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By the Histories of Sea and Fiction in Its Roar: Fathoming the Generic Development of Indian Sea-Fiction in Amitav Ghosh’S Sea of Poppies
ISSN 2249-4529 www.pintersociety.com GENERAL ISSUE VOL: 8, No.: 1, SPRING 2018 UGC APPROVED (Sr. No.41623) BLIND PEER REVIEWED About Us: http://pintersociety.com/about/ Editorial Board: http://pintersociety.com/editorial-board/ Submission Guidelines: http://pintersociety.com/submission-guidelines/ Call for Papers: http://pintersociety.com/call-for-papers/ All Open Access articles published by LLILJ are available online, with free access, under the terms of the Creative Commons Attribution Non Commercial License as listed on http://creativecommons.org/licenses/by-nc/4.0/ Individual users are allowed non-commercial re-use, sharing and reproduction of the content in any medium, with proper citation of the original publication in LLILJ. For commercial re-use or republication permission, please contact [email protected] 144 | By the Histories of Sea and Fiction in its Roar: Fathoming the Generic Development of Indian Sea-Fiction in Amitav Ghosh’s Sea of Poppies By the Histories of Sea and Fiction in its Roar: Fathoming the Generic Development of Indian Sea-Fiction in Amitav Ghosh’s Sea of Poppies Smriti Chowdhuri Abstract: Indian literature has betrayed a strange indifference to sea-experience and sea-culture as a subject of literary interest though it cannot overlook the repercussions of sea voyages on Indian social, political and economic conditions specifically after colonization. Consequently, nautical fiction as a category of writing can hardly be traced in the history of Indian literature. Nautical fiction as a substantial body of writing emerged from Anglo-American history of maritime experience. This paper is an attempt to perceive Amitav Ghosh’s novel, Sea of Poppies as an Indian response to the sub-genre. -
Emma Goldman
StMU History Media Featuring Historical Research, Writing, and Media at St. Mary’s University Vol. 2 No. 1 Jan-Feb 2017 Emma Goldman By Gabriella Serrato Read about this "most dangerous woman in America" Buffalo Bill's Wild West Show By Nelson Smithwick Discover the fascinating story of this vision of what the "West" was thought to be Sir Francis Drake By Cameron Adelman Fascinating look at the exploits and adventures of this swashbuckling privateer Bloody Mary in the Mirror 2 ARTICLES ARTICLES 3 TABLE OF CONTENTS STMU HISTORY MEDIA Oct. - Nov. 2016 TOP 14 ARTICLES 04 Sir Francis Drake: Knight and 27 The Intellectual Endeavors of Explorer, Slave Trader and Pirate Leonardo Da Vinci by Cameron Adelman by Christopher Repka 07 The Ghost Dance and the Wounded 30 The Son of a Watchmaker: Jean- Knee Massacre of 1890 Jacques Rousseau Leonardo Da Vinci by Gabriela Serrato by Zaraly Frasquillo 10 The US Bombings of Hiroshima and Nagasaki 32 "The Most Dangerous Woman in America" Emma Goldman by Cameron Adelman » p 32 » p. 27 » p.12p. 7 by Gabriela Serrato 13 Have Fun, Will Travel: Buffalo Bill's Wild West Show 36 Sargon of Akkad by Nelson Smithwick by Erick Martinez 15 The Lynching Era: The Tragic 38 Martin Luther: Rebel or Reformer? Hanging of Laura and L.D. Nelson by Teresa Valdez by Gabriela Serrato 41 Nikola Tesla: The Man Who Gave a 20 Peter the Great: The Man who New "Light" to the World Westernized Russia by MNahim Rancharan by Mario Sosa 44 The Treaty of Tordesillas of 1494 » p. -
Grenville Research
