Annual Report 2018 | 2019
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Drinks Menu by the Glass White
DRINKS MENU BY THE GLASS WHITE BUBBLES .................................................. L’ ORMARINS BRUT .............................. Paarl .......................... 95 SAUVIGNON BLANC ............................. ANURA .................................................... Robertson .............. 49 CHENIN BLANC ..................................... FAIRVIEW ................................................ Paarl .......................... 60 CHARDONNAY ....................................... ANURA .................................................... Robertson ................ 49 WHITE BLEND ........................................ HARTENBERG ........................................ Bottelry Hills ............ 49 ROSE ........................................................ DIEMERSFONTEIN ................................ Wellington ................ 50 ROSE (SWEET) ........................................ WELTEVREDE ......................................... Bonnivale .................. 50 RED MERLOT ................................................... ANURA .................................................... Robertson ..................55 SHIRAZ ..................................................... HARTENBERG ....................................... Bottelry Hills ............ 60 CABERNET SAUVIGNON ...................... WARWICK 1ST LADY ............................ StellenboscH ............ 70 RED BLEND ............................................. JOURNEY’S END ................................... Stellenbosch ........... 65 BUBBLES -
HERITAGE BROCHURE X1 Contact Detailstel
one 1 ISBN 1-874924-81-3 June 2005 HERITAGE RESOURCES 1 City of Cape Town Heritage advice pamphlet pamphlet advice Heritage Town Cape of City Symbolic Places Places associated with important people such as Robben Island. Buildings Buildings or groups of buildings may be historically important, have architecturalarchitectural valuevalue or may contribute to the charactercharacter of an area. TheseThese may be community buildings such as the Cape TTownown City Hall, or commercial buildings such as the Old Mutual Building in the city centre,centre, or houses such as Hawthornden House in Wynberg. In addition, buildings designed by renowned architects have heritage value.value. All buildings that have received awardsawards of excellence by the South African Institute of Architects are of heritage vvalue.alue. TThesehese include the Baxter Theatre (Rondebosch), Rex Trueform factory (Salt River), House Steekhoven (Newlands) and the “Treehouse” (Higgovale). Landscapes A heritage resource derives vvaluealue and meaning from its setting or historical context, for example the Rhodes Estate on Devil’Devil’ss PPeakeak UNIVERSITY OF CAPE TOWN CAPE OF UNIVERSITY within which the Rhodes Memorial is found, or NY1/NY111 in Gugulethu, the site where the “Gugulethu 7” died. GROOT CONSTANTIA SquaresSquares,, avenues and trtrailsails also form a backdrop to historic events,events, gathering spaces, routes or walks, for example the Slave Route from the Castle to Platteklip Gorge. GRADING OF HERITAGE RESOURCES Certain heritage resources are considered more valuable than others based on age, symbolic context, architectural merit, uniqueness or associations with signifi cant people and other considerations. For example: Age: Old Town House (1755) Rarity or uniqueness: Mostert’s Mill, Mowbray Historical associations: Langa Pass Court and Offi ce Symbolism: Robben Island At present, many sites and structures within the City of Cape Town are grgradedaded according to their heritage signifi cancecance. -
The Liesbeek River Valley
\ UNIVERSITY OF CAPE TOWN FACULTY OF EDUCATION THE CHANGING LANDSCAPE OF THE LIESBEEK RIVER VALLEY An investigation of the use of an Environmental History approach in ·historical research and in classroom practice A dissertation presented in partial fulfillment of the requirements for the Degree of M.Ed in History Education \ -...... by JEAN ·BOTIARO MARCH 1996 ' f . , ,:.,- I'.! ' . t. c .-: . The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. This dissertation has two components, one History and one Education, and the central unifying theme is Environmental History. The History component examines the historiography of this sub-discipline, and then applies an environmental analysis as an example of its use in historical research. The second component explores the use of Environmental History in the teaching of school history, and presents a curriculum model which uses this approach. Both components use the Liesbeek River valley in the Cape Peninsula as a case-study. ACKNOWLEDGEMENTS I need to start off by thanking the person who provided the spark from which this dissertation grew: in June 1994, when I was rather desperately casting about for a research topic which would satisfy both the historical and education components of the course, Howard Phillips of the History Department at UCT mentioned the term "Environmental History". -
INTERLINK School of Languages, Cape Town
