NIGHTLY at 6PM (CC) in Keeping Coughing to a Minimum

Total Page:16

File Type:pdf, Size:1020Kb

NIGHTLY at 6PM (CC) in Keeping Coughing to a Minimum Peer Gynt Saturday 17 March 2.30pm Federation Concert Hall YOUR NEWS, Hobart EVERY DAY. 1 MATINEE Marko Letonja conductor GRIEG June Tyzack chorusmaster Peer Gynt, abridged Sue-Ellen Paulsen cello Act 1, Prelude Antony Ernst director Halling Ryk Goddard Peer Gynt, Narrator Ingrid’s Lament Lisa McCune Åse, Woman in Green, Peer Gynt and the Woman in Green Solveig In the Hall of the Mountain King John Xintavelonis Narrator, Troll King, Dance Bøyg, Button-moulder, The Lean One Peer Gynt chased by Trolls TSO Chorus Peer Gynt and the Bøyg Åse’s Death GULDA Morning Mood Concerto for Cello and Wind Orchestra Arabian Dance Ouverture – Solveig’s Song Idylle – Peer Gynt’s Homecoming Cadenza – Night Scene Menuett – Song of the Churchgoers Finale alla marcia Solveig’s Lullaby and Finale Duration 30 mins Duration 60 mins INTERVAL This concert will end at approximately 4.30 pm. Duration 20 mins Tasmanian Symphony Orchestra concerts are broadcast and streamed throughout Australia and around the world by ABC Classic FM. We would appreciate your cooperation NIGHTLY AT 6PM (CC) in keeping coughing to a minimum. Please ensure that your mobile phone is switched off. 18 19 Marko Letonja is Chief Conductor and June Tyzack became Chorusmaster of the Sue-Ellen Paulsen studied at the Queensland Currently artistic director of the Royal Danish Artistic Director of the Tasmanian Symphony TSO Chorus in 2001 following a career in Conservatorium of Music where she had Orchestra in Copenhagen, Antony Ernst Orchestra, Music Director of the Orchestre Sydney with Opera Australia and the Opera lessons with Richard Dedecius. As an started as a dramaturg and assistant director Philharmonique de Strasbourg and Music Studio of the Sydney Conservatorium. undergraduate she appeared as soloist with Opera Australia, where he worked with Director of the Bremen Philharmonic Under her direction, the TSO Chorus has with the Queensland Symphony Orchestra, Neil Armfield, Barrie Kosky, Jim Sharman, Graeme Murphy, and Baz Luhrmann, Orchestra from the start of the 2018-19 given performances in Hobart and regional Queensland Conservatorium Orchestra among others. His career took him to the season. Born in Slovenia, he studied at the Tasmania, and through her initiative, and Queensland Youth Orchestra. In 1980 Semperoper Dresden and Deutsche Oper Academy of Music in Ljubljana and the collaboration with interstate choirs has she won the ABC Concerto Competition am Rhein in Düsseldorf, working with such Vienna Academy of Music. He was Music resulted in performances with Sydney (now the Young Performers Award) and Director of the Slovenian Philharmonic directors as Willi Decker, Marco Arturo Philharmonia Choirs, Victorian Opera, was awarded a scholarship enabling her to Orchestra from 1991 to 2003 and Music Adelaide Festival Chorus, West Australian Marelli, Christof Loy, Stein Winge and Adolf pursue postgraduate study in Vienna with Dresen. Returning to Australia, he completed Director and Chief Conductor of both the Symphony Orchestra Chorus, and in André Navarra. Her professional career a doctorate on the operas of Janácˇek, and Symphony Orchestra and the Opera in Basel Hong Kong with the WASO Chorus and began in Armidale with the New England directed a production of Salome for Opera from 2003 to 2006. He was Principal Guest Hong Kong Philharmonic. She has been String Quartet. She assumed her current Australia before moving into orchestra artistic Conductor of Orchestra Victoria in 2008 and chorusmaster of the Australian International position with the Tasmanian Symphony management. In 2005 he was appointed made his debut with the TSO the following Symphony Orchestra Institute and the Orchestra in 1986. Since then she has been artistic planning manager of the Auckland year. He took up the post of Chief Conductor Australian Intervarsity Choral Festival and in guest principal with the Sydney Symphony, Philharmonia Orchestra in New Zealand, and Artistic Director of the TSO at the start of 2014 was assistant to the conductor for the Adelaide Symphony and Australian Chamber where he was responsible for the New 2012. He has worked with many orchestras in production of Handel’s Orlando for Hobart Orchestra. An experienced soloist, she Zealand premières of several major works Europe including the Munich Philharmonic, Baroque. More recently, she has devised has performed concertos by Shostakovich, including Strauss’ Elektra. In 2011 he was Vienna Symphony, Berlin Radio Orchestra, and directed cutting-edge TSO Chorus named artistic planning manager of the Walton, Mills and Ligeti among many others Mozarteum Orchestra and the Orchestra programs for a number of festivals, including Orchestre Philharmonique de Strasbourg and is featured as soloist on several of the Filarmonica della Scala, Milan. He has also in the Speigeltent for Ten Days on the Island, in France, one of the French national TSO’s Australian Composer Series CDs. worked in many renowned opera houses Mona Foma, Dark Mofo, Synaesthesia and orchestras. A highlight of this period was A strong advocate for contemporary music, such as the Vienna State Opera, Berlin Synaesthesia+. In 2016 she was Director the production of the recent award-winning she has commissioned and premièred many State Opera, La Scala Milan, Semper Oper for Bach’s St Matthew Passion and last recording of Berlioz’ Les Troyens. He has new Australian works including one written Dresden and the Grand Théâtre de Genève. year facilitated a group of TSO choristers also worked as dramaturg and director with Recent engagements include Der Ring des to perform in the Mitsingkonzert in the especially for her by Andrew Ford. She has Bell Shakespeare, Oper Frankfurt, Teatro Nibelungen for the Royal Swedish Opera, Berlin Philharmonie. In January for Mofo, recently recorded the Schumann piano Maestranza Seville; and is much in demand Boris Godunov for the Bavarian State Opera she directed TRUCE, an a cappella choral trios with the Kingfisher Trio (ABC Classics). as a writer, translator, cultural tour leader and and Le nozze di Figaro for the Grand Théâtre program that roamed the Museum of Old She is lecturer in cello at the Tasmanian lecturer, including a series of very successful de Genève. and New Art (Mona). Conservatorium of Music. seminars for the Wagner Society in NSW. 20 21 Ryk Goddard presents the highest rated and Lisa McCune is best known for her role as John Xintavelonis has enjoyed an extensive The TSO Chorus is an auditioned group of most listened to breakfast show in Tasmania ‘Maggie Doyle’ in the police drama Blue career in corporate entertainment, stage, over 80 voices that was founded in 1992 for ABC Radio Hobart. He has also presented Heelers which made her a household name radio and television for over 20 years. He is to present concert performances of opera. for Classic FM, ABC Radio Melbourne and and delivered her four Gold Logie Awards for currently playing the Lion in the Australian Since then, the repertoire has broadened to embrace masses, requiems and symphonies Sydney. His radio career began with a 20-part Most Popular Personality. Lisa most recently touring production of The Wizard of Oz, and for chorus and orchestra, as well as a diverse comedy series Blogdaddy, commissioned for appeared in the ABC series Ex PM and The has previously appeared as Stewpot in Opera array of sacred and secular a cappella works. ABC Radio National. Ryk has presented with Warriors. Her other screen credits include, Australia’s South Pacific, Dick Woollnough/ The TSO Chorus recently returned to its It’s a Date where she starred opposite TSO for RACT Symphony under the Stars Dee Anthony in The Boy From Oz for The opera roots with the Helpmann Award- Peter Helliar and earned herself an AACTA and narrated many Family Classics concerts Production Co, Mitch in The Threepenny winning performance of Wagner’s Tristan Award Nomination for Best Performance in including a very special performance of Opera for Malthouse and the Sydney Theatre and Isolde (2016), Bizet’s Carmen (2017) and, a Television Comedy, the ABC miniseries Peter and the Wolf at Risdon Prison. He Company, Spider/Lord Savage in Jeckyll this year, Gounod’s Roméo et Juliette. In The Divorce, Network Ten’s Reef Doctors, has collaborated with Virtuosi Tasmania & Hyde for TML in Korea, Mr Braithwaite addition to concerts with the TSO, highlights which she produced alongside Jonathan to present an acclaimed statewide tour of in Billy Elliot: The Musical for Universal/ in recent years include performances with M Shiff, the UK/Australian co-production the Sydney Symphony Orchestra, West Stravinsky’s The Soldier’s Tale and worked Working Title, and Pumbaa in The Lion King Tripping Over, the telemovie Hell has Australian Symphony Orchestra, Adelaide with cellist Jane Tallon to create Brahms’ Life, for Disney Theatrical Productions in Perth, Harbour Views, the ABC series Rake, Sea Symphony Orchestra, Orchestra Victoria and Love Letters which was recorded