DOCSLIB.ORG

Nl9.2 10-09 Final

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nl9.2 10-09 Final NUEVA LUZ photographic journal M En Foco Celebrates 30 Years! TAHIR HEMPHILL Volume 10 No. 2 – U.S. $7.00 M 02> BONNIE PORTELANCE M M JUAN MIGUEL RAMOS Commentary by MARK SEALY M 0574470 92723 7INNEROFTHE.ATIONAL-AGAZINE!WARDFOR'ENERAL%XCELLENCE h !PERTURE 6ISITAPERTUREORGTO 35"3#2)"%NOWANDSAVE EXEMPLIlESMAGAZINE MAKINGATTHEHIGHESTLEVELv*UDGES#ITATION #OPYRIGHT©,ORETTA,UX #OURTESY9OSSI-ILO'ALLERY NUEVA LUZ Editorial photographic journal volume 10:2 I 've been giving some thought to time: time that sits on your wrist, time that arranges your waking hours, time that passes, evolving your mind and body. There was a time when civilizations depended upon the natural forces to measure time, the sun and the T a b lll e o f C o n t e n t s stars offered guidance and the earth itself would respond with cyclical changes. Time takes on different shapes depending on what we want to do with it and by the time you begin to see it for what it is, you’re out of it because you’re no longer of that time. Editorial page 1 Phil Dante's time ran out on December 11, 2004. He was one of the founders of En Foco and Tahir Hemphill page 2–9 a fine photographer. He apprenticed with W. Eugene Smith, one of the great photojournal- Bonnie Portelance page 10–17 ists who once stated that "intent is more important than content." In a New York Times article, Juan Miguel Ramos page 18–26 Dante criticized the Bruce Davidson exhibition and book, East 100th Street. He wrote "Integrity, in any respect, is a rare flower and, in a world growing more dependent upon the Contributors page 27 visual as a means of communicating, too many photographers find it expedient to ignore it Commentary by Mark Sealy page 28–29 for the sake of a strong image – for the sake of art. Are we then to allow art to have pre-emi- Intercambio: En Foco’s 30 Years page 30–35 nence over conscience? I believe we do so at great peril, for what does it profit art if even Critical Mass page 36–39 one child is hurt by a misrepresentation?"* Advertising page 40–46 In the last year of his life, Dante returned to El Barrio in New York City to form a photogra- phers’ forum, much as we had when we founded En Foco thirty-one years ago. Just as Ché continued the fight in Bolivia after the revolution triumphed, Dante brought the question of ethics and equity back to the new generation of image-makers searching for their center. NUEV A LUZ STAFF BOARD OF DIRECTORS Charles Biasiny-Rivera Then there's the regeneration of time: I recently became a first-time grandfather. His name is Publisher & Editor Angela Cabrera Charles Biasiny-Rivera Atutahi Maitreya John Charles Waiora Avishai Isaiah Te-Pua-Wananga-Ki-Te-Ao Rakuraku Frank Gimpaya Biasiny-Tule. His place in the universe is announced with the most sacred of Maori names Associate Editor Pedro Morales Betty Wilde-Biasiny and his home is in New Zealand. His Maori, Puerto Rican and Dutch heredity will serve him well. Managing Editor BOARD OF ADVISORS Miriam Romais Nadema Agard There’s comfort in the acceptance of a perpetual consciousness that offers the possibility that Millie Burns Advertising someday we just might get it right. Meanwhile, with the time remaining, we simply have to Marisol Díaz Ricky Flores Jeff Hoone put one foot in front of the other without destroying someone else's sandcastle, and if you Copy Editor Nitza Luna are messing with photography, it’s time to start thinking about who or what you’re pointing Heidi Leigh Johansen Sandra Pérez your camera at, and why. Translator Sophie Rivera Patricia Fernández Mel Rosenthal Cheryl Younger U ltimamente he estado pensando en el tiempo: el tiempo que llevamos en la EN FOCO STAFF DISTRIBUTORS muñeca, el