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But from the Deck of the SS Cairnrona, Charles Chaplin Couldn't Spot Much Land
More than a day had gone by since the passengers had heard the cry of "Land Ho!," but from the deck of the SS Cairnrona, Charles Chaplin couldn't spot much land. Newfoundland was shrouded in thick fog. The gray rock formations that now and then jutted into view suggested a sparsely inhabited landscape, and the Canadian mainland, which came in sight some hours later, looked largely deserted. When the fog lifted, he saw only Québec's endless salt marshes stretching out ahead. Was this the New World, about which other performers in Fred Karno's vaudeville company had told such jaw-dropping stories? For months, Chaplin had hoped that the "guv'nor" of the English music hall would bring him along on the American tour, but now that he'd reached the last stage of the journey, he had to admit it was not as he'd imagined. Chaplin's thoughts strayed to Hetty Kelly, the girl with whom he'd spent a romantic afternoon in 1908. She had been on his mind ever since. He'd run into her by chance in London—how long ago was that? A few weeks, a month? They hadn't had much time. The next day she was leaving for France, she told him, to stay with her sister, who was married to an American multimillionaire. "Now tell me something about yourself," Hetty hastened to ask, embarrassed by Chaplin's disappointed look. "There's very little to tell," he replied. "I'm still doing the same old grind, trying to be funny. -
Nothing Is Impossible
Nothing is Impossible. Autobiography of William Hamilton Robertson (Known as Wullie, Scottie, Ginger, Sparks and Bill) Ballenbreich by Avonbridge, Falkirk Me my mum and Fred Explanation about Fred KARNO who I refer to in this book. Frederick John Westcott (26 March 1866 – 18 September 1941), best known by his stage name Fred Karno, was a theatre impresario of the British music hall. Karno is credited with inventing the custard-pie-in –the-face gag. During the 1890s, in order to circumvent stage censorship, Karno developed a form of sketch comedy without dialogue. Cheeky authority defying playlets such as “Jail Birds” (1896) in which prisoners play tricks on warders and “Early Birds” (1903) where a small man defeats a large ruffian in London’s East End can be seen as precursors of movie silent comedy. In fact, among the young comedians who worked for him were Charlie Chaplin and Arthur Jefferson, who later adopted the name of Stan Laurel. These were part of what was known as “Fred Karno’s Army”, a phrase still occasionally used in the U.K. to refer to a chaotic group or organisation. The phrase was also adopted by British solders into a trench song in the First World War, as a parody of, or rather to the tune of, the hymn “The Church’s One Foundation”. In the Second World War it was adapted as the anthem of “The Guinea Pig Club”, the first line becoming ”We are McIndoe’s Army”. The men, having their burnt faces etc. rebuilt, by the Famous Plastic Surgeon Mr. -
Houseboat Wren, Kew Bridge
Houseboat Wren, Kew Bridge This excellent 2 storey houseboat is found on the banks of the Thames, on a South facing mooring, just downstream of Kew Bridge and opposite Kew Gardens. The home has the benefit of full residential status on an annually renewable licence with mains water, electricity and sewage. Being conveniently located with good access to Kew Bridge and train station serving London Waterloo. Upon leaving the houseboat and entering the towpath walk, a Riverside stroll leads to a selection of restaurants pubs coffee stores and local shops in close proximity at Strand-on-the-Green (0.4 miles). With towns and amenities such as Chiswick (1.4 miles), Gunnersbury underground (1 mile), Richmond (2.4 miles) and Hammersmith (5 miles), this is a superb central location. The boat itself is currently divided into 2 living spaces with a total area of approximately 1,100 sq ft. The upper floor has 2 bedrooms, a spacious open plan lounge dining room to fitted kitchen. There is a bright bathroom and an abundance of storage around the boat, including a large hull space. The floor to ceiling windows takes full advantage of the excellent view this stretch of the Thames has to offer. The lower floor consists of a large lounge dining room with views across the water and to Brentford Ait, a large double bedroom and a single second cabin room, a bright fitted kitchen, bathroom with bath and shower. There is an upper sun deck and a lower balcony terrace. Available with separate negotiation is a freehold parking space. -
