DOCSLIB.ORG

Screamo Bands and Artists List

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Screamo Bands and Artists List Screamo Bands and Artists List Anomie https://www.listvote.com/lists/music/artists/anomie-567578/albums One Hundred Steps https://www.listvote.com/lists/music/artists/one-hundred-steps-10340978/albums The Third Memory https://www.listvote.com/lists/music/artists/the-third-memory-3522992/albums The Vaine https://www.listvote.com/lists/music/artists/the-vaine-10946051/albums Waifle https://www.listvote.com/lists/music/artists/waifle-106641938/albums Bert McCracken https://www.listvote.com/lists/music/artists/bert-mccracken-793753/albums Amanda Woodward https://www.listvote.com/lists/music/artists/amanda-woodward-580065/albums On the Last Day https://www.listvote.com/lists/music/artists/on-the-last-day-638842/albums Circle Takes the https://www.listvote.com/lists/music/artists/circle-takes-the-square-678948/albums Square Andorra~atkins https://www.listvote.com/lists/music/artists/andorra~atkins-492751/albums Pg. 99 https://www.listvote.com/lists/music/artists/pg.-99-709143/albums Raein https://www.listvote.com/lists/music/artists/raein-946817/albums I Set My Friends On https://www.listvote.com/lists/music/artists/i-set-my-friends-on-fire-800133/albums Fire Daïtro https://www.listvote.com/lists/music/artists/da%C3%AFtro-10228/albums Joliette https://www.listvote.com/lists/music/artists/joliette-25412414/albums Snöras https://www.listvote.com/lists/music/artists/sn%C3%B6ras-10672786/albums United Nations (band) https://www.listvote.com/lists/music/artists/united-nations-%28band%29-7888317/albums Usurp Synapse https://www.listvote.com/lists/music/artists/usurp-synapse-7902265/albums Hiretsukan https://www.listvote.com/lists/music/artists/hiretsukan-16843442/albums Infant Island https://www.listvote.com/lists/music/artists/infant-island-63442680/albums Helia https://www.listvote.com/lists/music/artists/helia-1602455/albums Mesa Verde https://www.listvote.com/lists/music/artists/mesa-verde-1922286/albums Jet Black https://www.listvote.com/lists/music/artists/jet-black-1652868/albums Comadre https://www.listvote.com/lists/music/artists/comadre-1113200/albums Buried Inside https://www.listvote.com/lists/music/artists/buried-inside-1016298/albums Saetia https://www.listvote.com/lists/music/artists/saetia-1412964/albums Finch https://www.listvote.com/lists/music/artists/finch-1001450/albums Coldrain https://www.listvote.com/lists/music/artists/coldrain-1050499/albums Jeromes Dream https://www.listvote.com/lists/music/artists/jeromes-dream-1080874/albums Blind Fool Love https://www.listvote.com/lists/music/artists/blind-fool-love-6381595/albums Showbread https://www.listvote.com/lists/music/artists/showbread-7503153/albums The Color of Violence https://www.listvote.com/lists/music/artists/the-color-of-violence-7726854/albums Yage https://www.listvote.com/lists/music/artists/yage-2598951/albums At the Soundawn https://www.listvote.com/lists/music/artists/at-the-soundawn-3627745/albums Nevea Tears https://www.listvote.com/lists/music/artists/nevea-tears-7003787/albums Loma Prieta https://www.listvote.com/lists/music/artists/loma-prieta-6669090/albums Song of Zarathustra https://www.listvote.com/lists/music/artists/song-of-zarathustra-2301365/albums Neil Perry https://www.listvote.com/lists/music/artists/neil-perry-6989149/albums Men As Trees https://www.listvote.com/lists/music/artists/men-as-trees-6816205/albums Four Letter Lie https://www.listvote.com/lists/music/artists/four-letter-lie-5475289/albums John Coffey https://www.listvote.com/lists/music/artists/john-coffey-4813526/albums Nitro Mega Prayer https://www.listvote.com/lists/music/artists/nitro-mega-prayer-7041440/albums.
