Title IX Views Status of Coeducation

Total Page:16

File Type:pdf, Size:1020Kb

Title IX Views Status of Coeducation Title IX views status of coeducation By AMANDA HALL increasing the community's aware- The campus has changed both ven now since women are on cam- Sports Editor ness of discrimination, and an educa- socially and educationally since wo- pus," Wassen said. Four years after coeducation began tion process. men were admitted, according to He said that the men felt pressure at Davidson, Title IX, with evalua- Coeducation came into effect with Wassen. to date on weekends, and "If you tion procedures and legal means of the '73-74 academic year. "Generally He thinks the men function more didn't have a car and money you had counteracting discrimination, has some people were happy about it," securely socially without women on yourself and that was it. Now you can been put into effect. said former Union President Richard campus because "it's difficult to carry date someone here." Title IX will have several effects on Wassen. "We didn't know what to on a relationship with the pressure "I definitely think (the social campus, according to Assistant Dean expect." here. Before coeducation you didn't pattern) is more relaxed, more nat- of Students Mary Lou Dietler; the A few people were mad about it, have to see the other person all the ural, something you don't worry program will serve as a guide for but they were a minority. There was a time." about anymore, since the women evaluating coeducation, a legal means minority strongly for it, but most "We were sort of naive, thinking came," he said. for reporting discrimination, a tool for students were apathetic about it," he women were objects to be dated on The women improved the educa- said. weekends, but that has been dispro- tional opportunities on campus, ac- cording to Wassen. "I remember some of my classes; I was glad to have women in there because they were sharp and they added a new me aaviasoman viewpoint, a new dimension," he said. Vol. LXVI, No. FIVE Davidson College, Davidson, N.C. 28036 October 15, 1976 [see TITLE IX, page 8] I College ponders opening Rusk to new eating group By DENNIS McLAWHORN another establishment to take by Lynn Langley and Carter Staff Writer care of the ones who were left Todd is already working to A forecast of overcrowded out. The venture never really accumulate the freshman sup- conditions in the existing frat- got off the ground, due mainly port necessary for an attempt ernities and eating houses is to a lack of interest shown at to open a new house. The necessitating an attempt to such a late time of the year. committee will be circulating a open Rusk House for next This year's even larger petition sometime in the near year freshman class will magnify future to ascertain if the Last year, there weren'l|»the problem of over-crowding, interest is there. enough places for the students There simply won't be enough Will Terry, Dean of Stu- who wanted to join a frater- space for all of them at the dents, commented on the sub- RUSK HOUSE—Davidson's newest -Steve Lewis nity or eating house and some present eating facilities, ject, "The whole matter is in eating club? of the students tried to open An SGA committee headed the preliminary stages. It's an expensive proposition; it will take some real commitment in terms of the participants' will- 'Institutional' dorms need renovation, ingness, to commit themselves for at least a year. Its success will depend upon good finan- future plans anticipate only 'updating'cial management. It will need, By PHILIP DUNCAN housing situation and the don't enjoy those advantages. rooms are conducting a "com- I think, at least sixty people to Asst. News Editor impossibility of new construc- "I think it's evident that munity cook-in" with toaster make it. In spite of all these Davidson College has no tion, there are no prospects for priorities have been placed in ovens, hot plates, popcorn difficulties, a house like this is plans to build a new student the type of renovation that other areas besides housing. I poppers, you name it. badly needed in light of the housing facility. If the quality would displace students now guess it's just a matter of "I know that sort of thing is space problems at other frater- of on-campus living is to be in the dorms," said Business where a college wants to put against regulations, but the nities and eating houses. upgraded, improvement of ex- Manager Robert A. Currie. its emphasis — and who con- fact is that students today "One of the real questions isting dormitories is the only "If the push for housing trols the purse-strings," sta- with their