Extending Csound to the Web
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Machine Learning in the Browser
Machine Learning in the Browser The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:38811507 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Machine Learning in the Browser a thesis presented by Tomas Reimers to The Department of Computer Science in partial fulfillment of the requirements for the degree of Bachelor of Arts in the subject of Computer Science Harvard University Cambridge, Massachusetts March 2017 Contents 1 Introduction 3 1.1 Background . .3 1.2 Motivation . .4 1.2.1 Privacy . .4 1.2.2 Unavailable Server . .4 1.2.3 Simple, Self-Contained Demos . .5 1.3 Challenges . .5 1.3.1 Performance . .5 1.3.2 Poor Generality . .7 1.3.3 Manual Implementation in JavaScript . .7 2 The TensorFlow Architecture 7 2.1 TensorFlow's API . .7 2.2 TensorFlow's Implementation . .9 2.3 Portability . .9 3 Compiling TensorFlow into JavaScript 10 3.1 Motivation to Compile . 10 3.2 Background on Emscripten . 10 3.2.1 Build Process . 12 3.2.2 Dependencies . 12 3.2.3 Bitness Assumptions . 13 3.2.4 Concurrency Model . 13 3.3 Experiences . 14 4 Results 15 4.1 Benchmarks . 15 4.2 Library Size . 16 4.3 WebAssembly . 17 5 Developer Experience 17 5.1 Universal Graph Runner . -
Synchronous Programming in Audio Processing Karim Barkati, Pierre Jouvelot
Synchronous programming in audio processing Karim Barkati, Pierre Jouvelot To cite this version: Karim Barkati, Pierre Jouvelot. Synchronous programming in audio processing. ACM Computing Surveys, Association for Computing Machinery, 2013, 46 (2), pp.24. 10.1145/2543581.2543591. hal- 01540047 HAL Id: hal-01540047 https://hal-mines-paristech.archives-ouvertes.fr/hal-01540047 Submitted on 15 Jun 2017 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. A Synchronous Programming in Audio Processing: A Lookup Table Oscillator Case Study KARIM BARKATI and PIERRE JOUVELOT, CRI, Mathématiques et systèmes, MINES ParisTech, France The adequacy of a programming language to a given software project or application domain is often con- sidered a key factor of success in software development and engineering, even though little theoretical or practical information is readily available to help make an informed decision. In this paper, we address a particular version of this issue by comparing the adequacy of general-purpose synchronous programming languages to more domain-specific -
Proceedings of the Fourth International Csound Conference
Proceedings of the Fourth International Csound Conference Edited by: Luis Jure [email protected] Published by: Escuela Universitaria de Música, Universidad de la República Av. 18 de Julio 1772, CP 11200 Montevideo, Uruguay ISSN 2393-7580 © 2017 International Csound Conference Conference Chairs Paper Review Committee Luis Jure (Chair) +yvind Brandtsegg Martín Rocamora (Co-Chair) Pablo Di Liscia John -tch Organization Team Michael Gogins Jimena Arruti Joachim )eintz Pablo Cancela Alex )ofmann Guillermo Carter /armo Johannes Guzmán Calzada 0ictor Lazzarini Ignacio Irigaray Iain McCurdy Lucía Chamorro Rory 1alsh "eli#e Lamolle Juan Martín L$#ez Music Review Committee Gusta%o Sansone Pablo Cetta Sofía Scheps Joel Chadabe Ricardo Dal "arra Sessions Chairs Pablo Di Liscia Pablo Cancela "olkmar )ein Pablo Di Liscia Joachim )eintz Michael Gogins Clara Ma3da Joachim )eintz Iain McCurdy Luis Jure "lo Menezes Iain McCurdy Daniel 4##enheim Martín Rocamora Juan Pampin Steven *i Carmelo Saitta Music Curator Rodrigo Sigal Luis Jure Clemens %on Reusner Index Preface Keynote talks The 60 years leading to Csound 6.09 Victor Lazzarini Don Quijote, the Island and the Golden Age Joachim Heintz The ATS technique in Csound: theoretical background, present state and prospective Oscar Pablo Di Liscia Csound – The Swiss Army Synthesiser Iain McCurdy How and Why I Use Csound Today Steven Yi Conference papers Working with pch2csd – Clavia NM G2 to Csound Converter Gleb Rogozinsky, Eugene Cherny and Michael Chesnokov Daria: A New Framework for Composing, Rehearsing and Performing Mixed Media Music Guillermo Senna and Juan Nava Aroza Interactive Csound Coding with Emacs Hlöðver Sigurðsson Chunking: A new Approach to Algorithmic Composition of Rhythm and Metre for Csound Georg Boenn Interactive Visual Music with Csound and HTML5 Michael Gogins Spectral and 3D spatial granular synthesis in Csound Oscar Pablo Di Liscia Preface The International Csound Conference (ICSC) is the principal biennial meeting for members of the Csound community and typically attracts worldwide attendance. -
Create Mobile Apps with HTML5, Javascript and Visual Studio