Load more

Recommended publications
  • Exploring the Chinese Metal Scene in Contemporary Chinese Society (1996-2015)
    "THE SCREAMING SUCCESSOR": EXPLORING THE CHINESE METAL SCENE IN CONTEMPORARY CHINESE SOCIETY (1996-2015) Yu Zheng A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2016 Committee: Jeremy Wallach, Advisor Esther Clinton Kristen Rudisill © 2016 Yu Zheng All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor This research project explores the characteristics and the trajectory of metal development in China and examines how various factors have influenced the localization of this music scene. I examine three significant roles – musicians, audiences, and mediators, and focus on the interaction between the localized Chinese metal scene and metal globalization. This thesis project uses multiple methods, including textual analysis, observation, surveys, and in-depth interviews. In this thesis, I illustrate an image of the Chinese metal scene, present the characteristics and the development of metal musicians, fans, and mediators in China, discuss their contributions to scene’s construction, and analyze various internal and external factors that influence the localization of metal in China. After that, I argue that the development and the localization of the metal scene in China goes through three stages, the emerging stage (1988-1996), the underground stage (1997-2005), the indie stage (2006-present), with Chinese characteristics. And, this localized trajectory is influenced by the accessibility of metal resources, the rapid economic growth, urbanization, and the progress of modernization in China, and the overall development of cultural industry and international cultural communication. iv For Yisheng and our unborn baby! v ACKNOWLEDGMENTS First of all, I would like to show my deepest gratitude to my advisor, Dr.
    [Show full text]
  • Sum 41 Alive
    SSUMUM 4411 AALIVELIVE IS SCREAMO B.S.? FLORIA’S FUEL IAN BLURTON~MINISTRY~THE TEA PARTY~WILDHEARTS CLAIRE STANSFIELD~MOONEY SUZUKI~DFA 1979 THE JERRY CAN The summer is the season of rock. Tours roll across the coun- try like mobile homes in a Florida hurricane. The most memo- rable for this magazine/bar owner were the Warped Tour and Wakestock, where such bands as Bad Religion, Billy Talent, Alexisonfire, Closet Monster, The Trews and Crowned King had audiences in mosh-pit frenzies. At Wakestock, in Wasaga Beach, Ont., Gasoline, Fox Racing, and Bluenotes rocked so hard at their two-day private cottage party that local authorities shut down the stage after Magneta Lane and Flashlight Brown. Poor Moneen didn't get to crush the eardrums of the drunken revellers. That was day one! Day two was an even bigger party with the live music again shut down. The Reason, Moneen and Crowned King owned the patio until Alexisonfire and their crew rolled into party. Gasoline would also like to thank Chuck (see cover story) and other UN officials for making sure that the boys in Sum41 made it back to the Bovine for another cocktail, despite the nearby mortar and gunfire during their Warchild excursion. Nice job. Darryl Fine Editor-in-Chief CONTENTS 6 Lowdown News 8 Ian Blurton and C’mon – by Keith Carman 10 Sum41 – by Karen Bliss 14 Floria Sigismondi – by Nick Krewen 16 Alexisonfire and “screamo” – by Karen Bliss 18 Smash it up – photos by Paula Wilson 20 Whiskey and Rock – by Seth Fenn 22 Claire Stansfield – by Karen Bliss 24 Tea Party – by Mitch Joel
    [Show full text]
  • The Evolution of Emo and Its Theoretical Implications 175
    The Evolution of Emo and Its Theoretical Implications 175 Mirosław Aleksander Miernik The Evolution of Emo and Its Theoretical Implications The purpose of this article is to analyze how emo, a youth subculture, evolved in the United States during a period of approximately twenty five years, since the mid-1980s, particularly focusing on how it changed in regard to the zeitgeist of the time period, as well as how it appropriated various elements of past subcultures into itself in order to create its own subcultural identity. Special attention will be paid to the third incarnation, which emerged at the beginning of the twenty-first century and proved to be the most widespread variation of the subculture. It is also interesting how this incarnation was affected by historical events such as the Columbine High School Massacre and 9/11. The theoretical implications of emo are the second issue that this article at- tempts to tackle. In particular, when viewed from the perspective of post-subculture studies, it allows one to revisit certain theories of the Centre for Contemporary Cultural Studies at the University of Birmingham (CCCS), which pioneered sub- culture studies in the 1960s and 70s. The relationship between post-subculture studies and the CCCS’s approach has always been very complex. Even though many representatives of post-subculture studies criticized the CCCS for various shortcomings, most significantly for an a priori approach that ignores empirical evidence and limits the concept of authenticity within subcultures (Muggleton 19–30). At the same time, the work of the CCCS has been always treated with respect and considered a milestone.
