Daylight Award Michel Majerus Art Stage Singapore
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WIR KAUFEN IHRE ROLEX BQ Watches Ist Europas Führender Käufer Gebrauchter Luxusuhren
Luxemburger Wort Montag, den 10.Februar 2014 KULTUR 11 Une premièrepour le public americain Premièrerétrospectiveaméricaine Lesœuvres de Michel Majerus sont exposéesàNew York PAR AFSANEH ANGELINA RAFII les jeux vidéos, le graffiti et la pu- (NEW YORK) blicité qui font tout l’intérêt de son travail. La galerie Matthew Marks àNew York ainauguré vendredi soir une Une ambition clairement affichée rétrospective consacrée àl’œuvre Sur ses dix ans de carrière, Michel de l’artiste luxembourgeois Michel Majerus acréé plus de 1.500 Majerus (1967-2002) prématu- œuvres dont certaines n’ont pas rément disparu lors de l'accident du encore été exposées. Tim Neuger vol Luxair 9642 en novembre 2002. qui le représentait déjà de son vi- Une première pour le public améri- vant se rappelle: «Michel était cain. vraiment visionnaire. Pendant une de ces fameuses périodes de crise La soirée s’est déroulée en pré- où la plupart des artistes rédui- sence des parents de Michel Ma- saient la taille de leurs œuvres, Mi- jerus qui avaient fait le dépla- chel ne faisait qu’agrandir ses cement du Luxembourg. «Orga- toiles. Je lui reprochais qu’elles niser une nouvelle exposition est étaient énormes. Mais en fait il àchaque fois un parcours dou- créait en sachant déjà où il voulait loureux car c’est comme si nous Quelque 25 œuvres et installations sont présentées dans trois espaces de la galerie àChelsea. (PHOTO: A. RAFII) être exposé. Il m’avait alors ré- devions refaire notre deuil. Mais pondu que le Musée Ludwig àCo- Michel atoujours eu le rêve et due du travail de l’artiste. -
Contemporary Art Magazine Issue # Sixteen December | January Twothousandnine Spedizione in A.P
contemporary art magazine issue # sixteen december | january twothousandnine Spedizione in a.p. -70% _ DCB Milano NOVEMBER TO JANUARY, 2009 KAREN KILIMNIK NOVEMBER TO JANUARY, 2009 WadeGUYTON BLURRY CatherineSULLIVAN in collaboration with Sean Griffin, Dylan Skybrook and Kunle Afolayan Triangle of Need VibekeTANDBERG The hamburger turns in my stomach and I throw up on you. RENOIR Liquid hamburger. Then I hit you. After that we are both out of words. January - February 2009 DEBUSSY URS FISCHER GALERIE EVA PRESENHUBER WWW.PRESENHUBER.COM TEL: +41 (0) 43 444 70 50 / FAX: +41 (0) 43 444 70 60 LIMMATSTRASSE 270, P.O.BOX 1517, CH–8031 ZURICH GALLERY HOURS: TUE-FR 12-6, SA 11-5 DOUG AITKEN, EMMANUELLE ANTILLE, MONIKA BAER, MARTIN BOYCE, ANGELA BULLOCH, VALENTIN CARRON, VERNE DAWSON, TRISHA DONNELLY, MARIA EICHHORN, URS FISCHER, PETER FISCHLI/DAVID WEISS, SYLVIE FLEURY, LIAM GILLICK, DOUGLAS GORDON, MARK HANDFORTH, CANDIDA HÖFER, KAREN KILIMNIK, ANDREW LORD, HUGO MARKL, RICHARD PRINCE, GERWALD ROCKENSCHAUB, TIM ROLLINS AND K.O.S., UGO RONDINONE, DIETER ROTH, EVA ROTHSCHILD, JEAN-FRÉDÉRIC SCHNYDER, STEVEN SHEARER, JOSH SMITH, BEAT STREULI, FRANZ WEST, SUE WILLIAMS DOUBLESTANDARDS.NET 1012_MOUSSE_AD_Dec2008.indd 1 28.11.2008 16:55:12 Uhr Galleria Emi Fontana MICHAEL SMITH Viale Bligny 42 20136 Milano Opening 17 January 2009 T. +39 0258322237 18 January - 28 February F. +39 0258306855 [email protected] www.galleriaemifontana.com Photo General Idea, 1981 David Lamelas, The Violent Tapes of 1975, 1975 - courtesy: Galerie Kienzie & GmpH, Berlin L’allarme è generale. Iper e sovraproduzione, scialo e vacche grasse si sono tra- sformati di colpo in inflazione, deflazione e stagflazione. -
