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Exhibition Brochure RESTRICTED CHECKLIST RICHARD ANUSZKIEWICZ MERNET LARSEN JOEP VAN LIESHOUT Spectral 9 – A Variable Multiple, 1969 Park, 1975 Orange bathtub, 1995 Restricted displays seldom seen but important works from the Small and fragile objects require extra protection and screenprint on Polysterol plastic, 60 x 60 inches oil, mixed media, paper on canvas, 71-1/2 x 103-1/2 inches enameled fiberglass, brass, metal fixtures, Gift of Lawrence Feiwel Florida State House of Representatives Purchase partially-painted plywood, 40-7/8 x 73 x 72 inches permanent collection of the USF Contemporary Art Museum, have restrictions on the environments in which they University of South Florida Collection University of South Florida Collection Gift of Dr. and Mrs. Marvin Mordes University of South Florida Collection including paintings, prints, video, sculptures, installations, and can be displayed. These include Robert Rauschenberg’s BURT BARR ROY LICHTENSTEIN V-Formation, 2004 Brushstroke Chair and Ottoman, 1986–88 VARIOUS ARTISTS archival material by leading artists such as Claes Oldenburg, Patch (Tracks), 1976, a casting of dirt and resin, and Realm DVD, 13:48 minutes white birch veneer, paint, varnish 7 Objects/69, 1969 John Cage, Lynda Benglis, Mernet Larsen, Burt Barr, Robert (Tracks), 1976, a clay casting; both are always displayed USFCAM commission 2004 70-11/16 x 18 x 27-1/4 inches (chair) portfolio includes: University of South Florida Collection 20-3/4 x 17-3/4 x 24 inches (ottoman) David Bradshaw Stackhouse, and many others. All the works are restricted within specially made vitrines. Published by Graphicstudio Tears, 1969 LYNDA BENGLIS in the environments and contexts in which they can be University of South Florida Collection oil on unstretched canvas, 20 x 50 inches Torso, 1982 Eva Hesse displayed and this exhibition offers not only the opportunity Light damages most works of art, but some materials are ceramic with glaze, 32 x 14 x 4 inches GLADYS NILSSON Enclosed, 1969 Gift of Michelle Juristo A Artystick Extravaganza, 1977 latex-soaked and coated wallpaper tape wrapped to view these “hidden gems,” but a discussion of their care particularly vulnerable. Works on paper, especially those with University of South Florida Collection watercolor on paper, 22-3/4 x 22-3/4 inches around a truncated balloon, 3 x 10 x 1-1/2 inches Museum Purchase Stephen Kaltenbach and the competing pressures of best museum practices. color inks, are susceptible to fading and color shifts in both JOHN CAGE University of South Florida Collection Lithograph A, from Not Wanting Fire, 1969 the paper substrate and surface printing. Gladys Nilsson’s to Say Anything About Marcel, 1969 CLAES OLDENBURG bronze At the heart of museum work is the desire to both preserve watercolor on paper A Artystick Extravaganza, 1977, has lithograph, 36 x 38 inches Geometric Mouse, Scale D (Paper), “Home-made”, 1971 3-3/4 x 7-3/4 x 3/8 inches Museum Purchase die-cut paper with stainless steel wire hinges Bruce Nauman and present our cultural heritage, but it can be a complex remained vibrant due to being stored in the dark for many University of South Florida Collection and bead chains on paper base, 15 x 18 inches Record, 1969 process to balance the needs of conservation, access, years, and is protected at USFCAM by using UV filtering Published by Gemini G.E.L. 12-inch vinyl record with screenprinted cover JOHN CAGE University of South Florida Collection 12-3/8 x 12-3/8 x 3/8 inches education, and museum resources. Like most museums, Plexiglas in the frame and displaying at low light levels. Not Wanting to Say Anything About Marcel, 1969 Alan Saret Plexigram, 14 x 20 inches (each panel) CLAES OLDENBURG Untitled, 1969 USFCAM shows only a portion of its more than 5,000 3/4 x 14-1/2 x 24 inches (base) Tea Bag, from Four on Plexiglas suite nylon, 3 x 20 x 7 inches object collection at any one time. A variety of factors When presenting works with potentially challenging Gift of Bob Rauschenberg Gallery at Florida Southwestern screenprint on vacuum formed Plexiglas, Richard Serra State College, University of South Florida Collection vinyl, felt, and rayon, 40-1/2 x 29-1/4 inches Rolled, Encased & Sawed, 1969 influence when and where objects are shown. With content, museum staff carefully consider the context in Museum Purchase lead, 7 x 3-1/4 inches AFTER DESIGNS BY ALEXANDER CALDER University of South Florida Collection limited gallery space, USFCAM exhibits some collection which they will be shown. Works depicting nudes, such Doll, Floating Circles, Pyramids, Zebra, 1974–75 Keith Sonnier colored hemp, variable dimensions LUCY ORTA Plaster Cast in Satin, 1969 works in public spaces on campus and with our corporate as Mike Glier’s Carol Calling, 1983, or Jacob Landau’s Gift of Dr. Niels Lauersen Urban Life Guard, Ambulatory Sleeper, 