ALTERNATIVE PROCESSES APP – 13 Here, Jill Skupin Burkholder
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1 APPENDIX G SELECTED BIBLIOGRAPHY: ALTERNATIVE PROCESSES APP – 13 here, Jill Skupin Burkholder, Man With Baseballs - 2001 bromoil CONTEMPORARY BIBLIOGRAPHY Stephen Anchell, The Darkroom Cookbook (Boston: Focal Press, 1994). Jan Arnow, Handbook of Alternative Photographic Processes (New York: Van Nostrand Reinholt Co., 1982). Dick Arentz, Platinum & Palladium Printing: Second Edition, Focal Press, Elsevier, 2005 Dick Arentz, Outline for Platinum / Palladium Printing (self-published 3rd edition, 1998). Janet Ashford & John Odam, Start With a Scan (Berkely,CA: Peachpit Press, 1996). Geoffrey Batchen, Burning With Desire, Cambridge, MA, The M.I.T. Press, 1999 John Barnier, ed. Coming Into Focus (San Francisco, CA: Chronicle Books, 2000). Faber Birren and M.E. Chevreul, The Principles of Harmony and Contrast of Colors and Their Applications to the Arts, Schiffer, Revised Edition, 2007 Bill Bryson, A Short History of Nearly Everything, (New York: Broadway Books, 2003 Buckland, Gail, Fox Talbot and the Invention of Photography, Boston, Godine, 1980 Peter C. Bunnell, ed. Non-silver Printing Processes (New York, NY: Arno Press, 1973) Peter Bunnell, ed., A Photographic Vision: Pictorial Photography, 1889-1923, Salt Lake City, Peregrine Smith, 1980. Dan Burkholder, Making Digital Negatives for Contact Printing (San Antonio, TX: Bladed Iris Press, 1998) Vannevar Bush, As We May Think, The Atlantic, 1945 Max Byrd, Shooting the Sun, Bantam / Random House, 2004 © Christopher James– The Book of Alternative Photo Processes - 3rd Ed. Draft –3/30/15 2 Charles Caffin, Photography as a Fine Art, the Achievement and Possibilities of Photographic Art in America, 1901, (Reprint, with introduction by Thomas F. Barrow,) Dobbs Ferry, N.Y., Morgan & Morgan, 1971 John Paul Caponigro, Adobe Photoshop Master Class, (San Jose, CA: Adobe Press, 2000) John Paul Caponigro, Adobe Photoshop master Class: John Paul Caponigro, 2nd Edition, Adobe Press; 2 edition (February 14, 2003) Cassell’s Cyclopedia of Photography, ed. by B. E. Jones, (New York: Arno Press, 1973) Nancy Clark, Ventilation (New York: Lyons & Burford, 1990). Brian Coe and Mark Haworth-Booth, A Guide to Early Photographic Processes (London, England: Victoria & Albert Museum, 1983) John Coffer, The Doers Guide, (includes 2 DVDs), self-published, 2000 and on-going Athel Cornish-Bowden, “Elizabeth Fulhame and the Discovery of Catalysis 100 Years Before Buchner,” Journal of Bioscience, 23 (1998) Pp. 87-92 William Crawford, The Keepers of Light (Dobbs Ferry, NY: Morgan & Morgan, 1979). George DeWolfe, George DeWolfe’s Fine Digital Photography Workshop, McGraw-Hill Osborne Media; 1st edition (April 25, 2006) Robert Doty, Photo-Secession: Stieglitz and the Fine Art Movement in Photography, New York, Dover Publications, 1978 Will Dunniway, The Wet Collodion Plate: 16 Steps to Making the Plates, self-published 2010 George Eaton, Photographic Chemistry, Dobbs Ferry, NY: Morgan & Morgan, 1999). Dan Estabrook, 3-D Gum Printing Worksheet and e-mail reply to Anthotype question, 1998). Howard Etkin & Carson Graves, Toning Safety Ilford Photo Instructor Newsletter, 1997 Malin Fabri, Anthotypes - Explore the darkroom in your garden and make photographs using plants, 2012 Richard Farber, Historic Photographic Processes, Allworth Press, New York, 1998 Vilém Flusser, Towards a Philosophy of Photography, Reaktion Books, London, 1983 © Christopher James– The Book of Alternative Photo Processes - 3rd Ed. Draft –3/30/15 3 Peter Galassi, Before Photography - Painting and the Invention of Photography, New York, The Museum of Modern Art, 1981 Arnold Gassan, A Chronology of Photography, Athens, OH: Handbook Company, 1972 Arnold Gassan, Handbook for Contemporary Photography, 4th ed., Rochester, N.Y. Light Impressions, 4th edition, 1977 Helmut Gernsheim, The Origins of Photography, New York, Thames and Hudson, 1982 Allan Goodman, Elegant Images: Instructions and Troubleshooting Guide for Platinum and Palladium Photoprinting, Delaware, MD: Elegant Images, 1976 Christopher Grey, Photographer’s Guide to Polaroid Transfers, Buffalo, NY: Amherst Media, 1999 Alan Greene, Primitive Photography: A Guide to Making Cameras. Lenses, and Calotypes, Focal Press, 2001 Sarah Greenough, On the Art of Fixing a Shadow: 150 Years of Photography, Boston, Bulfinch Press, 1989 Betty Hahn, Photography or Maybe Not, Albuquerque, NM: University of New Mexico Press, 1995 John Hammond, The Camera Obscura: A Chronicle, (Bristol, England: Adam Hilger Ltd., 1981). Margaret Harker, The Linked Ring: The Secession Movement in Photography in Britain, 1892-1910, London, Heineman, 1979 Barbara Hewitt, Blueprints of Fabric: Innovative Uses for Cyanotype, Loveland, CO: Interweave Press, 1995 