DOCSLIB.ORG

Full Concert Program Season 53, 2021-2022

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

FULL CONCERT PROGRAM SEASON 53, 2021-2022 October Saturday, 2.10.21 – 11:00 a.m. Toscanini Quartet, Ensemble in Residence and Friends Brahms – Clarinet Quintet in B minor, Op. 115 Dvorak – Piano Quintet no. 2 in A Major, Op. 81 Yevgenia Pikovsky, Asaf Maoz, violins Dmitri Ratush, viola Felix Nemirovsky, cello Jonathan Hadas, clarinet Dror Semmel, piano ------------------------------------------------------------------ Friday, 8.10.21 – 12:00 noon ♪ Live broadcast on Kan Kol Hamusika Early Music from Ein Kerem Ensemble PHOENIX on early instruments Bach – The Goldberg Variations BWV 988 – version for strings and continuo by Bernard Labadie Noam Schuss, Tali Goldberg, baroque violins Amos Boasson, baroque viola Marina Minkin, harpsichord Myrna Herzog, viola da gamba ------------------------------------------------------------------ Saturday, 9.10.21 – 11:00 a.m. The Best of Chamber Music Tel Aviv Wind Quintet with Aviram Reichert Bach – Chorale-preludes Haydn – Divertimento in B flat Major, Hob II:46 Verdi – Allegro from String Quartet in E minor Beethoven – Quintet for piano and winds in E flat Major, Op. 16 Gershwin – Rhapsody in Blue, version for piano and winds Roy Amotz, flute, Yigal Kaminka, oboe Danny Erdman, clarinet, Itamar Leshem, horn Nadav Cohen, bassoon Aviram Reichert, piano ------------------------------------------------------------------ Saturday, 16.10.21 – 11:00 a.m. In 3&4 – the great piano trios and piano quartets The Ben-Haim Trio Beethoven – Piano Trio in B flat Major, Op. 97 "Archduke" Schubert – Piano Trio no. 1 in B flat Major, Op. 99 Guy Figer, violin Yotam Baruch, cello Ron Trachtman, piano ------------------------------------------------------------------ Friday, 22.10.21 – 12:00 noon ♪ Live broadcast on Kan Kol Hamusika "Excellence" – Young Artists in Concert Winners of the "Kan Voice of Music" Young Artists Competition Chopin – Mazurkas, Nocturne and Scherzo no. 3 Rachmaninoff – Variations on a theme by Corelli, Op. 42 Schubert – Fantasy in F minor for piano 4 hands, D. 940 Poulenc – Concerto for two pianos Alexandra Segal and Almog Segal, pianos ------------------------------------------------------------------ Saturday, 23.10.21 – 11:00 a.m. In 3&4 – the great piano trios and piano quartets Dvorak – Piano Quartet no. 2 in E flat Major, Op. 87 Brahms – Piano Quartet no. 3 in C minor, Op. 60 Hadar Cohen, violin Yoni Gertner, viola Gal Nyska, cello Shir Semmel, piano ------------------------------------------------------------------ Saturday, 30.10.21 – 11:00 a.m. The Glorious Sound of the Piano Oxana Yablonskaya, piano Program TBD ------------------------------------------------------------------ November Friday, 5.11.21 – 12:00 noon ♪ Live broadcast on Kan Kol Hamusika "Excellence" – Young Artists in Concert Program TBD ------------------------------------------------------------------ Saturday, 6.11.21 – 11:00 a.m. Toscanini Quartet, Ensemble in Residence and Friends From Russia with Love Tchaikovsky – String Quartet no. 1 in D Major, Op. 11 Shostakovich – Piano Quintet in G minor, Op. 57 Yevgenia Pikovsky, Asaf Maoz, violins Dmitri Ratush, viola Felix Nemirovsky, cello Yoni