Studying in the School of Music at RCS: Things You May Need
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A Guide for Creating Virtual Video/Audio Ensembles Written By
A guide for creating virtual video/audio ensembles Written by Ben Sellers With contributions from Wiltshire Music Connect Associate Luke Pickett, and Lee Hextall from Lincolnshire Music Service. This document guides you through the process of creating an audio or video ‘virtual ensemble’ performance. The process takes time and may require you to learn some new skills, but it is worth it: your pupils will develop their identities as musicians, a new audience will be reached, and the profile of the department and school will be raised. Get an idea of what is possible by watching this video from Wiltshire Young Musicians, created by Matt Thorpe. To create an audio recording you will need: • Sibelius, Musescore (free) or alternative sheet music software • Audio editing software (see below) • A Google Drive or Dropbox account. To create a music video you will also need: • Video editing software (see below) • A Youtube or Vimeo account to publish the videos online • Appropriate pupil filming consent. Each of the following steps is detailed below: 1. Choose your piece of music 2. Decide if you want to create an audio recording or a music video. 3. Create an arrangement 4. Send instructions, sheet music and backing track(s) to pupils 5. Edit together the recordings 6. Publish 1. Choose your piece of music Your chosen piece should be: a. Fairly easy to play, with no tricky rhythms b. Something popular that the musicians already know c. The same tempo throughout d. Less than 4 minutes in length Page 1 of 5 2. Decide if you want to create an audio recording or a music video. -
Sibelius Artwork Guidelines Contents
Sibelius Artwork Guidelines Contents Conditions of use ...........................................................................................................................3 Important information ..................................................................................................................4 Product names and logos.............................................................................................................5 Example copy..................................................................................................................................6 Endorsees ........................................................................................................................................7 Reviews............................................................................................................................................8 Awards...........................................................................................................................................11 House Style ...................................................................................................................................12 Conditions of use Who may use this material Authorized Sibelius distributors and dealers are permitted to reproduce text and graphics on this CD in order to market Sibelius products or PhotoScore, but only if these guidelines are adhered to, and all artwork is used unmodified and cleared by Sibelius Software before production of final proofs. Acknowledge trademarks Please -
Musical Notation Codes Index
Music Notation - www.music-notation.info - Copyright 1997-2019, Gerd Castan Musical notation codes Index xml ascii binary 1. MidiXML 1. PDF used as music notation 1. General information format 2. Apple GarageBand Format 2. MIDI (.band) 2. DARMS 3. QuickScore Elite file format 3. SMDL 3. GUIDO Music Notation (.qsd) Language 4. MPEG4-SMR 4. WAV audio file format (.wav) 4. abc 5. MNML - The Musical Notation 5. MP3 audio file format (.mp3) Markup Language 5. MusiXTeX, MusicTeX, MuTeX... 6. WMA audio file format (.wma) 6. MusicML 6. **kern (.krn) 7. MusicWrite file format (.mwk) 7. MHTML 7. **Hildegard 8. Overture file format (.ove) 8. MML: Music Markup Language 8. **koto 9. ScoreWriter file format (.scw) 9. Theta: Tonal Harmony 9. **bol Exploration and Tutorial Assistent 10. Copyist file format (.CP6 and 10. Musedata format (.md) .CP4) 10. ScoreML 11. LilyPond 11. Rich MIDI Tablature format - 11. JScoreML RMTF 12. Philip's Music Writer (PMW) 12. eXtensible Score Language 12. Creative Music File Format (XScore) 13. TexTab 13. Sibelius Plugin Interface 13. MusiXML: My own format 14. Mup music publication program 14. Finale Plugin Interface 14. MusicXML (.mxl, .xml) 15. NoteEdit 15. Internal format of Finale (.mus) 15. MusiqueXML 16. Liszt: The SharpEye OMR 16. XMF - eXtensible Music 16. GUIDO XML engine output file format Format 17. WEDELMUSIC 17. Drum Tab 17. NIFF 18. ChordML 18. Enigma Transportable Format 18. Internal format of Capella (ETF) (.cap) 19. ChordQL 19. CMN: Common Music 19. SASL: Simple Audio Score 20. NeumesXML Notation Language 21. MEI 20. OMNL: Open Music Notation 20. -
Methodology and Technical Methods
