DOCSLIB.ORG

ART HAPPENS HERE • 2017 PERFORMANCE HIGHLIGHTS the Book Club Play MUSIC* DANCE by Karen Zacarias SPECIAL EVENTS Valentine’S Cabaret Annual St

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ART HAPPENS HERE • 2017 PERFORMANCE HIGHLIGHTS the Book Club Play MUSIC* DANCE by Karen Zacarias SPECIAL EVENTS Valentine’S Cabaret Annual St CLASSES | PERFORMANCES | EVENTS • SPRING 2017 CENTER FOR THE ARTS AND EDUCATION 25 East Main Street, Cambridge NY 12816 • 518.677.2495 • Offi ces open Tues.- Fri.10am - 5pm www.hubbardhall.org 2017 SEASON - HUBBARD HALL PASS SEASON SPONSORSHIPS The Hubbard Hall Pass Returns Our subscriptions and Hall your support, you gain one ticket Reservations are required for each date of for the 2016-2017 Season! Passes have always functioned to each designated event. performance – pass holders must still call Season Sponsorships as a “season sponsorship” at the Hubbard Hall Box O ce in advance at The Hubbard Hall Pass Returns the Hall, providing us much- Flex Pass - $75 – Four seats for 518-677-2495, ext. 320 to reserve their seats. Titles and Dates Subject to Change for the 2016-2017 Season! Call needed resources in advance any theater production for the now or go online to buy your of producing the kind of opera, price of three, to be used as you *Hubbard Hall Passes do NOT include Children’s Theater, Special Presentations, Music from Salem events or Pass! theater, dance, music, and fi lm see fi t. Special Event Fundraisers (Blues & Brews, Rites of Spring Box Offi ce: 518-677-2495, ext. series you’ve come to love here Gala, Whispering Bones, etc.). Pass Holders must reserve 320 or hubbardhall.org. online or call 518-677-2495, ext. 320, in advance to at Hubbard Hall. In honor of reserve your ticket for each show. ART HAPPENS HERE • 2017 PERFORMANCE HIGHLIGHTS The Book Club Play MUSIC* DANCE by Karen Zacarias SPECIAL EVENTS Valentine’s Cabaret Annual St. Patrick’s Day Directed by Kirk Jackson March 4-19, 2017 Film Forums (New this year!) Hosted by Bob Warren Irish Ceili Fridays & Saturdays 7:30 pm Hosted by David DeVries February 11, 7pm March 15, 7:00-8:30 pm Saturdays & Sundays 2 pm February 18, and June 17, 7pm $20 General Admission/ CCS Auditorium $25 Adults/$10 Students Ages 6-22 Check back soon for a list of this year’s fi lm titles! $10 Students Enjoy a traditional St. Patrick’s Day Community Children 5 and under FREE FREE – Suggested Donation of $10 Children 5 and under FREE Celebration featuring live Celtic music from the Opening Night Dinner* and Take in a fl ick from forgotten days gone by with Performance: Sat. March 4, 6pm Bring your Funny Hubbard Hall Tune Jam Band, Irish Ceili dance friends in our Freight Depot. Valentine to Hubbard lessons (like a square dance), dance performances, Hall on February 11 to and a great Bake Sale to benefi t the Hubbard Hall Th is hit comedy by nationally-award winning enjoy the toe-tapping Irish Dance Costume Fund. Free admission! playwright Karen Zacarias focuses on the fun, tunes you know and the frivolity, and deeply serious politics found in new songs you’ll fall in our beloved Book Clubs. When a new member love with. Bob Warren Year-end Dance Showcase is hastily invited into this Club, will this group of has once again organized a beautifully eclectic June 10, 2017 friends ever be the same? Uproariously hilarious, 4pm and 7pm this contemporary comedy lets us celebrate our group of regional musicians to shelter your lover’s Hoosick Falls Central School fl ame from February’s chill. From classic crooner Tickets: $10 General Admission/$5 Student 6-22 love for reading while allowing us to laugh at ballads to sultry strains that conjure that Old $2 Ages 4-6/Children 3 and under FREE ourselves – and our loved ones. Accompanied Black Magic, we’ll have something for everyone’s Join us to see what our dance students have by opportunities for each audience to share their Blues and Brews Heart and Soul! prepared over the course of the year at Hubbard favorite book titles, this play is a celebration of why we love to love – and talk about – our books. February 25, 7pm Hall! Featuring performances by Hip Hop & Jazz, $20 admission includes chili, cornbread, jambalaya, Ballet, Tap, Irish Step, Modern Jazz, Bollywood, Produced in partnership with Battenkill Books. desserts and soft drinks. Cash bar for beer and wine. and a special video presentation from the National $10 Admission for Kids 12 and under Dance Week Foundation