AV Audit SAHA

Home , Africa Hinterland, Benjamin Pogrund

AUDIOVISUAL AUDIT REPORT 2010 The South African Liberation Struggle

*OUSPEVDUJPOt $PWFSJNBHF1PTUFS 4JMLTDSFFO JTTVFECZUIF8FFLMZ.BJM EBUFVOLOPXO"SDIJWFEBT4")"$PMMFDUJPO"-

The South African History Archive (SAHA) is an independent human rights archive committed to recaptur- ing lost and neglected histories, documenting past struggles against apartheid, as well as ongoing struggles in the making of democracy in South Africa. SAHA’s central mission is to bring South African history out of the archives and into schools, universities and communities in new and innovative ways. SAHA is also dedicated to using South Africa’s Promotion of Access to Information Act in order to extend the boundaries of freedom of information in South Africa and to build up an archive of materials released under the Act for public use.

A special thanks to the materials development team: Researcher and writer: Freddy Ogterop Design and layout: Oliver Barstow Project coordinators: Piers Pigou / Catherine Kennedy Copy editors: Catherine Kennedy / Michal Singer

For more information about SAHA’s archives, outreach projects and product development, please contact:

South African History Archive 10#PY #SBBNGPOUFJO 5FM Email: [email protected] Web: www.saha.org.za

The Audiovisual Audit Report was made possible by the support of Atlantic Philanthropies. CONTENTS

Introduction v Film & Video Archives 1 Stock Footage Libraries 13 Reference & Lending Libraries 19 Liberation Struggle Documentaries 23 Index 98

INTRODUCTION

$POEVDUFEJOFBSMZ UIJTBVEJUPGWJEFPBOEGJMNNBUFSJBMEFBMJOHXJUIUIF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFXBT undertaken on behalf of the South African History Archive (SAHA) at the University of the Witwatersrand, with funding from the Atlantic Philanthropies and professional support from the Visual History Archive at the University of Cape Town. *O BGPMMPXVQBVEJUXBTDPOEVDUFE#FDBVTFPGUJNFBOEPUIFSDPOTUSBJOUT UIFJOJUJBMBVEJUSFQPSUDPOUBJOFEEF- tails related mainly to fairly sizeable collections. An effort was thus made to include individuals and smaller production companies that were not included in the first edition of this report. The aim is to update the report on an annual basis, toward an exhaustive audit of audiovisual heritage related to the South African liberation struggle. This will be released FBDIZFBSPO0DUPCFS UIF6OJUFE/BUJPOT"VEJPWJTVBM)FSJUBHF%BZ The aim of this audit was to increase awareness of, and access to, audiovisual material relating to the liberation struggle in South Africa through identifying and listing archives, stock footage libraries and other repositories, both nationally and internationally, which currently house such materials. A brief overview of the holdings of each repository is included, along with contact details and links to related finding aids, where available. Because of time and other constraints, we have concentrated on fairly sizeable collections. There are many individuals and production companies that have made one or two films on subjects related to the anti-apartheid struggle, but may not been listed in this report as they do not necessarily own source material that can be made available to others. This report should be seen as a work-in-progress, to which additional information can be added and for which the existing information can be refined.

Film & Video Archives

The first section deals with film & video archives, both in South Africa and abroad. 5IFZJODMVEFCPUINBKPSBSDIJWBMDPMMFDUJPOTTVDIBTUIPTFPGUIF/BUJPOBM'JMN 7JEFP4PVOE"SDIJWFJO1SFUPSJBBOE that of the UWC Robben Island Mayibuye Archives at the University of the Western Cape, to relatively small, but still useful collections at privately owned companies or specialised distribution agencies, as well as those based at various state depart- NFOUTTVDIBT%FGFODF5FMFWJTJPOBOEUIF4"147JEFP6OJU While some custodians were extremely helpful and forthcoming about their holdings, others were very cagey and cau- tious about revealing anything. With a few notable exceptions, the greatest problem in accessing materials is that in most cases no easily accessible databases exist and there is no doubt that this is one of the greatest drawbacks facing any researcher. A notable omission from this list is the SABC which, despite many attempts through various contacts, never came back to us.

Stock Footage Libraries

There are many stock, archival and news footage libraries, but few of them have sizeable archives of relevance to individuals or organisations interested in the South African liberation struggle. Those listed in this report have collections that have been of interest in the past and possess footage that has appeared in many documentaries. Most of the material originates from cinema newsreels, television newscasts and various news agencies. The websites that don’t have material themselves provide useful guides to what has been produced and what still exists in various commercial and other archives. In each case we did test searches on key words that should give potential users an idea of how useful these libraries are likely to be.

*OUSPEVDUJPOtW Reference & Lending Libraries

While there are many public and university libraries, especially in the United States, that have impressive collections of African material, there tends to be a lot of duplication, with many having obtained the same material from the same distributors, practically all of them American-based. The libraries that we have included are ones that have unearthed material that is not always easily accessible. As far as the two local libraries listed, there are certain restrictions on access, but within South Africa they have the best selection. The following two websites may be of interest in that they provide links to a number of potentially useful film databases: t The University of Southampton Library has compiled a useful list of the websites of 85 film archives and footage sources from around the world. www.soton.ac.uk/library/subjects/filmstudies/filmarchives.html t Focal International is maintained by the Federation of Commercial Audiovisual Libraries, a not-for-profit professional USBEFBTTPDJBUJPOGPVOEFEJOUIBUQSPWJEFTBDDFTTUPOFBSMZBSDIJWFTBOEBOTXFSTBMMFORVJSJFTGSFFPGDIBSHF www.focalint.org/index.htm

Liberation Struggle Documentaries

This is a selective list of internationally produced documentaries that deal with various aspects of the liberation struggle, from the pre-apartheid era to the days immediately following the first democratic elections. They range from some very well known films that have been shown at festivals and won various awards, to relatively obscure titles that deserve to be known better. The summaries attached are really too short to do justice to the subject and a true reflection of their content will have to await a properly developed database of South African film. However, the more than 300 documentaries that have been included have all been watched and the information provided is from the films themselves rather than from secondary sources. More than any other section in this report, this is of necessity a work-in-progress. An index is included at the end of this list, with the titles of listed documentaries organised into broad subject areas, with some titles appearing more than once under different headings.

Conclusion

While working on this project it became clear that though much work has gone into preserving and organising the surviving text-based material dealing with all aspects of South Africa’s Liberation Struggle, the film and video footage has not ZFUSFDFJWFEBEFRVBUFBUUFOUJPO"CBTJDQSPCMFNJTUIBUXIJMFWBSJPVTJOTUJUVUJPOTUIBUIBWFDPMMFDUJPOTIBWFDBUBMPHVFEUIF material they have in their possession, as yet there has been no attempt to provide a comprehensive overview of everything that has been made. The Visual History Archive at the University of Cape Town (see listing in Film and Video Archives section) has undertaken to address this gap by creating an online database, first of the struggle material and then, hopefully, of the entire output of the South African cinema, from the very beginning to the present day. If anyone is aware of any similar projects, or would like to suggest additions or amendments to this audit report, please contact SAHA.

WJt4")""VEJPWJTVBM"VEJU3FQPSU Copyright issues

It should be noted that many of the archives do not necessarily own the copyright to all the source material they hold. While they can often provide on-site viewing copies, potential users should be prepared to follow VQUIFJSSFRVJSFNFOUTPOBDBTFCZDBTFCBTJT 5IF$FOUSFGPS4PDJBM.FEJBBUUIF"NFSJDBO6OJWFSTJUZJO8BTIJOHUPO%$oJODPMMBCPSBUJPOXJUIUIF %PDVNFOUBSZ'JMNNBLFST"TTPDJBUJPOBOEUIF#MBDL'JMNNBLFST/FUXPSLJO4PVUI"GSJDBoIBTCFFOXPSL- ing on an initiative looking at copyright, fair dealing and documentary filmmakers. This has included: t a legal advice network for documentary filmmakers on user rights in copyright law; t a clear, easy to understand statement of fair and reasonable approaches to fair use, which is a crucial fea- ture of copyright law.

For more information on this and related projects that may be of interest to audiovisual archivists and documentary filmmakers in South Africa, please see: http://www.centerforsocialmedia.org/fair-use/best-practices/documentary/documentary-filmmakers- statement-best-practices-fair-use http://www.wcl.american.edu/pijip/go/filmmakerpapers

*OUSPEVDUJPOtWJJ 1PTUFS0GGTFUMJUIP JTTVFECZUIF&OE$POTDSJQUJPO$BNQBJHO &$$ "SDIJWFEBT4")"$PM- MFDUJPO"- FILM & VIDEO ARCHIVES

Name: African National Congress Video Archive Current Physical Location: Unknown Email Address: [email protected] Contact Person4UBOMFZ/EMPWV Tel Street/Postal Address: Unknown

Description5IFDPMMFDUJPOTFFNTUPDPOTJTUWFSZMBSHFMZPGNBUFSJBMTIPUCZ"/$DBNFSBNFOJOFYJMF FTQFDJBMMZJODPVO- tries in Southern and Central Africa. Holdings7BSJPVTMZFTUJNBUFEBU VOJUTBOEPS IPVST5IJTNBZCFUIFNBUFSJBMSFQPSUFEMZCFJOHEJHJUJTFE through the South African Film & Video Project of Michigan State University. Finding Aids/POFBUUIFNPNFOU Access: Unknown

Name: African Skies Current Physical Location'PVOEBUJPO"GSJDBO4LJFT 5VTTFOEF#PHFO "NTUFSEBN 5IF/FUIFSMBOET Contact Email: [email protected] Contact Person: Fons Geerlings Tel: Fax Street/Postal Address'PVOEBUJPO"GSJDBO4LJFT 5VTTFOEF#PHFO +#"NTUFSEBN 5IF/FUIFSMBOET

Description"GSJDBO4LJFTDPOUBJOTUIFDBUBMPHVFPGUIFWJEFPBSDIJWFTPGUIFGPSNFS%VUDI"OUJ"QBSUIFJE.PWFNFOU ""#/ .PTUPGUIFNBUFSJBMXBTTIPUEVSJOHUIFQFSJPEUPCZGJMNNBLFSTBGGJMJBUFEUPUIF""#/ PGUFOJO DPMMBCPSBUJPOXJUIUIF"/$7JEFP6OJU*UBMTPDPOUBJOTUFMFWJTJPONBUFSJBMPCUBJOFEGSPNUIFGSPOUMJOFTUBUFTBOEPUIFS %VUDIUFMFWJTJPOTUBUJPOT5IF'PVOEBUJPO"GSJDBO4LJFTXBTFTUBCMJTIFEJOUPNBOBHFUIFBSDIJWFBGUFSUIF""#/ XBTEJTCBOEFE*UDPWFSTUIFIJTUPSZPGUIFTUSVHHMFPGUIF"/$ UIFTUPSZPG4PVUI"GSJDBOTJOFYJMF MJGFJOUIF"/$ refugee camps in Southern Africa, the aggression of the apartheid regime against the front-line states and support for UIFMJCFSBUJPOTUSVHHMFJO5IF/FUIFSMBOET Holdings"UPUBMPGUBQFTPGBTTPSUFEGPPUBHF BTXFMMBTFEJUFEQSPEVDUJPOT*OBDPNQMFUFNBTUFSTFUPGUIF "GSJDBO4LJFTWJEFPBSDIJWFXBTIBOEFEPWFSUPUIF/BUJPOBM'JMN 7JEFP4PVOE"SDIJWFJO1SFUPSJB XIJMFJOB UJNFDPEFE7)4TFUXBTQSFTFOUFEUPUIF"/$ Finding Aids"WFSZEFUBJMFEBOEBOOPUBUFEQSJOUFEi$BUBMPHVFPGUIF%VUDI"OUJ"QBSUIFJE.PWFNFOU7JEFP"SDIJWFw DPNQJMFECZ'POT(FFSMJOHTGPSUIF'PVOEBUJPO"GSJDBO4LJFT QVCMJTIFEJOBTTPDJBUJPOXJUIUIF4PVUI"GSJDBO%FQBSU- ment of Arts and Culture. There is also a web version at www.africaserver.nl/africanskies Access5JNFDPEFEDPQJFTDBOCFPSEFSFEGSPNCPUI"GSJDBO4LJFTBOEUIF/'74"

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt Name: Community Video Education Trust (CVET) Current Physical Location: Centre for Curating the Archive, University of Cape Town. Contact Email: [email protected] Contact Person/BUBMJF.D"TLJMM %FWFMPQNFOU.BOBHFS Tel Fax/" Street/Postal Address$PNNVOJUZ7JEFP&EVDBUJPO5SVTU 10#PY $BQF5PXO 4PVUI"GSJDB

Description'PVOEFEJO UIF$PNNVOJUZ7JEFP&EVDBUJPO5SVTU GPSNFSMZUIF$PNNVOJUZ7JEFP3FTPVSDF"TTPDJB- tion), was established to democratise media access and use video technology as a means of empowering community activists in the Western Cape. As part of this project CVET trained members of various organisations and produced OPCVEHFUEPDVNFOUBSJFTGPSBOVNCFSPG/(0T&TQFDJBMMZEVSJOHUIFTBOEFBSMZT JUDPWFSFEOVNFSPVT QPMJUJDBMFWFOUT QSJNBSJMZJOUIF8FTUFSO$BQF GSPNUIFMBVODIJOHPGUIF6%'BOEVOJPONFFUJOHTUPUIFDBNQBJHO leading up to the first democratic elections. Holdings6ODFSUBJOBUUIJTTUBHF CVUBDDPSEJOHUPBOVODIFDLFEJOWFOUPSZUIFSFDPVMECFBTNBOZBT UBQFTPO 6NBUJD 7)4BOEBTTPSUFEPUIFSGPSNBUT/PUBMMPGUIFTFXPVMECFUIFJSPXOQSPEVDUJPOTBOETPNFPGJUDPOTJTUTPG time-coded production footage. Finding Aids: At this stage only a somewhat erratic internal list that is currently being checked for accuracy and uniformity. )PXFWFS BQQSPYJNBUFMZIPVSTPGTPVSDFNBUFSJBMIBTCFFOEJHJUJTFEBTQBSUPGUIF4PVUI"GSJDBO'JMN7JEFP1SPK- ect of Michigan State University and is available as online through two websites, namely http://www.cvet.org.za and http://www.overcomingapartheid.msu.edu Access6QPOSFRVFTU

Name: Curious Pictures Current Physical Location: Unknown Email Address: [email protected] Contact Person: Harriet Gavshon Tel Fax Street/Postal AddressB'SPTU"WFOVF "VDLMBOE1BSL +PIBOOFTCVSH

Description$VSJPVT1JDUVSFTXBTMBVODIFEJOCZ)BSSJFU(BWTIPOBOE%BWJE+BNNZBT8FFLMZ.BJM5FMFWJTJPO UIFO became Mail & Guardian Television, morphed once more into M & G TV and finally, after it broke away from the Mail & Guardian newspaper with which it had been affiliated, settled on its current name. Early on it achieved fame with three TFBTPOTPGBOFYDFMMFOUEPDVNFOUBSZTFSJFTDBMMFEi0SEJOBSZQFPQMFw JOXIJDIFWFOUTXFSFTFFOGSPNUIFQPJOUPGWJFX of three participants. A number of these are of relevance to the immediate post-apartheid era: “The lawyer, the farmer & UIFDMFSLw i5IFCVSFBVDSBUTw i-BOEBGGBJSTw i5IFNBJEFOTQFFDIw i*GUSVUICFUPMEwBOEi5IFPUIFSTJEFw"OFBSMZGJMN CZ)BSSJFU(BWTIPOXBTi5IFSJCCPOw XIJMFVOEFSUIF'SFF'JMNNBLFSTCBOOFSTIFNBEFi4IFFOB%VODBOUIF CVSEFOPGQSJWJMFHFi 5IJTXBTGPMMPXFECZ.BJM(VBSEJBO5FMFWJTJPOTi5IFEFBEMJOFwBOEi5SZGSFFEPNw CPUI JOBOE.(57Ti.Z"GSJDBONPUIFSwBOEi:PVOHMJPOTw CPUIJO Holdings: The above-mentioned titles are all available, as is some source material for them.

t4")""VEJPWJTVBM"VEJU3FQPSU Finding Aids: Completed films are listed on an online database at http://www.curious.co.za/index.html Access6QPOSFRVFTU Name: Defence Television (South African National Defence Force) Current Physical Location: Unknown Email Address: [email protected] Contact Person: Mrs. C. Ludick Tel Fax Street/Postal Address: Unknown

Description"MMUIFWJEFPBDUJWJUJFTUIBUGPSNFSMZFYJTUFETFQBSBUFMZXJUIJOUIF4PVUI"GSJDBO"SNZ /BWZ "JS'PSDFBOEUIF .JMJUBSZ)FBMUI4FSWJDFIBWFCFFOCSPVHIUUPHFUIFSVOEFSBOFXVOJUDBMMFE%FGFODF5FMFWJTJPO5IFZGJMNBMMOPUBCMF FWFOUTJOXIJDIUIF4"%'JTJOWPMWFE JODMVEJOHEJTBTUFSTTVDIBTUIFTJOLJOHPGUIF0DFBOPT BOEUIFGJSFBU UIF4PVUI"GSJDBO"HSJDVMUVSBM6OJPO#VJMEJOHJO1SFUPSJB 5IFZIBWFNBUFSJBMGSPNUIFFBSMZTPOXBSET JODMVEJOHGPPUBHFPGUIFCVTIXBS UIFDJOFNBHB[JOFi5SPPQJFwBOETUBOEBMPOFEPDVNFOUBSJFT4PNFPGUIFNBUFSJBM VTFEJOLZL/FUTi(SFOTPPSMPHw TFSJFTDBNFGSPNUIFN Holdings.PTUPGUIFFBSMZNBUFSJBMJTPO6NBUJDBOEUIFMBUFSNBUFSJBMPO#FUBDBN XJUITPNFGPPUBHFPO.JOJ%7 Finding Aids: There are two internal Excel databases, one for the rough footage and one of edited programmes. Access:6QPOSFRVFTU

Name: Kevin Harris Productions Current Physical Location: Unknown Email Address: [email protected] Contact Person: Kevin Harris Tel Street/Postal Address-PDI"WFOVF 1BSLUPXO +PIBOOFTCVSH

Description: Kevin Harris has been an independent film maker for almost 30 years and during this time he has produced a large number of documentaries. Many of them deal with the anti-apartheid struggle and his first films were made for UIF4PVUI"GSJDBO$PVODJMPG$IVSDIFTi5IJTXFDBOEPGPSKVTUJDFBOEGPSQFBDFw i*G(PECFGPSVTyw i5IFTUSVHHMFGSPNXJUIJOw BOEi/PNJEEMFSPBEUPGSFFEPNw 0UIFSSFMFWBOUXPSLTBSFi/BNJCJBOPFBTZ SPBEUPGSFFEPNw i$SZPGSFBTPO#FZFST/BVEFBO"GSJLBOFSTQFBLTPVUw i/PUZFUGSFFyw i4"#$ 57oZFBSTUIFVOUPMETUPSZw i3PCFSU4PCVLXFBUSJCVUFUPJOUFHSJUZw i6OGJOJTIFECVTJOFTTw i%FMNBTUIFQBTTJPOyUIFQBJOw iGJOHFSPOUIFUSJHHFSw BOEi*OUIFEPDLw )BSSJTXBTBMTP SFTQPOTJCMFGPSBOVNCFSPGQSPHSBNNFTJOUIFi4PVUI"GSJDBOPXwTFSJFT 'PSNPTUPGUIFTFQSPHSBNNFT there is source material and raw footage. Holdings"MUPHFUIFSBCPVUUBQFT NPTUMZPO#FUBDBN41BOE%7GPSNBUT Finding Aids: Completed films are listed on an online database at www.kevinharris.co.za Access:0OMJOFVQPOSFRVFTU

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt Name: Khalid Shamis c/o tubafilms Current Physical Location: Personal Collection Contact Email: [email protected] Contact Person: Khalid Shamis Tel: Fax: /" Street/Postal Address: UVCBGJMNT 6OJU 5IF1MBOFU"SU +BNJFTPO4U $BQF5PXO

Description: The Imam Haron Archive is a collection of material related to the late Imam, who was a religious community MFBEFSJODBSDFSBUFEBOELJMMFECZUIFBQBSUIFJESFHJNFVOEFSUIF5FSSPSJTN"DUPOUIFUIPG4FQUFNCFS5IF document and photographic collection has been in the possession of the Haron family and trust. The video archive collection has been collated by Khalid Shamis of tubafilms in relation to the documentaries on the Imam’s life, death and legacy (www.tubafilms.com) Holdings:NJOJ%7DBTTFUUFUBQFT NBJOMZJOUFSWJFXTXJUIQFPQMFXIPLOFXPSXFSFJOGMVFODFECZ*NBN)BSPOUIF interviews are largely about the Imam and the relationship of the interviewees to him and/or his legacy. This includes GBNJMZBOEGSJFOETPGUIF*NBN*OUFSWJFXFFTJODMVEF+BNFT.BUUIFXT *CSBIJN3BTPPM "DINBU$BTTJFN ;VCFJEB+BG- GFS"MTPJODMVEFEJTBWBTUBSSBZPGQIPUPHSBQITPGUIF*NBNBOEEPDVNFOUTJOUIF*NBNTOBNF BTXFMMBTBNJOVUF animated documentary entitled ‘The Killing of the Imam.’ Finding Aids: Unpublished catalogue Access: Contact [email protected]; visit www.imamharon.com.

Name: National Film, Video & Sound Archives Current Physical LocationDP7FSNFVMFOBOE"OESJFT4USFFUT 1SFUPSJB 0Ost"QSJM UIF/'74"NPWFEUPUIFCVJME- JOHPGUIFPME1SFUPSJB4UBUF-JCSBSZEVFUPFYUFOTJWFSFGVSCJTIJOHBUUIFJSQSFWJPVTQSFNJTFTBU$IVSDI4USFFU&BTUJO Arcadia, Pretoria.) Email Address: GJMNFORVJSJFT!EBDHPW[B Contact Person#SFOEB,PU[Fo#SFOEBLPU[F!EBDHPW[B5SFWPS.PTFTo[email protected] Tel Fax Street/Postal Address1SJWBUF#BH9 1SFUPSJB

Description0SJHJOBMMZQBSUPGUIF/BUJPOBM'JMN#PBSEPG4PVUI"GSJDB UIF/BUJPOBM'JMN"SDIJWFTXBTUIFPOMZTFDUJPOUP TVSWJWFXIFO JO UIFBDUJWJUJFTPGUIF/'#XFSFUFSNJOBUFE"GUFSBCSJFGQFSJPEXJUIUIF%FQBSUNFOUPG/BUJPOBM &EVDBUJPO JUCFDBNFQBSUPGUIF/BUJPOBM"SDIJWFTJOBOEJOJUTOBNFXBTDIBOHFEUP/BUJPOBM'JMN 7JEFP 4PVOE"SDIJWFT /'74" *UJTUIFPGGJDJBMDVTUPEJBOPGUIFOBUJPOTGJMNBOESFDPSEFETPVOEIFSJUBHFBOEUIF-FHBM%F- QPTJU"DUPGBMTPNBLFTQSPWJTJPOGPSUIFNBOEBUPSZEFQPTJUPGMPDBMMZQSPEVDFEGJMNT WJEFPT SFDPSET %7%T FUD Copies of all audio-visual material produced for the various state departments are regularly transferred to the archive, but their holdings include donations from production companies, institutions and private individuals. Occasionally NBUFSJBMJTQVSDIBTFEPSFYDIBOHFE5IF/'74"GBMMTVOEFSUIF%FQBSUNFOUPG"SUTBOE$VMUVSF Amongst the special collections are: the African Mirror / SA Mirror / Mirror International newsreel series and its Afri- LBBOTFRVJWBMFOU0OT/VVT WBSJPVTPUIFS"GSJDBOOFXTSFFMT JODMVEJOH-./FXTBOE3IPEFTJBO4QPUMJHIU

t4")""VEJPWJTVBM"VEJU3FQPSU UIF4PVUI"GSJDBO$BNFSBOFXTSFFMTFSJFTHPWFSONFOUTQPOTPSFEGJMNTNBEFCZUIF/BUJPOBM'JMN#PBSEPG4PVUI "GSJDB UIF4PVUI"GSJDBO"OHMP#PFS8BSDPMMFDUJPOGJMNTNBEFGPSUIF%FQBSUNFOUPG%FGFODFEVSJOH 8PSME8BS**4PVUI"GSJDBOEPDVNFOUBSJFTEBUJOHGSPNUIFTUIF4"5063GJMNBSDIJWFUIF5&#" 5IF&NQMPZ- NFOU#VSFBVPG"GSJDB BSDIJWFTUIFDPMMFDUJPOPGUIF%VUDI"OUJ"QBSUIFJE.PWFNFOUGJMNTNBEFGPSUIFPME4PVUI "GSJDBO*OGPSNBUJPO4FSWJDF%FQBSUNFOUPG*OGPSNBUJPOBOEBOFYUFOTJWFGFBUVSFGJMNDPMMFDUJPO Holdings: There is currently no comprehensive record of its holdings, but the material it has goes right back to newsreel GPPUBHFPGUIF4PVUI"GSJDBO8BS JFUIFWFSZCFHJOOJOHPGUIFDJOFNB"DDPSEJOHUPUIF+PVSOBMPG'JMN1SFTFSWBUJPOPG /PWFNCFS BUUIFUJNFUIFBSDIJWFTIPMEJOHTDPOTJTUFEPGTPNF SFFMTPGGJMN XIJDIJODMVEFTOFXTSFFMT documentaries, educational items, television programmes and features. This material is on all major film and video formats. Finding Aids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can be retrieved online from www.national.archives.gov.za/index.htm (click on Search Automated Archival Information 3FUSJFWBM4ZTUFNBOEUIFOPO/BUJPOBM3FHJTUFSPG"VEJP7JTVBM.BUFSJBM "TFBSDIGPSi'JMNwXJMMCSJOHVQ IJUT QSJNBSJMZGSPNUIFDPMMFDUJPOPGUIF/'74"BOENPTUPGJUNBUFSJBMQSPEVDFEEVSJOHUIFGJSTUIBMGPGUIFth century. Access: Access is open to all, but some material is restricted and may only be viewed with permission from the copyright PXOFST7JFXJOHBOEQSJOUSFTFBSDIJTCZBQQPJOUNFOUPOMZBOEUIFNBUFSJBMNBZPOMZCFBDDFTTFEPO/'74"QSFNJTFT 5IFXSJUUFOQFSNJTTJPOPGUIFDPQZSJHIUIPMEFSJTSFRVJSFECFGPSFBOZNBUFSJBMDBOCFEVQMJDBUFE

Name: SAPS Video Unit Current Physical Location#FBUSJY4USFFU 8JFSEB1BSL $FOUVSJPO Email Address: [email protected] $POUBDU1FSTPO%JSFDUPS4USJOJ(PWFOEFS 5FM 'BY 4USFFU1PTUBM"EESFTT4"147JEFP6OJU 1SJWBUF#BH9 1SFUPSJB

Description5IF4"147JEFP6OJUBTJUFYJTUTOPXXBTFTUBCMJTIFEJOUIFNJET*OSFDFOUZFBSTUIFZIBWFNPTUMZCFFO involved in producing material for the SABC and Pol-TV, an internal channel that broadcasts to police stations throughout the country. Also produced are straightforward training films and records of police exhibitions and similar events. *OBEEJUJPOUIFZGJMNDSJNFTDFOFTGPSVTFJOTVCTFRVFOUUSJBMT)PXFWFS UIFZBMTPIBWFFYUFOTJWFGPPUBHFPGQPMJUJDBM FWFOUTTVDIBTEFNPOTUSBUJPOT NBSDIFTBOEGVOFSBMTUIBUUPPLQMBDFUISPVHIPVUUIFTBOEFBSMZT"QQBS- ently this material was primarily shot for use in possible court cases. It was policy (though not always possible) to make use of two cameras, one to film the action of the crowds and another to record the reaction of the police. This footage XBTVTVBMMZTIPUCZDBNFSBNFOBGGJMJBUFEUPUIF*OUFSOBM4UBCJMJUZ6OJU5IFFBSMJFTUGPPUBHFUIFZIBWFEBUFTGSPN Holdings5IFSFJTOPBDDVSBUFSFDPSEPGKVTUIPXNBOZUBQFTUIFSFBSF CVUUIFSFBSFBUMFBTU 4PNFPGUIFPMEFS NBUFSJBMJTPO6NBUJD CPUI-%BOE)% BOEUIFSFBSFBOVNCFSPGQSPHSBNNFTPO7)4BOETPNFNJOJGPSNBUT CVU

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt most of the material that relates to the liberation struggle seems to be on early Betacam. Finding Aids/POFBUUIFNPNFOU"GFXZFBSTBHPUIFZFNCBSLFEPOBOBUUFNQUUPDSFBUFBOJOEFYEBUBCBTF CVUBMBDLPG IVNBOBOENPOFUBSZSFTPVSDFTIBTSFTVMUFEJOWFSZTMPXQSPHSFTT"CPVUUBQFTIBWFCFFOMJTUFETPGBS Access: There is no real problem with providing access to bona fide researchers, but there is concern about supplying mate- SJBMGPSVTFJOUFMFWJTJPOQSPEVDUJPOTPWFSXIJDIUIFZXPVMEIBWFOPDPOUSPM3FRVFTUTTIPVMECFBEESFTTFEUP%JSFDUPS 4USJOJ(PWFOEFSTUBUJOHUIFQVSQPTFGPSXIJDIBDDFTTJTSFRVJSFE

Name: Shifty Music Archive Current Physical Location: %PSJT4USFFU ,FOTJOHUPO +PIBOOFTCVSH Contact Email: [email protected] Contact Person: Lloyd Ross Tel: Fax: Street/Postal Address: 10#PY :FPWJMMF Description:4JODFUIFFBSMZT 4IJGUZ3FDPSETIBTEPDVNFOUFEUIF4PVUI"GSJDBONVTJDTDFOFJOGMVFODFECZUIFIBSTI political reality of the time, and inspired by the liberation struggle. These recordings resulted in the most comprehensive collection of South African political/social commentary music in existence. This includes a range of genres, includ- JOH,BBQTFHPFNB NCBRBOHBKJWF SPDL GPML BWBOUHBSEF JTJDBUIBNJZB XPSLFSTPOHT CPFSFQVOL KB[[ NBTLBOEF reflecting the diverse cultures and influences from which these artists drew their inspiration. In addition, Lloyd Ross IBTBNBTTFEBOFYUFOTJWFGJMNPHSBQIZPGQSPEVDUJPOTSFMFBTFENBJOMZJOUIFQPTUQFSJPE DPWFSJOHBEJWFSTFSBOHF of themes focusing on, and influenced by, the South African alternative music scene and culture. Some of Ross’s work covers sub-cultural phenomena that have shaped South African culture, including the popular Voelvry movement (see Voelvry Tour, 2002) as well as individual artists such as Lesego Rampolokeng, Herman Charles Bosman and Vusi Mahlasela. Holdings:4PNFPGUIFNBUFSJBMJTBWBJMBCMFPO$%.PTUIPXFWFSJTOPUEJHJUJ[FEPSBSDIJWFEBOETUJMMTJUTPOUIFPSJHJOBM recording formats. Finding Aids: Some info can be found on www.shifty.co.za but this is very much a work in progress "DDFTT6QPOSFRVFTU

Name: South Africa: overcoming apartheid, building democracy Current Physical Location: Online Contact Email/" Contact Person/" Tel/" Fax/" Street/Postal Address/"

Descriptioni4PVUI"GSJDBPWFSDPNJOHBQBSUIFJE CVJMEJOHEFNPDSBDZwJTBXFCTJUFTFUVQBOENBJOUBJOFECZ.JDIJHBO State University in East Lansing. It consists of interviews with individuals who were involved in the anti-apartheid

t4")""VEJPWJTVBM"VEJU3FQPSU struggle, supported by short segments of source material documenting mass resistance and police repression, as well BTTFMFDUFEUFYUEPDVNFOUT5IFJOUFSWJFXTXFSFDPOEVDUFEJO4PVUI"GSJDBBOEUIF6OJUFE4UBUFTCFUXFFOBOE .VDIPGUIFWJEFPGPPUBHFDPNFTGSPNUIF$7&5BSDIJWF Holdings"UPUBMPGIPVSTPGJOUFSWJFXTXJUIJOEJWJEVBMT*UJODMVEFTCPUIUIFGVMMJOUFSWJFXTBTXFMMBTTPNF shorter segments, together with 20 brief segments of interviews available through links from external websites. Finding Aids: Online at www.overcomingapartheid.msu.edu/index.php Access: Free consultation on the internet.