hair-dryers and that the college will have to alternative. on-campus were to ease, I ted Nicholls. other appliances need more decide will be how much "It seems that almost ev- assume that in the next year's Future improvements of the power than the wiring can money they'll be willing to put eryone has a plan for how we budget, funds would be set dorms will follow the lines of provide. in to provide furniture and should renovate the dorms," aside to begin work on the the sixties' "updating". "The transition will be ex- other amenities that go into a said Director of the Physical most important improvement Meetze says that the electri- pensive, but soon we'll have to good social program. A good Plant Grover C. Meetze, Jr. priority," said Currie. cal systems in the dorms are increase the capacity of the social program is an essential "I'm sympathetic with the inadequate. wiring." ingredient to the success of desire to get away from the Second article "Hardly a weekend goes by The Residence Hall Asso- such a house. We're not institutional look of our in a series without someone calling to tell ciation and College are work- interested in a trough." dorms, but the school's policy me that their power has gone ing together to install kitchens does not call for any major "In the late sixties we made out. |See RENOVATION, page 3] |see RUSK, page 2] renovations in the future," he some cosmetic changes, 'plas- "I usually find that four said. tic surgery', I guess you would Director of Student Hous- call it, in Watts, Cannon, and ing Scotty Nicholls presented Sentelle," said Nicholls. her ideas for renovation to "We put in new furniture, Meetze in the late sixties. She lighting fixtures, flooring, does not remember all the closets, door frames and details of her proposal now, doors, and added lounges in but recalled that "it provided each dorm. for a breaking up of the long "But I don't think this corridors, thereby dividing effort could be called anything halls into smaller blocks of other than an updating. There rooms. Bathrooms were to be certainly was no major reno- enlarged and a common-use vation." study-typing room provided "There are certain human for each block. The renovation needs that must be met," would have cut two students' commented Nicholls. rooms from each floor, I "There should be space for believe. students to relax outside of "Thinning out the popula- their rooms. tion in the dorms is the "We are fortunate to have a essential step towards making spacious student union, a them a better place to live," good-sized library and living she said. room areas in the eating "THERE SHOULD BE space for students to relax..." Belk's •Steve Lewis "Because of the crowded houses. Many private colleges single lounge serves over 300 students. the davidsonian October 15, 1976 Morton antiques provide •<# eleqance for Wilson Room college president Samuel R. Grover Meetze designed the By CHARLES ERWIN room as a part of his Staff Writer Spencer Jr., to supervise the A new banquet room to project, said that, when tion of the Grey library into a house official college dinners completed, the new dining student union. The area of the and special campus social room will definitely be "the Wilson Room was originally functions is presently being most elegant on campus". taken up by library offices. prepared in the Grey Student Although commonly re- Music Professor Lucille Union. It is located between ferred to as the Woodrow Snider is in charge of the the entance to the snack bar Wilson Room, Spencer said actual decorating of the room. and the union desk. that no final action had been However, because she is still taken on a name. in the middle of her plans she WOODROW WILSON ROOM aw- Mrs Ava Spencer, who was -Steve Lewis appointed by her husband Physical Plant Director declined to comment upon how aits elegance. the room will appear when completed. Antique furniture given by the estate of Mrs. Florence Baskin outlines SGA Senate goals, Clift Horton in memory of her son, Davidson alumnus four main areas merit consideration Gordon Horton '54, will provide the focal point of the By LYMAN COLLINS we have adequate facilities, or development Baskin pointed we go the next step and adopt room's decoration. According Assistant News Editor given current facilities, what to the vast potential in audio- a merit based admissions pol- to Mrs Spencer all of these According to SGA Presi- should be our enrollment?" visual aids that are for the icy and abolish the sex quota. pieces are in the Eighteenth dent Bo Baskin, the four main Baskin said that he was par- most part untapped here. This committee is going to Century English style.