Create mobile apps with HTML5, JavaScript and Visual Studio DevExtreme Mobile is a single page application (SPA) framework for your next Windows Phone, iOS and Android application, ready for online publication or packaged as a store-ready native app using Apache Cordova (PhoneGap). With DevExtreme, you can target today’s most popular mobile devices with a single codebase and create interactive solutions that will amaze. Get started today… ・ Leverage your existing Visual Studio expertise. ・ Build a real app, not just a web page. ・ Deliver a native UI and experience on all supported devices. ・ Use over 30 built-in touch optimized widgets. Learn more and download your free trial devexpress.com/mobile All trademarks or registered trademarks are property of their respective owners. Untitled-4 1 10/2/13 11:58 AM APPLICATIONS & DEVELOPMENT SPECIAL GOVERNMENT ISSUE INSIDE Choose a Cloud Network for Government-Compliant magazine Applications Geo-Visualization of SPECIAL GOVERNMENT ISSUE & DEVELOPMENT SPECIAL GOVERNMENT ISSUE APPLICATIONS Government Data Sources Harness Open Data with CKAN, OData and Windows Azure Engage Communities with Open311 THE DIGITAL GOVERNMENT ISSUE Inside the tools, technologies and APIs that are changing the way government interacts with citizens. PLUS SPECIAL GOVERNMENT ISSUE APPLICATIONS & DEVELOPMENT SPECIAL GOVERNMENT ISSUE & DEVELOPMENT SPECIAL GOVERNMENT ISSUE APPLICATIONS Enhance Services with Windows Phone 8 Wallet and NFC Leverage Web Assets as Data Sources for Apps APPLICATIONS & DEVELOPMENT SPECIAL GOVERNMENT ISSUE ISSUE GOVERNMENT SPECIAL DEVELOPMENT & APPLICATIONS Untitled-1 1 10/4/13 11:40 AM CONTENTS OCTOBER 2013/SPECIAL GOVERNMENT ISSUE OCTOBER 2013/SPECIAL GOVERNMENT ISSUE magazine FEATURES MOHAMMAD AL-SABT Editorial Director/[email protected] Geo-Visualization of Government KENT SHARKEY Site Manager Data Sources MICHAEL DESMOND Editor in Chief/[email protected] Malcolm Hyson .......................................... -
Computer Music
THE OXFORD HANDBOOK OF COMPUTER MUSIC Edited by ROGER T. DEAN OXFORD UNIVERSITY PRESS OXFORD UNIVERSITY PRESS Oxford University Press, Inc., publishes works that further Oxford University's objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright © 2009 by Oxford University Press, Inc. First published as an Oxford University Press paperback ion Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data The Oxford handbook of computer music / edited by Roger T. Dean. p. cm. Includes bibliographical references and index. ISBN 978-0-19-979103-0 (alk. paper) i. Computer music—History and criticism. I. Dean, R. T. MI T 1.80.09 1009 i 1008046594 789.99 OXF tin Printed in the United Stares of America on acid-free paper CHAPTER 12 SENSOR-BASED MUSICAL INSTRUMENTS AND INTERACTIVE MUSIC ATAU TANAKA MUSICIANS, composers, and instrument builders have been fascinated by the expres- sive potential of electrical and electronic technologies since the advent of electricity itself. -
Extracting Taint Specifications for Javascript Libraries
Extracting Taint Specifications for JavaScript Libraries Cristian-Alexandru Staicu Martin Toldam Torp Max Schäfer TU Darmstadt Aarhus University GitHub [email protected] [email protected] [email protected] Anders Møller Michael Pradel Aarhus University University of Stuttgart [email protected] [email protected] ABSTRACT ACM Reference Format: Modern JavaScript applications extensively depend on third-party Cristian-Alexandru Staicu, Martin Toldam Torp, Max Schäfer, Anders Møller, and Michael Pradel. 2020. Extracting Taint Specifications for JavaScript libraries. Especially for the Node.js platform, vulnerabilities can Libraries. In 42nd International Conference on Software Engineering (ICSE have severe consequences to the security of applications, resulting ’20), May 23–29, 2020, Seoul, Republic of Korea. ACM, New York, NY, USA, in, e.g., cross-site scripting and command injection attacks. Existing 12 pages. https://doi.org/10.1145/3377811.3380390 static analysis tools that have been developed to automatically detect such issues are either too coarse-grained, looking only at 1 INTRODUCTION package dependency structure while ignoring dataflow, or rely on JavaScript is powering a wide variety of web applications, both manually written taint specifications for the most popular libraries client-side and server-side. Many of these applications are security- to ensure analysis scalability. critical, such as PayPal, Netflix, or Uber, which handle massive In this work, we propose a technique for automatically extract- amounts of privacy-sensitive user data and other assets. An impor- ing taint specifications for JavaScript libraries, based on a dynamic tant characteristic of modern JavaScript-based applications is the analysis that leverages the existing test suites of the libraries and extensive use of third-party libraries. -
Microsoft AJAX Library Essentials Client-Side ASP.NET AJAX 1.0 Explained