An In-Depth Look at Chaplin's Mutual Comedies by Jeffrey
An In-Depth Look at Chaplin’s Mutual Comedies By Jeffrey Vance, film historian The Floorwalker (Released: May 15, 1916) Embezzlement is the subject of The Floorwalker, Chaplin’s first film under his landmark contract with Lone Star-Mutual. Chaplin’s inspiration for the film came while he and his brother Sydney were in New York City negotiating his contract with Mutual. While walking up Sixth Avenue at Thirty-third Street, Chaplin saw a man fall down an escalator serving the adjacent elevated train station and at once realized the comic possibilities of a moving staircase. He asked his technical director, Ed Brewer, to design and construct an escalator in a department store set designed by art director and master of properties George “Scotty” Cleethorpe (who had worked for Chaplin at Essanay). “With a bare notion I would order sets, and during the building of them the art director would come to me for details, and I would bluff and give them particulars about where I wanted doors and archways.” Chaplin wrote in his autobiography, “In this desperate way I started many a comedy.” (18) After seeing The Floorwalker, Mack Sennett commented, “Why the hell didn’t we ever think of a running staircase?” (19) The Floorwalker has none of the pathos, romance, or irony of the best Chaplin Mutuals. The crudeness and cruelty of his earlier films is still evident in The Floorwalker, although the film contains a stronger plot than most of his previous films, and the moving-staircase chase was novel for 1916. A glimpse of Chaplin’s evolution to a more graceful type of screen comedy is evident in Charlie’s dance when he discovers the valise of stolen money and dives into the bag. -
Cl Granada, S
Preliminary Reading - Charlie Chaplin's Early Life Read the text about Charlie Chaplin's early life and answer the true/false questions below. He was believed to have been born on April 16, 1889. There is some doubt whether April 16 is actually his birthday, and it is possible he was not born in 1889. There is also uncertainty about his birthplace: London or Fontainebleau, France. There is no doubt, however, as to his parentage: he was born to Charles Chaplin, Sr. and Hannah Harriette Hill (aka Lily Harley on stage), both Music Hall entertainers. His parents separated soon after his birth, leaving him in the care of his increasingly unstable mother. In 1896, Chaplin's mother was unable to find work; Charlie and his older half-brother Sydney Chaplin had to be left in the workhouse at Lambeth, moving after several weeks to Hanwell School for Orphans and Destitute Children. His father died an alcoholic when Charlie was 12, and his mother suffered a mental breakdown, and was eventually admitted temporarily to the Cane Hill Asylum at Coulsdon (near Croydon). She died in 1928 in the United States, two years after coming to the States to live with Chaplin, by then a commercial success. Charlie first took to the stage when, aged five, he performed in Music Hall in 1894, standing in for his mother. As a child, he was confined to a bed for weeks due to a serious illness, and, at night, his mother would sit at the window and act out what was going on outside. -
THE NATURAL LANDSCAPE 2.72 the River Thames Is London's Best Known Natural Feature. It Twists and Turns Through London, Changi
THE NATURAL LANDSCAPE 2.72 The River Thames is London’s best known natural feature. It twists and turns through London, changing from a large freshwater river at Hampton into a saline estuary in the east. The river forms a continuous green corridor stretching through London, between the countryside and the sea. 2.73 The nature conservation importance of the linear features of the river channel, mudfl ats and banks cannot be separated from the land in the river corridor. The stretch between Hampton and Kew has Access to the river is particulary the largest expanse of land designated with Site of Special Scientifi c good along the Arcadian Thames Interest status in London. 