Farhi, piano ------------------------------------------------------------------ Saturday, 13.11.21 – 11:00 a.m. Flute Sounds in Ein Kerem – Noam Buchman and Friends 2 Flutes, viola and Harp Works by Bach, CPE Bach, Doppler, Ibert and Debussy Noam Buchman, Ruthy Ron, flutes Dmitri Ratush, viola Julia Rovinsky, harp ------------------------------------------------------------------ Friday, 19.11.21 – 12:00 noon ♪ Live broadcast on Kan Kol Hamusika Vocal Music in Ein Kerem Schumann – Liederkreis, Op. 39 Schumann – Frauenliebe und Leben, Op.42 Daniela Skorka, soprano Hagar Sharvit, mezzo-soprano Ido Ariel, piano ------------------------------------------------------------------ Saturday, 20.11.21 – 11:00 a.m. In 3&4 – the great piano trios and piano quartets Ensemble Modus Mozart – Piano Quartet no. 1 in G minor, K. 478 Brahms – Piano Quartet no. 1 in G minor, Op. 25 Yair Kless, violin Yoram Youngerman, viola Adiel Shmit, cello Ron Regev, piano ------------------------------------------------------------------ Saturday, 27.11.21 – 11:00 a.m. The Best of Chamber Music The Israel Haydn String Quartet Haydn – String Quartet in D Major, Op. 17/6 Mozart – String Quartet no. 19 in D Major, K. 465 Beethoven – String Quartet in C minor, Op. 18/4 Eyal Kless, Svetlana Simannovsky, violins Matan Noussimovitch, viola Michael Bialobroda, cello ------------------------------------------------------------------ December Friday, 3.12.21 – 12:00 noon ♪ Live broadcast on Kan Kol Hamusika "Excellence" – Young Artists in Concert Singers of "Meitar" Opera Studio of the Israel Opera ------------------------------------------------------------------ Saturday, 4.12.21 – 11:00 a.m. The Glorious Sound of the Piano Schubertiade in 4 Hands Schubert – Rondo in A Major for piano 4 hands, D. 951 Schubert – Allegro in A minor for piano 4 hands, D. 947 "Lebensstürme" Schubert – Fantasy in F minor for piano 4 hands, D. 940 Schubert – Sonata in C Major for piano 4 hands, D. 812 "Grand Duo" Ron Regev, Yaron Rosenthal, piano ------------------------------------------------------------------ Saturday, 11.12.21 – 11:00 a.m. The Best of Chamber Music Beethoven – Sonata no. 10 for piano and cello in G Major, Op. 96 Brahms – Sonata no. 2 for piano and cello in F Major, Op. 99 Schumann – Piano Trio no. 1 in D minor, Op. 63 Luke Hsu, violin Rainer Crosett, Cello Yehuda Inbar, piano ------------------------------------------------------------------ Friday, 17.12.21 – 12:00 noon ♪ Live broadcast on Kan Kol Hamusika "Excellence" – Young Artists in Concert Outstanding Pianists Program TBD ------------------------------------------------------------------ Saturday, 18.12.21 – 11:00 a.m. The Best of Chamber Music Trio Con Gusto Haydn – Trio in D Major, Hob. XV:16 Mozart – Sonata for flute and bassoon, K. 292, arr. by M. Rechtman Franck – Sonata for Piano and Flute in A Major Glinka - Trio pathétique in D minor Esti Rofé, flute Mauricio Paez, bassoon Anna Keiserman, piano ------------------------------------------------------------------ Saturday, 25.12.21 – 11:00 a.m. Ensemble Millennium, Ensemble in Residence and Friends Mozart Fest String Quintet no. 3 in C Major, K. 515 String Quintet no. 4 in G minor, K. 516 Yevgenia Pikovsky, Eliakum Salzman, violins Dmitri