DOCSLIB.ORG

Eve Scorpion Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Eve Scorpion Mp3, Flac, Wma Eve Scorpion mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Scorpion Country: Europe Released: 2001 MP3 version RAR size: 1883 mb FLAC version RAR size: 1686 mb WMA version RAR size: 1277 mb Rating: 4.6 Votes: 583 Other Formats: RA MMF MP2 WAV AIFF VOC FLAC Tracklist Hide Credits Intro 1 0:18 Producer – Jay "Icepick" Jackson Cowboy 2 3:15 Producer – Swizz Beatz Who's That Girl? 3 4:42 Producer – Teflon Let Me Blow Ya Mind 4 3:50 Producer – Dr. Dre, Scott StorchVocals – Gwen Stefani 3 Way (Skit) 5 0:41 Featuring – Erex, Eve , Stevie JProducer – Jay "Icepick" Jackson You Had Me, You Lost Me 6 4:21 Producer – Stevie J Got What You Need 7 3:52 Featuring – Drag-OnProducer – Swizz Beatz Frontin' (Skit) 8 0:43 Producer – Jay "Icepick" Jackson Gangsta B****** 9 4:24 Featuring – Da Brat, TrinaProducer – Swizz Beatz That's What It Is 10 3:40 Featuring – Styles Of The Lox*Producer – Dr. Dre Scream Double R 11 3:41 Featuring – DMXProducer – DJ Shok Thug In The Street 12 5:02 Featuring – Drag-On, The LoxProducer – Swizz Beatz No, No, No 13 5:37 Producer – Stephen MarleyVocals – Damian Marley, Stephen Marley You Ain't Gettin None 14 4:11 Producer – Dame Grease* Life Is So Hard 15 4:55 Co-producer – Stevie JProducer – DJ ShokVocals – Teena Marie Be Me 16 4:09 Producer – DJ ShokVocals – Mashonda Tifrere* Companies, etc. Phonographic Copyright (p) – Interscope Records Phonographic Copyright (p) – Ruff Ryders Copyright (c) – Interscope Records Copyright (c) – Ruff Ryders Pressed By – Universal M & L, Germany – 51111953 Credits Executive-Producer – Dee*, Waah Dean* Executive-Producer [Co-executive Producer] – Jay "Icepick" Jackson, Swizz Beatz Notes ℗ 2001 Ruff Ryders/Interscope Records. © 2001 Ruff Ryders/Interscope Records. Made in the EU. Barcode and Other Identifiers Barcode (Text): 6 06949 08452 3 Barcode (String): 606949084523 Label Code: LC06406 Rights Society: BIEM/MCPS Matrix / Runout: 06069 490 845-2 01 # 51111953 Matrix / Runout (Moulded): MADE IN GERMANY BY UNIVERSAL M & L F Mastering SID Code: IFPI L008 Mould SID Code: IFPI 0135 Other versions Category Artist Title (Format) Label Category Country Year Scorpion (CD, Album, Interscope Records, Ruff 493 021-2 Eve 493 021-2 Europe 2001 S/Edition) Ryders 490 845-4 Eve Scorpion (Cass, Album) Interscope Records 490 845-4 Thailand 2001 069490845-2 Eve Scorpion (CD, Album) Interscope Records 069490845-2 US 2001 Scorpion (Cass, Album, Ruff Ryders, Interscope 0694908454 Eve 0694908454 Canada 2001 Dol) Records Ruff Ryders, Interscope UICS-1009 Eve Scorpion (CD, Album) UICS-1009 Japan 2001 Records Related Music albums to Scorpion by Eve 1. Common, The Game , Swizz Beatz, Kanye West, DJ Clue, P. Diddy - Favorite Joints Vol. 41 2. Made Men Featuring Swizz Beatz & Glaze N.Y. - The Franklins 3. Swizz Beatz Feat. Bounty Killer - Guilty 4. Styles - A Gangster And A Gentleman 5. Styles P - Who Want A Problem 6. Swizz Beatz - Money In The Bank 7. Gwen Stefani - Now That You Got It 8. Jadakiss - Kiss Tha Game Goodbye 9. LOX - We Are The Streets 10. Cassidy - I'm A Hustla.
