The Garden of Allah

Total Page:16

File Type:pdf, Size:1020Kb

The Garden of Allah The Garden Of Allah Robert Hichens The Garden Of Allah Table of Contents The Garden Of Allah................................................................................................................................................1 Robert Hichens...............................................................................................................................................1 BOOK I. PRELUDE...................................................................................................................................................2 CHAPTER I...................................................................................................................................................2 CHAPTER II..................................................................................................................................................6 CHAPTER III..............................................................................................................................................14 CHAPTER IV..............................................................................................................................................17 CHAPTER V................................................................................................................................................26 CHAPTER VI..............................................................................................................................................40 BOOK II. THE VOICE OF PRAYER......................................................................................................................58 CHAPTER VII.............................................................................................................................................58 CHAPTER VIII............................................................................................................................................69 CHAPTER IX..............................................................................................................................................85 BOOK III. THE GARDEN.....................................................................................................................................106 CHAPTER X..............................................................................................................................................106 CHAPTER XI............................................................................................................................................127 CHAPTER XII...........................................................................................................................................140 CHAPTER XIII..........................................................................................................................................151 CHAPTER XIV.........................................................................................................................................172 CHAPTER XV...........................................................................................................................................184 BOOK IV. THE JOURNEY...................................................................................................................................193 CHAPTER XVI.........................................................................................................................................193 CHAPTER XVII........................................................................................................................................202 CHAPTER XVIII.......................................................................................................................................211 CHAPTER XIX.........................................................................................................................................221 CHAPTER XX...........................................................................................................................................234 CHAPTER XXI.........................................................................................................................................247 CHAPTER XXII........................................................................................................................................258 CHAPTER XXIII.......................................................................................................................................264 CHAPTER XXIV......................................................................................................................................274 CHAPTER XXV........................................................................................................................................284 BOOK V. THE REVELATION.............................................................................................................................291 CHAPTER XXVI......................................................................................................................................291 BOOK VI. THE JOURNEY BACK.......................................................................................................................312 CHAPTER XXVII.....................................................................................................................................312 CHAPTER XXVIII....................................................................................................................................317 CHAPTER XXIX......................................................................................................................................329 CHAPTER XXX........................................................................................................................................337 CHAPTER XXXI......................................................................................................................................346 i The Garden Of Allah Robert Hichens This page copyright © 2001 Blackmask Online. http://www.blackmask.com • BOOK I. PRELUDE • CHAPTER I • CHAPTER II • CHAPTER III • CHAPTER IV • CHAPTER V • CHAPTER VI • BOOK II. THE VOICE OF PRAYER • CHAPTER VII • CHAPTER VIII • CHAPTER IX • BOOK III. THE GARDEN • CHAPTER X • CHAPTER XI • CHAPTER XII • CHAPTER XIII • CHAPTER XIV • CHAPTER XV • BOOK IV. THE JOURNEY • CHAPTER XVI • CHAPTER XVII • CHAPTER XVIII • CHAPTER XIX • CHAPTER XX • CHAPTER XXI • CHAPTER XXII • CHAPTER XXIII • CHAPTER XXIV • CHAPTER XXV • BOOK V. THE REVELATION • CHAPTER XXVI • BOOK VI. THE JOURNEY BACK The Garden Of Allah 1 The Garden Of Allah • CHAPTER XXVII • CHAPTER XXVIII • CHAPTER XXIX • CHAPTER XXX • CHAPTER XXXI Etext prepared by Dagny, [email protected] and John Bickers, [email protected] BOOK I. PRELUDE CHAPTER I The fatigue caused by a rough sea journey, and, perhaps, the consciousness that she would have to be