Wolfgang Hesse, Hermann Krone. Historisches Lehmuseum fur Photographie, 1998. Kupferstich-Kabinett der Staatlichen Kunstsammlungen Dresden, Technishe Universitat, Dresden Ann Hoy, Fabrications, New York: Abbeville Press, 1987 Robert Hughes, Mirrors and Windows, Time Magazine, August 7, 1978 Christopher James, The Book of Alternative Photographic Processes: 1st Edition, Delmar Thomson Learning, Albany, NY 2002 Christopher James, The Book of Alternative Photographic Processes: 2nd Edition, Delmar Cengage, Albany, NY 2007 © Christopher James– The Book of Alternative Photo Processes - 3rd Ed. Draft –3/30/15 4 Kate Jennings & Mark Osterman, Dr. Thomas Keith’s Waxed Paper Process Experiment - Part II, Advanced Residency Program in Photograph Conservation (ARP) at George Eastman House, International Museum of Photography and Film, August 2002 Nancy Keeler, Inventors and Entrepreneurs, History of Photography, Volume 26, Number 1, Spring 2002 - (Talbot in France, 1843) Ross King, Brunelleschi's Dome: How a Renaissance Genius Reinvented Architecture, Penguin, 2001 Ross King, Michelangelo and The Pope's Ceiling, Pimlico, 2006, New Edition Jaromir Kosar, Light Sensitive Systems: Chemistry and Application of Non Silver Halide Photographic Processes (New York: John Wiley and Sons, 1965). Boris Kossoy, "Hercules Florence. Pioneer of Photography in Brazil", Image (George Eastman House), March 1977, Vol.20, No.1, p.12-21 Loring Knoblauch, “2013, The Year of Interdisciplinary Photography” Collectors Daily, January 2014 Steven Levy, Insanely Great, New York: Penguin Books, 1994 The Merck Index, Encyclopedia of Chemicals and Drugs, Whitehouse Station, NJ: Merck & Co., 1968 Bonnie Pierce Lhotka, Digital Alchemy: Printmaking techniques for fine art, photography, and mixed media, New Riders 2010 (wireless delivery from Amazon) Luis Nadeau, History and Practice of Platinum Printing, New Brunswick, Canada: Atelier Luis Nadeau, 1994 Luis Nadeau, Encyclopedia of Printing, Photographic & Photomechanical Processes (New Brunswick, Canada: Atelier Luis Nadeau, 1989). Luis Nadeau, Gum Dichromate, New Brunswick, Canada: Atelier Luis Nadeau, 1987 Bea Nettles, Breaking the Rules: A Photo media Cookbook, Rochester, NY: Inky Press Productions, 1977, Expanded 3rd edition (Urbana, Illinois: 1992) Beumont Newhall, The History of Photography, New York: Museum of Modern Art, 1982 Beaumont Newhall, The Art and Science of Photography, Edited by Beaumont Newhall, Century House, Watkins Glen, NY, 1956 Mark Osterman, The Wet Plate Process; A Working Guide, Scully & Osterman, 2002 © Christopher James– The Book of Alternative Photo Processes - 3rd Ed. Draft –3/30/15 5 Lynn Picknett and Clive Prince, Turin Shroud: In Whose Image? The Truth Behind the Centuries-Long Conspiracy of Silence, Amherst, MA: Acacia Press, 1994 James Reilly, The Albumen and Salted Paper Book - The History and Practice of Photographic Printing 1840-1895, Light Impressions, Rochester, N.Y., 1980 Martin Reed and Sarah Jones, Silver Gelatin: A Users Guide to Liquid Emulsions, New York: Amphoto, 1996 Eric Renner and Nancy Spencer, Pinhole Photography, Focal Press, Stoneham, MA, 1994 Lyle Rexer, Antiquarian Avant-Garde: The New Wave in Old Process Photography, New York: Harry N. Abrams, 2002 Lyle Rexer, The Edge of Vision: The Rise of Abstraction in Photography, Aperture, NY, 2013 Nancy Rexroth, The Platinotype 1977, Missoula, MT: Formulary Press / Violet Press, 1977 John Ross, Clare Romano, & Tim Ross, The Complete Printmaker, New York: Collier Macmillan Publishers, The Free Press, 1990 John Rudiak, The Platinotype, View Camera, January/February 1994. John Rudiak, Creating a Platinotype, View Camera, July/August 1994. Salman Rushdie, Random House, Midnight’s Children, 1981 David Scopick, The Gum Bichromate Book, Rochester, NY: Light Impressions, 1987 Larry Schaaf and Hans Kraus (contributor), Sun Gardens: Victorian Photograms by Anna Atkins, New York: Aperture, 1985. This book is based on Anna Atkins’ 10-year, 3- volume collection entitled, British Algae: Cyanotype Impressions, privately printed (1843-1853 Larry Schaaf, Out of the Shadows: Herschel, Talbot, and the Invention of Photography (Yale University Press, New Haven, CT: 1992) pp. 23-25. Larry J Schaaf, 'The Talbot Collection: National Museum of American History', History of Photography, v. 24 n.1, Spring 2000, pp. 7-15. Larry Schaaf - editor, The Correspondence of William Henry Fox Talbot, Project has prepared a comprehensive edition of the nearly 10,000 letters to and from Talbot © Christopher James– The Book of Alternative Photo Processes - 3rd Ed. Draft –3/30/15 6 (1800-1877), in association with De Montfort University, Leicester, web site; www.foxtalbot.dmu.ac.uk/ Susan Shaw and Monona Rossol (contributor), Overexposure: Health Hazards in Photography, New York: Allworth Press, 1991 Thomas