Post-Cartesian Ontological Possibilities in the Fiction of J.M

Total Page:16

File Type:pdf, Size:1020Kb

Post-Cartesian Ontological Possibilities in the Fiction of J.M View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by South East Academic Libraries System (SEALS) My Other-My Self: Post-Cartesian Ontological Possibilities in the Fiction of J.M. Coetzee A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in the Department of English at Rhodes University Damazio Mfune December 2011 i ABSTRACT The central argument of my study is that, among other matters, in his works, J.M. Coetzee could be said to demonstrate that the known Self is an embodied being and is not autonomous. With regard to the latter contention, Coetzee intimates that any two Subjects are implicated in each other’s subjectivities in a reciprocal process that involves what Derek Attridge has called “irruptions of otherness” (2005: xii) into the Subject’s subjectivity. These irruptions, which happen during the encounter, lead to a double loss of autonomy for each Subject and this phenomenon renders the relationship between Subjects non-dichotomus or non-binaric. In other words, the Subject does not produce the contents of his or her consciousness in a sui generis and ex nihilo fashion, and his or her ontological indebtedness to the Other constitutes his or her first loss of autonomy. As for those Others that do possess consciousness, the Subject is implicated in their consciousness and this constitutes the Subject’s second loss of autonomy. These losses counter the near solipsistic Nagelian neo-Cartesianism and paves the way for imagining both intra- and inter-species “intersubjectivity”. It is my view that this double loss of autonomy accounts for the sympathetic and empathetic imagination that we encounter in Coetzee’s fiction. Following Coetzee’s intimations of intersubjectivity through irruptions of otherness, what I see as my contribution to studies on this author’s work through this study is the link I have established between the physicalist strain within the philosophy of mind (whose central thesis is that consciousness is an embodied phenomenon) and a modified Kantian “metaphysics”, especially Immanuel Kant’s conception of concepts as comprising form and content. I have deployed this conception in demonstrating the Subject’s ontological indebtedness to external sources of the content part of consciousness. And, through the Husserlian concept of intentionality, and Kant’s (1929: 27) observation that we cannot have appearances without something that appears, I have linked the Subject to the sources of his or her content and thereby also demonstrated that the Subject is not eternally separated or alienated from those sources. Instead, the Subject is not simply contiguous but coterminous and co-extensive, albeit in a mediated way, with the external sources of the content part of his or her consciousness. Thus, while accepting the thesis of the Other’s radical otherness, I modify the thesis of the Other’s radical exteriority. Ultimately, then, ontologically speaking, the Coetzeean project could be described as one of embodying and grounding the supposedly autonomous, solipsistic and free- floating/disembodied Cartesian Subject. This he does by alerting this Subject, first and foremost, to its embodiedness and, further to that, pointing out its ontological indebtedness to its Others and its implication in the Others’s consciousnesses and so prevent it from continuing with its imperialistic and ecological barbarities. However, ethically speaking, beyond the reciprocal ethics that arises from mutual ontological indebtedness and implication, it is the selflessness that characterises a cruciform logic that comes across as the epitome of Coetzeean ethics. ii ACKNOWLEDGEMENTS I acknowledge all those who stood by me in all sorts of ways (including those who were cheering me on) during the past four years when this study was being undertaken. A special thank you to my supervisor, Professor Mike Marais, and his family; my advisor, Prof. Dan Wylie, and members of staff of the English Department of Rhodes University such as Prof. Gareth Cornwell, Margot Beard and Carol Booth, for the exchange of ideas and providing me with a conducive environment in which I could do my work. I also acknowledge staff of NELM for their invaluable assistance. The NRF bursary also went a long way towards making this project possible. Dr. Ron Simango and family, Dr. Booker Magure and Dr. Syned Mthatiwa, whatever good times there were, they rolled! To all, I cannot thank you enough. iii DEDICATION In memory of Prof. Paul Mwaipaya. And for: Gladys Yose and Priscila Bambiso who welcomed me to the English Department at Rhodes with ceremony. iv DECLARATION I hereby certify that this thesis is my own work and that it has not been submitted for examination at any other university before. Signed: Damazio Mfune Date: 9th December, 2011 v TABLE OF CONTENTS Abstract: ii Acknowledgements: iii Dedication: iv Declaration: v Introduction: Coetzee, Consciousness, Identity and Domination: A Critical Overview. 