tiempo que organiza las horas que pasamos despiertos, el tiempo que pasa Executive Director Ubiquity Distributors, Inc. mientras nuestras mentes y cuerpos van evolucionando. Hubo un tiempo en que las civi- Charles Biasiny-Rivera 718/789-3137 lizaciones dependían de las fuerzas naturales para poder medirlo, un tiempo en que el sol y Managing Director Bernhard DeBoer, Inc. las estrellas proporcionaban una guía y la Tierra respondía con cambios cíclicos. El tiempo Miriam Romais 973/667-9300 va adoptando diferentes formas según lo que queramos hacer con él y, cuando llega la hora Armadillo & Co. Program Director 800/499-7674 de verlo por lo que realmente es, ya es tarde porque hemos dejado de pertenecer a ese tiem- Marisol Díaz po. Webmaster PRINTING Daniel Schmeichler Eastwood Litho, Inc. El tiempo de Phil Dante se acabó el 11 de diciembre de 2004. Uno de los fundadores de En 315/437-2626 Foco y un magnífico fotógrafo, Dante comenzó su carrera como aprendiz de W. Eugene Design, Frank Gimpaya Smith, uno de los grandes periodistas gráficos, que en una ocasión declaró que “la intención es más importante que el contenido.” En un artículo del New York Times, Dante ofreció esta crítica de East 100th Street, el libro y la muestra de Bruce Davidson: "La integridad, en cualquier aspecto, es una flor muy poco común y, en un mundo cada vez más dependiente Copy r i g h t © 2005 by En Foco, Inc. (ISSN 0887-5855) de lo visual como modo de comunicación, a demasiados fotógrafos les parece oportuno All Rights Reserved • 718/584-7718 ignorarla a favor de una imagen impactante, a favor del arte. ¿Permitiremos, entonces, que 32 East Kingsbridge Road, Bronx, NY 10468 el arte tenga precedencia sobre la conciencia? En mi opinión, esa actitud acarrea un gran www.enfoco.org www.. enfoco.. org peligro, ya que ¿en qué se beneficia el arte si un solo niño se ve perjudicado por una repre- sentación tendenciosa?"* NATIONAL En el último año de su vida, Dante volvió a El Barrio en Nueva York para formar un forum ENDOWMENT FOR THE ARTS de fotógrafos, tal y como hicimos hace más de treinta años cuando fundamos En Foco. Al igual que el Ché continuó su lucha en Bolivia después de que triunfara la revolución, Dante Nueva Luz is the country’s premier photography magazine to pub- volvió a proponer la cuestión de la ética y la igualdad, esta vez a una nueva generación de lish works by American photographers of African, Asian, Latino, fotógrafos en busca de su foco. Native American and Pacific Islander heritage. Nueva Luz is made possible through the National Endowment for Luego también tenemos la regeneración del tiempo: recién me convertí en abuelo por the Arts, the Bronx Council on the Arts, the New York State primera vez. Mi nieto se llama Atutahi Maitreya John Charles Waiora Avishai Isaiah Te-Pua- Council on the Arts, and the New York City Department of Cultural Affairs. En Foco is also supported in part by the New Wananga-Ki-Te-Ao Rakuraku Biasiny-Tule. Su lugar en el universo se anuncia con el nom- York Foundation for the Arts, the Association of Hispanic Arts bre maori más sagrado y su hogar está en Nueva Zelanda. Su herencia holandesa, puertor- through the JPMorgan Chase Regrant Program, Coca-Cola riqueña y maori le servirán bien. Bottling Company of New York, Lowepro, Bogen, and the many En Foco members and friends. Es reconfortante aceptar que hay una conciencia perpetua que nos ofrece la posibilidad de, Nueva Luz will make accommodations under algún día, comprender y hacer las cosas bien. Mientras tanto, en el tiempo que nos queda, ADA guidelines for those needing large print. simplemente tenemos que poner un pie enfrente del otro sin destrozar el castillo de arena que hizo otro. Y para los que nos dedicamos a la fotografía, es hora de cuestionar a quién o qué se