David & Jenny Carter Nimrod Research Docton Court 2 Myrtle Street Appledore Bideford North Devon EX39 1PH www.nimrodresearch.co.uk [email protected] GRENVILLE RESEARCH This report has been produced to accompany the Historical Research and Statement of Significance Reports into Nos. 1 to 5 Bridge Street, Bideford. It should be noted however, that the connection with the GRENVILLE family has at present only been suggested in terms of Nos. 1, 2 and 3 Bridge Street. I am indebted to Andy Powell for locating many of the reference sources referred to below, and in providing valuable historical assistance to progress this research to its conclusions. In the main Statement of Significance Report, the history of the buildings was researched as far as possible in an attempt to assess their Heritage Value, with a view to the owners making a decision on the future of these historic Bideford properties. I hope that this will be of assistance in this respect. David Carter Contents: Executive Summary - - - - - - 2 Who were the GRENVILLE family? - - - - 3 The early GRENVILLEs in Bideford - - - - 12 Buckland Abbey - - - - - - - 17 Biography of Sir Richard GRENVILLE - - - - 18 The Birthplace of Sir Richard GRENVILLE - - - - 22 1585: Sir Richard GRENVILLE builds a new house at Bideford - 26 Where was GRENVILLE’s house on The Quay? - - - 29 The Overmantle - - - - - - 40 How extensive were the Bridge Street Manor Lands? - - 46 Coat of Arms - - - - - - - 51 The MEREDITH connection - - - - - 53 Conclusions - - - - - - - 58 Appendix Documents - - - - - - 60 Sources and Bibliography - - - - - 143 Wiltshire’s Nimrod Indexes founded in 1969 by Dr Barbara J Carter J.P., Ph.D., B.Sc., F.S.G. -
FALL 2019 2 | from the Executive Director
Americans in Alliance with the National Trust of England, Wales, and Northern Ireland The Horse and the Country House The Lost House Revisited Restoring Britain’s Waterways FALL 2019 2 | From the Executive Director THE ROYAL OAK FOUNDATION 20 West 44th Street, Suite 606 New York, New York 10036-6603 212.480.2889 | www.royal-oak.org BOARD OF DIRECTORS Chairman Lynne L. Rickabaugh Vice Chairman Renee Nichols Tucei Treasurer Susan Ollila Montacute House in Somerset is a masterpiece of Elizabethan Renaissance architecture and design. Secretary Royal Oak members visited the house on this year’s annual garden tour. Prof. Sir David Cannadine Directors Cheryl Beall Michael A. Boyd Dear Members & Friends, Michael J. Brown Though we are nearing the final quarter of 2019, our year is far from over. On November Susan Chapman 6, we will host our fall benefit dinner at the Century Association in New York City. This Constance M. Cincotta year’s event will honor the Duke of Devonshire for his contribution to the preservation Robert C. Daum of British culture and the 10 year restoration of Chatsworth. Sir David Cannadine will Tracey A. Dedrick join in discussion with the Duke about his project to restore Chatsworth to its full glory Anne Blackwell Ervin and it promises to be wonderful evening. Pamela K. Hull Linda A. Kelly We are well on our way to achieving our goal of raising $250,000 to preserve the library at Hilary McGrady Blickling Hall. This is one of the most significant libraries under the care of the National Eric J. -
Traversing the Nautical Gothic in the Touching and Melancholy Narrative of Marian Moore (1853)
Dearly Departed, Yet, Returned: Traversing the Nautical Gothic in The Touching and Melancholy Narrative of Marian Moore (1853) Danielle Cofer Abstract: Scholars have explored the genres of Shipwreck narratives, women’s writings about life at sea, and the nautical Gothic. Bringing these fields together in conversation with Marian Moore’s The Touching and Melancholy Narrative of Marian Moore, the Shipwrecked Female Sailor (1853) reveals tensions between horrifying experiences with shipwreck and subsequent cannibalism at sea and life on land for women in the mid-nineteenth century. Moore details her encounters with death throughout, which ultimately prepare her for the prolonged social death she endures once back on land ensnared in class and gender conventions. The irony of Moore’s narrative is that the threat of the sea proves to be far less