Load more

Recommended publications
  • Hip Hop Pedagogies of Black Women Rappers Nichole Ann Guillory Louisiana State University and Agricultural and Mechanical College
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 Schoolin' women: hip hop pedagogies of black women rappers Nichole Ann Guillory Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Education Commons Recommended Citation Guillory, Nichole Ann, "Schoolin' women: hip hop pedagogies of black women rappers" (2005). LSU Doctoral Dissertations. 173. https://digitalcommons.lsu.edu/gradschool_dissertations/173 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. SCHOOLIN’ WOMEN: HIP HOP PEDAGOGIES OF BLACK WOMEN RAPPERS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Curriculum and Instruction by Nichole Ann Guillory B.S., Louisiana State University, 1993 M.Ed., University of Louisiana at Lafayette, 1998 May 2005 ©Copyright 2005 Nichole Ann Guillory All Rights Reserved ii For my mother Linda Espree and my grandmother Lovenia Espree iii ACKNOWLEDGMENTS I am humbled by the continuous encouragement and support I have received from family, friends, and professors. For their prayers and kindness, I will be forever grateful. I offer my sincere thanks to all who made sure I was well fed—mentally, physically, emotionally, and spiritually. I would not have finished this program without my mother’s constant love and steadfast confidence in me.
    [Show full text]
  • 3/30/2021 Tagscanner Extended Playlist File:///E:/Dropbox/Music For
    3/30/2021 TagScanner Extended PlayList Total tracks number: 2175 Total tracks length: 132:57:20 Total tracks size: 17.4 GB # Artist Title Length 01 *NSync Bye Bye Bye 03:17 02 *NSync Girlfriend (Album Version) 04:13 03 *NSync It's Gonna Be Me 03:10 04 1 Giant Leap My Culture 03:36 05 2 Play Feat. Raghav & Jucxi So Confused 03:35 06 2 Play Feat. Raghav & Naila Boss It Can't Be Right 03:26 07 2Pac Feat. Elton John Ghetto Gospel 03:55 08 3 Doors Down Be Like That 04:24 09 3 Doors Down Here Without You 03:54 10 3 Doors Down Kryptonite 03:53 11 3 Doors Down Let Me Go 03:52 12 3 Doors Down When Im Gone 04:13 13 3 Of A Kind Baby Cakes 02:32 14 3lw No More (Baby I'ma Do Right) 04:19 15 3OH!3 Don't Trust Me 03:12 16 4 Strings (Take Me Away) Into The Night 03:08 17 5 Seconds Of Summer She's Kinda Hot 03:12 18 5 Seconds of Summer Youngblood 03:21 19 50 Cent Disco Inferno 03:33 20 50 Cent In Da Club 03:42 21 50 Cent Just A Lil Bit 03:57 22 50 Cent P.I.M.P. 04:15 23 50 Cent Wanksta 03:37 24 50 Cent Feat. Nate Dogg 21 Questions 03:41 25 50 Cent Ft Olivia Candy Shop 03:26 26 98 Degrees Give Me Just One Night 03:29 27 112 It's Over Now 04:22 28 112 Peaches & Cream 03:12 29 220 KID, Gracey Don’t Need Love 03:14 A R Rahman & The Pussycat Dolls Feat.
    [Show full text]
  • 8123 Songs, 21 Days, 63.83 GB
    Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat.
    [Show full text]
  • Södertörns Högskola | Institutionen För Kultur Och Lärande Masteruppsats 30 Hp | Genusvetenskap | Vårterminen 2013 Masterprogrammet För Genusvetenskap
    Södertörns högskola | Institutionen för Kultur och Lärande Masteruppsats 30 hp | Genusvetenskap | Vårterminen 2013 Masterprogrammet för Genusvetenskap Werkin‘ girls - a critical viewing of femininity constructions in contemporary rap Av: Moa Johansson Handledare: Ulrika Dahl Abstract This paper sets out to examine the making of femininity in hip-hop, with a special focus on the performances of three artists - Mykki Blanco, Angel Haze, and Brooke Candy - and their representations made through music videos and lyrics. The thesis is structured around critical femininity studies, Abstract This thesis sets out to examine the making of femininity in hip-hop, with a special focus on the performances of three artists - Mykki Blanco, Angel Haze, and Brooke Candy - and their representations made through music videos and lyrics. The thesis is structured around critical femininity studies, and created through a somatechnics perspective. I am investigating how femininity and the feminine body is made through and in relation to technology and different expressions of race, class, and sexuality. By questioning how structures of femininity is made and re-made through a somatechnical perspective, this thesis offers alternatives to interpret feminine representations in hip-hop, and bases its conversation in both culture studies and critical femininity studies. In the paper‘s conclusion, questions regarding active feminist resistance in hip-hop are raised, with hope to widen the discussions about female identified artists and their performances in this specific discourse. Key words: Hip-hop studies, critical femininity studies, hip-hop, somatechnics, representations, female impersonations, feminist resistance, bodies and politics, feminism, music videos, close viewing, Mykki Blanco, Brooke Candy, Angel Haze.