dressed before dawn to catch the train for Beni−Mora, prevented Domini Enfilden from sleeping. There was deep silence in the Hotel de la Mer at Robertville. The French officers who took their pension there had long since ascended the hill of Addouna to the barracks. The cafes had closed their doors to the drinkers and domino players. The lounging Arab boys had deserted the sandy Place de la Marine. In their small and dusky bazaars the Israelites had reckoned up the takings of the day, and curled themselves up in gaudy quilts on their low divans to rest. Only two or three gendarmes were still about, and a few French and Spaniards at the Port, where, moored against the wharf, lay the steamer Le General Bertrand, in which Domini had arrived that evening from Marseilles. In the hotel the fair and plump Italian waiter, who had drifted to North Africa from Pisa, had swept up the crumbs from the two long tables in the salle−a−manger, smoked a thin, dark cigar over a copy of the Depeche Algerienne, put the paper down, scratched his blonde head, on which the hair stood up in bristles, stared for a while at nothing in the firm manner of weary men who are at the same time thoughtless and depressed, and thrown himself on his narrow bed in the dusty corner of the little room on the stairs near the front door. Madame, the landlady, had laid aside her front and said her prayer to the Virgin. Monsieur, the landlord, had muttered his last curse against the Jews and drunk his last glass of rum. They snored like honest people recruiting their strength for the morrow. In number two Suzanne Charpot, Domini's maid, was dreaming of the Rue de Rivoli. But Domini with wide−open eyes, was staring from her big, square pillow at the red brick floor of her bedroom, on which stood various trunks marked by the officials of the Douane. There were two windows in the room looking out towards the Place de la Marine, below which lay the station. Closed persiennes of brownish−green, blistered wood protected them. One of these windows was open. Yet the candle at Domini's bedside burnt steadily. The night was warm and quiet, without wind. As she lay there, Domini still felt the movement of the sea. The passage had been a bad one. The ship, crammed with French recruits for the African regiments, had pitched and rolled almost incessantly for thirty−one hours, and Domini and most of the recruits had been ill. Domini had had an inner cabin, with a skylight opening on to the lower deck, and heard above the sound of the waves and winds their groans and exclamations, rough laughter, and half−timid,
Recommended publications
  • University of Birmingham Review Essay on the Sheik
    University of Birmingham Review essay on The Sheik Burge, Amy; Robinson, Rachel License: Creative Commons: Attribution-NonCommercial (CC BY-NC) Document Version Publisher's PDF, also known as Version of record Citation for published version (Harvard): Burge, A & Robinson, R 2020, 'Review essay on The Sheik', Journal of Popular Romance Studies, vol. 9. <http://www.jprstudies.org/2020/12/review-essay-on-the-sheik/> Link to publication on Research at Birmingham portal General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. When citing, please reference the published version. Take down policy While the University of Birmingham exercises care and attention in making items available there are rare occasions when an item has been uploaded in error or has been deemed to be commercially or otherwise sensitive.
    [Show full text]
  • Review Essay on the Sheik
    Review essay on The Sheik Amy Burge and Rachel Robinson Published online: December 2020 http://www.jprstudies.org Abstract: This review essay collates and synthesises scholarly work to date on E. M. Hull’s The Sheik, its film adaptation, and their legacy for popular romance fiction. Starting with contemporary contexts, the popular and critical reception of The Sheik is introduced, along with its literary antecedents and film adaptation. The essay then outlines scholarly work in three key areas: gender, race and the postcolonial, and the text’s relationship to modernism. Each section highlights key arguments and critical voices. The final section of the essay considers the modern sheikh romance and its development from Hull’s novel. The review essay aims to provide a clear, accessible introduction to scholarly work on The Sheik for students and researchers. About the Author: Amy Burge is a Lecturer in Popular Fiction at the University of Birmingham. Her research interests lie in popular fiction (especially romance) and its intersections with race, religion, gender and sexuality. Her first book, Representing Difference in the Medieval and Modern Orientalist Romance (Palgrave, 2016) explored Orientalism in medieval and modern popular romance, comparing the representation of erotic relationships across religious and cultural borders in late medieval Orientalist romance (1330-1450) and twenty-first-century sheikh romance. She is currently working on a project exploring Arab and Muslim women’s genre fiction and migration. Rachel Robinson is a third year PhD candidate at the University of Tasmania, Australia. Her research sits at the intersection of popular romance studies and literary animal studies, with a specific focus on dog characters in romance novels.
    [Show full text]
  • Post-Cartesian Ontological Possibilities in the Fiction of J.M
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by South East Academic Libraries System (SEALS) My Other-My Self: Post-Cartesian Ontological Possibilities in the Fiction of J.M. Coetzee A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in the Department of English at Rhodes University Damazio Mfune December 2011 i ABSTRACT The central argument of my study is that, among other matters, in his works, J.M. Coetzee could be said to demonstrate that the known Self is an embodied being and is not autonomous. With regard to the latter contention, Coetzee intimates that any two Subjects are implicated in each other’s subjectivities in a reciprocal process that involves what Derek Attridge has called “irruptions of otherness” (2005: xii) into the Subject’s subjectivity. These irruptions, which happen during the encounter, lead to a double loss of autonomy for each Subject and this phenomenon renders the relationship between Subjects non-dichotomus or non-binaric. In other words, the Subject does not produce the contents of his or her consciousness in a sui generis and ex nihilo fashion, and his or her ontological indebtedness to the Other constitutes his or her first loss of autonomy. As for those Others that do possess consciousness, the Subject is implicated in their consciousness and this constitutes the Subject’s second loss of autonomy. These losses counter the near solipsistic Nagelian neo-Cartesianism and paves the way for imagining both intra- and inter-species “intersubjectivity”. It is my view that this double loss of autonomy accounts for the sympathetic and empathetic imagination that we encounter in Coetzee’s fiction.