harrowing than the entrapment of static domesticity. Instead of being the place of danger and death, the sea becomes a source of knowledge and a sanctuary from the true horror of the social conditions Moore contends with back on land. ____________________ Nautical fiction and narratives of sea travel resonated with nineteenth-century American audiences because they carried with them the fulfillment of flights of fantasy and the romance of exploration that could be read from the safety of one’s home. Indeed, “a desire for the physical and mental freedom of open ocean experience” permeates many sea narratives, fulfilling “the blue-water fantasies of men and women who ride ferries or sail yachts alongshore.”1 Yet, even beyond escapism and the promise of experiencing a different lifestyle or landscape amongst the waves and ocean swells, audiences sought much more than just knowledge of a mariner’s or seafarer’s firsthand account of maritime life. -
Family and Heirs Sir Francis Drake
THE FAMILY AND HEIRS OF SIR FRANCIS DRAKE BY LADY ELIOTT-DRAKE WITH PORTRAITS AND ILLUSTRATIONS IN TWO VOLUMES VOL. II. LONDON SMITH, ELDER & CO., 15 WATERLOO PLACE, S. W. 1911 [All rights reserved} THE FAMILY AND HEIRS OF SIR FRANCIS DRAKE VOL. II. cJ:-, · ,<Ji-a II c/.) (sf) ra l<e 9/1 ,·,v !J3CLl'O/l-et CONTENTS OF THE SECOND VOLUME PART V SIR FRANCIS DRAKE, THIRD BARONET, 1662-1717 OBAl'TER PAGE CBAl'TER PAGE I. 3 V. 117 II. 28 VI. 142 III. 55 VII. 169 IV. 87 VIII. 195 PART VI SIR FRANCIS HENRY DRAKE, FOURTH BARONET, 1718-1740 OBAPTER PAGE I. 211 PART VII SIR FRANCIS HENRY DRAKE, FIFTH BARONET, 1740-1794 CIIAl'TER PAGE CHAPTER PAGE I. 237 IV. 290 II. 253 V. 310 III. 276 VI. 332 PAGE APPENDIX l. 343 APPENDIX II. 360 INDEX • 403 ILLUSTRATIONS IN THE SECOND VOLUME Sm FRANCIS DRAKE, TmRD BARONET Frontispiece (From a Miniature b11 Sir Peter Lel11) DOROTHY, LADY DRAKE (DAUGHTER Ol!' SIR JOHN BAM• FIELD), WIFE OF TmRD BARONET To face p. 8 SIR HENRY POLLEXFEN, CmEF JUSTICE OF THE COMMON PLEAS • " 76 SAMFORD SPINEY CHURCH 138 ANNE, LADY DRAKE (DAUGHTER OF SAMUEL HEATHCOTE), WIFE OF FOURTH BARONET 218 SIR FRANCIS HENRY DRAKE, FOURTH BARONET 234 Sm FRANCIS HENRY DRAKE, FIFTH BARONET • 234 BEERALSTON 253 BUCKLAND ABBEY 274 Mrss KNIGHT 294 (F'rom a Painting by Sir Joshua Reynolds) ADMIRAL FRANCIS WII,LIAM DRAKE 310 DRAKE'S DRUM 338 PART V SIR FRANCIS DRAKE, 3RD BARONET 1662-1717 PARTY CHAPTER I As we pass from the life story of Sir Francis Drake, the ' Par liamentarian ' baronet, to that of his nephew and heir, Francis, only surviving son of Major Thomas Drake, we feel at first as though we were quitting old friends for the society of new and less interesting companions. -
Proquest Dissertations
RICE UNIVERSITY Material Fictions: Readers and Textuality in the British Novel, 1814-1852 by Duncan Ingraham Haseli A THESIS SUBMITTED EM PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE Doctor of Philosophy AppRavæD, THESIS CPMMITTEE: Robert L. Patten, Lynette S. Autrey Professor in the Humanities, Director Helena Michie, Agnes Cullen Arnold Professor in the Humanities, Professor of and Chair, English Martin Wiener, Mary Gibbs Jones Professor, History HOUSTON, TEXAS JANUARY 2009 UMI Number: 3362239 Copyright 2009 by Hasell, Duncan Ingraham INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform 3362239 Copyright 2009 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 AnnArbor, Ml 48106-1346 Copyright Duncan Ingraham Hasell 2009 ABSTRACT Material Fictions: Readers and Textuality in the British Novel, 1814-1852 by Duncan Ingraham Hasell I argue in the first chapter that the British novel's material textuality, that is the physical features of the texts that carry semantic weight and the multiple forms in which texts are created and distributed, often challenges and subverts present conceptions of the cultural roles of the novel in the nineteenth century. -