Ratush, Tali Kravitz, violas Felix Nemirovsky, cello ------------------------------------------------------------------ Friday, 31.12.21 – 12:00 noon ♪ Live broadcast on Kan Kol Hamusika "Excellence" – Young Artists in Concert Aleph Trio Schubert – Piano Trio no. 1 in B flat Major, Op. 99 Clara Schumann – Piano Trio in G minor, Op. 17 Anna Siegreich, violin Emily Siegreich, cello Alona Milner, piano ------------------------------------------------------------------ January Saturday, 1.1.22 – 11:00 a.m. Flute Sounds in Ein Kerem – Noam Buchman and Friends Flute and Harpsichord Sonatas for flute and harpsichord by Bach, Mozart, and works by Gronich and Zehavi Noam Buchman, flute Netta Ladar, harpsichord ------------------------------------------------------------------ Saturday, 8.1.22 – 11:00 a.m. The Best of Chamber Music Brahms – Piano Quartet no. 2 in A Major, Op. 26 Schubert – Symphony no. 8 in B minor, D. 759 "Unfinished", arr. by Ishay Shaer for piano quintet Nitzan Canety, violin Gilad Rivkin, violin Gili Radian Sade, viola Gal Nyska, cello Ishay Shaer, piano ------------------------------------------------------------------ Friday, 14.1.22 – 12:00 noon ♪ Live broadcast on Kan Kol Hamusika "Excellence" – Young Artists in Concert Winners of the 2021 "Kan Voice of Music" Young Artists Competition ------------------------------------------------------------------ Saturday, 15.1.22 – 11:00 a.m. Ensemble Millennium, Ensemble in Residence and Friends Schubertiade Schubert – Sonata for Arpeggione and Piano in A minor, D. 821 Schubert – String Trio in B flat Major, D. 471 Schubert – Piano Quintet in A major, D. 667 "Trout" Yevgenia Pikovsky, violin Dmitri Ratush, viola Felix Nemirovsky, cello Uri Arbel, contrabass Yoni Farhi, piano ------------------------------------------------------------------ Saturday, 22.1.22 – 11:00 a.m. In 3&4 – the great piano trios and piano quartets The Alexander Trio Haydn – Piano Trio no. 26 in C minor, Hob. XV:13 Beethoven – Piano Trio in D Major, Op. 70/1 Schumann – Piano Trio no. 2 in F Major Op. 80 Nitai Zori, violin Ella Toovy, cello Michal Tal, piano ------------------------------------------------------------------ Friday, 28.1.22 – 12:00 noon ♪ Live broadcast on Kan Kol Hamusika "Excellence" – Young Artists in Concert Winner of the 2020 "Kan Voice of Music" Young Artists Competition Chopin – the complete etudes Lior Lifshitz, piano ------------------------------------------------------------------ Saturday, 29.1.22 – 11:00 a.m. The Best of Chamber Music Oxana Yablonskaya, piano Dmitry Yablonsky, cello Program TBD ------------------------------------------------------------------ February Saturday, 5.2.22 – 11:00 a.m. The Best of Chamber Music Brahms – the Sonatas for Piano and Violin Sonata no. 1 in G Major, Op. 78 Sonata no. 2 in A Major, Op. 100 Sonata no. 3 in D minor, op. 108 Yevgenia Pikovsky, violin Julia Gurvitch, piano ------------------------------------------------------------------ Friday, 11.2.22 – 12:00 noon ♪ Live broadcast on Kan Kol Hamusika "Excellence" – Young Artists in Concert Singers of "Meitar" Opera Studio of the Israel Opera ------------------------------------------------------------------
Recommended publications
  • Wind, String, & Mixed Chamber Groups