Rapport D'activités 2007
MUDAM RAPPORT D’ACTIVITÉS 2007 MUDAM RAPPORT D’ACTIVITÉS 2007 MUDAM RAPPORT D’ACTIVITÉS 2007 MUDAM RAPPORT D’ACTIVITÉS 2007 MUDAM RAPPORT D’ACTIVITÉS 2007 MUDAM RAPPORT D’ACTIVITÉS 2007 MUDAM RAPPORT D’ACTIVITÉS 2007 mudaM rapport d’activites 2007 mudaM rapport d’activites 2007 mudaM rapport d’activites 2007 mudaM rapport d’activites 2007 MUDAM RAPPORT D’ACTIVITÉS 2007 MUDAM RAPPORT D’ACTIVITÉS 2007 MUDAM RAPPORT D’ACTIVITÉS 2007 MUDAM RAPPORT D’ACTIVITÉS 2007 MUDAM RAPPORT D’ACTIVITÉS 2007 MUDAM RAPPORT D’ACTIVITÉS 2007 MUDAM RAPPORT D’ACTIVITÉS 2007 mudaM rapport d’activites 2007 mudaM rapport d’activites 2007 mudaM rapport d’activites 2007 mudaM rapport d’activites 2007 MUDAM RAPPORT D’ACTIVITÉS 2007 MUDAM RAPPORT D’ACTIVITÉS 2007 MUDAM RAPPORT D’ACTIVITÉS 2007 MUDAM RAPPORT D’ACTIVITÉS 2007 MUDAM RAPPORT D’ACTIVITÉS 2007 MUDAM RAPPORT D’ACTIVITÉS 2007 MUDAM RAPPORT D’ACTIVITÉS 2007 mudaM rapport d’activites 2007 mudaM rapport d’activites 2007 mudaM rapport d’activites 2007 mudaM rapport d’activites 2007 MUDAM RAPPORT D’ACTIVITÉS 2007 MUDAM RAPPORT D’ACTIVITÉS 2007 MUDAM RAPPORT D’ACTIVITÉS 2007 MUDAM RAPPORT D’ACTIVITÉS 2007 MUDAM RAPPORT D’ACTIVITÉS 2007 MUDAM RAPPORT D’ACTIVITÉS 2007 MUDAM RAPPORT D’ACTIVITÉS 2007 mudaM rapport d’activites 2007 mudaM rapport d’activites 2007 mudaM rapport d’activites 2007 mudaM rapport d’activites 2007 MUDAM RAPPORT D’ACTIVITÉS 2007 MUDAM RAPPORT D’ACTIVITÉS 2007 MUDAM RAPPORT D’ACTIVITÉS 2007 MUDAM RAPPORT D’ACTIVITÉS 2007 MUDAM RAPPORT D’ACTIVITÉS 2007 MUDAM RAPPORT D’ACTIVITÉS 2007 MUDAM RAPPORT -
Hors-Série Pendant 12 Mois Numéro 1 / Août1 20129
Votre abonnement annuel pour €/mois pendant 12 mois hors-série numéro 1 / août1 20129 - spécial expositions de l’été 2012 - * p.4 paris * p.23 île-de-france * p.26 régions * p.71 étranger www.lequotidiendelart.com 2 euros cliquez et retrouvez le calendrier des expositions du mois édito le quotidien de l’art / hors-série / numéro 1 / a oût 2012 PAGE 02 Expositions : un été radieux ! Carolyn Christov-Bakargiev, s’est notamment focalisée sur les artistes s’intéressant à la question de l’histoire. De Gerhard Tout au long de l’année, nos critiques d’art et journalistes Richter au Centre Pompidou à Paris à Jeff Koons à la Fondation parcourent les musées, centres d’art, fondations, en France Beyeler à Bâle, l’art contemporain figure en bonne place dans et à l’étranger, et proposent des comptes rendus, analyses et notre sélection, jusqu’aux plus jeunes artistes, en France ou à critiques des expositions temporaires incontournables. Pour l’étranger, en passant par des rendez-vous comme la triennale ce premier hors-série du Quotidien de l’art, nous vous offrons l’Estuaire qui conduit les visiteurs de Nantes à Saint-Nazaire. une sélection de plus de quatre-vingts expositions à voir durant Cet été, la photographie tient aussi le haut du pavé, des ce mois d’août. Les événements majeurs sont en bonne place, rencontres d’Arles où se distingue la figure de Josef Koudelka comme la Documenta de Cassel, en Allemagne, événement au Guggenheim Museum de New York qui accueille une qui fait un point tous les cinq ans sur les grandes tendances grande rétrospective de la Néerlandaise Rineke Dijkstra. -
In 1938, Aged Fifteen, Freud Enrolled at the Central School of Arts And