1 Chapter One: Theoretical Framework: Post-Cartesian Embodied Subjectivity and Ethics in J.M. Coetzee’s Fiction 28 Chapter Two: Dusklands: J.M. Coetzee’s Diagnosis of the “Metaphysics” of Domination and an authorial “Manifesto” 73 Chapter Three: Waiting for the Barbarians: A Nascent Embodied Intersubjectivity. 125 Chapter Four: Age of Iron: Embodied Intersubjectivity and a Post-Binary Logic of “Both-And” 154 Chapter Five: Disgrace: The Sympathetic Imagination and Acknowledge- ment of the Animal Other 188 Chapter Six: Elizabeth Costello: Embodied Intersubjectivity and the Empathetic Imagination 229 Conclusion 254 Bibliography: 272 vi Introduction Coetzee, Consciousness, Identity and Domination: A Critical Overview. Without consciousness the mind-body problem would be much less interesting. With consciousness it seems hopeless. And careful examination will show that no currently available concept of reduction is applicable to it. Perhaps a new theoretical form can be devised for the purpose, but such a solution if it exists, lies in the distant intellectual future. (Nagel, 1979: 166) What is it like to be a bat? Asks Thomas Nagel . “Cogito, ergo sum” . It is a formula I have always been uncomfortable with. It implies that a being that does not do what we call thinking is somehow second class. To thinking, cogitation, I oppose fullness, embodiedness, the sensation of being ─ not consciousness of yourself as a kind of ghostly reasoning machine thinking thoughts, but on the contrary the sensation ─ a heavily affective sensation ─ of being a body with limbs that have extension in space, of being alive to the world. This fullness contrasts starkly with Descartes’ key state, which has an empty feel to it: the feel of a pea rattling around in a shell. (Coetzee, 1999a: 33) Friday is mute, but Friday does not disappear, because Friday is body. If I look back over my own fiction, I see a simple . standard erected. That standard is the body. Whatever else, the body is not ‘that which is not’, and the proof that it is is the pain it feels. The body with its pain becomes a counter to the endless trials of doubt. (Coetzee, 1992: 248) We speak of the dog with the sore foot or the bird with the broken wing. But the dog does not think of itself in those terms, or the bird. To the dog, when it tries to walk, there is simply I am pain, to the bird, when it launches itself into flight, simply I cannot. With us it seems different. The fact that such common locutions as “my leg,” “my eye,” “my brain,” and even “my body,” exist suggests that we believe there is some non-material, perhaps fictive, entity that stands in the relation of possessor to possessed to the body’s “parts” and even to the whole body. Or else the existence of such locutions shows that language cannot get purchase, cannot get going, until it has split up the unity of experience. (Coetzee, 2007: 59, emphasis original) ‘Never before have I had the feeling of not living my own life on my own terms,’ I tell the girl, struggling to explain what happened. (Coetzee, 1980: 42-43) The study that follows is about the ontology of consciousness and subjectivity, or, more specifically, it is about embodied consciousness and “intersubjectivity”, as posited by J.M. Coetzee in his writings as I have come to understand them. Furthermore, my exploration of this kind of subjectivity is situated within the fields of post-colonial, post-gender and eco/zoological criticism, three fields that, to varying degrees, Coetzee has engaged with persistently since the 1970s. One could argue that J.M. Coetzee set it as his goal to challenge a Cartesian dichotomous or binaric ontology which, since the 16th century, has given licence to and accompanied various kinds of oppressive, discriminatory and exploitative mindsets such as colonialism, patriarchy and anthropocentrism. 1 The central argument of the study, or its thesis, is that, among other matters, in his works J.M. Coetzee could be said to suggest that, through the phenomenon of an “embodied consciousness” and “intentionality”, the Self is not autonomous in that aspects of the Other are actually, to an extent, integral parts of its subjectivity just as much as aspects of the Self are also, to an extent, an integral part of the Other’s subjectivity. In short, any two Subjects are implicated in each other’s subjectivities. As I will explain further in the course of the study, this lack of autonomy expresses itself in at least two forms: firstly, the embodied Subject constitutes his or her consciousness with content from his or her Others who are external to him or her, and thereby exists in a state of ontological indebtedness to those Others, and, secondly, since the Subject also becomes a part of the Others (by being implicated in their consciousness), he or she has no control over how those Others are going to configure him or her in their consciousnesses, and yet these are the configurations on which they will base their relationship with him or her.
