The Poet's Hymn
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The 'Nothing-Could-Be-Simpler Line': Form in Contemporary Irish Poetry
The 'nothing-could-be-simpler line': Form in Contemporary Irish Poetry Brearton, F. (2012). The 'nothing-could-be-simpler line': Form in Contemporary Irish Poetry. In F. Brearton, & A. Gillis (Eds.), The Oxford Handbook of Modern Irish Poetry (pp. 629-647). Oxford University Press. Published in: The Oxford Handbook of Modern Irish Poetry Document Version: Early version, also known as pre-print Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:26. Sep. 2021 OUP UNCORRECTED PROOF – FIRST PROOF, 04/19/2012, SPi c h a p t e r 3 8 ‘the nothing-could- be-simpler line’: form in contemporary irish poetry f r a n b r e a r t o n I I n ‘ Th e Irish Effl orescence’, Justin Quinn argues in relation to a new generation of poets from Ireland (David Wheatley, Conor O’Callaghan, Vona Groarke, Sinéad Morrissey, and Caitríona O’Reilly among them) that while: Northern Irish poetry, in both the fi rst and second waves, is preoccupied with the binary opposition of Ireland and England . -
Beckett and His Biographer: an Interview with James Knowlson José Francisco Fernández (Almería, Spain)
The European English Messenger, 15.2 (2006) Beckett and His Biographer: An Interview with James Knowlson José Francisco Fernández (Almería, Spain) James Knowlson is Emeritus Professor of French at the University of Reading. He is also the founder of the International Beckett Foundation (previously the Beckett Archive) at Reading, and he has written extensively on the great Irish author. He began his monumental biography, Damned to Fame:The Life of Samuel Beckett (London: Bloomsbury, 1996) when Beckett was still alive, and he relied on the Nobel Prize winner’s active cooperation in the last months of his life. His book is widely acknowledged as the most accurate source of information on Beckett’s life, and can only be compared to Richard Ellmann’s magnificent biography of James Joyce. James Knowlson was interviewed in Tallahassee (Florida) on 11 February 2006, during the International Symposium “Beckett at 100: New Perspectives” held in that city under the sponsorship of Florida State University. I should like to express my gratitude to Professor Knowlson for giving me some of his time when he was most in demand to give interviews in the year of Beckett’s centennial celebrations. José Francisco Fernández JFF: Yours was the only biography on or even a reply to the earlier biography of authorised by Beckett. That must have been Deirdre Bair. It needs to stand on its own two a great responsibility. Did it represent at any feet. And I read with great fascination the time a burden? Knowing that what you wrote biography of Deirdre Bair and have never said would be taken as ‘the truth’. -
An Chomhairle Ealaion 1976.Pdf
An Cúigiú Tuarascáil Bhliantúil is Fiche, maille le Cuntais don bhliain dar chríoch 31ú Nollaig 1976. Tíolacadh don Rialtas agus leagadh faoi bhráid gach Tí den Oireachtas de bhuo Altanna 6 [3] agus 7 [1] den Acht Ealaíon 1951. Twenty-fifth Annual Report and Accounts for the year ended 31st December 1976. Presented to the Government and laid before each House of the Oireachtas pursuant to Sections 6 [3] and 7[1] of the Arts Act, 1951 Cover: Front Robert Ballagh "Sheridan Le Fanu" (1814-1873) commissioned, for the Council's offices in Merrion Square, where the writer lived. Members Patrick J. Rock, Chairman Kathleen Barrington John Behan Brian Boydell Tom Caldwell Máire de Paor Andrew Devane Eilís Dillon Séamus Heaney Dr J.B. Keamey Patsy Lawlor Hugh Maguire Sean Ó Tuama Brian Quinn Richard Stokes Dr T.J. Walsh James White Staff Director Colm Ó Briain Administration Officer David McConnell Literature and Film Officer David Collins Music Officer Dinah Molloy Visual Arts Officer Paula McCarthy Secretarial Assistants Veronica Barker Kathryn Cahille Patricia Molloy 70 Merrion Square, Dublin 2. An Chomhaırle Ealaíon An Chomhairle Ealaíon was set up by the Arts Acts 1951 and 1973 and consists of a chairman and not more than sixteen other members appointed by the Taoiseach. The present Council was appointed on 31st December 1973 and its term of office expires in 1978. The principal role of the Council is to stimulate public interest in the arts; to promote the knowledge, appreciation and practice of the arts; and to assist in improving the standards of the arts. -
Irish Studies Round the World - 2015