for Classic Melbourne and Shanghai. His television Patrol, Blood Brothers, The Little Death, Little the Hong Kong Philharmonic Orchestra. With FM. Ryk is a sought-after actor and writer credits include The Kettering Incident Fish, Two Twisted, MDA and The Potato a reputation for innovative performances working mainly in television. Acting credits (Foxtel), Winners and Losers (7 network), Factory. Her stage credits include Machu under the direction of Chorusmaster June Tricky Business (Nine network), Dance include Rosehaven, The Kettering Incident Picchu for the Sydney Theatre Company Tyzack, the TSO Chorus commenced the year Academy (ABC), City Homicide (7 network) and the lead role in The First Fagin, which and the State Theatre Company of South with two performances in Mofo, maintaining and John Safran’s Race Relations (ABC). His its distinctive presence at Mona (previous premièred at the Melbourne International Australia, the Opera Australia and Gordon performances include Mofo, Dark Mofo Film Festival in 2012. He has two TV series Frost Organisation production of The King film credits include A Journey Through Time and Synaesthesia).
Recommended publications
  • Romantic Listening Key
    Name ______________________________ Romantic Listening Key Number: 7.1 CD 5/47 pg. 297 Title: Symphonie Fantastique, 4th mvmt Composer: Berlioz Genre: Program Symphony Characteristics Texture: ____________________________________________________ Text: _______________________________________________________ Voicing/Instrumentation: orchestra What I heard: timp start, high bsn solo Number: 7.2 CD 6/11 pg 339 Title: The Moldau Composer: Smetana Genre: symphonic poem Characteristics Texture: homophonic Text: _______________________________________________________ Voicing/Instrumentation: orchestra What I heard: flute start Sections: two springs, the river, forest hunt, peasant wedding, moonlight dance of river nymphs, the river, the rapids, the river at its widest point, Vysehrad the ancient castle Name ______________________________ Number: 7.3 CD 5/51 pg 229 Title: Symphonie Fantastique, 5th mvmt (Dream of a Witch's Sabbath) Composer: Berlioz Genre: program symphony Characteristics Texture: homophonic Text: _______________________________________________________ Voicing/Instrumentation: orchestra What I heard: funeral chimes, clarinet idee fix, trills & grace notes Number: 7.4 website Title: 1812 Overture Composer: Tchaikovsky Genre: concert overture Characteristics Texture: homophonic Text: _______________________________________________________ Voicing/Instrumentation: orchestra What I heard: soft beginning, hunter motive, “Go Napoleon”, the battle Name ______________________________ Number: 7.5 website Title: The Sorcerer's Apprentice
    [Show full text]
  • ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
    AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein.
    [Show full text]
  • 18 May 1999 Professor Richard Snape Commissioner Productivity
    18 May 1999 Professor Richard Snape Commissioner Productivity Commission Locked Bag 2 Collins Street East Post Office MELBOURNE VIC 8003 Dear Professor Snape I attach the ABC’s submission to the Productivity Commission’s review of the Broadcasting Services Act. I look forward to discussing the issues raised at the public hearing called in Melbourne on 7 June, and in the meantime I would be happy to elaborate on any matter covered in our submission. The ABC is preparing a supporting submission focusing on the economic and market impacts of public broadcasting, and this will be made available to the Commission at the beginning of June. Yours sincerely, BRIAN JOHNS Managing Director AUSTRALIAN BROADCASTING CORPORATION SUBMISSION TO THE PRODUCTIVITY COMMISSION REVIEW OF THE BROADCASTING SERVICES ACT 1992 MAY 1999 CONTENTS Introduction 4 1. The ABC’s obligations under its own Act 6 1.1 The ABC’s Charter obligations 6 1.2 ABC’s range of services 7 1.3 Public perception of the ABC 7 2. The ABC and the broadcasting industry 9 2.1 ABC’s role in broadcasting: the difference 9 2.2 ABC as part of a diverse industry 14 2.3 ABC’s role in broadcasting: the connections 15 3. Regulation of competition in the broadcasting industry 16 3.1 Aim of competition policy/control rules 16 3.2 ABC and competition policy 17 3.3 ABC as program purchaser 17 3.4 ABC as program seller 17 3.5 BSA control rules and diversity 18 3.6 ACCC as regulator 19 4. Relationship with other regulators 20 4.1 Australian Broadcasting Authority 20 4.2 Australian Communications Authority (ACA) 21 5.