apunta la cámara y por qué. Cover: Juan Miguel Ramos, El Catrin (The Dandy), 2004. Charles Biasiny-Rivera, Publisher & Editor Giclée print, 20x16.5” * New York Times, Sunday, October 11, 1970 Nueva Luz 1 Tahir Hemphill, Footprints, 1995. Gelatin silver print, 16x20” Editor’s Note These are images of inquiry; they have been made by an explorer of vision. As Tahir Hemphill searches along certain paths, he is sensitive to a variety of symbols. Some are more obvious than others, but all are encoded with the same indescribable content to which he is intuitively is drawn to. When we see the images together, we witness an artist’s trail of discovery. Charles Biasiny-Rivera Artist Statement The photographs in this series, Disposable Rituals, comprise a col- lection of life’s rituals. Some are revered and longstanding, while others are profane and temporal. Often they are both disposed of after their usefulness is exhausted. As an imagemaker, I feel it is my duty to communicate a message that grabs the public’s consciousness and fosters a critical self- reflection. I am interested in how the information in each photo will be consumed, embraced and transmitted. Some will bring our own meaning and value to each idea, creating a unique expe- rience. We, in turn, spread each packet of experience to someone else. Tahir Hemphill 2 Nueva Luz Tahir Hemphill Wedding Party, 1998. Gelatin silver print, 16x20” Nueva Luz 3 Tahir Hemphill Claver Place, 1999. Gelatin silver print, 16x20” 4 Nueva Luz Tahir Hemphill Inez, 1996. Gelatin silver print, 16x20” Nueva Luz 5 Tahir Hemphill Botanica, 2001. Gelatin silver print, 16x20” 6 Nueva Luz Tahir Hemphill Bandera, 2003. Gelatin silver print, 16x20” Nueva Luz 7 Tahir Hemphill Seven Train, 2003. Gelatin silver print, 16x20” 8 Nueva Luz Tahir Hemphill Fashionista, 2003.
Load more

Recommended publications
  • RAQUEL RABINOVICH 141 Lamoree Rd
    RAQUEL RABINOVICH 141 Lamoree Rd. Born in 1929, Buenos Aires, Argentina Rhinebeck, NY 12572-3013 Lives and works in New York since 1967 T. 845-876-7963 [email protected] www.raquelrabinovich.com EDUCATION The University, Edinburgh, Scotland, 1959 Atelier André Lhote/La Sorbonne, Paris, France, 1957 Universidad de Córdoba, Córdoba, Argentina, 1953 SELECTED SOLO EXHIBITIONS 2021 Raquel Rabinovich: Portals, Hutchinson Modern & Contemporary, New York, NY 2018 Raquel Rabinovich:The Reading Room, Thompson Memorial Library, Vassar College, Poughkeepsie, NY. Curated by Mary-Kay Lombino. 2017 Thresholds, Y Gallery, New York, NY Raquel Rabinovich: Excerpts, The Pratt Institute Libraries, Co-sponsored by the Pratt Institute Libraries and Franklin Furnace Archive, Brooklyn, NY. Curated by Alex Bacon 2014 Gateless Gates, Y Gallery, New York, NY.http://www.ygallerynewyork.com/ravinobich2014.html 2009 River Library – site-specific sculpture and drawing installation, in conjunction with The Poetics of Water - Intersections: Memory, Reality and New Eras, 10th International Cuenca Biennial, Cuenca, Ecuador (United States representative). Curated by Jose Manuel Noceda. Cuenca Biennial Video, 2009 2008 Raquel Rabinovich: River Library, Fundación Alon, Buenos Aires, Argentina. Curated by Julia P. Herzberg. 2000 Light Unworn: New Paintings by Raquel Rabinovich, Trans Hudson Gallery, New York, NY. 1998 Enfolded Darkness: Recent Drawings by Raquel Rabinovich, Trans Hudson Gallery, New York, NY. 1996 Raquel Rabinovich, Drawings: 1978-1995, INTAR Gallery, New York, NY. Curated by Julia P. Herzberg. Raquel Rabinovich: Recent Drawings, Trans Hudson Gallery, Jersey City, NJ. Raquel Rabinovich: Drawings, Lehigh University Art Galleries, Bethlehem, PA. Curated by Ricardo Viera. 1990 Chhodrtens – Recent Work by Raquel Rabinovich, in conjunction with Beyond the Surface, Americas Society, New York, NY.
