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By the Histories of Sea and Fiction in Its Roar: Fathoming the Generic Development of Indian Sea-Fiction in Amitav Ghosh’S Sea of Poppies
ISSN 2249-4529 www.pintersociety.com GENERAL ISSUE VOL: 8, No.: 1, SPRING 2018 UGC APPROVED (Sr. No.41623) BLIND PEER REVIEWED About Us: http://pintersociety.com/about/ Editorial Board: http://pintersociety.com/editorial-board/ Submission Guidelines: http://pintersociety.com/submission-guidelines/ Call for Papers: http://pintersociety.com/call-for-papers/ All Open Access articles published by LLILJ are available online, with free access, under the terms of the Creative Commons Attribution Non Commercial License as listed on http://creativecommons.org/licenses/by-nc/4.0/ Individual users are allowed non-commercial re-use, sharing and reproduction of the content in any medium, with proper citation of the original publication in LLILJ. For commercial re-use or republication permission, please contact [email protected] 144 | By the Histories of Sea and Fiction in its Roar: Fathoming the Generic Development of Indian Sea-Fiction in Amitav Ghosh’s Sea of Poppies By the Histories of Sea and Fiction in its Roar: Fathoming the Generic Development of Indian Sea-Fiction in Amitav Ghosh’s Sea of Poppies Smriti Chowdhuri Abstract: Indian literature has betrayed a strange indifference to sea-experience and sea-culture as a subject of literary interest though it cannot overlook the repercussions of sea voyages on Indian social, political and economic conditions specifically after colonization. Consequently, nautical fiction as a category of writing can hardly be traced in the history of Indian literature. Nautical fiction as a substantial body of writing emerged from Anglo-American history of maritime experience. This paper is an attempt to perceive Amitav Ghosh’s novel, Sea of Poppies as an Indian response to the sub-genre. -
H. G. Wells Time Traveler
Items on Exhibit 1. H. G. Wells – Teacher to the World 11. H. G. Wells. Die Zeitmaschine. (Illustrierte 21. H. G. Wells. Picshua [sketch] ‘Omaggio to 1. H. G. Wells (1866-1946). Text-book of Klassiker, no. 46) [Aachen: Bildschriftenverlag, P.C.B.’ [1900] Biology. London: W.B. Clive & Co.; University 196-]. Wells Picshua Box 1 H. G. Wells Correspondence College Press, [1893]. Wells Q. 823 W46ti:G Wells 570 W46t, vol. 1, cop. 1 Time Traveler 12. H. G. Wells. La machine à explorer le temps. 7. Fantasias of Possibility 2. H. G. Wells. The Outline of History, Being a Translated by Henry-D. Davray, illustrated by 22. H. G. Wells. The World Set Free [holograph Plain History of Life and Mankind. London: G. Max Camis. Paris: R. Kieffer, [1927]. manuscript, ca. 1913]. Simon J. James is Head of the Newnes, [1919-20]. Wells 823 W46tiFd Wells WE-001, folio W-3 Wells Q. 909 W46o 1919 vol. 2, part. 24, cop. 2 Department of English Studies, 13. H. G. Wells. Stroz času : Neviditelný. 23. H. G. Wells to Frederick Wells, ‘Oct. 27th 45’ Durham University, UK. He has 3. H. G. Wells. ‘The Idea of a World Translated by Pavla Moudrá. Prague: J. Otty, [Holograph letter]. edited Wells texts for Penguin and Encyclopedia.’ Nature, 138, no. 3500 (28 1905. Post-1650 MS 0667, folder 75 November 1936) : 917-24. Wells 823 W46tiCzm. World’s Classics and The Wellsian, the Q. 505N 24. H. G. Wells’ Things to Come. Produced by scholarly journal of the H. G. Wells Alexander Korda, directed by William Cameron Society. -
ISCON II a Final Report on the 32Nd World Science Fiction Convention Llashi Ngton I D • C ■ El Aug - 2 Sep ITYU