    [Show full text]
  • Death & Violence
    Frank Turner Suicide Machines Offspring Mighty Mighty Bosstones Goldfinger Death & Violence Elements of Ataris Yellowcard Bouncing Souls Misfits Bright Eyes Useless ID simple_things Fall Out Boy UK Subs Nature Melancholy time_i_feel same_song i_cant_help Youth Every Time I Die same_way one_more_day more_shotmore_day Death Cab for Cutie three_years Good Riddance play way_i_feel GG Allin Exploited last_year okay_im well write Anthems dead_end_road chang next_year yeah_cause little_bit one_more_song Thrice next_time sometim thing past_few_years long_way time love_with_someone caus today insid move hardest havent help right along 2 4 6 8 Lawrence Arms shades_of_grey told hope someday real + moon_light ago seen seem mayb just candl day little_time melodi time_yeah Horror come thaw back thing lost new i_cantsing + dusk sparrow + let song 1.1 sand i_guess homeever 1.00 way_yeah littl bit way sad_song lifeboat home riverbloom old meantend_road seem time day time_to_time Dance echo night dark_night sorri miss runaway + alway first_place right_time like whoa doo drown ship star cloudtraffic_lights known made aliv tri know mind + knew now guess_i favorit fine + watchground - 0.95 hear can Art grey month never - sad_songs feel i_feeleveryth + water_icitiair shadow still found okay + 1.0 wing mile storm werent thought like_im start cheater wast get nothing_i i_guess_i better wrong cant invinc come fine_yeah Post-grunge + + shipwreck tree wind float went rememb many_times alright ocean seven_seas love wishmini - 0.90 old_song findcant_move yeah feel_like_im
    [Show full text]
  • An Interview with Chris Carrera of Disavow
    HxC: Heady Chugs and Heavy Nugs — An Interview with Chris Carrera of Disavow Hardcore and punk is well and alive in PVD. Alongside hometown heroes, such as DROPDEAD, Lightening Bolt, Daughters and many others, punk veterans Weak Teeth have collaborated with members of The Hurt Ensemble to create a band that measures up to epic proportions. Disavow is a D-beat/hardcore/screamo band that is slowly making a name for themselves in the local scene and beyond. I was lucky enough to catch Chris Carrera, guitarist of Disavow, and ask him a couple questions about the band. Mathew Gilbert (Motif): Disavow is a relatively new band, correct? Could you name the members and what they play in the band? Chris Carrera: Disavow has been a band since April 2016. We starting writing what would become our demo in April and played our first show in May with 10 minutes of material. Dylan plays drums, Chris plays guitar, Michael does vocals and Jon plays bass. MG: I’ve seen Disavow play a couple times at As220, and your set completely blew me away. It reminded me a lot of late ’90s and early 2000s punk and hardcore-influenced screamo. Are there any bands from that era that you guys are influenced by? I heard a lot of Joshua Fit For Battle and Orchid- esque riffs, which is awesome! CC: We draw a lot of influence from bands like His Hero is Gone and Converge, but other bands we have played in have been influenced by screamo bands like Orchid and Circle Takes the Square, so I think inevitably those are going to be apparent in any project we start.