Name: South African Truth & Reconciliation Commission Collection Current Physical Location/BUJPOBM"SDIJWFTBOE3FDPSET4FSWJDFPG4PVUI"GSJDB )BNJMUPO4USFFU "SDBEJB 1SFUPSJB Email Address: [email protected] Contact Person(FSSJU8BHFOFSo[email protected]/BUBMJF4LPNPMPo[email protected] 5FM 'BY Street/Postal Address/BUJPOBM"SDIJWFTBOE3FDPSET4FSWJDFPG4PVUI"GSJDB )BNJMUPO4USFFU "SDBEJB 1SFUPSJB /BUJPOBM"SDIJWJTU 1SJWBUF#BH9 1SFUPSJB

Description: The SABC transmitted a large number of the hearings of the Truth & Reconciliation Commission while the sessions were in progress and was responsible for the production of a series of Special Reports intended to explain their significance to the general public. After the final report was delivered, the audio and video tapes were handed over to UIF/BUJPOBM"SDIJWFTGPSTBGFLFFQJOH5IF4"#$BMTPIBTBGVMMTFUPGUIF53$NBUFSJBM UIPVHIUIFSFTFFNTUPCFTPNF EJTDSFQBODZCFUXFFOUIFJSIPMEJOHTBOEXIBUUIF/BUJPOBM"SDIJWFTJTTBJEUPIBWF Holdings"DDPSEJOHUPBOJOWFOUPSZESBXOVQJO UIFSFBSFNPSFUIBO WJEFPUBQFT PO7)4BOE PO#FUBDBN JOUIF/BUJPOBM"SDIJWFT BTXFMMBT BVEJPUBQFT"UUIJTTUBHFUIFSFJTOPDFSUBJOUZXIFUIFSUIFDPO- tents of the different formats overlap or whether all these tapes are in working order. Notes5IF53$7JEFP$PMMFDUJPOBUUIF:BMF-BX4DIPPM-JMMJBO(PMENBO-JCSBSZGFBUVSFTUIFBCPWFNFOUJPOFE4QFDJBM Reports covering the history and activities of the TRC. Assembled from footage shot at hearings throughout the country, UIFZXFSFQSPEVDFECZKPVSOBMJTU.BYEV1SFF[BOEPSJHJOBMMZUSBOTNJUUFECZUIF4"#$CFUXFFO"QSJMBOE.BSDI "DDPSEJOHUPUIFJOEFY UIFSFBSFBUPUBMPGUBQFT FQJTPEFT Finding Aids5IFPOMZPOMJOFJOEFYUIBUTFFNTUPFYJTUBUUIFNPNFOUJTUIFPOFUIBUDPODFSOTUIFNBUFSJBMBUUIF:BMF Law School. The website at www.law.yale.edu/trc/index.htm includes two indexes, the first featuring places, incidents, concepts, events, groups and political organisations, while the second is a name index. Access5IF53$WJEFPNBUFSJBMDBOCFWJFXFEBUUIF/BUJPOBM"SDIJWFTJO1SFUPSJB XIPXJMMBSSBOHFUPIBWFDPQJFTNBEF at the Government Communication and Information System (GCIS) at what is basically cost price. The Special Reports DBOBMTPCFWJFXFEBUUIF/BUJPOBM"SDIJWFT CVUUIFDPQZSJHIUCFMPOHTUPUIF4"#$BOEUIFZXPVMEIBWFUPCFPSEFSFE GSPNUIFN5IFQSPHSBNNFTIFMECZUIF:BMF-BX4DIPPMDBOCFDPOTVMUFEPOUIFJSXFCTJUF TFFBCPWF XIJDIJODMVEFT a short RealMedia presentation of several of the tapes.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt Name: University of Cape Town Libraries, Manuscripts & Archives Current Physical Location: Ground Floor, Harry Oppenheimer Institute, Library Road, Upper Campus, University of Cape Town, Rondebosch. Email Address: [email protected] Contact Person: Lesley Hart Tel Fax Street/Postal Address.BOVTDSJQUT"SDIJWFT 6OJWFSTJUZPG$BQF5PXO 1SJWBUF#BH9 3POEFCPTDI

Description.BOVTDSJQUT"SDIJWFTBUUIF6OJWFSTJUZPG$BQF5PXOIPMETBOVNCFSPGTNBMMDPMMFDUJPOT 5IF4PVUI"G- SJDBO$PNNJUUFFGPS)JHIFS&EVDBUJPO 4"$)&% XBTGPVOEFEJOJOSFTQPOTFUPUIFDSJTJTJOFEVDBUJPOCSPVHIU BCPVUCZNPWFTUPFOGPSDFBQBSUIFJEBUVOJWFSTJUZMFWFM8IFOJUT$BQF5PXOPGGJDFDMPTFEBGUFS UIFJSBVEJPWJTVBM material was deposited at UCT. It consists of material they had shot themselves, largely for teaching purposes, plus a TFMFDUJPOPGQSPHSBNNFTUIFZIBEPCUBJOFEGSPNFMTFXIFSF *OUIFMBUFT EVSJOHUIF4UBUFTPG&NFSHFODZ GJMN maker Cliff Bestall deposited some of his material at Manuscripts & Archives for safekeeping. Much of it was originally TIPUGPSPWFSTFBTOFXTBHFODJFTBOEEFBMTXJUI.P[BNCJRVF 5IFFYUFOTJWF#MBDL4BTIBSDIJWBMDPMMFDUJPOJODMVEFT TPNFTPVSDFNBUFSJBMBOEJOUFSWJFXTTIPUGPSUIFEPDVNFOUBSZi5IF#MBDL4BTIUIFFBSMZZFBSTw .BUFSJBMQVS- DIBTFEGSPN1FUFS%BWJTGPSUIFEPDVNFOUBSZi*OEBSLFTU)PMMZXPPEDJOFNBBOEBQBSUIFJEw Holdings5IFNBUFSJBMJOUIF4"$)&%DPMMFDUJPODPOTJTUTPGBQQSPYJNBUFMZJOIPVTFUBQFT POCPUI6NBUJDBOE7)4 BOEBOPUIFSFYUFSOBM7)4QSJOUT5IFPSJHJOBMNBUFSJBMJOUIF$MJGG#FTUBMMDPMMFDUJPOJTWFSZMBSHFMZPO6NBUJD QMVT some viewing prints on VHS. The Black Sash material is largely on Betacam. The format of the 85 cassettes from Peter %BWJTJTVOLOPXO Finding Aids'PSUIF4"$)&%BOE$MJGG#FTUBMMNBUFSJBMPOMZJOUFSOBMMJTUT'PSUIF#MBDL4BTINBUFSJBMTFFhttp://www.lib. uct.ac.za/blacksash/index.php'PSUIF1FUFS%BWJTNBUFSJBMTFFhttp://www.lib.uct.ac.za/mss/index.php?html=/mss/ OFXBJET#$)5.NTTDPMMJE Access: By appointment. Manuscripts & Archives does not hold the copyright for any of this material.

Name: UWC Robben Island Mayibuye Archives Video & Film Collection Current Physical Location: University of the Western Cape Email Address: [email protected] Contact Person: Graham Goddard 5FM Fax Street/Postal Address6OJWFSTJUZPGUIF8FTUFSO$BQF -FWFMPGUIF.BJO-JCSBSZ .PEEFSEBN3PBE #FMMWJMMF

Description5IFDPSFPGUIF68$3PCCFO*TMBOE.BZJCVZF"SDIJWFTJTUIFDPMMFDUJPOPGUIF*OUFSOBUJPOBM%FGFODF"JE 'VOEGPS4PVUIFSO"GSJDB'PVOEFEJO(SFBU#SJUBJOJOUIFFBSMZT *%"'TFDSFUMZDPOUSJCVUFEUPUIFGVOEJOHPGUIF BOUJBQBSUIFJETUSVHHMFBOETVCTFRVFOUMZQSPEVDFEBOVNCFSPGEPDVNFOUBSJFT NBOZPGUIFNEJSFDUFECZ#BSSZ'FJO- CFSH XIJDIEJENVDIUPLFFQUIFMJCFSBUJPONPWFNFOUJOUIFQVCMJDFZF0WFSBQFSJPEPGBMNPTUZFBSTNBOZGJMN NBLFSTEFQPTJUFEDPQJFTPGUIFJSXPSLXJUI*%"'*OBEEJUJPOUIFPSHBOJTBUJPOPCUBJOFENBUFSJBMUBQFEGSPNUFMFWJTJPO both in Great Britain and South Africa.

t4")""VEJPWJTVBM"VEJU3FQPSU 'SPNUIFFBSMZFJHIUJFT *%"'IBEBDMPTFXPSLJOHSFMBUJPOTIJQXJUI7/4"GSBWJTJPOBOEXIFOUIF*%"'BSDIJWFXBT CSPVHIUUPUIF6OJWFSTJUZPGUIF8FTUFSO$BQF UIF7/4DPMMFDUJPOXBTIPVTFEUIFSFBTXFMM5ISPVHIUIF*OTUJUVUFGPS )JTUPSJDBM3FTFBSDIBU68$ UIF(FSNBOOFXTBHFODZ"3%BMTPEFQPTJUFEBTFMFDUJPOPGOFXTGPPUBHFSBOHJOHGSPNUIF NJETUPBSPVOE'JOBMMZJUPCUBJOFETPNFTPVSDFNBUFSJBMGPSi)FBSUBOETUPOFw #SJEHFU5IPNQTPOTGJMNPO (PWBO.CFLJ5IFSFBSFBMTPBOVNCFSPGNNBOENNQSJOUT Holdings5IF*%"'DPMMFDUJPODPOTJTUTPGUIFGPMMPXJOH6NBUJD -#BOETPNF)# o #FUBDBN NBJOMZPYJEF o POFJODISFFMTo iPUIFSwo 7)4oBQQSPYJNBUFMZ 5IF7/4DPMMFDUJPODPOTJTUTPGBQQSPYJNBUFMZ UBQFTo PO#FUBDBN NBJOMZNFUBM BOEPO6NBUJD -#BOE)# 5IFSFBSFTPNFUBQFTGSPN"3% BMMPO6NBUJD )# 5IFBQQSPYJNBUFMZNNDBOTDPOUBJONPTUMZ*%"'GJMNT CPUIEJTUSJCVUJPOQSJOUTBOENBTUFSNBUFSJBM CVU JODMVEFTPNFNBTUFSTPGOPO*%"'UJUMFT "QQSPYJNBUFMZ UBQFT QSJNBSJMZGSPNUIF7/4DPMMFDUJPO IBWFCFFODPQJFEUP.JOJ%7EJHJUBMWJEFPUBQF BTIBWF TPNFPGUIF*%"'6NBUJDUBQFT"TNBMMOVNCFSPGUIF*%"'7)4UBQFTIBWFCFFODPOWFSUFEUP%7%3EJTDBOEUPEJTD JNBHFGJMFTTUPSFEPOBOFYUFSOBMIBSEESJWF5IFQMBOJTUPPVUTPVSDFUIFDPOWFSTJPOPGUIFSFNBJOJOH*%"'NBUFSJBM as it is considered too time-consuming to continue this process in-house. Finding Aids*O "OUIFB+PTJBTBOE/PSNBO,BQMBODPNQJMFEBi(VJEFUPUIFGJMNWJEFPDPMMFDUJPOw XIJDIXBT SFQSJOUFEJO*O +PBO'BJSXFBUIFSDPNQJMFEBTJNJMBS CVUNPSFEFUBJMFEHVJEFUPUIFNNGJMNT QMVTBGFX PONN FOUJUMFEi5IF*%"''JMN"SDIJWFTw#PUIPGUIFTFDBUBMPHVFTBSFPVUPGQSJOU5IF*%"'NBUFSJBMJTMJTUFEPO BOJOUFSOBMEBUBCBTFBOEGPSUIF7/4GPPUBHFUIFSFJTBOPSJHJOBM%04MPHPGSVTIFT TFFVOEFS7/4"GSBWJTJPO 'PSUIF "3%NBUFSJBMUIFSFBSFPOMZUIFPSJHJOBMJOQVUTIFFUT5IFSFBSFOPDVSSFOUDBUBMPHVFT FJUIFSJOQSJOUPSPOMJOF CVUB comprehensive database for the entire collection is being developed. Access5PBDDFTTNBUFSJBM SFTFBSDIFSTOFFEUPDPOUBDUUIFBSDIJWFTUPSFRVFTUBSFTFBSDIGPSN0OUIJTUIFZNVTUQSPWJEF UIFBSDIJWJTUXJUIEFUBJMTPGUIFNBUFSJBMUIFZSFRVJSFPSUIFBSFBPGSFTFBSDIJOXIJDIUIFZBSFJOWPMWFE5IFBSDIJWJTU will check through the source material and inform them accordingly. After that arrangements can be made to have the material either collected or sent.

Name: Villon Films Current Physical Location: Unknown Contact Email: [email protected] Contact Person1FUFS%BWJT Tel Fax Street/Postal Address0OUBSJP4USFFU 7BODPVWFS #$ $BOBEB 77(

Description7JMMPO'JMNTJTBOJOEFQFOEFOU$BOBEJBOCBTFEQSPEVDUJPODPNQBOZGPVOEFEBOETUJMMSVOCZ1FUFS%BWJT who has devoted a considerable amount of time to promoting the liberation struggle and exploring South Africa’s film IJTUPSZ)JT DSFEJUT BT EJSFDUPS JODMVEF i4PVUI "GSJDB UIF XIJUF MBBHFSw i(FOFSBUJPOT PG SFTJTUBODFw i4PVUI"GSJDBUIFOVDMFBSGJMFw i8JOOJF.BOEFMBVOEFSBQBSUIFJEw i3FNFNCFS.BOEFMBw BOE i*OEBSLFTU)PMMZXPPEDJOFNBBOEBQBSUIFJEw )FIBTEPOBUFEIJTTPVSDFDPMMFDUJPOPGGJMNNBUFSJBM QIPUP- graphs and manuscripts to the Black Film Center at Indiana University, with access at www.indiana.edu/~bfca/collec-

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt tion/special/peterd.html. Holdings#FTJEFTIJTPXOGJMNT 1FUFS%BWJTBMTPEJTUSJCVUFTBMNPTUPUIFSGJMNTXJUI4PVUI"GSJDBODPOOFDUJPOT JODMVE- JOHi#PQIBw i6OEFSUIFWPMDBOPw i4POHPMPMPWPJDFTPGDIBOHF i"MBO1BUPOTCFMPWFEDPVOUSZw i/BEJOF(PSEJNFSw i5IFMPTUCPZTyBQBSUIFJETMFHBDZw i0CFSMJO*OBOEBUIFMJGFBOEUJNFT PG+PIO-%VCFw BOEi-PWF DPNNVOJTN SFWPMVUJPO3JWPOJB#SBN'JTDIFSTTUPSZw *OBEEJUJPO UIFSFBSFBOVNCFSPGWFSZFBSMZ4PVUI"GSJDBOQSPEVDUJPOT TVDIBTi%F7PPSUSFLLFSTwi8JOOJOHBDPOUJOFOUw i+JNDPNFTUP+PCVSHww"GSJDBO+JNw i;POLw BOEi4POHPG"GSJDBw BTXFMMBTBOBTTPSUNFOUPG BQBSUIFJEFSBHPWFSONFOUBMGJMNT JODMVEJOHi5IFDPOEFNOFEBSFIBQQZw BOEi5IFGPYIBTGPVSFZFTw Finding Aids: An online database at www.villonfilms.com that can be searched according to title, subject/country, director and keyword. (Titles are not always correctly identified.) Access: Online sales catalogue.

Name: The Visual History Archive (ex DOXA) Current Physical Location: UI'MPPS .JMM4USFFU (BSEFOT $BQF5PXO Email Address: [email protected] Contact Person: Craig Matthew Tel: Postal Address: 10#PY )PVU#BZ

Description: %PYB1SPEVDUJPOTJTBOJOEFQFOEFOUEPDVNFOUBSZBOEJOUFSBDUJWFEFTJHODPNQBOZUIBUXBTGPVOEFEJO *UTDPMMFDUJPODPOTJTUTPGNBUFSJBMSFMBUJOHUPUIFBOUJBQBSUIFJETUSVHHMFoFTQFDJBMMZFWFOUTVOGPMEJOHJOUIF8FTUFSO $BQFoJODMVEJOHUIFIJTUPSZPGUIF"GSJDBO/BUJPOBM$POHSFTTBOEPUIFSMJCFSBUJPOPSHBOJTBUJPOT NBTTQSPUFTUTBOE GVOFSBMT GBSSJHIUXJOHBDUJWJUJFT UIFMBVODIPGUIF6%' UIFSFMFBTFPG/FMTPO.BOEFMBBOEUIFUSBOTJUJPOUPBOFX EFNPDSBUJDHPWFSONFOU BTXFMMBTFYUFOTJWFGPPUBHFPGUIFTVCTFRVFOU5SVUIBOE3FDPODJMJBUJPO$PNNJTTJPOIFBSJOHT *OUIF%PYB-JCFSBUJPO4USVHHMF$PMMFDUJPOXBTQMBDFEPOUIF6/&4$0.FNPSZPGUIF8PSME3FHJTUFS Holdings: Close to 500 tapes on both Umatic and BetacamSP. The material is currently being digitised by the Visual His- tory Archive, which is part of the Centre for Curating the Archive at the University of Cape Town. Finding aids: A new inventory and metadata-base is being created as part of the digitization process. Access: 6QPOSFRVFTU

Name: VNS/Afravision Collection Current Physical Location68$3PCCFO*TMBOE.BZJCVZF"SDIJWFT -FWFMPGUIF.BJO-JCSBSZ 6OJWFSTJUZPGUIF8FTUFSO Cape, Modderdam Road, Bellville. Email: [email protected] / [email protected] Contact Person#SJBO5JMMFZ-BVSFODF%XPSLJO Tel Street/Postal AddressB'MPXFS4USFFU 0SBOKF[JDIU $BQF5PXO

t4")""VEJPWJTVBM"VEJU3FQPSU Description5IF"GSBWJTJPOBSDIJWFDPOTJTUTPGNBUFSJBMTIPUGSPNUIFFBSMZFJHIUJFTVOUJMBOEEPDVNFOUTUIFTUSVHHMF against apartheid with a particular focus on the trade union and youth movements. Initially operating anonymously, UIFGVMMUJNF7/4DPMMFDUJWFQSPEVDFEAWJEFPQBNQIMFUTPGTUSVHHMFTJO4PVUI"GSJDBBOEEJTUSJCVUFEUIFNUISPVHIWBSJ- ous progressive structures and through a distribution organisation set up in London called Afravision. The collection JODMVEFTCSPBEDPWFSBHFPGUIFEFNPDSBUJDNPWFNFOUBOEVOJRVFAJOTJEFSNBUFSJBMPGUSBEFVOJPOEFCBUFTBOEDPO- gresses. Many major events and uprisings were covered and documented with the aim of consolidating a video record of the struggle period. Holdings: Original material runs to approximately 3,000 hours on BetacamSP. About 30 edited films or video pamphlets PO#FUBDBN41BOE6NBUJD JODMVEFi5IFTVOXJMMSJTFw i.BSDIJOHPSEFSTw i$04"56BHJBOUIBTSJTFOw i$PNQFMMJOHGSFFEPNw i$FSUBJOVOLOPXOQFSTPOTw i%BWJE8FCTUFSMJWFEGPSEFNPDSBDZ LJMMFE CZBQBSUIFJEw i'SVJUTPGEFGJBODFw BOEi5IFMJGFUJNFTPG$ISJT)BOJw 5IFSFJTBMTPUIFQBSU IJTUPSZPGUIF"/$ i)PMEVQUIFTVOw BOEUIFQBSUTFSJFTi)JTUPSZVODVUw Finding Aids/PDBUBMPHVFFYJTUT CVUUIFSFJTBOPSJHJOBM%04MPHPGSVTIFTUIBUJTCFJOHDPOWFSUFE Access 7JB "GSBWJTJPO NFNCFST #SJBO 5JMMFZ PS -BVSFODF %XPSLJO PS UISPVHI UIF 3PCCFO *TMBOE .VTFVN.BZJCVZF Archive.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt Poster: Offset litho, issued by the Weekly Mail and Black Sash, date unknown. Archived as SAHA $PMMFDUJPO"- STOCK FOOTAGE LIBRARIES

Name: ABC News Videosource Email Address: [email protected] Tel Tel Fax Street/Postal Address8FTU&OE"WFOVF thGMPPS /FX:PSL /: 64"

Description"#$/FXT7JEFPTPVSDFJTUIFMJDFOTJOHEJWJTJPOPG"#$/FXT POFPG"NFSJDBTPSJHJOBMCJHUISFFDPNNFSDJBM OFUXPSLT#FTJEFTJUTPXOBSDIJWBMOFXTGPPUBHF XIJDIEBUFTGSPN JUTDPOUFOUQBSUOFSTJODMVEFUIF"TTPDJBUFE 1SFTT"SDIJWFBOE#SJUJTI.PWJFUPOF/FXT5IFJODMVTJPOPGUIFMBUUFSNFBOTUIBUDPWFSBHFHPFTSJHIUCBDLUP Both AP and British Movietone material is also available from elsewhere. Finding Aids: Searchable online database with detailed descriptions at www.abcnewsvideosource.com. As yet the search engine has no viewing facilities. Test Search4PVUI"GSJDBo IJUT "QBSUIFJEo IJUT 7FSXPFSEoIJUT -VUIVMJoIJUT

Name: AP Archive Email Address: [email protected] Tel Fax British Street/Postal Address5IF*OUFSDIBOHF $BNEFO-PDL -POEPO/8%; &OHMBOE

Description: Associated Press is a global news network that maintains one of the largest news stock footage libraries in the world. The AP Archive contains material from a number of television news agency collections that are owned by "15FMFWJTJPO/FXT JODMVEJOH"15/"15FMFWJTJPO 61*5/BOE85/ "157 BOE6OJWFSTBM /FXTSFFM 5IFZBMTPSFQSFTFOUBOVNCFSPGPUIFSBSDIJWBMDPMMFDUJPOT PGXIJDI"#$"NFSJDB $57$BOBEB )JTUPSJD'JMNTBOE4LZ/FXTBSFUIFNPTUSFMFWBOU5IFJSBSDIJWFDPOUBJOTGPPUBHFGSPNUPUIFQSFTFOUEBZ Finding Aids: Searchable online database with detailed descriptions, a storyline and a shot list at www.aparchive.com. Some clips are viewable upon registration. Test Search4PVUI"GSJDBo IJUT "QBSUIFJEoIJUT 7FSXPFSEoIJUT -VUIVMJoIJUT

Name: BFI Archival Footage Sales Email Address: Form Online Tel Fax Street/Postal Address4UFQIFO4USFFU -POEPO85-/ &OHMBOE

Description#FTJEFTJUTWFSZFYUFOTJWF'JMN57%BUBCBTF UIF#SJUJTI'JMN*OTUJUVUFIBTBO"SDIJWBM'PPUBHF4BMFTTFDUJPO UIBUIBOEMFTSFRVFTUTGSPNGJMNNBLFSTBOEPUIFSTGPSFYUSBDUTGSPNBSDIJWBMGPPUBHFGPSXIJDIJUPXOTUIFSJHIUT5IF selection relevant to South African users consists primarily of material from early newsreels (especially Topical Budget),

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt British government documentaries and out-of-copyright material. Though there seem to be no programmes that deal TQFDJGJDBMMZXJUIUIFMJCFSBUJPOTUSVHHMF UIFSFJTRVJUFBMPUPGNBUFSJBMUIBUXBTTIPUJOUIFDPVOUSZQSJPSUP JODMVE- ing the war years. The emphasis tends to be on Britain’s ties with South Africa. Finding Aids: Searchable online database at www.bfi.org.uk/nftva/access/afs/ Test Search4PVUI"GSJDBIJUT "QBSUIFJEoIJUT7FSXPFSEoIJUT -VUIVMJoIJUT 0ORVJUFBGFXFOUSJFTUIF4PVUI African link seems tenuous, to say the least.)

