DOCSLIB.ORG

National Endowment for the Arts FY 2017 Spring Grant Announcement

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

National Endowment for the Arts FY 2017 Spring Grant Announcement State and Jurisdiction List Project details are accurate as of June 5, 2017. For the most up to date project information, please use the NEA's online grant search system. The following categories are included: Art Works, Art Works: Research, Our Town, and Partnerships (State & Regional). The grant category is listed with each recommended grant. All are organized by state/jurisdiction followed by city and then by the name of the organization. Click the state or jurisdiction below to jump to that area of the document. Alabama Kentucky Oklahoma Alaska Louisiana Oregon American Samoa Maine Pennsylvania Arizona Maryland Puerto Rico Arkansas Massachusetts Rhode Island California Michigan South Carolina Colorado Minnesota South Dakota Connecticut Mississippi Tennessee Delaware Missouri Texas District of Columbia Montana Utah Florida Nebraska Vermont Georgia Nevada Virginia Guam New Hampshire Virgin Islands Hawaii New Jersey Washington Idaho New Mexico West Virginia Illinois New York Wisconsin Indiana North Carolina Wyoming Iowa North Dakota Kansas Ohio Alabama Number of Grants: 10 Total Dollar Amount: $1,015,200 Auburn University Main Campus $25,000 Auburn, AL Art Works – Visual Arts To support the Alabama Prison Arts and Education Project. In collaboration with the Alabama Department of Corrections, the university will provide visual arts workshops taught by emerging and established artists for incarcerated men and women in multiple facilities around the state. The workshops, based on college-level curriculum, will include courses in the fundamentals of drawing, watercolor, mural arts, and block-cut printing. A touring exhibition will be presented, accompanied by an anthology of student produced creative works. Alabama Folklife Association, Inc. (aka Alabama Folklife Association) $30,000 Birmingham, AL Art Works – Folk & Traditional Arts To support One State, Many Traditions, Our Story: A Bicentennial Cultural Initiative. In preparation for Alabama's bicentennial celebration, folklorists will conduct archival research and fieldwork about the state's musical traditions and quilting heritage. Tradition bearers will be identified and documented, and previously unknown material will be preserved. The results of this research will be incorporated into bicentennial exhibits and curriculum guides for classroom use. City of Birmingham, Alabama $100,000 Birmingham, AL Our Town – Design To support a masterplan for a new arts and technology complex at Sloss Furnaces National Historic Landmark. The masterplan will address underutilized space and facilities at the Sloss Furnaces site and build workforce capacity in Birmingham through site-specific planning and design and arts and technology workforce development plans. The City of Birmingham, which owns Sloss Furnaces, will engage artists and the local creative community during the planning process. Sloss Furnaces includes 44 existing buildings and an 1881 iron ore blast furnace on a 15-acre site near downtown Birmingham. It was listed as a National Historic Landmark in 1981. Sloss Furnaces Foundation, Inc. (aka Sloss) $15,000 Birmingham, AL Art Works – Arts Education To support the summer youth apprenticeship program. High school students will build artistic, vocational, and social skills through apprenticeships while learning the processes used to create cast iron and fabricated steel sculpture with professional artists. Student artwork will be displayed in an exhibition at the Sloss Furnaces Gallery and at ArtWalk, an annual art festival in downtown Birmingham. Space One Eleven, Inc. (aka Space One Eleven (SOE)) $25,000 Birmingham, AL Art Works – Visual Arts To support an exhibition series featuring work by women artists. Plans for the project include two exhibitions. The first is a group show anchored by a resident artist-Rosa Naday Garmendia-whose work Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Information is current as of June 5, 2017. Page 2 explores social justice issues. The second exhibition will showcase emerging female artists. Complementing the residency and exhibitions will be panel discussions intended for the general public, university students, and faculty in which the exhibiting artists, art historians, and activists will explore topics such as attitudes toward feminist art among women of different generations; the role of artists as agents of change; and the representation of women in the contemporary art world. Marshall County Retired Senior Volunteer Program, Incorporated (aka Marshall County RSVP) $10,000 Guntersville, AL Art Works – Folk & Traditional Arts To support Melodies and Musings - Our Appalachian Legacy, a mountain dulcimer workshop series. Artists will instruct senior citizens in playing the dulcimer in a multi-day workshop. The instructional program will conclude with a concert of traditional music featuring the instructors and students. The project will promote health and well-being, including positive psychological and physiological benefits for the older adults involved. For an Our Town project in Hobson, AL, see University of Alabama in Tuscaloosa Alabama Youth Ballet Theatre, Inc. $10,000 Huntsville, AL Art Works – Dance To support Dance Connection. Students are nominated to participate in the annual performing arts program which reduces economic barriers to arts access. The program provides free or reduced-cost clothing, equipment, nutrition, and professional instruction during an intensive summer dance program that ends with a public performance. Eligible students are provided full-year tuition scholarships to the Alabama Youth Ballet School, which offers additional performance opportunities. Mobile Symphony, Inc. (aka Mobile Symphony Orchestra) $10,000 Mobile, AL Art Works – Music To support Mobile Symphony Orchestras's Young People's Concerts. Programming will feature an adaptation of Sergei Prokofiev's "Peter and the Wolf" with Music Director Scott Speck. Tailoring the classic tale to the Alabama Gulf Coast, the wolf may be a native Alabama animal such as an alligator. Educational study guides and programs will be presented in elementary schools in Mobile and Baldwin Counties. The concerts will be presented during the school day for more than 3,000 elementary schoolchildren. Alabama State Council on the Arts $765,200 Montgomery, AL Partnerships (State & Regional) To support Partnership Agreement activities associated with carrying out your NEA-approved State strategic plan. University of Alabama $25,000 Tuscaloosa, AL/For a project in Hobson, AL Our Town – Design To support PhotoVoices: Cultivating Community, Creating Change in Hobson City, Alabama. The project will engage experts to teach photography and creative writing skills to youth in the community to create Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Information is current as of June 5, 2017. Page 3 a historic narrative of the town. The University of Alabama will partner with Hobson City on this program. The goal is to stimulate and cultivate community pride in shared history for this town of about 800 residents, most of whom are living below the poverty line. Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Information is current as of June 5, 2017. Page 4 Alaska Number of Grants: 5 Total Dollar Amount: $811,906 Alaska State Council on the Arts $675,800 Anchorage, AK Partnerships (State & Regional) To support Partnership Agreement activities associated with carrying out your NEA-approved State strategic plan. Anchorage Symphony Orchestra $15,000 Anchorage, AK Art Works – Music To support Young People's Concerts. In an effort to encourage participation in school instrumental music programs, concerts will be performed for elementary school students. Working in collaboration with Anchorage School District music educators, the orchestra will create study materials for classroom instructors. Teacher workshops also will be offered to prepare students for the concert experience. Koahnic Broadcast Corporation $25,000 Anchorage, AK Art Works – Media Arts To support a production highlighting Native artists on the radio program "Earthsongs." As many as five Native rap and hip-hop artists will be profiled for a production that highlights each artist's tribal history, personal story, and the cultural significance of spoken-word, rap, and hip-hop traditions within the greater Native community. The production will feature performances by each artist as well as recordings of outreach events in their local communities, in areas such as Anchorage, Alaska; Santa Fe, New Mexico; and Billings, Montana. The program will air on "Earthsongs," which has public broadcast planned through station affiliates of the Native One Voice radio network and other public radio stations across the country. Perseverance Theatre, Inc. (aka Perseverance Theatre) $10,000 Douglas, AK Art Works – Theater & Musical Theater To support the development and world premiere of "Snow Child," a new musical by playwright John Strand, lyricist and co-composer Georgia Stitt, and co-composer Bob Banghart. Adapted from the novel "The Snow Child" by Eowyn Ivey, and based on a centuries-old Slavic-Nordic folktale, the musical will tell the story of two newcomers to the territory of Alaska who are tested as they question their resolve and ultimately
Recommended publications
  • Hello! My Baby Student Guide.Pdf