    [Show full text]
  • Arts Oct 28 2009.Indd
    arts october 28, 2009 the paper page 15 by Sean Bandfi eld Would you identify place? One of the common com- kids feel good about themselves. STAFF HARDCOREBEQUE [Crunkcore] as a movement It could be jealousy. Seeing plaints about Crunkcore is the When you’re writing a or a scene? a band that’s getting that suc- superfi ciality of its lyrics. Dah- song and when you release Dahvie Vanity is a shad- It’s a movement, because cessful so fast… vie explains that his message something, are you making ow character and an all right there’s a bunch to listeners is, an effort to give the fans what guy. Dressed in black lace and of people, it’s “Live it up, they want? spiked platform boots, with not just a trend. love it up…just Yeah. I really try to push my red-fl are hair, he could only People really party on.” I ask music to where I don’t com- front the techno-scream proj- live their lives him if such a pletely change, but I’m giving ect known as Blood On The like this. message is vir- what the fans want. Dance Floor. His band scorches What’s the tuous. What the fans want – is earth with brokenCYDE on the lifestyle? Just be safe. that what’s best for them? Crunk Kids Tour, which cuts The Crunk You’ve got to When you were a kid and and burns across our nation as movement is be smart. you wanted to eat cookies these words are put to paper.
    [Show full text]
  • Pmk Distribution September, 2012
    PMK DISTRIBUTION SEPTEMBER, 2012. -------------------------------------------------------- CONTENT: LAST DISTRO UPDATE .……………..……………...... page 2 COMPLETE DISTRO LIST .……………. ……………...... page 3 PUNK / HARDCORE / GRIND …………….………………… page 3-15 SLUDGE / METALCORE / BLACK METAL .…………...………………… page 16-19 NOISE / AMBIENT / EXPERIMENTAL .……………………………… page 20-22 OTHER .……………………………… page 23-25 FANZINES / BOOKS .……………………………… page 26 -------------------------------------------------------- MONEY TRANSFER: PayPal Bank Transfer (optionally over 10-20 €/us$) Hidden Cash (no coins) CHEAPEST POSTAGE EUROPE & OVERSEA: 2 € / 3 us$ (1-5 cd / 1-3 mc / 1-3 zine) 3 € / 4 us$ (6-8 cd / 4-6 mc / 4-6 zine) 5 € / 7 us$ (1-2 lp) -------------------------------------------------------- CONTACT: LONCAREVIC GORAN TRG ST. RODOLJUBA 14/16 19370 BOLJEVAC SERBIA / EUROPE [email protected] www.myspace.com/pmkrecords www.discogs.com/label/PMK+Records 1 -------------------------------------------------------- • LAST DISTRO UPDATE • September, ‘12. -------------------------------------------------------- VINYL V/A "AMEBIX BALKANS" - A TRIBUTE TO AMEBIX LP (8 balkan's stench/sludge/black covers legends / http://soundcloud.com/punkgr / artwork by doomsday graphics & lightbearer studios / incl. innersleeve / 10€) OD VRATOT NADOLU "Mercury" 12'' (dystopia ugly style hardcore / macedonia / www.myspace.com/odvratotnadolu / clear vinyl / 10€) NOOTHGRUSH "1994" 12'' (the first more psychedelic sludge recordings / white vinyl / 10€) DAZD "Self titled" 12'' (occult punk/metal / serbia
    [Show full text]
  • Deconstructing “Do-It-Yourself” Punk Rock Ethics in Philadelphia" (2016)
    Dickinson College Dickinson Scholar Student Honors Theses By Year Student Honors Theses 5-22-2016 Consuming Authenticity: Deconstructing “Do-It- Yourself” Punk Rock Ethics in Philadelphia Patricia Ann Kotrady Dickinson College Follow this and additional works at: http://scholar.dickinson.edu/student_honors Part of the American Popular Culture Commons, Music Commons, and the Sociology of Culture Commons Recommended Citation Kotrady, Patricia Ann, "Consuming Authenticity: Deconstructing “Do-It-Yourself” Punk Rock Ethics in Philadelphia" (2016). Dickinson College Honors Theses. Paper 238. This Honors Thesis is brought to you for free and open access by Dickinson Scholar. It has been accepted for inclusion by an authorized administrator. For more information, please contact [email protected]. Consuming Authenticity Deconstructing “Do-It-Yourself” Punk Rock Ethics in Philadelphia By Patricia Ann Kotrady Submitted in partial fulfillment of Honors Requirements for the Department of American Studies at Dickinson College May 10, 2016 Table of Contents Introduction: Welcome to “the Best Punk Scene in the Country Right Now” 1 “The House Shows Don’t Really Happen Everywhere”: Why Philadelphia? 