Monaro Musings, Volume 26, Number 9 – October 2017
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Bush Dance’ Part 2
1" " The Evolution of ‘Bush Dance’ part 2 By Peter Ellis Shirley Andrews didn’t formally use the term bush dance until the bicentennial year in 1988. But in a way she was earlier accredited with its use because of her original articles and folk dance descriptions in the Victorian Folk Music Club (VFMC) monthly journal “The Tradition”. This then led to her publication of ‘Take Your Partners’ in 1974, which formalised folk dance in Australia with descriptions and tune references in print. These had generally been made available via the earlier snippets in issues of ‘The Tradition’ (Vic). The late Shirley Andrews in good form Similarly there were details of some dances and tunes from time to time in the Bush Music Club’s (NSW) Singabout by their dancing fraternity. Shirley assembled her descriptions, information and music in the one publication in this subsequent edition of Take Your Partners (later in hard back). Frank Pitt of the VFMC provided most of the tunes Shirley used as these were trialled and in the repertoire of the Port Phillip Band that Frank was by then a key organiser. Some would have gone back to the early Vic. Singabout days from 1955 that Frank Nickels and Joy Durst organised. They arranged tune sheets for Singabout and for their new band simply referred to as the ‘bush band’ (or perhaps the Melbourne Bushwhackers) which they had put together for the return of Reedy River to Melbourne. It was based on the Sydney Bushwhackers after Frank and Joy had visited John Meredith in Sydney and then adopted the official name ‘Billabong’ in Victorian Bush Music Club’s Billabong band, circa 1959. -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
ART HAPPENS HERE • 2017 PERFORMANCE HIGHLIGHTS the Book Club Play MUSIC* DANCE by Karen Zacarias SPECIAL EVENTS Valentine’S Cabaret Annual St
CLASSES | PERFORMANCES | EVENTS • SPRING 2017 CENTER FOR THE ARTS AND EDUCATION 25 East Main Street, Cambridge NY 12816 • 518.677.2495 • Offi ces open Tues.- Fri.10am - 5pm www.hubbardhall.org 2017 SEASON - HUBBARD HALL PASS SEASON SPONSORSHIPS The Hubbard Hall Pass Returns Our subscriptions and Hall your support, you gain one ticket Reservations are required for each date of for the 2016-2017 Season! Passes have always functioned to each designated event. performance – pass holders must still call Season Sponsorships as a “season sponsorship” at the Hubbard Hall Box O ce in advance at The Hubbard Hall Pass Returns the Hall, providing us much- Flex Pass - $75 – Four seats for 518-677-2495, ext. 320 to reserve their seats. Titles and Dates Subject to Change for the 2016-2017 Season! Call needed resources in advance any theater production for the now or go online to buy your of producing the kind of opera, price of three, to be used as you *Hubbard Hall Passes do NOT include Children’s Theater, Special Presentations, Music from Salem events or Pass! theater, dance, music, and fi lm see fi t. Special Event Fundraisers (Blues & Brews, Rites of Spring Box Offi ce: 518-677-2495, ext. series you’ve come to love here Gala, Whispering Bones, etc.). Pass Holders must reserve 320 or hubbardhall.org. online or call 518-677-2495, ext. 320, in advance to at Hubbard Hall. In honor of reserve your ticket for each show. ART HAPPENS HERE • 2017 PERFORMANCE HIGHLIGHTS The Book Club Play MUSIC* DANCE by Karen Zacarias SPECIAL EVENTS Valentine’s Cabaret Annual St. -
Be Square Caller’S Handbook
TAble of Contents Introduction p. 3 Caller’s Workshops and Weekends p. 4 Resources: Articles, Videos, etc p. 5 Bill Martin’s Teaching Tips p. 6 How to Start a Scene p. 8 American Set Dance Timeline of Trends p. 10 What to Call It p. 12 Where People Dance(d) p. 12 A Way to Begin an Evening p. 13 How to Choreograph an Evening (Programming) p. 14 Politics of Square Dance p. 15 Non-White Past, Present, Future p. 17 Squeer Danz p. 19 Patriarchy p. 20 Debby’s Downers p. 21 City Dance p. 22 Traveling, Money, & Venues p. 23 Old Time Music and Working with Bands p. 25 Square Dance Types and Terminology p. 26 Small Sets p. 27 Break Figures p. 42 Introduction Welcome to the Dare To Be Square Caller’s handbook. You may be curious about starting or resuscitating social music and dance culture in your area. Read this to gain some context about different types of square dancing, bits of history, and some ideas for it’s future. The main purpose of the book is to show basic figures, calling techniques, and dance event organizing tips to begin or further your journey as a caller. You may not be particularly interested in calling, you might just want to play dance music or dance more regularly. The hard truth is that if you want trad squares in your area, with few ex- ceptions, someone will have to learn to call. There are few active callers and even fewer surviving or revival square dances out there. -