English Monks Suppression of the Monasteries
ENGLISH MONKS and the SUPPRESSION OF THE MONASTERIES ENGLISH MONKS and the SUPPRESSION OF THE MONASTERIES by GEOFFREY BAS KER VILLE M.A. (I) JONA THAN CAPE THIRTY BEDFORD SQUARE LONDON FIRST PUBLISHED I937 JONATHAN CAPE LTD. JO BEDFORD SQUARE, LONDON AND 91 WELLINGTON STREET WEST, TORONTO PRINTED IN GREAT BRITAIN IN THE CITY OF OXFORD AT THE ALDEN PRESS PAPER MADE BY JOHN DICKINSON & CO. LTD. BOUND BY A. W. BAIN & CO. LTD. CONTENTS PREFACE 7 INTRODUCTION 9 I MONASTIC DUTIES AND ACTIVITIES I 9 II LAY INTERFERENCE IN MONASTIC AFFAIRS 45 III ECCLESIASTICAL INTERFERENCE IN MONASTIC AFFAIRS 72 IV PRECEDENTS FOR SUPPRESSION I 308- I 534 96 V THE ROYAL VISITATION OF THE MONASTERIES 1535 120 VI SUPPRESSION OF THE SMALLER MONASTERIES AND THE PILGRIMAGE OF GRACE 1536-1537 144 VII FROM THE PILGRIMAGE OF GRACE TO THE FINAL SUPPRESSION 153 7- I 540 169 VIII NUNS 205 IX THE FRIARS 2 2 7 X THE FATE OF THE DISPOSSESSED RELIGIOUS 246 EPILOGUE 273 APPENDIX 293 INDEX 301 5 PREFACE THE four hundredth anniversary of the suppression of the English monasteries would seem a fit occasion on which to attempt a summary of the latest views on a thorny subject. This book cannot be expected to please everybody, and it makes no attempt to conciliate those who prefer sentiment to truth, or who allow their reading of historical events to be distorted by present-day controversies, whether ecclesiastical or political. In that respect it tries to live up to the dictum of Samuel Butler that 'he excels most who hits the golden mean most exactly in the middle'. -
Archaeological Journal Sir Francis Drake
This article was downloaded by: [Northwestern University] On: 08 February 2015, At: 00:52 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Archaeological Journal Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/raij20 Sir Francis Drake H. H. Drake M.A., Ph.D. Published online: 11 Jul 2014. To cite this article: H. H. Drake M.A., Ph.D. (1873) Sir Francis Drake, Archaeological Journal, 30:1, 358-388, DOI: 10.1080/00665983.1873.10851606 To link to this article: http:// dx.doi.org/10.1080/00665983.1873.10851606 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. This article may be used for research, teaching, and private study purposes. -
BULLETIN Vol
£ NOVEMBER 1958 BULLETIN Vol. 8 No. 6 lose Jwr A MISS IS AS GOOD AS A MILE — OR IS IT? You have to know the rules, be prepared for anything, and move fast when it happens when sailing a small boat. J\/"Jusf Yacht Sails" - s s. • • ss ..'; \ Southern Sailmakers '•.:'•". •.••'.; .*•.* .lighthouse'Point The SNIPE BULLETIN is edited and produced monthly by Birney Mills, Executive Secretary. .•.•-.' •.'.•'*• ' F6rt" Screven. Georgia Address all correspondence to: Snipe Class International Racing Association, SNIPE RACING SAILS 655 Weber Ave. , Akron 3, Ohio, U. S. A. :; ^ Subscription Rates. •The'finest'hand finished Snipe racing sails that money ^" $2.00 Per Year. ~ can buy, mode of the finest materials in the market Owners of measured and paid-up Snipes receive and in a quality of workmanship never surpassed. SNIPE BULLETIN as part of their membership free. Available in ORLON and DACRON, Conventional cut Forms close on the 15th of each month preceding publicat or MITRE CUT, in your choice of FOUR special cuts ion. Material received after that date will not appear un designed for various conditions by our own Aero- til a later issue. Contract advertising rates may be had on dynamlst with the assistance of some of the greatest application. Be sure and notify SNIPE BULLETIN of any Snipe Skippers of all times. change in address,giving both old and new addresses. Prices are as follows: Concerning the Cover Mainsail and Jib, DACRON SI 30.00 This unusual action picture was taken at Chautauqua during the Crosby Series by the Jamestown Post-Journal. Stan Kintz Mainsail and Jib. -