    [Show full text]
  • Peer Gynt: Suite No. 1 Instrumentation: Piccolo, 2 Flutes, 2 Oboes, 2
    Peer Gynt: Suite No. 1 Instrumentation: piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, percussion, strings. Duration: 15 minutes in four movements. THE COMPOSER – EDVARD GRIEG (1843-1907) – Grieg spent much of the 1870s collaborating with famous countrymen authors. With Bjørnstjerne Bjørnson, the composer had hoped to mount a grand operatic history of King Olav Tryggvason but the two artists soon ran afoul of one another. A possible contributing factor was Grieg’s moonlighting project with Henrik Ibsen but, in truth, Bjørnson and the composer had been nursing hurt feelings for a while by the time the latter began to stray. THE MUSIC – As it turned out, Grieg’s back-up plan was more challenging than rewarding at first. He was to compose incidental music that expanded and stitched together the sections of Ibsen’s epic poem. This he did with delight, but soon found the restrictions of the theatrical setting more a burden than a help creatively. “In no case,” he claimed, “had I opportunity to write as I wanted” but the 1876 premiere was a huge success regardless. Grieg seized the chance to re-work some of the music and add new segments during the 1885 revival and did the same in 1902. The two suites he published in 1888 and 1893 likely represent his most ardent hopes for his part of the project and stand today as some of his most potently memorable work. Ibsen’s play depicted the globetrotting rise and fall of a highly symbolic Norwegian anti-hero and, in spite of all the aforementioned struggles, the author could not have chosen a better partner than Grieg to enhance the words with sound.
    [Show full text]
  • A Dark New World : Anatomy of Australian Horror Films
    A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream.
    [Show full text]
  • State Ed by Sue Smith
    state ed by Sue Smith 2 3 Index .................................................................................................................................................................................................... 4 Cast & Creatives .............................................................................................................................................................................. 5 Writer .................................................................................................................................................................................................. 6 Synopsis ............................................................................................................................................................................................. 8 Plot ....................................................................................................................................................................................................... 9 Director............................................................................................................................................................................................ 11 Actor Profile ................................................................................................................................................................................... 13 Characters .....................................................................................................................................................................................
    [Show full text]
  • Screen Australia Annual Report 2011/12 Published by Screen Australia October 2012 ISSN 1837-2740 © Screen Australia 2012
    Screen Australia Annual Report 2011/12 Published by Screen Australia October 2012 ISSN 1837-2740 © Screen Australia 2012 The text in this Annual Report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Annual Report 2011/12. You must not alter, transform or build upon the text in this Annual Report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/licenses/ by-nc-nd/3.0/au/. You are not licensed to reproduce, transmit or distribute any still photographs contained in this Annual Report without the prior written permission of Screen Australia. This Annual Report is available to download as a PDF from www.screenaustralia.gov.au Front cover image from The Sapphires. Screen Australia Annual Report 2011/12 Correction Department of Regional Australia, Local Government, Arts and Sport Screen Australia Annual Report 2011/12 Producer Offset and Co-productions – page 74: Incorrect total (173) for Producer Offset Provisional Certificates issued in 2011/12. It should read: 145 Provisional Certificates. Producer Offset and Co-productions – page 76: Under heading Certificates issued in 2011/12, the figures for Producer Offset Provisional Certificates (Features – 78; Non-feature documentaries – 54; TV and other – 41; Total – 173) are incorrect. The table should read: Certificates issued in 2011/12 Final Provisional Number Offset value ($m) Features 47 24 127.29 Non-feature documentaries 55 98 18.21 TV and other 43 39 58.45 Total 145 161 203.96 Note: Figures may not total exactly due to rounding.
