West and East: No Binaries After Today
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Romantic and Realistic Impulses in the Dramas of August Strindberg
Romantic and realistic impulses in the dramas of August Strindberg Item Type text; Thesis-Reproduction (electronic) Authors Dinken, Barney Michael Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 25/09/2021 13:12:12 Link to Item http://hdl.handle.net/10150/557865 ROMANTIC AND REALISTIC IMPULSES IN THE DRAMAS OF AUGUST STRINDBERG by Barney Michael Dinken A Thesis Submitted to the Faculty of the DEPARTMENT OF DRAMA In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 19 8 1 STATEMENT BY AUTHOR This thesis has been submitted in partial fu lfillm e n t of re quirements for an advanced degree at The University of Arizona and is deposited in the University Library to be made available,to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests fo r permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his judg ment the proposed use of the material is in the interests of scholar ship, In a ll other instances, however, permission must be obtained from the author. -
13366 MM Vol. XXIII No. 11.Pmd
Registered with the Reg. No. TN/CH(C)/374/12-14 Registrar of Newspapers Licenced to post without prepayment for India under R.N.I. 53640/91 Licence No. TN/PMG(CCR)/WPP-506/12-14 Publication: 15th & 28th of every month Rs. 5 per copy (Annual Subscription: Rs. 100/-) WE CARE FOR MADRAS THAT IS CHENNAI INSIDE • Short ‘N’ Snappy • Help Corporation Schools • Kilpauk kindles • Four pages on Madras Week • Tamil journalism Vol. XXIII No. 11 MUSINGS September 16-30, 2013 The vanishing story at Ripon Buildings. The annexe built in the 1950s is a joy to behold while the later Vista additions are terrible and falling apart. From the point of view of a eritage buildings, always quick demolition of the erst- property owner not overly con- Han endangered lot in our while Southern Railway book- cerned about heritage, building city, are faced with a new threat ing office, which by any stan- a new structure to hide the old – being hidden behind modern dard was a heritage building makes much sense. The hidden high-rises, built on spaces sur- (but was not in the Padma- building can wither away due to rounding them and originally nabhan Committee report lack of maintenance and even intended to give an approach and so did not qualify as one). collapse, without anyone notic- vista and an impressive setting. There are many more such ing, thereby making space for Thanks to realestate hungry examples. still newer buildings. A tough owners, unimaginative archi- Heritage Conservation Com- There are several reasons tects and an indifferent admin- mittee can choose to object but why new buildings have to be istration, most of the familiar in our case we have a largely hi- built, all understandable – ours heritage structures we know are bernating and comatose com- is a space-starved city, institu- soon going to become lost to mittee, which prefers to look tions need to modernise and view. -
Directing an Immersive Adaptation of Strindberg's a Dream Play
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses Dissertations and Theses October 2018 Interpreting Dreams: Directing an Immersive Adaptation of Strindberg's A Dream Play Mary-Corinne Miller University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/masters_theses_2 Part of the Dramatic Literature, Criticism and Theory Commons, Interactive Arts Commons, Other Theatre and Performance Studies Commons, Performance Studies Commons, and the Theatre History Commons Recommended Citation Miller, Mary-Corinne, "Interpreting Dreams: Directing an Immersive Adaptation of Strindberg's A Dream Play" (2018). Masters Theses. 