20 t h - 26 t h November Monday City Tour - A Must for New Students!! 20 Nov Get orientated in Cape Town and see the sights of the city. Learn the Depart history of South Africa, what to see where to go. We will visit Sea Point, 13H05 Clifton, Camps Bay, the Company’s Garden, the Castle, Parliament, the R200 view of the city from Signal Hill and much, much more! Tuesday Kirstenbosch Botanical Gardens 21 Nov World-renowned for the beauty and diversity of the Cape flora it displays Depart and for the magnificence of its setting against the eastern slopes of Table 13H00 Mountain. The estate covers 528 hectares and supports a diverse fynbos R80 flora and natural forest. R80 transport (excludes entrance fees) transport Wednesday Groot Constantia Wine Estate (oldest) 22 Nov A visit to South Africa oldest and most historic wine estate is a must. Depart: Spend the afternoon tasting and exploring the Vineyards of this legendary 13H00 estate. Taste the wines that Napoleon drank and the other nobles of R350 Europe rank. Groot Constantia is noted particularly for its production of includes high-quality red wines, including Shiraz, Merlot and blended red cellar tour Gouverneurs Reserve. In 2003 the estate began production of a and tasting Constantia dessert wine, called Grand Constance for the first time since the 1880s. ( new route includes extra wine farm & tasting) Tours • Book your excursions early to avoid disappointment; spaces are limited. Please sign up and pay for excursions at Reception. • Please be ready and waiting at least 5min before pickup time. -
The Importance of Trees in Liveable Cities a Tree Urban Forestry
2/24/2018 Bridging Waters Conversation Series The Importance of Trees in Liveable Cities Making our living spaces a better place to live A tree is generally defined as a woody perennial plant, typically having a The contrast between our green leafy suburbs and the township suburbs single stem or trunk growing to a considerable height and bearing lateral branches at some distance from the ground. www.google.co.za/definition+of+a+tree&rlz=1C1GGGE_enZA516ZA523&oq=definition+of+a+tree&aqs=chrome. Which would you prefer to live and work in? . Urban forestry is generally defined as the art, science and technology of managing trees and forest resources in and around urban community ecosystems for the physiological, sociological, economic & aesthetic benefits that trees provide to society. 1 2/24/2018 CONSERVING AND PROTECTING EXISTING MATURE & ESTABLISHED TREES IN THE URBAN FOREST IS CRITICAL TO THE HEALTH OF A CITY AND ITS CITIZENS Why trees are important Why trees are important in cities and suburbs in cities and suburbs • Provide shade in summer • Provide a safe refuge for reducing the heat gain birds and other wild caused by a concrete jungle. creatures which increases • Deciduous trees allow sun biodiversity in the City light & warmth to filter through to homes in winter • Shelter us from the wind and • Remind us of Nature, create microclimates suitable marking the changes in for outside activities seasons by flowering or • Filter air born pollutants and displaying autumn colours or absorb carbon dioxide (CO2) a flush of bright green in -
The New York Times Magazine
AWAY Travel November 15, 2020 T H E NEW YORK TIMES STYLE MAGAZINE Haunting new short stories inspired by place SPIRITED BY DESIGN BY pre-apartheid Cape Town, segregation was less formally enforced than it would later become, which meant that Le Roux was able to depict Black men alongside white people in the paintings. But those men were almost always shirtless, often seen from the back or with their faces obscured by a shovel or an arm in motion. The fate of the building over the decades that followed can be seen as a reflection of the history of 20th-century Cape Town itself. Just 16 years after unveiling it, the South African Mutual Life Assurance Society abandoned it for a wealthy suburb, marking the beginning of a larger and devastating exodus from downtown. An array of commercial tenants leased the space as the years passed, but no one knew what to do with the striking, now empty building. By the early 1990s, as apartheid was at last eliminated, most of Cape Town’s businesses had left the city, leaving hollowed out, grandiose structures as a reminder of the wages of the Empire, institutional racism and urban flight. A BROTHER AND sister in their 30s who were raised in the wine business and now live mostly on a vineyard estate nearly two hours from Cape Town grew up with the Art Deco masterpiece and knew of its historical importance long before PEOPLE, PLACES, THINGS PEOPLE, PLACES, they imagined that they would one day be part of its story. “I remember feeling a sense of awe over the building’s complexity of history,” says the sister. -
Transforming the Iziko Bo-Kaap Museum Helene Vollgraaff 1