PORT PHILLIP WRITES Stories and Poems
PORT PHILLIP WRITES Stories and Poems Gathered from the City of Port Phillip Seniors’ Writing Awards 2020 PORT PHILLIP WRITES Stories and Poems Port Phillip Writes Stories and Poems celebrating 16 years of publication Lesley Greagg taken on her 93rd birthday on the 26 October 2019 by Alison Blakeley CONTENTS Disclaimer TRIBUTE TO LESLEY GREAGG by Freda Erlich OPCC Chair 6 JARRYD* by Janine Mifsud 51 The contributions in ‘Port Phillip Writes’ were INTRODUCTION by Freda Erlich OPCC Chair 7 SOUVENIRS by Janine Mifsud 52 all submitted as entries in the 2020 City of PORT PHILLIP, OUR CITY by Bob Croker 8 MONA MOUSE by Jnge Kulmanis 54 Port Phillip Seniors’ Festival Writing Awards. HAYCARTING by Roderick Waller 9 TIME TO REFLECT by Jnge Kulmanis 55 A condition of entry was that all contributions ME AND MY FITBIT by Sheila Quairney 10 THE BENCH PART 1 by Julie Butcher 56 are considered for publication. TUNING THE GALLERY by Deb Hall 11 THE BENCH PART 2 by Julie Butcher 58 Publication of the contributions by the City of Port Phillip does not constitute an BECOMING MOLLY by Janet Gardner 13 THE WATCHER by Kerrie Cross 60 endorsement of or agreement with any LIFE IS A JUGGLE by Lois Best 14 ADIOS VIDA DE MI VIDA ADIOS – opinions or views expressed or statements GOODBYE LIFE OF MY LIFE GOODBYE by Liliana Siani 62 made in the contributions. A POLICEMAN’S LOT by MHVD 15 MAX PABLO AND PRINCE QUETZAL by Liliana Siani 64 The City of Port Phillip does not warrant and INTRUDERS IN THE BUSH by Roslyn Jones 16 disclaims liability for the accuracy, authenticity, ALWAYS THINKING by Warwick Lloyd 18 THE 2020 CHALLENGE by Lois Best 66 completeness and reliability of any advice, THE LAST DINNER PARTY by Alison Hill 20 FEAR 1937 by Lola McHarg 68 opinion, views, statement or other information contained in the contributions. -
Dance the Highland Fling
Dance the Highland Fling Liina Flynn | 21st July 2011 When I was growing up, my Scottish grandmother taught me how to dance the Highland Fling. With arms flung above my head, I hopped on my feet moving one leg behind the other as I chanted “shed, behind, before, behind”. The footsteps of the dance were taught to me in an old chant that explained a pattern of fabric weaving and helped me to remember which steps came next. One theory about the Highland Fling is that it originated as a dance of triumph at the end of a battle; another says it was danced on top of a shield before battle, to ward away evil spirits. So, with highland dancing and its militaristic origins on my mind, I took my tartan heart and my (sort of) nimble feet and Scottish country dancing enthusiasts Judy Cook and Andrew Ross. went to learn more about Scottish dancing. When I arrived at a Scottish country dancing class in Lismore, rather than launching into a solo Highland Fling, I was prepared to take part in a group dancing lesson with guided instructions. I had heard about the formal Scottish dance „The Gay Gordons‟, but dancing instructor Judy Cook tells me it‟s a pretty ordinary dance and closer to ballroom dancing than Scottish country dance. Instead, tonight we‟ll be doing dances like Galloping Carousel, Campbell‟s Frolic, Dancing Bees, and Good Hearted Glasgow. Scottish country dancing usually requires at least six or eight people to be able to form a set, but while we‟re waiting for other people to arrive, Judy wants to teach us Domino Five, a dance that only requires five people. -
Philadelphia Ceili Group Seanachie ~January 2010
Philadelphia Ceili Group Seanachie ~March 2016 Upcoming Concert Events and dramatic chapters in the history of Ireland. Sponsored By the Philadelphia Ceili The journey begins with pre-Christian myth, and Group continues through the Golden Age of Irish Civilization to the coming of the Vikings, the Normans, and the English. Relive the Flight of ************ the Earls, the events of 1798, the time of the 4th Friday Ceili Fenians, The Famine, the trauma of exile, and the Friday, February 26th at 8:00 pm Easter Rising of 1916 as described by W.B. Yeats and epitomized by Cúchulainn, the hero of the The Philadelphia Ceili Group 4th Friday Ceili tribe. Mor. Recorded Music provided by John Shields - Hosted by John Shields and Cass Tinney Check out this short film about the Bring a dessert or dish to share, 50/50 raffle, project: https://vimeo.com/147461433 prizes. Admission: $10 The Commodore Barry Club, “The Irish Center”, ****************** 6815 Emlen St., Philadelphia, PA 19119 Runa in Concert Sunday, March 6th, 2016, 7.00pm ****************** The Crooked Road – A Ramble Through Irish History in Words & Music with DIARMUID JOHNSON, poet, musician and Gaelic scholar February 27, 2016 at the Irish Center, 8:00pm Tickets: $20.00 (Family price $50.00; 12-18 Tickets $20.00 Children Free years old are $5.00; Kids 12 and under FREE) THE CROOKED ROAD is a musical and poetic Quickly gaining recognition as one of Irish journey through Irish history leading up to the music’s new “super-groups”, RUNA has been Easter Rebellion of 1916. Lyrics from the earliest enchanting audiences by pushing the boundaries times are woven into the show, along with music of Irish folk music, since their formation in 2008. -
Scottish Dancer
CountryScottish Dancer Young dancers P8 Dance Scottish Week P11 Interview with our President P16 No 6 APRIL 2008 RSCDS Members’ Magazine The Official RSCDS tartan Supplied exclusively by Tartankilts.com Full range of products G Kilting fabric G Fabric for skirts G Kilts G Fabric for dresses G Ties G Wool Shawls G Fly Plaids G 50% Silk/50% Wool Shawls G Flashes and hose G Rosette Sashes G Charlie and G Plain Sashes Argyle Jackets G Sporrans and belts G Cummerbunds and Bow ties G Accessories G Baseball caps, Flat caps, Shoe bags and Cushions All tartan woven in the highlands of Scotland. Visit www.tartankilts.com JANET WASHINGTON at CLAIRE CHARLES DESIGNS G 20 years experience Two New CDs G Exclusive stockist of From Keith Smith and Muriel Johnstone RSCDS tartan silk Silver Tassie Todlen Hame SSCD20 SSCD21 and polycotton The De'il Amang the Tailors Todlen Hame The Silver Tassie Sugar Candie G 70 Clan tartans also The Deuks Dang O'er my The Dancing Bees/More Bees Daddie A-Dancing available John of Bon Accord Light and Airy Silk £30 per metre Saughie Haugh Well Kent Polycotton £15 per metre Red House Ladies' Fancy A Wisp of Thistle None So Pretty The Engine Room Full Stock Carried Miss Ogilvie's Fancy Blue Bonnets Holyrood House/Argyll's Fancy Closed Thursday & Sunday The Barmkin The Dancing Years Minister on the Loch For bespoke outfits please Jean Martin of Aberdeen Fight About the Fireside/ make an appointment Reel of the Royal Scots Fireside Reel Information and all Scotscores product details from 8 West Moulin Road, Pitlochry PH16 5AD email: [email protected] or visit Tel: 01796 473787 web: www.scotscores.com 2 www.rscds.org Editorial Contents News from Coates Crescent 4 Changes and developments at Headquarters From the Chair, Management Board and Committees 6 News and comment from Irene Bennett, Welcome to this issue of Scottish Country Dancer. -
Newsletter of the Bush Dance & Music Club of Bendigo Inc
Newsletter of the Bush Dance & Music Club of Bendigo Inc. Incorporation No. A0012878L P.O. Box 992 Bendigo 3552 Website www.bendigobushdance.org.au ABN 9278 1559 059 P.O. Box 922 Bendigo 3552. Coo-ee! Issue Number 10, October 2014 Executive President Dianne Pearse 5442 1715 [email protected] Vice President Carol Rowe 5443 2571 [email protected] Secretary/Pub.Off. Mary Smith 5442 1153 [email protected] Assist. Secretary Carol Rowe 5443 2571 [email protected] Treasurer Margaret Dean 5439 6246 [email protected] Publicity Dianne Pearse 5442 1715 [email protected] Newsletter Editor Peter Ellis 5442 3940 [email protected] Newsletter contribution deadline is Tuesday 4th November before the Friday Mail-out. Next Bendigo East Hop – Saturday October 18th 8pm at Bendigo East Prog. Hall Lansell St. Admission. Members $5 Non-members $8 and Children under 16 Free A Plate of Supper to share is always appreciated and enjoyed. Next General Meeting Wednesday October 22nd 7.30pm Club General Meetings will be held at a NEW VENUE . On the 1st October Bendigo Neighbourhood House moved office to the Strathdale Community Hall in Crook St and as the office is not very big they will be using another venue for their meeting rooms, functions etc. This venue is the Kennington Play Group Centre and is at the opposite end of Crook St, go past the Kennington Pre School on the left then it is the Kennington Play Group turn in at the car park and you are there. If you are coming from Bendigo via Condon St turn left into Crook St and then right into the car park. -
Bush Dance As It Was in the Bush! Part 3 – the Romance of Folk