Name: British Movietonews Ltd. Email Address: [email protected] Tel Fax Street/Postal Address/"

Description#SJUJTI.PWJFUPOF/FXTXBTUIFGJSTU#SJUJTITPVOEOFXTSFFM5IPVHIFTUBCMJTIFEJOCZJUT"NFSJDBO QBSFOUDPNQBOZ 'PY.PWJFUPOF JUTVCTFRVFOUMZEFWFMPQFEBMPOHJOEFQFOEFOUMJOFT'PSTPNFZFBSTJUGFBUVSFEJO TVQQPSUJOHDJOFNBQSPHSBNNFTJOWBSJPVTDPVOUSJFT JODMVEJOH4PVUI"GSJDB DFBTJOHPQFSBUJPOJO Finding Aids: Searchable online database with detailed descriptions at www.movietone.com, with the added attraction that all clips are playable upon registration. Test Search4PVUI"GSJDBoIJUT "QBSUIFJEoIJUT 7FSXPFSEoIJUT -VUIVMJoIJUT

Name: British Pathe News Email Address: [email protected] Tel Fax South African Street/Postal AddressDP*5/4PVSDF rdGMPPS $IFMTFB)PVTF 8FTU4USFFU 4BOEUPO British Street/Posta1 AddressDP*5/4PVSDF (SBZT*OO3PBE -POEPO8$99; &OHMBOE

Description:'PVOEFECZ$IBSMFT1BUIFJO'SBODF JOUIF1BUIFDPNQBOZFTUBCMJTIFEB-POEPOPGGJDFBOECZ was producing a bi-weekly British newsreel entitled Pathe Gazette, later joined by a number of other cinema magazine QSPHSBNNFT#ZUIFUJNFUIFGJSNDFBTFEPQFSBUJPOJO JUIBEBDDVNVMBUFETPNF IPVSTPGNBUFSJBM5IFJS complete back catalogue has been digitised and is claimed to be the world’s first digital news archive. Though it still NBJOUBJOTJUTPXOEBUBCBTF TBMFTBSFOPXNBOBHFECZ*5/4PVSDF Finding Aids: Searchable online database with detailed descriptions at www.britishpathe.com. Free preview facilities are available to residents of the British Isles, but individuals elsewhere are able to preview the material in stills format. Test Search:4PVUI"GSJDBo IJUT "QBSUIFJEoIJUT 7FSXPFSEoIJUT -VUIVMJoIJUT

t4")""VEJPWJTVBM"VEJU3FQPSU Name: British Universities Newsreel Database Email Address: [email protected] Tel.: Fax British Street/Postal Address#SJUJTI6OJWFSTJUJFT'JMN7JEFP$PVODJM 8FMMT4USFFU -POEPO852+ &OHMBOE

Description%BUBIBTCFFOHBUIFSFEPOUIF#SJUJTIDJOFNBOFXTSFFMTGPSBDBEFNJDTUVEZTJODFBOEVOEFSUIFDBSFPG UIF#SJUJTI6OJWFSTJUJFT'JMN7JEFP$PVODJM #6'7$ TJODF8IBUJTOPXDBMMFEUIF#SJUJTI6OJWFSTJUJFT/FXT- SFFM%BUBCBTF #6/% GFBUVSFTUIFSFDPSETPGBMMUIFNBKPS#SJUJTIOFXTSFFMT XJUIGVMMSFMFBTFEBUBBOECBTJDTZOPQTFT 5IFEBUBCBTFDPOUBJOTTPNF TUPSJFTGSPN#SJUJTIOFXTSFFMTBOEDJOFNBHB[JOFTTIPXOCFUXFFOBOE as well as a large collection of digitised documents and web links to much of the footage. Please note that it is a record of what was produced, rather than of what is known to physically exist. Finding Aids: Searchable online database with detailed descriptions at www.bufvc.ac.uk/databases/newsreels/index.html. It does not offer material for sale, but refers viewers to the relevant archives. Test Search4PVUI"GSJDBo IJUT "QBSUIFJEoIJUT 7FSXPFSEoIJUT -VUIVMJoIJUT

Name: CBC TV Archive Sales / CBC Digital Archives Email Address: [email protected] Tel Fax Street/Postal Address8FMMJOHUPO4USFFU8FTU 5PSPOUP 0OUBSJP .7( $BOBEB

Description: The Canadian Broadcasting Corporation (CBC) is Canada’s public broadcaster, originally set up along the lines of the BBC. Though it has a huge archive of Canadian material, there is relatively little on South Africa. The reason it has been included is that, being Canadian, it has some footage that is not available elsewhere. Finding Aids: Searchable online database with detailed descriptions at http://archives.cbc.ca/. Both television and radio clips are playable. Test Search4PVUI"GSJDBoIJUT "QBSUIFJEoIJUT 7FSXPFSEIJU -VUIVMJo

Name: Gaumont Pathe Archives Email Address: [email protected] Tel Fax Street/Postal AddressSVFEVEPDUFVS#BVFS 4U0VFO 'SBODF

Description: This very large collection contains the combined archives of Pathé and Gaumont, two pioneering French com- QBOJFTXIPXFSFUIFGPVOEFSTPGFBSMZOFXTSFFMTTVDIBT1BUI+PVSOBM BOE(BVNPOU"DUVBMJUJT "DUJWF throughout the following decades, either jointly or separately, they eventually branched out into documentary filmmak- JOH8JUIUFMFWJTJPOJODSFBTJOHMZFODSPBDIJOHVQPOUIFDJOFNB UIFOFXTSFFMTGPMEFEJO*O%FDFNCFS UIF

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt DBUBMPHVFTPG$JONBUIRVF(BVNPOUBOE1BUI"SDIJWFTNFSHFEUPDSFBUFBOBSDIJWFDPOUBJOJOHPWFS IPVSTPG film. It being French, it has some footage not available elsewhere. Finding Aids: Searchable online database with fairly detailed descriptions (some in French) and an occasional storyboard at www.gaumontpathearchives.com. Video access is restricted to broadcasting professionals who have registered. Test Search4PVUI"GSJDBoIJUT "QBSUIFJEoIJUT 7FSXPFSEoIJUT -VUIVMJoIJU

Name: ITN Source Email Address: [email protected] and [email protected] Tel Fax South African Street/Postal Address: 3rdGMPPS $IFMTFB)PVTF 8FTU4USFFU 4BOEUPO British Street/Postal Address(SBZT*OO3PBE -POEPO8$99; &OHMBOE

Description*5/XBTGPVOEFEJOBTQBSUPGUIFOFX#SJUJTIDPNNFSDJBMOFUXPSLBOECFHBOBTBDPOTPSUJVNPGCSPBE- casters collectively known as ITV. For many years it provided the national news bulletins for the ITV partners, with #SJUBJOTTFDPOEDPNNFSDJBMTUBUJPO $IBOOFM CFJOHBEEFEMBUFS5PEBZ*5/4PVSDFJTBIVHFBOEEJWFSTFDPNNFSDJBM archive that is said to contain over one million hours of digitised newsreel material from its own library as well as from DPMMFDUJPOTTVDIBT3FVUFST JODMVEJOH7JTOFXT-UE (SBOBEB5FMFWJTJPO $IBOOFM 'PY/FXT 'PY.PWJFUPOF #SJUJTI Pathe and others. Its South African material dates from the Boer War to the present day. (Much of the footage used in UIF"QBSUIFJE.VTFVNJO+PIBOOFTCVSHDBNFGSPNUIF*5/"SDIJWF Finding Aids: Searchable online database with detailed descriptions at www.itn.source.com. Test Search4PVUI"GSJDBo IJUT "QBSUIFJEo IJUT 7FSXPFSEoIJUT -VUIVMJoIJUT

Name: NBC News Archives Email Address: [email protected] Tel Fax 4USFFU1PTUBM"EESFTT/"

Description5IF/BUJPOBM#SPBEDBTUJOH$PNQBOZ /#$ JTPOFPG"NFSJDBTPSJHJOBMCJHUISFFOFUXPSLT'PVOEFEJO CZ3$" JUXBTUBLFOPWFSCZ(FOFSBM&MFDUSJDJO*UNBJOUBJOTBMBSHFGPPUBHFMJCSBSZ UBLFOGSPNSFHVMBSOFXTDBTUT and special reports. Finding Aids: Searchable online database with detailed descriptions of varying lengths. Test Search4PVUI"GSJDBo IJUT "QBSUIFJEo IJUT 7FSXPFSEoIJUT -VUIVMJoIJUT

t4")""VEJPWJTVBM"VEJU3FQPSU Name: NewsFilm Online Email Address: [email protected] Tel Fax British Street/Postal Address&%*/" $BVTFXBZTJEF)PVTF $BVTFXBZTJEF &EJOCVSHI&)13 6OJUFE,JOHEPN

Description#BTFEBU&EJOCVSHI6OJWFSTJUZ /FXT'JMN0OMJOFJTGVOEFECZUIF+PJOU*OGPSNBUJPO4ZTUFNT$PNNJUUFF +*4$ UPTVQQPSUUIFVTFPG*$5JOFEVDBUJPOBOESFTFBSDI*UDPNQSJTFTBTFMFDUJPOPGOFXTTUPSJFTBOEQSPHSBNNFT GSPNUIFBSDIJWFTPG*5/3FVUFSTBOEDPOUBJOTTPNF IPVSTPGGPPUBHF5IJTGPPUBHFJTBWBJMBCMFGPSTBMFGSPN*5/ TPVSDF CVU/FXT'JMN0OMJOFQSPWJEFTBGBDJMJUZUPQSFWJFXUIFNBUFSJBMJOTUJMMTGPSNBU UIVNCOBJMT Finding Aids: Searchable online database with detailed descriptions at www.nfo.ac.uk. Video playback and downloading are available to staff and students at subscribing UK universities and colleges. Test Search4PVUI"GSJDBoIJUT "QBSUIFJEoIJUT 7FSXPFSEoIJUT -VUIVMJoIJU

Name: South African National Film, Video & Sound Archive Email Address: 'JMN&ORVJSJFT!EBDHPW[B Tel Fax Street/Postal Address7FSNFVMFO4USFFU 1SFUPSJB 1SJWBUF#BH9 1SFUPSJB

Description5IF/BUJPOBM'JMN 7JEFP4PVOE"SDIJWFJTUIFSFQPTJUPSZGPSUIF"GSJDBO.JSSPSDPMMFDUJPO TBJEUPIBWFCFFO UIFMPOHFTUSVOOJOHOFXTSFFMJOUIFXPSME-BVODIFEJO JUXBTQSPEVDFECZ"GSJDBO'JMN1SPEVDUJPOTBOESBO VOUJMJUTEFNJTFJO*UT"GSJLBBOTFRVJWBMFOUXBT0OT/VVT-JLFDJOFNBOFXTSFFMTFWFSZXIFSF JUSFDPSEFEOPUBCMF local and national events for screening in supporting programmes, serving both as information/entertainment and as a QSPQBHBOEBUPPMGPSUIFHPWFSONFOUJOQPXFS5IF/BUJPOBM3FHJTUFSPG"VEJP7JTVBM.BUFSJBM /"30. QSPWJEFT IJUTGPS"GSJDBO.JSSPSBOEGPS0OT/VVTBOEJUMPPLTBTUIPVHINBOZPGUIFFBSMJFSXFFLMZJTTVFTBSFNJTTJOH5IF "GSJDBO.FEJB1SPHSBNNFBU.JDIJHBO4UBUF6OJWFSTJUZQSPWJEFTUIFTBNFJOGPSNBUJPOGPSTFMFDUFEFOUSJFTGPS "GSJDBO.JSSPSBOEGPS0OT/VVT Finding Aids: Searchable online database with descriptions at www.national.archives.gov.za DMJDL/BUJPOBM"VUPNBUFE"S- DIJWBM3FUSJFWBM4ZTUFN DMJDL/BUJPOBM3FHJTUFSPG"VEJP7JTVBM.BUFSJBM "MTPBU www.africanmedia.msu.edu/database. php.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt 1PTUFS0GGTFUMJUIP JTTVFECZUIF&OWJSPONFOUBM'JMN8PSLTIPQ "SDIJWFEBT4")"$PMMFD- UJPO"- REFERENCE & LENDING LIBRARIES

Name: African Media Program, Michigan State University Email Address: [email protected] Tel Fax Street/Postal Address"GSJDBO4UVEJFT$FOUSF .JDIJHBO4UBUF6OJWFSTJUZ *OUFSOBUJPOBM$FOUFS &BTU-BOTJOH .JDIJ- HBO 64"

Description: The African Media Program is a project of the African Studies Center at Michigan State University. Started in JUTGJSTUQSJOUFEJUJPO i"GSJDBPO'JMNBOE7JEFPUBQF XBTQVCMJTIFEJO4JODFJUIBTCVJMUVQBOPOMJOF SFGFSFODFHVJEFUPNPSFUIBO GJMNT WJEFPTBOEPUIFSBVEJPWJTVBMNBUFSJBMTUIBUEFBMXJUI"GSJDB*UQSPWJEFTB XFBMUIPGJOGPSNBUJPOPONBOZ4PVUI"GSJDBOUJUMFT CVUJTOPUBMXBZTSFMJBCMF.VDIPGUIFNBUFSJBMIBTOPUOFD- essarily been viewed and summaries and credit details are often taken from distributors’ catalogues, review journals, television schedules, etc. Where the material has been seen the synopsis is usually accurate. Access: Free consultation on the internet. Finding Aids: Online database searchable by title, year, topic, genre, format, language, country, etc. at www.africanmedia. msu.edu/~afrmedia/about/php.

Name: African Studies Library, University of Cape Town Email Address: [email protected] Tel Fax Street/ Postal Address"GSJDBO4UVEJFT-JCSBSZ 6OJWFSTJUZPG$BQF5PXO 1SJWBUF#BH9 3POEFCPTDI

Description: The African Studies Library at the University of Cape Town has built up an extensive collection of videos and %7%TDPWFSJOHIJTUPSJDBM TPDJBMBOEDVMUVSBMBTQFDUTPG"GSJDB XJUIBTUSPOHFNQIBTJTPO4PVUIFSO"GSJDB5IJTJODMVEFT a wide selection of material dealing with the liberation struggle, including titles not easily available from elsewhere. Holdings"QQSPYJNBUFMZ UJUMFTPOCPUIWJEFPBOE%7% Access: As it is a research library, material is primarily meant for use by staff and students of the University of Cape Town, as well as visiting academics and researchers (see www.lib.uct.ac.za/asl/) Finding Aids: Online searchable alphabetical list at www.lib.uct.ac.za/asl/info/films2008/pdf

Name: British Film Institute Film & TV Database Email Address: See Contacts at www.bfi.org.uk Tel:/PUMJTUFE Fax/PUMJTUFE Street/Postal Address/PUMJTUFE

Description5IF#SJUJTI'JMN*OTUJUVUFT'JMN57%BUBCBTFQSPWJEFTQSPEVDUJPODSFEJUTBOEPUIFSJOGPSNBUJPOBCPVU many films and television programmes that deal with Southern Africa. These range from contemporary governmental

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt propaganda films to the many anti-apartheid television films that were made throughout the years. For the latter it often supplies the original transmission dates. The information is not always obtained from primary sources and is thus not always complete or reliable, but for many entries it is the only record that these programmes ever existed. Access: Free consultation on the internet. Finding Aids: Online database searchable by title, names and events on the website at www.bfi.org.uk/filmtvinfo/ftvdb/

Western Cape Provincial Library Service Email Address: [email protected] Tel Fax Street/Postal Address8FTUFSO$BQF1SPWJODJBM-JCSBSZ4FSWJDF $IJBQQJOJ4USFFU $BQF5PXO

Description4JODFJUTUBSUFEQVSDIBTJOHBVEJPWJTVBMNBUFSJBMJO UIF8FTUFSO$BQF1SPWJODJBM-JCSBSZ4FSWJDFIBTCVJMU VQBXJEFSBOHJOHDPMMFDUJPOPGBQQSPYJNBUFMZ UJUMFTPONN WJEFPBOE%7%5IFFBSMZNBUFSJBMPONN includes a number of state information films sponsored by the various government departments and parastatals, as well BTEPDVNFOUBSJFTQSPEVDFEGPSDVMUVSBMPSHBOJTBUJPOTBOEQSJWBUFDPNQBOJFT5IFWJEFPBOE%7%DPMMFDUJPOTJODMVEF many titles dealing with the anti-apartheid struggle. Holdings"QQSPYJNBUFMZUJUMFTUIBUSFMBUFUPUIFMJCFSBUJPOTUSVHHMF GSPNBOFBSMZ+BNJF6ZTGJMNNBEFGPSUIF 4PVUI"GSJDBO*OGPSNBUJPO4FSWJDFPONN UPNBOZEPDVNFOUBSJFTNBEFGPSUIF4"#$POFJUIFSWJEFPPS%7% Access: All material is made available for viewing through affiliated libraries in the Western Cape. Most libraries have small WJEFP%7%DPMMFDUJPOTUIFNTFMWFT CVUUIFSFJTBMTPB$FOUSBM$PMMFDUJPOGSPNXIJDINBUFSJBMDBOCFSFRVFTUFEUISPVHI the local public library. Borrowers from outside the Western Cape can obtain material on interlibrary loan. There is also a courtesy service for registered filmmakers. Finding Aids: An online database searchable by keyword, title, subject heading and author (filmmaker). Potential borrowers can also check whether their local library has a particular title in stock and whether it is currently on the shelves. 5IFSFBSFQSJOUFENNBOEWJEFPDBUBMPHVFTPGNBUFSJBMQVSDIBTFEVQUP

Name: Yale University Library, Manuscripts & Archives (South Africa Now Collection) Email Address: [email protected] Contact Person/" Tel Fax Street/Postal Address.BOVTDSJQUT"SDIJWFT :BMF6OJWFSTJUZ-JCSBSZ 10#PY /FX)BWFO $5 USA.

Description: The collection consists of videotapes and a small number of transcripts, log books and publicity files relating UPUIFUFMFWJTJPONBHB[JOFQSPHSBNNFi4PVUI"GSJDB/PXw QSPEVDFECZ(MPCBMWJTJPOGSPNUP*UJODMVEFT BOFBSMZDPNQMFUFSVOPGUIFBQQSPYJNBUFMZPSJHJOBMOFXTDBTUTQSPEVDFEEVSJOHUIJTUJNF BTXFMMBTUBQFTPGJOUFS- views, short reports, documentaries, stock footage and other material used during production. There is also material

t4")""VEJPWJTVBM"VEJU3FQPSU from independent South African filmmakers, other television networks, the South African Tourism Board, the United /BUJPOT FUD Holdings: Besides the original masters of the series (on Umatic), duplicating masters (on BetacamSP) and VHS viewing copies, there are an estimated additional 2,000 tapes. Access: The original videotapes, as well as the preservation masters and duplicating masters, may not be played. If viewing copies do not exist, researchers should consult with the reference archivist. Finding Aids5IFSFJTBi1SFMJNJOBSZ(VJEFUPUIF4PVUI"GSJDB/PX$PMMFDUJPOwUIBUDBOCFDPOTVMUFEBU http://mssa. MJCSBSZZBMFFEVGJOEBJETTUSFBNQIQ YNMGJMFNTTBNTYNM.

Trying to find a copy of a particular film?

4"$BUJTBVOJPODBUBMPHVFBWBJMBCMFGSPN4BCJOFU0OMJOFUIBUMJTUTJUFNT JODMVEJOHWJEFPUBQFTBOE%7%T available in Southern African libraries. It is possible to search for films on this database to find out which libraries hold copies of particular films. Please see: http://sabinet.worldcat.org

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt Poster: Offset litho, issued by the End Conscription Campaign (ECC), date unknown. Archived as 4")"$PMMFDUJPO"- LIBERATION STRUGGLE DOCUMENTARIES

THE 16TH MAN :FBS %JSFDUPS$MJGGPSE#FTUBMM %FTDSJQUJPO5IJTEPDVNFOUBSZSFDSFBUFTUIFUFOTJPOBOEESBNBPGFWFOUTPOBOEPGGUIFQJUDIMFBEJOHVQUPBOEJODMVE- JOHUIFNPNFOUPVTSVHCZ8PSME$VQ*UJOUFSUXJOFTGPPUBHFPGUIFHBNFT IBQQFOJOHTJOUIFDPVOUSZBOE key interviews with those at the heart of events, to tell the amazing true story of how the contest, and the thrilling Springbok victory, changed everyone involved and the country with it.

1973: THE REBIRTH OF AFRICAN TRADE UNIONS :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE 1SPEVDUJPO$PNQBOZ/BUBM8PSLFS)JTUPSZ1SPKFDU"VEJP7JTVBM"MUFSOBUJWFT 6OJWFSTJUZPG/BUBM 4VNNBSZ5IFTUSJLFTJO/BUBMBSFXJEFMZSFHBSEFEBTIBWJOHCFFOSFTQPOTJCMFGPSUIFSFCJSUIPGUIFQSPHSFTTJWF trade union movement in South Africa. This video takes a look at these strikes by talking to a number of individuals who were involved in them, from ordinary workers to those who acted as spokespersons.

1976: FINGER ON THE TRIGGER :FBS-FOHUINJO %JSFDUPS(VZ)VCCBSE Production Company: Kevin Harris Productions for SABC Production Company: Peter Magubane, one of South Africa’s most distinguished photojournalists, used his camera as a weapon in the fight against apartheid. This programme, originally transmitted in two parts, is a tribute to his legacy and the courage he displayed during a career that stretches over some 50 years.

ABAPHUCIWE: THE DISPOSSESSED :FBS-FOHUINJO %JSFDUPS(BWJO:PVOHF 1SPEVDUJPO/PUDSFEJUFE 4VNNBSZ0OFPGUIFDPSOFSTUPOFTPGUIF/BUJPOBM1BSUZTBQBSUIFJEQPMJDZXBTUIFGPSDFESFNPWBMPGUIPVTBOETPG QFPQMFUPRVBTJJOEFQFOEFOUSVSBMIPNFMBOETUIBUXFSFUPTFSWFBTMBCPVSQPPMTGPSJOEVTUSZBOEBHSJDVMUVSF5IJT film explains the hardships created by these massive resettlement programmes.

ACCUSED #1: NELSON MANDELA: THE TRIAL OF THE RIVONIA 10 :FBS-FOHUINJO %JSFDUPS1BTDBMF-BNDIF Production Company: Little Bird Productions 4VNNBSZ*O0DUPCFS POFPGUIFHSFBUQPMJUJDBMUSJBMTPGUIFDFOUVSZTUBSUFEJOUIF4VQSFNF$PVSUJO1SFUPSJB5FO JOEJWJEVBMT BNPOHTUUIFN/FMTPO.BOEFMB XFSFDIBSHFEXJUITBCPUBHFBOEQMBOOJOHUPPWFSUISPXUIFHPWFSO- ment. Combining interviews with limited dramatisations and archival footage, this film tells the story.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt ACT OF UNION :FBS-FOHUINJO %JSFDUPS-VDZ)PPCFSNBO 1SPEVDUJPO$PNQBOZ.BOJGFTUGPS$IBOOFM Summary: This British television programme looks at the relationship between Great Britain and South Africa, cover- JOHUIFBSSJWBMPGUIFGJSTU#SJUJTITFUUMFSTJO UIFBMJFOBUJPOPGUIF"GSJLBOFS UIFDPNJOHUPQPXFSPGUIF/BUJPOBM Party and the various political events that influenced official policy towards South Africa.

THE AFRICAN FROM ABERYSTWYTH :FBS-FOHUINJO %JSFDUPS$PMJO5IPNBT 1SPEVDUJPO$PNQBOZ5FMJFTZOGPS4$BOE##$8BMFT 4VNNBSZ%BWJE*WPO+POFT XBTB8FMTINBOXIPCFDBNF(FOFSBM4FDSFUBSZPGUIF4PVUI"GSJDBO-BCPVS Party and dedicated his life to the liberation of his adopted country’s black workers. In this film Professor Gwynn Williams follows his journey from Aberystwyth to his death in the Soviet Union.

AFRIKAAPS :FBS-FOHUINJO %JSFDUPS%ZMBO7BMMFZ Producer: Lauren Groenewald %FTDSJQUJPO5IJTNJOVUFEPDVNFOUBSZJOWFSUTOPUJPOTPG"GSJLBBOTBTBMBOHVBHFPGUIFPQQSFTTPS5ISPVHIUIF VOJRVFSFQSFTFOUBUJPOPGUIFATUBHFQMBZXJUIJOUIFGJMN UIFGJMNNBLFSTCSFBLHSPVOECZCPMEMZBUUFNQUJOHUPSF- claim the language within a culture of liberation.

AFRIKA MAYIBUYE :FBS-FOHUINJO %JSFDUPS,FWJO)BSSJT 1SPEVDUJPO$PNQBOZ,FWJO)BSSJT1SPEVDUJPOTGPS"/$%FQBSUNFOUPG*OGPSNBUJPO1VCMJDJUZ 4VNNBSZ.BEFGPSTDSFFOJOHQSJPSUPUIFFMFDUJPOPG UIJTWJEFPQSFTFOUTBCSJFGPWFSWJFXPGUIF"/$TSPMFJO UIFTUSVHHMFBHBJOTUBQBSUIFJE*UTUBSUTXJUIBTUBUFNFOUGSPN/FMTPO.BOEFMBBOEUIFOVTFTBSDIJWBMGPPUBHFUP highlight various historical milestones.

ALAN PATON’S BELOVED COUNTRY :FBS-FOHUINJO %JSFDUPS$BUIFSJOF.FZCVSHI Production Company: Clive Morris Productions 4VNNBSZ5IJTEPDVNFOUBSZQSFTFOUTBOJOUJNBUFQPSUSBJUPG"MBO1BUPO BVUIPSPGi$SZ UIFCFMPWFEDPVOUSZwBOEB strong opponent of the government’s apartheid policies, which resulted in him becoming a founder member of the Liberal Party. The film traces his private as well as his literary and political life.

t4")""VEJPWJTVBM"VEJU3FQPSU ALBERT LUTHULI: THE LEGACY. THE LEGEND :FBS-FOHUINJO %JSFDUPS#VOUV8JMMJBNT 1SPEVDUJPO$PNQBOZ"NBOEMB$PNNVOJDBUJPOTGPS%FQBSUNFOUPG"SUT$VMUVSF 4VNNBSZ$IJFG"MCFSU-VUIVMJ XBTFMFDUFE1SFTJEFOUPGUIF"GSJDBO/BUJPOBM$POHSFTTJOBOEVOEFS his stewardship the organisation gained international recognition and support, which culminated in him winning UIF/PCFM1SJ[FGPS1FBDF5IJTEPDVNFOUBSZQSPWJEFTBOJOUSPEVDUJPOUPIJTMJGFBOEMFHBDZ

ALBIE SACHS: BROKEN BUT UNBROKEN: A PORTRAIT OF AN IRREPRESSIBLE FREEDOM FIGHTER :FBS-FOHUINJO Producer: Erika Edman 1SPEVDUJPO$PNQBOZ475$IBOOFM&ENBOBOE&ENBO7JTJPO Summary: Swedish journalist Lis Asklund interviews Albie Sachs some months after he was severely injured in a bomb CMBTUJO.BQVUP .P[BNCJRVF)FSFDBMMTUIFJODJEFOUBOEJUTBGUFSNBUI SFGMFDUTPOWBSJPVTBTQFDUTPGIJTMJGFBOE talks about his commitment to the struggle and his hopes for the future.

AMAKOMANISI: THE SOUTH AFRICAN COMMUNIST PARTY 1921-1986 :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE Production Company: Inkululeko Films 4VNNBSZ'PVOEFEJO UIF4PVUI"GSJDBO$PNNVOJTU1BSUZDFMFCSBUFEJUTthBOOJWFSTBSZJO*OUIJTGJMN %BO5MPPNF +PF4MPWPBOE3%/BJEPPEJTDVTTJUTFBSMZZFBSTBOEHSPXUI JUTSPMFJOUIFTIBQJOHPGBXPSLJOHDMBTT consciousness and its alliance with the liberation movement.

AMANDLA! A REVOLUTION IN FOUR PART HARMONY :FBS-FOHUINJO %JSFDUPS-FF)JSTDI Production Company: ATO Pictures & Kwela Productions 4VNNBSZ'SPNUIFTPOXBSET NVTJDCFDBNFBOJOFYUSJDBCMFQBSUPGUIFBOUJBQBSUIFJETUSVHHMF0WFSUIFZFBST this music not only reflected the mood of the people, but was written in response to specific political developments. This film celebrates the music and shows how it changed according to circumstances.