Estudios Irlandeses, Number 11, 2016, pp. 244-258 ____________________________________________________________________________________________ AEDEI IRISH STUDIES ROUND THE WORLD - 2015 Patricia A. Lynch (ed.) Copyright (c) 2016 by the authors. This text may be archived and redistributed both in electronic form and in hard copy, provided that the authors and journal are properly cited and no fee is charged for access. Reflections on Irish Writing in 2015 by Patricia A. Lynch .......................................................................................................... 244 Míorúilt an Pharóiste: Aistí ar fhilíocht Mháire Mhac an tSaoi (2015) by Louis de Paor (ed.) Mairéad Conneely .............................................................................................................. 248 The Little Red Chairs (2015) by Edna O’Brien Irene Gilsenan Nordin ........................................................................................................ 250 Irish Literature and the First World War. Culture, Identity and Memory (2015) by Terry Phillips John O’Callaghan .............................................................................................................. 253 Beatlebone (2015) by Kevin Barry John L. Murphy .................................................................................................................. 255 The Great Reimagining: Public Art, Urban Space and the Symbolic Landscapes of a ‘New’ Northern Ireland (2015) by Bree T. Hocking Bill Rolston .....................……………………………………………………………………256 -
Master in Advanced English Studies: Languages and Cultures in Contact
MASTER IN ADVANCED ENGLISH STUDIES: LANGUAGES AND CULTURES IN CONTACT Departamento de Filología Inglesa 2015-2016 Final Master Thesis (Post-)colonial Identities in Exile: Pádraic Ó Conaire’s Fragmented Realities María Sanabria Barba VALLADOLID 2016 The work presented in this MA thesis is, to the best of my knowledge and belief, original and my own work, except as acknowledged in the text. The work in this thesis has not been submitted, either in whole or in part, for a degree at this or any other university. This thesis is submitted in partial fulfillment of the requirements for the degree of Master in Advanced English Studies: Languages and Cultures in Contact to Universidad de Valladolid by María Sanabria Barba September 2016 Student’s signature__________________________________________ Approved Drs. María José Carrera de la Red Supervisor’s signature_____________________________________ Santiago Rodríguez Guerrero-Strachan Supervisor’s signature_____________________________________ Sanabria iii Abstract The work of Pádraic Ó Conaire, a name that has been very much forgotten, meant a turning point in the literature written in the Irish language that was being produced at the beginning of the twentieth century. Some of the topics that populate the narrative of this caustic writer are the consequences of religion and superstition on the Irish population, the mistrust of authority, poverty, the tramp, the deranged, or alcohol abuse. The Irish individual is represented as an outcast, tormented by its own condition and identity, but also as subject to a larger system of binary opposites, such as colonial oppression and Irish nationalism. This approach to Irish literature went against the prevailing taste and Ó Conaire’s work was read with suspicion and gradually forgotten. -
"The Given Note": Traditional Music and Modern Irish Poetry
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title "The Given Note": traditional music and modern Irish poetry Author(s) Crosson, Seán Publication Date 2008 Publication Crosson, Seán. (2008). "The Given Note": Traditional Music Information and Modern Irish Poetry, by Seán Crosson. Newcastle: Cambridge Scholars Publishing. Publisher Cambridge Scholars Publishing Link to publisher's http://www.cambridgescholars.com/the-given-note-25 version Item record http://hdl.handle.net/10379/6060 Downloaded 2021-09-26T13:34:31Z Some rights reserved. For more information, please see the item record link above. "The Given Note" "The Given Note": Traditional Music and Modern Irish Poetry By Seán Crosson Cambridge Scholars Publishing "The Given Note": Traditional Music and Modern Irish Poetry, by Seán Crosson This book first published 2008 by Cambridge Scholars Publishing 15 Angerton Gardens, Newcastle, NE5 2JA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2008 by Seán Crosson All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-84718-569-X, ISBN (13): 9781847185693 Do m’Athair agus mo Mháthair TABLE OF CONTENTS Acknowledgements ................................................................................. -
Downloaded from Downloaded on 2020-06-06T01:34:25Z Ollscoil Na Héireann, Corcaigh
UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title A cultural history of The Great Book of Ireland – Leabhar Mór na hÉireann Author(s) Lawlor, James Publication date 2020-02-01 Original citation Lawlor, J. 2020. A cultural history of The Great Book of Ireland – Leabhar Mór na hÉireann. PhD Thesis, University College Cork. Type of publication Doctoral thesis Rights © 2020, James Lawlor. https://creativecommons.org/licenses/by-nc-nd/4.0/ Item downloaded http://hdl.handle.net/10468/10128 from Downloaded on 2020-06-06T01:34:25Z Ollscoil na hÉireann, Corcaigh National University of Ireland, Cork A Cultural History of The Great Book of Ireland – Leabhar Mór na hÉireann Thesis presented by James Lawlor, BA, MA Thesis submitted for the Degree of Doctor of Philosophy University College Cork The School of English Head of School: Prof. Lee Jenkins Supervisors: Prof. Claire Connolly and Prof. Alex Davis. 2020 2 Table of Contents Abstract ............................................................................................................................... 4 Declaration .......................................................................................................................... 5 Acknowledgements ............................................................................................................ 6 List of abbreviations used ................................................................................................... 7 A Note on The Great -
My Summer with Poets – Including Robert Graves Frank Kersnowski
My Summer With Poets – including Robert Graves Frank Kersnowski ‘Come in’, said Robert Graves. ‘Anyone who has anything to say is always welcome in my house’. Holy mother of god(s), I thought as I stepped into his study, ‘What do I have to say to Robert Graves’? But I’ve gotten ahead of myself. I actually began my homage when I first read his Collected Poems. My homage occurred most recently when I was reading contemporary Irish poetry at The Library of Congress with funding from a summer grant from the National Endowment for the Humanities in 1968. I had chosen about thirty poets, mostly living, to be included in my critical study The Outsiders: Poets of Contemporary Ireland. My selection was based on their repeated inclusion in collections. The surprise came when I found that few of them were subjects of critical reviews. To quote from an old song: ‘Lawdy, lawdy, Miss Claudy, what do I do now?’ I read throughout the summer and began to find clusters of poets who had something in common, locale place of publication. And I enjoyed the quiet of the great library, lunches in the cafeteria of The Rayburn Building. Though the cafeteria is intended for members of Congress, citizens, or even visitors from this side of the Atlantic, are entitled to be there – or were. Security being what it is now, accommodation may have changed. I could easily walk from my rooming house on East Capitol to the Library, local restaurants, and even a cinema. I saw Bergman’s Hour of the Wolf there in early August, an event I’ll treat later. -
Wisconsin Athletics
WISCONSIN ATHLETICS WISCONSINUNIVERSITY OF WISCONSIN ATHLETIC DEPARTMENT ATHLETI 2018 DONOR HONOR ROLL LETTER FROM WISCONSIN DIRECTOR OF ATHLETICS BARRY ALVAREZ: I am proud to introduce the 2018 Donor Honor Roll, which is published annually to recognize and thank our many donors for choosing to support the University of Wisconsin Athle c Department. Private support is essen al for our Department to provide the resources necessary to off er a na onally compe ve athle cs program -- one in which we can all take pride in suppor ng. Whether your contribu on goes to the annual fund, premium sea ng, an endowed fund or to support a capital project, your gi truly makes a diff erence in the lives of over 800 Badger student-athletes, in the classroom, in the community and on the fi elds of play. Thank you for your support! On, Wisconsin! Barry Alvarez, Director of Athle cs 2018 DONOR HONOR ROLL CONTENTS On-Going Facility Projects ..................................................................................................................................................................2-3 Tennis Facility ..................................................................................................................................................................................2 Aqua c Center ................................................................................................................................................................................3 Ambassador’s Circle .................................................................................................................................................................................4 -
Irish Copyright Licensing Agency CLG Mandated Author Rightholders
Irish Copyright Licensing Agency CLG Mandated Author Rightholders Author Rightholder Name Ann Sheppard Adrian White Anna Donovan Adrienne Neiland Anna Heffernan Aidan Dundon Anna McPartlin The Estate of Aidan Higgins Anne Boyle Aidan O'Sullivan Anne Chambers Aidan P. Moran Anne Deegan Aidan Seery Anne Enright Aileen Pierce Anne Fogarty Áine Dillon Anne Gormley Áine Francis- Stack Anne Haverty Áine Ní Charthaigh Anne Holland Áine Uí Eadhra Anne Jones Aiveen McCarthy Anne Marie Herron Alan Dillon Anne Potts Alan Kramer Anne Purcell Alan Monaghan The Estate of Anne Schulman Alan O'Day Annetta Stack Alannah Hopkin Annie West Alexandra O'Dwyer Annmarie McCarthy Alice Coghlan Anthea Sullivan Alice Taylor Anthony Cronin Alison Mac Mahon Anthony J Leddin Alison Ospina Anthony Summers Allen Foster