Bush Dance as it was in the Bush! Part 3 – The romance of Folk By Peter Ellis Western Mail (Perth) Thurs. 28th Jan. 1937 p5 THE BLUE RIBBON. The Bush Dance. DEAR "Martingale,"-"Memories' " recent article on bush dances sent my mind back to the days of the War. I was a schoolboy then on holidays in the wheat belt when a farewell dance was tendered to a soldier. His parents were German, but he was an Aussie. We farewelled him that evening but he never returned. A son of Australia, but he went to fight his parents' people. One can imagine their feelings. However, here's the tale. The horse was harnessed to the sulky by the light of a lantern, which was then turned low and left on the post. Into the night we then drove, and being fresh from the city I could see nothing in the inky blackness. How the driver could see the road puzzled me, but we arrived safely at our destination. The farmyard was lit by a huge fire of logs by the light of which we safely drove around the stray implements to find a good hitching post. Being late- comers the dance had commenced before we arrived. The wall between the bed- room and the dining-room had been pulled down, and a space of about 30 feet by 12 feet was well and truly packed with enthusiastic dancers. Seats round the walls held the few non-dancers, but all who could, made the most of the opportunity and stepped out gaily. -
BUSH DANCE Ermington Community Centre 10 River Road, Ermington
BUSH MUSIC CLUB BOOKING AGENCY Patricia Bolton AGENT 9569 7244 BUSH DANCE Ermington Community Centre 10 River Road, Ermington Bob Bolton Ryebuck Bush Band 15 June 00 00 7. pm - 11. pm $19/$17 (conc)/$14 (BMC) No. 217 June 2013 Registered by Australia Post Publication PP 100001235 ISSN 0157 - 3381 Mulga Wire 16 June 2013 June 2013 1 Mulga Wire MULGA WIRE BUSH EDITORS of MULGA WIRE are: CONTRA DANCE Colin Fong 9716 9660(h) - [email protected] DANCES in aid of The Royal Flying Doctor Service of Australia, Bob Bolton 9569 7244(h) - [email protected] South Eastern Section. BMC President: Sharyn Mattern 9799 7439 (h) June - August Vice President: Bob Bolton, 9569 7244 (h) Saturday 17th August 2013 Secretary: Sandra Nixon, 9358 4886(h) BEECROFT Community Centre 7pm to 11pm Treasurer: Allen Davis, 9639 7494 (h) Beecroft Road, Beecroft (opposite Fire Stn) (Note the earlier starting time) MULGA WIRE appears each even month. June 1 Snake Gully Unsolicited articles should be submitted four weeks before publication. Address articles to: July 6 TBA Ermington Community Centre The Mulga Wire Editor, Bush Music Club Inc, August 3 Paddys River (10 River Road, Ermington) Box 433, Sydney 2001 or e-mail the editors. Enquiries: Sigrid 9980-7077 / MULGA WIRE is sent free to members Come and enjoy an evening of Contra dancing to the Wilma / 9489 5594 / Peter 9477 5848 of the Bush Music Club Inc and costs music of “Pastrami on Ryebuck” as they celebrate $2.00 or $2.50 (posted) per issue to others. Subscription is $15 per annum, including 35 years of traditional music. -
An Investigation Into the Feasibility and Benefit of Irish Set Dancing for People with Parkinson’S Disease
An Investigation into the Feasibility and Benefit of Irish Set Dancing for People with Parkinson’s Disease Joanne Shanahan BSc. MISCP A thesis submitted to the University of Limerick in fulfilment of the requirements for the award Doctor of Philosophy in Clinical Therapies University of Limerick Supervised by: Dr. Amanda M. Clifford Dr. Orfhlaith Ni Bhriain, Prof. Meg E. Morris Submitted to the University of Limerick, November 2016 i i Abstract Title: An investigation into the feasibility and benefit of Irish set dancing for people with Parkinson’s disease Author: Joanne Shanahan Irish set dancing may be beneficial for people with Parkinson’s disease and encourage habitual exercise participation through the integration of dynamic balance activities, socialisation and musical enrichment. Currently, only one published study, which was carried out in a sample of Venetians with Parkinson’s disease, has investigated the feasibility of set dancing. Set dancing has a rich cultural heritage in Ireland and is a popular social and cultural activity in Ireland. Thus, research exploring the role of set dancing as an exercise activity in an Irish population is warranted. The aim of the project presented in this thesis was to investigate the feasibility and benefit of Irish set dancing for people with Parkinson’s disease in Ireland. The findings of a systematic review and single-group feasibility study informed the methods of a multi-centered pilot randomised controlled trial (RCT). Ninety participants were randomised (n=45 per group) into a set dancing group and usual care control group. No adverse effects were reported. Attrition during the study was >40% in both groups and adherence to the intervention was 93.5%.