AMANDLA! MAATLA!: A FILM ABOUT SOUTH AFRICAN YOUTH :FBS-FOHUINJO %JSFDUPST.BHOVT#FSHNBS,KFMM4¤EFSMVOE 1SPEVDUJPO$PNQBOZ/PUDSFEJUFE Summary: Swedish documentary which intercuts scenes of life at the Solomon Mahlangu Freedom College in Tanzania XJUITFRVFODFTEFQJDUJOHUIFQPMJUJDBMTJUVBUJPOJO4PVUI"GSJDB

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt ANC NATIONAL CONSULTATIVE CONFERENCE – DECEMBER 1990 :FBS-FOHUINJO 1SPEVDFST-BVSFODF%XPSLJO+FSFNZ/BUIBO 1SPEVDUJPO$PNQBOZ7/4 4VNNBSZ'SPNthUPth%FDFNCFS UIF"GSJDBO/BUJPOBM$POHSFTTIFMEJUT'JSTU/BUJPOBM$POTVMUBUJWF$POGFS- ence since its unbanning and the return of its leaders from exile or prison. This video presents an overview of the discussions that took place, with extracts from some of the addresses.

THE ANVIL & THE HAMMER :FBS-FOHUINJO %JSFDUPS#BSSZ'FJOCFSH 1SPEVDUJPO$PNQBOZ*OUFSOBUJPOBM%FGFODF"JE'VOEGPS4PVUIFSO"GSJDB 4VNNBSZ"SFQPSUPOUIFTJUVBUJPOJO4PVUI"GSJDBJO XIFSFUIFJODSFBTJOHMZNJMJUBOUBDUJPOCZPQQPOFOUTPGUIF government was being met with brute force on the part of the authorities. Amongst others it depicts the launch of UIF6%' UIFCPZDPUUPGUIFUSJDBNFSBMQBSMJBNFOUBOEUIFCBUUMFGPSDPOUSPMPGUIFUPXOTIJQT

ANY CHILD IS MY CHILD :FBS-FOHUINJO %JSFDUPS#BSSZ'FJOCFSH 1SPEVDUJPO$PNQBOZ*OUFSOBUJPOBM%FGFODFBOE"JE'VOEGPS4PVUIFSO"GSJDB 4VNNBSZ*O4FQUFNCFS BOJOUFSOBUJPOBMDPOGFSFODFJO)BSBSFGPDVTFEPO$IJMESFO 3FQSFTTJPOBOEUIF-BXJO Apartheid South Africa. This programme uses extracts from addresses and statements presented on that occasion to draw attention to the suffering of black children at the hands of the South African security forces.

APARTHEID :FBS-FOHUINJO %JSFDUPST+FBO.JDIFM.FVSJDFJODPMMBCPSBUJPOXJUI+PFMMF$IFTTFMFU 1SPEVDUJPO$PNQBOZ1PJOUEV+PVSJODPMMBCPSBUJPOXJUI%PYB1SPEVDUJPOT Summary: Originally made for French television as a two-part documentary, this video presents an overview of the history of apartheid, starting by locating its origin in South Africa’s past and then discussing some of the many laws UIBUXFSFUPTFSWFBTJUTDPSOFSTUPOFT*UFOETXJUIUIFSFGFSFOEVNPG

APARTHEID (Series) :FBS-FOHUIYNJO %JSFDUPST+PIO#MBLF "MMBO4FHBM .BSL"OEFSTPO/PSNB1FSDZ Production Company: Granada Television Summary: Made for television, this is a four-part series that uses extensive archival footage and interviews with a great NBOZJOEJWJEVBMTUPQSFTFOUBDPNQSFIFOTJWFPWFSWJFXPGUIFIJTUPSZBOEEFWFMPQNFOUPGBQBSUIFJEVQUP5IF JOEJWJEVBMDIBQUFSTBSF 0SJHJOT "OFXPSEFS %JWJTJPOTBOE "EBQUPSEJF

t4")""VEJPWJTVBM"VEJU3FQPSU APARTHEID GOLD :FBS-FOHUINJO %JSFDUPS#FO$BTIEBO Production Company: Seipone Productions for Swiss TV Summary: The first half of this two-part film focuses on the relationship between South Africa’s goldmines, the apartheid government and the Swiss banks who continued to trade with the country despite the call for sanctions. The second half deals with calls for compensation from those who benefited from apartheid.

APARTHEID: INSIDE, OUTSIDE :FBS-FOHUINJO %JSFDUPS3PFMBOE,FSCPTDI Production Company: Roeland Kerbosch Filmproduktie 4VNNBSZ.BEFTPNFGJWFNPOUITMBUFS UIJTGPMMPXTNVDIUIFTBNFGPSNBUBTi7PJDFTGSPNQVSHBUPSZw4PNFPGUIF NBUFSJBMXBTGJMNFEPVUTJEF4PVUI"GSJDB OPUBCMZJO;BNCJBBOE5BO[BOJB BOEUIFGJMNUIFOUPVDIFTVQPOBOVN- ber of issues that made the headlines during those years.

APARTHEID: THE DAKAR CONFERENCE :FBS-FOHUINJO 1SPEVDFS*SW%SBTOJO Production Company: WGBH/Boston 4VNNBSZ"OBDDPVOUPGUIF+VMZNFFUJOHCFUXFFOBHSPVQPGEJTTJEFOUMJCFSBM"GSJLBOFSTBOENFNCFSTPGUIF /BUJPOBM&YFDVUJWFPGUIF"/$JO%BLBS 4FOFHBM5IFQSPHSBNNFSFQPSUTPOGPSNBMBOEJOGPSNBMEJTDVTTJPOTCF- tween representatives of both groups in an attempt to find common ground. (Shown in the United States as Part V PG(SBOBEB5FMFWJTJPOTi"QBSUIFJEwTFSJFT

APARTHEID: THE STRESS ON THE MIND :FBS-FOHUINJO %JSFDUPS%BWJE$PIFO 1SPEVDUJPO$PNQBOZ1TZDIPMPHZ/FXTGPS$IBOOFM Summary: This programme focuses on apartheid as a mental health issue and cites what was becoming a growing body PGFWJEFODFBTUPUIFMBTUJOHJNQBDUPGEFUFOUJPOBOEJUTBDDPNQBOZJOHCSVUBMUSFBUNFOUPOUIPTFXIPIBWFTVCTFRVFOUMZ CFFOSFMFBTFE.VDIPGJUDPODFOUSBUFTPOUIFWJFXTPG1SPGFTTPS.JDIBFM4JNQTPOPG/BUBM

APARTHEID’S FOOT SOLDIERS (Series: ENCOUNTERS) :FBS-FOHUINJO %JSFDUPS*OHSJE(BWTIPO Production Company: Free Filmmakers 4VNNBSZ1BVM&SBTNVTKPJOFEUIF4PVUI"GSJDBO1PMJDFJOBTBOBMUFSOBUJWFUPEPJOHIJTNJMJUBSZTFSWJDFBOE eventually, became part of Stratcom. In this programme he is brought face to face with some of the white political activists whom he harassed, officially and unofficially, over many years.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt APARTHEID’S LAST STAND :FBS-FOHUINJO %JSFDUPS%BWJE)BSSJTPO Production Company: WGBH Television 4VNNBSZ"OPWFSWJFXPGQPMJUJDBMFWFOUTJO4PVUI"GSJDBJOUIFUISFFZFBSTTJODF/FMTPO.BOEFMBXBTSFMFBTFEBOE UIF"GSJDBO/BUJPOBM$POHSFTTBOEPUIFSPSHBOJTBUJPOTXFSFVOCBOOFE FOEJOHXJUIUIFPQFOJOHPGUIFMBTUXIJUF EPNJOBUFE1BSMJBNFOUJO+BOVBSZ

APLA STICKS TO GUNS :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE 1SPEVDUJPO$PNQBOZ6CVMF#F"GSJLBGPS1"$%FQBSUNFOUPG1VCMJDJUZ*OGPSNBUJPO 4VNNBSZ5IJTWJEFPGJSTUQSFTFOUTBCSJFGPWFSWJFXPGUIFGPVOEJOHPGUIF1BO"GSJDBOJTU$POHSFTTJO"QSJMBOE FTQFDJBMMZJUTNJMJUBSZXJOH UIF"[BOJBO1FPQMFT-JCFSBUJPO"SNZJO*UFYQMBJOTUIFPSHBOJTBUJPOTCBTJDQPMJDZ and refers to highlights of its struggle against the apartheid regime.

ASINAMALI / NOTHING TO LOSE :FBS-FOHUINJO %JSFDUPS3PTT%FWFOJTI Production Company: Portobello Productions 4VNNBSZ%VSJOHUIFFJHIUJFT UIFSFXFSFNBOZTPDBMMFEQSPUFTUQMBZTUIBUFOHBHFEUIFBVEJFODFBTQBSUPGUIFBOUJ BQBSUIFJETUSVHHMF0OFPGUIFNXBT.CPOHFOJ/HFNBTi"TJOBNBMJw GJSTUTUBHFEJO%FDFNCFS1IPUPHSBQIFE at the Market Theatre, this is a filmed record of the play.

AWAKE FROM MOURNING :FBS-FOHUINJO %JSFDUPS$ISJT"VTUJO Production Company: E. Wolpert Productions 4VNNBSZ'PMMPXJOHUIFVQSJTJOHPG+VOF UIFNPUIFSTPG4PXFUPGFMUBOFFEUPDPNFUPHFUIFSBOEBTQJSJUPG self-help amongst women was born. One of the results was the founding of the Maggie Magaba Trust. Organised at grassroots level, its aim was to assist in the development of women and the upliftment of the population.

BACK HOME: ROOTS OF A NEW SOUTH AFRICA :FBS-FOHUINJO %JSFDUPS.BSD,PCMFS 1SPEVDUJPO$PNQBOZ$SFX:PV 4VNNBSZ#ZUIFUJNF/FMTPO.BOEFMBXBTTFOUFODFEUPTFSWFIJTKBJMTFOUFODFPO3PCCFO*TMBOE PUIFSQPMJUJDBMBDUJW- JTUTXFSFBMSFBEZUIFSF*OUIJTGJMN UXPPGUIFN 4JOEJMF.OHRJCJTJBOE&MJBT.[BNP XIPBSSJWFEUIFSFJO SFMBUFUIFJSTUPSJFTBOEBSFKPJOFECZ7VTVN[J.DPOHPXIP BTBTUVEFOUBDUJWJTU XBTKBJMFEJO

t4")""VEJPWJTVBM"VEJU3FQPSU BACK ON THE FRONTIER :FBS-FOHUINJO %JSFDUPS'SBODJT(FSBSE Production Company: Central Independent Television 4VNNBSZ.BEFJO UIJTEPDVNFOUBSZUBLFTBMPPLBUUIFQPMJUJDBMTJUVBUJPOJO4PVUI"GSJDBBUUIFUJNF*OTUFBEPG travelling throughout the country, it primarily focuses on the small Eastern Cape town of Kirkwood, where there is general agreement that racial segregation is essential to preserve the Afrikaner’s identity.

BANTU STEVE BIKO: BEACON OF HOPE :FBS-FOHUINJO %JSFDUPST7VTJ%JCBLXBOF$SBJH+PIOOF,FMMZ 1SPEVDUJPO$PNQBOZ2VBUUSP.FEJB1SPEVDUJPOT 4VNNBSZ5IJTGJMN XSJUUFOBOEOBSSBUFECZ/LPTJOBUIJ#JLP UIFTPOPG#MBDL$POTDJPVTOFTTMFBEFS4UFWF#JLP XBT made on the occasion of the 20th anniversary of his father’s death. It is structured around interviews with a number of people who knew him and discusses his death while in custody of the security police.

THE BATTLE FOR JOHANNESBURG :FBS %JSFDUPS1SPEVDFS3FIBE%FTBJ %FTDSJQUJPO5IF#BUUMFGPS+PIBOOFTCVSHJTBGFBUVSFMFOHUIEPDVNFOUBSZGJMNUIBUFYBNJOFTUIFDPOGMJDUTBOEDPOTF- RVFODFTPG+PIBOOFTCVSHTSBQJEUSBOTGPSNBUJPOJOUIFNPOUITMFBEJOHVQUPUIF8PSME$VQ

THE BATTLE FOR SOUTH AFRICA :FBS-FOHUINJO %JSFDUPS+VEZ$SJDIUPO 1SPEVDUJPO$PNQBOZ$#4/FXT 4VNNBSZ"GUFSUIF4PXFUPVQSJTJOHPG UIF4PVUI"GSJDBOHPWFSONFOUDMBNQFEEPXOPOBMMNFUIPETPGCMBDL resistance and the general perception was that an armed conflict between black and white was inevitable. It was against this background that CBS Television sent a film crew to South Africa to assess the situation.

BEFORE DAWN: CULTURE IN ANOTHER SOUTH AFRICA :FBS-FOHUINJO %JSFDUPS.BBSUFO3FOT 1SPEVDUJPO$PNQBOZ"/$""#/ 4VNNBSZ*O%FDFNCFS 4PVUI"GSJDBOBSUJTUT JODMVEJOHFYJMFT HBUIFSFEJO"NTUFSEBNUPBUUFOEBDPO- ference entitled Culture in Another South Africa (CASA). This account of the deliberations includes performances by musicians, extracts from plays and interviews with many individuals.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt BEHIND BLACK ON BLACK (Series: SOUTH AFRICA NOW) :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE Production Company: 5th Encounter Motion Picture Company Summary: Though government controlled media have blamed so-called black-on-black violence on inter-tribal rivalries and communist manipulation, there is increasing evidence that the state itself is behind a number of these incidents. This programme investigates some of these allegations.

BELEAGUERED LAST HOPE (Series: SOUTH AFRICA NOW) :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE Production Company: 5th Encounter Motion Picture Company Summary: Since it was launched at the Rocklands Civic Centre near Cape Town on 20th "VHVTU UIF 6OJUFE %FNPDSBUJD'SPOUIBTCFFOJOUIFWBOHVBSEPGUIFGSFFEPNTUSVHHMF5IJTWJEFPQSBJTFTJUBDIJFWFNFOUTBOESFGFST to grassroots opposition in general.

BELONGING (Series: PROJECT 10: REAL STORIES FROM A FREE SOUTH AFRICA) :FBS-FOHUINJO %JSFDUPST.JOLZ4DIMFTJOHFS,FUIJXF/HDPCP 1SPEVDUJPO$PNQBOZ'V[FCPY1SPEVDUJPOTGPS4"#$ 4VNNBSZ*O "#/HDPCP BNFNCFSPGUIF1"$OBUJPOBMFYFDVUJWF BOEIJTXJGF -BVSFUUB XFOUJOUPFYJMF5ISFF of their children were born in England, including the co-director of this film, which illustrates the problems the PGGTQSJOHPGNBOZGPSNFSFYJMFTIBWFJOBEKVTUJOHUPMJGFJOXIBUIBTBMXBZTCFFOSFHBSEFEBTiIPNFw

BETRAYAL :FBS-FOHUINJO %JSFDUPS.BSL+,BQMBO Production Company: Grey Matter Media & SABC 4VNNBSZ*O ZFBSPME/PLVUIVMB4JNFMBOF UIFOBTUVEFOUBUUIF6OJWFSTJUZPG4XB[JMBOE XBTBDUJOHBTBDPV- SJFSGPS6NLIPOUPXF4J[XF*O"VHVTUPGUIBUZFBSTIFEJTBQQFBSFEBOEEVSJOHTVCTFRVFOUIFBSJOHTPGUIF53$JU was established that she was captured by the security police. This film tells her story.

BETWEEN JOYCE AND REMEMBRANCE :FBS-FOHUINJO %JSFDUPS.BSL+,BQMBO 1SPEVDUJPO$PNQBOZ(SFZ.BUUFS.FEJBGPS4"#$ Summary: What happened to student leader Siphiwo Mtimkulu was traced in two earlier films, namely an episode in UIFi*GUSVUICFUPMEwTFSJFTBOEUIFi8IFSFUSVUIMJFTw5IJTGJMNDPNCJOFTFMFNFOUTPGCPUIBOEJODPS- porates additional material to bring the story up to date by focusing on his now elderly mother.

t4")""VEJPWJTVBM"VEJU3FQPSU BEYERS AND ILSE NAUDE: A JOURNEY :FBS-FOHUINJO %JSFDUPS)FOOJF4FSGPOUFJO Production Company: Fokus Suid for SABC2 4VNNBSZ8IFO BGUFSUIF4IBSQFWJMMFNBTTBDSF %S#FZFST/BVEFGFMUUIBUIFIBEUPTQFBLPVUBHBJOTUUIFTZTUFNPG apartheid, he did not fully foresee the results this decision would have. This documentary tells the story of the journey on which he and his wife embarked when they decided to follow the dictates of their conscience.

BEYERS NAUDE: PILGRIMAGE OF AN AFRIKANER PROPHET :FBS-FOHUINJO %JSFDUPS)FOOJF4FSGPOUFJO Production Company: SABC 4VNNBSZ"CJPHSBQIZPGUIF3FW#FZFST/BVEF USBDJOHIJTMJGFBOENJOJTUSZGSPNBOVORVFTUJPOJOHBDDFQUBODFPGUIF political heritage of having been born an Afrikaner, through his growing conviction that the government’s apartheid policy was morally wrong, to his final total commitment to the freedom struggle.

BHAMBATHA: WAR OF THE HEADS 1906 :FBS-FOHUINJO %JSFDUPS3FIBE%FTBJ Production Company: Uhuru Productions Summary: The name of this relatively low-ranking chief is forever associated with the Bhambatha Rebellion, which was BOBSNFESFWPMUBHBJOTUUIFJNQPTJUJPOPGBQPMMUBYPOBMMBEVMUNFOCZUIFDPMPOJBMSVMFSTPG/BUBM5IJTGJMNTLFUDIFT the background to the conflict, which is often regarded as the beginning of the anti-apartheid struggle.

BIKO: THE SPIRIT LIVES :FBS-FOHUINJO %JSFDUPS5FSSFODF'SBODJT Production Company: BBC Pebble Mill 4VNNBSZ.BEFQBSUMZUPDPJODJEFXJUIUIFBOOJWFSTBSZPGUIFEFBUIPG4UFWF#JLP BEFDBEFFBSMJFSBOE QBSUMZUPQSFTFOUBEJGGFSFOUQFSTQFDUJWFUPUIBUQSPWJEFEJOUIFGFBUVSFGJMNi$SZGSFFEPNw UIJTQSPHSBNNFEFBMT with the life and death of the Black Consciousness leader and discusses the movement as a whole.

BIRTHDAY TRIBUTE TO NELSON MANDELA :FBS-FOHUINJO %JSFDUPS'BJUI*TJBLQFSF 1SPEVDUJPO$PNQBOZ"/$%FQBSUNFOUPG*OGPSNBUJPO1VCMJDJUZ 4VNNBSZ&YUSBDUTGSPNUIFQSPDFFEJOHTPOUIFPDDBTJPOPG/FMTPO.BOEFMBTth birthday celebrations at the Carlton )PUFM +PIBOOFTCVSH*UJODMVEFTBOVNCFSPGNVTJDBMDPOUSJCVUJPOTBTXFMMBT.BOEFMBTBEESFTTUPUIFJOWJUFE HVFTUT 3FMFBTFEPOWJEFPBTi/FMTPO.BOEFMBthCJSUIEBZw

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt BISHOP DESMOND TUTU: APARTHEID IN SOUTH AFRICA :FBS-FOHUINJO %JSFDUPS$PMJO/BQUIJOF Production Company: Trans World International Summary: This film starts by providing a brief introduction to the history of apartheid and its impact on black South "GSJDBOTCFGPSFUVSOJOHUPUIFQFSTPOPG"SDICJTIPQ%FTNPOE5VUV*UJODMVEFTFYDFSQUTGSPNJOUFSWJFXTBOEQVCMJD BEESFTTFT BNPOHTUUIFNIJTBDDFQUBODFTQFFDIXIFOIFXPOUIF/PCFM1SJ[FGPS1FBDF

BISHO: THE STORY BEHIND THE MASSACRE :FBS-FOHUINJO %JSFDUPS;FQI.BLHFUMB 1SPEVDUJPO$PNQBOZ"/$7JEFP6OJU 4VNNBSZ*O4FQUFNCFS UIF"/$PSHBOJTFEBNBSDIBDSPTTUIF4PVUI"GSJDBOCPSEFSJOUP#JTIP DBQJUBMPGUIF homeland of Ciskei. When the marchers reached the local stadium, soldiers of the Ciskei defence force opened fire, LJMMJOHQFPQMF5IJTWJEFPQSFTFOUTUIF"/$TJOUFSQSFUBUJPOPGXIBUIBQQFOFE

THE BLACK SASH: THE EARLY YEARS :FBS-FOHUINJO %JSFDUPST$BTTBOESB1BSLFS /PEJ.VSQIZ%FOJTF"DLFSNBOO Production Company: Black Sash Summary: A documentary on the history of The Black Sash, a women’s movement formed to protest against the government’s measures to ensure the passing of an act aimed at removing Coloured voters from the common electoral role. It discusses the issues it embraced and the different forms of protest it adopted.

THE BLOODY MONEY SMUGGLING: NORWAY’S COVERT AID FOR THE LIBERATION OF SOUTH AFRICA :FBS-FOHUINJO %JSFDUPS&SMJOH#PSHFO Production Company: Borgen Production for TV2 4VNNBSZ%VSJOHUIFBQBSUIFJEZFBST BOVNCFSPGPSHBOJTBUJPOTTNVHHMFENPOFZJOUPUIFDPVOUSZUPBTTJTUWJDUJNT PG4PVUI"GSJDBTSBDFQPMJDJFT5IJTGJMNGPDVTFTPOUIFBTTJTUBODFQSPWJEFECZ/PSXFHJBO$IVSDI"JE XIJDIDIBO- nelled the money through Archbishop Walter Makhulu in Gabarone, Botswana.

BLOWING HOME :FBS-FOHUINJO %JSFDUPS.JDIBFM3PCJOT 1SPEVDUJPO$PNQBOZ"SFLPQBOFOH*OUFSOBUJPOBM%FGFODF"JE'VOEGPS4PVUIFSO"GSJDB 4VNNBSZ8IFO/FMTPO.BOEFMBXBTSFMFBTFEJO BDPODFSUJOUSJCVUFUPIJNXBTPSHBOJTFEBU8FNCMFZ4UBEJVN BOENBOZPMEFSNVTJDJBOTXIPXFSFPSJHJOBMNFNCFSTPGUIFDBTUPGi,JOH,POHwXFSFLFFOUPDPOUSJCVUFUIFJS talents to the occasion. The film documents them rehearsing with their younger compatriots.

t4")""VEJPWJTVBM"VEJU3FQPSU BOPHA! / ARREST :FBS-FOHUINJO %JSFDUPS%BOJFM3JFTFOGFME 1SPEVDUJPO$PNQBOZ%+3 4VNNBSZ0OFPGUIFNPTUJNQPSUBOUQMBZTUPDPNFPVUPGUIFBOUJBQBSUIFJETUSVHHMFXBT1FSDZ.UXBTi#PQIBw This video presents extracts from a performance by the Earth Players at the Market Theatre and intercuts them with documentary footage depicting related events in real life.

BORDERLINES :FBS-FOHUINJO %JSFDUPS,BZBLB[J4PMEBUJ5JOB-PVJTF4NJUI Producer: Tina-Louise Smith Production Company: Griffin Films %FTDSJQUJPO"NJOVUFEPDVNFOUBSZQSPEVDFEGPS4"#$TA5)&53$'30.#&-08TFSJFT#03%&3-*/&4JT the story of Kayakazi Soldati’s journey to Mthatha and her past as a child growing up under apartheid. Through the journey, Kaya hopes to uncover the truth behind many vague memories of her father and life in Mthatha.

BORN INTO STRUGGLE :FBS-FOHUINJO %JSFDUPS3FIBE%FTBJ Production Company: Uhuru Productions 4VNNBSZ"MMIJTMJGF #BSOFZ%FTBJXBTBTUBMXBSUPGUIFBOUJBQBSUIFJETUSVHHMFBOEFWFOUVBMMZGPVOEBQPMJUJDBMIPNF in the PAC. Because he was forced to go into exile, his children grew up in England, including the director of this GJMN*OUIJTWFSZQFSTPOBMEPDVNFOUBSZ3FIBE%FTBJFYBNJOFTUIFSFMBUJPOTIJQCFUXFFOIJNBOEIJTGBUIFS

BOUND TO STRIKE BACK :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE Production Company: Capricorn Video Unit 4VNNBSZ5IJTUISFFQBSUEPDVNFOUBSZQSFTFOUTBOPWFSWJFXPGUIFQPMJUJDBMTJUVBUJPOJO4PVUI"GSJDBJO JOQBS- UJDVMBSUIFFTDBMBUJOHDMBTICFUXFFOUIFTFDVSJUZGPSDFTBOEUIF"/$MFESFTJTUBODFUPBQBSUIFJE

THE BOXER :FBS-FOHUINJO %JSFDUPS(VZ4QJMMFS Production Company: Lizardfilm 4VNNBSZ4IPUJOJOUIFNJOJOHTVCVSCPG%FOWFS +PIBOOFTCVSH UIJTGJMNGPDVTFTPOBXIJUFXPSLJOHDMBTT family, representative of those who are struggling to defend a way of life in the face of loss of privilege based on race.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt BREAKING THE FETTERS :FBS-FOHUINJO %JSFDUPS)FOOJF4FSGPOUFJO Production Company: Fokus Suid 4VNNBSZ*O+VMZ BHSPVQPGEJTTJEFOU"GSJLBOFSTGMFXUP%BLBSJO4FOFHBMUPNFFUXJUISFQSFTFOUBUJWFTPGUIF "/$JOPQFOEFGJBODFPGUIFXJTIPGUIFBVUIPSJUJFT6QPOUIFJSSFUVSOUIFZXFSFEFOPVODFEBTUSBJUPST ZFUMFTTUIBO UISFFZFBSTMBUFSUIFGJSTUPGGJDJBMNFFUJOHCFUXFFOUIF/BUJPOBM1BSUZHPWFSONFOUBOEUIF"/$UPPLQMBDF

BREAKING THE LINE :FBS-FOHUINJO %JSFDUPS5BNBSJO,BQMBO Production Company: TK Productions for e.tv 4VNNBSZ*O0DUPCFS BSVHCZNBUDIQMBZFEJOBUPXOTIJQJO1PSU&MJ[BCFUISFDFJWFEXJEFQVCMJDJUZCFDBVTFPOF of the teams was racially mixed. This film tells the story of how the match came about and of the impact it had in both sporting and political circles. It includes interviews with three of the players involved.

BREYTEN BREYTENBACH: THE ARTIST :FBS-FOHUINJO %JSFDUPS)FOOJF4FSGPOUFJO Production Company: SABC Summary: This programme focuses not on Breyten Breytenbach’s poetry, but on his paintings, first exhibited in South "GSJDBJO%VSJOHFYUFOTJWFJOUFSWJFXTIFEJTDVTTFTBXJEFSBOHFPGTVCKFDUT JODMVEJOHIJTJEFOUJGJDBUJPOXJUIUIF anti-apartheid struggle and his time in prison.

THE BRITISH DESK: SOUTH AFRICA’S INTELLIGENCE OPERATIONS IN BRITAIN :FBS-FOHUINJO %JSFDUPS"MBO$MBSLF Production Company: Central Independent Television Summary: Based entirely on interviews with individuals with inside information, this television programme takes a MPPLBUBTQFDUTPG4PVUI"GSJDBTJOUFMMJHFODFPQFSBUJPOTEVSJOHUIFTBOEFBSMZT QSPWJEJOHEFUBJMTPGTFW- eral projects.

THE BROEDERBOND AND THE DUTCH REFORMED CHURCH (Series: ISSUES OF FAITH) :FBS-FOHUINJO %JSFDUPS)FOOJF4FSGPOUFJO Production Company: Fokus Suid for SABC Religion Summary: The Broederbond was founded to promote the role of the Afrikaner in all aspects of South African life, in- DMVEJOHUIF%VUDI3FGPSNFE$IVSDI5IJTUXPQBSUQSPHSBNNFUBLFTBMPPLBUUIFJOGMVFODFPGUIJTTFDSFUJWFPSHBOJ- TBUJPOPOUIF%3$BOEJUTTVQQPSUPGUIFHPWFSONFOUTBQBSUIFJEQPMJDZ

t4")""VEJPWJTVBM"VEJU3FQPSU THE BROKEN STRING :FBS-FOHUINJO %JSFDUPST%PO&ELJOT-BVSFODF%XPSLJO 1SPEVDUJPO$PNQBOZ%BZ;FSP1SPEVDUJPOT Summary: The scale of land dispossession that took place during the apartheid years has left a formidable task for the Land Commission. This programme takes a look at the beginning of land reform by visiting a number of communi- UJFTUISPVHIPVUUIFDPVOUSZ FBDIIJHIMJHIUJOHEJGGFSFOUBTQFDUTPGUIFMBOERVFTUJPO

BROTHERS IN ARMS :FBS-FOHUINJO %JSFDUPS+BDL-FXJT Production Company: Idol Pictures 4VNNBSZ8IFO JO 3POBME)FSCPMEUGSPN$BQF5PXOGPVOEIJNTFMGJO$VCBBUUIFUJNFXIFOUIFSFCFMGPSDFT of Fidel Castro were overthrowing the Battista dictatorship, he jumped ship to take part, eventually landing up with the Cuban troops who fought in Angola. This tells the story of his life and his return from exile.

