04-04-91 (The Liberty Champion, Volume 8, Issue 23)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The 1957 Hourglass, the Staff Has Departed from the Usual Format
T~e 1957 HOURGlASS presented by TH£ COlUfnBIH SCHOOl Ro c h ester , ne w Yo r ~ Volume 66 fORfWORO In offering the 1957 Hourglass, the staff has departed from the usual format. We present the book in a style and order depicting our theme, "Growth and Service," two intangibles of the spirit of Columbia. Our pages open with the tiny twigs, our Nursery Schoolers, and follow through years of growth and increasing service. They close with the class which, full grown in the Columbia spirit, will go forth to new worlds to the traditional strains of "Lead on, 0 King Eternal, the day of march has come." 2 OfOICATIOn It was before Pearl Harbor, but Hitler's armies were already on the march. Franklin Roosevelt was elected the first third-term President of the United States. Cincinnati beat Detroit in the World Series, and Joe Louis was World Heavyweight Champion. Our parents were seventeen years younger, trim of figure, ebullient in spirit. In that year, or close to it, to each of them was born a baby daughter. There follows a seventeen-year story of parents' sacrificing their own in terests for their daughters', and giving them the benefits of a Columbia School education. With the exception of the date and the events, the story is the same for parents of the entire school, Nursery through the Senior class. To all Parents of Columbia Girls, to express our heartfelt thank you for your continued love, guidance, and understanding, this 1957 Hourglass is affectionate! y dedicated. 3 AOrTIIniSTRATIOn MRS. SIMPSON MISS SKILLIN As we at Columbia sing the words of our Take one bit of protoplasm complete with Alma Mater, "Spirit of Columbia," there all the elements of carelessness, thoughtless flashes through our minds a thought insep ness, and the undirected energy of youth. -
Thorpe to Retire, Again CMH Foundation Approves $3M YMCA Donation Citrus County Administrator Sets Sept
NBA: Miami looks to rebound tonight against Pacers /B1 TUESDAY TODAY CITRUS COUNTY & next morning HIGH 86 Mostly sunny to LOW partly sunny. 58 PAGE A4 www.chronicleonline.com MAY 20, 2014 Florida’s Best Community Newspaper Serving Florida’s Best Community 50¢ VOL. 119 ISSUE 286 NEWS BRIEFS Thorpe to retire, again CMH Foundation approves $3M YMCA donation Citrus County administrator sets Sept. 26 as his last day on the job The effort to build a YMCA healthy living cen- CHRIS VAN ORMER “It has been over a year since I an- stay until his replacement was found. ter received a huge boost Staff writer nounced my intention to retire,” Thorpe But on Aug. 13, the Citrus County Board Monday night when the stated in an email message. “I believe of County Commissioners (BOCC) by a Citrus Memorial Health Just five days past the anniversary of now is time to formally announce that I 3-2 vote stopped the search for Thorpe’s Foundation agreed to do- his first retirement announcement that will be retiring on Sept. 26, 2014. This replacement and allowed him to with- nate $3 million in philan- was rescinded last August, County Ad- date should give the board sufficient time draw his resignation as the board had Brad thropic funds to the ministrator Brad Thorpe announced to select a new county administrator.” never officially accepted it. Thorpe Monday that he plans to retire in On May 14, 2013, Thorpe first gave no- project. county September. tice of his retirement, saying he would See THORPE/ Page A5 With the donation, the administrator. -
Carnegie Hall Concert with Buck Owens and His Buckaroos”—Buck Owens and His Buckaroos (1966) Added to the National Registry: 2013 Essay by Scott B