Recommended publications
  • Dance Charts Monat 09 / Jahr 2008
    Dance Charts Monat 09 / Jahr 2008 Pos. VM Interpret Titel Label Punkte +/- Peak Wo 1 2 GURU JOSH PROJECT INFINITY 2008 BIG CITY BEATS / KONTOR 5435 +1 1 5 2 20 KATY PERRY I KISSED A GIRL CAPITOL RECORDS 4136 +18 2 2 3 30 ENERGY 52 CAFE DEL MAR 2008 GRAND CASINO 3164 +27 3 2 4 79 COMMERCIAL CLUB CREW LA ISLA BONITA ANDORFINE 2556 +75 4 4 5 ANDREW SPENCER VS. LAZARD HERE WITHOUT YOU MENTAL MADNESS / PULSIVE 2342 0 5 1 MEDIA 6 3 R.I.O. SHINE ON ZOOLAND / TIGER 2065 -3 1 5 7 1 SPLASH WÜNSCH DIR WAS SPV RECORDS 1992 -6 1 3 8 9 MARCO VAN BASSKEN FT CHARLENE WHATS UP ACTIVE SENSE RECORDS 1882 +1 8 2 9 8 DAVE DARELL CHILDREN ZOOLAND / TIGER 1793 -1 8 3 10 LIZ MEYER WITHOUT YOU SUPRIME RECORDS 1708 0 10 1 11 26 ROCCO & BASS-T I CANT TAKE IT AQUALOOP 1602 +15 11 4 12 THE HITMEN YOUNG & FREE DROP OUT 1519 0 12 1 13 5 AKUSTIKRAUSCH DISKOSCHLAMPE GLOBAL AIRBEATZ 1413 -8 5 3 14 82 PICCO YEKE YEKE YAWA RECORDINGS 1406 +68 14 2 15 4 ALI PAYAMI VS. AQUAGEN & WARP B... BLADE DOS OR DIE RECORDS 1369 -11 2 4 16 100 SHAUN BAKER V.I.P. 2008 SUSHI TUNES 1309 +84 16 2 17 61 ERIC PRYDZ PJANOO (REMIXES) PRYDA 1260 +44 17 6 18 49 SASH! FEAT. STUNT RAINDROPS (ENCORE UNE FOIS) HARD2BEAT 1257 +31 18 2 19 TOPMODELZ MANIAC AQUALOOP 1221 0 19 1 20 11 MICHAEL MIND SHOW ME LOVE KONTOR 1211 -9 11 3 21 54 DJ MIKESH FUCKING PUNK / RAUSCH CUEDANCE RECORDS 1188 +33 21 3 22 DJ ZEALOT HARDBASS ATTACK SEASIDE RECORDS 1169 0 22 1 23 DAN WINTER FADING LIKE A FLOWER ZOOLAND 1153 0 23 1 24 13 DJ GOLLUM FEAT.
    [Show full text]
  • Dance Charts Monat 06 / Jahr 2008
    Dance Charts Monat 06 / Jahr 2008 Pos. VM Interpret Titel Label Punkte +/- Peak Wo 1 4 R.I.O. SHINE ON ZOOLAND / TIGER 3640 +3 1 2 2 2 ALEX MEGANE SOMETHING YAWA RECORDINGS 2658 0 1 3 3 23 SHAGGY FEAT. RIK ROK & TONY GOLD FEEL THE RUSH MINISRTY OF SOUND 2506 +20 3 3 4 3 LAZARD I AM ALIVE PULTRANCE 2360 -1 3 3 5 ROB MAYTH HERZ AN HERZ ZOOLAND 2349 0 5 1 6 100 MEGASTYLEZ JUMP WITH ME PHATT CLAPP 2167 +94 6 2 7 26 JAN WAYNE AND SCARLET WISH YOU WERE HERE DEUTSCHE DANCE RECORDS 2029 +19 7 2 8 19 GURU JOSH PROJECT INFINITY 2008 BIG CITY BEATS / KONTOR 2022 +11 8 2 9 17 CASCADA BECAUSE THE NIGHT ZOOLAND / UNIVERSAL 1977 +8 9 2 10 8 ULTRA FLIRT DANCING WITH TEARS IN MY EYES MENTAL MADNESS 1926 -2 8 3 11 1 DISCOTRONIC MEETS TEVIN THE MASTERPLAN MENTAL MADNESS 1869 -10 1 3 12 42 CUBA CLUB SUAVEMENTE 2008 ATTENTION RECORDS 1501 +30 12 2 13 CLUBLINERS HERZ AN HERZ ILL FISH RECORDINGS 1471 0 13 1 14 40 DIRTY BOYZ JUMP! (I CAN'T HEAR YOU) NEPTUN RECORDS 1451 +26 14 2 15 7 MADONNA FEAT. JUSTIN TIMBERLAKE & 4 MINUTES WARNER 1427 -8 5 3 TIMBALAND 16 VERANO RHYTHM OF THE NIGHT YAWA RECORDINGS 1371 0 16 1 17 5 LÜTZENKIRCHEN DREI TAGE WACH STIL VOR TALENT 1354 -12 4 3 18 9 CULTURE BEAT YOUR LOVE SUPERSTAR RECORDINGS 1024 -9 9 3 19 27 S.E.X.APPEAL SKIN 2 SKIN 3H RECORDS 992 +8 19 2 20 60 DJ MNS VS.