2001 plaster, satin, 14 x 22 inches University of South Florida Collection various fabrics, screenprint on iron frame Gift of the Martin S. Ackerman Foundation, partners, but these venues pose environmental and security Urbanology, 1969, are not generally shown in public folding camp bed, 29-1/2 x 78 x 27-1/2 inches University of South Florida Collection JESSICA DIAMOND, SOL LEWITT, LAWRENCE WEINER concerns. Restricted allows these objects to be shown settings or on campus, considering the varied backgrounds Gift of the artist ANDY WARHOL A Do-It-Yourself, 1993 University of South Florida Collection in an environment that accommodates the demands of and sensibilities of visitors, students, and staff. linen covered portfolio box containing diagrams, $1, 1982 instructions, paper and pencil, and stencil, variable dimensions ROBERT RAUSCHENBERG screenprint on Lenox Museum Board, 19-3/4 x 15-5/8 inches preservation and access. Published by I.C. Editions, New York Museum Purchase Patch (Tracks), 1976 Extra, out of the edition. Some USF Collection holdings are kept for our students, University of South Florida Collection dirt and resin casting, 11-1/2 x 27 inches Designated for research and educational purposes only. Gift of Mr. and Mrs. Arnold Levine Gift of the Andy Warhol Foundation for the Visual Arts, Inc. Some of USFCAM’s most interesting works are too big, faculty and researchers to study and can be viewed by JIM DINE University of South Florida Collection University of South Florida Collection Metamorphosis of a Plant into a Fan, 1974 vulnerable, valuable or complicated to show outside of appointment. These objects are related to an artist’s five-part aluminum sculpture, 26 x 16 x 12 inches (each sculpture) ROBERT RAUSCHENBERG ANDY WARHOL Published by Petersburg Press Ltd. Realm (Tracks), 1976 Purple Cows (Stamped Indelibly), 1967 our large, monitored galleries. Among these is Teresita production, but are not considered part of the artist’s Gift of Graphicstudio clay casting, 30-1/4 x 36-3/4 inches rubber stamp print on Rives paper, 9-1/2 x 6-1/2 inches Fernández’s Mirror (Background), 2010, composed of two recognized catalogue of work. Among these are prints by University of South Florida Collection Gift of Mr. and Mrs. Arnold Levine Extra, out of the edition. University of South Florida Collection Designated for research and educational purposes only. layers of polished precision-cut stainless steel with screen Andy Warhol, Purple Cows (Stamped Indelibly), 1967, and TERESITA FERNÁNDEZ Gift of the Andy Warhol Foundation for the Visual Arts, Inc. Mirror (Background), 2010 TIM ROLLINS + K.O.S. University of South Florida Collection printing. Apart from its large size, its surfaces are very $1, 1982, created as extras out of the editions and gifted two layers polished precision-cut stainless The Red Badge of Courage – JOEL PETER WITKIN delicate and could be marred by inadvertent contact with to USF by the Andy Warhol Foundation for the Visual steel with screen printing, 46-1/2 x 70-1/2 inches Winston-Salem, North Carolina, 1994 Published by Graphicstudio tempera, acrylic, pastel, pencil, watercolor, Man Without Legs, 1985 viewers or objects, so it must be placed in a very secure area. Arts, Inc. for research and educational purposes only. University of South Florida Collection collage, book pages on linen, 91 x 114 x 2 inches Portrait of Nan, 1985 Gift of Angel Abreu Venus, Pan and Time, 1985 MIKE GLIER University of South Florida Collection photogravure, 22-1/2 x 19-3/4 inches Carol Calling, 1983 USF Graphicstudio Archive Roy Lichtenstein’s Brushstroke Chair and Ottoman, 1986- This exhibition was team curated by USFCAM and IRA oil on canvas, 66 x 96 inches ROBERT STACKHOUSE University of South Florida Collection 88, requires placement on a raised plinth to protect the staff, with participants advocating for the restricted Gift of Norma and William Roth Immersed, 1991 University of South Florida Collection etched and patinated copper plates on wood (panel), vulnerable, and very valuable, work from visitors eager to work in the USF Collection that they would most like our 48 x 65 inches copper foil clad wood (gate), JACOB LANDAU sit in it. visitors to see. 71 x 96 x 26 inches Urbanology, 1969 Published by Graphicstudio watercolor triptych, 46-3/4 x 31-3/4 inches (each panel) University of South Florida Collection Gift of the American Academy of Arts and Letters University of South Florida Collection left: Lucy Orta, Urban Life Guard, Ambulatory Sleeper, 2001. Gift of the artist. right: David Bradshaw, Eva Hesse, Stephen Kaltenbach, Bruce Nauman, Alan Saret, Richard Serra and Keith Sonnier, 7 Objects/69, 1969. Gift of the Martin S. Ackerman Foundation. Joel Peter Witkin, Portrait of Nan, 1985. USF Graphicstudio Archive COVER: Gladys Nilsson, A Artystick Extravaganza, 1977. Museum Purchase.
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