Dance Mob, this will be The Glass A Smokin’ Hot Fundraiser for Hubbard Hall a wonderful day of expression through dance. Menagerie featuring the Road Side Blues Band. Admission by Tennessee includes chili, cornbread, jambalaya, desserts, and soft drinks. Cash bar for beer and wine with Williams ID. All ages welcome. Dance the winter blues THEATER April 22-May 7, 2017 away! Special Fundraiser to Benefi t Student Music From Salem Fridays & Saturdays 7:30 pm Scholarships. All Evening Shows in the 2016-2017 Season Saturdays & Sundays 2 pm at Hubbard Hall $25 Adults Another season of world-class performances will start at 7:30 p.m.! All full productions run $10 Students Ages 6-22 Spring Perennial Sale Fridays-Saturdays at 7:30 p.m. and Saturdays- by artists from around the globe! Children 5 and under FREE April 29 from 7-11am Sunday April 9 at 4pm Sundays at 2 p.m. Opening Night Dinner* and Performance: Sat., April 22, 6pm If you’d like to support Hubbard Hall and give/ Lila Brown: Viola 3rd get some great perennials for your garden, Judith Gordon: Piano Annual Starring Cambridge’s own Christine Decker, come to our annual perennials sale. People who this American classic tells the tale of Tom, Hubbard Hall Mainstage. bring freshly dug perennials to donate may his sister Laura, mother Amanda, and the $25 Suggested Ticket - Pay What You Will of new work begin “shopping” any time aft er 7 am, otherwise Gentleman Caller. A meditation on how the past Summer dates to be announced soon. Hot New Works Right in the Heart of Winter! the shopping begins at 9 am. Th ere will be Check out musicfromsalem.org can haunt our present, this American classic knowledgeable people on hand to help you January 21-29, 2017 made playwright Tennessee Williams famous for more information. make good choices for your particular site and and is perhaps his most personal work - giving garden needs. Th ese are the best bargains of the Third Annual Winter Carnival us a window into his love for his real life sister season AND you help Hubbard Hall keep art and of New Work! Rose. Filled with laughter, love, and longing, community happening. Special Fundraiser to Th e Glass Menagerie is a great play about family, Benefi t Student Scholarships. Jan 21-29, 2017 Hot New Works Right in the Heart of Winter! forgiveness, and our desire to let go of the past. Fridays and Saturdays 7:30 pm *Note: Opening Night Dinners are an additional $40 per subscriber Saturday and Sundays 2 pm and require a reservation to secure seating at these special events. $10 Adults/$5 Students Ages 6-22 per show Children 5 and under FREE $25/$10 for the whole Carnival Spring Youth Chorale Concert: Opening Night Dinner* and Performance: Sat. Jan. 21, 6pm La Lluvia May 12-13, 7pm Th e Carnival is an energizing, fun, and heartfelt $10 General Admission/$5 Students series of new works. Your Flex, Th eater, or All Children 5 and under FREE Access Pass gives you all access to the entire Th e Hubbard Hall Youth Chorale returns for their Carnival. Come once – come oft en. Th is year’s second Spring Concert, performing beautiful Carnival will focus on plays and monologues Rites of Spring Gala and fun pieces ranging from modern hits, and created with our community focused on issues May 20, 6pm showstopping showtunes to choral classics, of farming and our connection to the land and Ticket: $100 celebrating water in all forms. nature here in our region. Hubbard Hall is proud Join us for our annual Rites of Spring Gala, our to partner with the Agricultural Stewardship biggest fundraiser of the year and a time to come *Music dates subject to change Association and Young Playwrights’ Th eater of together and celebrate our swing into spring! Washington, DC to create and share this new Th ere’ll be, as always, a delicious dinner by Sal & work. Piper Catering, a silent auction for some amazing prizes, gorgeous music provided by David Cuite’s Freight Yard Quartet, and a relaxed atmosphere of community and camaraderie. SPRING 2017 CLASSES - WORKSHOPS Modern Jazz for Teens and Adults Dance Mob for National Dance Week and stamina. After BollyX, those who wish to with Heidi Knecht-Seegers Wednesdays, 6:30-7:30pm stay will dive into performance choreography as Mondays 5:30-7:00pm 7-week series: March 8-April 26 (no class 4/19) well as explore across-the-floor movements, foot Spring Term: Feb 6- June 5 (No class 2/20, 4/17, 5/29) Cost: $55 includes t-shirt rhythms, and storytelling hand