    Wind, String, & Mixed Chamber Groups

    WIND, STRING, & MIXED CHAMBER GROUPS - SPRING 2019 (v 2.1) - including piano, harp, and percussion - PLEASE read the “Rules of the Road” for chamber music on the “performance” section of INSIDE MUSIC on the School of Music website: https://www.cmu.edu/cfa/music/current-students/ensembles/chamber-music.html Each group should select/elect/draft a “contact person” and submit that person’s name to the chamber music Graduate Assistant, Yalyen Savignon: [email protected] Please note that this is the second draft of the roster. All registered students have been placed, and all requests have been fulfilled. We hope that few if any further changes will need to be made. Remember, other students’ education depends on your being a reliable member of your group! IF YOU SPOT MISTAKES ON THIS LIST, PLEASE CONTACT PROF. WHIPPLE. RJW and CW, February 6, 2019 57-228 OR 57-928 SEXTETS sec A - WIND & PIANO SEXTET Alisa Smith, flute Elizabeth Mountz, oboe Elizabeth Carney, clarinet Ji Won Song, horn Andrew Hahn, bassoon Winfred Wang, piano coaches: R. James Whipple QUINTETS sec B - GRADUATE WIND QUINTET Theresa Abalos, flute Evan Tegley, oboe Alex Athitakas, clarinet Diana McLaughlin, horn Nicholas Evans, bassoon coach: Thomas Thompson sec C - “VENTUS FERRO” TBA, flute Alicia Smith, oboe Zack Neville, clarinet Ziming Zhu, horn Dreya Cherry, bassoon coach: James Gorton sec D - PROKOFIEV: Quintet in g minor Christian Bernard, oboe Bryce Kyle, clarinet TBA, violin Angela-Maureen Zollman, viola Mark Stroud, bass coach: James Gorton STRING QUARTETS 57-226 OR 57-926 1. Jasper Rogal, violin Noah Steinbaum, violin Angela Rubin,viola Kyle Johnson, cello coach: Cyrus Forough 2.
  • News 2009 Boosey & Hawkes · Schott Music Spring · Summer Peter-Lukas Graf Turns 80!

    News 2009 Boosey & Hawkes · Schott Music Spring · Summer Peter-Lukas Graf Turns 80!

    News 2009 Boosey & Hawkes · Schott Music Spring · Summer Peter-Lukas Graf turns 80! Born in Zurich (Switzerland) in 1929, Peter-Lukas Graf studied the flute with André Jaunet (Zurich), Marcel Moyse and Roger Cortet (Paris). He was awarded the First Prize as flautist and the conductor’s diploma (Eugène Bigot). The period as a principal flutist in Winterthur and in the Swiss Festival Orchestra Lucerne was succeded by many years of full time opera and symphonic conduct- ing. At present, Peter-Lukas Graf plays, conducts and teaches internationally. He has made numerous CD recordings, radio and television productions. He now lives in Basle (Switzerland) where he is professor at the Music Academy. Check-up 20 Basic Studies for Flautists (Eng./Ger.) ISMN 979-0-001-08152-8 ED 7864 · £ 12.50 / € 18,95 (Ital./Fr.) Da capo! Encore! ISMN 979-0-001-08256-3 ED 8010 · £ 11.99 / € 17,95 Zugabe! The Finest Encore Pieces from Bach to Joplin Interpretation for flute and guitar How to shape a melodic line ISMN 979-0-001-08184-9 (Eng.) ED 7908 · £ 12.50 / € 18,95 ISMN 979-0-001-08465-9 ED 9235 · £ 19.50 / € 29,95 for flute and piano ISMN 979-0-001-08185-6 ED 7909 · £ 12.50 / € 18,95 The Singing Flute How to develop an expres- sive tone. A melody book for flautists (Eng./Ger./Fr.) ISBN 978-3-7957-5751-9 ED 9627 · £ 9.50 / € 14,95 MA 4024-01 · 01/09 Dr. Peter Hanser-Strecker Publisher Welcome to Schott’s world of music! I am pleased to present you with just a few of the latest items from the different areas of our extensive publishing programme.
  • Harmonic Organization in Aaron Copland's Piano Quartet

    Harmonic Organization in Aaron Copland's Piano Quartet

    37 At6( /NO, 116 HARMONIC ORGANIZATION IN AARON COPLAND'S PIANO QUARTET THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By James McGowan, M.Mus, B.Mus Denton, Texas August, 1995 37 At6( /NO, 116 HARMONIC ORGANIZATION IN AARON COPLAND'S PIANO QUARTET THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By James McGowan, M.Mus, B.Mus Denton, Texas August, 1995 K McGowan, James, Harmonic Organization in Aaron Copland's Piano Quartet. Master of Music (Theory), August, 1995, 86 pp., 22 examples, 5 figures, bibliography, 122 titles. This thesis presents an analysis of Copland's first major serial work, the Quartet for Piano and Strings (1950), using pitch-class set theory and tonal analytical techniques. The first chapter introduces Copland's Piano Quartet in its historical context and considers major influences on his compositional development. The second chapter takes up a pitch-class set approach to the work, emphasizing the role played by the eleven-tone row in determining salient pc sets. Chapter Three re-examines many of these same passages from the viewpoint of tonal referentiality, considering how Copland is able to evoke tonal gestures within a structural context governed by pc-set relationships. The fourth chapter will reflect on the dialectic that is played out in this work between pc-sets and tonal elements, and considers the strengths and weaknesses of various analytical approaches to the work.
  • Susanna Hancock Music