“Carnegie Hall Concert with Buck Owens and His Buckaroos”—Buck Owens and His Buckaroos (1966) Added to the National Registry: 2013 Essay by Scott B. Bomar (guest post) * Original album Original label Buck Owens and His Buckaroos In the fall of 1965, Buck Owens was the biggest country star in the world. He was halfway through a string of sixteen consecutive #1 singles on the country chart in the industry-leading “Billboard” magazine, and had just been invited to appear at New York City’s prestigious Carnegie Hall. Already designated a National Historic Landmark, the esteemed venue had hosted Tchaikovsky, Rachmaninoff, Stravinsky, Gershwin, Bernstein, and Ellington. Owens recognized the honor of being asked, but instructed his manager, Jack McFadden, to decline the offer. “When they first started talking about it, it scared me to death,” he admitted in a 1967 radio interview with Bill Thompson. Buck was worried the Manhattan audience wouldn’t be interested in his music, and he wanted to avoid the embarrassment of unsold tickets. McFadden pushed him to reconsider. When Ken Nelson, Owens’ producer at Capitol Records, suggested they record the performance and release it as his first live album, Buck finally conceded. Buck Owens’ journey to the top of the charts and the top of the bill at the most revered concert hall in the United States began in Sherman, Texas, where he was born Alvis Edgar Owens, Junior in 1929. By 1937, the Owens family was headed for a new life in California, but they wound up settling in Mesa, Arizona, when a broken trailer hitch derailed their plan. -
Building Cold War Warriors: Socialization of the Final Cold War Generation
BUILDING COLD WAR WARRIORS: SOCIALIZATION OF THE FINAL COLD WAR GENERATION Steven Robert Bellavia A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Andrew M. Schocket, Advisor Karen B. Guzzo Graduate Faculty Representative Benjamin P. Greene Rebecca J. Mancuso © 2018 Steven Robert Bellavia All Rights Reserved iii ABSTRACT Andrew Schocket, Advisor This dissertation examines the experiences of the final Cold War generation. I define this cohort as a subset of Generation X born between 1965 and 1971. The primary focus of this dissertation is to study the ways this cohort interacted with the three messages found embedded within the Cold War us vs. them binary. These messages included an emphasis on American exceptionalism, a manufactured and heightened fear of World War III, as well as the othering of the Soviet Union and its people. I begin the dissertation in the 1970s, - during the period of détente- where I examine the cohort’s experiences in elementary school. There they learned who was important within the American mythos and the rituals associated with being an American. This is followed by an examination of 1976’s bicentennial celebration, which focuses on not only the planning for the celebration but also specific events designed to fulfill the two prime directives of the celebration. As the 1980s came around not only did the Cold War change but also the cohort entered high school. Within this stage of this cohorts education, where I focus on the textbooks used by the cohort and the ways these textbooks reinforced notions of patriotism and being an American citizen. -
Love Ain't Got No Color?
Sayaka Osanami Törngren LOVE AIN'T GOT NO COLOR? – Attitude toward interracial marriage in Sweden Föreliggande doktorsavhandling har producerats inom ramen för forskning och forskarutbildning vid REMESO, Institutionen för Samhälls- och Välfärdsstudier, Linköpings universitet. Samtidigt är den en produkt av forskningen vid IMER/MIM, Malmö högskola och det nära samarbetet mellan REMESO och IMER/MIM. Den publiceras i Linköping Studies in Arts and Science. Vid filosofiska fakulteten vid Linköpings universitet bedrivs forskning och ges forskarutbildning med utgångspunkt från breda problemområden. Forskningen är organiserad i mångvetenskapliga forskningsmiljöer och forskarutbildningen huvudsakligen i forskarskolor. Denna doktorsavhand- ling kommer från REMESO vid Institutionen för