THE BUREAUCRATS (Series: ORDINARY PEOPLE) :FBS-FOHUINJO %JSFDUPST)BSSJFU(BWTIPO+POBUIBO4.JMMFS Production Company: Weekly Mail Television for SABC 4VNNBSZ'PMMPXJOHJUTFMFDUJPOWJDUPSZJOUIF/PSUIFSO5SBOTWBBM UIF"/$MFESFHJPOBMHPWFSONFOUJOIFSJUFE DJWJMTFSWBOUT NPTUPGXIPNXFSFFNQMPZFEJOUIFGPSNFSIPNFMBOET8JUINBOZPGUIFNJOTFDVSFBCPVU UIFJSGVUVSF UIFUSBEFVOJPO/&)"86DIBMMFOHFTJUTMPOHUJNFQPMJUJDBMBMMZ BURNING DOWN THE HOUSE :FBS-FOHUINJO %JSFDUPST3PZ"DLFSNBO1FUFS(PSEPO 1SPEVDUJPO$PNQBOZ:PSLTIJSF5FMFWJTJPO 4VNNBSZ"EPDVNFOUBSZPOIPXUIF8BUTPOCSPUIFSTPG1PSU&MJ[BCFUIoEFWPVU$ISJTUJBOT TVDDFTTGVMCVTJOFTTNFO BOEUPQTQPSUTNFOoHSBEVBMMZCFDBNFJOWPMWFEJOQPMJUJDTBOEIPXUIFJSDPNNJUNFOUUPUIFBOUJBQBSUIFJETUSVHHMF led to ostracism by the white establishment and harassment by the security police.

CALLING FOR PRESSURE (Series: SOUTH AFRICA NOW) :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE Production Company: 5th Encounter Motion Picture Company Summary: After providing background information to the erosion of subsistence farming and the extent of rural poverty, this programme calls for punitive economic sanctions to force the South African government to abandon its apartheid policies, arguing that the black population will accept these if whites are also affected.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt CATO MANOR: PEOPLE WERE LIVING THERE :FBS-FOHUINJO %JSFDUPS$IBSMPUUF0XFO Production Company: Charlotte Owen Productions 4VNNBSZ"GUFSUIFSBDJBMDMBTIFTCFUXFFOCMBDLTBOE*OEJBOTJO/BUBM $BUP.BOPS KVTUPVUTJEF%VSCBO CFDBNF one of the first areas to fall victim to the Group Areas Act. In this programme former inhabitants recall a stable, impoverished community and tell of the upheavals caused by the forced removals.

CERTAIN UNKNOWN PERSONS :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE 1SPEVDUJPO$PNQBOZ7/4 4VNNBSZ%VSJOHUIFT BOVNCFSPGBOUJBQBSUIFJEBDUJWJTUTCFDBNFUIFWJDUJNTPGVOTPMWFEQPMJUJDBMBTTBTTJOB- tions. This programme examines a number of case histories and speculates about the state’s involvement in them, with relatives and political associates voicing their suspicions.

CHANGING THIS COUNTRY: THE TESTIMONY OF FOUR SOUTH AFRICAN WORKERS :FBS-FOHUINJO %JSFDUPS1FUFS&OUFMM Production Company: Show & Tell Films for International Labour Office 4VNNBSZ.BEFGPSUIF*OUFSOBUJPOBM-BCPVS0GGJDF UIJTEPDVNFOUBSZXBTTIPUJOEVSJOHUIF4UBUFPG&NFSHFODZ %VSJOHUIJTUJNFPSHBOJTFEMBCPVSXBTPOFPGUIFTUSPOHFTUBOUJBQBSUIFJEGPSDFTJOUIFDPVOUSZBOEUIFGJMNGPDVTFT on four Port Elizabeth shop stewards as they talk about their experiences.

CHILDREN IN DETENTION (SERIES: SOUTH AFRICA NOW) :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE Production Company: 5th Encounter Motion Picture Company 4VNNBSZ4JYNPOUITJOUPUIFTFDPOE4UBUFPG&NFSHFODZ EFDMBSFEPO+VOFth BOFTUJNBUFE QFPQMF IBECFFOEFUBJOFE PGXIPNBQQSPYJNBUFMZ XFSFDIJMESFOCFUXFFOBOEZFBSTPGBHF*OUIJTQSPHSBNNF various individuals comment on this situation and its impact on those in detention.

CHILDREN OF APARTHEID :FBS-FOHUINJO %JSFDUPS,FO4BCMF 1SPEVDUJPO$PNQBOZ$#4/FXT 4VNNBSZ5IJTSFQPSUUBLFTBMPPLBUUIFQPMJUJDBMTJUVBUJPOJO4PVUI"GSJDBJOUISPVHIUIFFZFTPGJUTZPVOHQFPQMF both black and white. In the process it touches upon issues such as the detention of children, opposing lifestyles and cultural backgrounds, and the commitment of many black youths to the liberation struggle.

t4")""VEJPWJTVBM"VEJU3FQPSU CHILDREN OF GOD :FBS-FOHUINJO %JSFDUPS4UFQIFO-BNCFSU Production Company: BBC Summary: After upholding the rule of apartheid for some forty years, South Africa’s police force now has to cope with DIBOHFEDJSDVNTUBODFT'JMNFEUPXBSETUIFFOEPG UIJTQSPHSBNNFQSPWJEFTBOJOTJEFWJFXPGUIF$BQF3JPU 4RVBEBTJUSFTQPOETUPQFUSPMCPNCT QPMJUJDBMNVSEFSTBOEQSPUFTUNBSDIFT

CHILDREN OF THE REVOLUTION :FBS-FOHUINJO %JSFDUPS;PMB.BTFLP 1SPEVDUJPO$PNQBOZ.BYJ%57 4VNNBSZ4PVUI"GSJDBOGJMNNBLFS;PMB.BTFLPHSFXVQJOFYJMFBOEBUUFOEFEUIF4PMPNPO.BIMBOHV'SFFEPN$PM- lege in Tanzania. In this film he tracks down five former comrades whom he last saw twelve years ago in order to find out what became of them upon their return to South Africa.

CHRISTIANS AND THE UNDERGROUND STRUGGLE (SERIES: ISSUES OF FAITH) :FBS-FOHUINJO %JSFDUPS)FOOJF4FSGPOUFJO Production Company: Fokus Suid for SABC Religion Summary: Originally transmitted in two parts, this programme takes a look at those white Christians who took a prin- DJQMFETUBOEBHBJOTUBQBSUIFJE FTQFDJBMMZUIPTFBGGJMJBUFEUPUIF$ISJTUJBO*OTUJUVUF XIJDIXBTCBOOFEJO5IFZ JODMVEF%S#FZFST/BVEF 3FW$FESJD.BZTPOBOE)PSTU,MFJOTDINJEU

THE CHURCH AND THE STRUGGLE :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE 1SPEVDUJPO$PNQBOZ7/4 4VNNBSZ'JMNFEJO UIJTWJEFPQSFTFOUTBOJOUSPEVDUJPOUPUIFDIVSDIFTSPMFJOUIFGJHIUBHBJOTUBQBSUIFJE*U begins by describing the four broad church groups and their position vis-à-vis the apartheid system before focusing on the South African Council of Churches, some of whose leaders are in the forefront of the struggle.

CISSIE GOOL :FBSMFOHUINJO %JSFDUPS(BJSPPOJTB1BSLFS 1SPEVDUJPO$PNQBOZ%FQBSUNFOUPG)JTUPSJDBM4UVEJFT 6OJWFSTJUZPG$BQF5PXO 4VNNBSZ%VSJOHIFSMJGFUJNF $JTTJF(PPMXBTBTUBVODIPQQPOFOUPGBMMGPSNTPGEJTDSJNJOBUJPOBOETFSWFEPO$BQF Town’s City Council for 25 years. This film follows her political career and also deals with her personal life. It is largely structured around interviews with some of the people who knew her.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt CIVILISATION ON TRIAL IN SOUTH AFRICA :FBS-FOHUINJO Producer: Michael Scott 1SPEVDUJPO$PNQBOZ/PUDSFEJUFE 4VNNBSZ4IPUCZ3FW.JDIBFM4DPUUCFGPSFIFXBTJTTVFEXJUIBCBOOJOHPSEFSJO UIJTJTXJUIPVUEPVCUUIFGJSTU anti-apartheid film ever made. It depicts the living conditions of the black population in South Africa, notably in 4PQIJBUPXOBOEUIFTRVBUUFSDBNQPG5PCSVL BOEBMTPSFGFSTUPUIFQMJHIUPGUIF)FSFSPQFPQMF

CLAIMING THE PAST: THE RICHTERSVELD STORY :FBS-FOHUINJO 'JMNNBLFST"MFY#SPPLF .POJRVF-FEFTNBBOE.BZB.PSHBO 1SPEVDUJPO$PNQBOZ%FQBSUNFOUPG)JTUPSJDBM4UVEJFT 6OJWFSTJUZPG$BQF5PXO 4VNNBSZ5IF/BNBQFPQMFPGUIF3JDIUFSTWFME JOUIFOPSUIXFTUFSODPSOFSPGUIF/PSUIFSO$BQF XFSFBNPOHTUNBOZ groups who were dispossessed of their land, first by the colonial government of the Cape Province and then by the South African government. This video deals with their appeal to the Land Claims Commission.

CLIENT NUMBER TWO :FBS-FOHUINJO %JSFDUPS5JNP,PSIPOFO Production Company: Millennium Film & Road Movies Summary: A Finnish documentary that examines the story behind the murder of Anton Lubowski, a lawyer who became UIFGJSTUXIJUF/BNJCJBOUPKPJO48"10BOEXBTBTTBTTJOBUFEPVUTJEFIJT8JOEIPFLIPNFPOth4FQUFNCFS

COLOURING-IN OUR CLASSROOMS :FBS-FOHUINJO %JSFDUPS"OESFB4QJU[ Production Company: Education Policy Unit, University of the Witwatersrand 4VNNBSZ.BEFBHBJOTUUIFHPWFSONFOUTEFDJTJPOPG4FQUFNCFSUPPQFOQSFWJPVTMZXIJUFTUBUFTDIPPMTUPBMM races and allow parents to vote for one of three prescribed models, this film interviews a number of Sub A children of different races.

COME BACK, AFRICA :FBS-FOHUINJO %JSFDUPS-JPOFM3PHPTJO Production Company: Lionel Rogosin Films 4VNNBSZ.BEFUPXBSETUIFFOEPGUIFGJSTUEFDBEFVOEFS/BUJPOBM1BSUZSVMF UIJTXBTPOFPGUIFGJSTUBOUJBQBSUIFJE films to reveal the circumstances under which the majority of black South Africans lived. Combining drama with EPDVNFOUBSZGPPUBHF JUGPMMPXTUIFGBUFPGPOFNBOXIPMFBWFT;VMVMBOEUPTFFLXPSLJO+PIBOOFTCVSH

t4")""VEJPWJTVBM"VEJU3FQPSU COMPELLING FREEDOM / ZILIMA ZIYA ETSHENI :FBS-FOHUINJO %JSFDUPST.PLPOFOZBOB.PMFUF -BVSFODF%XPSLJO#SJBO5JMMFZ 1SPEVDUJPO$PNQBOZ7/4 Summary: Produced in association with COSATU, this film shows how various cultural forms that have emerged from within the trade union movement are linked to the struggles on the shop-floor and are related to the concerns of the community as a whole. It includes examples of resistance poetry, songs and dances, as well as extracts from plays.

THE COMRADE KING :FBS-FOHUINJO %JSFDUPS#FO)PSPXJU[ Production Company: Trader Films 4VNNBSZ,JOH4BCBUB%BMJOEZFCPXBTJOTUBMMFEBTSVMFSPGUIF5FNCVOBUJPOJO)BWJOHDIPTFOUPDBNQBJHO BHBJOTUTFMGSVMFGPSUIF5SBOTLFJ IFTVCTFRVFOUMZBMJHOFEIJNTFMGXJUIUIPTFPQQPTJOHUIFBQBSUIFJETZTUFNBOE was deposed by the homeland government. This film pays tribute to his memory.

THE COMRADES :FBS-FOHUINJO %JSFDUPS.JLF%VUGJFME Production Company: BBC 4VNNBSZ%VSJOHUIFTFDPOEIBMGPGUIFT NBOZPG4PVUI"GSJDBTUPXOTIJQTXFSFUBLFOPWFSCZCMBDLZPVUIT known as Comrades. This programme focuses on events in Munsieville, a township on the outskirts of Krugersdorp, in the conservative heartland of white South Africa.

CONFRONTING THE HIT-MEN :FBS-FOHUINJO %JSFDUPS3PHFS'JOOJHBO 1SPEVDUJPO$PNQBOZ:PSLTIJSF5FMFWJTJPOGPS*57 4VNNBSZ%VSJOHUIFBQBSUIFJEFSB NBOZQFPQMFEJFEBTBSFTVMUPGBDUJPOTPOUIFQBSUPGBDUJWJTUTPOCPUITJEFTPGUIF political barrier. This programme, made prior to the hearings of the TRC, focuses on two specific incidents and asks whether a reconciliation between victims and perpetrators can ever be effected.

CONSUMER BOYCOTTS (SERIES: SOUTH AFRICA NOW) :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE Production Company: 5th Encounter Motion Picture Company Summary: Many black leaders have come to see consumer boycotts as one of the few remaining non-violent means of putting pressure on the government to dismantle apartheid. In this video three boycott organisers talk about the aims of this strategy and of the need to coordinate such boycotts on a wider basis.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt COSATU: A GIANT HAS RISEN :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE 1SPEVDUJPO$PNQBOZ7/4 Summary: After four years of unity talks, the Congress of South African Trade Unions was launched during the first XFFLFOEPG%FDFNCFS5IJTWJEFPEFQJDUTTPNFPGUIFBDUJWJUJFT GSPNUIFPQFOJOHBEESFTTCZ$ZSJM3BNBQIPTB UIFO(FOFSBM4FDSFUBSZPG/6. UPUIFFMFDUJPOPGUIFJODPNJOHFYFDVUJWF

COUNTDOWN TO FREEDOM: 10 DAYS THAT CHANGED SOUTH AFRICA :FBS-FOHUINJO %JSFDUPS%BOOZ4DIFDIUFS Production Company: Globalvision 4VNNBSZ5IJTGJMNUSBDFTUIFFWFOUTPGPGUIFNPTUNPNFOUPVTEBZTJOUIFDPVOUSZTIJTUPSZoUIFXFFLMFBEJOH VQUPUIFGJSTUGSFFBOEEFNPDSBUJDFMFDUJPOTBOEUIFJOBVHVSBUJPOPG/FMTPO.BOEFMBBT1SFTJEFOUPGUIFOFX4PVUI Africa. Includes interviews with many political figures, amongst them Mandela himself.

THE CRADOCK FOUR :FBS-FOHUINJONJO %JSFDUPS%BWJE'PSCFT Production Company: Shadow Films 4VNNBSZ%BWJE'PSCFTTQFOUTFWFOZFBSTQSPEVDJOHIJTEPDVNFOUBSZPOUIFBTTBTTJOBUJPOPGUIF$SBEPDL'PVSJODMVE- ing Matthew Goniwe, Fort Calata, Sparrow Mkhonto and Sicelo Mhlauli. Forbes has also released a 52 TV version PGUIFTUPSZFOUJUMFE5)&$3"%0$,.63%&34."55)&8(0/*8&5)&%&.*4&0'5)&"1"35)&*% Archival footage was sourced from Reuters, Mayibuye, Avusa, Fort Hare University, the Cradock Four Museum, and a number of privately owned people.

CROSSING THE BORDER / OVER DE GRENS :FBS-FOHUINJO %JSFDUPS4BTLJB7SFEFWFME Production Company: VPRO 4VNNBSZ%VSJOHUIFTBOET UIF4PVUI"GSJDBOHPWFSONFOUTFOUUIPVTBOETPGZPVOH XIJUFTPMEJFSTUPUIF/B- mibian/Angolan border to fight what was presented as the communist threat to the nation. Today many ex-soldiers still have trouble coming to term with their experiences, which is the subject of this documentary.

CROSSROADS :FBS-FOHUINJO %JSFDUPS-JOEZ8JMTPO Production Company: Lindy Wilson Productions 4VNNBSZ"EPDVNFOUBSZUIBUUSBDFTUIFHSPXUIBOEEFQJDUTEBJMZMJGFJO$SPTTSPBET BTRVBUUFSDPNNVOJUZDPOTJTUJOH PGTPNF QFPQMFTJUVBUFEPOUIFPVUTLJSUTPG$BQF5PXO8IFOJUXBTGJMNFE JO4FQUFNCFS JUXBTVOEFS threat of demolition from the authorities.

t4")""VEJPWJTVBM"VEJU3FQPSU CROSSROADS / SOUTH AFRICA: THE STRUGGLE CONTINUES :FBS-FOHUINJO %JSFDUPS+POBUIBO8BDLT 1SPEVDUJPO$PNQBOZ+POBUIBO8BDLT1SPEVDUJPOT 4VNNBSZ.BEFJO UIJTGJMNHPFTJOUPUIFJOGPSNBMTFUUMFNFOUPG$SPTTSPBET PVUTJEF$BQF5PXO UPTIPXTPNF- UIJOHPGEBJMZMJGFUIFSFBOEUPUBMLUPUIFQFPQMFXIPIBENBEFJUUIFJSIPNF%FTQJUFXIBUIBQQFOFEJOOFBSCZ Modderdam and Unibel, where bulldozers were sent in, those interviewed are determined to stay.

A CRY FOR FREEDOM :FBS-FOHUINJO %JSFDUPS+PIO"&WFOTPO Production Company: Lutheran Church in America 4VNNBSZ4QPOTPSFECZUIF-VUIFSBO$IVSDIJO"NFSJDB UIJTEPDVNFOUBSZUBLFTBMPPLBUUIFPDDVQBUJPOPG/BNJCJB by South Africa and accuses it of oppression, torture and murder on a large scale.

THE CRY OF REASON: BEYERS NAUDE: AN AFRIKANER SPEAKS OUT :FBS-FOHUINJO %JSFDUPS3PCFSU#JMIFJNFS 1SPEVDUJPO$PNQBOZ8PSMEXJEF%PDVNFOUBSJFT 4VNNBSZ5IJTGJMNQSFTFOUTBQPSUSBJUPGUIFQPMJUJDBMBOETQJSJUVBMQJMHSJNBHFPG%S#FZFST/BVEF BNBOXIPXPOUIF respect and support of his black countrymen when he turned his back on his Afrikaner past and became an ardent campaigner against the government’s apartheid policies.

DAVID WEBSTER: LIVED FOR DEMOCRACY, KILLED BY APARTHEID :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE 1SPEVDUJPO$PNQBOZ7/4 4VNNBSZ"OUJBQBSUIFJEBDUJWJTU%BWJE8FCTUFSXBTBTTBTTJOBUFEPVUTJEFIJTIPNFJO5SPZFWJMMF +PIBOOFTCVSH PO .BZst5IJTUSJCVUFUPIJNDPOTJTUTPGFYUSBDUTGSPNNFFUJOHTDBMMFEUPDPNNFNPSBUFIJTDPOUSJCVUJPOUPUIF TUSVHHMF BTXFMMBTGSPNUIFGVOFSBMTFSWJDFBOEGSPNUIFNPVSOFSTNBSDIUISPVHIUIFTUSFFUTPG+PIBOOFTCVSH

THE DEADLINE :FBS-FOHUINJO %JSFDUPS%BWJE+BNNZ Production Company: Mail & Guardian Television for Constitutional Assembly Summary: Following South Africa’s first democratic election, the government was given a two-year mandate to write a Constitution that would reflect the new order. As the deadline of 8th.BZESBXTOFBSFS UIJTQSPHSBNNFGPDVTFT on activities during the last three weeks of a most intensive negotiating process.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt DEAFENING ECHOES :FBS-FOHUIJO %JSFDUPS&VHFOF1BSBNPFS Production Company: Rainbow Circle Films Summary: Anton Fransch was one of the members of the Bonteheuwel Military Wing, set up to take arms against apart- IFJE*O"VHVTU IFXBTLJMMFEJOBTIPPUPVUXJUIUIFQPMJDFXIJMFTIFMUFSJOHJOBIPVTFJO$SBXGPSE5IJTGJMN QBZTUSJCVUFUPIJTNFNPSZ NVDIPGJUTFFOUISPVHIUIFFZFTPG"OESFXi(PSSJFw/PWFNCFS

DEATH OF APARTHEID :FBS-FOHUINJO %JSFDUPST.JDL(PME 4UFXBSU-BOTMFZ4UFQIFO$MBSLF 1SPEVDUJPO$PNQBOZ#SJBO-BQQJOH"TTPDJBUFTGPS##$BOE%JTDPWFSZ$IBOOFM 4VNNBSZ#BTFEPOUIFCPPLi5PNPSSPXJTBOPUIFSDPVOUSZwCZ"MMJTUFS4QBSLT UIJTUISFFQBSUTFSJFTUFMMTUIFTUPSZPG how the white minority government, led by F.W. de Klerk, came to hand over power to their erstwhile enemies, the "GSJDBO/BUJPOBM$POHSFTT MFECZ/FMTPO.BOEFMB BOEIPXBUUFNQUTXFSFNBEFUPQSFWFOUUIJT

THE DEATH OF NEIL AGGETT :FBS-FOHUINJO 1SPEVDFS-JOEB.D%PVHBMM Production Company: Thames Television 4VNNBSZ0Oth/PWFNCFS /FJM"HHFUU BNFEJDBMEPDUPSBOEUSBEFVOJPOPSHBOJTFS XBTBSSFTUFECZUIFTF- DVSJUZQPMJDF"GUFSEBZTJOTPMJUBSZDPOGJOFNFOU IFXBTGPVOEIBOHFEJOIJTDFMMBU+PIO7PSTUFS4RVBSF5IJT QSPHSBNNF QSPEVDFETIPSUMZBGUFSIJTEFBUI XBTNBEFCFGPSFUIFSFTVMUTPGUIFPGGJDJBMJORVFTUXFSFLOPXO

THE DEATH OF PETRUS NCHABELENG (SERIES: SOUTH AFRICA NOW) :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE Production Company: 5th Encounter Motion Picture Company 4VNNBSZ0Oth"QSJM 1FUSVT/DIBCFMFOH 1SFTJEFOUPGUIF6OJUFE%FNPDSBUJD'SPOUJOUIF/PSUIFSO5SBOTWBBM died while in police detention, officially as a result of a heart attack. Post mortem findings of the state pathologist XFSFUIBUIJTEFBUIXBTBDPOTFRVFODFPGUIFUSFBUNFOUIFSFDFJWFEBUUIFIBOETPGUIFQPMJDF

DELMAS: THE PASSION… THE PAIN :FBS-FOHUINJO %JSFDUPS,FWJO)BSSJT Production Company: Kevin Harris Productions for SABC 4VNNBSZ*O/PWFNCFS BGUFSUISFFBOEBIBMGZFBST UIFMPOHFTUSVOOJOHQPMJUJDBMUSJBMJO4PVUI"GSJDBTIJTUPSZ DBNFUPBOFOE5IJTGJMNUSBDFTUIFIJTUPSZPGUIF%FMNBT5SFBTPO5SJBM CFHJOOJOHXJUIUIFFWFOUTUIBUMFEUPUIF deaths of a number of people and ending with a summary of what happened to some of the defendants.

t4")""VEJPWJTVBM"VEJU3FQPSU DENNIS BRUTUS: I AM A REBEL :FBS-FOHUINJO %JSFDUPS7JODFOU.PMPJ 1SPEVDUJPO$PNQBOZ4FJQPOF1SPEVDUJPOTGPS4"#$ 4VNNBSZ5FBDIFS QPFUBOEQPMJUJDBMBDUJWJTU %FOOJT#SVUVTHSFXVQJO1PSU&MJ[BCFUI CFDBNFJOWPMWFEJOUIFBOUJ apartheid struggle and served time on Robben Island. While in exile he campaigned to have South Africa expelled GSPNUIF0MZNQJD(BNFT/PXBMNPTU IFJTUIFTVCKFDUPGUIJTEPDVNFOUBSZ

THE DISCARDED PEOPLE (SERIES: WORLD IN ACTION) :FBS-FOHUINJO %JSFDUPS4JNPO#FSUIPO Production Company: Granada Television 4VNNBSZ6OEFSUIF/BUJPOBM1BSUZTIPNFMBOEQPMJDZ UIPVTBOETPGCMBDL4PVUI"GSJDBOTXFSFHJWFOPOMZUFNQPSBSZ residence in the cities. Their real home was deemed to be in the various Bantustans, where they and their families were forcibly resettled. This television report looks at the poverty in the homeland of Ciskei.

DOGMA AND DREAMS :FBS-FOHUINJO %JSFDUPS"MJTPO3PPQFS 1SPEVDUJPO$PNQBOZ#BOEVOH-JNJUFEGPS$IBOOFM 4VNNBSZ"TUVEJPEJTDVTTJPOEVSJOHXIJDI/FWJMMF"MFYBOEFS /KBCVMP/EFCFMF -BVSFUUB/HDPCP "MCJF4BDITBOE Hein Willemse talk about the role culture has played in the anti-apartheid struggle and debate the kind of culture they should like to see in a future democratic South Africa.

DOWN SECOND AVENUE: THE LIFE AND TIMES OF ES’KIA MPHAHLELE :FBS-FOHUINJO %JSFDUPS(MFOO6KFCF.BTPLPBOF Production Company: Ladida Kommunikaxions & Kurira Films International for SABC Summary: When this programme was made, Es’kia Mphahlele was one of South Africa’s most distinguished writers BOEBDBEFNJDT CVUJOIFXBTGPSDFEUPHPJOUPFYJMFBGUFSIFXBTCBOOFEGSPNUFBDIJOHCFDBVTFPGIJTPQQPTJ- tion to the government’s Bantu education policies.

DROWNING IN BLOOD :FBS-FOHUINJO %JSFDUPS%BWJE)BSSJTPO 1SPEVDUJPO$PNQBOZ##$/FXT$VSSFOU"GGBJST 4VNNBSZ"QSPHSBNNFPOUIF5SBOTWBBMUPXOTIJQDPOGSPOUBUJPOTCFUXFFO"/$BOE*OLBUIBTVQQPSUFST JODMVEJOH UIFUSBJONBTTBDSF*UBMTPSFQPSUTPOBUUFNQUTUPTUPQUIFWJPMFODF /FMTPO.BOEFMBATQVCMJDQMFBGPSQFBDF JOUFS USJCBMSBMMJFTBOEUIFQPTTJCMFJOWPMWFNFOUPGBiUIJSEGPSDFw

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt THE DUMPING GROUNDS (SERIES: WORLD IN ACTION) :FBS-FOHUINJO %JSFDUPS+PIO4IFQIFSE Production Company: Granada Television Summary: Television documentary on the human cost of forced removals, with comments from doctors working in the ,XB;VMVIPNFMBOEBOEJOUIF,VSVNBOSFHJPOPGUIF/PSUIFSO$BQF"EEJUJPOBMDPNNFOUTDPNFGSPN'S$PTNPT %FTNPOE XIPEFTDSJCFTUIFBQQBMMJOHMJWJOHDPOEJUJPOTJOUIFTFBSFBT

DURBAN: A CITY PLANNED BY APARTHEID :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE 1SPEVDUJPO$PNQBOZ"VEJP7JTVBM"MUFSOBUJWFT 6OJWFSTJUZJG/BUBMGPS*%"4" 4VNNBSZ.BEFGPS*%"4"BTBOJOUSPEVDUJPOUPUIBUPSHBOJTBUJPOTSFHVMBSUPVSTPGUIFUPXOTIJQTPGUIF%VSCBOBSFB this video traces the growth of the city and recounts the impact of the Group Areas Act on its inhabitants.

