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11. Contemporary Traditions a Chronicle of Exhibition Practice of the Jamdani by Abeer Gupta.Pdf
Projects / Processes Volume I Series Editor: Senjuti Mukherjee Constructing Traditions: The Jamdani within Exhibition Practice of Handicrafts Abeer Gupta Installation view of “Weftscapes: Jamdani Across New Horizons” at Serendipity Arts Festival 2019. Photograph by Philippe Calia and Sunil Thakkar. Weftscapes Jamdani Across New Horizons Curated by Pramod Kumar KG Venue Adil Shah Palace Installation view of “Weftscapes: Jamdani Across New Horizons” at Serendipity Arts Festival 2019. Photograph by Philippe Calia and Sunil Thakkar. PROJECTS / PROCESSES Curatorial Note Curatorial By Pramod Kumar KG Curatorial Assistant Ankita Chugh Artists Bappaditya Biswas, Rumi Biswas Exhibition Design Vertex Inc. Weftscapes examines a fresh approach to the creation and making of jamdani fabrics, both in its weaving, choice of raw materials, colour, patterns, designs and the end product – a finished garment. Multiple intertwined yet disparate stories coming together in this contemporary initiative. The versatility of the jamdani weaving technique involves the use of a supplementary weft technique. The idea here is to explore the various possibilities of introducing different yarns, materials, and constructions into the weave. The ingenuity of Indian handlooms and the dexterity of its weavers allows for a unique experiment where diverse materials and objects are strung and woven in by hand through the fabric. Bengal’s history is strewn with references to the Indigo trade and its impact on her people. An important aspect of jamdani was the use of the colour indigo which also lent its name to several lengths of fabric with the iconic Nilambari sari becoming popular across the subcontinent. This project has exclusively used the Indigo palette with its non-traditional yarns being dyed in organic Indigo vats; 10 Constructing Traditions namely in a banana vat, dates vat, and the henna vat. -
Download Citi Newsletter-26-July-2021
26th July 2021 Cotton and Yarn Futures Cotlook A Index - Cents/lb (Change ZCE - Daily Data MCX (Change from previous day) from previous day) (Change from 22-07-2021 98.25 (+0.25) previous day) Jul 2021 26600 (-10) 20-07-2020 67.45 Cotton 17135 (+240) Aug 2021 26860 (0) 22-07-2019 74.20 Yarn 25480 (+635) Oct 2021 25850 (+260) Manifold Rise in Khadi Sales following PM’s Push New York Cotton Futures (Cents/lb) through “Mann ki Baat” As on 26.07.2021 (Change from previous day) July exports poised to hit $33 bn: Piyush Goyal Oct 2021 89.73 (-0.54) Clear signs of economic revival amid Covid-19 Dec 2021 89.90 (+1.21) disruptions, says Piyush Goyal Mar 2022 89.20 (-0.21) 2 CITI-NEWS LETTER -------------------------------------------------------------------------------------- Manifold Rise in Khadi Sales following PM’s Push through “Mann ki Baat” NATIONAL July exports poised to hit $33 bn: Piyush Goyal Clear signs of economic revival amid Covid-19 disruptions, says Piyush Goyal "There is a new energy in our startups space. In just first 6 months of 2021, India has seen 15 more unicorns" - Shri Piyush Goyal Honest taxpayers deserve to be recognized for paying due share of taxes: Nirmala Sitharaman FS Shringla meets British counterpart, reviews 2030 roadmap to India-UK FTA Govt must cut number of slabs in Customs duty Success in exporting goods Several companies, individuals get tax notices as data analytics uncovers gaps in filings Lower Barriers: India’s tariffs record sharp drop from 17.6% in 2019 to 15% in 2020 Make in Odisha: Newly launched -