2.74 For centuries, people have been fascinated by the River Thames, and it continues to attract and inspire local residents and visitors from central London and abroad. Part of the great attraction of the river is the accessible experience of tranquil nature among the concrete and asphalt of the city - the fl ash of a kingfi sher, the bright colour of a wildfl ower or a sudden cloud of butterfl ies have a special resonance in the urban setting. One of the main aims of the Strategy is to ensure the continued balance between wildlife conservation and public access and enjoyment. The Thames is London’s best outdoor classroom 2.75 Over the centuries, the land and the river have been infl uenced by man’s activities. No habitat in London is truly natural which means that we have a particular responsibility to continue to manage the area in ways that conserve a mosaic of attractive habitats and to take special care of rarities. -
Newsletter 19 June 2011
Newsletter 19 June 2011 Membership Renewal to work in circuses. In between engagements he and other performers busked on the London Membership renewal forms were sent out in streets and one of his favourite spots was March, prior to the AGM. If you have not yet Molesey Lock, which was always crowded with renewed your membership, you will have boats on sunny weekends. He saw the received a note with this newsletter to say that magnificent houseboats moored across the it will lapse at the end of June. You will then water and he vowed then that when he became cease to receive newsletters and other rich he would have a houseboat on Tagg’s communications. We do hope you find Island. something of interest in our programme and decide to join us for another year. His career took off when a troupe known as The Three Carnos failed to turn up at a London ‘We are Fred Karno’s Army’ theatre, and Fred and two friends did an act in Ron Smedley their stead. This was so successful that they Meeting Report by Graham Driver were kept on, and Fred adopted the act as his own, taking the name Fred Karno. Soon he began producing his own shows, and he proved an astute judge of talent in recruiting artists for his troupe. Many famous comedians started their careers working for Fred Karno. Names such as Charlie Chaplin, Stan Laurel, Will Hay, Max Miller, Harry Lauder and the Crazy Gang evoked many memories for the AGM audience. Fred became a rich man and in 1903 was able to buy the houseboat ‘Highland Lassie’ on Tagg’s Island. -
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174 181 51 281 53 300 57 22 43 84 286 2 292 14.7m 302 Works 285 234 19.5m 69 86 13 El Sub Sta 298 1 to 12 to 1 14 10 176 GP 11 TCB D Fn 26 3 81 304 1 Allotment 1 287 SOUTH ROAD 195 Gardens 240 38 Stone Niagara House 1 to 10 17.4m 13 13 1 CHANDOS AVENUE CR LB 87 50 274 8 15 25 312 Lourdes Mount 186 PC CHANDOS AVENUE PARK PLACE 70 1 LB 2 60 28 27 89 64 37 3 91 1 to 70 Rochester Mews 242 PC 1 to 9 49 20 Allotment Rochester 1 79 Ealing Park 194 320 PH CHILTON AVENUE Gardens 297 195a House Health 19.0m 59 3 Lindsey House Centre 101 63 2 2 10 2 War Memorial 4 TCB LITTLE EALING LANE 71 66 364 69 248 69a 5 1 19.5m 197a 260 RADBOURNE AVENUE 14 15.0m 1 to 9 17.7m 12.8m 111 197 13 13 26 141 Lodge South 19.1m Lawrence 1 House View 113 Lodge 11.3m 1 Clinic 246 2 14 40 127 LAWRENCE ROAD 13 78 Refreshment Pavilion 1 to 8 129 3 1 Tk South Ealing 75 Tennis Courts 11.6m 121 2 67 Cemetery 4 52 to 6 Chapel TCB 4 Laurel 25 Ashleigh Court 74 1 5 House 6 to 1 66 Garage 50to57 TCB El 11.9m 27 64 Sub Sta 1 5 15.5m 42 to 49 37 64 79 Def 72 58 to 63 Pickering House 81 15 13 14 BIRKBECK ROAD 31to41 TCBs 7 to 15 to 7 14 236 Pavilion 80 TCB 28 49 16 Ashmount Terrace El Sub Sta 29 Chapel TCBs 88 1 13.9m 79 13 23 to 30 to 23 139 81 3 11.0m St Anne's Convent School 106 85 5 16.6m 93 108 87 Lodge 199 86 26 11 Und 22 to 15 8 82 28 International 28 CW FW 83 CW School 16 201 101 71 of London LB 18 222 SOUTH EALING ROAD 11.0m MANOR WAY 69 Boro Const,GL Asly Const & LB Bdy 32 1 MANOR GARDENS 67 10.7m 34 Murray Terrace 212 112 27 25 16.6m 109 100 102 115to122 CW 14 61 48 59 -
Theater Playbills and Programs Collection, 1875-1972
Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items. -
Display PDF in Separate
