Education in Louisiana
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Wavelength (February 1983)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 2-1983 Wavelength (February 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (February 1983) 28 https://scholarworks.uno.edu/wavelength/28 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ... ,.. i .,. #pf r f~ ~ I ~ t J t .. ~ • '~ -- •-- .. I ' I . r : • 1 ,, ' ,,. .t, '~'. • .·' f I .. ""' - • ,, ' ' 4. ,I • , /rl. • 4 . • .•, .' ./j ·. ~ f/ I. • t • New Orleans is a live! A day and night kaleido scope of the gaud y, raucous, erotic and exotic Mardi Gras, Steamboats, Parades, Seafood, Jazz and the French Quarter. Discover it all in the award-winning books Mardi Gras! A Celebration and New Orleans: The Passing Parade. Brilliant color photographs by Mitchel L. Osborne are complimented by delightful and informative texts. A vail able in fine bookstores or order directly from Picayune Press, Ltd .: Mardi Gras!: A C!oth $29.95, Paper$15.95 · New Orleans: The Passing Parade: 326 Picayune Place # 200 New Orleans, LA 70130 Paper $14.95 Postage and Handhng $1.50 • LA res1dents add 3% tax • V1sa & Mastercharge accepted. ' ISSUE NO. 28 • FEBRUARY 1983 "I'm not sure, but I'm almost positive, rhar all music came from New Orleans. " Ernie K-Doe, 1979 Available in American Oak, American Walnut, Teak, Mahogany and White Features Melamine at no change In cost. -
Algiers Point Historic District
CITY OF NEW ORLEANS Historic District Landmarks Commission Algiers Point Historic District Designated 1993 Jurisdiction: New Orleans Historic District Landmarks Commission The Algiers Point Historic District is bounded by the curve of the Mississippi River on two sides and by Atlantic and Newton Streets on the other two. Named for a navigation bend in the Mississippi River, The town of Algiers was annexed by the City of New Algiers Point was an independent municipality for 30 years Orleans on March 14, 1870 and continued to develop from its founding, and even today it retains a quiet small into the early 20th century. Martin Behrman, the longest town atmosphere. Bordered by the Mississippi River on serving mayor of New Orleans (1904-1920, 1925-1926), two sides, and lying directly across the river from the was an Algiers native who preferred his home office at 228 Vieux Carré, Algiers Point continued to develop as a largely Pelican Avenue to City Hall. independent town well into the 20th century. Some of the early buildings from the 1840s still exist Algiers Point’s economic origins began in a boatyard today, but the District is dominated by buildings in the established in 1819 by Andre Seguin. The Algiers-Canal Greek Revival, Italianate and Victorian styles, reflecting Street Ferry began in 1827 and has been in continuous Algiers Point’s period of greatest growth and development operation ever since. Shipbuilding, repair and other from 1850 to 1900. A devastating fire in 1895 destroyed riverfront endeavors flourished, and in 1837 a dry dock, hundreds of buildings in Algiers, and replacements were said to be the first on the Gulf Coast, was established built in the styles of the time. -
Neutral Ground Or Battleground? Hidden History, Tourism, and Spatial (In)Justice in the New Orleans French Quarter
University of Massachusetts Boston ScholarWorks at UMass Boston American Studies Faculty Publication Series American Studies 2018 Neutral Ground or Battleground? Hidden History, Tourism, and Spatial (In)Justice in the New Orleans French Quarter Lynnell L. Thomas Follow this and additional works at: https://scholarworks.umb.edu/amst_faculty_pubs Part of the African American Studies Commons, Africana Studies Commons, American Studies Commons, and the Tourism Commons Neutral Ground or Battleground? Hidden History, Tourism, and Spatial (In)Justice in the New Orleans French Quarter Lynnell L. Thomas The National Slave Ship Museum will be the next great attraction for visitors and locals to experience. It will reconnect Americans to their complicated and rich history and provide a neutral ground for all of us to examine the costs of our country’s development. —LaToya Cantrell, New Orleans councilmember, 20151 In 2017, the city of New Orleans removed four monuments that paid homage to the city’s Confederate past. The removal came after contentious public de- bate and decades of intermittent grassroots protests. Despite the public process, details about the removal were closely guarded in the wake of death threats, vandalism, lawsuits, and organized resistance by monument supporters. Work- Lynnell L. Thomas is Associate Professor of American Studies at University of Massachusetts Boston. Research for this article was made possible by a grant from the College of the Liberal Arts Dean’s Research Fund, University of Massachusetts Boston. I would also like to thank Leon Waters for agreeing to be interviewed for this article. 1. In 2017, Cantrell was elected mayor of New Orleans; see “LaToya Cantrell Elected New Or- leans’ First Female Mayor,” http://www.nola.com/elections/index.ssf/2017/11/latoya_cantrell _elected_new_or.html. -