730. https://doi.org/10.7275/12087874 https://scholarworks.umass.edu/masters_theses_2/730 This Open Access Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. INTERPRETING DREAMS: DIRECTING AN IMMERSIVE ADAPTATION OF STRINDBERG’S A DREAM PLAY A Thesis Presented By MARY CORINNE MILLER Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF FINE ARTS September 2018 Department of Theater © Copyright by Mary Corinne Miller 2018 All Rights Reserved INTERPRETING DREAMS: DIRECTING AN IMMERSIVE ADAPTATION OF STRINDBERG’S A DREAM PLAY A Thesis Presented By MARY CORINNE MILLER Approved as to style and content by: ____________________________________ Gina Kaufmann, Chair ____________________________________ Harley Erdman, Member ____________________________________ Gilbert McCauley, Member ____________________________________ Amy Altadonna, Member ____________________________ Gina Kaufmann, Department Head Department of Theater DEDICATION To my son, Everett You are my dream come true. -
Miss Julie by August Strindberg
MTC Education Teachers’ Notes 2016 Miss Julie by August Strindberg – PART A – 16 April – 21 May Southbank Theatre, The Sumner Notes prepared by Meg Upton 1 Teachers’ Notes for Miss Julie PART A – CONTEXTS AND CONVERSATIONS Theatre can be defined as a performative art form, culturally situated, ephemeral and temporary in nature, presented to an audience in a particular time, particular cultural context and in a particular location – Anthony Jackson (2007). Because theatre is an ephemeral art form – here in one moment, gone in the next – and contemporary theatre making has become more complex, Part A of the Miss Julie Teachers’ Notes offers teachers and students a rich and detailed introduction to the play in order to prepare for seeing the MTC production – possibly only once. Welcome to our new two-part Teachers’ Notes. In this first part of the resource we offer you ways to think about the world of the play, playwright, structure, theatrical styles, stagecraft, contexts – historical, cultural, social, philosophical, and political, characters, and previous productions. These are prompts only. We encourage you to read the play – the original translation in the first instance and then the new adaptation when it is available on the first day of rehearsal. Just before the production opens in April, Part B of the education resource will be available, providing images, interviews, and detailed analysis questions that relate to the Unit 3 performance analysis task. Why are you studying Miss Julie? The extract below from the Theatre Studies Study Design is a reminder of the Key Knowledge required and the Key Skills you need to demonstrate in your analysis of the play. -
Preliminary Pages
Distribution Agreement In presenting this thesis as a partial fulfillment of the requirements for a degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis in whole or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis. I retain all ownership rights to the copyright of the thesis. I also retain the right to use in future works (such as articles or books) all or part of this thesis. Signature: Leesa Haspel April 14, 2010 Becoming Miss Julie: A Study in Practical Dramaturgy by Leesa Haspel Adviser Donald McManus Department of Theater Studies Donald McManus Adviser Lisa Paulsen Committee Member Joseph Skibell Committee Member April 14, 2010 Becoming Miss Julie: A Study in Practical Dramaturgy By Leesa Haspel Adviser Donald McManus An abstract of A thesis submitted to the Faculty of Emory College of Arts and Sciences of Emory University in partial fulfillment of the requirements of the degree of Bachelor of Arts with Honors Department of Theater Studies 2010 Abstract Becoming Miss Julie: A Study in Practical Dramaturgy By Leesa Haspel This paper serves to document and reflect upon an actor’s experience using research to inform and develop a role. Theater Emory’s 2009 production of Miss Julie serves as the case study, describing the process of creating the titular role. An overview of the history of dramaturgy, a dramaturgical protocol, exploration of relevant acting styles, analysis of the Theater Emory production, and personal reflection on the experience of developing Miss Julie cohere to create a guide advocating the use of practical dramaturgy in contemporary acting. -