    Susanna Hancock Music

    Susanna Hancock Curriculum Vitae 11 Maysville Ave. susannahancockmusic.com Mt. Sterling, KY 40353 [email protected] (321) 759-2594 [email protected] B I O G R A P H I C A L O V E R V I E W Susanna Hancock is an Asian-American composer whose works explore color, process, and acoustic phenomena. Her music draws from a wide array of influences including minimalism, spectralism, folk, and electronic mediums. Susanna’s music has been played by the JACK Quartet, ZAFA Collective, and Metropolis Ensemble, and members of the St. Louis Symphony. Her compositions have been featured in concerts and festivals throughout the world including the Bang on a Can Summer Music Festival and Dimitria Festival in Thessaloniki, Greece. Susanna is currently an Artist in Residence at National Sawdust with Kinds of Kings, a composer collective dedicated to making the music community a more equitable and inclusive space. She is also Co-Founder and Co-Artistic Director of Terroir New Music, a concert/event series that pairs the music of living composers with craft food and drink. E D U C A T I O N 2016 Master of Music Music Theory & Composition New York University | Steinhardt GPA: 4.0, Summa Cum Laude 2014 Bachelor of Music Acoustic/Electronic Composition, Bassoon Performance University of South Florida GPA: 3.97, Summa Cum Laude, With Honors 2010 Associate of Arts Eastern Florida State College (Formerly Brevard Community College) GPA: 4.0, Summa Cum Laude, With Honors *Conferred upon high school graduation P R I V A T E I N S T R U C T I O
  • JOHANNES BRAHMS: CLASSICAL INCLINATIONS in a ROMANTIC AGE a Series of Fourteen Recitals with Pianist Ian Hobson and Colleagues

    JOHANNES BRAHMS: CLASSICAL INCLINATIONS in a ROMANTIC AGE a Series of Fourteen Recitals with Pianist Ian Hobson and Colleagues

    JOHANNES BRAHMS: CLASSICAL INCLINATIONS IN A ROMANTIC AGE A series of fourteen recitals with pianist Ian Hobson and colleagues 1. Tuesday, September 10, 2013, 7:30 p.m., Benzaquen Hall Brahms: Scherzo in E flat minor, Op. 4 Ian Hobson, piano Variations on a Theme by Robert Schumann, Op. 23 for piano four hands Ian Hobson, piano, Claude Hobson, piano ----------- Brahms : Piano Sonata No. 1 in C major, Op. 1 Ian Hobson, piano 2. Thursday, September 12, 2013, 7:30 p.m., Benzaquen Hall Brahms: Piano Sonata No. 2 in F sharp minor, Op. 2 Ian Hobson, piano Hungarian Dances, Book 1: Nos. 1 – 5 arranged for solo piano Ian Hobson, piano ----------- Brahms: Hungarian Dances, Book 2: Nos. 6 – 10 arranged for solo piano Ian Hobson, piano Hungarian Dances, Book 3-4: Nos. 11 – 21 for piano four hands Ian Hobson, piano, Edward Rath, piano 3. Tuesday, September 24, 2013, 7:30 p.m.,Benzaquen Hall J.S.Bach/Brahms: Chaconne in D minor arranged for piano left hand Ian Hobson, piano Brahms: Zigeunerlieder, Op. 103, arranged by Theodor Kirchner for piano four hands Ian Hobson, piano, Samir Golescu, piano ---------- Brahms : Theme and Variations in D minor arranged for piano from the B flat sextet for strings, Op. 18 Ian Hobson, piano J.S.Bach/Brahms: Presto in G minor arranged for piano (two versions) Ian Hobson, piano Brahms: Six Baroque Movements Ian Hobson, piano Brahms: Three Little Pieces Ian Hobson, piano Brahms: Five Arrangements Ian Hobson, piano 4. Thursday, September 26, 2013, 7 :30 p.m., Cary Hall Brahms: Variations on a Theme by Robert Schumann, Op.
  • Ives 2017 Winter Program Book