In 1938, aged fifteen, Freud enrolled at the Central School of Arts and Crafts—where he engaged principally with drawing—but stayed only for a term, not taking to the school’s atmosphere. It was in the early summer of 1939, when sixteen, that he attended the East Anglian School of Drawing and Painting in Dedham, Essex, and found that he could paint. Under the guidance of the school’s principal Cedric Morris, Freud produced works including portraits, views from a window, plants and personally significant still lives. Formative influences cited by Freud include Aubrey Beardsley’s Lysistrata illustrations. After supposedly burning down the East Anglian School as a result of discarding a lit cigarette, in 1941 Freud served on the armed merchant cruiser SS Baltrover—a North Atlantic convoy travelling to Nova Scotia which was attacked from both the air and by a submarine. Initially returning to England to re-attend the East Anglian School now at Benton End, Hadleigh, Suffolk, Freud subsequently moved to Paddington in London and mounted his first one-man show at the gallery Alex Reid & Lefevre in 1944. During his years in Paddington many of his Irish working- class neighbours sat for him, in particular the brothers Charlie and Billy. Freud began to travel to Paris, and spent two months there in 1946, followed by another five months on the Greek island of Poros. He stayed there again in 1947 with Kitty Garman, the daughter of Kathlene Garman and the sculptor Jacob Epstein. Freud married Kitty the following year. During 1948 he also exhibited at the London Gallery. -
Lucian Freud Portraits Free
FREE LUCIAN FREUD PORTRAITS PDF Sarah Howgate,Michael Auping,John Richardson | 256 pages | 09 Feb 2012 | National Portrait Gallery Publications | 9781855144415 | English | London, United Kingdom Lucian Freud: The Self-portraits Lucian Freud, renowned for his unflinching observations of anatomy and psychology, made even the beautiful people including Kate Moss look ugly. One of the late Lucian Freud Portraits most celebrated portraitists, Freud painted only those closest to him: friends and family, wives and mistresses, and, last but not least, himself. His insightful series of self-portraits spanned over six decades. Unusual among artists with such long careers, his style remained remarkably consistent. Perhaps inevitably, the psychic intensity of his portraits, and his notoriously long sessions with sitters have been compared with the psychoanalytic practice of his famous grandfather, Sigmund Freud. Lucian Freud was born into an artistic middle-class Jewish family. His father Ernst was an architect, his mother Lucie Brasch studied art history, and his grandfather was the paradigm-shifting psychoanalyst Sigmund Freud. InFreud and his family left Berlin to escape Hitler and settled in London. Typical of Freud's early period, Girl with a White Dog was created using a sable brush, which he used to apply the paint with linear precision, almost like a drawing. The subtle shading evokes a host of textures exuding softness, warmth, and the absence of immediate tension. The robe has slipped off the sitter's shoulder, exposing her right breast. Coupled with the absent Lucian Freud Portraits of the woman and the dog, the muted colors and faint contours give this composition an overall flatness. -
Descendants of Nathan Spanier 17 Feb 2014 Page 1 1
