities in the field of the festivals - cinema, media literacy, cultural heritage -, music, craftsmanship, and visual art and film distribution. These activities are in accordance with the main aims of the Association in terms of Audience Development. Asociația Culturală Metropolis’ main activities are related to the production of 3 main events: 8 Catalogue – Case studies – Study on audience development - How to place audiences at the centre of cultural organisations KINOdiseea is an international festival (foreign films, guests, partnerships) addressed to local audiences, focused on film projections and media literacy activities for youngsters; during the festival there is a big variety of multidisciplinary workshops (focusing on directing, acting, photography, sound, storytelling etc.). The program includes various types of films (produced in various countries, with different techniques, both feature films and shorts). The main focus of the festival is on European cinema, with attention on promoting debutants. Caravana Metropolis - or outdoor cinema - brings film projections, best quality productions from various countries (focus on European films) in green spaces, stadiums, parks and other unconventional spaces, offering the audiences the opportunity to watch films in a warm atmosphere in an open space. The project covers several locations in Romania. Balkanik Festival is a socio-cultural project, aiming at creating a bridge of understanding between the country’s minorities and encouraging cultural diversity and intercultural dialogue. It is an international multicultural and multidisciplinary festival (artists from other countries, media partners with international coverage, partnerships with similar festivals from all Europe, collaboration with embassies and foreign cultural institutes) addressed to national and international audiences. The festival gives spaces to several ethnic groups from the Balkans, but also artist groups from countries like France, Belgium, Germany, Syria, Iran, India, Canada etc. The festival has a multidisciplinary program schedule that includes music,
Load more

Recommended publications
  • Guides to German Records Microfilmed at Alexandria, Va
    GUIDES TO GERMAN RECORDS MICROFILMED AT ALEXANDRIA, VA. No. 32. Records of the Reich Leader of the SS and Chief of the German Police (Part I) The National Archives National Archives and Records Service General Services Administration Washington: 1961 This finding aid has been prepared by the National Archives as part of its program of facilitating the use of records in its custody. The microfilm described in this guide may be consulted at the National Archives, where it is identified as RG 242, Microfilm Publication T175. To order microfilm, write to the Publications Sales Branch (NEPS), National Archives and Records Service (GSA), Washington, DC 20408. Some of the papers reproduced on the microfilm referred to in this and other guides of the same series may have been of private origin. The fact of their seizure is not believed to divest their original owners of any literary property rights in them. Anyone, therefore, who publishes them in whole or in part without permission of their authors may be held liable for infringement of such literary property rights. Library of Congress Catalog Card No. 58-9982 AMERICA! HISTORICAL ASSOCIATION COMMITTEE fOR THE STUDY OP WAR DOCUMENTS GUIDES TO GERMAN RECOBDS MICROFILMED AT ALEXAM)RIA, VA. No* 32» Records of the Reich Leader of the SS aad Chief of the German Police (HeiehsMhrer SS und Chef der Deutschen Polizei) 1) THE AMERICAN HISTORICAL ASSOCIATION (AHA) COMMITTEE FOR THE STUDY OF WAE DOCUMENTS GUIDES TO GERMAN RECORDS MICROFILMED AT ALEXANDRIA, VA* This is part of a series of Guides prepared
    [Show full text]
  • Program Book for the Training Grants That Allows Younger Researchers to Attend the Meeting Each Year
    2010 IEEE NSS/MIC/RTSD SpoNSoRS Table of ConTenTs Conference-at-a-Glance................................................................... 3 Welcome.from.the.General.Chair.................................................... 7 Contact.Information....................................................................... 9 Registration.Information............................................................... 11 General.Information..................................................................... 14 Companion.Program.................................................................... 18 Technical.Tours............................................................................. 22 Oral.and.Poster.Presentaion.Guidelines........................................ 24 Publications.................................................................................. 25 Short.Course.Program................................................................... 28 Industrial.Program........................................................................ 38 Special.Focus.Workshops............................................................... 41 Special.Events................................................................................ 45 NSS.Overview.and.Keynote.Speakers............................................ 47 MIC.Overview.and.Keynote.Speakers........................................... 54 RTSD.Overview............................................................................ 59 Daily.Technical.Program..............................................................
    [Show full text]
  • The Kaiser Wilhelm Institute for Anthropology, Human Heredity and Eugenics During World War II, 1938/42–1945
    Chapter 4 In the Realm of Opportunity: The Kaiser Wilhelm Institute for Anthropology, Human Heredity and Eugenics during World War II, 1938/42–1945 4.1 The “Reorganization” of the Institute under the Banner of Phenogenetics, 1938–1942 4.1.1 Preliminary Considerations in the Years 1938/42 On March 8, 1940, Eugen Fischer wrote a long, confidential letter to Otmar von Verschuer, director of the Institute for Genetic Biology and Race Hygiene at the University of Frankfurt at that time. In this letter Fischer expressed critique – and certainly also self-critique – about the scientific development of his institute since the mid-1930s. At first glance this critical assessment seems surprising. The KWI-A had prof- ited considerably from the genetic and race policy of the National Socialist regime. Money flowed abundantly, research projects received generous support, the expan- sion of the institute proceeded. As the deputy chairman of the Medical Biology Section of the “Academic Council” of the KWG, and even more so as a member of the Expert Committee for “Anthropology and Ethnology” of the Emergency Association of German Science and the Reich Research Council, respectively, the position Fischer held within his area of expertise was central in terms of research strategy.1 The political prestige and social recognition of the KWI-A, and the scientists working there increased constantly. Fischer himself received a number of honors and accolades in the Third Reich, of which his election to membership in the Prussian Academy of Sciences in 1937 was the most important. Just a year ear- lier, in 1939, Fischer had been awarded the Goethe Medal for Art and Science.2 Yet in March 1940 Fischer was not satisfied with the development of the insti- tute.