Recordare MusicXML: Methodology and Technical Methods Michael Good Recordare LLC Los Altos, California, USA [email protected] 17 November 2006 Copyright © 2006 Recordare LLC 1 Outline Personal introduction What is MusicXML? Design methodology Technical methods MusicXML use today Suitability for digital music editions Recommendations Future directions 17 November 2006 Copyright © 2006 Recordare LLC 2 My Background B.S. and M.S. in computer science from Massachusetts Institute of Technology B.S. thesis on representing scores in Music11 Trumpet on MIT Symphony Orchestra recordings available on Vox/Turnabout Opera and symphony chorus tenor; have performed for Alsop, Nagano, Ozawa Worked in software usability at SAP and DEC before founding Recordare in 2000 17 November 2006 Copyright © 2006 Recordare LLC 3 What is MusicXML? The first standard computer format for common Western music notation Covers 17th century onwards Available via a royalty-free license Supported by over 60 applications, including Finale, Sibelius, capella, and music scanners Useful for music display, performance, retrieval, and analysis applications Based on industry standard XML technology 17 November 2006 Copyright © 2006 Recordare LLC 4 The Importance of XML XML is a language for developing specialized formats like MusicXML, MathML, and ODF XML files can be read in any computer text editor Fully internationalized via Unicode The files are human readable as well as machine readable Each specialized format can use standard XML tools Allows musicians to leverage the large -
Dorico First Steps 3.5.12
First Steps The Steinberg Documentation Team: Cristina Bachmann, Heiko Bischoff, Lillie Harris, Christina Kaboth, Insa Mingers, Matthias Obrecht, Sabine Pfeifer, Benjamin Schütte, Marita Sladek Translation: Ability InterBusiness Solutions (AIBS), Moon Chen, Jérémie Dal Santo, Rosa Freitag, Josep Llodra Grimalt, Vadim Kupriianov, Filippo Manfredi, Roland Münchow, Boris Rogowski, Sergey Tamarovsky This document provides improved access for people who are blind or have low vision. Please note that due to the complexity and number of images in this document, it is not possible to include text descriptions of images. The information in this document is subject to change without notice and does not represent a commitment on the part of Steinberg Media Technologies GmbH. The software described by this document is subject to a License Agreement and may not be copied to other media except as specifically allowed in the License Agreement. No part of this publication may be copied, reproduced, or otherwise transmitted or recorded, for any purpose, without prior written permission by Steinberg Media Technologies GmbH. Registered licensees of the product described herein may print one copy of this document for their personal use. All product and company names are ™ or ® trademarks of their respective owners. For more information, please visit www.steinberg.net/trademarks. © Steinberg Media Technologies GmbH, 2021. All rights reserved. Dorico_3.5.12_en-US_2021-06-15 Table of Contents 4 Introduction 73 Playing back music 4 Tour of the user interface 73 Changing the audio output device 6 Functions of the modes 74 Applying a playback template 7 Dorico projects 75 Playing back the piece 8 Key commands 76 Changing dynamic levels in playback 79 Changing the poco rit. -
Handbook Edition 5.1 October 2007
Handbook Edition 5.1 October 2007 Handbook and Reference written by Daniel Spreadbury and Ben & Jonathan Finn. See the About Sibelius dialog for a full list of the software development team and other credits. We would like to thank all those (too numerous to list) who have provided helpful comments and suggestions for Sibelius and its documentation. Please email any suggestions you may have for improvements to this Handbook or Reference to [email protected] (but please do not use this address for suggestions or queries about the Sibelius program itself – see the separate Latest information & technical help sheet for the correct address for your country). Sibelius copyright © Sibelius Software, a division of Avid Technology, Inc., and its licensors 1987– 2007 Sibelius Handbook copyright © Sibelius Software, a division of Avid Technology, Inc.,1992–2007 Published by Sibelius Software, The Old Toy Factory, 20–23 City North, Fonthill Road, London N4 3HF, UK All rights reserved. This Handbook may not be reproduced, stored in a retrieval system or transmitted in any form or by any means – electronic, record- ing, mechanical, photocopying or otherwise – in whole or in part, without the prior written consent of the publisher. Although every care has been taken in the preparation of this Handbook, neither the publisher nor the authors can take responsibility for any loss or damage arising from any errors or omissions it may contain. Sibelius, the Sibelius logo, Scorch, Flexi-time, Espressivo, Rubato, Rhythmic feel, Arrange, ManuScript, Virtual Manuscript Paper, House Style, Sound- Stage, Opus, Inkpen2, Helsinki, Reprise, magnetic, multicopy, Optical, Dynamic parts, Ideas, SoundWorld, Panorama, the blue notes and double helix logos, SibeliusMusic.com, SibeliusEducation.com, ‘The fastest, smartest, easiest way to write music’ and ‘99% inspiration, 1% perspiration’ are all trade- marks or registered trademarks of Sibelius Software, a division of Avid Technology, Inc. -