Microsoft AJAX Library Essentials Client-side ASP.NET AJAX 1.0 Explained A practical tutorial to using Microsoft AJAX Library to enhance the user experience of your ASP.NET Web Applications Bogdan Brinzarea Cristian Darie BIRMINGHAM - MUMBAI Microsoft AJAX Library Essentials Client-side ASP.NET AJAX 1.0 Explained Copyright © 2007 Packt Publishing All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, without the prior written permission of the publisher, except in the case of brief quotations embedded in critical articles or reviews. Every effort has been made in the preparation of this book to ensure the accuracy of the information presented. However, the information contained in this book is sold without warranty, either express or implied. Neither the authors, Packt Publishing, nor its dealers or distributors will be held liable for any damages caused or alleged to be caused directly or indirectly by this book. Packt Publishing has endeavored to provide trademark information about all the companies and products mentioned in this book by the appropriate use of capitals. However, Packt Publishing cannot guarantee the accuracy of this information. First published: July 2007 Production Reference: 1230707 Published by Packt Publishing Ltd. 32 Lincoln Road Olton Birmingham, B27 6PA, UK. ISBN 978-1-847190-98-7 www.packtpub.com Cover Image by www.visionwt.com Table of Contents Preface 1 Chapter 1: AJAX and ASP.NET 7 The Big Picture 8 AJAX and Web 2.0 10 Building -
Learning Javascript Design Patterns
Learning JavaScript Design Patterns Addy Osmani Beijing • Cambridge • Farnham • Köln • Sebastopol • Tokyo Learning JavaScript Design Patterns by Addy Osmani Copyright © 2012 Addy Osmani. All rights reserved. Revision History for the : 2012-05-01 Early release revision 1 See http://oreilly.com/catalog/errata.csp?isbn=9781449331818 for release details. ISBN: 978-1-449-33181-8 1335906805 Table of Contents Preface ..................................................................... ix 1. Introduction ........................................................... 1 2. What is a Pattern? ...................................................... 3 We already use patterns everyday 4 3. 'Pattern'-ity Testing, Proto-Patterns & The Rule Of Three ...................... 7 4. The Structure Of A Design Pattern ......................................... 9 5. Writing Design Patterns ................................................. 11 6. Anti-Patterns ......................................................... 13 7. Categories Of Design Pattern ............................................ 15 Creational Design Patterns 15 Structural Design Patterns 16 Behavioral Design Patterns 16 8. Design Pattern Categorization ........................................... 17 A brief note on classes 17 9. JavaScript Design Patterns .............................................. 21 The Creational Pattern 22 The Constructor Pattern 23 Basic Constructors 23 Constructors With Prototypes 24 The Singleton Pattern 24 The Module Pattern 27 iii Modules 27 Object Literals 27 The Module Pattern -
Interactive Csound Coding with Emacs
Interactive Csound coding with Emacs Hlöðver Sigurðsson Abstract. This paper will cover the features of the Emacs package csound-mode, a new major-mode for Csound coding. The package is in most part a typical emacs major mode where indentation rules, comple- tions, docstrings and syntax highlighting are provided. With an extra feature of a REPL1, that is based on running csound instance through the csound-api. Similar to csound-repl.vim[1] csound- mode strives to enable the Csound user a faster feedback loop by offering a REPL instance inside of the text editor. Making the gap between de- velopment and the final output reachable within a real-time interaction. 1 Introduction After reading the changelog of Emacs 25.1[2] I discovered a new Emacs feature of dynamic modules, enabling the possibility of Foreign Function Interface(FFI). Being insired by Gogins’s recent Common Lisp FFI for the CsoundAPI[3], I decided to use this new feature and develop an FFI for Csound. I made the dynamic module which ports the greater part of the C-lang’s csound-api and wrote some of Steven Yi’s csound-api examples for Elisp, which can be found on the Gihub page for CsoundAPI-emacsLisp[4]. This sparked my idea of creating a new REPL based Csound major mode for Emacs. As a composer using Csound, I feel the need to be close to that which I’m composing at any given moment. From previous Csound front-end tools I’ve used, the time between writing a Csound statement and hearing its output has been for me a too long process of mouseclicking and/or changing windows. -
Analysing the Use of Outdated Javascript Libraries on the Web