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Volume 6, Issue 7, July – 2021 International Journal of Innovative Science and Research Technology ISSN No:-2456-2165 Impact of Traditional Textile on the Gross Domestic Product- GDP of Bangladesh 1*Engr. Md. Eanamul Haque Nizam, 1Sheikh Mohammad Rahat, 1*Assistant Professor. Department of Textile Engineering, 1Albert Loraence Sarker, Bangladesh University of Business and Technology 2Abhijit Kumar Asem, [BUBT], Rupnagar, Mirpur-2, Dhaka-1216, Bangladesh 2Rezwan Hossain, 3Rayek Ahmed, 3Mashrur Wasity 1,2,3Textile Graduate, Department of Textile Engineering, Bangladesh University of Business and Technology [BUBT], Rupnagar, Mirpur-2, Dhaka-1216, Bangladesh Abstract:- Bangladesh is a country loaded with share of GDP. Consultancy firm McKinsey and Company has craftsmanship, culture, and legacy. For the most part, the said Bangladesh could double its garments exports in the next specialty of attire or material is the most seasoned legacy 10 years. In Asia, Bangladesh is the one of the biggest largest that introduced the land to the external world since such exporter of textile products providing employment to a great countless years prior. Customary material is perhaps the share percent of the work force in the country [1]. Currently, main piece of its material area. Customary legacy is the textile industry accounts for 45% of all industrial covered up in each edge of Bangladesh where Jamdani, employment in the country and contributes 5% of the total Muslin, Tangail, Banarasi, Lungi, and so forth assume an national income. However, although the industry is one of the indispensable part. It is assessed that there are 64,100 largest in Bangladesh and is still expanding, it faces massive handlooms in the region. -
Jas Textile, Hooghly
We are counted as one of the most reliable manufacturer, exporter and supplier of premium quality designer sarees. These have massive demand in the market due to their optimal quality and attractive designs. - Profile - Incorporated in the year 2011, at Hooghly (West Bengal, India), we, Jas Textile are involved in manufacturing, exporting and supplying the finest quality range of Designer Sarees. The offered range comprises Classical Embroidery Sarees, Dhakai Jamdani Sarees, Cotton Tangail Sarees, Block with Kantha Stitch Dress Material, Block with Reverse Kantha Stitch, Tant Fabric Sarees, Tant Banarasi Sarees, etc. These are designed with high precision in order to meet the set global standards. Furthermore, the fabric we use in the fabrication purpose is procured from only certified and reliable vendors of the market. The offered range is available in variegated colors, styles and patterns. To meet the diverse requirements of customers, we offer our exclusive range of sarees in numerous customized options. We are offering these products to our esteemed clients at the most competitive prices. To fabricate the finest quality range of products, our organization has established a well-organized state-of-the-art infrastructure facility. This is equipped with all the most recent and essential technology to match the global quality parameters. In addition to this, we have segregated our infrastructure into various departments such as manufacturing, quality testing, warehousing and packaging. Handloom Sarees: The exclusive range of Handloom Sarees offered by us is widely appreciated across the globe due to its designer pallu and border. Our teams of creative designers beautifully design these sarees and suits using zari or kasavu (gold thread work). -
Grameen Bank and Its Sister Organizations
Global Journal of Management and Business Research: B Economics and Commerce Volume 14 Issue 2 Version 1.0 Year 2014 Type: Double Blind Peer Reviewed International Research Journal Publisher: Global Journals Inc. (USA) Online ISSN: 2249-4588 & Print ISSN: 0975-5853 Grameen Bank and its Sister Organizations- Grameen Chek and Grameen Krishi (Agricultural) Foundation Not Only Providing Credit: They Guide the Landless Families in Bangladesh for their Development By Dr. Kazi Abdur Rouf Noble International University, Canada Abstract- This paper talks about Grameen Bank (GB) micro financing program features, strategies, policies and its two other sister organizations Grameen Chek (GC), involves in manufacturing handloom garments and Grameen Krishi (Agricultural) Foundation (GKF), engages in agricultural activities and irrigation management in Bangladesh. All are social business organizations in Bangladesh. GKF runs its farms ‘no loss basis’. Grameen Bank and Grameen Chek run their programs without receiving external funding; rather these two organizations have operated their programs from their own generated funds. Moreover, Grammen Bank and Grameen Chek are free from external consultants` pressure rather they are developing their programs, policies and implementation strategies by using their in-house staff skills and experience. Keywords: external consultants; external funding; grameen bank; grameen chek; grameeen krishi foundation; internal funding; empowerment; implementation strategies, poverty eradication. GJMBR-B Classification: JEL -