Antoinette Walker Allyson Prizeman Aodán Mac Suibhne Amanda Clarke Arlene Douglas Amanda Hearty Arnaud Bongrand Andrew B. Lyall Art Cosgrove Andrew Breeze Art J Hughes Andrew Carpenter Art Ó Súilleabháin Andrew Loxley Arthur McKeown Andrew Purcell Arthur Mitchell Andy Bielenberg Astrid Longhurst Angela Bourke Aubrey Dillon Malone Angela Doyle Aubrey Flegg Angela Griffin The Estate of Augustine Martin Angela Marie Burt Austin Currie Angela Rickard Avril O'Reilly Angela Wright Barry Brunt The Estate of Angus McBride Barry McGettigan The Estate of Anita Notaro Bart D. Daly Ann Harrow The Estate of Basil Chubb Ann O Riordan Ber O'Sullivan 1 Irish Copyright Licensing Agency CLG Mandated Author Rightholders Bernadette Andresso Brian Lennon Bernadette Bohan Brian Leonard Bernadette Cosgrove Brian McGilloway Bernadette Cunningham The Estate of Brian O'Nolan Bernadette Matthews Brian Priestley Bernadette McDonald Brianóg Brady Dawson Bernard Horgan Bríd Nic an Fhailigh Bernard MacLaverty Bried Bonner Bernard Mulchrone The Estate of Brigid Brophy Bernie McDonald Brigid Laffan Bernie Murray-Ryan Brigid Mayes Bernie Ruane Brigitte Le Juez Betty Stoutt Bronwen Braun Bill Rolston Bryan M.E. -
In 1967, Patrick Kavanagh Concluded His Bloomsday Speech by Recalling
TRANSGRESSIVE AND SUBVERSIVE: FLANN O’BRIEN’S TALES OF THE IN-BETWEEN FLORE COULOUMA In 1967, Patrick Kavanagh concluded his Bloomsday speech by recalling the 1954 anniversary, when he made a pilgrimage through Dublin with John Ryan, Brian O’Nolan, Anthony Cronin and a few others. The memorable event of that day, he said, was “the incomparable Myles pissing on Sandymount Strand”.1 This seemingly trivial anecdote presents Flann O’Brien, or rather, Myles na gCopaleen, as a transgressive character, symbolically desecrating the very monument to the cult of Joyce to which he himself had contributed. It also reveals the ambiguity inherent to the very act of transgression, in that it presupposes the normative frame it then proceeds to disregard. There is no doing away with the rules of transgression, and Myles na gCopaleen, however vocal he might have been in criticizing Joyce – “that refurbisher of skivvies’ stories”2 – never denied his admiration for the master. It was Myles na gCopaleen’s job to disrupt and mock received opinions in his satirical column from The Irish Times. The very name of Cruiskeen Lawn (“little brimming jug”) suggests the role and function of its nonsensical satire: it works by excess to emphasize the vacuity of its many targets. Such exuberance reflects a dominant mode of discourse that is defined by its polyphonic and intertextual dimension, sometimes akin to literary collage, and whose self- conscious quality always reminds the reader of the artificiality and arbitrariness of language. The constant polarity between exuberance and void in Flann O’Brien’s work echoes the deconstructive tensions of post-modern writing balancing proliferation of references on the 1 John Ryan, Remembering How We Stood, Dublin: Gill and Macmillan, 1975, 121. -
Flawed to Start : the Inconsequence of Action in the Novels of Brian Oâ
Montclair State University Montclair State University Digital Commons Theses, Dissertations and Culminating Projects 5-2018 Flawed to Start : The nconsequeI nce of Action in the Novels of Brian O’Nolan Christopher M. Mitchell Montclair State University Follow this and additional works at: https://digitalcommons.montclair.edu/etd Part of the English Language and Literature Commons Recommended Citation Mitchell, Christopher M., "Flawed to Start : The ncI onsequence of Action in the Novels of Brian O’Nolan" (2018). Theses, Dissertations and Culminating Projects. 145. https://digitalcommons.montclair.edu/etd/145 This Thesis is brought to you for free and open access by Montclair State University Digital Commons. It has been accepted for inclusion in Theses, Dissertations and Culminating Projects by an authorized administrator of Montclair State University Digital Commons. For more information, please contact [email protected]. Abstract Brian O’Nolan’s novels At Swim-Two-Birds, The Poor Mouth, and The Third Policeman present worlds where character actions are largely inconsequential. This discussion will focus on reflexive metanarrative elements, criticism of the Irish revivalist movements and authorship and creation as a means to survive these worlds. O’Nolan’s novels will be shown to be largely optimistic in their confrontation of nihilistic concerns. Much of his writing is comedic and playful even when dealing with serious topics. Repetition through both language and story structure are key components of the futility O’Nolan constructs for his characters and readers. This thesis examines the interplay between futility and creativity in O’Nolan’s works. FLAWED TO START: THE INCONSEQUENCE OF ACTION IN THE NOVELS OF BRIAN O’NOLAN A THESIS Submitted in partial fulfillment of the requirements For the degree of Master of Arts by CHRISTOPHER M.