I Merry Christmas Happy Dew Year
THE LOWELL LEDGER. fNDEI TOL. XII, NO. 27 LARGEST CIRCULATION. LOWELL, MICHIGAN, THURSDAV. DECEMBER 32, 1904 BEST LOCAL PAPER. OFFICIAL PAPER BLUED THE ROAD WILL GIVE AWAY VEK DICT OF TilK COKON EH S A FINE $35 00 CHAMPION Its Financial Strength Jl'llY OS THE ELMDALE SEWING MACHINE WRECK- Only Two Days More To the Lady Who (lets the Most Your attention li dlrocted to tht* UHmpR of tho Votes In This Cosiest. follovtlng well known lniRiiu'ttfi men who conduot Person RcapouslMe for Wreck Wot Mamed. V''8, THE LKDOKK IK going to om- "Imi another voting content, and To make your Christmas shopping the last few The coroner's Jury which Investi- tliin time the prize will be a CIIMIII- The City Bank, Hill, Watts A Co. gated the lOlmdale wreck rendered t'L"ii No. I'o sewing machine, IIIHII^ days are so filled with hurry aud excitement that shop- the following verdict: •'That the said by IIH* New Home Sewing Machin.' ping- is not so pleasant as early buying-. John L. Siulth'adeath, who died at ••ompany. OKTON HII.L, Proslilent, Lowell. Midi. * the Butterworth hospital Nov. 17, I • has a full sW of attachmentx. We shall have our stock well arranged, plenty of W. A. WATTS, Owhler. Lowell. Mich. 1!HM, at Grand KapIdH, county of fom-Hldedrawein, large center draw, help, and shall endeavor to make yoiir buying at our T. H. GlI.KBY. CnpitHlisl, Klehlnnil. Mich. Kent, Michigan, wan the result ofan ••r. ilrop leaf and cover; and the re^. store pleasant and renumerative. -
Virginia Woolf's Reading Notes on Russian Literature
APPENDICES Virginia Woolf’s Reading Notes on Russian Literature Transcribed and Edited by Roberta Rubenstein APPENDIX A Reading Notes on Dostoevsky’s The Possessed1 31 Dostoevsky. The Possessed 8 violence 9 ‘hate’ & love.2 the love of revelation & confession; 25 a society as the God.3 Ideas that strike them on the head. 1 Reading Notebook 14. Holograph. RN1.14. The Berg Collection. Contents of the notebook relate to what was eventually published as the essay, “Phases of Fiction” (1929). Pages numbered by Woolf, are 31, 32, 33, and 34. Transcription published with permission of the Estate of Virginia Woolf and the Henry W. and Albert A. Berg Collection of English and American Literature, The New York Public Library, Astor, Lenox and Tilden Foundations. A single loose, unnumbered page of Woolf’s notes on The Possessed, which overlaps significantly with page 31 of Reading Notebook 14, appears in Reading Notebook 46. At the top of the page is a crossed-out heading, “Turgenev— Lear of the Steppes,” beneath which Woolf wrote, “Dostoevsky The Possessed.” Holograph MH/ B2.n, Monks House Papers. Transcription published with permission of the Estate of Virginia Woolf and Monks House Papers, University of Sussex. As Brenda Silver observes, “Given the large amount of reading, rereading, writing, and revising that Woolf did for [The Common Reader, Second Series, “Phases of Fiction,” and several other projects], it is not surprising that her notes from this period are scattered among several notebooks . .” (Virginia Woolf’s Reading Notebooks 215–16). Passages cited in Fyodor Dostoevsky, The Possessed: A Novel in Three Parts, are from Constance Garnett’s translation from the Russian (New York: Macmillan, 1916). -
FF543 Cover1.Cdr