Descendants of Nathan Spanier 17 Feb 2014 Page 1 1. Nathan Spanier (b.1575-Stadthagen,Schaumburg,Niedersachsen,Germany;d.12 Nov 1646-Altona,SH,H,Germany) sp: Zippora (m.1598;d.5 Apr 1532) 2. Isaac Spanier (d.1661-Altona) 2. Freude Spanier (b.Abt 1597;d.25 Sep 1681-Hannover) sp: Jobst Joseph Goldschmidt (b.1597-witzenhausen,,,Germany;d.30 Jan 1677-Hannover) 3. Moses Goldschmidt 3. Abraham Goldschmidt sp: Sulke Chaim Boas 4. Sara Hameln 4. Samuel Abraham Hameln sp: Hanna Goldschmidt (b.1672) 3. Jente Hameln Goldschmidt (b.Abt 1623;d.25 Jul 1695-Hannover) sp: Solomon Gans (b.Abt 1620;d.6 Apr 1654-Hannover) 4. Elieser Suessmann Gans (b.Abt 1642;d.16 Oct 1724-Hannover) sp: Schoenle Schmalkalden 5. Salomon Gans (b.Abt 1674-Hameln;d.1733-Celle) sp: Gella Warburg (d.1711) 6. Jakob Salomon Gans (b.1702;d.1770-Celle) sp: Freude Katz (d.1734) 7. Isaac Jacob Gans (b.1723/1726;d.12 Mar 1798) sp: Pesse Pauline Warendorf (d.1 Dec 1821) 8. Fradchen Gans sp: Joachim Marcus Ephraim (b.1748-Berlin;d.1812-Berlin) 9. Susgen Ephraim (b.24 Sep 1778-Berlin) 9. Ephraim Heymann Ephraim (b.27 Aug 1784;d.Bef 1854) sp: Esther Manasse 10. Debora Ephraim sp: Heimann Mendel Stern (b.1832;d.1913) 11. Eugen Stern (b.1860;d.1928) sp: Gertrude Lachmann (b.1862;d.1940) 12. Franz Stern (b.1894;d.1960) sp: Ellen Hirsch (b.1909;d.2001) 13. Peter Stern Bucky (b.1933-Berlin;d.2001) sp: Cindy 10. Friederike Ephraim (b.1833;d.1919) sp: Leiser (Lesser) Lowitz (b.Abt 1827;m.11 Jan 1854) 9. -
65825 NPG - Lucian Freud Portraits Guide TEXT.Indd 1 09/02/2012 09:28 Man in a Chair
Lucian Freud (1922–2011) was one of the great realist painters of the twentieth century. Freud had a life-long preoccupation with the human face and figure. Family, friends and lovers were his subjects and, sometimes, when no-one else was available, himself. Sitters were drawn from all walks of life, from the aristocracy to the criminal underworld, but he rarely took on commissions. Freud’s portraits often record the life of a relationship. Highly personal and private, they are an enigmatic record of time spent behind the closed door of the studio. The paintings demonstrate the unrelenting observational intensity of his work. The exhibition spans seven decades and is arranged broadly chronologically, beginning with his early explorations of the portrait. ‘I work from people that interest me and that I care about, in rooms that I live in and know’ Lucian Freud 65825 NPG - Lucian Freud Portraits Guide TEXT.indd 1 09/02/2012 09:28 MAN IN A CHAIR This is a portrait of Baron Hans Heinrich Thyssen-Bornemisza. Like so many of the paintings in this exhibition, it makes reference to the traditions of historical portraiture, in this case Diego Velázquez, while remaining thoroughly contemporary. This is a private view of a powerful figure; his gaze is downward and he sits beside the painter’s discarded rags, his feet cropped from the lower edge of the composition. Freud pays attention to the cut of the suit and the fabric is rendered in as much detail as flesh. Oil on canvas, 1983–5 Thyssen-Bornemisza Collections 65825 NPG - Lucian Freud Portraits Guide TEXT.indd 2 09/02/2012 09:28 I Freud’s fi rst subjects included self-portraits, portraits of his friend, the patron and collector peter watson, and his tutor, the painter Cedric Morris. -
Wid Lieben Büched. We Love Books