    Ives 2017 Winter Program Book

    IVES COLLECTIVE Season 2 Spring Collective Roy Malan, violin; Roberta Freier, violin Susan Freier, viola; Stephen Harrison, cello Elizabeth Schumann, piano Susanne Mentzer, mezzo soprano Friday,Please May 5,save 2017, these7:30 PM dates! St. Mark’s Episcopal Church, Palo Alto Sunday, May 7, 2016, 4PM Old First Church, San Francisco Ottorino Respighi: Il Tramonto Johannes Brahms: Songs for Voice, Viola and Piano, Op. 91 Johannes Brahms: Piano Quartet in C minor, Op. 60 Salon Concert Our Salon series, moderated by musicologist, Dr. Derek Katz, takes place in the intimacy and comfort of a beautiful Palo Alto homes. We invite you to experience music in a setting that eliminates the boundaries between artist and listener. Together with our “house guests” we share ideas about musical interpretation and inspiration over champagne and appetizers. Spring Salon April 30, 2017, 4 PM Johannes Brahms: Piano Quartet in C Minor, Op. 60 These intimate spaces seat a maximum of 50 guests. Street parking is available. 2 Winter Collective IVES COLLECTIVE Kay Stern, violin; Susan Freier, viola Stephen Harrison, cello; Susan Vollmer, horn Julie Green Gregorian, bassoon; Carlos Ortega, clarinet Arnold Gregorian, string bass; Lori Lack, piano It’s all Beethoven! (1770-1827) Piano Quartet in E-flat Major, Op. 16 (1796) Grave – Allegro, ma non troppo Andante cantabile Rondo: Allegro, ma non troppo String Trio in C minor, Op. 9, No.3 (1798) Allegro con spirito Adagio con espressione Scherzo: Allegro molto e vivace Finale: Presto Intermission Septet in E-flat Major, Op. 20 (1799) Adagio - Allegro con brio Adagio cantabile Tempo di Menuetto Andante con Variazioni Scherzo: Allegro molto e vivace Andante con molto Marcia - Presto 3 The Young Beethoven in Vienna and Chamber Music Beethoven left his childhood home of Bonn for Vienna, where he would remain for the rest of his life, in 1792.
  • Espressivo Program Notes April 2018 the Evolution of Chamber Music For

    Espressivo Program Notes April 2018 the Evolution of Chamber Music For

    Espressivo Program Notes April 2018 The evolution of chamber music for a mixed ensemble of winds and strings coincides with the domestication of the double bass. Previously used as an orchestral instrument or in dance music, the instrument was admitted into the salon in the late eighteenth century. The granddaddy of the genre is Beethoven’s Septet of 1800, for four strings, clarinet, horn and bassoon. Beethoven seems to have discovered that the largest string instrument, essentially doubling the cello an octave lower and with the capability to play six notes below the lowest note on the bassoon, provided overtones that enhanced the vibrations of the higher instruments. In any case, the popularity of the Septet, which sustains to this day, caused the original players to have a similar work commissioned from Franz Schubert, who added a second violin for his Octet (1824). (Espressivo performed it last season.) It is possible, if not probable, that Schubert’s good friend Franz Lachner wrote his Nonet for the same group, adding a flute, but the origins, and even the date of the composition are in dispute. An indicator might be the highlighting of the virtuosic violin part, as it would have been played by Ignaz Schuppanzigh, who had premiered both the Septet and the Octet. All three works, Septet, Octet and Nonet, have slow introductions to the first and last uptempo movements, and all include a minuet. All seem intended to please rather than to challenge. Beethoven’s Septet was commissioned by a noble patron for the delectation of his guests, as was Schubert’s Octet.
  • Proton Nmr Spectroscopy