    Hello! My Baby Student Guide.Pdf

    Goodspeed’s Student Guide to the Theatre is made possible through the generosity of GOODSPEED MUSICALS GOODSPEED GUIDE TO THE THEATRE Student The Max Showalter Center for Education in Musical Theatre HELLO! MY BABY The Norma Terris Theatre November 3 - 27, 2011 _________ CONCEIVED & WRITTEN BY CHERI STEINKELLNER NEW LYRICS BY CHERI STEINKELLNER Student Guide to the Theatre TABLE OF CONTENTS NEW MUSIC & ARRANGEMENTS BY GEORGIA STITT ABOUT THE SHOW: The Story...................………………………………………….3 LIGHTING DESIGN BY JOHN LASITER ABOUT THE SHOW: The Characters...........................……………………………5 ABOUT THE SHOW: The Writers....................…..…………………………………...6 COSTUME DESIGN BY ROBIN L. McGEE Listen Up: Tin Pan Alley Tunes................………………………………................7 SCENIC DESIGN BY A Few Composers + Lyricists..............................……………………………….....8 MICHAEL SCHWEIKARDT Welcome to the Alley!...............…………………………………………………...10 CHOREOGRAPHED BY Breaking into the Boys Club......…………………………………………………...11 KELLI BARCLAY New York City..............................…………………………………………………...12 DIRECTED BY RAY RODERICK FUN AND GAMES: Word Search........................................................................13 FUN AND GAMES: Crossword Puzzle….……………………………...................14 PRODUCED FOR GOODSPEED MUSICALS BY How To Be An Awesome Audience Member…………………......................15 MICHAEL P. PRICE The Student Guide to the Theatre for Hello! My Baby was prepared by Joshua S. Ritter M.F.A, Education & Library Director and Christine Hopkins,
  • Southern Comfort

    Southern Comfort

    FROM THE NATIONAL ALLIANCE FOR MUSICAL THEAtre’s PresideNT Welcome to our 24th Annual Festival of New Musicals! The Festival is one of the highlights of the NAMT year, bringing together 600+ industry professionals for two days of intense focus on new musical theatre works and the remarkably talented writing teams who create them. This year we are particularly excited not only about the quality, but also about the diversity—in theme, style, period, place and people—represented across the eight shows that were selected from over 150 submissions. We’re visiting 17th-century England and early 20th century New York. We’re spending some time in the world of fairy tales—but not in ways you ever have before. We’re visiting Indiana and Georgia and the world of reality TV. Regardless of setting or stage of development, every one of these shows brings something new—something thought-provoking, funny, poignant or uplifting—to the musical theatre field. This Festival is about helping these shows and writers find their futures. Beyond the Festival, NAMT is active year-round in supporting members in their efforts to develop new works. This year’s Songwriters Showcase features excerpts from just a few of the many shows under development (many with collaboration across multiple members!) to salute the amazing, extraordinarily dedicated, innovative work our members do. A final and heartfelt thank you: our sponsors and donors make this Festival, and all of NAMT’s work, possible. We tremendously appreciate your support! Many thanks, too, to the Festival Committee, NAMT staff and all of you, our audience.
  • Field+Perspectives+2017.Pdf