    [Show full text]
  • Congratulations, George. No Wonder They Call You "King"
    A D V E R T I S E M E N T r EXPERIENCE THE BUZZ MA" 3 2003 56 NUMBER ONE SINGLES 32 PLATINUM ALBUMS COUNTRY MUSIC HALL OF FAME MEMBER COUNTRY ALBUM OF THE YEAR Congratulations, George. No wonder they call you "King" www.billboand.com www.billboerd.biz US $6.99 CAN $8 99 UK £5.50 99uS Y8.:9CtiN 18> MCA NASHVILLE #13INCT - SCII 3 -DIGIT 907 413124083434 MARI0 REG A04 000!004 s, 200: MCA Nashville 'lllllllliLlllllllulii llll IIIIIIIIIIIIIIIIIIIIfII I MONTY G2EENIY 0027 l 3740 ELA AVE 4 P o 1 96 L7-Z0`_ 9 www.GeorgeStrait.co LONG BE.1CB CA 90807 -3 IC? "001160 www.americanradiohistory.com ATTENTION INDIE MUSICIANS! THE IMWS IS NOW ACCEPTING ENTRIES. DISC MAKERS" Independent Music World Series In 2008, the IMWS will award over $250,000 in cash GOSPEL, METAL, and prizes to independent musicians. No matter HIP HOP, PUNK, where you live, you are eligible to enter now! JAZZ, COUNTRY, EMO, ROCK, RAP, Whatever your act is... REGGAETON, we've showcased your style of music. AND MANY MORE! Deadline for entries is May 14, 2008 2008 Showcases in LOS ANGELES, ATLANTA, CHICAGO, and NEW YORK CITY. VISIT WWW.DISCMAKERS.COM /08BILLBOARD TO ENTER, READ THE RULES AND REGULATIONS, FIND OUT ABOUT PAST SHOWCASES, SEE PHOTOS,AND LEARN ALL ABOUT THE GREAT IMWS PRIZE PACKAGE. CAN'T GET ONLINE? CALL 1 -888- 800-5796 FOR MORE INFO. i/, Billboard sonicbíds,- REMO `t¡' 0 SAMSON' cakewalk DRUM! Dc.!1/Watk4 Remy sHvRE SLIM z=rn EleCtronic Musicioo www.americanradiohistory.com THEATER TWEETERS CONCERTS CASH IN AT THE MOVIES >P.27 DEF JAMMED LIFE AFTER JAY-Z FOR THE ROOTS
    [Show full text]
  • Plaz 1712 – 842
    Plaz 1712 – 842 842 Spice girls Holler 843 Coldplay Trouble 844 Nelly Furtado On the Radio 845 Twaares Children 846 Will Smith Wild Wild West 847 Sub7even ft En vogue Free your mind 848 Shakedown At night 849 Kelis Trick me 850 Stacy Orrico Stuck 851 4 The Cause Stand By Me 852 Eminem Like toy soldiers 853 Madcon Beggin 854 Andreas Bourani Nur in meinem Kopf 855 Flo Rida Good Feeling 856 C2C Down The Road 857 Ed Sheeran feat. Pharell Williams Sing 858 Mark Forster Wir sind gross 859 Twenty One Pilots Ride 860 Anastacia Paid my dues 861 Puff Daddy Satisfy you 862 Eminem feat. Rihanna The Monster 863 Rembrandts I`ll Be There For You 864 Pulp Disco 2000 865 Dodgy Good Enough Somewhere Over The Rainboy/What a 866 Israel Kamakawiwoòle Wonderful World 867 Simply Red Remembering The Fist Time 868 Bon Jovi Hey God 869 Michael George Spinning The Wheel 870 Daft Punk Around The World 871 Bush Swallowed 872 Sleepwalk Firwaat? 873 Semisonic Secret Smile 874 Shania Twain That don't impress me much 875 Vengaboys We're going to Ibiza 876 Texas Inner smile 877 Sofaplanet Lieb****** 878 Shivaree Goodnight moon 879 Wir Sind Helden Nur Ein Wort 880 Chris Brown Yeah 3x 881 Macklemore & Ryan Lewis & Mary Lambert Same Love 882 Gentleman You Remember 883 Seeed Augenbling 884 Capital Cities Safe and Sound 885 Twenty One Pilots Heathens 886 Bon Jovi Everyday 887 Jennifer Lopez Jenny from the block 888 Ce Ce Peniston Finally 889 Blind Melon No Rain 890 Bürger Lars Dietrich Sexy Eis 891 Bryan Adams Let's Make A Night To Remember 892 Scooter How Much Is The Fish
    [Show full text]
  • STATE of VERMONT PUBLIC SERVICE BOARD Docket No. 5854
    STATE OF VERMONT PUBLIC SERVICE BOARD Docket No. 5854 Investigation into the ) Restructuring of the Electric ) Utility Industry in Vermont ) Order entered: 12/31/96 THE POWER TO CHOOSE: A PLAN TO PROVIDE CUSTOMER CHOICE OF ELECTRICITY SUPPLIERS REPORT AND ORDER Richard H. Cowart, Chair Suzanne D. Rude, Board Member David C. Coen, Board Member Docket No. 5854 Page 2 TABLE OF CONTENTS I. Introduction. 6 II. Overview of Proposed Plan. 10 III. Procedural History. 16 A. Summary of Changes in the Final Report. 17 IV. Providing Retail Access to VermontUs Consumers. 22 A. Customer Choice.. 22 B. Timing of Customer Choice.. 23 C. Meeting CustomersU Information Needs. 24 D. Required Transition Service Offerings. 26 E. Provider of Last Resort.. 26 F. Retail Aggregation. 27 G. Rate Assurances for Small-Volume Customers.. 28 V. Character of Industry and Corporate Structure in Vermont.. 30 A. Separation of Competitive and Monopoly Functions, and Problems of Vertical Market Power. 30 1. Corporate Structures. 