NRA THAMES 66 Space to live3 space to play A R e c r ea t io n St r a t eg y f o r t h e R iver T h am es SPORTS council. NRA o N TENTS TITLE FOREWORD AUTHORS ACKNOWLEDGEMENTS EXECUTIVE SUMMARY THE THAMES - A NATIONAL RECREATION ASSET 1.1 Managing the Thames: who is involved 1.2 National Rivers Authority 1.3 Sports Council 1.4 National Government 1.5 Local Government 1.6 Other Agencies THE RECREATIONAL VALUE OF THE COUNTRYSIDE:- THE NATIONAL SCENE 2.1 Participation in Countryside Recreation 2.2 Water Related Sports Activities 2.3 Individual Recreational Activities 2.3.1 A ngling 2.3.2 Boating 2.3.3 Canoeing 2.3.4 Rowing 2.4 Other Water Sports 2.4.1 Sub-Aqua 2.4.2 Windsurfing 2.4.3 Waterski-ing 2.4.4 Personal Watercraft 2.5 Countryside Recreation 2.5.1 Walking 2.5.2 Cycling 2.6 Future Trends in Water Sports Participation 2.7 Countryside Recreation in the next 10 years RECREATION ON THE THAMES: SETTING THE LOCAL SCENE 3.1 Thames Based Recreation - Club Activities 3.2 Casual Recreation on the Thames 3.2.1 Thames Path Visitor Survey PLEASURE BOATING ON THE THAMES 4.1 Non-Tidal Navigation 4.1.1 Trends in Boating 4.1.2 Boat Movements 4.1.3 Factors Affecting Boat Traffic 4.2 The Tidal Navigation 4.2.1 PIA & NRA Responsibilities 4.2.2 Boating on the Tidal Thames 4.3 Who Boats on the Thames? ---------------------------------- --------- - ENVIRONMENT AGENCY- 11 7529 5. -
Celebrating 60 Years
Summer newsletter 2016 Celebrating 60 years Special The Hampton Society’s Anniversary Diamond Jubilee Issue Inside... Over the last 60 years we have Celebrating The Hampton Society’s Diamond Jubilee page 2 helped build a greater sense of Letter from the Chair page 3 community in Hampton through Committee members page 3 Our history and achievements our close involvement in creating or page 4 Current campaigns page 5 improving many highly valued local A review of our Society talks, tours and events page 6 places, including Hampton Green, Local news page 7 Hampton Pool, Bell Hill riverside and Events calendar page 8 Garrick’s Temple, Hampton Ferry, Not a member? Hampton Common and the ‘little’ Why not join today? Sainsbury’s in Hampton Square. Please read on... Membership application page 7/8 60th Anniversary Celebrating The Hampton Society’s Diamond Jubilee Continued from front page... Formed in 1956 and originally named Hampton Residents’ Association, we changed our name to The Hampton Society in 1998 as some thought we were the go-to organisation for household issues and complaints. Our sights are set much higher than that and our aims for Hampton are as follows: 1. To preserve and foster its local amenities and to protect its buildings of beauty and interest; 2. To preserve its open spaces from disfigurement and encroachment; 3. To encourage good architecture in its future development; Unrivalled views from our summer party venue, Hampton Sailing Club 4. Generally, to express the wishes and safeguard the rights of its residents in these matters. We’re having a party! Why not join us on Friday 10 June? For this special year in our history we’ve a jazz band to play in a marquee at our now regular summer haunt, Hampton Sailing Club. -
The Pubs, Inns and Beer Houses of Brentford Introduction the General
The Pubs, Inns and Beer Houses of Brentford Introduction The general history of the development of public houses has been well documented elsewhere. Although ale had been drunk since the Bronze Age, formal drinking establishments probably originated when tabernae (taverns) were set up at points along the road network built by the Romans from the 1st century. As well as providing facilities for travellers and pilgrims, inns traditionally acted as community gathering places. In Brentford the heyday of inns such as The Three Pigeons and The Coach and Horses was during the 18th and early 19th centuries when travel on horseback and in horse-drawn coaches was at its height. The consumption of gin, introduced from Holland in 1586, eventually gave rose to a new kind of establishment where customers were served at a bar and they drank standing up. Partly to discourage the drinking of gin the Beerhouse Act of 1830 allowed any householder to sell beer and cider on the payment of a two guinea fee to the Excise. The number of beer shops then grew very rapidly in areas such as Brentford and concern about this situation led to the passing of the 1869 Wine and Beerhouse Act which was designed to curtail the number of outlets. All drinking establishments, including beer shops were then brought under the control of local magistrates. However many houses that did not obtain a full licence managed to continue in business providing that the house conformed to all legislation and was kept orderly. These continued to simply sell beer and cider.