Freedom First Between Ourselves It was all quiet on the morning of Saturday August 11 as I travelled The Liberal Magazine to my office. Being the second Saturday of the month many offices were closed and so were Maharashtra government offices and traffic was light. Number 543 – September 2012 Around 3.30 p.m. I decided to call it a day and go home in a taxi. And within minutes realised something was wrong when we were stopped by a policeman. Advisory Board: The traffic was chaotic. And then we saw three or four motor bikes with Mr. Sharad Bailur pillion riders whizzing past defying the police. Meanwhile rumours spread Mr. A. V. Gopalakrishnan like wildfire that there was massive rally of 50,000 plus Muslims at Azad Mr. Firoze Hirjikaka Maidan and there was mayhem in and around CST railway terminus. There Mr. Ashok Karnik was fear on the faces of those heading home and no one to reassure them Mr. Farrokh Mehta ‘Don’t worry we are here’. Mr. Jehangir Patel There cannot be a greater failure of governance than this. Mr. Nitin G. Raut When I read of thousands of north-easterners fleeing Bangalore for Brig. S. C. Sharma (retd.) the safety of their homes or refugee camps in Assam or Meghalaya or Manipur Mr. Kunwar Sinha a thousand plus miles away, it was because they no longer believed the Mr. Sameer Wagle State could protect them. They were on their own. Four days later we saw the President of India who manoeuvred his way to the Presidency deliver Editor: meaningless homilies. -
'I'm a Devilish Fellow Who Can Do Many Tricks'
FACTS ABOUT SWEDEN | AUGUST STRINDBERG sweden.se P P H H O O T T O: O: S N T ORDI RIND S B K ER A MU GS MU S EE S T EE T August Strindberg: self-portrait from Gersau, Switzerland, 1886. Jealousy Night, painted by Strindberg in Berlin, Germany, 1893. AUGUST STRINDBERG: ‘I’M A DEVILISH FELLOW WHO CAN DO MANY TRICKS’ A hundred years after his death, August Strindberg (1849–1912) continues to fascinate. He was a trailblazer and innovator in his time and still manages to provoke audiences in theaters around the world. There is always an aspect of Strindberg’s everyday language, and today his texts led. His literary development largely fol- character – from the raging sociopoliti- feel remarkably modern. lowed the twists and turns of his private cal polemicist to the psychologically life, including the crises arising from his introspective writer – that fits the prevail- Man of many talents marriage break-ups and political contro- ing spirit and intellectual climate of the People are amazed by Strindberg’s ver- versies. times. His thoughts on morality, class, satility. He tackled most genres. Aside power structures and familial politics from being an innovator in drama and Upbringing and studies are still relevant today. The unflagging prose, he was a poet, a painter, a pho- Johan August Strindberg was born on struggle for free thinking and free speech tographer, even a sinologist. 22 January 1849. He would later claim that he waged throughout his life is more Strindberg’s stormy private life also that his childhood was one of poverty important than ever in a time when cen- explains his enduring appeal, especially and neglect but the family was not poor. -
Play Reading Summary Form (Guide)
Play Reading Summary Form (Guide) Title: (Use Italics whenever you use the title of a work) Author: (Authors name) Date: (Date of composition, copyright or publication) Period/Style/Genre: (Make your best guess here... Comedy? Tragedy? Realism?) Number of Characters: (Characters, as opposed to the number of actors required) Setting: (Describe the location of each scene, but no need to repeat locations used more than once.) Character Name Age Gender Other (Character Name) (Best guess) (M, F, or NA) (Special qualities; dialects, disabilities, etc. Optional) (For every character) (Best guess) (M, F, or NA) (Special qualities; dialects, disabilities, etc. Optional) Summary (Summarize the main story. Stick to the basic story line here; don’t worry about themes or subtextual ideas... just the simple “who does what to whom with what results”.) Special Notes (This is for any important and/or unique aspects of the play... special effects, interesting historical connections, that