HAPPY 2003 Grammy Awards
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Trabajo Práctico N°2
TRABAJO PRÁCTICO N°2 Planificación de un Proyecto Management Artístico I Ameri Gustavo Curutchet Cristian Producción de Espectáculos Ruiz Martin Creación Sonora [email protected] 94808 1144077808 2 15/04/2019 1 James Michael Bay nació en Hitchin, Inglaterra el 4 de septiembre de 1990. Es un cantante y compositor británico de música folk rock, soul e indie rock. La canción 'Layla' del guitarrista, cantante y compositor de rock y blues inglés Eric Clapton, que se encuentra entre las mejores canciones de rock de todos los tiempos, inspiró a Bay a tocar la guitarra clásica cuando tenía solo 11 años. Encontró una vieja guitarra oxidada con 5 cuerdas en un armario de su casa y la tocó. A los 18 años de edad, se mudó a Brighton para seguir estudiando. Allí comenzó a tocar las noches de micrófono abierto de la ciudad. Según él, le enseñó mucho sobre escribir y actuar por su cuenta. Se esforzó en escribir canciones que movieran a la gente. Un video de una de sus actuaciones en un micrófono abierto en Londres fue cargado en YouTube por un fan. Este video llamó la atención de Republic Records A&R que llevó a Bay a firmar con el sello dentro de una semana. El 18 de julio de 2013, presentó su primer EP titulado 'The Dark of the Morning', lanzado a través de Republic Records. Al año siguiente, el 12 de mayo, Bay lanzó su segundo EP 'Let It Go' a través de Republic Records. Debutó en la cima de la lista de 10 álbumes de iTunes. -
Special Issue
ISSUE 750 / 19 OCTOBER 2017 15 TOP 5 MUST-READ ARTICLES record of the week } Post Malone scored Leave A Light On Billboard Hot 100 No. 1 with “sneaky” Tom Walker YouTube scheme. Relentless Records (Fader) out now Tom Walker is enjoying a meteoric rise. His new single Leave } Spotify moves A Light On, released last Friday, is a brilliant emotional piano to formalise pitch led song which builds to a crescendo of skittering drums and process for slots in pitched-up synths. Co-written and produced by Steve Mac 1 as part of the Brit List. Streaming support is big too, with top CONTENTS its Browse section. (Ed Sheeran, Clean Bandit, P!nk, Rita Ora, Liam Payne), we placement on Spotify, Apple and others helping to generate (MusicAlly) love the deliberate sense of space and depth within the mix over 50 million plays across his repertoire so far. Active on which allows Tom’s powerful vocals to resonate with strength. the road, he is currently supporting The Script in the US and P2 Editorial: Paul Scaife, } Universal Music Support for the Glasgow-born, Manchester-raised singer has will embark on an eight date UK headline tour next month RotD at 15 years announces been building all year with TV performances at Glastonbury including a London show at The Garage on 29 November P8 Special feature: ‘accelerator Treehouse on BBC2 and on the Today Show in the US. before hotfooting across Europe with Hurts. With the quality Happy Birthday engagement network’. Recent press includes Sunday Times Culture “Breaking Act”, of this single, Tom’s on the edge of the big time and we’re Record of the Day! (PRNewswire) The Sun (Bizarre), Pigeons & Planes, Clash, Shortlist and certain to see him in the mix for Brits Critics’ Choice for 2018. -
Mto.04.10.4.W Everet
Volume 10, Number 4, December 2004 Copyright © 2004 Society for Music Theory Walter Everett KEYWORDS: rock music, tonality, harmony, voice leading, Schenkerian analysis, modal theory, blues, popular music, Beck ABSTRACT: Despite frequently voiced assertions and their underlying presumptions, there is no single sort of tonal behavior common to all rock music, but rather a spectrum of approaches to scales, harmonic function and voice leading. This essay addresses the issue from two perspectives. The first suggests an array of six tonal systems ranging from the traditional major mode through modal (including minor-pentatonic) practices having increasing structural value, to chromatic relations with little basis in any deeper diatony. The second perspective studies the varied degrees of interaction between harmony and voice leading evidenced in samples of rock music from two historically opposed timeframes, the more homogeneous span of 1957–58 and the more radically experimental period of 1999–2000. Finally, Beck’s “Lonesome Tears” (2003) serves as a model for an analytical approach to one iconoclastic combination of voice leading and harmony. Received October 2004 [1] In its history now spanning half a century, rock music has found expression in dozens of styles and sub-styles, each characterized in part—sometimes in large part—by its own approach to a preexisting tonal system, or sometimes by its unveiling of a seemingly novel tonal system.