gestures (mudras). Term Tuition: $285 (includes $15 costume fee) or Beacon Feed Dance Studio This fast-moving class is recommended for teens Autopay 5 monthly payments of $59 and adults (participants ages 10 and up are Single drop-in: $19, First for $5 Be part of the fun and join the nationwide welcome). Please bring clean, indoor sneakers for Beacon Feed Dance Studio celebration of National Dance Week this spring! BollyX and a water bottle. All ages and levels welcome, recommended for Stretch and strengthen your body in this funky, ages 10 and up. This year’s choreography will be Rural Soul Studio is fast moving class while learning some basic posted on www.nationaldanceweek.org in early coming to Cambridge! technique and cool modern jazz combinations.
Load more

Recommended publications
  • Bush Dance’ Part 2
    1" " The Evolution of ‘Bush Dance’ part 2 By Peter Ellis Shirley Andrews didn’t formally use the term bush dance until the bicentennial year in 1988. But in a way she was earlier accredited with its use because of her original articles and folk dance descriptions in the Victorian Folk Music Club (VFMC) monthly journal “The Tradition”. This then led to her publication of ‘Take Your Partners’ in 1974, which formalised folk dance in Australia with descriptions and tune references in print. These had generally been made available via the earlier snippets in issues of ‘The Tradition’ (Vic). The late Shirley Andrews in good form Similarly there were details of some dances and tunes from time to time in the Bush Music Club’s (NSW) Singabout by their dancing fraternity. Shirley assembled her descriptions, information and music in the one publication in this subsequent edition of Take Your Partners (later in hard back). Frank Pitt of the VFMC provided most of the tunes Shirley used as these were trialled and in the repertoire of the Port Phillip Band that Frank was by then a key organiser. Some would have gone back to the early Vic. Singabout days from 1955 that Frank Nickels and Joy Durst organised. They arranged tune sheets for Singabout and for their new band simply referred to as the ‘bush band’ (or perhaps the Melbourne Bushwhackers) which they had put together for the return of Reedy River to Melbourne. It was based on the Sydney Bushwhackers after Frank and Joy had visited John Meredith in Sydney and then adopted the official name ‘Billabong’ in Victorian Bush Music Club’s Billabong band, circa 1959.
    [Show full text]
  • Whiskey River (Take My Mind)  I 
    whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams.
    [Show full text]
  • PORT PHILLIP WRITES Stories and Poems
    PORT PHILLIP WRITES Stories and Poems Gathered from the City of Port Phillip Seniors’ Writing Awards 2020 PORT PHILLIP WRITES Stories and Poems Port Phillip Writes Stories and Poems celebrating 16 years of publication Lesley Greagg taken on her 93rd birthday on the 26 October 2019 by Alison Blakeley CONTENTS Disclaimer TRIBUTE TO LESLEY GREAGG by Freda Erlich OPCC Chair 6 JARRYD* by Janine Mifsud 51 The contributions in ‘Port Phillip Writes’ were INTRODUCTION by Freda Erlich OPCC Chair 7 SOUVENIRS by Janine Mifsud 52 all submitted as entries in the 2020 City of PORT PHILLIP, OUR CITY by Bob Croker 8 MONA MOUSE by Jnge Kulmanis 54 Port Phillip Seniors’ Festival Writing Awards. HAYCARTING by Roderick Waller 9 TIME TO REFLECT by Jnge Kulmanis 55 A condition of entry was that all contributions ME AND MY FITBIT by Sheila Quairney 10 THE BENCH PART 1 by Julie Butcher 56 are considered for publication. TUNING THE GALLERY by Deb Hall 11 THE BENCH PART 2 by Julie Butcher 58 Publication of the contributions by the City of Port Phillip does not constitute an BECOMING MOLLY by Janet Gardner 13 THE WATCHER by Kerrie Cross 60 endorsement of or agreement with any LIFE IS A JUGGLE by Lois Best 14 ADIOS VIDA DE MI VIDA ADIOS – opinions or views expressed or statements GOODBYE LIFE OF MY LIFE GOODBYE by Liliana Siani 62 made in the contributions. A POLICEMAN’S LOT by MHVD 15 MAX PABLO AND PRINCE QUETZAL by Liliana Siani 64 The City of Port Phillip does not warrant and INTRUDERS IN THE BUSH by Roslyn Jones 16 disclaims liability for the accuracy, authenticity, ALWAYS THINKING by Warwick Lloyd 18 THE 2020 CHALLENGE by Lois Best 66 completeness and reliability of any advice, THE LAST DINNER PARTY by Alison Hill 20 FEAR 1937 by Lola McHarg 68 opinion, views, statement or other information contained in the contributions.