    [Show full text]
  • Songs by Artist
    Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P.
    [Show full text]
  • 3. SMACK THAT – EMINEM (Feat. Eminem) [Akon:] Shady Convict
    3. SMACK THAT – EMINEM thing on Get a little drink on (feat. Eminem) They gonna flip for this Akon shit You can bank on it! [Akon:] Pedicure, manicure kitty-cat claws Shady The way she climbs up and down them poles Convict Looking like one of them putty-cat dolls Upfront Trying to hold my woodie back through my Akon draws Slim Shady Steps upstage didn't think I saw Creeps up behind me and she's like "You're!" I see the one, because she be that lady! Hey! I'm like ya I know lets cut to the chase I feel you creeping, I can see it from my No time to waste back to my place shadow Plus from the club to the crib it's like a mile Why don't you pop in my Lamborghini away Gallardo Or more like a palace, shall I say Maybe go to my place and just kick it like Plus I got pal if your gal is game TaeBo In fact he's the one singing the song that's And possibly bend you over look back and playing watch me "Akon!" [Chorus (2X):] [Akon:] Smack that all on the floor I feel you creeping, I can see it from my Smack that give me some more shadow Smack that 'till you get sore Why don't you pop in my Lamborghini Smack that oh-oh! Gallardo Maybe go to my place and just kick it like Upfront style ready to attack now TaeBo Pull in the parking lot slow with the lac down And possibly bend you over look back and Convicts got the whole thing packed now watch me Step in the club now and wardrobe intact now! I feel it down and cracked now (ooh) [Chorus] I see it dull and backed now I'm gonna call her, than I pull the mack down Eminem is rollin', d and em rollin' bo Money
    [Show full text]
  • Song List for Your Review
    west coast music Everyday People Please find attached the ‘Everyday People’ song list for your review. SPECIAL DANCES: Please note that we will need to have your special dance requests, (i.e. First Dance, Father/Daughter Dance, etc) FOUR WEEKS prior to your event so that we can confirm that the band will be able to perform the song(s) and so that we have time to locate sheet music and audio. In cases where sheet music is not available or an arrangement for the full band is needed, this gives us time to properly prepare the music. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. If you desire the highest degree of control (allowing the band to only play within the margin of songs requested), we would ask for a minimum 80 requests. ‘LOW ROTATION REQUESTS: We will also need any General Requests that are chosen from the ‘Low Rotation’ portion of this song list (pages 8-9) FOUR WEEKS in advance prior to your event. The songs from the ‘Low Rotation’ section are not in the active Everyday People song rotation, so the band would need the extra time to prepare them MODERN/TOP 40 24k Magic – Bruno Mars Call Me Maybe – Carly Rae Jepsen A Thousand Years – Christina Perri Call You Girlfriend - Robyn Adorn – Miguel Can’t Feel My Face – The Weeknd Ascension – Maxwell Can’t Hold
    [Show full text]
  • The Symbolic Rape of Representation: a Rhetorical Analysis of Black Musical Expression on Billboard's Hot 100 Charts
    THE SYMBOLIC RAPE OF REPRESENTATION: A RHETORICAL ANALYSIS OF BLACK MUSICAL EXPRESSION ON BILLBOARD'S HOT 100 CHARTS Richard Sheldon Koonce A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2006 Committee: John Makay, Advisor William Coggin Graduate Faculty Representative Lynda Dee Dixon Radhika Gajjala ii ABSTRACT John J. Makay, Advisor The purpose of this study is to use rhetorical criticism as a means of examining how Blacks are depicted in the lyrics of popular songs, particularly hip-hop music. This study provides a rhetorical analysis of 40 popular songs on Billboard’s Hot 100 Singles Charts from 1999 to 2006. The songs were selected from the Billboard charts, which were accessible to me as a paid subscriber of Napster. The rhetorical analysis of these songs will be bolstered through the use of Black feminist/critical theories. This study will extend previous research regarding the rhetoric of song. It also will identify some of the shared themes in music produced by Blacks, particularly the genre commonly referred to as hip-hop music. This analysis builds upon the idea that the majority of hip-hop music produced and performed by Black recording artists reinforces racial stereotypes, and thus, hegemony. The study supports the concept of which bell hooks (1981) frequently refers to as white supremacist capitalist patriarchy and what Hill-Collins (2000) refers to as the hegemonic domain. The analysis also provides a framework for analyzing the themes of popular songs across genres. The genres ultimately are viewed through the gaze of race and gender because Black male recording artists perform the majority of hip-hop songs.