FINAL PROGRESS REPORT 5 □ ISCON II A Final Report on the 32nd World Science Fiction Convention llashi ngton i D • C ■ El Aug - 2 Sep ITYU GUEST OF HONOR: Roger Zelazny FAN GOH : Jay Kay Klein TOASTMASTER: andy offutt I COMMITTEE Co-Cha irpeople........................................................ JaySAlice Haldeman Vi ce Cha i rman........................................................ Ron Bounds Treasurer .................................................................. Bill Evans Secretary .................................................................. Ted Pauls Art Show.......................................................................Bob Pavlat Irene Redd ick Ray Ridenour Auctions ...................................................................... Jack Chalker Babysitting............................................................. Pat Potts Banquet...................................................................... Bill Evans Bookkeeper .................................................................... Jim Thomas Communications........................................................ Bill Berg Computer Services ................................................. Jim Landau Film Program............................................................. Kim Weston Chariie Ellis Hotel Liaison........................................................ Bob Pavlat Huckster Room........................................................ Bob Madle Masquerade .................................................................. Jack Chalker -
1: for Me, It Was Personal Names with Too Many of the Letter "Q"
1: For me, it was personal names with too many of the letter "q", "z", or "x". With apostrophes. Big indicator of "call a rabbit a smeerp"; and generally, a given name turns up on page 1... 2: Large scale conspiracies over large time scales that remain secret and don't fall apart. (This is not *explicitly* limited to SF, but appears more often in branded-cyberpunk than one would hope for a subgenre borne out of Bruce Sterling being politically realistic in a zine.) Pretty much *any* form of large-scale space travel. Low earth orbit, not so much; but, human beings in tin cans going to other planets within the solar system is an expensive multi-year endevour that is unlikely to be done on a more regular basis than people went back and forth between Europe and the americas prior to steam ships. Forget about interstellar travel. Any variation on the old chestnut of "robots/ais can't be emotional/creative". On the one hand, this is realistic because human beings have a tendency for othering other races with beliefs and assumptions that don't hold up to any kind of scrutiny (see, for instance, the relatively common belief in pre-1850 US that black people literally couldn't feel pain). On the other hand, we're nowhere near AGI right now and it's already obvious to everyone with even limited experience that AI can be creative (nothing is more creative than a PRNG) and emotional (since emotions are the least complex and most mechanical part of human experience and thus are easy to simulate). -
SF Commentary 41-42
S F COMMENTARY 41/42 Brian De Palma (dir): GET TO KNOW YOUR RABBIT Bruce Gillespie: I MUST BE TALKING TO MY FRIENDS (86) . ■ (SFC 40) (96) Philip Dick (13, -18-19, 37, 45, 66, 80-82, 89- Bruce Gillespie (ed): S F COMMENTARY 30/31 (81, 91, 96-98) 95) Philip Dick: AUTOFAC (15) Dian Girard: EAT, DRINK AND BE MERRY (64) Philip Dick: FLOW MY TEARS THE POLICEMAN SAID Victor Gollancz Ltd (9-11, 73) (18-19) Paul Goodman (14). Gordon Dickson: THINGS WHICH ARE CAESAR'S (87) Giles Gordon (9) Thomas Disch (18, 54, 71, 81) John Gordon (75) Thomas Disch: EMANCIPATION (96) Betsey & David Gorman (95) Thomas Disch: THE RIGHT WAY TO FIGURE PLUMBING Granada Publishing (8) (7-8, 11) Gunter Grass: THE TIN DRUM (46) Thomas Disch: 334 (61-64, 71, 74) Thomas Gray: ELEGY WRITTEN IN A COUNTRY CHURCH Thomas Disch: THINGS LOST (87) YARD (19) Thomas Disch: A VACATION ON EARTH (8) Gene Hackman (86) Anatoliy Dneprov: THE ISLAND OF CRABS (15) Joe Haldeman: HERO (87) Stanley Donen (dir): SINGING IN THE RAIN (84- Joe Haldeman: POWER COMPLEX (87) 85) Knut Hamsun: MYSTERIES (83) John Donne (78) Carey Handfield (3, 8) Gardner Dozois: THE LAST DAY OF JULY (89) Lee Harding: FALLEN SPACEMAN (11) Gardner Dozois: A SPECIAL KIND OF MORNING (95- Lee Harding (ed): SPACE AGE NEWSLETTER (11) 96) Eric Harries-Harris (7) Eastercon 73 (47-54, 57-60, 82) Harry Harrison: BY THE FALLS (8) EAST LYNNE (80) Harry Harrison: MAKE ROOM! MAKE ROOM! (62) Heinz Edelman & George Dunning (dirs): YELLOW Harry Harrison: ONE STEP FROM EARTH (11) SUBMARINE (85) Harry Harrison & Brian Aldiss (eds): THE -