EAT MY CALL-UP :FBS-FOHUINJO %JSFDUPS/BBTIPO;BML 1SPEVDUJPO$PNQBOZ1JDUVSF/FU'JMNTGPS4"#$ 4VNNBSZ#FUXFFOBOE BMMZPVOH4PVUI"GSJDBOXIJUFNFOXFSFMJBCMFUPCFDPOTDSJQUFEJOUPUIF4"%' with many of them being sent to the country’s borders or into the townships. This film is structured around inter- WJFXTXJUIGPVSNFOXIPSFGVTFEUPEFGFOEUIFBQBSUIFJETUBUFBOEXFSFQSFQBSFEUPTVGGFSUIFDPOTFRVFODFT

ECHOES OF MY PAST: A PERSONAL HISTORY OF THE SHARPEVILLE MASSACRE :FBS-FOHUINJO %JSFDUPS5IBCBOH.PMJCFMJ Production Company: Thabang Molibeli Films 4VNNBSZ5IF4IBSQFWJMMFNBTTBDSFPG.BSDIstSFWFSCFSBUFEBSPVOEUIFXPSMEBOEVOJUFEUIPVTBOETPGQFPQMF PWFSTFBTBHBJOTUUIFBQBSUIFJEHPWFSONFOU:FUUPEBZZPVOHQFPQMFBSFPOMZWBHVFMZBXBSFPGXIBUIBQQFOFE*OUIJT GJMNBZPVOHXPNBOGSPNUIFBSFBTFUTPVUUPBDRVBJOUIFSTFMGXJUIUIJTNPNFOUPVTFWFOU

ELI WEINBERG, PHOTOGRAPHER / DE DONKERE KAMER VAN ELI WEINBERG :FBS-FOHUINJO %JSFDUPS3VEJ#PPO Production Company: VPRO Summary: Under the guise of a highly regarded society photographer, Latvian-born Eli Weinberg became the unofficial QIPUPHSBQIFSPGUIF"/$BOENBOZPGUIFJDPOJDQPSUSBJUTPGUIFTBOETXFSFUBLFOJOIJTTUVEJP5IJT documentary traces his life and work through the reminiscences of friends and relatives.

t4")""VEJPWJTVBM"VEJU3FQPSU END OF THE DIALOGUE: APARTHEID IN SOUTH AFRICA 1970 / PHELA-NDABA :FBS-FOHUINJO %JSFDUPS/BOB.BIPNP VD Production Company: Morena Films 4VNNBSZ4IPUDMBOEFTUJOFMZJO4PVUI"GSJDBJOCZNFNCFSTPGUIF1BO"GSJDBOJTU$POHSFTT UIJTQSFTFOUT an overview of the brutal reality of the apartheid system at the time.

EDUCATION: A BASIC HUMAN RIGHT :FBS-FOHUINJO %JSFDUPS,FWJO)BSSJT 1SPEVDUJPO$PNQBOZ,FWJO)BSSJT1SPEVDUJPOTGPS"/$&EVDBUJPO%FQBSUNFOU 4VNNBSZ$PNNJTTJPOFECZUIF&EVDBUJPO%FQBSUNFOUPGUIF"/$ UIJTWJEFPUBLFTBXJEFSBOHJOHMPPLBUUIFJTTVFT GBDJOHFEVDBUJPOJO*UQVUTNVDIPGUIFCMBNFGPSUIFDSJTJTBTQFSDFJWFEBUUIFUJNFPOUIFMFHBDZPGBQBSUIFJE

ERNEST COLE 1940-1990, PHOTO JOURNALIST :FBS-FOHUINJO %JSFDUPS+VSHFO$MBVEJB4DIBEFCFSH Production Company: Schadeberg Movie Company for e.tv Summary: Ernest Cole was one of the first photo journalists to expose the realities of life under apartheid and though his work is said not to be overtly political, he nevertheless intended it to alert the world to the injustices created by a specific political system. This programme pays tribute to his memory.

ENTHOMBE :FBS-FOHUINJO %JSFDUPS(VZ4QJMMFS Production Company: Lizardfilm Summary: The families comprising the Enthombe community have lived on a portion of the farm Saaihoek for many years. This documentary records their fight to stay on what they regard as their ancestral lands.

FACING DEATH, FACING LIFE :FBS-FOHUILJO %JSFDUPS*OHSJE(BWTIPO Production Company: Angel Films for e.tv & Humanistische Omroep 4VNNBSZ6OEFSUIFTPDBMMFEiDPNNPOQVSQPTFwDMBVTF BOVNCFSPGJOEJWJEVBMTXIPXFSFQSFTFOUXIFO JO 4IBSQFWJMMFTEFQVUZNBZPSXBTLJMMFE XFSFTFOUFODFEUPEFBUI%VNB,VNBMPTTFOUFODFXBTDPNNVUFEUPZFBST JOKBJM CVUFWFOBGUFSIFXBTSFMFBTFEJO IFGPVOEJUEJGGJDVMUUPDPNFUPUFSNTXJUIMJGF

FACING THE TRUTH, WITH BILL MOYERS :FBS-FOHUINJO %JSFDUPS(BJM1FMMFUU 1SPEVDUJPO$PNQBOZ1VCMJD"GGBJST5FMFWJTJPOGPS5IJSUFFO8/&5 Summary: The Truth & Reconciliation Commission was established to investigate human rights violations in apartheid South Africa and to give surviving victims the opportunity to share their experiences. This two-part documentary presents moments from some of the most dramatic confrontations and follows up with a number of them.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt FAITH IN RESISTANCE (SERIES: ISSUES OF FAITH) :FBS-FOHUIYNJO %JSFDUPS-FOB'BSVHJB Production Company: GBA Productions for SABC Religion 4VNNBSZ1SFTFOUFECZ4FUI.B[JCVLP BGPSNFSTUVEFOUMFBEFSBUUIFUJNFPGUIF4PXFUPVQSJTJOH UIJTTJYQBSU series takes a look at the way the anti-apartheid struggle was intertwined with spirituality, with people prompted by their conscience to become involved in what, for many, was a moral as well as a political fight.

FIELDS OF PLAY :FBS-FOHUINJO %JSFDUPS5JOB-PVJTF4NJUI 1SPEVDUJPO$PNQBOZ%JTUSJDU4JY.VTFVN $VSSFOU1IZTJDBM-PDBUJPO%JTUSJDU4JY.VTFVN %FTDSJQUJPO"NJOVUFEPDVNFOUBSZUIBUQSPWJEFTBCSJFGIJTUPSZBOEJOTJHIUJOUPUIFGBTDJOBUJOHXPSMEPGJOOFSDJUZ Cape Town soccer from the late nineteenth century through to the mid-and-late twentieth century.

FIGHT, MABHIDA FIGHT! :FBS-FOHUINJO %JSFDUPS.BSJP#PSHOFUI Production Company: Kanemo Producao e Comunicacao Summary: Moses Mhabida, the General Secretary of the South African Communist Party and Vice President of SACTU, EJFEJOFYJMFJO.P[BNCJRVFJO.BSDI5IJTGJMNJTBSFDPSEPGIJTTUBUFGVOFSBM XJUIBTQFDUTPGUIFQSPDFFEJOHT interspersed with selected archival footage of the anti-apartheid struggle.

THE FIRST ACCUSED: AN INTIMATE PORTRAIT OF NELSON MANDELA :FBS-FOHUINJO %JSFDUPS$MJGGPSE#FTUBMM Production Company: Films 2 People & Story Street Productions for Unapix Entertainment 4VNNBSZ.BEFPOUIFPDDBTJPOPG/FMTPO.BOEFMBTUFQQJOHEPXOBT1SFTJEFOUPG4PVUI"GSJDB UIJTUXPQBSUEPDV- mentary presents an overview of his life. Though it uses both archival footage and illustrative documentary material, it is structured around interviews with a wide selection of people who knew him at various stages of his life. (It was SFMFBTFEJOUIF6OJUFE4UBUFTBTi5IFMPOHXBMLPG/FMTPO.BOEFMBw

FLOWERS OF THE NATION :FBS-FOHUINJO %JSFDUPS3JOB+PPTUF Production Company: KIKA Productions for SABC 4VNNBSZ/PUBMMNFNCFSTPG6NLIPOUPXF4J[XFXFSFNFOBOEUIJTGJMNGPDVTFTPOUISFFXPNFOXIPXFSFQBSUPG MK and landed up in training camps in Tanzania and Angola. As they talk about their lives in exile, their experiences BSFDPNQBSFEUPUIPTFPGBGFNBMFFY4"%'"JS'PSDFNFNCFSXIPTFSWFEPOUIFCPSEFS

t4")""VEJPWJTVBM"VEJU3FQPSU FLOWERS OF THE REVOLUTION: DEBORAH MATSHOBA :FBS-FOHUINJO %JSFDUPST/PNPOEF(POHYFLB$MBSFODF)BNJMUPO 1SPEVDUJPO$PNQBOZ#BDLUPUIF8BMM'JMNT/BUJPOBM'JMNBOE7JEFP'PVOEBUJPO 4VNNBSZ%VSJOHUIFT %FCPSBI.BUTIPCBXBTBOFYFDVUJWFNFNCFSPG4"40 XBTBSSFTUFEBOETQFOUTPNFFJHI- teen months in solitary confinement, during which time she was also tortured. In this programme she talks about her life and her involvement in the freedom struggle.

FLOWERS OF THE REVOLUTION: FLORENCE RIBEIRO :FBS-FOHUINJO %JSFDUPST/PNPOEF(POHYFLB$MBSFODF)BNJMUPO 1SPEVDUJPO$PNQBOZ#BDLUPUIF8BMM'JMNT/BUJPOBM'JMNBOE7JEFP'PVOEBUJPO 4VNNBSZ5PHFUIFSXJUIIFSIVTCBOE %S'BCJBO3JCFJSP 'MPSFODF3JCFJSPXBTBTTBTTJOBUFECZBOBQBSUIFJEIJUTRVBE JO5IJTQSPHSBNNFUFMMTPGUIFJSXPSLBTQPMJUJDBMBDUJWJTUT.VDIPGUIFSVOOJOHUJNFJTEFWPUFEUPUIFNVS- EFSTBOEUPUIFTVCTFRVFOU53$IFBSJOHT

FLOWERS OF THE REVOLUTION: VESTA SMITH :FBS-FOHUINJO %JSFDUPST/PNPOEF(POHYFLB$MBSFODF)BNJMUPO 1SPEVDUJPO$PNQBOZ#BDLUPUIF8BMM'JMNT/BUJPOBM'JMNBOE7JEFP'PVOEBUJPO 4VNNBSZ7FTUB4NJUIXBTBOFBSMZBOUJBQBSUIFJEBDUJWJTU IBWJOHBUUFOEFEUIF$POHSFTTPGUIF1FPQMFJOBOEKPJO- JOHUIFXPNFOTNBSDIPOUIF6OJPO#VJMEJOHTJO0WFSUIFZFBSTTIFXPSLFEGPSPSHBOJTBUJPOTTVDIBTUIF 4"$$ 4"$)&%BOEUIF-FHBM3FTPVSDFT$FOUSF*OUIJTQSPGJMFTIFSFDBMMTIFSMJGFBOEXPSL

FORGOTTEN :FBS-FOHUINJO %JSFDUPS3JOB+PPTUF Production Company: KIKA Productions for SABC 4VNNBSZ8IFO BGUFS NFNCFSTPG6NLIPOUPXF4J[XFSFUVSOFEIPNF UIFZXFSFUPMEUIBUUIFZXPVMECF compensated for the sacrifices they had made. And while some have done well for themselves, many others are still struggling to make a living. This documentary focuses on three ex-MK members who relate their experiences.

FORWARD TO A PEOPLE’S REPUBLIC :FBS-FOHUINJO %JSFDUPST/PUDSFEJUFE 1SPEVDUJPO$PNQBOZ7/4 4VNNBSZ'JMNFEDMBOEFTUJOFMZCFUXFFO.BZBOE"VHVTU QSFEPNJOBOUMZJO4PXFUPBOE"MFYBOESB UIJTQSPQB- HBOEBQJFDFEFQJDUTBTQFDUTPGQPQVMBSPQQPTJUJPOUPUIF3FQVCMJD%BZDFMFCSBUJPOTBOEUIFDPOUJOVJOHSFTJTUBODF against the apartheid government.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt FREE MANDELA :FBS-FOHUINJO %JSFDUPS#BSSZ'FJOCFSH 1SPEVDUJPO$PNQBOZ*OUFSOBUJPOBM%FGFODF"JE'VOEGPS4PVUIFSO"GSJDB 4VNNBSZ5IJTGJMN DPNQJMFEGSPNGPPUBHFPCUBJOFEGSPNBWBSJFUZPGTPVSDFT XBTNBEFUPDFMFCSBUF/FMTPO.BOEFMBT th birthday, which resulted in messages of support from all over the world. A large gathering took place in Hyde Park and Wembley Stadium was the site of one of the greatest concerts ever.

FREEDOM BEAT :FBS-FOHUINJO %JSFDUPS$IBSMFT.D%PVHBMM Production Company: Clapham Common Productions 4VNNBSZ"SFDPSEPGPOFPGUIFCJHBOUJBQBSUIFJEDPODFSUTUIBUXFSFIFMEEVSJOHUIFT0SHBOJTFECZ""" PS "SUJTUT"HBJOTU"QBSUIFJE JUXBTTUBHFEPO$MBQIBN$PNNPOPO+VOFthBOEESFXBOFTUJNBUFE people. The line-up included top names like Sade, Elvis Costello, Peter Gabriel and Hugh Masekela.

FREEDOM IN OUR LIFETIME :FBS-FOHUINJO %JSFDUPS4UFWF:PSL 1SPEVDUJPO$PNQBOZ:PSL;JNNFSNBO*OD8&5" 4VNNBSZ"OFQJTPEFJOBTJYQBSUTFSJFTFOUJUMFEi"GPSDFNPSFQPXFSGVMw UIJTEFBMTXJUIUIF&BTUFSO$BQFJOUIF T XIFSFZPVUIMFBEFS.LIVTFMJ+BDLFNFSHFEBUUIFGPSFGSPOUPGBNBTTJWFDPOTVNFSCPZDPUUEFTJHOFEUPCSJOH pressure on white-owned business interests to persuade the government to accede to black demands.

FREEDOM IS A PERSONAL JOURNEY :FBS-FOHUINJO %JSFDUPS"LJFEBI.PIBNFE 1SPEVDUJPO$PNQBOZ.BYJ%57 Summary: This documentary focuses on two women who landed in prison for very different reasons. The first is Mir- iam Benjamin, who more or less wandered into a life of petty crime, while the other is Gertrude Fester, a political activist from an early age, who was one of the people charged during the so-called Rainbow Trial.

FREEDOM SQUARE AND BACK OF THE MOON :FBS-FOHUINJO %JSFDUPST8JMMJBN,FOUSJEHF"OHVT(JCTPO 1SPEVDUJPO$PNQBOZ*OUIFTBOET 4PQIJBUPXO BCMBDLGSFFIPMEPOUIFPVUTLJSUTPG+PIBOOFTCVSH XBTUIF centre of a vibrant cultural and political world. This film sketches a portrait of life in Sophiatown against the background of the newly elected government’s apartheid policies.

t4")""VEJPWJTVBM"VEJU3FQPSU FREEDOM WAS NOT FREE! :FBS-FOHUINJO %JSFDUPS4J[XF/EV[VMXBOB 1SPEVDUJPO$PNQBOZ.JTGJU1JDUV[%JOJ.FEJB5FDIOPMPHJFT 4VNNBSZ5IJTEPDVNFOUBSZEFBMTXJUIUIFQPMJUJDBMTJUVBUJPOJOUIF&BTUFSO$BQFEVSJOHUIFTBOEGPDVTFTQSJ- NBSJMZPOUXPGJHVSFT .LIVTFMJ+BDL UIFGPSNFSMFBEFSPGUIF1PSU&MJ[BCFUI:PVUI$POHSFTTBOE/FMWJT2FLFNBPG ";"105IFZUFMMPGUIFJSFYQFSJFODFTBOEUIFJTTVFTUIBUPDDVQJFEQFPQMFEVSJOHUIPTFEBZT

FRUITS OF DEFIANCE :FBS-FOHUINJO %JSFDUPST#SJBO5JMMFZ0MJWFS4DINJU[ 1SPEVDUJPO$PNQBOZ7/4 4VNNBSZ4IPUJOBOEBSPVOE$BQF5PXOEVSJOHUIFXFFLTCFGPSFBOEBGUFSUIF(FOFSBM&MFDUJPOPGUI4FQUFNCFS UIJTWJEFPEFQJDUTUIFQPMJUJDBMFWFOUTPGUIJTQFSJPECZSFMBUJOHUIFNUPUIFXPSLJOHDMBTTBSFBPG.BOFOCFSH on the Cape Flats.

GENERATIONS OF RESISTANCE :FBS-FOHUINJO %JSFDUPS1FUFS%BWJT 1SPEVDUJPO$PNQBOZ6OJUFE/BUJPOT5FMFWJTJPO Summary: Using archival and newsreel footage intercut with interviews with political activists, this film highlights the SFTJTUBODFUPXIJUFDPMPOJBMJTNBOEBQBSUIFJEJO4PVUI"GSJDBPWFSBQFSJPEPGTPNFZFBST

GEORGE PEMBA: PAINTER OF THE PEOPLE :FBS-FOHUINJO %JSFDUPS#BSSZ'FJOCFSH Production Company: Mayibuye Centre 4VNNBSZ#PSOJO1PSU&MJ[BCFUIJO (FPSHF1FNCBXBTPOFPGNBOZCMBDLBSUJTUTXIPXFSFNBSHJOBMJTFECZ apartheid. This film presents a representative selection of the painter’s work, with the artist himself providing information concerning his life and artistic career.

GOD BLESS AFRICA (SERIES) :FBS-FOHUIYNJO %JSFDUPS-FTMFZ-BXTPO Production Company: Storyline Productions & Phakathi Films for SABC3 Summary: A three-part series that takes a look at the role of the mission churches in Africa, of which the third episode, i%JWJTJPOTw EFBMTXJUIUIFJSDMBTIFTXJUIUIF/BUJPOBM1BSUZHPWFSONFOU QBSUJDVMBSMZPWFSUIF#BOUV&EVDBUJPO"DU and the Group Areas Act, and their increasing involvement in the anti-apartheid struggle.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt GOING FOR SPARROWS WITH A MACHINE GUN :FBS-FOHUINJO 'JMNNBLFST3PCZO#FSOTUFJO +BSFE#PSLVN /JOB+BDPCTPO.POEF/LBTBXF 1SPEVDUJPO$PNQBOZ%FQBSUNFOUPG)JTUPSZ 6OJWFSTJUZPG$BQF5PXO 4VNNBSZ*OUIFMBUFTJYUJFTBOEFBSMZTFWFOUJFT UIF/BUJPOBM6OJPOPG4PVUI"GSJDBO4UVEFOUT /64"4 CFDBNFB UIPSOJOUIFTJEFPGUIF/BUJPOBM1BSUZ-BSHFMZCBTFEPOJOUFSWJFXTXJUIFYTUVEFOUMFBEFSTBOEPUIFST UIJTGJMN focuses on these years of political activism and highlights some of the issues of the day

GOLDWIDOWS :FBS-FOHUINJO %JSFDUPST%PO&ELJOT 6UF)PMM.JDIBFM4DIM¤NFS Production Company: Medienwerkstatt Freiburg Summary: German-made documentary that portrays the impact of the migratory labour system through the lives of Lesotho women whose men work as migrant labourers in the goldmines of South Africa.

GROWING UNDER APARTHEID’S FEET: FOUR FILMS FROM SOUTH AFRICA :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE Production Company: Afravision 4VNNBSZ5IJTDPNQJMBUJPODPOTJTUTPGGPVSTIPSUGJMNTTIPUEVSJOH BQFSJPEXIFO4PVUI"GSJDBOTMJWFEVOEFS B4UBUFPG&NFSHFODZ5IFZBSFi$IBMMFOHFUPUIFDIVSDIFTw NJO i.BZ%BZw NJO i5IJTSFQPSUIBTCFFO DFOTPSFEw NJO BOEi8PNFOBXBLF NJO

THE GUGULETU SEVEN :FBS-FOHUINJO %JSFDUPS-JOEZ8JMTPO Production Company: Lindy Wilson Productions Summary: On 3rd.BSDI BQPMJDFEFUBDINFOUTIPUBOELJMMFETFWFOZPVOHNFOJO(VHVMFUV $BQF5PXO"DDPSE- JOHUPUIFBVUIPSJUJFT UIFWJDUJNTXFSF"/$DBESFTXIPIBEQMBOOFEUPBNCVTIBQPMJDFCVT5IJTGJMNQSFTFOUTB detailed account of the event and of the investigative process that brought the truth to light.

HAVE YOU HEARD FROM JOHANNESBURG? :FBS %JSFDUPS$POOJF'JFME Production Company: Clarity Films %FTDSJQUJPO5IFTFWFOQBSUTFSJFTQVMMTUPHFUIFSWBSJPVTFMFNFOUTPGUIFJOUFSOBUJPOBMBOUJBQBSUIFJENPWFNFOU BOE includes interviews conducted in twelve countries, and over the course of three decades, which highlight the legacy of the liberation struggle.

The series includes:

/BNF30"%503&4*45"/$& %FTDSJQUJPO"TUIF6/BEPQUTUIF%FDMBSBUJPOPG)VNBO3JHIUT 4PVUI"GSJDBIFBETJOUIFPQQPTJUFEJSFDUJPOBOE JNQMFNFOUTBQBSUIFJE"NBTTNPWFNFOUJTCPSO UIFODSVTIFE BOE/FMTPO.BOEFMBJTKBJMFEGPSMJGF

t4")""VEJPWJTVBM"VEJU3FQPSU /BNF)&--0'"+0# %FTDSJQUJPO5IFGVUVSFPGUIFNPWFNFOUJTPOUIFTIPVMEFSTPG0MJWFS5BNCP XIPFTDBQFTJOUPFYJMFBOECFHJOTB year journey to engage the world in the struggle to bring democracy to South Africa.

/BNF5)&/&8(&/&3"5*0/ %FTDSJQUJPO:PVUIJO4PVUI"GSJDBBOEBSPVOEUIFXPSMEBSFOFYUUPKPJOUIFHSPXJOHNPWFNFOUBHBJOTUBQBSUIFJE BOE the brutal suppression of a youth uprising in Soweto galvanizes public support for sanctions against South Africa.

/BNF'"*31-": %FTDSJQUJPO"UIMFUFTBOEBDUJWJTUTBSPVOEUIFXPSMEIJUXIJUF4PVUI"GSJDBXIFSFJUIVSUTPOUIFQMBZJOHGJFME5IF sports boycott pushes apartheid South Africa out of international sporting competitions, isolating it in an area of passionate importance.

/BNF'30.4&-."50408&50 QSFWJPVTMZ"1"35)&*%"/%5)&$-6#0'5)&8&45 %FTDSJQUJPO"GSJDBO"NFSJDBOTBMUFS64GPSFJHOQPMJDZGPSUIFGJSTUUJNFJOIJTUPSZ TVDDFTTGVMMZQSFTTVSJOHUIF64UP impose sanctions and politically isolate Pretoria.

/BNF5)Ȧ.-*/& %FTDSJQUJPO*OUFSOBUJPOBMHSBTTSPPUTDBNQBJHOTBHBJOTU1PMBSPJE 4IFMM #BSDMBZT (FOFSBM.PUPSTBOEPUIFSTEPJOH business in South Africa economically isolate the apartheid regime and become the first successful effort to use economic pressure to help bring down a government.

/BNF'3&&"5-"45 %FTDSJQUJPO"OVQSJTJOHJO4PVUI"GSJDBCFDPNFTUIFGJOBMCMPXJOUIFDVNVMBUJWFXPSMEFGGPSUUPUPQQMFBQBSUIFJE /FMTPO.BOEFMBCFDPNFTBIPVTFIPMEOBNFBTUIFDBNQBJHOUPGSFFIJNJHOJUFTBXPSMEXJEFDSVTBEF

HAVE YOU SEEN DRUM RECENTLY? :FBS-FOHUINJO %JSFDUPS+VSHFO4DIBEFCFSH Production Company: Bailey’s African Photo Archives Summary: This film uses a wealth of still photographs from Bailey’s African Photo Archives to recall black urban life in UIFGJGUJFTBTQSFTFOUFEJOUIFQBHFTPG%SVNNBHB[JOF*OUIFQSPDFTTJUBMTPIJHIMJHIUTQPMJUJDBMJTTVFTPGUIFUJNF JODMVEJOHUIF%FGJBODF$BNQBJHOPGBOEUIF$POHSFTTPGUIF1FPQMFJO

HEART AND STONE :FBS-FOHUINJO %JSFDUPS#SJEHFU5IPNQTPO Production Company: Tomas Films 4VNNBSZ#PSOJOUPB5SBOTLFJQFBTBOUGBNJMZ (PWBO.CFLJXBTBTUBMXBSUPGUIF"GSJDBO/BUJPOBM$POHSFTTGPSNBOZ years. This film presents an overview of his life and alternates his conversations with the filmmaker with two cross- cutting narratives, the first a visit to Robben Island and the second a return to his rural origins.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt HERE BE DRAGONS :FBS-FOHUINJO %JSFDUPS0EFUUF(FMEFOIVZT Producers: Odette Geldenhuys / Catharina Weinek %FTDSJQUJPO5IJTNJOVUFGJMNPOIVNBOSJHIUTBEWPDBUF(FPSHF#J[PTJTBOJNQPSUBOUEPDVNFOUPGBWFSZGVMMMJGF and it takes us on the emotional, personal and political journey of one of South Africa’s greatest jurists.

HELEN SUZMAN: ANTI APARTHEID CAMPAIGNER :FBS-FOHUINJO %JSFDUPS*OHSJE(BWTIPO Production Company: Angel Films for Kaplan Kushlick Foundation 4VNNBSZ#FUXFFOBOE )FMFO4V[NBOXBTUIFPOMZMJCFSBMWPJDFJO4PVUI"GSJDBTQBSMJBNFOU5IJTGJMN structured around an interview with her, recalls some of the issues she raised over a political career that lasted thirty- seven years.

HISTORY UNCUT (SERIES) :FBS-FOHUIYNJO %JSFDUPST#SJBO5JMMFZ-BVSFODF%XPSLJO Production Company: Afravision 4VNNBSZ%VSJOHUIFT BHSPVQPG4PVUI"GSJDBOGJMNNBLFSTGPSNFEUIF7/4"GSBWJTJPOWJEFPDPMMFDUJWF*OJUJBMMZ operating anonymously, they documented various aspects of the anti-apartheid struggle. A selection of this material IBTTVCTFRVFOUMZCFFOPSHBOJTFEJOUPBUIJSUFFOQBSUTFSJFT

HLANGANINI: A SHORT HISTORY OF COSATU :FBS-FOHUINJO %JSFDUPST#SJBO5JMMFZ0MJWFS4DINJU[ 1SPEVDUJPO$PNQBOZ7/4 4VNNBSZ4UBSUJOHXJUIUIF%VSCBOTUSJLFTPGBOEUIFGPVOEJOHPG'04"56BGFXZFBSTMBUFS UIFWJEFPUSBDFTUIF history of the progressive trade union movement in South Africa, culminating in the launch of COSATU and the scrapping of the Labour Relations Amendment Act.

HORSEMAN MANIE RIDES TO DEFEAT :FBS-FOHUINJO %JSFDUPS#FBUB-JQNBO Production Company: Free Filmmakers 4VNNBSZ'JMNFEEVSJOHUIFSFGFSFOEVNDBNQBJHO UIJTQSPHSBNNFGPDVTFTBUMFBTUQBSUMZPO.BSJF.BSJU[ B former wrestling champion and a prominent opponent of the government’s dismantling of its apartheid policies.

IF GOD BE FOR US… :FBS-FOHUINJO %JSFDUPS,FWJO)BSSJT Production Company: Kevin Harris Productions for South African Council of Churches 4VNNBSZ.BEFJO UIJTGJMNEFBMTXJUIUIFXPSLDBSSJFEPVUCZUIF4PVUI"GSJDBO$PVODJMPG$IVSDIFTBOEWJTJUT different parts of the country to illustrate its involvement in a variety of projects. It is especially concerned with al- leviating the impact of the government’s apartheid policies, which it regards as sinful and unjust.

t4")""VEJPWJTVBM"VEJU3FQPSU IF TRUTH BE TOLD… (SERIES: ORDINARY PEOPLE) :FBS-FOHUINJO %JSFDUPS%BWJE+BNNZ Production Company: Mail & Guardian Television for SABC Summary: Prior to the Truth & Reconciliation Commission’s first sitting, a number of victims and their families got together to establish an organisation that would prepare them for the hearings. This programme talks to three people who joined the Khulumani Support Group.