    [Show full text]
  • 1 Giant Leap Dreadlock Holiday -- 10Cc I'm Not in Love
    Dumb -- 411 Chocolate -- 1975 My Culture -- 1 Giant Leap Dreadlock Holiday -- 10cc I'm Not In Love -- 10cc Simon Says -- 1910 Fruitgum Company The Sound -- 1975 Wiggle It -- 2 In A Room California Love -- 2 Pac feat. Dr Dre Ghetto Gospel -- 2 Pac feat. Elton John So Confused -- 2 Play feat. Raghav & Jucxi It Can't Be Right -- 2 Play feat. Raghav & Naila Boss Get Ready For This -- 2 Unlimited Here I Go -- 2 Unlimited Let The Beat Control Your Body -- 2 Unlimited Maximum Overdrive -- 2 Unlimited No Limit -- 2 Unlimited The Real Thing -- 2 Unlimited Tribal Dance -- 2 Unlimited Twilight Zone -- 2 Unlimited Short Short Man -- 20 Fingers feat. Gillette I Want The World -- 2Wo Third3 Baby Cakes -- 3 Of A Kind Don't Trust Me -- 3Oh!3 Starstrukk -- 3Oh!3 ft Katy Perry Take It Easy -- 3SL Touch Me, Tease Me -- 3SL feat. Est'elle 24/7 -- 3T What's Up? -- 4 Non Blondes Take Me Away Into The Night -- 4 Strings Dumb -- 411 On My Knees -- 411 feat. Ghostface Killah The 900 Number -- 45 King Don't You Love Me -- 49ers Amnesia -- 5 Seconds Of Summer Don't Stop -- 5 Seconds Of Summer She Looks So Perfect -- 5 Seconds Of Summer She's Kinda Hot -- 5 Seconds Of Summer Stay Out Of My Life -- 5 Star System Addict -- 5 Star In Da Club -- 50 Cent 21 Questions -- 50 Cent feat. Nate Dogg I'm On Fire -- 5000 Volts In Yer Face -- 808 State A Little Bit More -- 911 Don't Make Me Wait -- 911 More Than A Woman -- 911 Party People..
    [Show full text]
  • The Shape of Music to Come: Organizational, Ideational, and Creative Change in the North American Music Industry, 1990-2009 By
    The Shape Of Music To Come: Organizational, Ideational, And Creative Change In The North American Music Industry, 1990-2009 by Kimberly Elizabeth de Laat A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Sociology University of Toronto © Copyright by Kimberly Elizabeth de Laat 2017 The Shape Of Music To Come: Organizational, Ideational, And Creative Change In The North American Music Industry, 1990-2009 Kimberly Elizabeth de Laat Doctor of Philosophy Department of Sociology University of Toronto 2017 Abstract This dissertation examines the relationship between occupational roles, and creativity, uncertainty, and change in cultural industries. Over the course of three chapters, it uses regression, discourse, and content analysis, as well as in-depth interviews with professional songwriters and music industry personnel to analyze collaborative dynamics and collective sensemaking throughout the transition to digital production in the North American music industry. The first chapter develops meaning-centric measures of creativity to analyze how collaborative strategies shifted throughout the transition to digital production. It demonstrates empirically that musical diversity and innovation operate as countervailing forces – innovative forms can be devoid of diverse content – and calls attention to how limited examinations of cultural production are if the outcomes of interest are misspecified. Failing to attend to artistic form and content renders cultural objects no different from non-cultural phenomena, and leads to impoverished interpretations of institutional dynamics. Chapter 2 identifies how discourse is used to assess new technology and make sense of one’s place within a changing organizational landscape. It demonstrates that the patterned use of analogies and metaphors inform sensemaking and sensegiving efforts based on one’s occupational role.