National Institute of Fashion Technology
National Institute of Fashion Technology A Statutory Institute governed by the NIFT Act 2006 Ministry of Textiles, Government of India NIFT Campus, Hauz Khas, Opposite Gulmohar Park, New Delhi - 110016 National Institute Of Fashion Technology 29th Annual Report 2014-15 21.09.2015 NATIONAL INSTITUTE OF FASHION TECHNOLOGY | ANNUAL REPORT 2014-15 CONTENTS 01 Board of Governors (2014-15) 77 Design Space 05 NIFT - Introduction 83 International & Domestic Linkages 07 Significant Landmarks (2014-15) 86 National Resource Centre 08 Student Development Activities 87 Cluster Development Inititative 09 NIFT Campuses 91 Information Technology Inititative ACADEMIC DEPARTMENTS 93 Continuing Education Programme 11 Fashion Design 97 Campus Placements 19 Leather Design 101 Ph.D. and Research 27 Textile Design 110 FOTD 37 Knitwear Design 112 Admissions 2014 45 Fashion & Lifestyle Accessories 113 Convocation 2014 53 Fashion Communication 114 Abbreviations 61 Fashion Technology Auditor’s Report & 71 Fashion Management Studies 116 Statement of Accounts NATIONAL INSTITUTE OF FASHION TECHNOLOGY | ANNUAL REPORT 2014-15 BOARD OF GOVERNORS Members as on March 2015 Smt. Kiran Dhingra, IAS (Retd.) 83 C Village Chairperson BOG NIFT Gancim- Bhatim Post Office Goa Velha Talukh Tisvadi Goa – 403108 Sh. Naresh Gujral 5, Amrita Shergil Marg Hon’ble M.P Rajya Sabha New Delhi-110003 (22-07-2014 up to 31-03-2015) Shri S. Selvakumara Chinnayan, S-3, SCP Residency, Hon’ble M.P Lok Sabha BVB School Main Road, Thindal, (21-10-2014 up to 31-03-2015) Distt. Erode- 638 012 Tamil Nadu Smt. Poonam Mahajan, Block no. 2 Bhima Worli Sagar Hon’ble M.P Lok Sabha Cooperative Society (21-10-2014 up to 31-03-2015) Dr. -
Haute Designers, Master Weavers
TREND WATCH LFW Summer Resort ‘16 HAUTE DESIGNERS, MASTER WEAVERS Lakme Fashion Week has set a benchmark for Indian designers. MEHER CASTELINO reports on the highlights. ASIF SHAIKH GAURANG MAKU INDIGENE BANERJEE PAROMITA FIBRE2FASHION he fabulous Walking Hand in Hand – The Craft + Design + TSociety show was one of the highlights of the first day at Lakmé Fashion Week Summer/Resort 2016. The innovative presentation featured India’s five top designers who teamed up with the best craftspersons and expert weavers. They displayed creations that combined designer and craft skills. Day Two was devoted to Sustainable and Indian Textiles. Designers presented interesting collections, showcasing textiles and crafts and also upcycling and recycling fabrics. The message was clear: fashion can be sustainable. Chikankari came Giving kinkhab The glory of the alive on the ramp under his amazing touches, leheriya was brought the creative guidance Rajesh Pratap Singh centre stage by of Aneeth Arora. worked with master Anupama Bose’s skills Master craftsman weaver Haseem and Islammuddin Jakir Hussain Mondol Muhammad for a Neelgar’s expertise. worked his magic on striking collection of The gorgeous leheriya the pretty summer formal westernwear. designs in rainbow dresses, cool blouses, Using rich, golden hues were turned into layered minis, softly brocade with floral stunning ensembles. embroidered long- weaves, Singh A ravishing red kaftan, sleeved covers, presented culottes with a feminine green/ delicately embellished cropped tops, bias cut blue gown, an electric midis, skirts and gowns jackets, dhoti pants, anarkali, a variety of in shades of white and capris, coat dresses, sarees in leheriya and pale blue/grey. -