    Field+Perspectives+2017.Pdf

    Field Perspectives is an arts writing project organized by Common Field in collaboration with nine arts publishing organizations around the US. Field Perspectives publishes writing that considers the state of the artist organization field and the key ideas explored in the Common Field 2017 Los Angeles Convening. The nine 2017 Field Perspectives partners are Los Angeles publications Contemporary Art Review Los Angeles (CARLA), contemptorary, X-TRA; and national publications ARTS. BLACK (Detroit/New York), Art Practical (Bay Area), The Chart (Portland, ME), DIRT (DC, Maryland, Virginia (DMV) Area), Pelican Bomb (New Orleans), and Temporary Art Review (St. Loius). Commissioned writers include Chloë Bass, Dan Bustillo, Travis Diehl, Lucy Lopez, Lindsay Preston Zappas, Ellen Tani, Anuradha Vikram; Andrea Andersson, Imani Jacqueline Brown, L. Kasimu Harris, and Charlie Tatum; and a collaborative essay by Ani Bradberry, Martina Dodd, Andy Johnson, Jordan Martin & Ikram Lakhdhar, Georgie Payne, and Valerie Wiseman. Thanks to the organizing and editing efforts of the people behind our nine partner organizations — Taylor Renee Aldridge, Anahita Bradberry, Michele Carlson, Poppy Coles, Jenna Crowder, Martina Dodd, Andy Johnson, Gelare Khoshgozaran, Eunsong Kim, Ikram Lakhdhar, Jessica Lynne, Shana Lutker, Jordan Martin, James McAnally, Georgie Payne, Lindsay Preston Zappas, Cameron Shaw, Vivian Sming, Charlie Tatum, and Valerie Wiseman. Each publication commissioned writing published weekly throughout October 2017, with goals of catalyzing discussion, dialog, and debate before, during and after the Los Angeles Convening. To see the 2016 Field Perspectives project, you can download a PDF of the essays from Common Field or read on websites of 2016 partners Miami Rail and Temporary Art Review.
  • 34 Writers Head to 7Th Annual Johnny Mercer Foundation Writers Colony at Goodspeed Musicals

    34 Writers Head to 7Th Annual Johnny Mercer Foundation Writers Colony at Goodspeed Musicals

    NEWS RELEASE FOR MORE INFORMATION, CONTACT: Elisa Hale at (860) 873-8664, ext. 323 [email protected] Dan McMahon at (860) 873-8664, ext. 324 [email protected] 34 Writers Head to 7th Annual Johnny Mercer Foundation Writers Colony at Goodspeed Musicals – 21 Brand New Musicals will be part of this exclusive month-long retreat – This year’s participants boast credits as diverse as: Songwriters of India Aire’s “High Above” (T. Rosser, C. Sohne) Music Director for NY branch of Playing For Change (O. Matias) Composer for PBS (M. Medeiros) Author of Muppets Meet the Classic series (E. F. Jackson) Founder of RANGE a capella (R. Baum) Lyricist for Cirque du Soleil’s Paramour (J. Stafford) Member of the Board of Directors for The Lilly Awards Foundation and Founding Director of MAESTRA (G. Stitt) Celebrated Recording Artists MIGHTY KATE (K. Pfaffl) Teaching artist working with NYC Public Charter schools and the Rose M. Singer Center on Riker’s Island (I. Fields Stewart) Broadway Music Director/Arranger for If/Then, American Idiot, The 25th Annual Putnam County Spelling Bee and others (C. Dean) EAST HADDAM, CONN.,JANUARY 8 , 2019: In what has become an annual ritual, a total of 34 established and emerging composers, lyricists, and librettists will converge on the Goodspeed campus from mid-January through mid-February 2019 to participate in the Johnny Mercer Foundation Writers Colony at Goodspeed Musicals. The writing teams, representing 21 new musicals, will populate the campus, creating a truly exciting environment for discovery and inspiration. The Johnny Mercer Writers Colony at Goodspeed is an unparalleled, long-term residency program devoted exclusively to musical theatre writing.
  • A Lighting Design Process for a Production of Stephen Schwartz’S Working

    A Lighting Design Process for a Production of Stephen Schwartz’S Working

    A LIGHTING DESIGN PROCESS FOR A PRODUCTION OF STEPHEN SCHWARTZ’S WORKING A Thesis Presented in Partial Fulfillment of the Requirements for The Degree Master of Fine Arts in the Graduate School of The Ohio State University By Matthew Dale McCarren, B.A. The Ohio State University 2008 Masters Examination Committee: Approved By Mary A. Tarantino, M.F.A., Advisor Daniel A.Gray, M.F.A. Advisor Graduate Program in Theatre Maureen Ryan, M.F.A. ABSTRACT Stephen Schwartz’s Working was produced at The Ohio State University Department of Theatre during the spring quarter of 2008. Included in this document is all of the documentation used for the implementation of the lighting design for this production. The need to work forces humans to interact with one another daily and requires us to deal with the added stressors that being in contact with other humans creates. This theme is central to the story of Working and is a major point of emphasis for our production of Working. Chris Roche in his Director’s Concept states, “The construction of Working at first glance seems isolated and solitary, so many different stories – but very little unifying factor. I believe the common thread is the workers themselves. Who do we meet on a daily basis, and how does each of those domino-like moments affect the greater whole of our lives?” In support of the director’s concept, the lighting design for Working aimed to create two separate lighting environments one of reality and the other of fantasy. The challenge was to then connect the separate environments into one seamless world where the line of reality and fantasy are blurred.
  • A Critique of Humoristic Absurdism