33 a. Divestiture (Corporate Unbundling). 33 b. Functional Separation (Operational Unbundling). 34 c. Non-Structural Separation.. 34 2. Corporate Structures: Considerations and Conclusions. 34 3. Safeguards Against Discriminatory Practices. 37 a. Enforcement Authority. 40 B. Distribution Utility Companies and Services. 40 1. The Electric Utility Exclusive Franchise. 40 2. On-Going Obligations of the Distribution Utilities.. 41 3. Regulation of Discos.. 42 4. Other Disco Issues. 43 C. Transmission Services and Companies. 43 1. Transmission Pricing and Planning. 44 2. Transmission System Operation and Reliability.. 44 3. Statewide Transmission Company. 45 D. Retail Service Companies and Generation Service Providers.. 47 1.
    [Show full text]
  • XM 81 BPM “America’S Dance Hits”
    BPM - XM Satellite Radio 1500 Eckington Place NE Washington, DC 20002 Skyy, Program Director 202.380.1358, [email protected] XM81 America’s Dance Hits DJ Armando, Music Director 7-day spins report through 5.26.08 202.380.4347, [email protected] RANK Artist Title Label 1 Madonna & Justin Timberlake 4 Minutes (Bob Sinclar & Peter Saves London) Warner Bros. 2 Ercola vs Heikki L Deep At Night (Adam K & Soha Remix) Nervous 3 Fragma Toca’s Miracle 2008 (Inpetto Remix) Ultra 4 Robbie Rivera Back To Zero (Robbie’s Juicy Miami Vocal Mix) Juicy Music 5 Gianluca Motta f Molly Not Alone (Deadmau5 Edit) WeLoveMuzik 6 Leona Lewis Bleeding Love (Moto Blanco Edit) RCA 7 Natasha Bedingfield Pocketful Of Sunshine (Stonebridge Mix) Epic 8 Sirens Club LaLa (Jody den Broeder) Nervous 9 Bellatrax f Sophia May I Can’t Help Myself (Sunfreakz Edit) Nervous 10 Delta Goodrem Believe Again (Tommy Trash Remix) *import 11 PhonJaxx f Cosi Costi Sensual Ultra 12 David Guetta Everytime We Touch Ultra 13 Dobenbeck Please Don’t Go Armada 14 Ferry Corsten & Howard Jones Into The Dark Ultra 15 Danity Kane Damaged (Global Factory Mix) Bad Boy 16 Armin van Buuren Going Wrong Ultra 17 Moby Disco Lies (Spencer & Hill Remix) RCRD LBL 18 Nick Fiorucci f Kelly Malbasa The Night (Chriss Ortega Mix) Hi-Bias 19 Tamia Me (Soul Seekerz Remix) Plus 1 Music 20 Ercola f Daniella Every Word (Wendel Kos Remix) Nervous 21 Milk Inc. Sunrise Ultra 22 DJ Shog Feel Me (Through The Radio) (Inpetto Remix) Sony BMG 23 Rachael Starr Forever (Moonbeam Edit) Promo 24 Stonebridge Close To Heaven (Chris
    [Show full text]
  • Progressive House: from Underground to the Big Room
    PROGRESSIVE HOUSE: FROM UNDERGROUND TO THE BIG ROOM A Bachelor thesis written by Sonja Hamhuis. Student number 5658829 Study Ba. Musicology Course year 2017-2018 Semester 1 Faculty Humanities Supervisor dr. Michiel Kamp Date 22-01-2017 ABSTRACT The electronic dance industry consists of many different subgenres. All of them have their own history and have developed over time, causing uncertainties about the actual definition of these subgenres. Among those is progressive house, a British genre by origin, that has evolved in stages over the past twenty-five years and eventually gained popularity with the masses. Within the field of musicology, these processes have not yet been covered. Therefore, this research provides insights in the historical process of the defining and popularisation of progressive house music. By examining interviews, media articles and academic literature, and supported by case studies on Leftfield’s ‘Not Forgotten’ en the Swedish House Mafia’s ‘One (Your Name)’, it hypothesizes that there is a connection between the musical changes in progressive house music and its popularisation. The results also show that the defining of progressive house music has been - and is - an extensive process fuelled by center collectivities and gatekeepers like fan communities, media, record labels, and artists. Moreover, it suggests that the same center collectivities and gatekeepers, along with the on-going influences of digitalisation, played a part in the popularisation of the previously named genres. Altogether, this thesis aims to open doors for future research on genre defining processes and electronic dance music culture. i TABLE OF CONTENTS Introduction ............................................................................................................... 1 Chapter 1 - On the defining of genre .......................................................................