(1) Of course there are many other musical and poetic traits of importance in marking style distinctions (including rhythm at surface, phrase, and sectional levels, tone color, performance practices such as phrasing, articulation, and dynamics, and recording techniques), but in this essay we will focus solely on matters of tonal structure, in hopes of addressing in a brief space an underlying context for the wide variety of systems that exist. -
Guns N' Roses in Spain
Backstage Pass Volume 2 Issue 1 Article 2 2019 Guns N' Roses in Spain Ailey L. Butler University of the Pacific, [email protected] Ailey is a music industry major at UOP. She is hoping to break into the live music/touring scene of the music industry after being passionate about music her whole life. ...Read More This article was written as part of the curriculum for the Bachelor of Music in Music Management and the Bachelor of Science in Music Industry Studies at University of the Pacific. Each student conducted research based on his or her own areas of interest and study. To learn more about the program, visit: go.pacific.edu/musicindustry All images used from album covers are included under the Fair Use provision of U.S. Copyright law and remain the property of their respective copyright owners. Follow this and additional works at: https://scholarlycommons.pacific.edu/backstage-pass Part of the Arts Management Commons, Music Performance Commons, and the Radio Commons Recommended Citation Butler, Ailey L. (2019) "Guns N' Roses in Spain," Backstage Pass: Vol. 2 : Iss. 1 , Article 2. Available at: https://scholarlycommons.pacific.edu/backstage-pass/vol2/iss1/2 This Concert and Album Review is brought to you for free and open access by the Conservatory of Music at Scholarly Commons. It has been accepted for inclusion in Backstage Pass by an authorized editor of Scholarly Commons. For more information, please contact [email protected]. Butler: Guns N' Roses in Spain Guns N’ Roses in Spain By Ailey Butler This concert was held on July 1st, 2018 in Barcelona at the Estadi Olímpic Lluís Companys. -
For Everyone in the Business of Music
FOR EVERYONE IN THE BUSINESS OF MUSIC #5f>%J - .>V# f - 103S APPEARANCESOF COMPETITIONS DURING ACROSS OCTOBER ALL NETWORKS 1NCLUDING PLUS A PERFORMANCE ALL SAINTS WILL ON JO B INC THF 4?miuî?DriTcRVIEWS SCHEDULED TO AIR ON CAPITAL AND ILR NATIONAL OUTDOOR POSTER CAMPAIGN NATIONAL TV ADS MIDUNDS CHANNEL 4 & WNN^WEEK^MMFNr'MG 16TH CHANNEL 4 THROUGHOUT NOVEMBER ANn n^E TI0NALEMBER CHANNEL E PHASETHE THIRD OF THE SINGLE ALBUM 'ALL CAMPAIGN) HOOKED UP' in ,ÏSn.ANUARYil 20001 "-EAOING TH1S WILL TO U NATIONAL PRESS ADS ADS DWILL MAPPEARC INLUDING THE POPthe pdcccdaey .. ^ 5 ri ™ndMUCH more . ' So^sTHEATO S0 I■ NEWS:accelerating The theBl digital \ NEWS: A TV deal wilh NEWS: Sine is || âge under JENNY j Channelal Q 4AWARDS is giving itsthe | clubtargeting scene the in grassrootthe lead- | ■ launchVISKY.withthe of five channels |- Ij| event'shighest 11profile -year in history the up to FATBOV SLIM's I Marketing dotmusic breaks the 1m tyç barrierfor monthlyusers^ ri e a pand Music Week slster li m dotmusicmusic website has outsidebecome ofthe theTis Prst tomonthlyonthly offlciaTiy"break usetuse[ mark. thrôûitmreTïn electronlc,The figure, was auditedrecorded by across ABC July.1,254,679 dotmusic unique usersregistered and long-runningBrits TV will Brits initially organiser be staffed lisa by the16,762,198 period. pageUset impressionsnumbers have for ofAnderson, executive who producer, takes on theand positionformer DecemberIncreased by1999 70% figureslnce theof lunching Brits TV 740,964, and five-fold slnce May Awards brand could be tied to, the opportunitiescreated that in récognitionnew technolo- of lntr duci show'sIts launch links with effectively Initial TV, severs which hasthe thishave ail a yeardedicated round." i jazz-relatedalthough it isshows thought are that Wio dance- options and gyevolvingthe and new média brand," présent he says. -