7 “Semi Anti-Establishment, I Guess”: Punk as a Vessel 12 “You Know, Just Do It”: An Overview of DIY Punk Ethics 16 “This Music is Just Organic”: 21 Authenticity, Opposition, and the Myth of the Mainstream "We never want to be a band that's just in it to make a buck”: 27 The Narrative of “Selling Out” “It’s Never Been Easier to Make Music Like a Pro”: 32
    [Show full text]
  • Overzicht NL Hc-Bands* (2013)
    Overzicht NL hc-bands* (2013) *Momenteel actieve bands Bandnaam Plaats Provincie (Sub)genre For Blood And Vengeance Almere Flevoland Hardcore Entombed Scars Almere Flevoland Hardcore Cornered Leeuwarden Friesland Hardcore Bad Attitude Leeuwarden Friesland Hardcore Pantah Leeuwarden Friesland Hardcore 0Fight8 Leeuwarden Friesland Hardcore Chelsea Smile Leeuwarden Friesland Hardcore Swindle Leeuwarden Friesland Punk Manu Armata Harlingen Friesland Hardcore Sparky's Revenge Harlingen Friesland Punkrock Mundane Harlingen Friesland Hardcore Stonehawk Sneek Friesland Stoner Swim Or Drown Heerenveen Friesland Hardcore When Walls Collapse Heerenveen Friesland Hardcore/Metalcore Cold Blooded Heerenveen Friesland Hardcore/Death Metal 13 Steps Drachten Friesland Hardcore Pinheadz Ameland Friesland Punkrock Brat Pack Nijmegen Gelderland Punkrock Sloth Nijmegen Gelderland Punk/Crust Landverraad Nijmegen Gelderland Punk/Crust Antillectual Nijmegen Gelderland Punkrock Through The Struggle Nijmegen Gelderland Hardcore Dead Giveaway Nijmegen Gelderland Punkrock New Morality Arnhem Gelderland Hardcore Lies! Groningen Groningen Hardcore Herder Groningen Groningen Stoner/Sludge Grinding Halt Groningen Groningen Screamo Long Way Down Groningen Groningen Punkrock Citizens Patrol Panningen Limburg Punk Backfire! Maastricht Limburg Hardcore Born From Pain Heerlen Limburg Metalcore Bloodtrial Heerlen Limburg Hardcore Dysfunctional Kid Heerlen Limburg Punkrock Better Off Stein Limburg Hardcore Cold Reality Gennep Noord-Brabant Hardcore Harsh Realms Roosendaal Noord-Brabant
    [Show full text]
  • Faouda Wa Ruina: a History of Moroccan Punk Rock and Heavy Metal Brian Kenneth Trott University of Wisconsin-Milwaukee
    University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations May 2018 Faouda Wa Ruina: A History of Moroccan Punk Rock and Heavy Metal Brian Kenneth Trott University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the Islamic World and Near East History Commons, and the Social and Cultural Anthropology Commons Recommended Citation Trott, Brian Kenneth, "Faouda Wa Ruina: A History of Moroccan Punk Rock and Heavy Metal" (2018). Theses and Dissertations. 1934. https://dc.uwm.edu/etd/1934 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. FAOUDA WA RUINA: A HISTORY OF MOROCCAN PUNK ROCK AND HEAVY METAL by Brian Trott A Thesis Submitted in Partial Fulfillment of the Requirements of a Degree of Master of Arts In History at The University of Wisconsin - Milwaukee May 2018 ABSTRACT FAOUDA WA RUINA: A HISTORY OF MOROCCAN PUNK ROCK AND HEAVY METAL by Brian Trott The University of Wisconsin-Milwaukee, 2018 Under the Supervision of Professor Gregory Carter While the punk rock and heavy metal subcultures have spread through much of the world since the 1980s, a heavy metal scene did not take shape in Morocco until the mid-1990s. There had yet to be a punk rock band there until the mid-2000s. In the following paper, I detail the rise of heavy metal in Morocco. Beginning with the early metal scene, I trace through critical moments in its growth, building up to the origins of the Moroccan punk scene and the state of those subcultures in recent years.