    [Show full text]
  • Y.M.C.A. (Song) - Wikipedia
    7/7/2021 Y.M.C.A. (song) - Wikipedia [ Y.M.C.A. (song). (Accessed Jul. 07, 2021). Overview. Wikipedia. ] Y.M.C.A. (song) "Y.M.C.A." is a song by the American disco group Village People. It was released in 1978 as the only single from their third studio album, "Y.M.C.A." Cruisin' (1978). The song was written by Jacques Morali (also the record's producer) and singer Victor Willis.[1] A medley with "Hot Cop" reached No. 2 on Billboard's Dance Music/Club Play Singles chart,[2] while the song reached No. 2 on the Billboard Hot 100 charts in early 1979, placing behind both "Le Freak" by Chic and "Da Ya Think I'm Sexy?" by Rod Stewart.[3] Outside the US, "Y.M.C.A." reached No. 1 in the UK around the same time, becoming the group's biggest hit. It is one of fewer than 40 singles to have sold 10 million (or more) physical copies worldwide. The song remains popular and is played at many sporting events in the US and Europe, with crowds joining in on the dance in which One of A-side label variants of U.S. arm movements are used to spell out the four letters of the song's title. "Y.M.C.A." appeared as the Space Shuttle wake-up call on day 7-inch vinyl single 11 of mission STS-106.[4] In 2009, "Y.M.C.A." set a Guinness World Single by Village People Record when over 44,000 people danced to Village People's live from the album Cruisin' performance of the song at the 2008 Sun Bowl game in El Paso, Texas.[5] B-side "The Women" Released October 17, 1978 "Y.M.C.A." is #7 on VH1's list of "The 100 Greatest Dance Songs of Recorded 1978 the 20th Century."[6] In 2020, "Y.M.C.A" was inducted into the Grammy Hall of Fame[7] and selected by the Library of Congress for Studio Sigma Sound preservation in the National Recording Registry for being Studios (New York City, [8][9] "culturally, historically, or aesthetically significant".