    [Show full text]
  • Dance the Highland Fling
    Dance the Highland Fling Liina Flynn | 21st July 2011 When I was growing up, my Scottish grandmother taught me how to dance the Highland Fling. With arms flung above my head, I hopped on my feet moving one leg behind the other as I chanted “shed, behind, before, behind”. The footsteps of the dance were taught to me in an old chant that explained a pattern of fabric weaving and helped me to remember which steps came next. One theory about the Highland Fling is that it originated as a dance of triumph at the end of a battle; another says it was danced on top of a shield before battle, to ward away evil spirits. So, with highland dancing and its militaristic origins on my mind, I took my tartan heart and my (sort of) nimble feet and Scottish country dancing enthusiasts Judy Cook and Andrew Ross. went to learn more about Scottish dancing. When I arrived at a Scottish country dancing class in Lismore, rather than launching into a solo Highland Fling, I was prepared to take part in a group dancing lesson with guided instructions. I had heard about the formal Scottish dance „The Gay Gordons‟, but dancing instructor Judy Cook tells me it‟s a pretty ordinary dance and closer to ballroom dancing than Scottish country dance. Instead, tonight we‟ll be doing dances like Galloping Carousel, Campbell‟s Frolic, Dancing Bees, and Good Hearted Glasgow. Scottish country dancing usually requires at least six or eight people to be able to form a set, but while we‟re waiting for other people to arrive, Judy wants to teach us Domino Five, a dance that only requires five people.
    [Show full text]
  • Scottish Dancer
    CountryScottish Dancer Young dancers P8 Dance Scottish Week P11 Interview with our President P16 No 6 APRIL 2008 RSCDS Members’ Magazine The Official RSCDS tartan Supplied exclusively by Tartankilts.com Full range of products G Kilting fabric G Fabric for skirts G Kilts G Fabric for dresses G Ties G Wool Shawls G Fly Plaids G 50% Silk/50% Wool Shawls G Flashes and hose G Rosette Sashes G Charlie and G Plain Sashes Argyle Jackets G Sporrans and belts G Cummerbunds and Bow ties G Accessories G Baseball caps, Flat caps, Shoe bags and Cushions All tartan woven in the highlands of Scotland. Visit www.tartankilts.com JANET WASHINGTON at CLAIRE CHARLES DESIGNS G 20 years experience Two New CDs G Exclusive stockist of From Keith Smith and Muriel Johnstone RSCDS tartan silk Silver Tassie Todlen Hame SSCD20 SSCD21 and polycotton The De'il Amang the Tailors Todlen Hame The Silver Tassie Sugar Candie G 70 Clan tartans also The Deuks Dang O'er my The Dancing Bees/More Bees Daddie A-Dancing available John of Bon Accord Light and Airy Silk £30 per metre Saughie Haugh Well Kent Polycotton £15 per metre Red House Ladies' Fancy A Wisp of Thistle None So Pretty The Engine Room Full Stock Carried Miss Ogilvie's Fancy Blue Bonnets Holyrood House/Argyll's Fancy Closed Thursday & Sunday The Barmkin The Dancing Years Minister on the Loch For bespoke outfits please Jean Martin of Aberdeen Fight About the Fireside/ make an appointment Reel of the Royal Scots Fireside Reel Information and all Scotscores product details from 8 West Moulin Road, Pitlochry PH16 5AD email: [email protected] or visit Tel: 01796 473787 web: www.scotscores.com 2 www.rscds.org Editorial Contents News from Coates Crescent 4 Changes and developments at Headquarters From the Chair, Management Board and Committees 6 News and comment from Irene Bennett, Welcome to this issue of Scottish Country Dancer.