    [Show full text]
  • The Press Kit)
    In the Beginning … the Word became flesh Pavilion of the Holy See – Biennale Arte 2015 Press Kit p.2 Press Release p.3 Text of Card. Gianfranco Ravasi, Commissioner of the Pavilion p.4 Text of Micol Forti, Curator of the Pavilion p.5 Biblical Texts p.6 Artists and exhibited works p.7 Biography and work of Monika Bravo p.9 Biography of Elpida Hadzi-Vasileva p.11 Biography of Mário Macilau p.13 Credit list p.14 Sponsors p.17 Informative notice on the Catalogue of the Pavilion p.18 Materials on 56th Biennale d’Arte di Venezia In the Beginning … the Word became flesh Pavilion of the Holy See Biennale Arte 2015 Arsenale di Venezia – Sale d’Armi nord 5-8 May 2015 Vernice 9 May – 22 November 2015 Press Conference April 9th 2015, 11.30am Sala Stampa Vaticana – via della Conciliazione, 54, Roma The Holy See participates this year for the second time at the Biennale d’Arte di Venezia, with a Pavilion inspired by the New Testament. In the Beginning … the Word became flesh is the theme chosen by the Commissioner Card. Gianfranco Ravasi, President of the Pontifical Council for Culture, at whose request the theme of the “Beginning” has been developed, passing from the 2013 edition’s reference to Genesis to that of the Prologue of the Gospel of John. Curated by Micol Forti, the structure of the Pavilion is articulated around two essential poles: firstly, the transcendent Word, which is “in the beginning” and which reveals the dialogical and communicative nature of the God of Jesus Christ (v.
    [Show full text]
  • The Princeton University Art Museum
    PrincetonUniversity DEPARTMENT OF Art Archaeology & Newsletter Dear Friends and Colleagues: SPRING We have had a busy year! On great figure of the department, Wen Fong, was Inside honored with a two-day symposium arranged by the faculty front we welcomed our the very active Tang Center. new Americanist, Rachael DeLue, There is news on other fronts, too. This is a FACULTY NEWS who came to us from the University self-study year—our first in over a decade—which has already prompted several adjustments to the of Illinois. Her task is a formidable undergraduate curriculum. Our introductory VISUAL ARTS FACULTY one—to replace the irreplaceable course will now be two—Art 100, from antiquity through the medieval period, and Art 101, from John Wilmerding, who retires in the Renaissance to contemporary art—but it will GRADUATE STUDENT NEWS spring 2007—but she has already remain team-taught. We will present a wide array displayed her great capabilities. of freshman and sophomore seminars to attract even more majors, and these new concentrators will UNDERGRADUATE NEWS This fall we will welcome our new medievalist, encounter a refashioned junior seminar on art-his- Nino Zchomelidse, who arrives from the Univer- torical methodology, with the option of a seminar sity of Tübingen, and we will also conduct a search focused on archaeological interpretation. The PUBLICATIONS in Japanese art, as Yoshiaki Shimizu has announced Senior Comprehensive exams will now be tailored his retirement as of spring 2009. This search will to the specific curricu- be followed by one in lum of each major. Northern Renaissance CONFERENCES Other proposals, art, so our lively pace too numerous to note will continue.