    [Show full text]
  • Vote on of Sen. Censure Bingham for Monday
    t h e w e a t h e r Forecast by U. S. Weather Bureau, H artford. N E T P R E S S Conn. State Linrary-^Comp. AVERAGE DAILY CIRCULATION for the Month of October, 1939 Ooudy and cooler tonight and 5,522 Sunday, probably occasional rain. Member* of the Audit Bureau of Circulations PRICE THREE CENTS FOURTEEN PAGES SOUTH MANCHESTER, CONN., SATURDAY, NOVEMBER 2, 1929. (Classified Advertising on Page 12) VOL. XLIV., NO. 29. J THRILLS? LOTS OF THEM! M AN ATTACKS FAIR AIR TRAVELER CENSURE -kS> VOTE ON RAILMERGERS A DILIGENT WRITER. FAILTOTAKE 1 New York, Nov. 2.— (-A-P) TWOQRLSON Letter and postal card writing HISCASETO 1 OF SEN. BINGHAM F0RW H 0LEU.S.I seems to be a favorite pastime for air passengers. CENTffiSTREET A survey made recently by the Colonial Airways system showed H lG H ffi COURT NOWjNWORKSi the average was two letters and FOR MONDAY three postal cards per passenger each trip. Miss Grace Giglio ond Miss “Women write more than any Former Cabinet Officer Con­ t Matter to Be Presented to | other passengers,” said Wilson CHENEY TAX LIST I Absence of Several Sena­ Lloyd, district tnanager here, Eleanor Bidwell Fight Off “Young men write------- to a certain fident He Will Be Vindi- Congress at Regular Ses­ extent, but older men do little Assailant; Tried to Carry tors Causes Norris to vorresponding while in the air. , cated; Mrs. Fall Says They SHOWS REDUCTION They are either engaged m , cpjored* ^ Postpone Discussion; sio n -E astern Plan Is AI-; studying business reports or en- , -tropidgil One Girl Into the Woods.
    [Show full text]
  • George Melford Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
    George Melford 电影 串行 (大全) Freedom of the Press https://zh.listvote.com/lists/film/movies/freedom-of-the-press-20092777/actors Told in the Hills https://zh.listvote.com/lists/film/movies/told-in-the-hills-3992387/actors Rocking Moon https://zh.listvote.com/lists/film/movies/rocking-moon-55631890/actors Lingerie https://zh.listvote.com/lists/film/movies/lingerie-60737773/actors Sinners in Love https://zh.listvote.com/lists/film/movies/sinners-in-love-30593511/actors The Boer War https://zh.listvote.com/lists/film/movies/the-boer-war-7719015/actors The Invisible Power https://zh.listvote.com/lists/film/movies/the-invisible-power-21648734/actors Men, Women, and Money https://zh.listvote.com/lists/film/movies/men%2C-women%2C-and-money-18915104/actors A Celebrated Case https://zh.listvote.com/lists/film/movies/a-celebrated-case-3602370/actors Jane Goes A-Wooing https://zh.listvote.com/lists/film/movies/jane-goes-a-wooing-6152285/actors Shannon of the Sixth https://zh.listvote.com/lists/film/movies/shannon-of-the-sixth-20005977/actors The Skeleton in the Closet https://zh.listvote.com/lists/film/movies/the-skeleton-in-the-closet-20803275/actors The Mountain Witch https://zh.listvote.com/lists/film/movies/the-mountain-witch-20803094/actors Jungle Menace https://zh.listvote.com/lists/film/movies/jungle-menace-10312965/actors A Scarlet Week-End https://zh.listvote.com/lists/film/movies/a-scarlet-week-end-106401496/actors East of Borneo https://zh.listvote.com/lists/film/movies/east-of-borneo-1167721/actors The City of Dim Faces https://zh.listvote.com/lists/film/movies/the-city-of-dim-faces-13423760/actors
    [Show full text]
  • Eve Kosofsky Sedgwick As a Poet