    [Show full text]
  • Newsletter of the Bush Dance & Music Club of Bendigo Inc
    Newsletter of the Bush Dance & Music Club of Bendigo Inc. Incorporation No. A0012878L P.O. Box 992 Bendigo 3552 Website www.bendigobushdance.org.au ABN 9278 1559 059 P.O. Box 922 Bendigo 3552. Coo-ee! Issue Number 10, October 2014 Executive President Dianne Pearse 5442 1715 [email protected] Vice President Carol Rowe 5443 2571 [email protected] Secretary/Pub.Off. Mary Smith 5442 1153 [email protected] Assist. Secretary Carol Rowe 5443 2571 [email protected] Treasurer Margaret Dean 5439 6246 [email protected] Publicity Dianne Pearse 5442 1715 [email protected] Newsletter Editor Peter Ellis 5442 3940 [email protected] Newsletter contribution deadline is Tuesday 4th November before the Friday Mail-out. Next Bendigo East Hop – Saturday October 18th 8pm at Bendigo East Prog. Hall Lansell St. Admission. Members $5 Non-members $8 and Children under 16 Free A Plate of Supper to share is always appreciated and enjoyed. Next General Meeting Wednesday October 22nd 7.30pm Club General Meetings will be held at a NEW VENUE . On the 1st October Bendigo Neighbourhood House moved office to the Strathdale Community Hall in Crook St and as the office is not very big they will be using another venue for their meeting rooms, functions etc. This venue is the Kennington Play Group Centre and is at the opposite end of Crook St, go past the Kennington Pre School on the left then it is the Kennington Play Group turn in at the car park and you are there. If you are coming from Bendigo via Condon St turn left into Crook St and then right into the car park.
    [Show full text]
  • Bush Dance As It Was in the Bush! Part 3 – the Romance of Folk
    Bush Dance as it was in the Bush! Part 3 – The romance of Folk By Peter Ellis Western Mail (Perth) Thurs. 28th Jan. 1937 p5 THE BLUE RIBBON. The Bush Dance. DEAR "Martingale,"-"Memories' " recent article on bush dances sent my mind back to the days of the War. I was a schoolboy then on holidays in the wheat belt when a farewell dance was tendered to a soldier. His parents were German, but he was an Aussie. We farewelled him that evening but he never returned. A son of Australia, but he went to fight his parents' people. One can imagine their feelings. However, here's the tale. The horse was harnessed to the sulky by the light of a lantern, which was then turned low and left on the post. Into the night we then drove, and being fresh from the city I could see nothing in the inky blackness. How the driver could see the road puzzled me, but we arrived safely at our destination. The farmyard was lit by a huge fire of logs by the light of which we safely drove around the stray implements to find a good hitching post. Being late- comers the dance had commenced before we arrived. The wall between the bed- room and the dining-room had been pulled down, and a space of about 30 feet by 12 feet was well and truly packed with enthusiastic dancers. Seats round the walls held the few non-dancers, but all who could, made the most of the opportunity and stepped out gaily.