    Proton Nmr Spectroscopy

    1H NMR Spectroscopy (#1c) The technique of 1H NMR spectroscopy is central to organic chemistry and other fields involving analysis of organic chemicals, such as forensics and environmental science. It is based on the same principle as magnetic resonance imaging (MRI). This laboratory exercise reviews the principles of interpreting 1H NMR spectra that you should be learning right now in Chemistry 302. There are four questions you should ask when you are trying to interpret an NMR spectrum. Each of these will be discussed in detail. The Four Questions to Ask While Interpreting Spectra 1. How many different environments are there? The number of peaks or resonances (signals) in the spectrum indicates the number of nonequivalent protons in a molecule. Chemically equivalent protons (magnetically equivalent protons) give the same signal in the NMR whereas nonequivalent protons give different signals. 1 For example, the compounds CH3CH3 and BrCH2CH2Br all have one peak in their H NMR spectra because all of the protons in each molecule are equivalent. The compound below, 1,2- dibromo-2-methylpropane, has two peaks: one at 1.87 ppm (the equivalent CH3’s) and the other at 3.86 ppm (the CH2). 1.87 1.87 ppm CH 3 3.86 ppm Br Br CH3 1.87 ppm 3.86 10 9 8 7 6 5 4 3 2 1 0 2. How many 1H are in each environment? The relative intensities of the signals indicate the numbers of protons that are responsible for individual signals. The area under each peak is measured in the form of an integral line.
  • Carl Nielsen's Quintet for Winds, Op. 43: a Critical Edition

    Carl Nielsen's Quintet for Winds, Op. 43: a Critical Edition

    CARL NIELSEN'S QUINTET FOR WINDS, OP. 43: A CRITICAL EDITION, A LECTURE RECITAL, TOGETHER WITH THREE RECITALS OF SELECTED WORKS FOR HORN BY ATTERBERG, RIES, MOZART, ROSETTI, MUSGRAVE, LARSSON, AND OTHERS Marcia L. Spence, B.M., M.M., M.B.A. APPROVED: Major Professor Minor rofessor Committee eiber Committee Member Dean of the College of Music Dean of the Robert B. Toulouse School of Graduate Studies ONA1If CARL NIELSEN'S QUINTET FOR WINDS, OP. 43: A CRITICAL EDITION, A LECTURE RECITAL, TOGETHER WITH THREE RECITALS OF SELECTED WORKS FOR HORN BY ATTERBERG, RIES, MOZART, ROSETTI, MUSGRAVE, LARSSON, AND OTHERS DISSERTATION Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS By Marcia L. Spence, B.M., M.M., M.B.A. Denton, Texas December, 1995 Spence, Marcia Louise, Carl Nielsen's Quintet for Winds, Op. 43: A Critical Edition, A Lecture Recital, Together with Three Recitals of Selected Works for Horn by Atterberg, Ries, Mozart, Rosetti, Musgrave, Larsson, and Others. Doctor of Musical Arts (Performance), December, 1995, 143 pp., 14 examples, 3 appendices, bibliography, 29 titles. The purpose of this dissertation is to prepare and present a critical edition of Carl Nielsen's Quintet fbr Winds, Op. 43, a major work in the woodwind quintet repertoire. Written for the Copenhagen Wind Quintet in 1922, it is also considered a pivotal composition in Nielsen's artistic output. The only published edition of this piece, by Edition Wilhelm Hansen, is rife with errors, a consistent problem with many of Nielsen's compositions.
  • El Cumbanchero for Six Hands Sheet Music

