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Cerrillo CLSR How Do Provide.Pdf
Citation for published version Cerrillo-i-Martínez, A. (2018). How do we provide the digital footprint with eternal rest? Some criteria for legislation regulating digital wills. Computer Law and Security Review, 34(5), 1119-1130. doi: 10.1016/j.clsr.2018.04.008 DOI https://doi.org/10.1016/j.clsr.2018.04.008 Document Version This is the Accepted Manuscript version. The version in the Universitat Oberta de Catalunya institutional repository, O2 may differ from the final published version. Copyright and Reuse This manuscript version is made available under the terms of the Creative Commons Attribution Non Commercial No Derivatives licence (CC-BY-NC-ND) http://creativecommons.org/licenses/by-nc-nd/3.0/, which permits others to download it and share it with others as long as they credit you, but they can’t change it in any way or use them commercially. Enquiries If you believe this document infringes copyright, please contact the Research Team at: [email protected] Universitat Oberta de Catalunya Research archive ARTICLE IN PRESS JID: CLSR [m7; May 9, 2018;21:12 ] computer law & security review xxx (2018) xxx–xxx Available online at www.sciencedirect.com journal homepage: www.elsevier.com/locate/CLSR How do we provide the digital footprint with eternal rest? Some cr iter ia for legislation regulating digital wills ∗ Agustí Cerrillo-i-Martínez Law and Political Science Department, Universitat Oberta de Catalunya, Barcelona 08860, Castelldefels, Spain a r t i c l e i n f o a b s t r a c t Article history: This article analyses the implications of the death of digital service users on their digital Available online xxx footprint and assesses some of the solutions—contractual and legislative—that have been posited to date by digital service providers and by Parliaments of a few countries. -
Twilight 2000
TWILIGHT 2000 Twilight 2000 is a Role playing game set in a fictional future, one where World war 3 began in the late 1990's and eventually slipped into a nuclear exchange changing society as we know it. The players assume the roles of survivors trying to live through the aftermath of the war. Twilight 2000 was published in the mid 1980's by Game Designers Workshop who unfortunately closed their doors in the early 1990's. The copyright was purchased by Tantalus, Inc but there are no stated plans to revive the game. Despite the lack of any new material from a publisher the game continues to expand through the players on websites such as this. This is my contribution to the game, this site will be in a constant state of change, I plan to add material as I get it finished. This will include new equipment, optional rules, alternate game backgrounds and other material as it accumulates, currently I am working on source material for a World war 2 background, but I also have been completing some optional rules of my own as well as modern equipment. For other perspectives on Twilight 2000 visit the links listed at the bottom of this page. Twilight 2000 World war 2 material World war 2 source book Twilight 2000 Modern equipment Modern equipment Optional rules for Twilight 2000 Fire Links to other Twilight 2000 pages Antennas T2K Page: Focusing on Sweden's forces, equipment and background, also includes archives of discontinued sites and web discussions. The Dark place: Includes material for several RPG's including Twilight 2000 and Behind Enemy Lines. -
Contemporary Mourning and Digital Estates Angela Galvan
Contemporary Mourning and Digital Estates Angela Galvan User experience and design, law, and philosophy have discussed the fate of individuals’ web and social medial presence after death for some time.1 This residual, postmortem presence is our digital estate. As the theoretical implications of digital estates continue to gain attention, librarians and information professionals of all kinds will engage practical questions about this topic from survivors. This chapter has three functional purposes. First, to situate the digital estate within the current cultural experience of death and mourning in the United States; second, to offer introductory guidance for information professionals to proactively engage community members on this topic before one’s own death; and third, to assist information professionals as bereaved patrons try to make meaning from the digital estate of the deceased. Contemporary Mourning Physical death is for the most part sequestered or separated from our everyday experience in the United States. Our “engagement with death is increasingly mediated by a series of institutional and professional practices.”2 We encounter physical death in predictable ways: through end-of- life care, memorials, and cemeteries. While physical death remains sequestered, our engagement 1 See for example: Odom et al. "Technology heirlooms?: considerations for passing down and inheriting digital materials." In Proceedings of the SIGCHI Conference on Human Factors in computing systems, pp. 337-346. ACM, 2012; Massimi, Michael, Will Odom, David Kirk, and Richard Banks. "HCI at the end of life: understanding death, dying, and the digital." In CHI'10 Extended Abstracts on Human Factors in Computing Systems, pp. 4477-4480. ACM, 2010; Hopkins, Jamie Patrick, and Ilya A. -