HERBST 2012 FALL 2012 WIR LIEBEN BÜCHER. WE LOVE BOOKS. DISTANZ Publishers Vertriebspartner für den Exclusive Worldwide Sales Distribution Services Handel Representation Christian Boros Great Britain / Ireland Uta Grosenick Gestalten Gestalten Mariannenstr. 9–10 Mariannenstr. 9–10 Marston Book Services Ltd. DISTANZ Verlag GmbH D-10999 Berlin 10999 Berlin Tel. +44 (0)12 35465500 Hallesches Ufer 78 Tel. +49 (0)30 72613 2200 Tel. +49 (0)30 72613 2200 Fax +44 (0)12 35465555 D-10963 Berlin Fax +49 (0)30 72613 2222 Fax +49 (0)30 72613 2222 [email protected] Tel. +49 (0)30 240833 200 [email protected] [email protected] Fax +49 (0)30 240833 250 Gestalten UK USA / Canada www.distanz.de Auslieferungen / Distribution Die Gestalten Verlag UK Ltd. www.distanz.com Services Suite 7, London Fruit & Wool Prestel Publishing Exchange Innovative Logistics Please note that all titles, Deutschland / Österreich / Brushfield Street 575 Prospect Street designs, prices, scheduled Belgien / Niederlande / London E1 6HB Lakewood, NJ 08701 publication dates, and specifica- Skandinavien / Süd- und Great Britain Tel. +1 732 3635679 tions are subject to alteration Osteuropa Tel. +44 (0)20 73771388 Fax +1 732 3630338 without notice. Date: April 2012 Germany / Austria / Fax +44 (0)20 72478624 Toll-free orders: Title number: 9076 Belgium / The Netherlands / [email protected] (888) 4636110 Scandinavia / Southern and Toll-free fax orders: Printed in Germany Eastern Europe Gestalten US (877) 3728892 All rights reserved. Gestalten Corp. LKG 900 Broadway, Suite 603 © DISTANZ Verlag GmbH Kontakt: Elisabeth Kaiser New York, NY 10003 Distanz publications are Berlin 2012 An der Südspitze 1–12 USA distributed worldwide through D-04579 Espenhain Tel. -
Exhibition of Nearly 100 Works by Lucian Freud Explores the Crucial Relationship Between His Etchings and Works on Canvas
EXHIBITION OF NEARLY 100 WORKS BY LUCIAN FREUD EXPLORES THE CRUCIAL RELATIONSHIP BETWEEN HIS ETCHINGS AND WORKS ON CANVAS Lucian Freud: The Painter’s Etchings December 16, 2007–March 10, 2008 Special Exhibitions Gallery, third floor NEW YORK, December 11, 2007—Lucian Freud: The Painter’s Etchings, on view at MoMA from December 16, 2007, to March 10, 2008, highlights the artist’s exceptional achievements in the medium of etching and explores the crucial relationship between these works on paper and his works on canvas. In a career spanning more than six decades, Freud (British, b. Germany, 1922), has redefined portraiture and the nude through his frank scrutiny of the human form. Although best known as a painter, Freud has made etching a constant part of his artistic practice since 1982. The full scope and significance of Freud’s achievements in etching are represented here, ranging from rare, early experiments of the 1940s to the increasingly large and complex compositions created since his rediscovery of the medium in the early 1980s, including a new work completed in 2007. Lucian Freud: The Painter’s Etchings, Freud’s first solo exhibition at The Museum of Modern Art and his first museum exhibition in New York City in 14 years, is organized by Starr Figura, The Phyllis Ann and Walter Borten Assistant Curator of Prints and Illustrated Books, The Museum of Modern Art. Ms. Figura states: “Although Freud’s etchings speak for themselves in terms of their quality and strength, this aspect of his work remains relatively little known as compared with his paintings. -
British Figurative Art Since 1950