    [Show full text]
  • Holocaust Memory for the Millennium
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Royal Holloway - Pure HHoollooccaauusstt MMeemmoorryy ffoorr tthhee MMiilllleennnniiuumm LLaarriissssaa FFaayyee AAllllwwoorrkk Royal Holloway, University of London Submission for the Examination of PhD History 1 I Larissa Allwork, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: L.F. Allwork Date: 15/09/2011 2 Abstract Holocaust Memory for the Millennium fills a significant gap in existing Anglophone case studies on the political, institutional and social construction of the collective memory of the Holocaust since 1945 by critically analyzing the causes, consequences and ‘cosmopolitan’ intellectual and institutional context for understanding the Stockholm International Forum on Holocaust Education, Remembrance and Research (26 th January-28 th January 2000). This conference was a global event, with ambassadors from 46 nations present and attempted to mark a defining moment in the inter-cultural construction of the political and institutional memory of the Holocaust in the United States of America, Western Europe, Eastern Europe and Israel. This analysis is based on primary documentation from the London (1997) and Washington (1998) restitution conferences; Task Force for International Cooperation on Holocaust Education, Remembrance and Research primary sources; speeches and presentations made at the Stockholm International Forum 2000; oral history interviews with a cross-section of British delegates to the conference; contemporary press reports, as well as pre-existing scholarly literature on the history, social remembrance and political and philosophical implications of the perpetration of the Holocaust and genocides.
    [Show full text]
  • Sarajevo, Whence Comes Thy Gloom?
    S ARAJEVO, W HENCE C OMES T HY G LOOM? ETHNIC AND RELIGIOUS ROOTS OF THE FIRST WORLD WAR Master of Arts in Law and Diplomacy Thesis Submitted by James Holmes 1 ABSTRACT This paper seeks to identify the dimensions of ethnicity and religion which led to the assassination of Archduke Franz Ferdinand on June 28, 1914. Intertwined is the growth of nationalism in nineteenth- and early twentieth-century Europe. The paper focuses primarily on Slavic nationalism, with some attention to German, Hungarian and Turkish nationalism, as well as the confluence of Islam with Orthodox and Latin Christianity. The overarching goal is to determine what provoked individuals in Serbia and Bosnia to violence. Though the causes of the First World War were numerous and complex, ethnic and religious tensions set the machinery of war in motion. 2 TABLE OF CONTENTS Introduction ................................................................................................................................................................................4 Analytical Framework................................................................................................................................................................6 Prologue: Formation of a Severely Divided Society ................................................................................................................8 The Larger Context: Origins of the First World War .............................................................................................................11 Philosophical
    [Show full text]
  • ECER Book.Indb
    ECER 2019 HAMBURG General Information 2 EERA Council 2 ECER Programme Committee - EERA Networks and their Link Convenors 4 Local Organising Committee 5 General Information Hamburg and the Universität Hamburg 7 Conference Details 7 Time Schedule ECER 10 Central Events 12 EERA Member Associations - Meet and Greets 25 Editors Meet and Greets 26 Free Time on Campus 27 Exhibition: Publishers and Research Instruments 28 Network Meetings 30 EERA Developments and Activities 2018 - 2019 32 Emerging Researchers‘ Conference Programme 35 Time Schedule Emerging Researchers‘ Conference 35 ERC Central Events 36 Awards and Bursaries 40 Poster Sessions 41 Emerging Researchers’ Conference Programme 42 ECER Programme 50 Poster Exhibition 50 Tuesday 4 September Session 1 13:15 - 14:45 55 Session 2 15:15 - 16:45 61 Session 3 17:15 - 18:45 69 Wednesday 4 September Session 4 09:00 - 10:30 76 Session 5, Keynote Session 11:00 – 12:00 84 Lunchtime Meet and Greets 12:00 – 13:30 84 Session 5.5, Film Screening 13:00 – 15:00 84 Session 6 13:30 - 15:00 84 Session 7 15:30 - 17:00 93 Session 8 17:15 - 18:45 102 Thursday 5 September Session 9 09:00 - 10:30 110 Session 10, Keynote Session 11:00 – 12:00 119 Lunchtime Meet and Greets 12:00 – 13:30 119 Network Meetings 12:10 - 13:20 119 Session 11 13:30 - 15:00 122 Session 12 15:30 - 17:00 129 Session 13 17:15 - 18:45 137 Friday 6 September Session 14 09:00 - 10:30 145 Session 15, Central Events 11:00 - 12:00 152 Lunchtime Meet and Greets 12:15 - 13:15 152 Session 16 13:30 - 15:00 152 Session 17 15:30 - 17:00 158 Closing
    [Show full text]