Thèse Et Mémoire
Université de Montréal Survivance 101 : Community ou l’art de traverser la mutation du paysage télévisuel contemporain Par Frédérique Khazoom Département d’histoire de l’art et d’études cinématographiques, Université de Montréal, Faculté des arts et des sciences Mémoire présenté en vue de l’obtention du grade de Maîtrise ès arts en Maîtrise en cinéma, option Cheminement international Décembre 2019 © Frédérique Khazoom, 2019 Université de Montréal Département d’histoire de l’art et d’études cinématographiques Ce mémoire intitulé Survivance 101 : Community ou l’art de traverser la mutation du paysage télévisuel contemporain Présenté par Frédérique Khazoom A été évalué par un jury composé des personnes suivantes Zaira Zarza Président-rapporteur Marta Boni Directeur de recherche Stéfany Boisvert Membre du jury Résumé Lors des années 2000, le paysage télévisuel américain a été profondément bouleversé par l’arrivée d’Internet. Que ce soit dans sa production, sa création ou sa réception, l’évolution rapide des technologies numériques et l’apparition des nouveaux médias ont contraint l’industrie télévisuelle à changer, parfois contre son gré. C’est le cas de la chaîne généraliste américaine NBC, pour qui cette période de transition a été particulièrement difficile à traverser. Au cœur de ce moment charnière dans l’histoire de la télévision aux États-Unis, la sitcom Community (NBC, 2009- 2014; Yahoo!Screen, 2015) incarne et témoigne bien de différentes transformations amenées par cette convergence entre Internet et la télévision et des conséquences de cette dernière dans l’industrie télévisuelle. L’observation du parcours tumultueux de la comédie de situation ayant débuté sur les ondes de NBC dans le cadre de sa programmation Must-See TV, entre 2009 et 2014, avant de se terminer sur le service par contournement Yahoo! Screen, en 2015, permet de constater que Community est un objet télévisuel qui a constamment cherché à s’adapter à un média en pleine mutation. -
The Issue of Planning for a Person's Digital Assets
DIGITAL LIFE AFTER DEATH: THE ISSUE OF PLANNING FOR A PERSON’S DIGITAL ASSETS AFTER DEATH I. THE ISSUE OF DIGITAL ASSETS AND ESTATE PLANNING................... 302 A. Defining Digital Assets .............................................................. 302 B. Issues in Estate Planning Created by Digital Assets ................. 304 II. HOW THE WEBSITES ARE DEALING WITH DIGITAL ASSETS: THE EFFECTS OF PRIVACY ACTS AND DECEASED-USER ACTS ................. 308 A. Social-networking Sites ............................................................. 309 B. Web-Based E-Mail Accounts ..................................................... 310 C. Blogs and Online Content ......................................................... 311 III. SUGGESTIONS FOR DEALING WITH DIGITAL ASSETS IN REGARDS TO ESTATE PLANNING ....................................................................... 314 A. Proper Planning ........................................................................ 315 B. Giving the Keys to the Estate..................................................... 316 C. A More Workable Alternative? .................................................. 319 D. A Note on Wills .......................................................................... 320 IV. THE FATE OF THE ILL-PREPARED ...................................................... 321 A. Post-Mortem Identity Theft........................................................ 321 B. Post-Mortem Content Theft from the Deceased’s Blogs ........... 321 V. CONCLUSION .................................................................................... -
Facilitating the Intent of Deceased Social Media Users
FACILITATING THE INTENT OF DECEASED SOCIAL MEDIA USERS Yael Mandel† TABLE OF CONTENTS INTRODUCTION .............................................................................................................. 1909 I. BACKGROUND: TRADITIONAL WILLS AND ESTATE PLANNING .......................... 1916 II. ANALYSIS: CURRENT MODES OF SOCIAL MEDIA ASSET DISTRIBUTION............. 1920 A. Social Networking Sites’ Post-Life Policies .............................................. 1920 1. Facebook ......................................................................................... 1921 2. Instagram ........................................................................................ 1925 3. LinkedIn .......................................................................................... 1926 4. Twitter ............................................................................................. 1927 5. Comparison with Traditional Trusts and Estates Law ............. 1927 B. Current Proposals to Facilitate Handling of Digital Assets ................... 1932 1. The UFADAA to the RUFADAA................................................ 1932 2. The PEAC ....................................................................................... 1937 III. PROPOSAL: A MORE COMPREHENSIVE APPROACH ............................................. 1938 A. Concerns ...................................................................................................... 1941 CONCLUSION.................................................................................................................. -