    A Critique of Humoristic Absurdism

    A Critique of Humoristic Absurdism A Critique of Humoristic Absurdism Problematizing the legitimacy of a humoristic disposition toward the Absurd A Critique of Humoristic Absurdism Copyright © 2020 Thom Hamer Thom Hamer All rights reserved. No part of this thesis may be reproduced, stored or transmitted in any way or by any means without the prior permission of the author or, when applicable, of the publishers of the scientific papers. Image on previous page: Yue Minjun (2003), Garbage Hill Student number: 3982815 Graphic design: Mirelle van Tulder Date: February 5th 2020 Printed by Ipskamp Printing Word count: 32,397 Institution: Utrecht University Contents Study: Research Master Philosophy Summary 9 Document: Final Thesis Foreword 10 Supervisor: prof. dr. Paul Ziche Introduction 12 Second Reader: dr. Hans van Stralen 1. The Philosophy of Humor 21 Third Reader: prof. dr. Mauro Bonazzi 1.1. A history of negligence and rejection 24 1.2. Important distinctions 33 1.3. Theories of humor 34 1.4. Defense of the Incongruity Theory 41 1.5. Relevance of relief and devaluation 52 1.6. Operational definition 54 2. The Notion of the Absurd 59 2.1. Camusian notion: meaninglessness 61 2.2. Tolstoyan notion: mortality 63 2.3. Nagelian notion: trivial commitments 67 2.4. Modified notion: dissolution of resolution 71 2.5. Justificatory guideline for a disposition toward the Absurd 78 3. Humoristic Absurdism 83 3.1. What is Humoristic Absurdism? 85 3.2. Cultural expressions of Humoristic Absurdism 87 3.3. Defense of Humoristic Absurdism 92 4. Objections against the humoristic disposition toward the Absurd 101 4.1.
  • Visitor Figures 2016 Exhibition & Museum Attendance Survey

    Visitor Figures 2016 Exhibition & Museum Attendance Survey

    2 THE ART NEWSPAPER REVIEW Number 289, April 2017 SPECIAL REPORT VISITOR FIGURES 2016 EXHIBITION & MUSEUM ATTENDANCE SURVEY Christo helps 1.2 million people to walk on water While the Whitney breaks the hold of New York’s big two hristo’s triumph in Italy, a space in New York to five artists, including Steve Children admiring Louise Bourgeois at Tate Modern: ravenous appetite for French art McQueen, Lucy Dodd and Michael Heizer, for the institution has hung on to its spot as the world’s abroad and a shake-up in New several weeks at a time. On average, more than most popular Modern and contemporary art museum York are the big stories of The 4,000 visitors saw each of the five presentations, Art Newspaper’s 2016 attend- roughly equivalent to the number that visited the FEMALE ARTISTS DRAW BIG CROWDS ance survey. museum’s Frank Stella retrospective. Christo’s Floating Piers (2016) Despite the Whitney’s rapid rise, MoMA and Female artists feature prominently in our survey. on Lake Iseo—the New York-based artist’s first the Met continue to lead the league in New York. At the Guggenheim Bilbao, Louise Bourgeois’s Cells Coutdoor installation since 2005—was the world’s MoMA remains at the top, thanks to staffers who attracted around 4,600 visitors a day. The Japanese most-visited work of art last year. Christo erected performed each afternoon over a long weekend artist Yayoi Kusama, who in 2014 proved a phenom- 3km of fabric-covered pontoons between an island last October in a production directed by the enon in South America and Asia, continued to pull and the shore and invited the public to walk on French choreographer Jérôme Bel.
  • On Broadway Alumna Georgia Stitt, Bmus’94, Is Making Her Mark on the Great White Way and Beyond