AXS TV Schedule for Mon. February 24, 2020 to Sun. March 1, 2020
AXS TV Schedule for Mon. February 24, 2020 to Sun. March 1, 2020 Monday February 24, 2020 4:00 PM ET / 1:00 PM PT 7:00 AM ET / 4:00 AM PT The Top Ten Revealed The Very VERY Best of the 70s Guitar Rock Intros - Find out which epic Guitar Intros make our list as rock experts like Lita Ford, Teen Flicks - We’re ranking your favorite teen flicks of the 70s. From slapstick to romance, these Steven Adler (GnR) and Vinnie Paul (Pantera) count us down! movies had the teens of the 70s flocking to theaters. Find out which 70s teen flicks made our list as Barry Williams, Sebastian Bach and Anson Williams give us their opinions! 4:30 PM ET / 1:30 PM PT The Day The Rock Star Died 7:30 AM ET / 4:30 AM PT John Denver - Often described as “among the most beloved entertainers of his era,” John Denver TrunkFest with Eddie Trunk recorded and released approximately 300 songs, with total sales of over 33 million records Mountain Jam - In this episode of TrunkFest, Eddie heads to New York for Mountain Jam and worldwide. His lyrics reflected his joy in nature and disdain for city life, his enthusiasm for music, checks out the historic grounds of Woodstock, widely considered the home of festivals as we and his relationship trials. know them. Special guests include George Clinton. 5:00 PM ET / 2:00 PM PT 8:00 AM ET / 5:00 AM PT The 53rd Annual CMA Awards Rock Legends Country Music’s biggest stars are coming together on one stage at The 53rd Annual CMA Awards Elton John - This documentary follows Elton John’s journey from budding songwriter to his 70s - Country Music’s Biggest Night with host Carrie Underwood and special guest hosts Reba McEn- peak as the one of the most prolific artists of his generation, his flamboyant costumes and tire and Dolly Parton in celebration of legendary women in Country Music! Watch as the Country classic songs and closing with being one of the very few musicians who can still top the charts Music industry reveals winners and honors its finest entertainers. -
For Everyone in the Business of Music Tom Jones
FOR EVERYONE IN THE BUSINESS OF MUSIC TOM JONES ^OBBIE WILLIAIIIS THE CARDIGANS CEHYS FROM CATATWHA STEREOPHONICS NATAL!E l/fy SI TOM JONES RELOAD 27 September 1999 The much anticipated album of collaborations with Tom Jones will be released on Gut Records on 27 September. With unique interprétations of covers as well as original material, this project spans générations and genres • 'An Audience With Tom • Live on Zoë Ball's A major éditorial campaign Jones' (ITV) Breakfast Show (Radio 1) is underway which includes: • The National Lottery, New • Co-host on the Lunchtime • Loaded - feature Saturday Edition (BBC1) Show with Jo Whiley • Q - feature • TFI Friday (Channel 4) (Radio 1) • Mojo-feature • Jerry Springer UK Spécial • Morning Show 'Record Of • Observer Life - Cover fea- (ITV) The Week' (Radio 1) ture • Live & Kicking (Mot Seat) • Breakfast Show 'Record of • Big Issue - Cover feature (BBC1) The Week' (Virgin Radio) • Times Métro - Cover fea- • The O Zone (BBC2) • Spécial guest on Chris ture • MTV/VH-1 specials Tarrant's Breakfast Show • NME - Feature VH-1 Artist of the Month (Capital Radio) • The Source - Cover fea- • Later with Jools Holland • 'Tom Jones Weekend' 9th- ture (The Sun) (BBC2) 10th October (Capital • The Look - Cover feature • The Big Breakfast Radio) • Select-Think Tank fea- (Channel 4) • Guest on the Pepsi Chart ture • CD/UK People's Choice Show (ILR) • Daily Mail - Night & Day (ITV) • Spécial guest on the Cover feature • The Jo Whiiey Show Jonathan Ross Show (Channel 4) (Radio 2) • A two part Tom Jones • e-mailable -
Beyoncé's Lemonade Collaborator Melo-X Gives First Interview on Making of the Album.” Pitchfork, 25 Apr