Samhälls- och Välfärdsstudier, Linköping Studies in Arts and Science No. 533, 2011. Vid IMER, Internationell Migration och Etniska Relationer, vid Malmö högskola bedrivs flervetenskaplig forskning utifrån ett antal breda huvudtema inom äm- nesområdet. IMER ger tillsammans med MIM, Malmö Institute for Studies of Migration, Diversity and Welfare, ut avhandlingsserien Malmö Studies in International Migration and Ethnic Relations. Denna avhandling är No 10 i avhandlingsserien. Distribueras av: REMESO, Institutionen för Samhälls- och Välfärsstudier, ISV Linköpings universitet, Norrköping SE-60174 Norrköping Sweden Internationell Migration och Etniska Relationer, IMER och Malmö Studies of Migration, Diversity and Welfare, MIM Malmö Högskola SE-205 06 Malmö, Sweden ISSN -
"A Date with the Hangman" Scott Omkt Owiak College of Dupage
The Prairie Light Review Volume 2 | Number 2 Article 30 Winter 3-11-1983 "A Date with the Hangman" Scott omkT owiak College of DuPage Follow this and additional works at: https://dc.cod.edu/plr Recommended Citation Tomkowiak, Scott (1983) ""A Date with the Hangman"," The Prairie Light Review: Vol. 2 : No. 2 , Article 30. Available at: https://dc.cod.edu/plr/vol2/iss2/30 This Selection is brought to you for free and open access by the College Publications at DigitalCommons@COD. It has been accepted for inclusion in The rP airie Light Review by an authorized editor of DigitalCommons@COD. For more information, please contact [email protected]. Pratri* Light RevUio, PagtS Tomkowiak: "A Date with the Hangman" THE WHITE RIDER he rode into the night, the destroyer of dragons, “ODE TO T.V. PRODUCTION 1” bringing golden light, the first ray master, he charged straight ahead, the fastest of fast, The lights are on. tearing through the red, the fiercest of fierce. The stage is set. The cameras wait in ready. twas a dangerous mission, deceit was about. The Director sits in the highest seat. twas a perilous mission, death was common. Nervous, hot and sweaty. he kept to his strategy, he kept to his goal he was swift with sheer liberty, he stood true and tall The floor manager awaits his first command, just to give the signal the night did grow darker, the day was't seen, The actor's raring to go, yet the evil was still thicker, the good seemd so far. -
The Uk's Top 200 Most Requested Songs in 2014
The Uk’s top 200 most requested songs in 2014 1 Killers Mr. Brightside 2 Kings Of Leon Sex On Fire 3 Black Eyed Peas I Gotta Feeling 4 Pharrell Williams Happy 5 Bon Jovi Livin' On A Prayer 6 Robin Thicke Blurred Lines 7 Whitney Houston I Wanna Dance With Somebody 8 Daft Punk Get Lucky 9 Journey Don't Stop Believin' 10 Bryan Adams Summer Of '69 11 Maroon 5 MovesLike Jagger 12 Beyonce Single Ladies (Put A Ring On It) 13 Bruno Mars Marry You 14 Psy Gangam Style 15 ABBA Dancing Queen 16 Queen Don't Stop Me Now 17 Rihanna We Found Love 18 Foundations Build Me Up Buttercup 19 Dexys Midnight Runners Come On Eileen 20 LMFAO Sexy And I Know It 21 Van Morrison Brown Eyed Girl 22 B-52's Love Shack 23 Beyonce Crazy In Love 24 Michael Jackson Billie Jean 25 LMFAO Party Rock Anthem 26 Amy Winehouse Valerie 27 Avicii Wake Me Up! 28 Katy Perry Firework 29 Arctic Monkeys I Bet You Look Good On The Dancefloor 30 John Travolta & Olivia Newton-John Grease Megamix 31 Guns N' Roses Sweet Child O' Mine 32 Kenny Loggins Footloose 33 Olly Murs Dance With Me Tonight 34 OutKast Hey Ya! 35 Beatles Twist And Shout 36 One Direction What Makes You Beautiful 37 DJ Casper Cha Cha Slide 38 Clean Bandit Rather Be 39 Proclaimers I'm Gonna Be (500 Miles) 40 Stevie Wonder Superstition 41 Bill Medley & Jennifer Warnes (I've Had) The Time Of My Life 42 Swedish House Mafia Don't You Worry Child 43 House Of Pain Jump Around 44 Oasis Wonderwall 45 Wham! Wake Me Up Before You Go-go 46 Cyndi Lauper Girls Just Want To Have Fun 47 David Guetta Titanium 48 Village People Y.M.C.A. -
Do You Remember?