James D. Lamm Partner | [email protected]
James D. Lamm Partner | [email protected] MINNEAPOLIS Jim Lamm is a third-generation Minnesota estate planning and tax 80 South Eighth Street attorney. He focuses his practice on estate planning, tax planning, 500 IDS Center Minneapolis, MN 55402 family business succession planning, probate and trust administration, T: 612.632.3404 and charitable giving. Jim works with executives, entrepreneurs, F: 612.632.4404 professional athletes, high-net-worth families, and family offices to Assistant achieve family goals, pass on family values, and plan for family Lisa Peterson Hall 612.632.3393 businesses. PRACTICE AREAS Jim is nationally known for his speaking and writing on advanced Closely Held and Family estate planning and tax topics, and he has been interviewed and Business quoted by The Wall Street Journal, The New York Times, USA Today, Trusts, Estates & Legacy Planning The Washington Post, Star Tribune, The Boston Globe, The Seattle Charitable Gift Planning Times, The Associated Press, Reuters, Forbes magazine, Intellectual Trust & Estate Litigation Property Magazine, Barron's, Bloomberg, InvestmentNews, Kiplinger's, Morningstar, Pew Research Center, Twin Cities Business, Minneapolis/ COURT MEMBERSHIPS St. Paul Business Journal, MSNBC, KSTP television, KMSP television, ■ Minnesota National Public Radio, and more. Jim is a Fellow in the American ■ North Dakota College of Trust and Estate Counsel (ACTEC), and he is a member of ■ South Dakota ACTEC's Board of Regents. He served as a past chair of ACTEC's ■ U.S. District Court for the District Technology in the Practice Committee, a past chair of ACTEC's Digital of Minnesota Property Committee, and a past co-chair of ACTEC's Artificial ■ U.S. -
“Building Decades of Experience Into America's Rifle”
© 2017 Windham Weaponry, Inc. “Building Decades of Experience into America’s Rifle” Catalog 2017 v.1 Windham Weaponry – Protecting Your Firearm Investment Backing up our commitment to producing the finest rifles possible, every Windham Weaponry rifle includes our Transferable Limited Lifetime Warranty - the best in the business! TRANSFERABLE LIMITED LIFETIME WARRANTY* Windham Weaponry, Inc. (WWI) will warranty all firearms manufactured by WWI against any and all manufacturer’s defects in material and workmanship which affect reasonable operation for the lifetime of the firearm to the purchaser. This warranty is transferable from the original purchaser to a subsequent buyer. Warranty is established by registering online at: http://www.windhamweaponry.com or by phone with our Customer Service Department at 855-808-1888. Warranty claims may be made by contacting Customer Service, either in writing or by phone for a Return Authorization number prior to delivering the unloaded firearm to Windham Weaponry, Inc., 999 Roosevelt Trail, Windham, Maine 04062, freight prepaid by the purchaser. Firearms and ammunition must be shipped separately. No COD shipments will be accepted. WWI will repair or replace only those parts determined to be defective by the factory. This warranty does not apply to normal wear and tear of any parts or protective finishes. The following are specifically excluded from coverage under this warranty and will cause said warranty to become null and void: Damage or malfunction resulting from accident, negligence, misuse or unauthorized -
The Social Afterlife
Harvard Journal of Law & Technology Volume 33, Number 2 Spring 2020 THE SOCIAL AFTERLIFE Andrew Gilden* TABLE OF CONTENTS I. INTRODUCTION .............................................................................. 329 II. THE LAWS OF LEGACY................................................................. 335 A. “Legacy” and “Stewardship” .................................................. 335 B. Extant Models of Legacy Stewardship ..................................... 340 1. Freedom of Disposition ......................................................... 342 2. Family Inheritance ................................................................. 346 3. Public Domain ....................................................................... 357 4. Consumer Contract ................................................................ 362 III. SYNTHESIZING STEWARDSHIP: THE DECENTERED DECEDENT ..................................................................................... 374 IV. IMPLEMENTING THE DECENTERED DECEDENT ........................... 381 A. Facilitating Contextual Testation ............................................. 381 B. Promoting Fairness and Loyalty .............................................. 382 C. Disaggregating Compensation from Control ........................... 383 V. CONCLUSION ............................................................................... 386 I. INTRODUCTION Social life no longer ends at death. With the rise of social media platforms and advances in digital technologies, the challenges of plan- -