FACULTADE DE FILOLOXÍA DEPARTAMENTO DE FILOLOXÍA INGLESA GRAO EN INGLÉS: ESTUDOS LINGÜÍSTICOS E LITERARIOS Beyoncé’s Lemonade: “A winner don’t quit” ANDREA PATIÑO DE ARTAZA TFG 2017 Vº Bº COORDINADORA MARÍA FRÍAS RUDOLPHI Table of Contents Abstract 1. Introduction 3 2. Methodology 4 3. Beyonce's Lemonade (2016) 5 3.1 Denial: “Hold Up” 6 3.2 Accountability: “Daddy Lessons” 12 3.3 Hope: “Freedom” 21 3.4 Formation 33 4. Conclusion 44 5. Works Cited 46 Appendix 49 Abstract Beyoncé’s latest album has become an instant social phenomenon worldwide. Given its innovative poetic, visual, musical and socio-politic impact, the famous and controversial African American singer has taken an untraveled road—both personal and professional. The purpose of this essay is to provide a close reading of the poetry, music, lyrics and visuals in four sections from Beyoncé’s critically acclaimed Lemonade (2016). To this end, I have chosen what I believe are the most representative sections of Lemonade together with their respective songs. Thus, I focus on the song “Hold Up” from Denial; “Daddy Lessons” from Accountability, “Freedom” from Hope, and “Formation,” where Beyoncé addresses topics such as infidelity, racism, women’s representation, and racism and inequality. I analyse these topics through a close-reading and interpretation of Warsan Shire’s poetry (a source of inspiration), as well as Beyoncé’s own music, lyrics, and imagery. From this analysis, it is safe to say that Lemonade is a relevant work of art that will perdure in time, since it highlights positive representations of African-Americans, at the same time Beyoncé critically denounces the current racial unrest lived in the USA. -
1 Going Long
GOING LONG by JOHN CASSIDY In the new “long tail” marketplace, has the blockbuster met its match? Issue of 2006-07-10 A quick test of your pop-culture knowledge: How many of the twenty-five best-selling albums in American history can you name, and what proportion of them were recorded in this century? If your first thought was Michael Jackson and your second was seventies guitar bands, you should do pretty well with the first part of the question. The most popular album of all time is the Eagles’ “Greatest Hits, 1971-1975,” which has sold about twenty-nine million copies in the United States since its release, in 1976. The No. 2 album is Jackson’s “Thriller,” which has sold twenty-seven million copies since 1982. Next on the list are albums by Led Zeppelin, Pink Floyd, AC / DC, and Billy Joel. The second part of the question is a little trickier: none of the top-twenty-five albums were released after 2000. Indeed, only three recent albums make the Recording Industry Association of America’s top-one-hundred list: Shania Twain’s “Up!” and Norah Jones’s “Come Away with Me,” from 2002; and OutKast’s 2003 double album, “Speakerboxxx / The Love Below.” Not one album released in the past three years has made the list. What are we to make of this, other than to point out that it must have something to do with online file-sharing and iPods? A lot, according to Chris Anderson, a business journalist who formerly worked at The Economist and now edits Wired. -
Tonal Ambiguity and Melodic-Harmonic Disconnect in the Music of Coldplay
“All That Noise, and All That Sound:” Tonal Ambiguity and Melodic-Harmonic Disconnect in the Music of Coldplay by Nathanael Welch Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music in the Music Theory and Composition Program YOUNGSTOWN STATE UNIVERSITY August, 2015 “All That Noise, and All That Sound:” Tonal Ambiguity and Melodic-Harmonic Disconnect in the Music of Coldplay Nathanael Welch I hereby release this thesis to the public. I understand that this thesis will be made available from the OhioLINK ETD Center and the Maag Library Circulation Desk for public access. I also authorize the University or other individuals to make copies of this thesis as needed for scholarly research. Signature: Nathanael Welch, Student Date Approvals: Dr. Jena Root, Thesis Advisor Date Dr. Randall Goldberg, Committee Member Date Dr. Tedrow Perkins, Committee Member Date Dr. Steven Reale, Committee Member Date Dr. Salvatore A. Sanders, Associate Dean of Graduate Studies Date i ABSTRACT Within the