Recommended publications
  • University of Birmingham Review Essay on the Sheik
    University of Birmingham Review essay on The Sheik Burge, Amy; Robinson, Rachel License: Creative Commons: Attribution-NonCommercial (CC BY-NC) Document Version Publisher's PDF, also known as Version of record Citation for published version (Harvard): Burge, A & Robinson, R 2020, 'Review essay on The Sheik', Journal of Popular Romance Studies, vol. 9. <http://www.jprstudies.org/2020/12/review-essay-on-the-sheik/> Link to publication on Research at Birmingham portal General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document. When citing, please reference the published version. Take down policy While the University of Birmingham exercises care and attention in making items available there are rare occasions when an item has been uploaded in error or has been deemed to be commercially or otherwise sensitive.
    [Show full text]
  • Review Essay on the Sheik
    Review essay on The Sheik Amy Burge and Rachel Robinson Published online: December 2020 http://www.jprstudies.org Abstract: This review essay collates and synthesises scholarly work to date on E. M. Hull’s The Sheik, its film adaptation, and their legacy for popular romance fiction. Starting with contemporary contexts, the popular and critical reception of The Sheik is introduced, along with its literary antecedents and film adaptation. The essay then outlines scholarly work in three key areas: gender, race and the postcolonial, and the text’s relationship to modernism. Each section highlights key arguments and critical voices. The final section of the essay considers the modern sheikh romance and its development from Hull’s novel. The review essay aims to provide a clear, accessible introduction to scholarly work on The Sheik for students and researchers. About the Author: Amy Burge is a Lecturer in Popular Fiction at the University of Birmingham. Her research interests lie in popular fiction (especially romance) and its intersections with race, religion, gender and sexuality. Her first book, Representing Difference in the Medieval and Modern Orientalist Romance (Palgrave, 2016) explored Orientalism in medieval and modern popular romance, comparing the representation of erotic relationships across religious and cultural borders in late medieval Orientalist romance (1330-1450) and twenty-first-century sheikh romance. She is currently working on a project exploring Arab and Muslim women’s genre fiction and migration. Rachel Robinson is a third year PhD candidate at the University of Tasmania, Australia. Her research sits at the intersection of popular romance studies and literary animal studies, with a specific focus on dog characters in romance novels.