    [Show full text]
  • FOR IMMEDIATE RELEASE October 27, 2010 No
    THE CITY OF NEW YORK OFFICE OF THE MAYOR N EW Y ORK, NY 10007 FOR IMMEDIATE RELEASE October 27, 2010 No. 446 www.nyc.gov MAYOR BLOOMBERG ANNOUNCES WINNING “URBANCANVAS” DESIGNS THAT WILL REVITALIZE CITY’S CONSTRUCTION SITES Artistic Screens Will Replace Blank Screens That Drape Buildings under Construction and Other Fences and Sheds That Protect the Public during Construction at Sites throughout the City Construction Sites Will Feature New Information Panels with Architectural Renderings and Details about the Project High-Resolution Images of the Winning Designs Can be Downloaded from the Mayor’s Office Flickr Page at http://www.flickr.com/photos/nycmayorsoffice/ Mayor Michael R. Bloomberg, First Deputy Mayor Patricia E. Harris, Buildings Commissioner Robert D. LiMandri, Department of Cultural Affairs Commissioner Kate D. Levin and Public Design Commission Executive Director Jackie Snyder today announced the four winning designs of the urbancanvas Design Competition, a contest to help beautify New York City’s urban landscape with art at construction sites. Supported by the Rockefeller Foundation’s grant to the Mayor’s Fund to Advance New York City, the competition challenged professional artists and designers to create artwork to be placed on temporary protective structures at construction sites – like mesh screens and fencing – that can be eyesores for New Yorkers. In addition, the Department of Buildings is incorporating its new standard construction information panel as part of this initiative, which provides an architectural rendering of the new building as well as information about the project. The winning designs of the competition, evaluated by a jury and voted on by the public which cast nearly 4,000 votes online, are: “BREATHING_WALL_UC,” by Monika Bravo; “Color Mesh,” by Mauricio Lopez; “My Urban Sky,” by Jen Magathan; and “Green Screen,” by Corinne Ulmann.
    [Show full text]
  • Microsoft Outlook
    City Council Meeting, August 18, 2020 Public Comments Martha Alvarez From: Kelsey Maloney <[email protected]> Sent: Tuesday, August 18, 2020 11:58 AM To: City Clerk Subject: [EXTERNAL] public comment on Bruce's Beach CAUTION: This Email is from an EXTERNAL source. Ensure you trust this sender before clicking on any links or attachments. Good afternoon, I am writing to include the following comment in tomorrow’s City Council meeting: My name is Kelsey and I grew up in Manhattan Beach. I speak on behalf of my family and friends when I urge you to be thoughtful about the injustice that took place in Manhattan Beach in the 1920’s and be a leader today to take steps to right the wrongs of the past. The beachfront property on 26th street was unlawfully taken from the Bruce family, simply because they were African American. The city has not been accountable to the Bruce family. This story is not unique to Manhattan Beach, but we can be unique in our response today. We support the three demands of the petition “Bruce’s Beach: Justice for the Bruce family”, which has been signed by more than 12,500 people (or one third of the population of Manhattan Beach). 1. The present plaque needs to be replaced to depict a more accurate history. The plaque should be larger and more visible, preferably on the strand. 2. We demand the city return the land to the Bruce family, and provide restitution for loss of revenue for 95 years and monetary damages for the violation of their civil rights.
    [Show full text]
  • Carla Stellweg Papers M1752
    http://oac.cdlib.org/findaid/ark:/13030/kt658039m0 No online items Guide to the Carla Stellweg Papers M1752 Department of Special Collections and University Archives 2016 Green Library 557 Escondido Mall Stanford 94305-6064 [email protected] URL: http://library.stanford.edu/spc Guide to the Carla Stellweg M1752 1 Papers M1752 Language of Material: English Contributing Institution: Department of Special Collections and University Archives Title: Carla Stellweg papers source: Stellweg, Carla Identifier/Call Number: M1752 Physical Description: 60 Linear Feet(122 boxes) Date (inclusive): 1935-2015 Date (bulk): 1965-2015 Abstract: The Carla Stellweg papers document Stellweg's curatorial work, writing, and other professional activities. Materials include exhibition catalogs, correspondence, publications, photographic materials, and administrative records. Special Collections materials are stored offsite and must be paged 36 hours in advance. For more information on paging collections, see the department's website: http://library.stanford.edu/depts/spc/spc.html. Language of Material: The material is primarily in English and Spanish. Other languages include French, Finnish, Portuguese, Norwegian, Italian, German, Japanese, Swedish, Dutch and Arabic. Arrangement The collection is arranged in ten series: Series 1. Artists Series 2. Gallery Shows, Curatorial Work and Other Professional Activities Series 3. Frida Kahlo Exhibits Series 4. Articles, Reviews, and Other Writing Series 5. Publications Series 6. Personal and Biographical Information Series 7. Photographic Materials Series 8. Audiovisual Materials Series 9. Financial Records (Restricted) Series 10. Accession 2015-145. Additional Materials Preferred Citation Carla Stellweg papers, M1752. Dept. of Special Collections, Stanford University Libraries, Stanford, Calif. Publication Rights While Special Collections is the owner of the physical and digital items, permission to examine collection materials is not an authorization to publish.