4 • THE JOHN ADAMS TOWER, March 321 1978 DOYOU REMEMBER? • NOTso LON& 160. 1971 ( < Disturbed by the officials Aronson urg~ him to re-evaluate t~e situation. · video tape equipment to his freshmen class. Need we say more? Is this who we think it is? Is he a freshman, too? HeJ Cwidak, where's the teacher?! Mr. Brady? Mrs. Starkweather? (1966] [1963] ... Mr. Schutz? Mr. Seeley? [1963] • [1951] ' .lohn Adams High Sl·hool as it appeared in 1940,. thc _\Car dasscs l'Ommcnl'cd. Photos from John Adams ALBUM Hairl... Hairl... Hairl... Hair!... Hairl... Hair!... Hair!• • • Hair!. HairI . Halrl. Hairl Yes officer, that's the man!!! Mr. Poe, don't you think it's getting Mr. Schutz, Mr. Szucs, where are -Mr. Cordell, Mr. H?.Jaway, where is a little long? those -milJion-dollar hairstyles?! it? 2 - THE JOHN ADAMS TOWER March 32. 1978 -II: BULLETIN Letter.s to the · Editor ~- After reading a recent letter to indebted to a handful of its .active really shocking isn't it? To think the moving of the vehicles, he the editor, about spirit week, I felt students. In fact, never have so that students actually can't read or could simply call the newspaper A ransom note has compelled to bring out my many, owed so much, to so few. I write- or add, I'm shocked! Also staff 'which would promptly tow been discovered in the typewriter and issue a response. · am speaking, of course, about our these seniors ·have schockingly bad tl}ese offenders away. The Tower Tower. The kidnapper's Brilliant! His' contests and style in fire-fighting crew. -
Heart Skips a Beat Phrased, 64 Count, 2 Wall, Intermediate
Heart Skips A Beat Phrased, 64 Count, 2 Wall, Intermediate Choreographer: Amy Glass (USA) Sept 2012 Web site: www.linedancermagazine.com Choreographed to: Heart Skips A Beat by Olly Murs (radio version) (iTunes) E-mail: [email protected] Sequence: 64, 4, 48, 64, 4, 48, 40, 4, 64 (looks more intimidating than it actually is!) Intro: Start dancing 16 counts after the first down beat 1-8 Step R, Cross L Over R, 1 & ¼ Spiral Turn R, Shuffle Forward (R, L, R), Rock, ½ Turn Shuffle L 1-2 Step side R. Cross L over R 3 Unwind 1 & ¼ R (3:00), transfer weight to L, hooking R over L 4&5 Shuffle forward R, L, R 6,7 Rock forward L, recover R 8&1 ½ turn L (9:00) while shuffling forward L, R, L 9-16 Full Turn L, Rock, Recover ¼ Turn L, ½ Hinge Turn R, Behind and Cross 2,3 Step back R while turning ½ L, step forward L turning ½ L 4&5 Rock forward R. Recover L while turning ¼ L (6:00), cross R over L 6 Step back L while turning ¼ R (9:00) 7 Step side R while turning ¼ R (12:00) 8&1 Step behind L, side R, cross L over R 17-24 Press R, Behind and Cross, Press L, Behind and ¼ Turn R &2 (& - Quick tap R) press R at diagonal (1:30) 3 Recover L 4&5 Step R behind L, step side L, cross R over L &6 (& - Quick tap L) press L at diagonal (10:30) 7 Recover R 8&1 Step L behind R, step side R, step forward L while turning ¼ R (3:00) 25-32 Rock Forward, Syncopated Step Back Lock R & L, Step Together &2,3 (& - Quick tap R) rock forward R, recover back L 4&5 Step R, cross L over R, step slight side R 6&7 Step L, cross R over L, step slight side L 8 Step R next -
PONE 9001 COVER GIRLS Greatest Hits CD
COVER GIRLS • GREATEST HITS The mid-80s to mid-90s dance-pop group Cover Girls was the brainchild of producer/songwriter Andy "Panda" Triploi and promoter Sal Abbatiello. Taking cues from the burgeoning freestyle genre of music, (Which itself took cues from the classic 80s electro of acts like Mantronix and Afrika Bambaataa, and later acted as a disco-inflected progenitor to the 90s infusion of dance-house.) the duo recruited a rotating lineup of singers from 1987 to 1996, including Angel Civiles, Caroline Jackson, Sunshine Wright, Margo Urban, Evelyn Escalera, and Michelle Valentine. 