kind of thing) Personal Notes and Reactions (This is where you discuss your personal reactions to the play. If there are important ideas or themes that stand out for you, this is the place to discuss them.) Play Reading Summary Form (Completed Example) Title: Mavis Author: Sherilyn L. Hausey Date: 1993 Period/Style/Genre: Post modern social “realism”: Parental abuse. Number of Characters: 7: 5f, 2m, plus off stage voices. Setting: 3 settings; 1) inside a beauty parlor, 2) a country road, 3)the parking lot outside a psychiatric institution. Character Name Age Gender Other Mavis Henderson Late 30s F Texan, working class Mama Jo Henderson 80s F A ghost, Texan, working class. -
Summer-Folk : Datchniki, Scenes from Life
oet Hore ipiaps; SUMMER FOLK (DATCHNIKI) MAXIM GORKI Richard G. Badger, Publisher, Bosto n LIBRARY 'INIVERSITY OF CALIFORNIA RIVERSIDE VOLUME XVI AUTUMN 1905 NUMBER III ^SUMMER-FOLK* [DATCHNIKI] Scenes from Life By Maxim Gorki Translated from the Russian by Aline Delano DRAMATIS PERSON/E Serguey Vassilievitch Bassoff, Lawyer, 40. Varvara Michailovna, his wife, 27. Kaleria, his sister, 29. Vlass, brother of Bassoff's wife, 25. Piotr Ivanovitch Sussloff, Civil Engineer, 42. Yulia Fillipovna, his wife, 30. Kyrill Akimovitch Dudakoff, Physician, 40. Olga Alekseyevna, his wife, 35. Iakov Petrovitch Shalimoff, Author, 40. Pavel Sergueyevitch Rumin, 32. Marya Lvovna, Physician, 37. Semion Semionytch Dvoetchie [Colon], Susslofs uncle, 55. Nikalay Petrovitch Zamysloff, Bassofs junior partner, 28. Zimin, a student, 23. Pustobaika [Talker], First Watchman, 50. Kropilkin, Second Watchman. Sasha, Bassoff' s Maid-Servant. * Copyright, 1905, by Aline Delano (0 SUMMER-FOLK A woman with a bandaged cheek. Mr. Seminoff. A lady in a yellow gown A young man in a plaid suit ( Theatrical in blue A young lady ( Amateurs A young lady in pink A Cadet A gentleman in a tall hat Scene : A Country place near St. Petersburg. Time : The Present. Act I. A Summer room in Bassofli's country-house. Act II. A Field in front of the house. Act III. A Glade in the Forest. Act IV. Same as Act II. ACT I Bassofs' Country-house. A large room which is both parlor and dining-room. In the rear, to the left, an open door leading to Bassoff's study, to the right, a door into his THEwife's bed-room. -
Date of AGM(DD-MON-YYYY) 06-SEP-2013
CINL24231MH1950PLC008311 Company Name PFIZER LIMITED Date Of AGM(DD-MON-YYYY) 06-SEP-2013 Sum of unpaid and unclaimed dividend 5874709 Sum of interest on unpaid and unclaimed dividend 0 Sum of matured deposit 0 Sum of interest on matured deposit 0 Sum of matured debentures 0 Sum of interest on matured debentures 0 Sum of application money due for refund 0 Sum of interest on application money due for refund 0 First Name Middle Name Last Name Father/Husb Father/Husba Father/Husband Address Country State District PINCode Folio Number of Investment Type Amount Proposed Date of and First nd Middle Last Name Securities Due(in Rs.) transfer to IEPF Name Name (DD-MON-YYYY) B SEETHARAM SHETTY NA VIJAYA CLINIC, INDIA KARNATAKA KARKALA DAKSHINA 574154 P0119236 Amount for unclaimed 9325.00 11-OCT-2019 CHARANTHIPETE KAN and unpaid dividend MULKI, MANGALORE TALUK DAKSHINA KANNADA DIST BAMBRANA SHEELA VITTAL SHETTY LATE DR KAUP VITTAL W/O YOTI DR K INDIA KARNATAKA MANGALORE 575001 P0065399 Amount for unclaimed 5700.00 11-OCT-2019 SHETTY VITTAL SHETTY and unpaid dividend VITTAL VIHAR 102 1ST FLOOR MANASA APT LOBO LANE BANDOOR MANGALORE AMAR NATH MISSER LATE BISSESWAR NATH MISSER 183 MAHATMA INDIA WEST BENGAL KOLKATA 700007 P0074549 Amount for unclaimed 6050.00 11-OCT-2019 GANDHI ROAD and unpaid dividend KOLKATA CHITTA SANKAR DAWN LATE MR D N DAWN 25-B. C.I.T.ROAD INDIA WEST BENGAL KOLKATA 700014 P0025570 Amount for unclaimed 5650.00 11-OCT-2019 SCHEME L II. and unpaid dividend CALCUTTA-14. AMITA BHATTACHARJE NA CD-124 SECTOR 1 INDIA WEST BENGAL KOLKATA