RICE UNIVERSITY Maritime Networks: the Oceanic Imaginary in The
RICE UNIVERSITY Maritime Networks: The Oceanic Imaginary in the British Long Nineteenth Century by Mark Celeste A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE Doctor of Philosophy APPROVED, THESIS COMMITTEE Helena Michie, Chair Agnes C. Arnold Professor in Humanities, Professor of English Betty Joseph Associate Professor of English Leo Costello Associate Professor of Art History HOUSTON, TEXAS April 2019 Copyright Mark Celeste 2019 ABSTRACT Maritime Networks: The Oceanic Imaginary in the British Long Nineteenth Century by Mark Celeste This project argues that maritime history and culture shape both the form and the content of the nineteenth-century British novel. Each chapter takes up a different historical genre of maritime writing—the shipwreck tale, the steamship story, the logbook, the sea chantey, and the ship surgeon’s manual—as a heuristic for oceanic reading. In recovering these maritime contexts, I track what I call the “oceanic imaginary”: not only how novels literally represent life on and around the ocean, but also how novels draw upon oceanic circulations and exchanges to imagine and craft complex literary systems. Specifically, I chart how novels incorporate historically specific maritime styles, allusions, and structures and how those texts, in so doing, register the flows and frictions of a radically networked world—a world connected and divided, more often than not, by water. As I show, we can read any novel as maritime fiction— regardless of whether the action takes place on land or at sea—if that novel registers the influence of maritime history upon its textual world. My project merges the historicist concerns of oceanic studies with the renewed critical attention to form. -
Imaginative, Immersive and Interactive Engagements
HANNA-RIIKKA ROINE HANNA-RIIKKA Acta Universitatis Tamperensis 2197 HANNA-RIIKKA ROINE Imaginative, Immersive and Interactive Engagements Imaginative, Immersive and Interactive Engagements The rhetoric of worldbuilding in contemporary speculative fiction AUT 2197 AUT HANNA-RIIKKA ROINE Imaginative, Immersive and Interactive Engagements The rhetoric of worldbuilding in contemporary speculative fiction ACADEMIC DISSERTATION To be presented, with the permission of the Board of the School of Language, Translation and Literary Studies of the University of Tampere, for public discussion in the auditorium Pinni B 1097, Kanslerinrinne 1, Tampere, on 27 August 2016, at 12 o’clock. UNIVERSITY OF TAMPERE HANNA-RIIKKA ROINE Imaginative, Immersive and Interactive Engagements The rhetoric of worldbuilding in contemporary speculative fiction Acta Universitatis Tamperensis 2197 Tampere University Press Tampere 2016 ACADEMIC DISSERTATION University of Tampere School of Languages, Translation Studies and Literary Studies Finland The originality of this thesis has been checked using the Turnitin OriginalityCheck service in accordance with the quality management system of the University of Tampere. Copyright ©2016 Tampere University Press and the author Cover design by Mikko Reinikka Distributor: [email protected] https://verkkokauppa.juvenes.fi Acta Universitatis Tamperensis 2197 Acta Electronica Universitatis Tamperensis 1696 ISBN 978-952-03-0194-1 (print) ISBN 978-952-03-0195-8 (pdf) ISSN-L 1455-1616 ISSN 1456-954X ISSN 1455-1616 http://tampub.uta.fi Suomen Yliopistopaino Oy – Juvenes Print 441 729 Tampere 2016 Painotuote ACKNOWLEDGEMENTS Writing a PhD dissertation is often likened to making a long journey. For me, however, it resembled putting together a puzzle. The biggest challenge was that, at the beginning, I had only a vague idea of what the puzzle would look like when completed.