    [Show full text]
  • Media Tracking List Edition January 2021
    AN ISENTIA COMPANY Australia Media Tracking List Edition January 2021 The coverage listed in this document is correct at the time of printing. Slice Media reserves the right to change coverage monitored at any time without notification. National National AFR Weekend Australian Financial Review The Australian The Saturday Paper Weekend Australian SLICE MEDIA Media Tracking List January PAGE 2/89 2021 Capital City Daily ACT Canberra Times Sunday Canberra Times NSW Daily Telegraph Sun-Herald(Sydney) Sunday Telegraph (Sydney) Sydney Morning Herald NT Northern Territory News Sunday Territorian (Darwin) QLD Courier Mail Sunday Mail (Brisbane) SA Advertiser (Adelaide) Sunday Mail (Adel) 1st ed. TAS Mercury (Hobart) Sunday Tasmanian VIC Age Herald Sun (Melbourne) Sunday Age Sunday Herald Sun (Melbourne) The Saturday Age WA Sunday Times (Perth) The Weekend West West Australian SLICE MEDIA Media Tracking List January PAGE 3/89 2021 Suburban National Messenger ACT Canberra City News Northside Chronicle (Canberra) NSW Auburn Review Pictorial Bankstown - Canterbury Torch Blacktown Advocate Camden Advertiser Campbelltown-Macarthur Advertiser Canterbury-Bankstown Express CENTRAL Central Coast Express - Gosford City Hub District Reporter Camden Eastern Suburbs Spectator Emu & Leonay Gazette Fairfield Advance Fairfield City Champion Galston & District Community News Glenmore Gazette Hills District Independent Hills Shire Times Hills to Hawkesbury Hornsby Advocate Inner West Courier Inner West Independent Inner West Times Jordan Springs Gazette Liverpool
    [Show full text]
  • Andrew S. Flies, Ph.D. Phone (Work): +61 0362264614
    Andrew S. Flies, Ph.D. Phone (work): +61 0362264614 Email (work): [email protected] Email (work): [email protected] Web (work): http://www.utas.edu.au/profiles/staff/menzies/andrew-flies Web (personal): http://wildimmunity.com/ Education Michigan State University, East Lansing, MI 2006-2012 Dual Ph.D. in Zoology and Ecology, Evolutionary Biology, and Behavior (EEBB) Concentration: Disease Ecology and Conservation Medicine Johns Hopkins University, Baltimore, MD 2004-2006 Advanced Academic Programs - Environmental Sciences Minnesota State University, Mankato, MN 1997-2002 B.S. in Computer Science Minors: Math, Chemistry Research and Work Experience University of Tasmania, Hobart, TAS, Australia 2014-present University of South Australia, Adelaide, SA, Australia 2014-present Title: Postdoctoral research fellow - Immunology 2016-present Title: Morris Animal Foundation postdoctoral research fellow 2014-2016 Vaccine for the Tasmanian devil facial tumour disease Cancer immunotherapy for companion animals Developing diagnostics and treatments for peanut allergy University of South Australia, Adelaide, SA, Australia 2013-2014 Title: Postdoctoral research assistant – Experimental Therapeutics Laboratory Recombinant viral vaccines Michigan State University, East Lansing, MI 2006-2012 Title: Graduate student (NSF Graduate Research Fellow 2007-2010) Comparative analysis of wild and captive carnivore serum Analysis of wild spotted hyena (Crocuta crocuta) serum Characterization of spotted hyena antibodies and humoral immune response Gene expression
    [Show full text]
  • Jüri Reinvere Peer Gynt Opera from the Play by Henrik Ibsen Jüri Reinvere
    JÜRI REINVERE PEER GYNT OPERA FROM THE PLAY BY HENRIK IBSEN JÜRI REINVERE With the international acclaim of his first opera Puhdistus (Purge), premiered at Finnish National Opera in 2012, Esto- nian-born composer Jüri Reinvere gained his reputation as one of the most faithful, yet versatile composers of our time. Not only a composer but also the librettist of his own operas, his works and life have been shaped by three essential fac- tors: his childhood in an occupied country within the Soviet Union, his developing years in Finland and in Stockholm, and by his private teacher Käbi Laretei, pianist and novelist, and, most importantly, through the presence of her former husband, Ingmar Bergman; an environment which brought Reinvere close to the Nordic theatre tradition and has influ- enced him as a composer, a thinker and as a writer in the most personal way. Among others, he composed Opposite Shore, a radio opera, Northwest Bow, Written in the Sand, Four Quartets I, Requiem and Norilsk the Daffodils, most of these based on his own poetry, written originally in English, using different musical genres in unpredictable ways in an assessment of humanity and its polarities. Reinvere has been described as a “true cosmopolitan with Estonian roots” by Sofi Oksanen, on whose bestseller his opera Purge was based. In addition to his music, he has last year written contributions as political essayist for the Frankfurter Allgemeine Zeitung, as well earlier for radio, TV and various publications in Germany, Finland, Sweden and Estonia - all of them in multiple languages. Sibelius Academy, Finland (2005) Warsaw Chopin Academy of Music, Poland Tallinn Music High School, Estonia awarded locally and internationally: e.g.