Small Arms for Urban Combat
Small Arms for Urban Combat This page intentionally left blank Small Arms for Urban Combat A Review of Modern Handguns, Submachine Guns, Personal Defense Weapons, Carbines, Assault Rifles, Sniper Rifles, Anti-Materiel Rifles, Machine Guns, Combat Shotguns, Grenade Launchers and Other Weapons Systems RUSSELL C. TILSTRA McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London LIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATA Tilstra, Russell C., ¡968– Small arms for urban combat : a review of modern handguns, submachine guns, personal defense weapons, carbines, assault rifles, sniper rifles, anti-materiel rifles, machine guns, combat shotguns, grenade launchers and other weapons systems / Russell C. Tilstra. p. cm. Includes bibliographical references and index. ISBN 978-0-7864-6523-1 softcover : acid free paper 1. Firearms. 2. Urban warfare—Equipment and supplies. I. Title. UD380.T55 2012 623.4'4—dc23 2011046889 BRITISH LIBRARY CATALOGUING DATA ARE AVAILABLE © 2012 Russell C. Tilstra. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. Front cover design by David K. Landis (Shake It Loose Graphics) Manufactured in the United States of America McFarland & Company, Inc., Publishers Box 611, Jefferson, North Carolina 28640 www.mcfarlandpub.com To my wife and children for their love and support. Thanks for putting up with me. This page intentionally left blank Table of Contents Acronyms and Abbreviations . viii Preface . 1 Introduction . 3 1. Handguns . 9 2. Submachine Guns . 33 3. -
TL7 Handguns
Deep Web Secret Deep Web Secret Automatic Pistols These weapons use Guns(Pistol)/TL7 skill. AMT Automag .44 AutoMag (Holdout -2) AMT Original Automag: A large single action semi automatic weapon, this is the original Automag by Harry Sanford. When it was introduced in the seventies this was the first pistol to fire high powered magnum cartridges. Clint Eastwood takes a break from his .44 Magnum to use the .44 Automag in one of his Dirty Harry films. It has been out of production for close to two decades now, but after Harry Sanford died in early 1999 the AMT factory was sold off, and the new owners decided to run a limited series of original Automags in the .44 AMP caliber. These guns will be exact copies of the original guns. This may also mean that they will only function properly with full powered loads, and that some parts (most notably the extractor) will be somewhat fragile. Most likely these guns will seldom be fired anyway, as they are instant collectors items due to their reputation and their flashy, sleek and slightly futuristic looks. Should these guns be used they will look very intimidating and at the same time classy, combined with a lot of recoil... The Automag is a recoil operated pistol, is made entirely of stainless steel, and these new guns are of excellent quality, unlike some of the last pistols made in the seventies. They are very accurate. The magazine holds seven rounds of .44 AMP ammo. AMT Automag III (Holdout -2) A large single action semi automatic weapon, this is the brainchild of Harry Sanford, creator of the original automag. -
“Building Decades of Experience Into America's Rifle”
Catalog 2016 v.1 Complete MCS System .223 Upper MCS .300 Blackout Barrel MCS 9mm M4 Barrel Bolt & Magazine MCS 7.62x39 Barrel Bolt Carrier & Magazine MCS System Lower with Telestock 7.62x39 for AK type Mags 9mm .223/5.56 -.300 - 7.62x39 MCS System Magazine Wells © 2016 Windham Weaponry, Inc. “Building Decades of Experience into America’s Rifle” Windham Weaponry – Protecting Your Firearm Investment Backing up our commitment to producing the finest rifles possible, every Windham Weaponry rifle includes our Transferable Limited Lifetime Warranty - the best in the business! TRANSFERABLE LIMITED LIFETIME WARRANTY* Windham Weaponry, Inc. (WWI) will warranty all firearms manufactured by WWI against any and all manufacturer’s defects in material and workmanship which affect reasonable operation for the lifetime of the firearm to the purchaser. This warranty is transferable from the original purchaser to a subsequent buyer. Warranty is established by registering online at: http://www.windhamweaponry.com or by phone with our Customer Service Department at 855-808-1888. Warranty claims may be made by contacting Customer Service, either in writing or by phone for a Return Authorization number prior to delivering the unloaded firearm to Windham Weaponry, Inc., 999 Roosevelt Trail, Windham, Maine 04062, freight prepaid by the purchaser. Firearms and ammunition must be shipped separately. No COD shipments will be accepted. WWI will repair or replace only those parts determined to be defective by the factory. This warranty does not apply to normal wear