    On Broadway Alumna Georgia Stitt, Bmus’94, Is Making Her Mark on the Great White Way and Beyond

    On Broadway Alumna Georgia Stitt, BMus’94, is making her mark on the Great White Way and beyond B Y A NGELA F O X eorgia Stitt is an emerging talent in Amer- substantial number of Blair graduates in composi- New York-based writing partner John Jiler and is open- ican musical theater. Recent credits include tion/theory have gone on to the tremendous challenge ing a Los Angeles branch of The Gym, a musical the- Gassistant conductor of the Broadway musi- of seeking a musical career in New York City. Geor- ater training program she helped found in New York. cal Little Shop of Horrors and associate conductor gia has been one of the most successful of these, I think, In October, she became a mother with the addition of of Can-Can starring Patti LuPone. Other Broad- because of her extraordinary musical talent, her strong Molly Cate Brown. way work includes The Music Man, Titanic, and dramatic instincts, and her natural ability to work cre- In her work as a teacher, Stitt draws on her Blair back- the national tour of Parade. As an arranger and atively with others.” ground. “I think my job as a teacher is to provide a safe pianist, Stitt can be heard on the Broadway Cares After graduating from Vanderbilt, Stitt moved to and nurturing environment, along with a solid tech- Home for the Holidays CD and on the cast albums Manhattan and earned her M.F.A. in musical theatre nique and a challenge to inspire the students to do their of After the Fair, Do Re Mi, and Little Shop of writing from New York University.
  • Princeton Symphony Orchestra Features Violinist Stefan Jackiw

    Princeton Symphony Orchestra Features Violinist Stefan Jackiw

    3/10/2020 Princeton Symphony Orchestra features violinist Stefan Jackiw - centraljersey.com Princeton Symphony Orchestra features violinist Stefan Jackiw By Submitted Content - March 6, 2020 1 / 3 ❮ ❯ The Princeton Symphony Orchestra presents concert performances of Beethoven’s Second Symphony with violinist Stefan Jackiw on March 21-22. at Princeton University.PHOTO COURTESY OF PSO The Princeton Symphony Orchestra presents concert performances of Beethoven’s Second Symphony with violinist Stefan Jackiw on March 21-22. The performance with Jackiw is set to take place on the Richardson Auditorium stage at Princeton University in Princeton. The concert on March 21 begins at 8 p.m. The performance on March 22 will kick off at 4 p.m. The PSO presents orchestral, pops, and chamber music programs of the highest artistic quality, supported by lectures and related events that supplement the concert experience. “I am incredibly excited to welcome this formidable artist to our stage. He truly is one of the extraordinary violinists active today,” PSO Executive Director Marc Uys said. According to PSO officials, ticket prices range from $30 to $100. Jackiw will perform Felix Mendelssohn’s Violin Concerto in E Minor on a program with the US premiere of Princeton-based compose Julian Grant’s work and Ludwig Van Beethoven’s Symphony No. 2 in D Major, Op. 36 in honor of the composer’s 250th birthday. Mendelssohn’s Violin Concerto was written for his friend and fellow musician German violinist Ferdinand David in 1844, and considered his last great work. Grant has composed 20 operas which have been performed by English National Opera, The Royal Opera, Almeida Opera, Mecklenburgh Opera, and Tétè-a-Tétè, and has won the https://centraljersey.com/2020/03/06/princeton-symphony-orchestra-concert-features-violinist-stefan-jackiw/ 1/2 3/10/2020 Princeton Symphony Orchestra features violinist Stefan Jackiw - centraljersey.com National Opera Association of America’s New Opera prize and been nominated for an Olivier Award.
  • To Care, to Curate. a Relational Ethic of Care