Morlock Night Free
FREE MORLOCK NIGHT PDF K. W. Jeter | 332 pages | 26 Apr 2011 | Watkins Media | 9780857661005 | English | London, United Kingdom Morlock Night by K. W. Jeter: | : Books Having acquired a device for themselves, the brutish Morlocks return from the desolate far future to Victorian England to cause mayhem and disruption. But the mythical heroes of Old England have also returned, in the hour of the country's greatest need, to stand between England and her total destruction. Search books and Morlock Night. View all online retailers Find local retailers. Also by KW Jeter. Praise for Morlock Night. Related titles. A Deadly Education. Roald Morlock NightQuentin Blake. The Night Circus. Philip PullmanChristopher Wormell. D A Tale of Two Morlock Night. Good Omens. Neil GaimanTerry Pratchett. His Dark Materials. Trial of the Wizard King. Star Wars: Victory's Price. Violet Black. Beneath the Keep. The Absolute Book. The Morlock Night Devil. The Stranger Times. The Ruthless Lady's Guide to Wizardry. The Orville Season 2. The Bitterwine Oath. Our top books, exclusive content and competitions. Straight to your inbox. Sign Morlock Night to our newsletter using your email. Enter your email to sign up. Thank you! Your subscription to Read More was successful. To help us recommend your next book, tell us what you enjoy reading. Add your interests. Morlock Night - Wikipedia Morlock Night acquired a Morlock Night for themselves, the brutish Morlocks return from the desolate far future to Victorian England to cause mayhem and disruption. When you buy a book, we donate a book. Sign in. Halloween Books for Kids. Morlock Night By K. -
Traversing the Nautical Gothic in the Touching and Melancholy Narrative of Marian Moore (1853)
Dearly Departed, Yet, Returned: Traversing the Nautical Gothic in The Touching and Melancholy Narrative of Marian Moore (1853) Danielle Cofer Abstract: Scholars have explored the genres of Shipwreck narratives, women’s writings about life at sea, and the nautical Gothic. Bringing these fields together in conversation with Marian Moore’s The Touching and Melancholy Narrative of Marian Moore, the Shipwrecked Female Sailor (1853) reveals tensions between horrifying experiences with shipwreck and subsequent cannibalism at sea and life on land for women in the mid-nineteenth century. Moore details her encounters with death throughout, which ultimately prepare her for the prolonged social death she endures once back on land ensnared in class and gender conventions. The irony of Moore’s narrative is that the threat of the sea proves to be far less harrowing than the entrapment of static domesticity. Instead of being the place of danger and death, the sea becomes a source of knowledge and a sanctuary from the true horror of the social conditions Moore contends with back on land. ____________________ Nautical fiction and narratives of sea travel resonated with nineteenth-century American audiences because they carried with them the fulfillment of flights of fantasy and the romance of exploration that could be read from the safety of one’s home. Indeed, “a desire for the physical and mental freedom of open ocean experience” permeates many sea narratives, fulfilling “the blue-water fantasies of men and women who ride ferries or sail yachts alongshore.”1 Yet, even beyond escapism and the promise of experiencing a different lifestyle or landscape amongst the waves and ocean swells, audiences sought much more than just knowledge of a mariner’s or seafarer’s firsthand account of maritime life. -
Voy-O-Ween *Spooky Music* JARRAH