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VISION Government Polytechnic, Aurangabad will be world class technical institute pursuing for excellence, catering to the needs of global community, striving for its harmonious development by inculcating lifelong learning skills to serve for the socio economic development having concerned for ecology and social harmony MISSION To create multi disciplinary best citizens to suit local, state, National and International needs having scientific temperament , moral ethics , values and multi facetted proactive personality by providing excellent education system ii Date CERTIFICATE This is to certify that the Curriculum of Diploma in Dress Designing and Garment Manufacturing Programme has been implemented with effect from 2011-2012. This Curriculum Document contains pages from to and from to Head of In Charge Principal Dress Designing and Curriculum Development Cell Government Polytechnic Garment Manufacturing Government Polytechnic Aurangabad Aurangabad Aurangabad iii Date CERTIFICATE This is to certify that the Curriculum of Diploma in Dress Designing and Garment Manufacturing Programme of Govt. Polytechnic Aurangabad (An Autonomous Institute of Govt. of Maharashtra), which has been implemented with effect from 2011-12 academic year, is equivalent to Diploma in Dress Designing and Garment Manufacturing Programme Implemented by Maharashtra State Board of Technical Education, therefore Equivalence is hereby granted. Member Member Member ( ) ( ) ( ) Member Member Member ( ) ( ) ( ) Member Member Member ( ) ( ) ( ) Member Secretary Chairman ( ) ( ) iv Index SR. CONTENTS COURSE PAGE CODE NO. NO. 1. Scope of Diploma In Dress Designing & Garment Mfg. ------ 8-12 2. Strategy adopted for Curriculum Development ------------- 13-16 3. Sample Path -10th Pass -------------- 17 4. Level Wise Course Structure --------------- 18-24 5. Semester Wise Course Structure -------------- 25-30 6. Basic Drawing-I [BDR-I ] 5D101 31-32 7. -
Sri Lanka on Edge As Blasts at Churches, Hotels Kill 207 Dozens of Foreigners Among Dead • Eight Suspects Arrested • Amir Sends Condolences
SHAABAN 17, 1440 AH MONDAY, APRIL 22, 2019 28 Pages Max 27º Min 21º 150 Fils Established 1961 ISSUE NO: 17813 The First Daily in the Arabian Gulf www.kuwaittimes.net Kuwaiti designer Ajeel takes Manchester Utd thrashed by 5 part in Paris fashion show 28 Everton; Liverpool back on top Sri Lanka on edge as blasts at churches, hotels kill 207 Dozens of foreigners among dead • Eight suspects arrested • Amir sends condolences COLOMBO: A series of eight devastating bomb blasts ripped through high-end hotels and churches holding Easter services in Sri Lanka yesterday, killing at least 207 people, including dozens of foreigners. The attacks were the worst act of violence to hit the country in the decade since the end of a bloody civil war that killed up to 100,000 people. For many in Sri Lanka, the appar- ently coordinated attacks brought back painful memo- ries of life during the long-running conflict, when bomb blasts were a frequent occurrence. There was no immediate claim of responsibility but the government said eight people had been arrested and investigators would look into whether the attackers had “overseas links”. The government also imposed a nationwide curfew and curbed social media access to restrict “wrong information” spreading in the country of 21 million people. The powerful blasts - six in quick succession and then two more hours later - injured hundreds. At least two of them involved suicide bombers, including one who lined up at a hotel break- fast buffet before unleashing carnage. HH the Amir of Kuwait Sheikh Sabah Al-Ahmad Al- Jaber Al-Sabah sent a cable yesterday to Sri Lankan President Maithripala Sirisena, expressing deepest condolences over the attacks. -
Technology and Employment in the Cotton Industry of Bangladesh December 1992
Technology and employment in the cotton industry of Bangladesh December 1992 Technology and employment in the cotton industry of Bangladesh Mohammed Reazul Islam INTERNATIONAL DEVELOPMENT RESEARCH CENTRE Ottawa • Cairo • Dakar • Johannesburg • Montevideo • Nairobi • New Delhi • Singapore Material contained. in this report is produced as submitted and has not been subjected to peer revtewor editing.,by IDRC Public Information Program staff. Unless otherwise stated, copyright for materiàl in this report is held by the authors. Mention of a proprietary name does not constitute endorsement of the product and is given only for information. ISBN 0-88936-663-2 l\•tl'. Printed on recycled paper TABLE OF CONTENTS Acknowledgements List of Abbreviations and Acronyms used Chapter one Introduction . 