    [Show full text]
  • BUSH DANCE Ermington Community Centre 10 River Road, Ermington
    BUSH MUSIC CLUB BOOKING AGENCY Patricia Bolton AGENT 9569 7244 BUSH DANCE Ermington Community Centre 10 River Road, Ermington Bob Bolton Ryebuck Bush Band 15 June 00 00 7. pm - 11. pm $19/$17 (conc)/$14 (BMC) No. 217 June 2013 Registered by Australia Post Publication PP 100001235 ISSN 0157 - 3381 Mulga Wire 16 June 2013 June 2013 1 Mulga Wire MULGA WIRE BUSH EDITORS of MULGA WIRE are: CONTRA DANCE Colin Fong 9716 9660(h) - [email protected] DANCES in aid of The Royal Flying Doctor Service of Australia, Bob Bolton 9569 7244(h) - [email protected] South Eastern Section. BMC President: Sharyn Mattern 9799 7439 (h) June - August Vice President: Bob Bolton, 9569 7244 (h) Saturday 17th August 2013 Secretary: Sandra Nixon, 9358 4886(h) BEECROFT Community Centre 7pm to 11pm Treasurer: Allen Davis, 9639 7494 (h) Beecroft Road, Beecroft (opposite Fire Stn) (Note the earlier starting time) MULGA WIRE appears each even month. June 1 Snake Gully Unsolicited articles should be submitted four weeks before publication. Address articles to: July 6 TBA Ermington Community Centre The Mulga Wire Editor, Bush Music Club Inc, August 3 Paddys River (10 River Road, Ermington) Box 433, Sydney 2001 or e-mail the editors. Enquiries: Sigrid 9980-7077 / MULGA WIRE is sent free to members Come and enjoy an evening of Contra dancing to the Wilma / 9489 5594 / Peter 9477 5848 of the Bush Music Club Inc and costs music of “Pastrami on Ryebuck” as they celebrate $2.00 or $2.50 (posted) per issue to others. Subscription is $15 per annum, including 35 years of traditional music.
    [Show full text]
  • Alan Swift's Tunefinder Tune Book Page Type/Set Key Time Sig Bars
    Alan Swift's TuneFinder Tune Book Page Type/set Key Time sig Bars “Army" prays for Watty, The The Songs of Henry Lawson 102 Song £ 40 float Begged Borrowed and Stolen 37 Polka A Collection of Dance Tunes For the Bush Traditions 1, 2, 3, 4 Gathering 2010 8 1, 2, 3, 4 Bundanoon Dancefest 2012 2 Sun Session 1b 6 G 2/4 32 1, 2, 3, 4 Settler's Night Session Book September 2007 2 2/4 Set tune G/C 2/4 32 1, 2, 3, 4 Tunes We Like to Play; No Such Thing 2nd ed Sept 2009 16 Galopede G 4/4 32 Australian Settler's Session and Dance Music National Folk 1,2,3,4 Festival April 2009 1 2/4 Set Tune G/C 2/4 32 1,2,3,4 The Music of Eileen McCoy: The Apple Island Fiddler 7 Set Tune G 4/4 32 100 pipers Begged Borrowed and Stolen 58 Slides 100 Pipers Bundanoon Dancefest 2012 3 Mon Session 1a 8 G 12/8 16 Australian Settler's Session and Dance Music National Folk 1910 Festival April 2009 11 6/8 Set Tune G 6/8 32 1910 Tunes We Like to Play; No Such Thing 2nd ed Sept 2009 32 Jig G 6/8 32 72nd Highlanders Farewell to Edinburgh, The Bundanoon Dancefest 2011 1 Sat Session 4b 12 Aaron's Key Bundanoon Dancefest 2011 1 Sat Session 3a 7 Abe, Abe, Abe My Boy Collectors Choice Vol 3 82 Ach Der Lieber Augustin Collectors Choice Vol 2 56 Across the sea to Erin Bundanoon 2010, Folder 2 34 Across the Sea to Erin Bundanoon Dancefest 2012 1 Sat Session 2b 2 G 6/8 32 Across the Sea to Erin National Folk Festival Tea Dance 2009 12 Tunes and Songs for Workshops Dances and Session at the Across the Sea to Erin 2007 Bush Traditions Gathering 31 G Across the Sea to Erin Tunes We Like
    [Show full text]
  • Download Programme
    FOLK CLUB AT THE CREEK Join us for Folk Club at Palm Creek Thursday Night at the Jam Tin 6.15pm Fools Gold 7.15pm Uke Nomad 8.15pm Deep Sea Creature 9.15pm 4 Degrees 10.15pm Batphink 11.15pm The Moonsets This program has been prepared with organic ingredients hand-picked and toasted for that unqiue Palm Creek flavour. As is the case with all things handcrafted, there may be slight errors and changes in times etc but we won’t worry about that too much. To each and everyone of you thank you for sharing this festival with us. FRIDAY Start Mountain Stage Jam Tin Stomp Box The Homestead The Shed The HoneyPot/ Magic Garden Time The Hive (Kids Fest) 8.30am 8.45am 9.00am 9.15am 9.30am 9.45am SEE THE FRONT 