    bathroom songs Before you start to read this book, take this moment to think about making a donation to punctum books, an independent non-profit press, @ https://punctumbooks.com/support/ If you’re reading the e-book, you can click on the image below to go directly to our donations site. Any amount, no matter the size, is appreciated and will help us to keep our ship of fools afloat. Contri- butions from dedicated readers will also help us to keep our commons open and to cultivate new work that can’t find a welcoming port elsewhere. Our ad- venture is not possible without your support. Vive la open-access. Fig. 1. Hieronymus Bosch, Ship of Fools (1490–1500) bathroom songs: eve kosofsky sedgwick as a poet. Copyright © 2017 by editor and authors. This work carries a Creative Commons BY-NC-SA 4.0 In- ternational license, which means that you are free to copy and redistribute the material in any medium or format, and you may also remix, transform and build upon the material, as long as you clearly attribute the work to the authors (but not in a way that suggests the authors or punctum books endorses you and your work), you do not use this work for commercial gain in any form whatsoever, and that for any remixing and transformation, you distribute your rebuild under the same license. http://creativecommons.org/licenses/by-nc-sa/4.0/ First published in 2017 by punctum books, Earth, Milky Way. https://punctumbooks.com ISBN-13: 978-1-947447-30-1 (print) ISBN-13: 978-1-947447-31-8 (ePDF) lccn: 2017957440 Library of Congress Cataloging Data is available from the Library of Congress Book design: Vincent W.J.
    [Show full text]
  • Faith, Love, Hope and Popular Romance Fiction
    Faith, Love, Hope and Popular Romance Fiction Laura Vivanco © Laura Vivanco 2020 The right of Laura Vivanco to be identified as the author of this work has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. First published 2020 by Laura Vivanco, Edinburgh https://www.vivanco.me.uk An online version is available from https://www.vivanco.me.uk/faith-love-hope-and-popular-romance- fiction. A paperback version is available from https://www.lulu.com. The author has tried to ensure that external URLs given in this book are accurate at the time of writing, but can offer no guarantee that the sites remain live or the content appropriate. ISBN 978-1-008-92667-7 Cover image: Woodcut used as final ornament on page 209 of Quintil- ian’s Institutio oratoria, ed. by Pieter Burman(n) the Elder, Leiden 1720. https://commons.wikimedia.org/wiki/File:Quintilian,_Institutio_ora toria_ed._Burman_(Leiden_1720),_p._209,_detail.jpg Typeset in EB Garamond using LATEX by David Sterratt. Cover design by Benjamin Sterratt and David Sterratt. Contents About the cover image vii Introduction from a Time of Pandemic ix I Faith, Love, Hope and Pastoral Care 1 1 Faith 3 1.1 The Ecstatic and Legalistic Modes of Faith ...... 8 1.1.1 Rules and Emotion .............. 12 2 Love 19 2.1 Good ......................... 25 2.2 Durable ........................ 27 3 Hope 33 4 Pastoral Care 41 4.1 Healing ........................ 43 4.2 Guiding ........................ 49 4.3 Reconciling ...................... 53 4.4 Sustaining ....................... 57 4.4.1 Writing Better Life Stories .........
    [Show full text]
  • Durham E-Theses
    Durham E-Theses English verse drama from 1890 - 1935 Gowda, H. H. Anniah How to cite: Gowda, H. H. Anniah (1958) English verse drama from 1890 - 1935, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/10451/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk ENGLISH VERSE DRAMA FROM 1890 TO 1935 Thesis submitted to the University of Durham for the degree of M.Litt, by H.H.Anniah Gowda, M.A. (Mysore) Department of English, The Durham Colleges in the University of Durham, Durham, Septemher 26, 1958. CONTENTS INTRODUCTION I Chapter 1 CAUSES- OF THE DECLINE OF POETIC DRAMA IN THE NINETEENTH CENTURY ... ' 1 2 DERIVATIVE PLAYS ... ... ... 13 3 DERIVATIVE PLAYS (Contd) 65 4 DOCTRINAIRE PLAYS 135 5 SPECTACULAR PLAYS ... ... ... 184 6 'REALISTIC • V.ERSE DRAMA ... ... 215 7 THE INFLUENCE OF THE NOH PLAYS ON VERSE DRAMA 269 8 RELIGIOUS VERSE DRAMA ..
    [Show full text]