The Education of Blacks in New Orleans, 1862-1960
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1989 Race Relations and Community Development: The ducE ation of Blacks in New Orleans, 1862-1960. Donald E. Devore Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Devore, Donald E., "Race Relations and Community Development: The ducaE tion of Blacks in New Orleans, 1862-1960." (1989). LSU Historical Dissertations and Theses. 4839. https://digitalcommons.lsu.edu/gradschool_disstheses/4839 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
The Historic New Orleans Collection Quarterly Historian Sarah Borealis, with Help from THNOC Reference Associate Robert Ticknor
VOLUME XXXV The Historic New Orleans NUMBER 3 Collection Quarterly SUMMER 2018 Shop online at www.hnoc.org/shop CITY CENTERED: A Contemporary Take on the Tricentennial EVENT CALENDAR EXHIBITIONS & TOURS “CELEBRATING THE SWEDISH NIGHTINGALE” All exhibitions are free unless otherwise noted. In collaboration with the Embassy of Sweden in Washington, DC, and the Consulate of Sweden in New Orleans, The Collection will present a recital featuring the repertoire of Jenny CURRENT Lind, the Swedish opera singer who was an international star in the 19th century. Featuring “Working for the Williamses” Tour soprano Kine Sandtrø and pianist Julia Sjöstedt, the program will feature arias from the operatic Tuesday–Sunday, June 1–30, 11 a.m. canon as well as Nordic folk music. 533 Royal Street Monday, June 18, 6–7 p.m. $5 admission; free for THNOC members Williams Research Center, 410 Chartres Street Free; reservations required. To register, visit www.hnoc.org or call (504) 598-7146. Preview of Art of the City: Postmodern to Post-Katrina presented by The Helis “CARING FOR YOUR COLLECTIONS” WORKSHOP Foundation THNOC staff will share their knowledge of working with and enjoying historical artifacts in this On view through fall 2018 morning workshop. Talks will address documentation, proper methods of handling and display, 533 Royal Street appropriate cleaning and storage techniques, and connoisseurship and acquisition. Free Saturday, June 23, 9:30 a.m.–noon Williams Research Center, 410 Chartres Street French Quarter Museum Association Free; reservations encouraged. To register, visit www.hnoc.org or call (504) 598-7146. Welcome Center Through December 2018 UPSTAIRS LOUNGE PANEL DISCUSSION 533 Royal Street Join us as we commemorate the 45th anniversary of the UpStairs Lounge fire, the unsolved hate Free; for more information, visit crime that claimed 32 lives in 1973. -
What Is to Be Done?
Eric Burin. Slavery and the Peculiar Solution: A History of the American Colonization Society. Gainesville: University Press of Florida, 2005. xiv + 223 pp. $59.95, cloth, ISBN 978-0-8130-2841-5. Reviewed by Eugene S. Van Sickle Published on H-SHEAR (September, 2006) During the Early Republic, Americans strug‐ level in the South is the most important contribu‐ gled to address the paradox of slavery and free‐ tion this study makes, as most studies tend to look dom. This dichotomy prompted numerous de‐ at the colonization movement from the national bates and wild schemes designed to address the perspective. Burin delves into the debate regard‐ existence of slavery in a society based on individ‐ ing the true purpose of the ACS, suggesting that ual freedom. Among the reform-minded societies "colonization tended to undermine slavery" (p. 2). that came out of such discussions was the Ameri‐ Thus, his examination returns the ACS and can Colonization Society. This society addressed African colonization to the antislavery interpreta‐ this paradox through the plan of African coloniza‐ tion. Such an assertion is problematic, which tion. Eric Burin's study of the American Coloniza‐ Burin admits. Historians have attempted to ft the tion Society (ACS) is the latest interpretation of the ACS into a particular mold since the 1920s. None‐ African colonization movement and the actions of theless, his study is probably the frst since P.J. that organization at the local level. Part of the Staudenraus's The African Colonization Move‐ Southern Dissent series edited by Stanley Harrold ment (1961) to place the society in the antislavery and Randall M. -
Pride and Prejudice