    [Show full text]
  • Artist Title Count ATB FT. TOPIC & A7S YOUR LOVE 102 KID LAROI
    Artist Title Count ATB FT. TOPIC & A7S YOUR LOVE 102 KID LAROI WITHOUT YOU 96 ROBIN SCHULZ FT. KIDDO ALL WE GOT 95 JASON DERULO FT. NUKA LOVE NOT WAR 91 OFENBACH & QUARTERHEAD HEAD SHOULDERS KNEES & TOES 90 PURPLE DISCO MACHINE & SOPHIE AND THEHYPNOTIZED GIANTS 86 OLIVIA RODRIGO DRIVERS LICENSE 82 AVA MAX MY HEAD & MY HEART 81 THE WEEKND SAVE YOUR TEARS 77 JOEL CORRY FT. RAYE & DAVID GUETTA BED 75 MILEY CYRUS FT. DUA LIPA PRISONER 73 TIESTO THE BUSINESS 73 TWOCOLORS LOVEFOOL 67 CLEAN BANDIT & MABEL TICK TOCK 61 JC STEWART I NEED YOU TO HATE ME 60 SIGALA & JAMES ARTHUR LASTING LOVER 59 MEDUZA FT. DERMOT KENNEDY PARADISE 58 TATE MCRAE YOU BROKE ME FIRST [LUCA SCHREINER REMIX]58 SHANE CODD GET OUT MY HEAD 57 JUSTIN BIEBER ANYONE 56 SAM SMITH DIAMONDS 55 DERMOT KENNEDY GIANTS 54 RUDIMENTAL FT. RAYE REGARDLESS 54 ALLE FARBEN & FOOL'S GARDEN LEMON TREE 53 SHAWN MENDES WONDER 53 TOM GREGORY RATHER BE YOU 53 JOEL CORRY FT. MNEK HEAD AND HEART 52 HARRY STYLES GOLDEN 51 TAYLOR SWIFT WILLOW 51 DUA LIPA WE'RE GOOD 50 ED SHEERAN AFTERGLOW 50 KYGO & DONNA SUMMER HOT STUFF 49 MICHAEL PATRICK KELLY BEAUTIFUL MADNESS 49 MALUMA & THE WEEKND HAWAI 49 MILEY CYRUS MIDNIGHT SKY 49 RITON X NIGHTCRAWLERS FRIDAY 49 RAG'N'BONE MAN ALL YOU EVER WANTED 47 BTS DYNAMITE 45 REGARD FT. RAYE SECRETS 45 ROBIN SCHULZ FT. FELIX JAEHN & ALIDA ONE MORE TIME 44 PURPLE DISCO MACHINE FEAT. MOSS KENA &FIREWORKS THE KNOCKS 43 DAVID PUENTEZ SUPERSTAR 42 JASON DERULO TAKE YOU DANCING 42 NATHAN EVANS WELLERMAN (220 KID X BILLEN TED RMX) 41 J BALVIN, DUA LIPA & BAD BUNNY UN DIA (ONE DAY) 40 LADY GAGA & ARIANA GRANDE RAIN ON ME 40 ZOE WEES GIRLS LIKE US 38 DIODATO FAI RUMORE 37 JUBEL & NEIMY DANCING IN THE MOONLIGHT 37 THE WEEKND BLINDING LIGHTS 37 TOPIC FEAT.
    [Show full text]
  • We Talk 4C). Radio
    OCTOBER 20, 2001 Music Volume 19, Issue 43 £3.95 Tracy Chapman's Collection (Elektra) moves to the num- ber one slot and is this week's Sales Breaker on the Euro- pean Top 100 Albums chart Mediawe talk4c). radio M&M chart toppers this week Merino moves to musicUniversal on Eurochart Hot 100 Singles course to meet KYLIE MINOGUE in Grupo Prisa shake-up Can't Get You Out Of My Head Larsen target (Parlophone) by Howell Llewellyn Groupo Prisa, Jaime Polanco, until European Top 100 Albums now GVM's CEO, takes the up the by Emmanuel Legrand TRACY CHAPMAN MADRID - Luis Merino, who cur-new post of director of Grupo Prisa's Collection rently heads up SER's four nationalInternational Communications LONDON - Universal Music (Elektra) music radionetworks, has beenMedia division. Polanco was also increased its dominance of Europe's appointed to a powerful new execu-previously director general of Prisa's charts during the third quarter of European Radio Top 50 tive post at SER's parent North America operations 2001, and is getting ever closer to MICHAEL JACKSON companyGrupoPrisa, based in New York. No the 30% market share target set by You Rock My World which will see him in con- replacement has yet been Universal Music International (Epic) trol of themedia con- named for Polanco. chairman Jorgen Larsenafew glomerate's record com- Meanwhile, SER's weeks ago (M&M, September 29). European Dance Traxx pany interests. director-general Augusto In both M&M's pan-European ROGER SANCHEZ Merino, 47, has been Delkader moves to the singles and album sales charts, the Another Chance made director of Prisa's post of director of Grupo French -owned major label has made (R-Senal/Sony) Leisure and Entertain- Prisa's newly -created significant progress, achieving close ment division, in effect MediaCommunications to 30% in album chart share and Inside M&M this week makinghim CEOof Spain division.
    [Show full text]