    [Show full text]
  • Year in Review 2013–2014 About the BGC
    Year In Review 2013–2014 About the BGC Founded in 1993 by Dr. Susan Weber, the Bard Graduate Center is a graduate research institute in New York City. Our MA and PhD programs, research initiatives, and Gallery exhibitions explore new ways of thinking about decorative arts, design history, and material culture. A member of the Association of Research Institutes in Art History (ARIAH), the BGC is an academic unit of Bard College. Executive Planning Committee Dr. Barry Bergdoll Robert S Pirie Edward Lee Cave Ann Pyne Verónica Hernández de Chico Irene Schwartz Hélène David-Weill Jeanne Sloane Dr. Barbara Knowles Debs Luke Syson Philip D. English Seran Trehan Giuseppe Eskenazi Dr. Ian Wardropper Emel Glicksman Shelby White Dr. Alain Gruber Mitchell Wolfson, Jr. Fernanda Kellogg Philip L. Yang, Jr. Trudy C. Kramer Dr. Arnold L. Lehman Dr. Leon Botstein, ex-officio Judith S. Novak Dr. Susan Weber, ex-officio Jennifer Olshin Published by the Bard Graduate Center: Decorative Arts, Design History, Material Culture Printed by GHP in Connecticut Issued August 2014 Faculty Essays Table of Contents 2 Director’s Welcome 5 Teaching 24 Research 45 Exhibitions 58 Donors and Special Events Alvaro Catalán de Ocón. PET Lamp project, 2013. Recycled plastic, metal, paja de tetera fiber, wool. Courtesy of the artist / PET Lamp. Director’s Welcome As this edition of Bard Graduate Center’s Year In Review goes to press, our twentieth anniversary draws to a close. While this has been an especially momentous time that you will find described in detail in the pages that follow, I am particularly proud that two of my earliest ambi- tions for the Center were realized this year.
    [Show full text]
  • MONIKA BRAVO MONIKA BRAVO Is a Multi-Disciplinary Art- Ist Born in Bogotá, Colombia
    MONIKA BRAVO MONIKA BRAVO is a multi-disciplinary art- ist born in Bogotá, Colombia. She studied fashion design in Rome & Paris and Photog- raphy in London and NYC, In 1994, she relo- cated to NYC to pursue a career in the Arts. ate a series of 13 large glass panels for URUMU, a solo show curated by Beatriz PS-IS 314. Recent commissions BREATH- Lopez will open Feb 1st 2014 at NC-arte, ING_WALL a 58 monitor video strip com- in Bogota, Colombia, and this work will be missioned by Los Angeles World Airports part of “Waterweavers: The River in Con- for the Tom Bradley International Terminal temporary Visual and Material Culture at LAX. Corporate commissions include from Colombia”, at Bard Graduate Cen- IN-SITU a large photographic commis- ter, curated by Jose Roca in April 2014, sion for Talisman Energy Inc’s main office Monika Bravo nace en Bogotá, Colombia “So far away yet so close will be part “of in Bogota, Colombia, H20_ AKA, Boutique y estudia diseño de moda en Roma y en “Migrations” at Pelham Art Center, cu- Hotels, Central Park NYC, 6 Projections Paris, Fotografía en Londres y Nueva York rated by Lisa Banner. Recent solo shows cover a 44 feet of wall at the health club of donde vive y trabaja desde 1994. include LABORATORIUM Solo projects moving images depicting aquatic sequenc- at ArtBO curated by Jose Roca, “Recent es in a circular motion. Commissioned by Bravo usa la idea de la percepción para works” at MAM, Museum of Art, Montclair. Korman Communities, also commissioned preguntarse si el mundo en el cual vivi- NJ, “El objeto de la Percepción” at Centro by them, RHAPSODY_AKA Boutique Ho- mos es una construcción mental, utiliza Colombo Americano, Bogota and “Land- tels, Times Square NYC, 3 LCD monitors su práctica artistica como herramienta scapes of Belief” at BYU Museum of Art at the lobby create a panoramic canvas para decifrar su relación con el espacio (MOA) in Provo, UTAH all took part in 2013.