    To Care, to Curate. a Relational Ethic of Care

    Curare: to care, to curate. A relational ethic of care in curatorial practice Sibyl Annice Fisher Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Fine Art, History of Art and Cultural Studies November, 2013 The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgment. © 2013 The University of Leeds and Sibyl Annice Fisher The right of Sibyl Annice Fisher to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. Readers are respectfully advised that this document contains the names and images of Indigenous persons who are now deceased. Acknowledgements I would like to thank the School of Fine Art, History of Art and Cultural Studies for the international scholarship that enabled me to undertake this research project, and David Jackson for the initial conversation. For archival assistance, many thanks to Gary Haines at Whitechapel Art Gallery, Jennifer Page at the Research Center, National Museum of Women in the Arts, Janet Moore at the Institute of Contemporary Art, Boston, and Gary Dufour at the Art Gallery of Western Australia. Thanks also to Aunty Stephanie Gollan at Tandanya National Aboriginal Cultural Institute. Thank you to Rayma Johnson for kind permission to use the image of Russell Page, and to Glen Menzies and Hetti Perkins for advice on reproducing work by Emily Kame Kngwarreye.
  • Nights Not Spent Alone

    Nights Not Spent Alone

    ALSO AVAILABLE... NIGHTS NOT SPENT ALONE 1 4 9 9 0 0 D D C C R R H H C C THIS OTHER EDEN: MENDELSSOHN: COMPLETE KITTY WHATELY SONGS VOL.2 A LANDSCAPE OF ENGLISH POETRY MALCOLM MARTINEAU & SONG Champs Hill Records is delighted to “This is a terrific debut disc from Kitty release the second volume in Malcolm Whately, a wonderfully satisfying recital, Martineau’s series presenting the complete beautifully sung and with poetry readings songs of Felix and Fanny Mendelssohn that are very fine.” alongside each other. The Classical Reviewer Showing the rich variety and distinctive “Her singing is excellent and expressive while voice of both composers, Martineau brings her care for the words – in every sense – is together a wealth of imaginative young exemplary. ” vocal talent in Sophie Bevan, Robin Musicweb International Tritschler, Jonathan McGovern, Mary Bevan, “Whately is a captivating live performer… Kitty Whately and Benjamin Appl. In an age of glossily interchangeable international artists, this one isn’t afraid “... the brilliant collaboration of Martineau, to tell us her story. I, for one, want to first-rate sound, and with enchanting hear more.” singing, this second volume is a KITTY WHATELY Gramophone thorough delight.” American Record Guide SIMON LEPPER FOREWORD I am so delighted to have been given the opportunity to return to the beautiful Champs Hill, and work with this fantastic team again to produce my second album. Having been a huge fan of Jonathan Dove's work for a long time, I was thrilled when BBC Radio 3 commissioned him to write me a song cycle during my time on their New Generation Artists scheme.
  • Dollins, Jordan

    Dollins, Jordan

    A NEW DIRECTION IN BRITISH CHORAL COMPOSITION: JONATHAN DOVE AND BOB CHILCOTT A CREATIVE PROJECT SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF MUSIC BY JORDAN DOLLINS DR. ANDREW CROW – ADVISOR BALL STATE UNIVERSITY MUNCIE, INDIANA MAY 2014 1 An oft-repeated maxim declares that Britain did not produce any great composers between Henry Purcell and Benjamin Britten. British music, especially choral music, suffered from an apparent creative atrophy between the time of Purcell (1659-95) and Britten (1913-76), a favorite British son. However, it would be hardly appropriate to say that no great composers worked during the 200-year span. Composers like Charles Villiers Stanford (1852-1924), Edward Elgar (1857-1943), Ralph Vaughn Williams (1872-1958), Herbert Howells (1892-1983), along with Britten, produced high-quality examples of musical creativity in a country that has always had a strong tradition of choral singing. Following in the tradition of choral music of the British Isles, new composers have aimed for prominence in the latter half of the twentieth- and early twenty-first centuries. Two composers on the current British musical scene have each contributed greatly to the growth and prominence of choral repertoire from Britain. Jonathan Dove and Bob Chilcott, despite their seeming differences in background and focus, compose new choral music in a similar style. The style can perhaps be described as romantic minimalism, in which the voice parts seem sparse, pointed, or even disjunct from one another but are used to create a dramatic texture, color, and sound. Tonally, neither composer limits himself to the confines of conventional tonality and tonal movement.