1 Chapter two Bangladesh: its economy and textile industry . 6 Chapter three Evaluating technology . 21 Chapter four Options, sources and parameters for the . 26 evaluation of alternative technologies Chapter five Selection of machinery . 41 Chapter six Costing of alternative technologies . 47 Chapter seven Evaluation and analysis . 57 Chapter eight Policy implications of the findings . 67 Glossary of textile terms . 69 Tables .......................................................... 72 Figures .......................................................... 107 Bibliography .......................................................... 109 ACKNOWLEDGEMENTS This publication is made possible through the encouragement of Dr. Amitav Rath and Mr. Brent Herbert-Copley, -
101 CC1 Concepts of Fashion
CONCEPT OF FASHION BFA(F)- 101 CC1 Directorate of Distance Education SWAMI VIVEKANAND SUBHARTI UNIVERSITY MEERUT 250005 UTTAR PRADESH SIM MOUDLE DEVELOPED BY: Reviewed by the study Material Assessment Committed Comprising: 1. Dr. N.K.Ahuja, Vice Chancellor Copyright © Publishers Grid No part of this publication which is material protected by this copyright notice may be reproduce or transmitted or utilized or store in any form or by any means now know or here in after invented, electronic, digital or mechanical. Including, photocopying, scanning, recording or by any informa- tion storage or retrieval system, without prior permission from the publisher. Information contained in this book has been published by Publishers Grid and Publishers. and has been obtained by its author from sources believed to be reliable and are correct to the best of their knowledge. However, the publisher and author shall in no event be liable for any errors, omission or damages arising out of this information and specially disclaim and implied warranties or merchantability or fitness for any particular use. Published by: Publishers Grid 4857/24, Ansari Road, Darya ganj, New Delhi-110002. Tel: 9899459633, 7982859204 E-mail: [email protected], [email protected] Printed by: A3 Digital Press Edition : 2021 CONTENTS 1. Introduction to Fashion 5-47 2. Fashion Forecasting 48-69 3. Theories of Fashion, Factors Affecting Fashion 70-96 4. Components of Fashion 97-112 5. Principle of Fashion and Fashion Cycle 113-128 6. Fashion Centres in the World 129-154 7. Study of the Renowned Fashion Designers 155-191 8. Careers in Fashion and Apparel Industry 192-217 9. -
NEW AGE KHADI Khadi Is the Only Indian Feelgood Fabric As It Gives Employment to Thousands As Well As Boosts the Economy and Sustains Indigenous Artisans
Arup Datta NEW AGE KHADI Khadi is the only Indian feelgood fabric as it gives employment to thousands as well as boosts the economy and sustains indigenous artisans. Supporting khadi is one way of encouraging the talented artisan to live in his ancestral village rather than give up in despair and flock to an urban slum for an alternative employment. But khadi is far from fading away, thanks to the fillip given to the fabric by the Prime Minister himself. MEHER CASTELINO writes on the state of khadi affairs and how some designers are moulding it anew. he name may have changed over Gandhi chose khadi as a symbol of his dreams the centuries but the weft and for India when he returned from South Africa. the warp have not. Khadi, as we The charkha was selected by him as a sign of call the handwoven fabric made non-violence and self-sufficiency and the material legendary by Mahatma Gandhi, woven from it – khadi – epitomised the nation’s Thas been around since times immemorial. Its feelings of patriotism and nationalism. The revival timeline is its own hurrah: among the greatest of the charkha was symbolic of the nation’s quest achievements of the Harappa and Mohenjo-Daro for freedom and self-reliance. civilisations were the mastery over hand-spinning In 1921, Gandhi thought of a strategy and and hand-weaving. Every pre-Aryan home had came up with the charkha as an icon of the its own charkha or spinning wheel. Invaders struggle for India’s freedom. That revived the came and went but khadi wove its way through moribund hand-spinning and hand-weaving the Vedic period, the Mughal and Medieval ages.