    [Show full text]
  • The History of Rock Music: the 2000S
    The History of Rock Music: The 2000s History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2006 Piero Scaruffi) Rockers (These are excerpts from my book "A History of Rock and Dance Music") Eastern rockers TM, ®, Copyright © 2008 Piero Scaruffi All rights reserved. Jon Spencer Blues Explosion's influence (loud and sloppy garage-blues) was still felt throughout the country, as proven by the Immortal Lee County Killers in Alabama with The Essential Fuck-Up Blues (2001); the Black Keys in Ohio with The Big Come Up (2002); and by the Kills in Florida, playing the version popularized by the White Stripes on No Wow (2005). The Fiery Furnaces (4), formed by Matthew Friedberger and Eleanor Friedberger, siblings from Chicago who relocated to New York, exhibited a versatile and multi-faceted style on Gallowsbird's Bark (2003). Anti- crooning vocals and spiked guitar riffs as well as wildly unstable dynamics evoked the Rolling Stones at their most drunken/deranged, or Captain Beefheart's Magic Band fronted by Janis Joplin. At the same time the exuberant neglect of their arrangements was reminiscent of Pere Ubu. Blueberry Boat (2004) stretched out into longer and more ambitious songs, collages of genres and tours de force of arrangement (including electronic keyboards) that were meant to create a new form of musical theater. That form came to life on Rehearsing My Choir (2005), a work structured as a dialogue between an older woman and a younger one over a substratum of eccentric and cacophonous sounds.
    [Show full text]
  • The Local 518 Music (And More) Report 2017 – Quarter 3
    The Local 518 Music (and More) Report 2017 – Quarter 3 This report covers the time period of July 1st to Raziel's Tree - "Demo 1" [psychedelic noise sludge] September 30th, 2017. We inadvertently missed a few Albany before that time period, which were brought to our attention by fans, bands & others. The missing are listed Scavengers - "Ordovician Silurian EP" [hardcore crust at the end. punk] Albany RECORDINGS: Scene Crime - "Demo 2017" [hardcore punk] Albany Hard Rock / Metal / Punk Small Town Glow - "Seltzer" (single track) [post-punk alt Adhara - "Murals of the Beginning" (single) [metal] rock] Troy Albany The Abyssmals - "Enter . The Abyssmals!/No Sleep 'Til Asa Morris and the Mess - "as 'L7'" [lo-fi post punk Low Beat" (2 track) [psychedelic garage rock] Albany garage] Glens Falls The Backseat Bullets - "Give You The Moon" (EP) [alt Bendt - "Bendt" [alt grunge rock] Albany emo punk] Albany Brick By Brick - "Thin The Herd" [metal hardcore] Troy The Broken - "Panic" (single track) [heavy melodic rock] Glens Falls Built for Battle - "Killing the Dream" [hardcore thrash metal] Albany The Erotics - "United We Can't Stand" [sleaze trash rock] Albany Concrete - "Everything Ends Now" [hardcore metal] Albany The Great Pacific Garbage Patch - "Rushmore" (single) [punk pop] Albany Every Enemy Alive - "Into the Eyes of Nothing" (EP) [post alt metalcore] Bennington The Northway - "Vanwyck" (single) [pop punk] Scotia Firestarter - "The Time It Takes" [screamo pop punk] The Spirit of Violence - "Crystal Fist" (single track) [hard Albany/NYC grunge
    [Show full text]