Updated in September 2017: Require valid versions for library detection throughout the paper. The vulnerability analysis already did so and remains identical. Modifications in Tables I, III and IV; Figures 4 and 7; Sections III-B, IV-B, IV-C, IV-F and IV-H. Additionally, highlight Ember’s security practices in Section V. Thou Shalt Not Depend on Me: Analysing the Use of Outdated JavaScript Libraries on the Web Tobias Lauinger, Abdelberi Chaabane, Sajjad Arshad, William Robertson, Christo Wilson and Engin Kirda Northeastern University {toby, 3abdou, arshad, wkr, cbw, ek}@ccs.neu.edu Abstract—Web developers routinely rely on third-party Java- scripts or HTML into vulnerable websites via a crafted tag. As Script libraries such as jQuery to enhance the functionality of a result, it is of the utmost importance for websites to manage their sites. However, if not properly maintained, such dependen- library dependencies and, in particular, to update vulnerable cies can create attack vectors allowing a site to be compromised. libraries in a timely fashion. In this paper, we conduct the first comprehensive study of To date, security research has addressed a wide range of client-side JavaScript library usage and the resulting security client-side security issues in websites, including validation [30] implications across the Web. Using data from over 133 k websites, we show that 37 % of them include at least one library with a and XSS ([17], [36]), cross-site request forgery [4], and session known vulnerability; the time lag behind the newest release of fixation [34]. However, the use of vulnerable JavaScript libraries a library is measured in the order of years. -
Expanding the Power of Csound with Integrated Html and Javascript
Michael Gogins. Expanding the Power of Csound with Intergrated HTML and JavaScript EXPANDING THE POWER OF CSOUND WITH INTEGRATED HTML AND JAVA SCRIPT Michael Gogins [email protected] https://michaelgogins.tumblr.com http://michaelgogins.tumblr.com/ This paper presents recent developments integrating Csound [1] with HTML [2] and JavaScript [3, 4]. For those new to Csound, it is a “MUSIC N” style, user- programmable software sound synthesizer, one of the first yet still being extended, written mostly in the C language. No synthesizer is more powerful. Csound can now run in an interactive Web page, using all the capabilities of current Web browsers: custom widgets, 2- and 3-dimensional animated and interactive graphics canvases, video, data storage, WebSockets, Web Audio, mathematics typesetting, etc. See the whole list at HTML5 TEST [5]. Above all, the JavaScript programming language can be used to control Csound, extend its capabilities, generate scores, and more. JavaScript is the “glue” that binds together the components and capabilities of HTML5. JavaScript is a full-featured, dynamically typed language that supports functional programming and prototype-based object- oriented programming. In most browsers, the JavaScript virtual machine includes a just- in-time compiler that runs about 4 times slower than compiled C, very fast for a dynamic language. JavaScript has limitations. It is single-threaded, and in standard browsers, is not permitted to access the local file system outside the browser's sandbox. But most musical applications can use an embedded browser, which bypasses the sandbox and accesses the local file system. HTML Environments for Csound There are two approaches to integrating Csound with HTML and JavaScript. -
DVD Program Notes
DVD Program Notes Part One: Thor Magnusson, Alex Click Nilson is a Swedish avant McLean, Nick Collins, Curators garde codisician and code-jockey. He has explored the live coding of human performers since such Curators’ Note early self-modifiying algorithmic text pieces as An Instructional Game [Editor’s note: The curators attempted for One to Many Musicians (1975). to write their Note in a collaborative, He is now actively involved with improvisatory fashion reminiscent Testing the Oxymoronic Potency of of live coding, and have left the Language Articulation Programmes document open for further interaction (TOPLAP), after being in the right from readers. See the following URL: bar (in Hamburg) at the right time (2 https://docs.google.com/document/d/ AM, 15 February 2004). He previously 1ESzQyd9vdBuKgzdukFNhfAAnGEg curated for Leonardo Music Journal LPgLlCe Mw8zf1Uw/edit?hl=en GB and the Swedish Journal of Berlin Hot &authkey=CM7zg90L&pli=1.] Drink Outlets. Alex McLean is a researcher in the area of programming languages for Figure 1. Sam Aaron. the arts, writing his PhD within the 1. Overtone—Sam Aaron Intelligent Sound and Music Systems more effectively and efficiently. He group at Goldsmiths College, and also In this video Sam gives a fast-paced has successfully applied these ideas working within the OAK group, Uni- introduction to a number of key and techniques in both industry versity of Sheffield. He is one-third of live-programming techniques such and academia. Currently, Sam the live-coding ambient-gabba-skiffle as triggering instruments, scheduling leads Improcess, a collaborative band Slub, who have been making future events, and synthesizer design.