Women at Warp Episode 18: Voy-o-ween *spooky music* JARRAH: Hi and welcome to Women At Warp. Join us as our crew of four women Star Trek fans boldly go on our biweekly mission to explore our favorite franchise. My name's Jarrah and thanks for tuning in. Today we have crew members Grace. GRACE: Hi. JARRAH: And Sue SUE: Hey there. JARRAH: And before we get started we have a little bit of housekeeping. I'm gonna start off by getting Grace to talk a little bit about Geek Girl Con and. GRACE: Yes Geek Girl Con. JARRAH: Yes, and about some other news. So go ahead Grace. GRACE: Well first off, we had a great turnout at Geek Girl con this weekend this past weekend. It was amazing, and I want to thank so many people for coming out and supporting the event, and supporting all of these great guests we had, and some of the wonderful topics that we got to explore together this weekend. Now in sadder news Star Trek original series actor Bruce Hyde has recently passed from throat cancer. For those of you who don't remember him he was and he was, I want to say Ensign, Kevin Riley. And I wanted to bring him up because I love the fact that he's just an incidental feminist in one of the few drunken throwaway lines he gets. He walks into a room sees all the girls at the control panels and goes “Yeah, this is what I like to see! Women getting to work too!” *Sue laughs* And then he gets drunk and hijacks the com system and starts singing Take Me Home Again Kathleen. -
Theorising the Practice of Expressing a Fictional World Across Distinct Media and Environments
Transmedia Practice: Theorising the Practice of Expressing a Fictional World across Distinct Media and Environments by Christy Dena A thesis submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy (PhD) School of Letters, Art and Media Department of Media and Communications Digital Cultures Program University of Sydney Australia Supervisor: Professor Gerard Goggin Associate Supervisor: Dr. Chris Chesher Associate Supervisor: Dr. Anne Dunn 2009 Let’s study, with objectivity and curiosity, the mutation phenomenon of forms and values in the current world. Let’s be conscious of the fact that although tomorrow’s world does not have any chance to become more fair than any other, it owns a chance that is linked to the destiny of the current art [...] that of embodying, in their works some forms of new beauty, which will be able to arise only from the meet of all the techniques. (Francastel 1956, 274) Translation by Regina Célia Pinto, emailed to the empyre mailing list, Jan 2, 2004. Reprinted with permission. To the memory of my dear, dear, mum, Hilary. Thank you, for never denying yourself the right to Be. ~ Transmedia Practice ~ Abstract In the past few years there have been a number of theories emerge in media, film, television, narrative and game studies that detail the rise of what has been variously described as transmedia, cross-media and distributed phenomena. Fundamentally, the phenomenon involves the employment of multiple media platforms for expressing a fictional world. To date, theorists have focused on this phenomenon in mass entertainment, independent arts or gaming; and so, consequently the global, transartistic and transhistorical nature of the phenomenon has remained somewhat unrecognised. -
May 2017 New Releases
MAY 2017 NEW RELEASES GRAPHIC NOVELS • MANGA • SCI-FI/ FANTASY • GAMES VORACIOUS : FEEDING TIME Hunting dinosaurs and secretly serving them at his restaurant, Fork & Fossil, has helped Chef ISBN-13: 978-1-63229-235-3 Nate Willner become a big success. But just when he’s starting to make something of his life, Price: $17.99 ($23.99 CAN) Publisher: Action Lab he discovers that his hunting trips with Captain Jim are actually taking place in an alternate Entertainment reality – an Earth where dinosaurs evolve into Saurians, a technologically advanced race that Writer: Markisan Naso rules the far future! Some of these Saurians have mysteriously started vanishing from Artist: Jason Muhr Cretaceous City and the local authorities are hell-bent on finding who’s responsible. Nate’s Page Count: 160 world is about to collide with something much, much bigger than any dinosaur he’s ever Format: Softcover, Full