p&s PP1-24 W/00 9/28/2001 2:05 PM Page 13 PridePride andand Prejudice:Prejudice: Travis Johnson’s status as the first African-American graduate of P&S is noted in handwriting. More recent research suggests at least one other African-American graduated from P&S in the 1800s. Matriculation tickets like the one shown at right allowed students to attend classes. By Russell W. Irvine, Ph.D. ravis J.A. Johnson, a member of the Class of 1908, is widely Although scant information has been uncovered regarding hailed as the first black graduate of P&S, yet long-neglected Barnett (who studied at P&S between 1848 and 1850 under the Trecords indicate that at least four black students matriculated aegis of the abolitionist Anti-Slavery Society and received a med- at the medical school starting 75 years before Johnson. Research ical degree from Dartmouth’s medical school in 1854) more is suggests that at least one of the students completed requirements known about Brown, McDonogh, and Davis, the latter of whom for a diploma from P&S, but school administrators were unwilling attended P&S under the sponsorship of the American Coloniza- to formally recognize the accomplishment with a degree. tion Society, or the ACS. The ACS, founded in 1817, directly or The P&S attendance of these four pioneers—John Brown, indirectly affected the education of all three and maintained Washington Walter Davis, David Kearney McDonogh, and James records of their educational histories even when P&S did not. Parker Barnett—spanned the years 1830 through 1850, estab- lishing P&S as one of the first medical schools in America to Color and colonization offer courses of study in medicine to men of African heritage. -
John Mcdonogh's Experiment, 1822-1850
John McDonogh’s Experiment, 1822-1850 Gary North Taken from Life and Work of John McDonogh, by Willam Allan (Baltimore: Press of Isaac Friendenwald, 1886), pp. 42–51. Here was the mystery. It appears in a footnote on pages 50 and 51. Mr. Ed. E. Parker, a prominent and wealthy citizen of New Orleans, noticing the extraordinary industry of some of Mr. McDonogh’s people engaged on some buildings near his residence, repeatedly offered to buy their foreman, Jim, from his master, offering finally $5000. Finding the slave could not be bought, he thus described their manner of work to Mr. McDonogh, who was never with them: “Why, sir, I am an early riser, getting up before day ;—I am awakened every morning of my life by the noise of their trowels at work and their singing and noise before day ; and they work as long as they can see to lay brick, and then carry up brick and mortar for an hour or two afterwards, to be ahead at their work the next morning. And again, sir, do you think they walk at their work? No, sir, they run all day. I never saw such people as those, sir; I do not know what to make of them. Was there a white man over them with whip in hand all day, why then I could understand the cause of their incessant labor; but I cannot comprehend it, sir. Great man, sir, that Jim—great man, sir. I should like to own him.” After laughing heartily at Mr. Parker's description, which was true. -
1 Record Group 1 Judicial Records of the French
RECORD GROUP 1 JUDICIAL RECORDS OF THE FRENCH SUPERIOR COUNCIL Acc. #'s 1848, 1867 1714-1769, n.d. 108 ln. ft (216 boxes); 8 oversize boxes These criminal and civil records, which comprise the heart of the museum’s manuscript collection, are an invaluable source for researching Louisiana’s colonial history. They record the social, political and economic lives of rich and poor, female and male, slave and free, African, Native, European and American colonials. Although the majority of the cases deal with attempts by creditors to recover unpaid debts, the colonial collection includes many successions. These documents often contain a wealth of biographical information concerning Louisiana’s colonial inhabitants. Estate inventories, records of commercial transactions, correspondence and copies of wills, marriage contracts and baptismal, marriage and burial records may be included in a succession document. The colonial document collection includes petitions by slaves requesting manumission, applications by merchants for licenses to conduct business, requests by ship captains for absolution from responsibility for cargo lost at sea, and requests by traders for permission to conduct business in Europe, the West Indies and British colonies in North America **************************************************************************** RECORD GROUP 2 SPANISH JUDICIAL RECORDS Acc. # 1849.1; 1867; 7243 Acc. # 1849.2 = playing cards, 17790402202 Acc. # 1849.3 = 1799060301 1769-1803 190.5 ln. ft (381 boxes); 2 oversize boxes Like the judicial records from the French period, but with more details given, the Spanish records show the life of all of the colony. In addition, during the Spanish period many slaves of Indian 1 ancestry petitioned government authorities for their freedom. -
A House Divided