IMAGES IN STRUGGLE: SOUTH AFRICAN PHOTOGRAPHERS SPEAK :FBS-FOHUINJO %JSFDUPS#BSSZ'FJOCFSH 1SPEVDUJPO$PNQBOZ*OUFSOBUJPOBM%FGFODF"JE'VOEGPS4PVUIFSO"GSJDB Summary: South African photographers have contributed much to conveying the reality of apartheid to the outside XPSME*OUIJTWJEFP3BTIJE-PNCBSE 0NBS#BETIB 4BOUV.PGPLFOH ;VCFJEB7BMMJF $FESJD/VOO 1BVM8FJOCFSH and Lesley Lawson talk about their work and aspirations.

IMBABAZANE: THE LIFE AND TIMES OF MANGOSUTHU BUTHELEZI :FBS-FOHUINJO %JSFDUPS%BMJ5BNCP Production Company: Southern Streams for SABC Summary: This two-part programme combines limited reconstructions, archival footage and interviews with academics and others to present an overview of the life and political career of Mangosuthu Buthelezi, including the rebirth of *OLBUIBJOBOEUIFBOJNPTJUZCFUXFFOJUBOEUIF6%'CFUXFFOBOE

IN DARKEST HOLLYWOOD: CINEMA AND APARTHEID :FBS-FOHUINJO 1SPEVDFST1FUFS%BWJT%BOJFM3JFTFOGFME 1SPEVDUJPO$PNQBOZ/JHIUJOHBMF'JMNT Summary: A wide-ranging documentary that takes a look at certain issues relating to the South African film-going ex- QFSJFODFEVSJOHUIFBQBSUIFJEFSB#FHJOOJOHXJUIUIFQFSJPEJNNFEJBUFMZBGUFSUIF/BUJPOBM1BSUZDBNFUPQPXFS JU includes extracts from many films, as well as interviews with a number of directors, actors and scriptwriters.

IN THE DOCK :FBS-FOHUINJO %JSFDUPS,FWJO)BSSJT 1SPEVDUJPO$PNQBOZ,FWJO)BSSJT1SPEVDUJPOTGPS4"#$ 4VNNBSZ#FDBVTF JO"VHVTUIFIBETIPUGPPUBHFPGBQSPUFTUNFFUJOHBUBDIVSDIJO4IBSQFWJMMF ,FWJO)BSSJT FWFOUVBMMZGPVOEIJNTFMGJODPVSUBTBXJUOFTTGPSUIFEFGFODFEVSJOHUIFTPDBMMFE%FMNBT5SFBTPO5SJBM*OUIJT personal film the director traces his life to describe how he came to this point.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt IN THE NAME OF MANDELA: WAR AND PEACE :FBSNJO %JSFDUPS+VSHFO4DIBEFCFSH 1SPEVDUJPO$PNQBOZ"EBHF/FXT Summary: An overview of South Africa’s political history during the 20th century, with an emphasis on the role of the "GSJDBO/BUJPOBM$POHSFTT6TJOHBSDIJWBMGPPUBHFBOETUJMMQIPUPHSBQIT JUIJHIMJHIUTWBSJPVTLFZFWFOUTPWFSUIF ZFBST DVMNJOBUJOHJOUIFSFMFBTFPGBOVNCFSPGMPOHUFSNQPMJUJDBMQSJTPOFSTJO 6QEBUFEBOESFMFBTFEPO WJEFPVOEFSUIFUJUMFi/FMTPO.BOEFMBBOEUIFSJTFPGUIF"/$w

THE INAUGURATION :FBSNJO 1SPEVDFS*OB+PVCFSU 1SPEVDUJPO$PNQBOZ5/1GPS4"#$ 4VNNBSZ"OFEJUFEWFSTJPOPGUIFEBZMPOHBDUJWJUJFTPOth.BZ UIFEBUF/FMTPO.BOEFMBXBTJOBVHVSBUFEBT the first democratically elected President of South Africa, as originally broadcast by the SABC.

INSIMBI AYIGOBI: A HISTORY OF THE NATIONAL UNION OF METALWORKERS OF S.A. :FBS-FOHUINJO %JSFDUPS/ZBOB.PMFUF 1SPEVDUJPO$PNQBOZ"GSBWJTJPOGPS/6.4"&EVDBUJPO3FTFBSDI%FQBSUNFOU 4VNNBSZ5IF/BUJPOBM6OJPOPG.FUBMXPSLFSTPG4PVUI"GSJDBJTPOFPGUIFMBSHFTUUSBEFVOJPOTJOUIFDPVOUSZBOEB powerful voice within COSATU. This video traces its growth over the years, from the coming together of a number PGTNBMMFSVOJPOTUPJUT/BUJPOBM$POHSFTTPG+VMZ

IQABA / HARDBALL: THE HISTORY OF BLACK CRICKET IN SOUTH AFRICA (SERIES) :FBS-FOHUINJO %JSFDUPS+VOBJE"INFE Production Company: Fineline Productions for Primedia Pictures & UCB 4VNNBSZ5IJTIJTUPSZPGCMBDLDSJDLFUJO4PVUI"GSJDBDPWFSTTPNFZFBSTPGUIFHBNF TUBSUJOHXJUIJUDPMPOJBM beginnings and ending with the founding of the United Cricket Board. It shows how, throughout the years, politics influenced the game and, like other sports, cricket became part of the anti-apartheid struggle.

ISITWALANDWE: THE STORY OF THE SOUTH AFRICAN ‘FREEDOM CHARTER’ TOLD BY THOSE WHO STRUGGLE FOR IT :FBS-FOHUINJO %JSFDUPS#BSSZ'FJOCFSH 1SPEVDUJPO$PNQBOZ*OUFSOBUJPOBM%FGFODFBOE"JE'VOEGPS4PVUIFSO"GSJDB Summary: On 25thBOEth+VOF TPNF EFMFHBUFTGSPNBMMPWFS4PVUI"GSJDBDBNFUPHFUIFSBU,MJQUPXOGPS the Congress of the People. The culmination of the event was the adoption of the Freedom Charter, an occasion recalled by a number of people who were present at the time.

t4")""VEJPWJTVBM"VEJU3FQPSU THE ISLAND & THE APPLE BOX :FBS-FOHUINJO %JSFDUPST4IBSPO'BSS-FF0UUFO VODSFEJUFE Production Company: Shoot the Breeze Productions for Robben Island Museum 4VNNBSZi5IFJTMBOEBOEUIFBQQMFCPYwJTBQMBZBCPVUUIFMJCFSBUJPOTUSVHHMF BTXFMMBTBIJTUPSZPG3PCCFO*TMBOE designed for presentation to school children everywhere. The video is a straightforward record of the play, with a NJOVUFTFRVFODFEVSJOHXIJDI-JPOFM%BWJTBOTXFSTUIFNPTUGSFRVFOUMZBTLFERVFTUJPOT

JAMES MANGE: THE MAN WHO SHOOK PRETORIA :FBS-FOHUINJO %JSFDUPS7BVHIBO(JPTF Production Company: Rainbow Circle Films for SABC 4VNNBSZ+BNFT.BOHFXBTPOFPGUIFNBOZQFPQMFXIPXFOUJOUPFYJMFGPMMPXJOHUIF4PXFUPVQSJTJOHPG5IFSF he joined Umkhonto we Sizwe, but was arrested soon after his return and was sent to Robben Island, where he be- DBNFB3BTUBGBSJBO3FMFBTFEJO UIJTGJMNGPMMPXTCPUIIJTQPMJUJDBMMJGFBOEIJTNVTJDBMDBSFFS

JAMES PHILLIPS: FAMOUS FOR NOT BEING FAMOUS :FBS-FOHUINJO %JSFDUPST-MPZE3PTT3PCCJF5IPSQF 1SPEVDUJPO$PNQBOZ /PUDSFEJUFE GPS4"#$ 4VNNBSZ+BNFT1IJMMJQTXBTBNVTJDJBOBOEDPNQPTFSXIP EVSJOHUIFFJHIUJFT XBTSFHBSEFEBTUIFWPJDFBOEDPO- science of a generation of apartheid-era white South Africans. His refusal to compromise, together with his opposition to the political dispensation, made commercial success unlikely, but he developed a cult following.

JOE SEREMANE: NO MAN’S MAN :FBS-FOHUINJO %JSFDUPS)FOOJF4FSGPOUFJO Production Company: Fokus Suid for SABC 4VNNBSZ+PF4FSFNBOFHSFXVQEVSJOHUIFGJSTUZFBSTPGBQBSUIFJEBOEKPJOFEUIFOFXMZGPSNFE1BO"GSJDBOJTU$PO- HSFTTJO%FTQJUFIJTFYQFSJFODFTJOKBJM IFFWFOUVBMMZCFDBNFBOBEWPDBUFPGSFDPODJMJBUJPOBOEKPJOFEUIF South African Council of Churches. In this film he traces his political evolvement.

A JOURNEY BACK :FBS-FOHUINJO %JSFDUPST;JO[J,VMV5BNBSB4FNFWTLZ 1SPEVDUJPO$PNQBOZ;JO[J,VMV1SPEVDUJPOT Summary: Many of the individuals who were incarcerated on Robben Island were leaders of liberation movements and BGUFSBCSJFGJOUSPEVDUJPOUPUIFQSJTPOTIJTUPSZ UIJTGJMNBDDPNQBOJFT1SFTJEFOU/FMTPO.BOEFMB %S/FWJMMF"MFY- BOEFS %S/DIBVQF.PLPBQFBOE"EW%JLHBOH.PTFOFLFBTUIFZSFUVSOUPUIFJTMBOEBTGSFFNFO

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt JUST AN INCH AWAY :FBS-FOHUINJO %JSFDUPS"OESFX#FUIFMM 1SPEVDUJPO$PNQBOZ%PVCMF&YQPTVSFGPS$IBOOFM 4VNNBSZ*O"QSJM EVSJOHUIFQSFWBJMJOH4UBUFPG&NFSHFODZ GPVSZPVOHQFPQMFGSPN(SFBU#SJUBJOWJTJUFE4PVUI "GSJDBUPFYQFSJFODFBQBSUIFJEBUGJSTUIBOE5IJTEPDVNFOUBSZWJTJUTUIFNXJUIUIFJSIPTUGBNJMJFTJO+PIBOOFTCVSH /PSUIBOE4PXFUPSFTQFDUJWFMZBOESFDPSETUIFJSSFBDUJPOTUPUIFDPOUSBTUTUIFZGJOE

KATUTURA :FBS-FOHUINJO %JSFDUPS6MSJDI4DIXFJ[FS Production Company: Protestant Churches and Missions of Switzerland Summary: One of the first documentaries to give overseas audiences an idea of what it was like for black South Africans to live under apartheid, this presents an overview of the impact of strict racial segregation.

KHULUMANI / SPEAK OUT :FBS-FOHUINJO %JSFDUPS)FOJPO)BO Production Company: The TRC was created to deal with human rights abuses that occurred during the apartheid era. To prepare themselves for the hearings, a number of victims and their families founded the Khulumani Support Group. This video provides an introduction to its functioning and the reasons for its existence.

KHUTSONG: DEMOCRACY 101 :FBS-FOHUINJO %JSFDUPS/BNJ.IMPOHP %FTDSJQUJPO5IJTGJGUFFONJOVUFEPDVNFOUBSZJOWPMWFTJOUFSWJFXTXJUI1SPGFTTPS"EBN)BCJCBOESFTJEFOUTPG,IVU- TPOH XIFSFUIFZDPOTJEFS4PVUI"GSJDBTTVDDFTTFTBOEGBJMVSFTBTBEFNPDSBDZZFBSTBGUFSUIFMJCFSBUJPOTUSVHHMF was won.

KILLER OR HEALER (SERIES: ENCOUNTERS) :FBS-FOHUINJO %JSFDUPS*OHSJE(BWTIPO Production Company: Free Filmmakers 4VNNBSZ5IJTQSPHSBNNFWJTJUTUIFBSFBPG$MFSNPOUJO,XB;VMV/BUBM XIFSF JO BTFSJFTPGQPMJUJDBMNVSEFST XFSFDPNNJUUFE0OFPGUIPTFJNQMJDBUFEXBT4BNVFM+BNJMF BGPSNFS%FQVUZ.JOJTUFSPGUIF*OUFSJPSJOUIF1SP- vincial Government and a member of Inkatha’s Central Committee.

KILLING A DREAM :FBS-FOHUINJO %JSFDUPST"OEFST/JMTTPO(VOJMMB"LFTTPO Production Company: SVT2 4VNNBSZ'SPN TJYZFBSTBGUFS.P[BNCJRVFHBJOFEJUTJOEFQFOEFODF 4PVUI"GSJDBFNCBSLFEVQPOBDBNQBJHO UPEFTUBCJMJTFUIFDPVOUSZXIPTFBUUFNQUTUPFTUBCMJTIBNPSFFRVJUBCMFTPDJFUZJUTBXBTBUISFBUUPJUTSBDJBMQPMJDJFT at home. This Swedish-made film gathers evidence of the destruction wrought.

t4")""VEJPWJTVBM"VEJU3FQPSU KLIPTOWN (SERIES: THE HEART OF SOWETO) :FBS-FOHUINJO %JSFDUPS)B[FM$IBOEMFS 1SPEVDUJPO$PNQBOZ%PVCMF&YQPTVSFGPS##$1FCCMF.JMM 4VNNBSZ,MJQUPXO OFBS+PIBOOFTCVSH JTCFTULOPXOBTUIFQMBDFXIFSF JO UIF'SFFEPN$IBSUFSXBTMBVODIFE 1BSUPGHSFBUFS4PXFUP JUJTBMTPUIFTJUFPGBMBSHFJMMFHBMTRVBUUFSDBNQUIBUIBTBQQSPYJNBUFMZ JOIBCJUBOUT This programme visits the area, where people’s shacks are regularly bulldozed by the authorities.

THE KNITTING NEEDLES GUERRILLAS: FATIGUES ON FIRE :FBS-FOHUINJO %JSFDUPS4FUMPHPMB/PBI5IPLF 1SPEVDUJPO$PNQBOZ"GUFSUIF4PXFUPVQSJTJOHPG IVOESFETPGZPVOHQFPQMFMFGU4PVUI"GSJDBUPQMBZUIFJSQBSU in the armed struggle. This documentary deals with the experiences of six women who underwent military training in Angola and traces what became of them after they returned from exile.

LAKUTSHON ‘ILANGA :FBS-FOHUINJO %JSFDUPS,FWJO)BSSJT Production Company: Kevin Harris Productions 4VNNBSZi-BLVUTIPOAJMBOHBw i4FUUJOHTVOw CZ.PUIPCJ.VUMPBUTFJTBQSPUFTUQMBZXIJDI BNPOHTUPUIFSUIJOHT encourages national unity, promotes cultural identity and pays tribute to all those who played pivotal roles in the liberation struggle. The video presents extracts and includes an interview with the author.

LAND AFFAIRS (SERIES: ORDINARY PEOPLE) :FBS-FOHUINJO %JSFDUPS(VZ4QJMMFS Production Company: Weekly Mail Television for SABC 4VNNBSZ4JODF XIFOUIFTZTUFNPGMBCPVSUFOBODZXBTBCPMJTIFE UFOTPGUIPVTBOETPGCMBDLMBCPVSFSTBOEUIFJS families have been evicted from the white-owned farms on which they have lived and worked for generations. This QSPHSBNNFEFBMTXJUIBMBOEEJTQVUFJOUIFEJTUSJDUPG8FFOFOJO,XB;VMV/BUBM

THE LAST DOMINO :FBS-FOHUINJO %JSFDUPS"M+7FOUFS Production Company: Ashanti International Films 4VNNBSZ8IFOUIJTEPDVNFOUBSZXBTNBEF UIFXBSPOUIFCPSEFSCFUXFFO4PVUI8FTU"GSJDB/BNJCJBBOE"OHPMB had been going for eighteen years. Filmed entirely from the South African point of view, it discusses the conduct of UIFXBSBOEBDDPNQBOJFTUIF4"%'POBTUSJLFJOUPFOFNZUFSSJUPSZ

LAST GRAVE AT DIMBAZA :FBS-FOHUINJO %JSFDUPS/BOB.BIPNP Production Company: Morena Films Summary: Shot illegally in the mid-seventies, this film set out to illustrate the reality of what the country’s official BQBSUIFJEQPMJDZNFBOUUPCMBDL4PVUI"GSJDBOT%JTDVTTFEJOTPNFEFUBJMBSFUIFIPNFMBOETZTUFN KPCSFTFSWBUJPO influx control and forced removals. 5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt LAST SUPPER IN HORTSLEY STREET :FBS-FOHUINJO %JSFDUPS-JOEZ8JMTPO Production Company: Lindy Wilson Productions Summary: On 2nd'FCSVBSZ BHPWFSONFOUHB[FUUFQSPDMBJNFE$BQF5PXOT%JTUSJDU4JYBXIJUFHSPVQBSFB BTB SFTVMUPGXIJDITPNF QFPQMFXFSFGPSDJCMZSFNPWFE5IJTGJMNGPDVTFTPOUIFFYQFSJFODFTPGPOF.VTMJN family, who were amongst the last to leave.

LAUNCH ANC WOMEN’S LEAGUE :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE 1SPEVDUJPO$PNQBOZ"VEJP7JTVBM"MUFSOBUJWFT $VMUVSFBOE8PSLJOH-JGF1SPKFDU/07"8 4VNNBSZ*O"VHVTU EFMFHBUFTHBUIFSFEBU$VSSJFT'PVOUBJOJO%VSCBOUPBUUFOEUIFSFMBVODIPGUIF"/$T 8PNFOT-FBHVF5IJTWJEFP TIPUCZGPVSDBNFSBDSFXTPSHBOJTFECZUIF/BUBM0SHBOJTBUJPOPG7JEFPBOE"MMJFE Workers, consists of footage shot at the proceedings.

LAW AND FREEDOM: PART 1, WHO WAS MRS. KOMANI? :FBS-FOHUINJO %JSFDUPS;BDLJF"DINBU Production Company: Idol Pictures for CHMT 4VNNBSZi-BXBOEGSFFEPNwJTBUXPQBSUTFSJFTJOXIJDI;BDLJF"DINBUQSPWJEFTBOJOUSPEVDUJPOUPBOVNCFSPG cases in which the courts expanded the boundaries of human freedom. This first episode focuses, amongst others, on Komani vs. the Bantu Administration Board, which was to lead to the collapse of the pass law system.

THE LAWYER, THE FARMER & THE CLERK (SERIES: ORDINARY PEOPLE) :FBS-FOHUINJO %JSFDUPS$MJGGPSE#FTUBMM Production Company: Weekly Mail Television for SABC Summary: On 25th+VOF UIF"8#VTFEBWFIJDMFUPCSFBLUISPVHIUIFIFBWZHMBTTEPPSTPGUIFCVJMEJOHXIFSFOF- gotiations concerning the future of the country were in progress and occupied part of the premises. This programme documents the events of the day as seen through the eyes of three individuals.

THE LEADER, HIS DRIVER AND THE DRIVER’S WIFE :FBS-FOHUINJO %JSFDUPS/JDL#SPPNGJFME 1SPEVDUJPO$PNQBOZ-BGBZFUUF'JMNGPS$IBOOFM 4VNNBSZ*O XIJMFWJTJUJOH4PVUI"GSJDB #SJUJTIGJMNNBLFS/JDL#SPPNGJFMEUSJFTUPPCUBJOBOJOUFSWJFXXJUIUIF leader of the AWB, Eugene Terre’blanche. While waiting to hear from him, Broomfield and his crew attend AWB BDUJWJUJFTBOECFDPNFGSJFOEMZXJUI5FSSFCMBODIFTESJWFS +1.FZFS BOEIJTXJGF "OJUB

t4")""VEJPWJTVBM"VEJU3FQPSU LEMBEDE :FBS-FOHUINJO %JSFDUPS/JSWBOB4JOHI 1SPEVDUJPO$PNQBOZ6IVSV1SPEVDUJPOT8IPMJTUJD1SPEVDUJPOTGPS4"#$ 4VNNBSZ)BEIFMJWFE "OUPO-FNCFEF XPVMEIBWFCFFOPOFPG4PVUI"GSJDBTNPTUQSPNJOFOUQPMJUJ- DJBOT0OFPGUIFGPVOEFSTPGUIF"/$:PVUI-FBHVF IFCFDBNFJUTGJSTUQSFTJEFOU5IJTGJMNFYBNJOFTIJTDPOUSJCV- tion to the cause of freedom, from his youth as a farm labourer to his sudden death at the age of 33.

LET MY PEOPLE GO :FBS-FOHUINJO %JSFDUPS+PIO,SJTI 1SPEVDUJPO$PNQBOZ/PUDSFEJUFE Summary: Released the year after the Sharpeville massacre, this is one of the first anti-apartheid films to have been made in Great Britain. It employs a combination of newsreel footage and re-enactments to illustrate the effect of the apartheid laws.

THE LIBERAL AND THE PIRATE :FBS-FOHUINJO %JSFDUPS(VZ4QJMMFS Production Company: Sweetness and Light for e.tv 4VNNBSZ0Oth"QSJM BOBUUFNQUXBTNBEFPOUIFMJGFPG%S)'7FSXPFSE5IFNBOSFTQPOTJCMFXBT%BWJE 1SBUU XIPXBTBCVTJOFTTQBSUOFSPGUIFGJMNNBLFSTHSBOENPUIFSJOBTFBTJEFIPUFMPOUIF/BUBM4PVUI$PBTU*UJT from this unusual angle that this film embarks upon an exploration of his character and motivation.

LIBERATION OF THE SOUL :FBS-FOHUINJO %JSFDUPS$IBSMFOF)PVTUPO Production Company: AfroSoul Productions for SABC 4VNNBSZ*O%FDFNCFS (JOO'PVSJFTEBVHIUFSXBTLJMMFEJOBOBUUBDLPOUIF)FJEFMCFSH5BWFSOJO$BQF5PXO CZNFNCFSTPG"1-" UIF1"$TNJMJUBSZXJOH5IJTGJMNEFBMTXJUIIPXTIFBOE"1-"T%JSFDUPSPG0QFSBUJPOT Letlapa Mphahlele, embarked upon a voyage of reconciliation.

LIBERATION WOMEN :FBS-FOHUINJO %JSFDUPS#FBUB-JQNBO Production Company: BBC Wales 4VNNBSZ"OPWFSWJFXPGUIFQPMJUJDBMTJUVBUJPOJO4PVUI"GSJDBJO BUJNFXIFOHSPXJOHPQQPTJUJPOUPBQBSUIFJE led to violent confrontations between youthful protesters and the police. Much of this is seen through the eyes of five women who talk about various issues and describe some of their own experiences.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt THE LIFE AND DEATH OF STEVE BIKO :FBS-FOHUINJO %JSFDUPST.BMDPMN$MBSLF.JDIBFM3ZBO Production Company: Granada Television Summary: Made two weeks after the announcement of the death of Steve Biko, this assesses his impact on black opposition against the government and especially his involvement with the Black Consciousness movement. It includes a report on his funeral and attends a memorial service in London.

THE LIFE & TIMES OF CHRIS HANI :FBS-FOHUINJO %JSFDUPS,FO,BQMBO Production Company: Afravision Summary: Chris Hani had recently been elected General Secretary of the South African Communist Party when, in "QSJM IFXBTBTTBTTJOBUFE6TJOHBSDIJWBMGPPUBHFBOEFYUSBDUTGSPNJOUFSWJFXTXJUIIJTDPNSBEFTJOBSNT UIJT programme presents a portrait of the man and pays tribute to his memory.

THE LONG JOURNEY OF CLEMENT ZULU :FBS-FOHUINJO %JSFDUPS-J['JTI 1SPEVDUJPO$PNQBOZ0QFO%PPS1SPEVDUJPOTGPS##$ 4VNNBSZ0O"QSJMth &CSBIJN*TNBJM&CSBIJN +BNFT.BOHFBOE$MFNFOU;VMVXFSFBNPOHTUBOVNCFSPG political prisoners who were released from Robben Island. This film follows them for the next few months as they are reunited with their families and comrades.

LONG NIGHT’S JOURNEY INTO DAY :FBS-FOHUINJO %JSFDUPST'SBODFT3FJE%FCPSBI)PGGNBOO Production Company: Iris Films 4VNNBSZ5IJT"NFSJDBOEPDVNFOUBSZFYQMPSFTUIFBJNTBOEQSPDFTTCZXIJDITPNF JOEJWJEVBMTBQQMJFEGPS amnesty to the Truth & Reconciliation Commission for crimes committed during the apartheid era. To give it some focus, the filmmakers have chosen to concentrate on four high profile case histories.

LOVE AND THE BULLDOZERS (SERIES: ISSUES OF FAITH) :FBS-FOHUINJO %JSFDUPS-BVSFO(SPFOFXBME Production Company: Plexus Films for SABC Religion 4VNNBSZ*O ZFBSTBGUFSUIFHPWFSONFOUPGUIFUJNFEFNPMJTIFE$BQF5PXOT%JTUSJDU4JY TPNFPGUIFPSJHJOBM inhabitants were given the keys to new houses erected on the site. That’s the occasion for the making of this film, which focuses on the role of the churches as a symbol of resistance against apartheid.

t4")""VEJPWJTVBM"VEJU3FQPSU LOVE, COMMUNISM, REVOLUTION & RIVONIA: BRAM FISCHER’S STORY :FBS-FOHUINJO %JSFDUPST4IBSPO'BSS-FF0UUFO 1SPEVDUJPO$PNQBOZ4IPPUUIF#SFF[F1SPEVDUJPOTGPS./FU/FX%JSFDUJPOT 4VNNBSZ%FTQJUFCFJOHUIFTDJPOPGBEJTUJOHVJTIFE"GSJLBOFSGBNJMZ #SBN'JTDIFSUISFXJOIJTMPUXJUIUIPTFTUSVH- gling against apartheid. A member of the SACP, he is best remembered for defending those accused during the 5SFBTPO5SJBMBOEMBUFSUIF3JWPOJB5SJBMPG5IJTEPDVNFOUBSZUSBDFTIJTMJGFBOEDBSFFS

THE MAIDEN SPEECH (SERIES: ORDINARY PEOPLE) :FBS-FOHUINJO %JSFDUPS/JDPMBBT)PGNFZS Production Company: Weekly Mail Television for SABC Summary: On the day that a woman MP is to make her maiden speech in South Africa’s first democratically elected QBSMJBNFOU UIJTGJMNEFQJDUTUISFFJOEJWJEVBMTEVSJOHUIFDPVSTFPGUIFJSEVUJFToUIF.1IFSTFMG BGPSFNBOJOUIF cleaning department and a newspaper correspondent.

MAIDS AND MADAMS :FBS-FOHUINJO %JSFDUPS.JSB)BNFSNFTI 1SPEVDUJPO$PNQBOZ$IBOOFM5FMFWJTJPO Summary: Besides the agricultural sector, domestic service is the largest source of employment for black women in 4PVUI"GSJDB5IJTGJMNUBLFTBMPPLBUUIFSFMBUJPOTIJQCFUXFFOCMBDLiNBJETwBOEUIFJSXIJUFiNBEBNTw

MAKE BELIEVE (SERIES: ORDINARY PEOPLE) :FBS-FOHUINJO %JSFDUPS$MJGGPSE#FTUBMM Production Company: Weekly Mail Television for SABC 4VNNBSZ*O"VHVTU UIFXIJUFUPXODPVODJMPG4DIXFJ[FS3FOFLFHSBOUFEUIFGSFFEPNPGUIFUPXOUPUIF"8#T Wenkommando, led by Eugene Terre’blanche. On the same day, the neighbouring township of Ipelegeng decided to IPOPVS+PF.PEJTF DPNNBOEFSPG6NLIPOUPXF4J[XF

MAKHALIPILE: THE DAUNTLESS ONE :FBS-FOHUINJO %JSFDUPS#BSSZ'FJOCFSH 1SPEVDUJPO$PNQBOZ*OUFSOBUJPOBM%FGFODF"JE'VOEGPS4PVUIFSO"GSJDB Summary: This documentary pays tribute to Father Trevor Huddleston and traces his life and career, first in South Af- SJDB UIFOBT#JTIPQPG.BTBTJJO5BO[BOJBBOEUIFOJO(SFBU#SJUBJOXIFSF BGUFSIJTSFUJSFNFOUJO IFEFWPUFE all his energy to the anti-apartheid movement.