music of Coldplay there often exists a disconnect between the melody (vocal line) and the harmony (chord pattern/structure). It is often difficult to discern any tonal center (key) within a given song. In several of the songs I have selected for analysis, the melodies, when isolated from the harmonic patterns, suggest tonal centers at odds with the chords. Because of its often stratified pitch organization, Coldplay’s music is sometimes in two keys simultaneously. Exploring the disconnect between melody and harmony, I will show how that can lead to tonal ambiguity in the sense that there is no one key governing an entire song. -
The Year's Best Music Marketing Campaigns
DECEMBER 11 2019 sandboxMUSIC MARKETING FOR THE DIGITAL ERA ISSUE 242 thE year’s best music marketing campaigns SANDBOX 2019 SURVEY thE year’s best music marketing campaigns e received a phenomenal Contents 15 ... THE CINEMATIC ORCHESTRA 28 ... KIDD KEO 41 ... MARK RONSON number of entries this year and 03 ... AFRO B 16 ... DJ SHADOW 29 ... KREPT & KONAN 42 ... RICK ROSS had to increase the shortlist W 17 ... BILLIE EILISH 30 ... LAUV 43 ... SAID THE WHALE 04 ... AMIR to 50 in order to capture the quality 05 ... BASTILLE 18 ... BRIAN ENO 31 ... LD ZEPPELIN 44 ... SKEPTA and breadth of 2019’s best music campaigns. 06 ... BEE GEES 19 ... FEEDER 32 ... SG LEWIS 45 ... SLIPKNOT We had entries from labels of all 07 ... BERET 20 ... DANI FERNANDEZ 33 ... LITTLE SIMZ 46 ... SAM SMITH sizes around the world and across 08 ... BIG K.R.I.T. 21 ... FLOATING POINTS 34 ... MABEL 47 ... SPICE GIRLS a vast array of genres. As always, 09 ... BON IVER 22 ... GIGGS 35 ... NSG 48 ... SUPERM campaigns are listed in alphabetical 10 ... BRIT AWARDS 2019 23 ... HOT CHIP 36 ... OASIS 49 ... THE 1975 order, but there are spot prizes 11 ... BROKEN SOCIAL SCENE 24 ... HOZIER 37 ... ANGEL OLSEN 50 ... TWO DOOR CINEMA CLUB throughout for the ones that we felt 12 ... LEWIS CAPALDI 25 ... ELTON JOHN 38 ... PEARL JAM 51 ... UBBI DUBBI did something extra special. Here are 13 ... CHARLI XCX 26 ... KANO 39 ... REGARD 52 ... SHARON VAN ETTEN 2019’s best in show. 14 ... CHASE & STATUS 27 ... KESHA 40 ... THE ROLLING STONES 2 | sandbox | ISSUE 242 | 11.12.19 SANDBOX 2019 SURVEY AFRO B MARATHON MUSIC GROUP specifically focusing on Sweden, Netherlands, Ghana, Nigeria, the US and France. -
Outkast'd and Claimin' True
OUTKAST’D AND CLAIMIN’ TRUE: THE LANGUAGE OF SCHOOLING AND EDUCATION IN THE SOUTHERN HIPHOP COMMUNITY OF PRACTICE by JOYCELYN A. WILSON (Under the direction of Judith Preissle) ABSTRACT The hiphop community of practice encompasses a range of aesthetic values, norms, patterns, and traditions. Because of its growth over the last three decades, the community has come to include regionallyspecific networks linked together by community members who engage in meaningful practices and experiences. Expressed through common language ideologies, these practices contribute to the members’ communal and individual identity while simultaneously providing platforms to articulate social understandings. Using the constructs of community of practice and social networks, this research project is an interpretive study grounded primarily in the use of lyrics and interviews to investigate the linguistic patterns and language norms of hip hop’s southern network, placing emphasis on the Atlanta, Georgia southern hiphop network. The two main goals are to gain an understanding of the role of school in the cultivation of the network and identify the network’s relationship to schooling and education. The purpose is to identify initial steps for implementing a hiphop pedagogy in curriculum and instruction. INDEX WORDS: Hiphop community of practice, social network, language ideology, hiphop generation, indigenous research, schooling, education OUTKAST’D AND CLAIMIN’ TRUE: THE LANGUAGE OF SCHOOLING AND EDUCATION IN THE SOUTHERN HIPHOP COMMUNITY OF PRACTICE by JOYCELYN A. WILSON B.S., The University of Georgia, 1996 M.A., Pepperdine University, 1998 A Dissertation Submitted to the Graduate Faculty of the University of Georgia in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ATHENS, GEORGIA 2007 ã 2007 Joycelyn A.