A HOUSE DIVIDED A Teaching Guide on the History of Civil Rights in Louisiana by Plater Robinson SECOND EDITION Southern Institute New Orleans, LA for Education and Research Tulane University © 1995 by the Southern Institute for Education and Research All Rights Reserved, Printed in the United States of America INTRODUCTION “A house divided against itself cannot stand.” -- Abraham Lincoln In an effort meriting the applause of grateful citizens, Xavier University produced the documentary A House Divided to record the history of the Civil Rights movement (1950-1965) in New Orleans. This study guide, prepared by the Southern Institute for Education and Research, is for teachers who intend to use A House Divided as an instructional resource in the classroom. This period in our history is little known by subsequent generations, black or white, despite the fact that participants in that epoch often live nearby. Students of today have little or no inkling of racial segregation as it was practiced and enforced in this city only thirty years ago. This is an unpardonable lapse in memory and responsibility. The Civil Rights period represents the great divide in our city, the divide between the past in which segregation was the law and degradation the rule, and the future in which hope is too often obscured by race, poverty, crime, and fear. It is impossible to understand present-day New Orleans without an understanding of the events which occurred so recently in the city and with such dramatic results. The documentary A House Divided focuses on the years in New Orleans between 1950 and 1965. -
The Historic Tax Credit: Building the Future in Louisiana
THE HISTORIC TAX CREDIT: BUILDING THE FUTURE IN LOUISIANA PREPARED FOR THE LOUISIANA OFFICE OF CULTURAL DEVELOPMENT, DEPARTMENT OF CULTURE, RECREATION & TOURISM 2017 BY PLACEECONOMICS, WASHINGTON D.C. 1 COVER: SHREVEPORT, LA Photo: PlaceEconomics 2 1 MONROE, LA Photo: PlaceEconomics 2 KEY FINDINGS This study examined the catalytic role of historic preservation projects Additionally, this study focused in on six case study cities: Baton Rouge, in Louisiana, and focused on projects completed over the past ten years Monroe, New Iberia, New Orleans, Shreveport, and Slidell. From these (2007-2016) that used historic tax credits. Included in the analysis were case studies we learned: building rehabilitations that used the State Commercial Historic Tax Credit, the Federal Rehabilitation Tax Credit, or both. • In Baton Rouge, there has been a domino effect of one small historic rehabilitation project leading to others, represented The results are: by a dramatic increase in building permits • 24 of Louisiana’s 64 parishes have seen buildings • In Monroe, even properties near historic rehabilitation rehabilitated through tax credits projects have seen an increase in value of more than 20% • 821 rehabilitation projects have been completed using the • In New Iberia, there has been a steady increase of investment State Commercial Tax Credit in buildings near historic renovation projects • Nearly $2.7 billion dollars have been invested in Louisiana’s • In New Orleans, the redevelopment of an automobile historic buildings because of these tax credit -
Exhibition Opens: a Gathering of Works by Marie Adrien Persac Volume XIX, Number 1 Winter 2001
Exhibition Opens: A Gathering of Works by Marie Adrien Persac Volume XIX, Number 1 Winter 2001 Canal Street, North Side, 900 Block, ink and wash on pasteboard, by Marie Adrien Persac, 1873 (1958.78.1.8). Depicted is the French Quarter side of Canal between Burgundy and Dauphine Streets. The three Greek Revival buildings (no longer standing) were designed by Charles and James Dakin in 1836. Christ Episcopal Church, right, designed by T. K. Wharton, was built in 1847and demolished in the mid-1880s. Marie Adrien Persac: Louisiana Artist presents a rare opportunity to see Persac’s work in a single location. Though many of the objects in the exhibition come from public collections (the Historic New Orleans Collection, Exhibition Opens: A Gathering of Works by Marie Adrien Persac the Louisiana State University engineer, architect, artist, photographer, to present-day Basin Street offer a view and teacher. Though all of these pursuits of post-Civil War New Orleans that Museum of Art, the New Orleans undoubtedly contributed to the making of showed a city undamaged by war and Notarial Archives, and the the man and his work, “artist” is the term ready for business. Louisiana State Museum are all that seems to describe him best. Other examples of Persac’s production As a chronicler of the antebellum include the Gill map of Baton Rouge and lenders to the exhibition), many plantation scene and the post-Civil War other lithographs done for commercial of the opaque watercolors commercial architecture of New Orleans, purposes, such as the view of Exchange Persac has no equal.