    [Show full text]
  • Vote on of Sen. Censure Bingham for Monday
    t h e w e a t h e r Forecast by U. S. Weather Bureau, H artford. N E T P R E S S Conn. State Linrary-^Comp. AVERAGE DAILY CIRCULATION for the Month of October, 1939 Ooudy and cooler tonight and 5,522 Sunday, probably occasional rain. Member* of the Audit Bureau of Circulations PRICE THREE CENTS FOURTEEN PAGES SOUTH MANCHESTER, CONN., SATURDAY, NOVEMBER 2, 1929. (Classified Advertising on Page 12) VOL. XLIV., NO. 29. J THRILLS? LOTS OF THEM! M AN ATTACKS FAIR AIR TRAVELER CENSURE -kS> VOTE ON RAILMERGERS A DILIGENT WRITER. FAILTOTAKE 1 New York, Nov. 2.— (-A-P) TWOQRLSON Letter and postal card writing HISCASETO 1 OF SEN. BINGHAM F0RW H 0LEU.S.I seems to be a favorite pastime for air passengers. CENTffiSTREET A survey made recently by the Colonial Airways system showed H lG H ffi COURT NOWjNWORKSi the average was two letters and FOR MONDAY three postal cards per passenger each trip. Miss Grace Giglio ond Miss “Women write more than any Former Cabinet Officer Con­ t Matter to Be Presented to | other passengers,” said Wilson CHENEY TAX LIST I Absence of Several Sena­ Lloyd, district tnanager here, Eleanor Bidwell Fight Off “Young men write------- to a certain fident He Will Be Vindi- Congress at Regular Ses­ extent, but older men do little Assailant; Tried to Carry tors Causes Norris to vorresponding while in the air. , cated; Mrs. Fall Says They SHOWS REDUCTION They are either engaged m , cpjored* ^ Postpone Discussion; sio n -E astern Plan Is AI-; studying business reports or en- , -tropidgil One Girl Into the Woods.
    [Show full text]
  • The Garden of Allah
    The Garden Of Allah Robert Hichens The Garden Of Allah Table of Contents The Garden Of Allah................................................................................................................................................1 Robert Hichens...............................................................................................................................................1 BOOK I. PRELUDE...................................................................................................................................................2 CHAPTER I...................................................................................................................................................2 CHAPTER II..................................................................................................................................................6 CHAPTER III..............................................................................................................................................14 CHAPTER IV..............................................................................................................................................17 CHAPTER V................................................................................................................................................26 CHAPTER VI..............................................................................................................................................40 BOOK II. THE VOICE OF PRAYER......................................................................................................................58
    [Show full text]
  • George Melford Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
    George Melford 电影 串行 (大全) Freedom of the Press https://zh.listvote.com/lists/film/movies/freedom-of-the-press-20092777/actors Told in the Hills https://zh.listvote.com/lists/film/movies/told-in-the-hills-3992387/actors Rocking Moon https://zh.listvote.com/lists/film/movies/rocking-moon-55631890/actors Lingerie https://zh.listvote.com/lists/film/movies/lingerie-60737773/actors Sinners in Love https://zh.listvote.com/lists/film/movies/sinners-in-love-30593511/actors The Boer War https://zh.listvote.com/lists/film/movies/the-boer-war-7719015/actors The Invisible Power https://zh.listvote.com/lists/film/movies/the-invisible-power-21648734/actors Men, Women, and Money https://zh.listvote.com/lists/film/movies/men%2C-women%2C-and-money-18915104/actors A Celebrated Case https://zh.listvote.com/lists/film/movies/a-celebrated-case-3602370/actors Jane Goes A-Wooing https://zh.listvote.com/lists/film/movies/jane-goes-a-wooing-6152285/actors Shannon of the Sixth https://zh.listvote.com/lists/film/movies/shannon-of-the-sixth-20005977/actors The Skeleton in the Closet https://zh.listvote.com/lists/film/movies/the-skeleton-in-the-closet-20803275/actors The Mountain Witch https://zh.listvote.com/lists/film/movies/the-mountain-witch-20803094/actors Jungle Menace https://zh.listvote.com/lists/film/movies/jungle-menace-10312965/actors A Scarlet Week-End https://zh.listvote.com/lists/film/movies/a-scarlet-week-end-106401496/actors East of Borneo https://zh.listvote.com/lists/film/movies/east-of-borneo-1167721/actors The City of Dim Faces https://zh.listvote.com/lists/film/movies/the-city-of-dim-faces-13423760/actors
    [Show full text]
  • Eve Kosofsky Sedgwick As a Poet
    bathroom songs Before you start to read this book, take this moment to think about making a donation to punctum books, an independent non-profit press, @ https://punctumbooks.com/support/ If you’re reading the e-book, you can click on the image below to go directly to our donations site. Any amount, no matter the size, is appreciated and will help us to keep our ship of fools afloat. Contri- butions from dedicated readers will also help us to keep our commons open and to cultivate new work that can’t find a welcoming port elsewhere. Our ad- venture is not possible without your support. Vive la open-access. Fig. 1. Hieronymus Bosch, Ship of Fools (1490–1500) bathroom songs: eve kosofsky sedgwick as a poet. Copyright © 2017 by editor and authors. This work carries a Creative Commons BY-NC-SA 4.0 In- ternational license, which means that you are free to copy and redistribute the material in any medium or format, and you may also remix, transform and build upon the material, as long as you clearly attribute the work to the authors (but not in a way that suggests the authors or punctum books endorses you and your work), you do not use this work for commercial gain in any form whatsoever, and that for any remixing and transformation, you distribute your rebuild under the same license. http://creativecommons.org/licenses/by-nc-sa/4.0/ First published in 2017 by punctum books, Earth, Milky Way. https://punctumbooks.com ISBN-13: 978-1-947447-30-1 (print) ISBN-13: 978-1-947447-31-8 (ePDF) lccn: 2017957440 Library of Congress Cataloging Data is available from the Library of Congress Book design: Vincent W.J.