Transforming the Iziko Bo-Kaap Museum Helene Vollgraaff 1 Introduction The Bo-Kaap Museum, managed by Iziko Museums of Cape Town 2, was established in 1978 as a house museum showing the lifestyle of a typical “Cape Malay” family of the 19 th century. The well-known University of Cape Town Orientalist, Dr. I.D. du Plessis, was the driving force behind the establishment of the museum. From the start, the Bo-Kaap Museum was heavily criticized for its Orientalist approach. In true I.D. du Plessis style, Cape Muslims were depicted as a separate cultural group with an exotic and charming lifestyle that seperated them from the rest of local society. The exhibitions and programmes of the museum tended to focus on Islam as an all-consuming identity and emphasized customs that distinguished Cape Muslims from other religious and cultural groups in Cape Town. The result was a skewed representation that did not do justice to the diversity within the Cape Muslim community and was silent about aspects of integration between the Muslim and broader Cape Town communities. 3 In 2003, Iziko Museums launched a project to redevelop the Bo-Kaap Museum as a social history museum with Islam at the Cape and the history of the Bo-Kaap as its main themes. This approach allowed the museum to challenge its own Orientalist roots and to introduce exhibitions dealing with contemporary issues. As an interim measure, Iziko developed a series of small temporary exhibitions and public programmes that together signaled Iziko Museum’s intent to change the content and style of the museum. -
An Exhibition of South African Ceramics at Iziko Museums Article by Esther Esymol
Reflections on Fired – An Exhibition of South African Ceramics at Iziko Museums Article by Esther Esymol Abstract An exhibition dedicated to the history and development of South African ceramics, Fired, was on show at the Castle of Good Hope in Cape Town, South Africa, from 25th February 2012 until its temporary closure on 28th January 2015. Fired is due to reopen early 2016. The exhibition was created from the rich array of ceramics held in the permanent collections of Iziko Museums of South Africa. Iziko was formed in 1998 when various Cape Town based museums, having formerly functioned separately, were amalgamated into one organizational structure. Fired was created to celebrate the artistry of South African ceramists, showcasing works in clay created for domestic, ceremonial or decorative purposes, dating from the archaeological past to the present. This article reflects on the curatorial and design approaches to Fired, and the various themes which informed the exhibition. Reference is also made to the formation of the Iziko ceramics collections, and the ways in which Fired as an exhibition departed from ceramics displays previously presented in the museums that made up the Iziko group. Key words ceramics, studio pottery, production pottery, Community Economic Development (CED) potteries, museums Introduction Fired – an Exhibition of South African Ceramics celebrated South Africa’s rich and diverse legacy of ceramic making. The exhibition showcased a selection of about two hundred ceramic works, including some of the earliest indigenous pottery made in South Africa, going back some two thousand years, through to work produced by contemporary South African ceramists. The works were drawn mainly from the Social History Collections department of Iziko Museums of South Africa.1 Design and curatorial approaches Fired was exhibited within an evocative space in the Castle, with arched ceilings and columns and presented in two large elongated chambers (Fig.1). -
A Brief History of Wine in South Africa Stefan K
European Review - Fall 2014 (in press) A brief history of wine in South Africa Stefan K. Estreicher Texas Tech University, Lubbock, TX 79409-1051, USA Vitis vinifera was first planted in South Africa by the Dutchman Jan van Riebeeck in 1655. The first wine farms, in which the French Huguenots participated – were land grants given by another Dutchman, Simon Van der Stel. He also established (for himself) the Constantia estate. The Constantia wine later became one of the most celebrated wines in the world. The decline of the South African wine industry in the late 1800’s was caused by the combination of natural disasters (mildew, phylloxera) and the consequences of wars and political events in Europe. Despite the reorganization imposed by the KWV cooperative, recovery was slow because of the embargo against the Apartheid regime. Since the 1990s, a large number of new wineries – often, small family operations – have been created. South African wines are now available in many markets. Some of these wines can compete with the best in the world. Stefan K. Estreicher received his PhD in Physics from the University of Zürich. He is currently Paul Whitfield Horn Professor in the Physics Department at Texas Tech University. His biography can be found at http://jupiter.phys.ttu.edu/stefanke. One of his hobbies is the history of wine. He published ‘A Brief History of Wine in Spain’ (European Review 21 (2), 209-239, 2013) and ‘Wine, from Neolithic Times to the 21st Century’ (Algora, New York, 2006). The earliest evidence of wine on the African continent comes from Abydos in Southern Egypt. -
Two Rivers Urban Park Contextual Framework Review and Preliminary Heritage Study