01. Show Me As a group, The Cover Girls never achieved the major mainstream success of contemporaries 02. Because Of You of their subgenre like Lisa Lisa or Exposé, but were a constant presence on Billboard's pop 03. Inside Outside and dance charts. Across four albums, the 04. Promise Me group reached multi-platinum levels of sales, and released 13-charting singles, including 05. My Heart Skips A Beat the Top 10 pop hit "We Can't Go Wrong", and Dance Chart-toppers such as "My Heart Skips 06. No One In This World A Beat" and "Show Me." The greatest of their 07. We Can't Go Wrong prolific output is collected here in Greatest Hits, which catalogues the best from their four 08. Funk Boutique studio releases, and their greatest commercial successes, including their signature 09. Thank You song "Show Me", which Billboard would 10. I Need Your Lovin' later name one of the 100 Greatest Girl Group Songs of All Time. FORMAT: CD LABEL: PHASE ONE CATALOG: PONE9001-CD STREET: 02/01/19 7 06091 90012 9. -
A Geographic Analysis of Professional Baseball's First-Year Player Signings, 1965-1977
A GEOGRAPHIC ANALYSIS OF PROFESSIONAL BASEBALL'S FIRST-YEAR PLAYER SIGNINGS, 1965-1977 By MARK WILSON ,,RUPERT Bachelor of Arts Ohio State University Columbus, Ohio 1974 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF SCIENCE May, 1980 \~~'S~S \C\ io ~C\1451 Q.ic~· 1- A GEOGRAPHIC ANALYSIS OF PROFESSIONAL BASEBALL 1 S FIRST-YEAR PLAYER SIGNINGS, 1965- 1977 Thesis Approved: Thesis Advi & Dean of the Graduate College 1057~29 ii PREFACE This project was initiated in December, 1977 when Dr. John F. Rooney handed me a carton of papers dealing with contemporary profes sional baseball player signings. My original plan was to analyze only a portion of the data for a paper to be presented the following April at the annual meeting of the Association of American Geographers. I became so engrossed with the subject that I soon decided to thoroughly examine the entire data set for a masters thesis. A two-month tour of many of the major league ballparks during the summer of 1978 further aroused my curiosity for the subject. The intertwining of baseball and geography has since become a personal labor of love. It is hoped that others might find this thesis interesting and informative. I must thank Dr. Rooney for making the data available and for his invaluable expertise as my major adviser. Thanks are also extended to Dr. Stephen W. Tweedie and Dr. George 0. Carney for their interest and timely advice. I am indebted to Gayle Maxwell and her cartography staff for their professional work on the maps included in this thesis. -
King, Kate (Catherine)
Kate (Catherine) King 1961-2011 49 Years In 2004 my strong and healthy mother told my two brothers and myself that she had Breast Cancer. Just like that, our world was rocked. We then watched her undergo chemotherapy, lose her hair and have operation after operation. Cancer is unfair. Yet this unremitting, uncompromising and unprejudiced disease does something unexpected, it unites us. Hearing the words “I have Breast Cancer” come from my mother’s mouth profoundly changed me. It changed us as individuals and also as a family. It changed the way we spoke to one another, the way we treated one another and the way we lived our lives. Ironically, Cancer changed us for the better. Cancer made us better people, and a stronger, more loving family. Mama was, and always will be my best friend and I hope someday to be half the person she was. She always looked forward, and planned for the future. She never let negative thoughts or any diagnosis get the better of her. She envisioned seeing her children get married, meeting her grandchildren and growing old with the love of her life. People often say, “If anyone deserved a miracle it was your mum”. She was blessed with many miracles. She had three children that idolised her, had a Husband that loved her unconditionally, had friends that cherished her, had family and extended family that adored her and she was blessed with 6 more years when doctors only gave her 6 months in April 2005. She was our Hero. No, she didn’t get the miracle we all hoped for but she had many miracles in this lifetime, ones that most people can only dream about.