Tantacrul Pain Points Addressed in This Document
Note Input Bar Redesign Tantacrul Pain Points Addressed in this Document • The NOTE INPUT BUTTON requires unnecessary steps when notating, which complicates the first time experience • There are too many options at the outset • Customisation is difficult to discover • Certain icons are hard to read (mainly ‘Note input’, ’Tie’ and ‘Flip direction’) • There are some inefficiencies with adding rests Out of Scope • Shortcuts Overview A brief description of visual & layout changes Workspace: Default Customise Note input 3 1 2 Palettes Inspector Add more palettes Accidentals More Clefs More Duet no.9 Time signatures More Key signatures More Grace notes More Grace notes More Bar lines More Text This is the proposed default layout of the Note Input Bar Workspace: Default Customise Note input 3 1 2 Palettes Inspector Add more palettes Only two voices (more can be accessed More descriptive Note Input button from the ‘Customise’ button on the far left) (New icon TBD) Accidentals * This particular suggested optimisation should not be More done without seeking wider approval Clefs ‘Customise’ is a button that triggers the existing ‘Customise String Quartet no.9 Toolbars’ dialog More A new Tuplet dropdown Time signatures More Redesigned icons for ‘Tie’ and ‘Flip direction’ Key signatures More (These are not final & ‘Flip direction’ needs to be tested) Grace notes More Less cluttered rest icon Grace notes More Bar lines More Text The Note Input Button Unlike Sibelius, Finale and Dorico, MuseScore requires the user to click a Note Input button before you can actually enter notes. Where the other notation apps have the same concept, they allow the user to immediately enter this mode by clicking on a note duration. -
App Midi to Transcription
App Midi To Transcription soEolian parchedly? Carlyle rejectMarkus therewith unnaturalised and slubberingly, curtly. she marver her tarp jouk altruistically. Is Sim backboneless or Saxon after unplanted Simmonds composing The soundfonts or end of sibelius that these are appealing in use the smallest note after i have issues, covering two warnings says copyright says it hear about that transcription app to midi Just ask google and drop on Reflow. Software Limited, like Forte, the Reader seamlessly peeks the first few lines from the next page over the top. Sibelius first page feature that midi app pretty much with a dynamic sheet for apps together pitches make? Easily transpose to annotate, transcription app from carl turner for. Analyze to rattle the alarm music! Some values may be grayed out based on the time signatures in the song to ensure every beat contains at least one smallest note. Imported MIDI files also translated well. You so transcriptions, transcription or key or bass clef. Are not do try it means that transcription results. For midi app for abc translation mistakes in your changes appearance to prominently display on your computer, thank you very intuitive. If you write from elementary looping, while it we then arrange straight to understand how easy to prevent unwanted notes are using just downloaded and editing. Mail, Windows, and importing audio files requires a pro subscription. Music though a less of velocity daily life and to branch it more meaningful. Export xml export of its actual name, or a know about music transcription is enhanced for use of? As midi app subscription plan, modern daw or track. -
Benutzerhandbuch
Songbook-Edition Benutzerhandbuch SmartScore 64 by Musitek | www.musitek.com Windows Inhaltsverzeichnis Inhaltsverzeichnis 3 3 4 Benutzerhandbuch SmartScore4 64 Songbook Windows Registrierung, Kontakt & Support 5 Einführung & Tipps 6 SmartScore-Editionen & Seriennummer 6 Die richtige SmartScore-Edition installieren 6 Zu diesem Handbuch 6 Willkommen 7 Die SmartScore 64 Songbook-Edition Handbuch-Version7 1.1 (Juni 2021) Vorbereitung 8 Das Startfenster und die wichtigsten Funktionen 8 Globale Programm-Voreinstellungen 9 Den Scanner einrichten 10 Noten scannen 12 Noten richtig in den Scanner einlegen 12 Welche Noten, welche nicht 12 Den Scanvorgang starten 13 Das Scan-Interface von SmartScore 13 Mehrere Seiten scannen 14 Notenscans als TIFF-Datei speichern 15 Notenerkennung 15 Das SmartScore-Erkennungsmodul 15 Die wichtigsten Erkennungsoptionen 17 Die Erkennung starten 18 Spezial: Erkennung als Einzelstimmenpartitur 19 Erkennung von Noten im PDF-Dateiformat 20 Der Bildeditor 21 Bildbearbeitung im Bildeditor von SmartScore 21 Die wichtigsten Funktionen und Werkzeuge des Bildeditors 22 Tipps zur Bildbearbeitung 23 Der Noteneditor (TIF/ENF-Ansicht) 26 Die Darstellung von Ansichten und Seiten anpassen 27 In Dokumenten navigieren 29 Werkzeuge und Funktionen des Noteneditors 30 Die Notenbearbeitung 32 Notationssymbole auswählen 32 Notationssymbole einfügen (allgemein) 34 Notationssymbole löschen 34 Notationssymbole ändern 37 Notationssymbole positionieren und modifizieren (Zeichen bearbeiten-Modus) 38 Notationssymbole hinzufügen 39 Zeichen hinzufügen, -
Beyond PDF – Exchange and Publish Scores with Musicxml