    [Show full text]
  • Karina Skvirsky
    KARINA SKVIRSKY GEOMETRÍA SAGRADA KARINA SKVIRSKY (1969, Providence RI. EEUU) Karina Aguilera Skvirsky es una artista multidisciplinaria que trabaja Manhattan, NY, NY (2005), Institute of Electronic Arts Residency, Alfred en fotografía, video y performance. En 2015 recibió una beca Fulbright University, Alfred, NY (2005), Center for Book Arts, Artist in Residence, paralelismosy una beca de entre la Fundación el viaje de Jerome una adolescentepara producir por “El las viaje montañas peligroso de NY, NY (2005), Smack Mellon Artist in Residence, Brooklyn, NY (2004), de María Palacios”, una película basada en el rendimiento que traza Consejo Cultural del Bajo Manhattan, Workspace, Woolworth Building, NY, NY (2003), Residencia Cyberart, Longwood Arts Project, Bronx, Ecuador y los trabajadores indígenas y jamaicanos que construyeron NY (2003) y otros.Skvirsky es Profesor Asociado de Arte en Lafayette el tramo de ferrocarril más peligroso del mundo. El video se estrenó College, Easton, PA y miembro de la facultad de MFA en The New School, en la Bienal de Cuenca 2016 (Ecuador) comisariada por Dan Cameron. Parsons School of Design, NY, NY En 2010 participó en Siempre hay una copa de mar para que el hombre navegue, la 29a Bienal de São Paulo (2010), donde expuso el trabajo de su proyecto, Memorias del desarrollo. El trabajo de Skvirsky ha sido exhibido internacionalmente en exposiciones grupales e individuales, entre ellas: El Instituto de Arte Contemporáneo (ICA), Filadelfia, Pensilvania (2016), Hansel & Gretel Picture Garden Pocket Utopia, NY,
    [Show full text]
  • Scope-Art.Com [email protected]
    February 22-26, 2007 Lincoln Center Damrosch Park New York, New York Table of Contents Press Release —3 Shuttle —4 Exhibitors —5 Featured Artists –7 Floor Plan—9 Special Events —10 Special Projects —13 Grants and Awards—24 Sponsors — 27 STAFF President and Global Director-- Alexis Hubshman Director of Development & VIP Relations--Adriana Farietta Exhibitor Relations & Special Projects--Helen Brown Sponsor Relations & Special Projects--Sadie Weis Production / Solutions--Jordan T. Adams Assistant Sponsor Relations Manager—Melissa Kim Assistant Production Manager-- Caitrin Millar Art Director-- Liad Baniel T: 212 268 1522 F: 212 268 0123 www.scope-art.com [email protected] For Press Inquiries, please contact Dan Schwartz, Susan Grant Lewin & Associates 2 Press Release SCOPE NEW YORK TO SHOW THE BEST OF CONTEMPORARY ART IN 25,000 SQ FT PAVILION AT LINCOLN CENTER February 22-26, 2007 Lincoln Center Damrosch Park, Corner of 62 Street and 10th Avenue Scope hunts down that most endangered of species: the emerging artist. Both moving target and elusive chameleon, Scope’s 65 participants capture this exotic breed in their roving crosshairs. Challenging passive viewing with 25,000 square feet of open-range, Scope New York exposes visitors to a real-time survey of the contemporary art world available nowhere else. Building on last year's success, which broke all sales and attendance figures for an alternative art fair, Scope New York 2007 is proud to announce its new location: a 25,000 square-foot pavilion at New York's most famous cultural icon, Lincoln Center. Situated in Lincoln Center's Damrosch Park, at the corner of 62nd Street and 10th Avenue, Scope New York is just blocks from the Armory Show.