Color Recommended Age: Mature roasted. Readers (ages 16 and up) Genre: Science Fiction Collecting VORACIOUS: Feeding Time #1-5, this second volume of the critically acclaimed Ship Date: 6/6/2017 series serves up a colorful bowl of characters and a platter full of sci-fi adventure, mystery and heart! SELECTED PREVIOUS VOLUMES: • Voracious: Diners, Dinosaurs & Dives (ISBN-13 978-1-63229-165-3, $14.99) PROVIDENCE ACT 1 FINAL PRINTING HC Due to overwhelming demand, we offer one final printing of the Providence Act 1 Hardcover! ISBN-13: 978-1-59291-291-9 Alan Moore’s quintessential horror series has set the standard for a terrifying reinvention of Price: $19.99 ($26.50 CAN) Publisher: Avatar Press the works of H.P. -
SF COMMENTARY 101 February 2020 129 Pages
SF COMMENTARY 101 February 2020 129 pages JAMES ‘JOCKO’ ALLEN * GEOFF ALLSHORN * JENNY BLACKFORD * RUSSELL BLACKFORD * STEPHEN CAMPBELL * ELAINE COCHRANE * BRUCE GILLESPIE * DICK JENSSEN * EILEEN KERNAGHAN * DAVID RUSSELL * STEVE STILES * TIM TRAIN * CASEY JUNE WOLF * AND MANY MANY OTHERS Cover: Ditmar (Dick Jenssen): ‘Trumped!’. S F Commentary 101 February 2020 129 pages SF COMMENTARY No. 101, February 2020, is edited and published by Bruce Gillespie, 5 Howard Street, Greensborough, VIC 3088, Australia. Phone: 61-3-9435 7786. DISTRIBUTION: Either portrait (print equivalent) or landscape .PDF file from eFanzines.com: http://efanzines.com or from my email address: [email protected]. FRONT COVER: Ditmar (Dick Jenssen): ‘Tumped!’. BACK COVER: Steve Stiles (classic reprint from cover of SF Commentary 91.) PHOTOGRAPHS: Elaine Cochrane (p. 7); Stephen Silvert (p. 11); Helena Binns (pp. 14, 16); Cat Sparks (p. 31); Leigh Edmonds (pp. 62, 63); Casey Wolf (p. 81); Richard Hyrckiewicz (p. 113); Werner Koopmann (pp. 127, 128). ILLUSTRATIONS: Steve Stiles (pp. 11, 12, 23); Stephen Campbell (pp. 51, 58); Chris Gregory (p. 78); David Russell (pp. 107, 128) Contents 30 RUSSELL BLACKFORD 41 TIM TRAIN SCIENCE FICTION AS A LENS INTO THE FUTURE MY PHILIP K. DICK BENDER 40 JENNY BLACKFORD 44 CASEY JUNE WOLF INTERVIEWS WRITING WORKSHOPS AT THE MUSLIM SCHOOL EILEEN KERNAGHAN 2 4 I MUST BE TALKING TO MY 20 BRUCE GILLESPIE FRIENDS The postal path to penury 4 BRUCE GILLESPIE The future is now! 51 LETTERS OF COMMENT 6 BRUCE GILLESPIE AND ELAINE COCHRANE Leanne Frahm :: Gerald Smith :: Stephen Camp- Farewell to the old ruler. Meet the new rulers. -
W41 PPB-Web.Pdf
The thrilling adventures of... 41 Pocket Program Book May 26-29, 2017 Concourse Hotel Madison Wisconsin #WC41 facebook.com/wisconwiscon.net @wisconsf3 Name/Room No: If you find a named pocket program book, please return it to the registration desk! New! Schedule & Hours Pamphlet—a smaller, condensed version of this Pocket Program Book. Large Print copies of this book are available at the Registration Desk. TheWisSched app is available on Android and iOS. What works for you? What doesn't? Take the post-con survey at wiscon.net/survey to let us know! Contents EVENTS Welcome to WisCon 41! ...........................................1 Art Show/Tiptree Auction Display .........................4 Tiptree Auction ..........................................................6 Dessert Salon ..............................................................7 SPACES Is This Your First WisCon?.......................................8 Workshop Sessions ....................................................8 Childcare .................................................................. 10 Children's and Teens' Programming ..................... 11 Children's Schedule ................................................ 11 Teens' Schedule ....................................................... 12 INFO Con Suite ................................................................. 12 Dealers’ Room .......................................................... 14 Gaming ..................................................................... 15 Quiet Rooms ..........................................................