10.00am Billy Tea and Damper 10.15am COVER FOR session with Stephen 10.30am Dymond-Ramplin 10.45am THURSDAY 11.00am 11.15am NIGHT’S LINE-UP Blackboard Session 11.30am with Peter Dymond- 11.45am Ramplin 12.00pm Leni Peirano 12.15pm 12.30pm KC and the Moonlight Bush songs and Tales 12.45pm Band with Bob Barford 1.00pm Tasha Zappala Pop up Ukestra Rainbows for Everyday 1.15pm 1:00-4:30pm 1.30pm Majelen Workshops Umbrella Clouds 1.45pm Firedog Bee Motels Rainbow Bunting 2.00pm Whiskey Porridge Zine Making Rainbow Creations 2.15pm Gocco Screen Printing Recycled Rainbow Wall 2.30pm Zen Tripitalia Collograph (Bring along any 2.45pm Rainbow Tie Dye coloured recyclables 3.00pm The Mystrees Workshop - Slow Rainbow Yarn to create this 3.15pm Australian Tunes Bombing Collaborative Session with Andy 3.30pm Jordan Brodie & installation) Paterson 3.45pm Lachlan
    [Show full text]
  • Fakelore to Folklore, Part 5, Our Irish Heritage
    Fakelore to Folklore, Part 5, Our Irish Heritage Peter Ellis I’ve covered the ‘Irish Equation’ to a fair extent in the series ‘Calling the Tune and Leading a Merry Dance’ part 10 to 13 November 2011to February 2012 in Trad & Now. However the belief persists within the folk clubs and the social dance music arena that things like Siege of Ennis, Waves of Tory, Walls of Limerick and tunes such as those in Begged Borrowed and Stolen (BBS) are representative of the Irish component of the social tradition of Australia’s pioneering era. It is an absolute Furphy. Begged Borrowed and Stolen was never portrayed by the authors as representing Australian Tradition, it was simply a compilation of favoured tunes in the repertoire of the Celtic Club in Adelaide. Helen O’Shea believes it is likely many of the tunes were taken from printed sources from other books as the title suggests; but some may have also come from Tim Whelan, Irish whistle player of renown who made regular trips by ferry from Kangaroo Island to play at the Celtic Club, as well as hosting many sessions at home. Any movement of tunes from Tim by the aural folk process certainly would be considered a component of Australian folk. Tim can be seen as conducting sessions of ‘Eire on Kangaroo Is.’ Tim’s son John made the following comment: - “My Dad loved playing the tin whistle and his range of favourite tunes to everyone and anyone who would listen. He had endless patience with ‘students’ of the music who wished to learn.
    [Show full text]
  • Bush Dance As It Was in the Bush! Part 2 – 1850S – 1950S
    Bush Dance as it was in the Bush! Part 2 – 1850s – 1950s By Peter Ellis Thanks again to the National Library of Australia for setting up the Digitised Newspaper resource that has been invaluable to me in preparing the recent series of articles for Trad & Now. During the course of perusing the papers for information on dance, and in particular ‘bush dance’ I’ve come across several excellent ‘stories’ by Will Carter. I also observed Warren Fahey in his research on the song ‘Tumba-bloody- Rumba’ uncovered Will (Wilf) Carter and has provided details about this accomplished writer of bush traditions:- “Will Carter was born in 1867. With a life of 88 years he spanned significant changes in Australia. The gold rushes tripled the population; gold was replaced by the new fortunes of wool, wheat, beef and coal; our colonies had federated to become a nation; the population had shifted to living primarily in the cities, and we had seen ourselves fighting in WW1. Carter, like many of his time, was interested in the development of the Australian identity. Carter was a prolific writer and Ron and Catherine Frew have used his words to provide us with a unique insight into one man's vision of Australia. Carter was a schoolteacher and, in his way, a documenter of life. He contributed to local newspapers and The Bulletin. He was also an accordion player, bush dance MC and a dab sketcher in the style of Hop and Lindsay.” You can purchase the book by mail order directly from Ron and Catherine Frew at PO Box 15 Tumbarumba NSW 2653.
    [Show full text]