BRITISH FIGURATIVE ART SINCE 1950 Next week we will look at one of the most famous figurative artists, David Hockney, and this week we will cover eight figurative artists more briefly. Figurative art has long been a feature of British art and the artists most often associated with figurative art since WWII are those of the ‘School of London’. This is a term invented by artist R.B. Kitaj to describe a group of London-based artists who were pursuing forms of figurative painting in the face of avant-garde abstraction in the 1970s. Last term we looked at a few figurative artists who painted between 1900 and 1950 including: • John Singer Sargent (1856-1925), an American artist who worked in Britain and became the leading portrait painter of his generation. • Walter Sickert (1860-1942), a painter’s painter and one of the most influential British artists of the twentieth century. • Gwen John (1876-1939). Gwen John, was an intense and solitary artist who was described by her brother Augustus John as the better artist. • Augustus John (1878-1961) Augustus John was one of the most popular society portrait artists at the beginning of the twentieth century. • Laura Knight (1877-1970) Knight was a painter in the figurative, realist tradition who was among the most successful and popular painters in 1 Britain. In 1929 she was created a Dame, and in 1936 became the first woman elected to the Royal Academy since its foundation in 1768. • William Orpen (1878-1931) an Irish artist who worked mainly in London. William Orpen was a fine draughtsman and a popular, commercially successful, painter of portraits for the well-to-do in Edwardian society. -
Christopher Wool
CHRISTOPHER WOOL BIOGRAPHY Born 1955 in Chicago, IL Lives and works in New York, NY EDUCATION 1969-1972 B.A, Sarah Lawrence College, New York, NY 1973 Painting Course, New York Studio School, New York, NY Painting Course, New York University, New York, NY SELECTED SOLO EXHIBITIONS 2019 Maybe Maybe Not: Christopher Wool and the Hill Collection, Hill Art Foundation, New York, NY 2018 Christopher Wool: A New Sculpture, Luhring Augustine, Brooklyn, NY Christopher Wool: Highlights from the Hill Art Collection, Hill Art Foundation, H Queen’s Atrium, Hong Kong 2017 Christopher Wool: Text Without Message, Philbrook Downtown, Tulsa, OK Christopher Wool, Galerie Max Hetzler, Berlin, Germany 2015 Christopher Wool, Luhring Augustine, New York, NY Christopher Wool: Selected Paintings, McCabe Fine Art, Stockholm, Sweden Inbox: Christopher Wool, MoMA, New York, NY 2013 Christopher Wool, Guggenheim Museum, New York, NY. This exhibition travelled in 2014 to Art Institute of Chicago, Chicago, IL (exh. cat.) 2012 Christopher Wool, Musée d’Art Moderne de la Ville de Paris, Paris, France 2011 Christopher Wool, Galerie Gisela Capitain, Cologne, Germany 2010 Christopher Wool, Gagosian Gallery, Rome, Italy Christopher Wool, Corbett vs. Dempsey, Chicago, IL 2009 Christopher Wool, Galerie Micheline Szwajcer, Antwerp, Belgium Christopher Wool: Editions, Artelier Contemporary, Graz, Austria 2008 Christopher Wool, Luhring Augustine Gallery, New York, NY Christopher Wool. Porto – Köln, curated by Ulrich Loock and Julia Friedrich, Museu Serralves, Porto, Portugal. This exhibition travelled to the Museum Ludwig (exh. cat). 2007 Pattern Paintings 1987-2000, Skarstedt Gallery, New York, NY (exh. cat) Christopher Wool, Galerie Max Hetzler, Berlin, Germany (exh. cat) Christopher Wool, Eleni Koroneou Gallery, Athens, Greece 2006 Christopher Wool, Simon Lee Gallery, London, UK Christopher Wool, ETH (Swiss Federal Institute of Technology), Zurich, Germany Christopher Wool, IVAM Institut Valencià d'Art Modern, Valencia, Spain (exh.