1 TWO RIVERS URBAN PARK CONTEXTUAL FRAMEWORK REVIEW AND PRELIMINARY HERITAGE STUDY Phase One Report Submitted by Melanie Attwell and Associates in association with ARCON Heritage and Design, and ACO Associates on behalf of NM & Associates Planners and Designers [email protected] 2 Caxton Close Oakridge 7806 021 7150330 First submitted: November 2015 Resubmitted: May 2016 2 Table of Contents List of Figures....................................................................................................................................... 3 Executive Summary ........................................................................................................................... 4 List of Acronyms ................................................................................................................................. 5 1. Introduction .................................................................................................................................... 6 1.1 Report Structure ....................................................................................................................... 6 1.2 Brief and Scope of Work ......................................................................................................... 7 2. Limitations ....................................................................................................................................... 7 3. Location ......................................................................................................................................... -
Transforming Representations of Intangible Heritage at Iziko Museums, SA
ICME papers 2004 Transforming representations of Intangible Heritage at Iziko Museums, SA By HENRY C JATTI BREDEKAMP Iziko Museums, South Africa http://www.museums.org.za/iziko/izihome.html Paper presented at the Concurrent Session Museums and Living Heritage, organized by ICME, The National Folk Museum of Korea, ICOM Korea and ICTOP. ICOM general conference, Seoul, Korea. October 2-8, 2004 "The Minister stressed that issues related to heritage, culture and identity were 'deeply emotional' – after all these are issues that are at the very core of the transformation agenda in South Africa." (Harriet Deacon et al, 2003: 7) Down south in Africa, transformation in the heritage sector of post-apartheid South Africa is still in its transitional phase. However, over the past decade of democratic government, the heritage fraternity has assisted government to make significant strides in the formulation of policies and in the creation or re-imagining of heritage institutions inherited from earlier eras. Within this context, the paper begins with a brief overview of the creation of post-apartheid national heritage institutions in South Africa and the current status of intangible heritage on the state's transformation agenda after a Decade of Democracy. One of these institutions is the amalgamated Iziko national museums of Cape Town, whose representations of various domains of expressions of intangible heritage from Cape to Cairo and beyond is the focus of the third part of this contribution to this session of ICME at ICOM 2004 here in Seoul. The creation of post-apartheid national heritage institutions in South Africa An outsider's understanding of the South African discourse on transformation in the heritage sector today presupposes some knowledge of basic official policy documents like the White Paper on Arts, Culture and Heritage, which preceded the passing of a series of heritage related Acts of Parliament towards the end of the 1990s. -
R Conradie Orcid.Org 0000-0002-8653-4702
Influence of the invasive fish, Gambusia affinis, on amphibians in the Western Cape R Conradie orcid.org 0000-0002-8653-4702 Dissertation submitted in fulfilment of the requirements for the degree Master of Science in Zoology at the North-West University Supervisor: Prof LH du Preez Co-supervisor: Prof AE Channing Graduation May 2018 23927399 “The whole land is made desolate, but no man lays it to heart.” JEREMIAH 12:11 i DECLARATION I, Roxanne Conradie, declare that this dissertation is my own, unaided work, except where otherwise acknowledged. It is being submitted for the degree of M.Sc. to the North-West University, Potchefstroom. It has not been submitted for any degree or examination at any other university. ____________________ (Roxanne Conradie) ii ACKNOWLEDGEMENTS I would like to express my gratitude to the following persons and organisations, without whose assistance this study would not have been possible: My supervisor Prof. Louis du Preez and co-supervisor Prof. Alan Channing, for guidance, advice, support, and encouragement throughout the duration of this study. Prof Louis, your passion for the biological sciences has been an inspiration to me since undergraduate Zoology classes five years ago. Prof Alan, you were a vital pillar of support for me in the Cape and I am incredibly grateful towards you. Thank you both for all the time and effort you have put into helping me with my work, for all your honest and detailed advice, as well as practical help. It is truly a privilege to have had such outstanding biologists as my mentors. My husband Louis Conradie, for offering up so many weekends in order to help me with fieldwork.