    El Cumbanchero for Six Hands Sheet Music

    El Cumbanchero For Six Hands Sheet Music Download el cumbanchero for six hands sheet music pdf now available in our library. We give you 6 pages partial preview of el cumbanchero for six hands sheet music that you can try for free. This music notes has been read 10759 times and last read at 2021-09-29 20:51:34. In order to continue read the entire sheet music of el cumbanchero for six hands you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Piano, Violin Ensemble: Mixed Level: Intermediate [ READ SHEET MUSIC ] Other Sheet Music El Cumbanchero El Cumbanchero sheet music has been read 5050 times. El cumbanchero arrangement is for Early Intermediate level. The music notes has 2 preview and last read at 2021-09-29 13:08:36. [ Read More ] El Cumbanchero Samba Clarinet Quintet El Cumbanchero Samba Clarinet Quintet sheet music has been read 5116 times. El cumbanchero samba clarinet quintet arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-29 22:31:05. [ Read More ] El Cumbanchero Samba String Quartet El Cumbanchero Samba String Quartet sheet music has been read 3466 times. El cumbanchero samba string quartet arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-29 12:04:39. [ Read More ] El Cumbanchero Samba String Quintet El Cumbanchero Samba String Quintet sheet music has been read 3928 times. El cumbanchero samba string quintet arrangement is for Intermediate level. The music notes has 6 preview and last read at 2021-09-27 22:27:20.
  • Download Program Notes

    Download Program Notes

    Notes on the Program By James M. Keller, Program Annotator, The Leni and Peter May Chair Piano Quintet in F minor, Op. 34 Johannes Brahms ohannes Brahms was 29 years old in 1862, seated at the other piano. Ironically, critics Jwhen he embarked on this seminal mas- now complained that the work lacked the terpiece of the chamber-music repertoire, sort of warmth that string instruments would though the work would not reach its final have provided — the opposite of Joachim’s form as his Piano Quintet until two years objection. Unlike the original string-quintet later. He was no beginner in chamber music version, which Brahms burned, the piano when he began this project. He had already duet was published — and is still performed written dozens of ensemble works before and appreciated — as his Op. 34bis. he dared to publish one, his B-major Piano By this time, however, Brahms must have Trio (Op. 8) of 1853–54. Among those early, grown convinced of the musical merits of his unpublished chamber pieces were 20-odd material and, with some coaxing from his string quartets, all of which he consigned friend Clara Schumann, he gave the piece to destruction prior to finally publishing his one more try, incorporating the most idiom- three mature works in that classic genre in atic aspects of both versions. The resulting the 1870s. In truth, he did get some use out Piano Quintet, the composer’s only essay of those early quartets — to paper the walls in that genre (and no wonder, after all that and ceilings of his apartment.
  • Franz Schubert : the Complete Piano Duets in Seven Varied Recitals with Schumann Polonaise Encores

    Franz Schubert : the Complete Piano Duets in Seven Varied Recitals with Schumann Polonaise Encores

    FRANZ SCHUBERT : THE COMPLETE PIANO DUETS IN SEVEN VARIED RECITALS WITH SCHUMANN POLONAISE ENCORES Disc A Disc B 1 Polonaise in F major, D. 599 No. 4 4:03 1 Overturein Fminor / major, D. 675 7:05 2 Polonaise in F major, D. 824 No. 2 4:42 2 Grande Marche et Trio in E flat minor, D. 819 No. 5 17:19 3 Marche Héroique in D major, D. 602 No. 3 7:24 3 Grande Marche et Trio in E flat major, D. 819 No. 1 8:42 4 Deutscher Tanz mit Zwei Trios, from D. 618 4:02 4 Variations on an Original Theme in B flat major, D. 603 9:57 5 Rondo in D major, D. 608 8:19 5 Polonaise in B flat major, D. 599 No. 2 3:26 6 Zwei Ländler in E major, from D. 618 1:52 6 Polonaise in B flat major, D. 824 No. 3 6:03 7 Grande Marche et Trio in E major, D. 819 No. 6 6:35 Fantasie in F minor, D. 940 18:39 7 I. Allegro molto moderato 4:43 Grand Duo (Sonate) in C major, D. 812 36:18 8 II. Largo – 3:02 8 I. Allegro moderato 11:27 9 III. Scherzo and Trio: Allegro vivace – 5:31 9 II. Andante 9:32 10 IV. Tempo primo 5:23 10 III. Scherzo and Trio: Allegro vivace 5:59 11 IV. Allegro vivace 9:11 "Encore" track: "Encore" track: Robert Schumann (1810-1856) Robert Schumann (1810-1856) 12 Polonaise No. 1 in E flat major 3:47 11 Polonaise No.