    [Show full text]
  • Dance Charts Monat 04 / Jahr 2008
    Dance Charts Monat 04 / Jahr 2008 Pos. VM Interpret Titel Label Punkte +/- Peak Wo 1 ALEX MEGANE SOMETHING YAWA RECORDINGS 252 0 1 1 2 ALEX M. VS MARC VAN DAMME FT. JORG DIED IN YOUR ARMS MENTAL MADNESS 225 0 2 1 SCHMID 3 PUNKROCKERZ I WON'T FORGET YOU MENTAL MADNESS 213 0 3 1 4 LÜTZENKIRCHEN DREI TAGE WACH STIL VOR TALENT 183 0 4 1 5 MADONNA FEAT. JUSTIN TIMBERLAKE & 4 MINUTES WARNER 177 0 5 1 TIMBALAND 6 SPRINGSTIL EY, HEB DIE BEINE AN... AQUALOOP 128 0 6 1 7 MANIAN HOLD ME TONIGHT ZOOLAND 127 0 7 1 8 CHRIS BATES JUMPING LOVE NEPTUN RECORDS 123 0 8 1 9 SAMPLE RIPPERS HARDCORE VIBEZ MENTAL MADNESS 111 0 9 1 10 DE-GREES VS. THE REAL BOOTY BABES APOLOGIZE YAWA RECORDINGS 102 0 10 1 11 THE REAL BOOTY BABES PLAYED-A-LIVE / DERB 08 YAWA RECORDINGS 97 0 11 1 12 DAVID GUETTA FT. TARA MC DONALD DELIRIOUS VIRGIN 82 0 12 1 13 OVERDRIVE DIVISION PARADISE FANATIC BEATZ 80 0 13 1 14 IDA CORR VS. FEDDE LE GRAND LET ME THINK ABOUT IT MINISRTY OF SOUND 80 0 14 1 15 ANDREW SPENCER MEETS BLUE NATURE I NEED A HERO GMG MUSIC / MENTAL 71 0 15 1 MADNESS 16 2-4 GROOVES WRITING ON THE WALL GET FREAKY! 68 0 16 1 17 CULTURE BEAT YOUR LOVE SUPERSTAR RECORDINGS 59 0 17 1 18 MONDOTEK ALIVE KONTOR 57 0 18 1 19 LAZARD I AM ALIVE PULTRANCE 57 0 19 1 20 SIA THE GIRL YOU LOST TO COCAINE TIGER RECORDS 54 0 20 1 21 POMPANICK FUCKING SOUND NEPTUN RECORDS 53 0 21 1 22 DREAM DANCE ALLIANCE SPRING FORWARD AND FALL BEHIND 7TH SENSE RECORDS 53 0 22 1 23 FETTES BROT BETTINA, ZIEH DIR BITTE ETWAS AN FETTES BROT 50 0 23 1 SCHALLPLATTEN 24 CHARLENE READY TO FLY MENTAL MADNESS 50 0 24 1 25 MOBY DISCO LIES MUTE 47 0 25 1 26 STFU THRILLER 2008 TIGER RECORDS 45 0 26 1 27 G & G MY MY MY J K PRODUCTIONS 41 0 27 1 28 DJ NEO PLAY! BLUTONIUM RECORDS 41 0 28 1 29 RIO & JULIANO INTO THE NIGHT / BLIND DROP OUT 38 0 29 1 30 TOPMODELZ WHEN YOU'RE LOOKING LIKE THAT AQUALOOP 38 0 30 1 31 MISS N-TRAXX VS.
    [Show full text]
  • Label ATO Learns to Thrive As an Indie >P.24
    I THE REAL DFA±. KEEPING TRACK PARTY ON SILENT ..1dUID1TY NASHVILLE'S EVALUATING EMI'S FRANK SINATRA, A BOOM CREDIT CRUNCH REALITY TV CRAZE MP3 STRATEGY BACK ON TOP FOR IBIZA? TWEAKS THE BIZ >P.10 >P7 >P.39 >P.20 >P29 From Gras -Roots Stalwarts To Growing Superstars PLUS: Label ATO Learns To Thrive As An Indie >P.24 ro-+..as MAY 31, 2008 'Ilboard.com illboard.biz sk; ,, .= CAN $8.99 UK È5.50 $6.99US $8.99CAN II IIII I II1111111111 I II 11111111 iNCTCC * * * * * * * * * * * * *SCH 3 -DIGIT 907 áíìL2408043#* MARIO REG * A04 000 /005 p IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII11II MONTY GREENLY 0027 3740 ELM AVE 4 A LONG BEACH CA 90807- 3402 001161 fri www.americanradiohistory.com ¡U.0. 1' `f r,f Year i Lps óf anlAngel" 1 Polow Da Don" , ., 1 1 ! _ r r 0 I i , i A I HaII áridlOatesi, 111 ,Pa CALL ME WHEN YOU'RE SOBER Amy Lee Dwight Frye Music, Inc. Professor Screweye Publishing CHASING CARS Nathan Connolly (PRS) Gary Lightbody (PRS) Jonny Quinn (PRS) Tom Simpson (PRS) Paul Wilson (PRS) BETTER THAN ME Songs of Windswept Pacific Blower Cody Hanson DON'T MATTER Brian Howes (SOCAN) Tony Love Mark King Lawsongs Michael Rodden Austin Winkler EVERYTIME WE TOUCH EMI -Blackwood Music, Inc. Maggie Reilly (PRS) Hinder Music Co. Stuart MacKillop (GEMA) Peter Risavy (GEMA) BREAK IT OFF Sony /ATV Songs LLC ANIMAL I HAVE BECOME Don Corleon Adam Gontier (SOCAN) Kirk "Koolface" Ford FACE DOWN Neil Sanderson (SOCAN) Rihanna Ronnie Winter, Jr. Barry Stock (SOCAN) Annarhi Music LLC Grim Goodbye Music Brad Waist (SOCAN) EMI -Blackwood Music, Inc.