    [Show full text]
  • Massachusetts School Choice Week
    932 BROADWAY, CHELSEA MA 1 & 2 BEDROOM CONDOS OCCUPANCY WINTER 2021 JEFFREY BOWEN, LISTING AGENT [email protected] 781-201-9488 CHELSEAREALESTATE.COM BOOK YOUR POST IT Call Your Advertising Rep (781)485-0588 Wednesday, January 20, 2021 Walsh delivers final New clothing and State of the City textile recycling By John Lynds released a set of artist ren- derings for the first time drop box in Eastie Four days after be- that depicts what Eastie’s ing nominated by Presi- first ever Senior Center By John Lynds The location in Eastie dent-Elect Joe Biden to will look like once con- at the city’s municipal lot serve as United States struction is completed. It’s hard to believe that located at 166 London St. Secretary of Labor in the Construction on the more than 85 percent of accepts everything from new administration’s cab- future senior center be- clothes wind up in the pants, shorts, curtains, inet, Mayor Martin Walsh gan over the summer at trash. While it’s the norm pajamas, t-shirts, jerseys, delivered his final State of the former Bremen Street to recycle plastics, glass, sweatshirts, sweaters, the City address as Mayor branch of the Boston Pub- metal and paper--clothes, jeans, dresses, coats, suits, of Boston. lic Library across from shoes, and accessories shoes, blankets, and back- Walsh delivered his Orient Heights MBTA have long been ignored. packs. address virtually from station. Studies show that about “Locations were start- the new Nubian Square Throughout August and 10 percent of the nation’s ed in municipal lots since Library in Roxbury and September, interior dem- landfills are full of discard- they are managed by the reflected on the work of olition took place, and ed clothes and textiles.
    [Show full text]
  • PARKING GARAGE 7 Proposal Artists City of Coral Gables Powered by Submittable
    PARKING GARAGE 7 Proposal Artists City of Coral Gables Powered by Submittable Name Grimanesa Amoros 08/20/2020 by Grimanesa Amoros in Coral Gables Parking Garage 7 RFQ id. 17273216 117 Hudson St. 6th Floor New York, New York 10013 United States 212-941-9787 [email protected] Request for Proposal - Agreement CG AiPP Garage 7 04/29/2021 Name Grimanesa Amoros Overview Please read and complete the applicable fields to enter into an Agreement with you (the Applicant) as "Artist" and the City of Coral Gables for submission of a Project Proposal as noted herein. The City will award a fixed fee of $2,500 for the preparation of an Artist Proposal. This fee shall constitute full compensation for all services and materials to be performed and furnished by Artist as part of this Agreement. Artist will bear all costs related to the proposal, including any transportation to Coral Gables for purposes of research, completing and presenting the Proposal. At the request of City staff, Artist will make available to the City preliminary drafts of the Proposal at no additional cost. Payment shall be made upon acceptance of Artist Proposal by the City in consideration of the Applicant's Agreement to abide by the terms and conditions contained herein and upon receipt of an invoice from the Artist. In the event of approval of the Project Proposal by the City Commission, the City will enter into a separate agreement with the Artist confirming details of the project itself. W-9 Form W-9_Grimanesa_Amoros.pdf Registration Form Supplier_Registration_Amoros_Studio_LLC.pdf Research & Concept After execution of this Agreement, the Artist shall visit the City of Coral Gables if possible and conduct Proposal additional research of the project site, building occupants, and the community in general.
    [Show full text]