Beyond PDF – Exchange and Publish Scores with MusicXML MICHAEL GOOD! DIRECTOR OF DIGITAL SHEET MUSIC! ! APRIL 12, 2013! Agenda • Introduction to MusicXML • MusicXML status and progress in the past year • Possible future directions for MusicXML • Interactive discussions throughout What is MusicXML? • The standard open format for exchanging digital sheet music between applications • Invented by Michael Good at Recordare in 2000 • Developed collaboratively by a community of hundreds of musicians and software developers over the past 13 years • Available under an open, royalty-free license that is friendly for both open-source and proprietary software • Supported by over 160 applications worldwide What’s Wrong With Using PDF? • PDF: Portable Document Format • The standard format for exchanging and distributing final form documents • High graphical fidelity • But it has no musical knowledge – No playback – No alternative layouts – Limited editing and interactivity • PDF duplicates paper – it does not take advantage of the interactive potential for digital sheet music MusicXML Is a Notation Format • Music is represented using the semantic concepts behind common Western music notation • Includes both how a score looks and how it plays back • Includes low-level details of the appearance of a particular engraving, or the nuances of a particular performance – Allows transfer of music between applications with high visual fidelity – Also allows the visual details to be ignored when appropriate – The best display for paper is often not the best for -
Recordare Case Study
Recordare Case Study Recordare Case Study An Altova customer uses XMLSpy and DiffDog to develop MusicXML-based “universal translator” plugins for popular music notation programs. Overview Recordare® is a technology company focused on and Sibelius®. The list of MusicXML adopters also providing software and services to the musical includes optical scanning utilities like SharpEye or community. Their flagship products, the Dolet® capella-scan, music sequencers like Cubase, and plugin family, are platform-independent plugins beyond. Dolet increases the MusicXML support in for popular music notation programs, facilitating all of these programs and promotes interoperability the seamless exchange and interaction of sheet and the sharing of musical scores. music data files by leveraging MusicXML. In creating the Dolet plugins, Recordare used Dolet acts as a high quality translator between Altova's XML editor, XMLSpy, for editing and the MusicXML data format and other applications, testing the necessary MusicXML XML Schemas enabling users to work with these files on any con- and DTDs, and its diff/merge tool, DiffDog, for ceivable system, including industry leading notation regression testing. and musical composition applications Finale® The Challenge Music interchange between applications had Since its original release by Recordare in January traditionally been executed using the MIDI of 2004 (version 2.0 was released in June 2007), (Musical Instrument Digital Interface) file format, MusicXML has gained acceptance in the music a message transfer protocol that has its roots in notation industry with support in over 100 leading electronic music. MIDI is not an ideal transfer products, and is recognized as the de facto XML format for printed music, because it does not take standard for music notation interchange. -
A Collaborative Environment for Music Transcription and Publishing
82 Social Shaping of Digital Publishing: Exploring the Interplay Between Culture and Technology A.A. Baptista et al. (Eds.) IOS Press, 2012 © 2012 The authors and IOS Press. All rights reserved. doi:10.3233/978-1-61499-065-9-82 WIKI::SCORE A Collaborative Environment For Music Transcription And Publishing JoseJo´ ao˜ ALMEIDA a, Nuno Ramos CARVALHO a and Jose´ Nuno OLIVEIRA a a e-mail: {jj,narcarvalho,jno}@di.uminho.pt University of Minho, Braga, Portugal Abstract. Music sources are most commontly shared in music scores scanned or printed on paper sheets. These artifacts are rich in information, but since they are images it is hard to re-use and share their content in todays’ digital world. There are modern languages that can be used to transcribe music sheets, this is still a time consuming task, because of the complexity involved in the process and the typical huge size of the original documents. WIKI::SCORE is a collaborative environment where several people work to- gether to transcribe music sheets to a shared medium, using the notation. This eases the process of transcribing huge documents, and stores the document in a well known notation, that can be used later on to publish the whole content in several formats, such as a PDF document, images or audio files for example. Keywords. music transcription, Abc, wiki, collaborative work, music publishing Introduction Music transcriptions are most electronically shared is pictorial formats, as pictures or scans (copyright permitting) of the original music scores. Although this information is semantically rich it is hard to re-use or transform in automatic and systematic ways, without human intervention.