    [Show full text]
  • Edvard Grieg Arranged by Jeff Bailey
    String Orchestra TM TEPS TO UCCESSFUL ITERATURE Grade 2½ S S L SO361F • $7.00 Edvard Grieg Arranged by Jeff Bailey Gavotte (from Holberg Suite, Op. 40) Correlated with String Basics, Book 2, page 14 SAMPLE Neil A. Kjos Music Company • Publisher 2 Steps to Successful Literature presents exceptional performance literature - concert and festival pieces - for begin- ning to intermediate string orchestras. Each piece is correlated with a specific location in String Basics – Steps to Success for String Orchestra Comprehensive Method by Terry Shade, Jeremy Woolstenhulme, and Wendy Barden. Literature reinforces musical skills, concepts, and terms introduced in the method. Sometime, a few new concepts are included. They are officially e score. The Arranger Jeff Bailey is a graduate of Old Dominion University with a bachelor’s degree in music composition and University of Virginia with a master of arts in music. He has been teaching middle school string orchestra since 1999, first in Chesterfield Public Schools in Richmond, VA, and currently in Virginia Beach Public Schools. Jeff’s teaching philosophy includes the integration and education of classical music in his middle school orchestra classrooms and often arranges music to support his curriculum. His arrangements and original works have been performed with much acclaim throughout his home state. In addition, he has composed soundtrack music for instructional videos. Jeff has been a performing rock and jazz musician for over three decades, both on guitar and bass. He lives in Virginia Beach, Virginia with his wife and three children. Basics About the Composition Gavotte (from Holberg Suite Op. 40) can be described as charming, warm, lilting, graceful, and enchanting.
    [Show full text]
  • Publicity Campaigns & Print Advertising
    Fashion Stylist & Costume Buyer 0411 343 353 Agent: Freelancers 03 9682 2722 www.anitafitzgerald.com [email protected] Publicity Campaigns & Print Advertising Chrissie Swan & Anh Do Long Lost Family Stylist Publicity stills campaign 2016 Photography: Ben King Jo Stanley & Lehmo Gold FM/ARN Stylist Publicity stills campaign 2016 Photography: Elizabeth Allnutt SIDS & Kids Australia Photographer: Norman Krueger Stylist Safe Sleeping brochure 2016 Nadine Garner, Dr Blake Photography: Narelle Sheean Stylist Publicity stills campaign 2015 Kat Stewart, Mr and Mrs Murder Network Ten Stylist Publicity stills campaign 2013 Photography: Ben King Anthony La Paglia, Underground Network Ten Stylist Publicity stills campaign 2012 Photography: John Tsiavis Asher Keddie, Offspring Network Ten Stylist Publicity stills campaign 2012 Photography: John Tsiavis Carrie Bickmore Sunday Life Magazine Stylist Cover story 2012 Photography: Sam Ruttyn Clare Bowditch The Sunday Age, M Magazine Stylist Cover story 2012 Photography: Simon Schlutter Asher Keddie, Carrie Bickmore, TV Week Magazine Stylist Hamish Blake and TV Week Gold Logie Nominees Adam Hills Photography: Tina Smigielski Cover story 2012 Shaun Micallef, Amanda Keller OK Magazine Stylist Charlie Pickering, Josh Thomas Photography: Tina Smigielski Talking Bout Your Generation Stills 2012 Asher Keddie TV Week Stylist Cover story 2012 Photography: Tina Smigielski Lisa McCune, Matt Day Network Ten, Reef Doctors Stylist Publicity stills campaign 2012 Photography: Ellis Parrinder Kate Langbroek, Dave
    [Show full text]