    [Show full text]
  • Measuring Groove: a Computational Analysis of Timing and Dynamics in Drum Recordings
    Master’s Thesis on Sound And Music Computing Universitat Pompeu Fabra Measuring groove: A Computational Analysis of Timing and Dynamics in Drum Recordings Tessy Troes Supervisors: Daniel Gómez Marín - Cárthach Ó Nuanáin 3rd of September 2017 Contents 1 Introduction 1 2 State-Of-The-Art 4 2.1 What is groove? . 4 2.1.1 Why study rhythm and groove? . 4 2.1.2 Terminology survey . 6 2.1.3 Working definition of groove . 17 2.2 Review of existing groove and humaniser hardware and software . 19 2.2.1 Hardware . 19 2.2.2 Software . 21 2.2.3 Critical Review . 24 2.3 Review of Analysis, Transformation and Generation of Musical Record- ings . 25 2.3.1 Rhythmic analysis . 25 2.3.2 Automatic transformation of rhythm in audio signals . 26 2.3.3 Non-automated drum analysis . 28 2.3.4 Generation: rhythm . 28 2.3.5 Generation: humanised drum patterns . 29 2.4 Conclusions: Working definition and Hypothesis . 30 3 Methodology 32 3.1 The dataset: ENST-Drums . 32 3.1.1 Description of the dataset . 32 3.1.2 Challenges of the dataset . 33 3.1.3 Data pre-processing . 34 3.2 Measurement process . 35 3.2.1 Timing Analysis . 35 3.2.2 Dynamics analysis . 36 3.2.3 Discussion . 39 4 Rhythmic Analysis 40 4.1 Interpreting the heatmaps: time . 40 4.1.1 Drummers . 41 4.1.2 Genre . 43 4.1.3 Instruments . 44 4.2 Interpreting the heatmaps: energy . 47 4.3 Classification . 51 4.4 Validation of Hypotheses .
    [Show full text]
  • Program-Queens-Soul.Pdf
    Toronto Symphony Orchestra Sir Andrew Davis, Interim Artistic Director Steven Reineke, Principal Pops Conductor Tuesday, May 7, 2019, 8:00pm Jeff Tyzik, conductor Wednesday, May 8, 2019, 2:00pm Brie Cassil, vocalist Wednesday May 8, 2019, 8:00pm Melissa McMillan, vocalist Shayna Steele, vocalist All arrangements by Jeff Tyzik John Fogerty Terry Britten & Graham Lyle “Proud Mary” “What’s Love Got to Do with It” Mack Gordon & Harry Warren George Merrill & Shannon Rubicam “At Last” “I Wanna Dance with Somebody (Who Loves Me)” Bunny Hull, John Gilutin & Sharon T. Robinson Carole King & Gerry Goffin “New Attitude” “Will You Still Love Me Tomorrow” Jim Weatherly Amy Winehouse “Midnight Train to Georgia” “You Know I’m No Good” Kenneth Gamble, Leon Huff & Adele Adkins & Greg Kurstin Cary Gilbert “Hello” “Don’t Leave Me This Way” Otis Redding Adele Adkins & Paul Epworth “Respect” “Rolling in the Deep” Ronnie Shannon Alicia Keys “I Never Loved a Man (The Way “Fallin’” I Love You)” Billy Squier, Jeff Bhasker, Narada Michael Walden & Salaam Remi & Alicia Keys Jeffrey Cohen “Girl on Fire” “Freeway of Love” Norman Whitfield & Barrett Strong Gerry Goffin, Carole King & Jerry Wexler “I Heard It through the Grapevine” “(You Make Me Feel Like) A Natural Woman” Intermission 30 TORONTO SYMPHONY ORCHESTRA May 8 Performance Sponsor THE ARTISTS Jeff Tyzik conductor Jeff Tyzik made his TSO début in February 2003. GRAMMY Award winner Jeff Tyzik is one of America’s most innovative and sought after pops conductors. Tyzik is recognized for his brilliant arrangements, original programming, and engaging rapport with audiences of all ages. This is the sixth season that Tyzik has held The Dot and Paul Mason Principal Pops Conductor’s Podium at the Dallas Symphony Orchestra.
    [Show full text]