    [Show full text]
  • Faith, Love, Hope and Popular Romance Fiction
    Faith, Love, Hope and Popular Romance Fiction Laura Vivanco © Laura Vivanco 2020 The right of Laura Vivanco to be identified as the author of this work has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. First published 2020 by Laura Vivanco, Edinburgh https://www.vivanco.me.uk An online version is available from https://www.vivanco.me.uk/faith-love-hope-and-popular-romance- fiction. A paperback version is available from https://www.lulu.com. The author has tried to ensure that external URLs given in this book are accurate at the time of writing, but can offer no guarantee that the sites remain live or the content appropriate. ISBN 978-1-008-92667-7 Cover image: Woodcut used as final ornament on page 209 of Quintil- ian’s Institutio oratoria, ed. by Pieter Burman(n) the Elder, Leiden 1720. https://commons.wikimedia.org/wiki/File:Quintilian,_Institutio_ora toria_ed._Burman_(Leiden_1720),_p._209,_detail.jpg Typeset in EB Garamond using LATEX by David Sterratt. Cover design by Benjamin Sterratt and David Sterratt. Contents About the cover image vii Introduction from a Time of Pandemic ix I Faith, Love, Hope and Pastoral Care 1 1 Faith 3 1.1 The Ecstatic and Legalistic Modes of Faith ...... 8 1.1.1 Rules and Emotion .............. 12 2 Love 19 2.1 Good ......................... 25 2.2 Durable ........................ 27 3 Hope 33 4 Pastoral Care 41 4.1 Healing ........................ 43 4.2 Guiding ........................ 49 4.3 Reconciling ...................... 53 4.4 Sustaining ....................... 57 4.4.1 Writing Better Life Stories .........
    [Show full text]
  • Durham E-Theses
    Durham E-Theses English verse drama from 1890 - 1935 Gowda, H. H. Anniah How to cite: Gowda, H. H. Anniah (1958) English verse drama from 1890 - 1935, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/10451/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk ENGLISH VERSE DRAMA FROM 1890 TO 1935 Thesis submitted to the University of Durham for the degree of M.Litt, by H.H.Anniah Gowda, M.A. (Mysore) Department of English, The Durham Colleges in the University of Durham, Durham, Septemher 26, 1958. CONTENTS INTRODUCTION I Chapter 1 CAUSES- OF THE DECLINE OF POETIC DRAMA IN THE NINETEENTH CENTURY ... ' 1 2 DERIVATIVE PLAYS ... ... ... 13 3 DERIVATIVE PLAYS (Contd) 65 4 DOCTRINAIRE PLAYS 135 5 SPECTACULAR PLAYS ... ... ... 184 6 'REALISTIC • V.ERSE DRAMA ... ... 215 7 THE INFLUENCE OF THE NOH PLAYS ON VERSE DRAMA 269 8 RELIGIOUS VERSE DRAMA ..
    [Show full text]