MAMA MKHIZE (SERIES: CHRONICLES OF CHANGE) :FBS-FOHUINJO %JSFDUPS#BSCBSB'PMTDIFS Production Company: Current Affairs Productions for SABC Summary: On April 2nd 4BVM.LIJ[F BDPNNVOJUZMFBEFSBU%SJFGPOUFJO XBTTIPUCZBQPMJDFNBOXIPCFMJFWFE his life was in danger. Since his death, his wife has become a leader in her own right, involved in trying to obtain better services for the local inhabitants. 5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt THE MAN WHO DROVE WITH MANDELA :FBS-FOHUINJO %JSFDUPS(SFUB4DIJMMFS 1SPEVDUJPO$PNQBOJFT+F[FCFM1SPEVDUJPOT#FVMBI'JMNTGPS1#4$IBOOFM Summary: On 5th.BZ /FMTPO.BOEFMBXBTBSSFTUFEPVUTJEF)PXJDL JO/BUBM8JUIIJNXBT$FDJM8JMMJBNT BUIF- atrical producer for whom Mandela had supposedly been acting as chauffeur. This film tells the story of Williams’s involvement in the freedom struggle, as well as in the gay subculture of the time.

THE MAN WHO KNOWS TOO MUCH :FBS-FOHUINJO %JSFDUPS-J[B,FZ Production Company: Key Films 4VNNBSZ*O"QSJM %S8PVUFS#BTTPO GPSNFSIFBEPG4PVUI"GSJDBT$IFNJDBM#JPMPHJDBM8BSGBSF1SPHSBNNF XBTBDRVJUUFEPGBMMDIBSHFTCSPVHIUBHBJOTUIJN5IJTGJMNDPNCJOFTEPDVNFOUBSZNBUFSJBM JOUFSWJFXTBOEGPPUBHF from the TRC hearings to examine the apparent inability of anyone to establish the truth.

MAN WITHOUT FEAR: DESMOND MPILO TUTU :FBS-FOHUINJO %JSFDUPS)FOOJF4FSGPOUFJO Production Company: Fokus Suid for SABC3 4VNNBSZ*O+VOF %FTNPOE5VUVSFUJSFEBT"SDICJTIPQPG$BQF5PXOBOEBDDFQUFEBOFXSPMFBT$IBJSQFSTPOPG the Truth & Reconciliation Commission. This programme presents a portrait of the man, charting the highlights of his ecclesiastical career while at the same time discussing his confrontations with the apartheid state.

MANDELA :FBS-FOHUINJO %JSFDUPST+P.FOFMM"OHVT(JCTPO Production Company: Clinica Estetico for Island Pictures 4VNNBSZ.BEFXJUIIJTGVMMDPPQFSBUJPO UIJTXBTUIFGJSTUBVUIPSJUBUJWFCJPHSBQIZPG/FMTPO.BOEFMB&NQMPZJOHCPUI archival material and new documentary footage, intercut with extracts from interviews with Mandela himself and NBOZPGIJTBTTPDJBUFT JUXBTOPNJOBUFEGPSBO"DBEFNZ"XBSEBT#FTU%PDVNFOUBSZ'FBUVSF *OUIF6OJUFE4UBUFT JUXBTSFMFBTFEBTi.BOEFMBTPOPG"GSJDB GBUIFSPGBOBUJPOw

MANDELA FREED AND ORGANISATIONS UNBANNED :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE 1SPEVDUJPO$PNQBOZ7/4 4VNNBSZ$PNQJMFEGSPNNBUFSJBMTIPUEVSJOHUIFGJSTUIBMGPG UIJTQSPHSBNNFJODMVEFTGPPUBHFPGUIFNBSDI for democracy to Parliament in February, F.W. de Klerk’s announcement that various organisations would be unbanned, the release of Mandela, his first public address in Cape Town and the gathering at Soweto Stadium.

t4")""VEJPWJTVBM"VEJU3FQPSU MANDELA TRIBUTE, WEMBLEY :FBS-FOHUINJO %JSFDUPS,FO0/FJMM Production Company: Tribute Productions for Freedom Productions 4VNNBSZ5IFNBNNPUIDPODFSUIFMEPOth+VOFUPDFMFCSBUFUIFthCJSUIEBZPGUIFUIFOTUJMMJNQSJTPOFE/FM- son Mandela was an event organised by Artists Against Apartheid. This is a record of the entire concert, attended by BDSPXEFTUJNBUFEBUTPNF QFPQMF

MANDELA: FATHER OF A NATION :FBS-FOHUINJO Producer: Richard Hughes Production Company: Mentorn International for Carlton International 4VNNBSZ5IJTCJPHSBQIZPG/FMTPO.BOEFMBTUBSUTXJUIIJTth birthday celebrations and then goes back to traces IJTQPMJUJDBMDBSFFSBHBJOTUUIFCBDLHSPVOEPGOBUJPOBMFWFOUT GSPNUIFDPNJOHUPQPXFSPGUIF/BUJPOBM1BSUZUPIJT inauguration as President of a democratic South Africa.

MANDELA: THE LIVING LEGEND :FBS-FOHUINJO %JSFDUPS%PNJOJD"MMBO Production Companies: BBC & SABC Summary: Made to coincide with Mandela’s 85th birthday in 2003, this film presents both an overview of his political life BOEIJToBUUIFUJNFoTUJMMWFSZCVTZTDIFEVMF5ISPVHIPVU JUDVUTGSPNBSDIJWBMNBUFSJBMUPUIFNPSFDPOUFNQPSBSZ footage, interspersed with comments from both Madiba himself and those who know him.

MANDELA: THE MAN AND HIS COUNTRY :FBS-FOHUINJO %JSFDUPS"OO#FOKBNJO 1SPEVDUJPO$PNQBOZ"#$/FXT 4VNNBSZ.BEFJNNFEJBUFMZBGUFSUIFSFMFBTFPG/FMTPO.BOEFMBPOth'FCSVBSZ UIJTSFQPSUGSPN"#$/FXT was intended to introduce the man and what he stands for to the American public. In the process it takes viewers through key events of the previous decades and comments on prospects for the future.

MARCHING ORDERS :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE Production Company: Afravision 4VNNBSZ5IF&OE$POTDSJQUJPO$BNQBJHOXBTMBVODIFEUPXBSETUIFFOEPGUPTVQQPSUBOJODSFBTJOHOVNCFS PGZPVOHXIJUFNFOXIPSFGVTFEUPTFSWFJOUIF4"%'5IJTGJMNQSPWJEFTBOJOUSPEVDUJPOUPUIF&$$FYQMBJOTUIF reasoning behind its founding and calls for an end to compulsory military conscription.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt MARTIN THEMBISILE HANI 1942-1993 :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE Production Company: SABC 4VNNBSZ$ISJT)BOJXBTBTTBTTJOBUFEEVSJOHUIF&BTUFSXFFLFOEPG"GUFSQSFTFOUJOHBOPWFSWJFXPGIJTSPMF JOUIF"/$BOE4"$1 UIJTWJEFPEFQJDUTUIFGVOFSBMTFSWJDFBUUIF'/#4UBEJVNJO4PXFUPXIFSFUIFDSPXEJTBE- dressed by various dignitaries, as well as the proceedings at Elspark Cemetery.

MAWU AND MAY DAY 1986 :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE 1SPEVDUJPO$PNQBOZ7/4 4VNNBSZ'PMMPXJOHUIFMBVODIPG$04"56JO%FDFNCFS UIFGJSTUGFXNPOUITPGUIFGPMMPXJOHZFBSTBXBOJO- crease in worker militancy. This video focuses on industrial strikes organised by MAWU at Haggie Rand plants on UIF8JUXBUFSTSBOEBOEB.BZ%BZHBUIFSJOHBU0SMBOEP4UBEJVN

MAYIBUYE AFRIKA: CHIEF ALBERT LUTULI – HIS STORY :FBS-FOHUINJO %JSFDUPST$IBSMPUUF0XFO1FXUFS$PSCFUU Production Company: Charlotte Owen Productions Summary: Using photographs, archival material, location footage and interviews, this video presents a portrait of Chief "MCFSU-VUIVMJ 1SFTJEFOUPGUIF"GSJDBO/BUJPOBM$POHSFTT BOEUIFSFDJQJFOUPGUIF /PCFM1SJ[FGPS1FBDF MAZIMBU :FBS-FOHUINJO %JSFDUPS5POJ4USBTCVSH Production Company: Scope Films Summary: A British documentary about the Solomon Mahlangu Freedom College in Tanzania which sets out to explain how those students now in exile are prepared to play a role in a free and democratic South Africa. In the process it depicts aspects of a variety of activities.

MEMORIES OF DREAMS :FBS-FOHUINJO %JSFDUPS5POJ4USBTCVSH 1SPEVDUJPO$PNQBOZ#JH8PSME$JOFNB &CBOP.VMUJNFEJB+#"1SPEVDUJPO Summary: Hilda Bernstein is a veteran of the SACP. Her late husband, Rusty, was one of Mandela’s co-accused at the Rivonia trial and after years of bannings and police harassment, they were eventually forced to flee the country. This film, made by their daughter, deals with the family’s involvement in the liberation struggle.

t4")""VEJPWJTVBM"VEJU3FQPSU THE MIDAS TOUCH :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE Production Company: Granada Television Summary: At a time when Barclays Bank announced its withdrawal from South Africa, another British-based company, Consolidated Gold Fields, confirmed that it had no intention of doing so. This programme accuses the firm of taking advantage of the apartheid system and of exploiting the migrant labourers who work in its mines.

MIRIAM MAKEBA: MAMA AFRICA (SERIES: THE SOUTH BANK SHOW) :FBS-FOHUINJO %JSFDUPS.FMJTTB3BJNFT Production Company: LWT Productions 4VNNBSZ#PSOJO .JSJBN.BLFCBMFGU4PVUI"GSJDBJOBOETQFOUNPSFUIBOZFBSTJOFYJMF5IJTEPDV- mentary presents an introduction to her life and the role of music as a source of strength and hope in South Africa’s history, especially during the anti-apartheid struggle.

MIRIAM MAKEBA: SOUTH AFRICAN SINGER :FBS-FOHUINJO %JSFDUPS'BJUI*TJBLQFSF Production Company: BBC 4VNNBSZ"QSPHSBNNFJOBUFMFWJTJPOTFSJFTDBMMFEi&YJMFTw UIJTEPDVNFOUBSZUFMMTPGIPXTJOHFS.JSJBN.BLFCBIBT EFBMUXJUIOFBSMZZFBSTPGFYJMFGSPN4PVUI"GSJDB EVSJOHXIJDITIFGSFRVFOUMZTQPLFPVUBHBJOTUUIFBQBSUIFJE government.

MK: THE PEOPLE’S ARMY: GRADUATION TO THE FUTURE :FBS-FOHUINJO %JSFDUPS;FQI.BLHFUMB 1SPEVDUJPO$PNQBOZ3.1SPEVDUJPOT"/$7JEFP6OJU Summary: Combining archival footage and interviews with prominent individuals, this video pays tribute to the soldiers PG6NLIPOUFXF4J[XF*UTUBSUTXJUIUIFMBVODIJOHPGUIFSFTJTUBODFNPWFNFOUJO%FDFNCFSBOEGJOJTIFTXJUI a discussion of the organisation’s future as part of a non-racial South African army.

THE MOHALE STR. BROTHERS :FBS-FOHUINJO %JSFDUPS.JDIBFM)BNNPO Production Company: Michael Hammon 4VNNBSZ*O.BZ %JMJ[B.BUTIPCB B4PVUI"GSJDBO$PVODJMPG$IVSDIFTDPNNVOJUZXPSLFS EJFEVOEFSTVTQJ- cious circumstances. Six months earlier the family had mourned the death of his younger brother, who was a gang- ster. This film presents a portrait of the brothers and their impact on their community.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt THE MOON IN MY POCKET (SERIES: LOVE STORIES) :FBS-FOHUINJO %JSFDUPS,HPNPUTP.BUTVOZBOF Production Company: Curious Pictures for SABC3 Summary: This film tells the story of Robben Island prisoner Wilton Mkwayi, an MK commander convicted of treason, XIPGPSZFBSTSVOOJOHBQQMJFEGPSQFSNJTTJPOUPNBSSZ*SFOF,IVNBMP:FBSBGUFSZFBSIFXBTSFGVTFEBOEXIFO QFSNJTTJPOXBTGJOBMMZHSBOUFE IJTXJGFEJFEPGDBODFSNPOUITCFGPSFIFXBTSFMFBTFE

MOZAMBIQUE: APARTHEID’S SECOND FRONT (SERIES: PANORAMA) :FBS-FOHUINJO Producer: Peter Molloy Production Company: BBC 4VNNBSZ*O XIFOUIJTQSPHSBNNFXBTNBEF .P[BNCJRVFXBTTUJMMJOWPMWFEJOBDJWJMXBSCFUXFFOUIF'SFMJNP HPWFSONFOUBOEUIF./3 BOPSHBOJTBUJPOUIBUSFDFJWFEFDPOPNJDBOENJMJUBSZTVQQPSUGSPNB4PVUI"GSJDBUIBU saw the country as a threat to its interests and policies.

MY AFRICAN MOTHER :FBS-FOHUINJO %JSFDUPS$BUIFSJOF8JOUFS Production Company: M&G TV for e.tv Summary: Many white South Africans have experiences similar to those of the individuals interviewed in this film. They had African domestic workers looking after them when they were small, as a result of which a close bond was established between them, a situation that grew out of the country’s apartheid past.

MY BELOVED COUNTRY: THE EXTREME RIGHT IN SOUTH AFRICA :FBS-FOHUINJO %JSFDUPS4BTLJB7SFEFWFME Production Company: CineTe Filmproduktie 4VNNBSZ.BEFJO UIJT%VUDINBEFGJMNUBLFTBMPPLBUUIFTUBUFPGFYUSFNFSJHIUXJOHQPMJUJDTJO4PVUI"GSJDB #ZGPDVTJOHPOUISFFTQFDJGJDHSPVQToUIF"GSJLBOFS8FFSTUBOETCFXFHJOH UIF#PFSFTUBBU1BSUZBOEUIFQSPQPOFOUT PGUIFJOEFQFOEFOUXIJUFTUBUFPG0SBOJBoJUQSFTFOUTBDSPTTTFDUJPOPGUIFJSWJFXT

MY FATHER, RICK TURNER :FBS-FOHUINJO %JSFDUPS+BOO5VSOFS Production Company: e.tv 4VNNBSZ0OUIFOJHIUPG+BOVBSZth VOJWFSTJUZMFDUVSFSBOEQPMJUJDBMBDUJWJTU%S3JDL5VSOFSXBTBTTBTTJOBUFE BUIJT%VSCBOIPNF5IJTEPDVNFOUBSZEJSFDUFECZIJTFMEFTUEBVHIUFSBOETUSVDUVSFEBSPVOEJOUFSWJFXTXJUIJOEJ- viduals who knew him, was transmitted on the occasion of the 25th anniversary of his death.

t4")""VEJPWJTVBM"VEJU3FQPSU THE MYSTERIOUS DISAPPEARANCE OF BOIKI MAJESTIC MLHAPI (SERIES: ENCOUNTERS) :FBS-FOHUINJO %JSFDUPS*OHSJE(BWTIPO Production Company: Free Filmmakers Summary: On March 20th #PJLJ.IMBQJBOEFJHIUPUIFSTTFUPVUGSPN1PUDIFGTUSPPNUP,MFSLTEPSQUPBUUFOEB GVOFSBM0OUIFXBZUIFZXFSFTUPQQFECZUIFQPMJDF XIPNBJOUBJOUIBUIFXBTTVCTFRVFOUMZSFMFBTFE UIPVHIIF never came home. This programme traces the events of that day.

MZWAKHE MBULI: THE PEOPLE’S POET :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE 1SPEVDUJPO$PNQBOZ7/4 4VNNBSZ4JODFIFGJSTUTUPPEVQUPSFDJUFIJTXPSLBUUIFJOBVHVSBMNFFUJOHPGUIF6%' .[XBLIF.CVMJIBTCFDPNF LOPXOBTiUIFQFPQMFTQPFUw*OUIJTWJEFPIFQFSGPSNTJOQVCMJDBUQPMJUJDBMHBUIFSJOHT XIJMFPUIFSQPFNTBSFBD- companied by footage of police action of partial re-enactments of his experiences.

NAGGING DOUBT :FBS-FOHUINJO %JSFDUPS3PHFS(SBFG 1SPEVDUJPO$PNQBOZ-JNFIPVTF1SPEVDUJPOTGPS$IBOOFM 4VNNBSZ"DUPS+BDL,MBGGSFQSFTFOUTBOVNCFSPGJOEJWJEVBMTXIPXFSFBGGFDUFECZUIF4IBSQFWJMMFNBTTBDSFPG.BSDI BOEJUTBGUFSNBUI GSPNBOBOPOZNPVTWJDUJNUP%S7FSXPFSE,MBGGJTUIFPOMZBDUPSPOUIFNVMUJQVSQPTFTFU and he uses extracts from official records and specially written monologues as his text.

NAMIBIA: NUCLEAR REACTIONS :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE Production Company: Open Eye for BBC Community Programme Unit 4VNNBSZ5IJTQSPHSBNNF NBEFXJUIUIF/BNJCJB4VQQPSU$PNNJUUFF BDDVTFTUXP#SJUJTINVMUJOBUJPOBMDPNQBOJFT PGTNVHHMJOHJOVSBOJVNGSPN/BNJCJBJOTQJUFPG6OJUFE/BUJPOT4FDVSJUZ$PVODJMSFTPMVUJPOTSFRVJSJOHNFNCFS nations to boycott goods from that country while it is still occupied by South Africa.

NAMIBIA – TELL THE WORLD :FBS-FOHUINJO %JSFDUPS$PMJO5IPNBT 1SPEVDUJPO$PNQBOZ/FXTSFFM$PMMFDUJWFGPS$IBOOFM 4VNNBSZ/BSSBUFECZB/BNJCJBOFYJMF UIJTQSPHSBNNFQSPWJEFTBOPWFSWJFXPGUIF/BNJCJBOQFPQMFTTUSVHHMFGPS independence, discussing the imposition of all aspects of the apartheid system, but also highlighting attempts at social upliftment, the role of the churches, public protests and the history of the armed struggle.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt NDABENI: THE FIRST FORCED REMOVAL :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE Production Company: Teaching Methods Unit, University of Cape Town 4VNNBSZ*O XIFOCVCPOJDQMBHVFCSPLFPVUJO$BQF5PXO UIF"GSJDBOEPDLXPSLFSTMJWJOHJOBSFBTTVDIBT %JTUSJDU4JY XFSFTFJ[FEVQPOBTBIFBMUIIB[BSEBOEXFSFGPSDJCMZSFNPWFEUPBDBNQBU6JUWMVHU'PSFTU4UBUJPO BO BSFBUIBUMBUFSCFDBNFLOPXOBT/ECFOJ

NEED TO KNOW :FBS-FOHUINJO %JSFDUPS+BOO5VSOFS 1SPEVDUJPO$PNQBOZ+PO#MBJS'JMN$PNQBOZGPS$IBOOFM 4VNNBSZ8IFO JO+BOVBSZ %S3JDL5VSOFS BMFBEJOHBOUJBQBSUIFJEBDUJWJTU XBTTIPUBUQPJOUCMBOLSBOHFJOIJT %VSCBOIPNF IFEJFEJOUIFBSNTPGIJTUIFOZFBSPMEEBVHIUFS'JGUFFOZFBSTMBUFSTIFSFUVSOTUP4PVUI"GSJDBUP confront her past and to investigate why and by whom her father was killed.

NELSON MANDELA IN HIS OWN WORDS :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE Production Company: BBC 4IPSUMZBGUFSIJTSFMFBTFGSPNQSJTPOJO'FCSVBSZ /FMTPO.BOEFMBWJTJUFE4XFEFOJOPSEFSUPWJTJUIJTGSJFOEBOE DPNSBEF 0MJWFS5BNCP XIPIBESFDFOUMZTVGGFSFEBTUSPLF0OUIFPDDBTJPOIFXBTJOUFSWJFXFECZ+PBO#BLFXFMM XIPRVFTUJPOTIJNPOBWBSJFUZPGUPQJDT

NELSON MANDELA: JOURNEY TO FREEDOM :FBS-FOHUINJO Producer: Gigi Maartens 1SPEVDUJPO$PNQBOZ"#$/FXT1SPEVDUJPOTGPS"&/FUXPSL 4VNNBSZ"CJPHSBQIZPG/FMTPO.BOEFMBNBEFUXPZFBSTBGUFSIJTFMFDUJPOBTUIFGJSTUQSFTJEFOUPGBEFNPDSBUJD4PVUI "GSJDB*UTUBSUTXJUIIJTSFMFBTFGSPNQSJTPOPOUI'FCSVBSZBOEUIFOHPFTCBDLUPUSBDFIJTMJGFGSPNIJTSVSBM DIJMEIPPEUPUIF"/$FMFDUJPOWJDUPSZBOEJOUFSOBUJPOBMBDDMBJNGPSIJTBDDPNQMJTINFOUT

NELSON MANDELA: THE STRUGGLE IS MY LIFE :FBS-FOHUINJO %JSFDUPS-JPOFM/HBLBOF 1SPEVDUJPO$PNQBOZ%JWFNBZ'JMNT 4VNNBSZ.BEFJO UIJTJTBQPMJUJDBMCJPHSBQIZPG/FMTPO.BOEFMB BUUIFUJNFTUJMMUIFTVCKFDUPGBXPSMEXJEF campaign aimed at obtaining his release from prison. Making extensive use of archive material, it sketches the background to some of the key events of his fight against apartheid.

t4")""VEJPWJTVBM"VEJU3FQPSU NO APARTHEID WAR: STAND BY IVAN TOMS :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE Production Company: Oppie Oomblik Productions 4VNNBSZ*WBO5PNTXBTBNFEJDBMEPDUPSBOEHBZBDUJWJTUXIPTFSWFEBTBOPODPNCBUBOUJO/BNJCJBBOEBGUFSXBSET worked for eight years in Cape Town’s black townships. In this video he is interviewed three weeks before he is due UPTUBOEUSJBMGPSIJTSFGVTBMUPTFSWFJOUIF4"%'

NO MIDDLE ROAD TO FREEDOM :FBS-FOHUINJO %JSFDUPS,FWJO)BSSJT 1SPEVDUJPO$PNQBOZ/PUDSFEJUFE 4VNNBSZ"HFOFSBMMPPLBUUIFQPMJUJDBMTJUVBUJPOJO4PVUI"GSJDBCFUXFFO%FDFNCFSBOE.BZ XJUIQBSUJDV- lar reference to the role of the church in the struggle against apartheid. The title comes from Bishop Tutu’s statement that there is no middle road to freedom.

NO WAY BACK :FBS-FOHUINJO %JSFDUPS%BWJE)BSSJTPO 1SPEVDUJPO$PNQBOZ##$/FXT$VSSFOU"GGBJST 4VNNBSZ*O BGUFSUIFVOCBOOJOHPGUIF"/$BOEUIFSFMFBTFPG/FMTPO.BOEFMB UIFSFXBTXJEFTQSFBESFBDUJPO from the white right wing. In this programme, representatives of the Conservative Party, the White Transport Union, the AWB and the Oranjewerkers all express their anger at the government’s actions.

NOT CRICKET: THE BASIL D’OLIVEIRA CONSPIRACY :FBS-FOHUINJO %JSFDUPS1BVM:VMF 1SPEVDUJPO$PNQBOZ#FSXJDL6OJWFSTBM1JDUVSFT%JWFSTF(SPVQ 4VNNBSZ*O UIFPNJTTJPOPG#BTJM%0MJWFJSBGSPNUIFDSJDLFUUFBNUIBUXBTEVFUPUPVS4PVUI"GSJDBPVUSBHFE many and led to the cancellation of the tour and the beginning of the sports boycott. On the occasion of the 2003 $SJDLFU8PSME$VQ UIJTEPDVNFOUBSZBDDPNQBOJFT%0MJWFJSBPOBSFUVSOWJTJUUP4PVUI"GSJDB

NOT YET FREE… :FBS-FOHUINJO %JSFDUPS,FWJO)BSSJT 1SPEVDUJPO$PNQBOZ,FWJO)BSSJT1SPEVDUJPOTGPS/"$56 4VNNBSZ0O+VMZth UIFTFDVSJUZQPMJDFBSSFTUFE%BO.BTIBCBBUIJT%JFQLMPPGIPNF"GUFSTQFOEJOHEBZT in detention he was released without being charged and immediately served with banning orders. This film set out to explain how these restrictions were designed to ensure his isolation in the community.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt NOTICE TO QUIT! :FBS-FOHUINJO %JSFDUPS&TEPO'SPTU Production Company: Compass Films Summary: This film, made at the instigation of the Western Cape branch of the Black Sash, sets out to show the effect the implementation of the Group Areas Act would have on the Coloured inhabitants of Cape Town. Shot during JUTPOFPGUIFGJSTUBOUJBQBSUIFJEGJMNTNBEFJO4PVUI"GSJDBCZ4PVUI"GSJDBOT

NOWHERE TO PLAY: CONVERSATIONS WITH SOWETO GOLFERS :FBS-FOHUINJO %JSFDUPS"OHVT(JCTPO 1SPEVDUJPO$PNQBOZ1SJODJQBM'JMNTGPS$IBOOFM 4VNNBSZ5IJTWJEFP NBEFJO UBLFTBMPPLBUUIBUTNBMMTFDUJPOPG4PVUI"GSJDBTCMBDLQPQVMBUJPOUIBUIBT achieved economic success and has attained a lifestyle on a par with upper middle class whites.

O.R. TAMBO 1917-1993 :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE Production Company: SABC 4VNNBSZ0MJWFS5BNCP UIFO/BUJPOBM$IBJSNBOPGUIF"GSJDBO/BUJPOBM$POHSFTT EJFEPOth"QSJM"GUFSQSF- TFOUJOHBCSJFGPWFSWJFXPGIJTMJGFBOEIJTMFBEJOHSPMFJOUIF"/$ UIJTWJEFPGPDVTFTQSJNBSJMZPOUIFGVOFSBMTFSWJDF BU4PXFUPT'/#4UBEJVN GPMMPXFECZGPPUBHFTIPUBUUIFHSBWFTJEFJO5BNCPWJMMF #FOPOJ

THE OTHER MANDELA :FBS-FOHUINJO 1SPEVDFS.JLF%VUGJFME 1SPEVDUJPO$PNQBOZ#BSSBDMPVHI$BSFZGPS$IBOOFM Summary: Three weeks before the first democratic elections, a British television crew visits South Africa to examine how, after a series of scandals, including the murder of the teenaged Stompie Seipei, Winnie Mandela was able to make a political comeback by gaining the support and trust of the poorest and most marginalised people.

THE OTHER SIDE (SERIES: ORDINARY PEOPLE) :FBS-FOHUINJO %JSFDUPS%JOHBO5IPNBT,BQB Production Company: Mail & Guardian Television for SABC Summary: This programme spends an average day with the leaders of two opposing factions in a war-torn district of TPVUIFSO,XB;VMV/BUBM BCPVULJMPNFUSFTGSPN1PSU4IFQTUPOF XIFSFBDPNNVOJUZIBTCFFOSBWBHFECZUIF POHPJOHDPOGMJDUCFUXFFOTVQQPSUFSTPGUIF"GSJDBO/BUJPOBM$POHSFTTBOEUIF*OLBUIB'SFFEPN1BSUZ

t4")""VEJPWJTVBM"VEJU3FQPSU OUT IN THE OPEN (SERIES: IF TRUTH BE TOLD) :FBS-FOHUINJO %JSFDUPS.BSL+,BQMBO Production Company: Big World Cinema Summary: One in a three part series made to facilitate the work of the TRC, this focuses on some representative case IJTUPSJFTJOUIF&BTUFSO$BQF OBNFMZ0QFSBUJPO0SQIFVT BJNFEBHBJOTUUIFMPDBM6%'MFBEFSTIJQ UIFEJTBQQFBS- ance of the PEBCO three and the murder of Matthew Goniwe and his colleagues.

OUT OF DESPAIR - ITHUSENG :FBS-FOHUINJO %JSFDUPS-JOEZ8JMTPO Production Company: Lindy Wilson Productions 4VNNBSZ *O %S.BNQIFMB 3BNQIFMF B NFEJDBM EPDUPS JO DIBSHF PG B DMJOJD JO ,JOH 8JMMJBNT 5PXO XBT CBOJTIFEUPBSFNPUFBSFBOFBS5[BOFFO JOUIF/PSUIFSO5SBOTWBBM3FTUSJDUFEUPBTJOHMFNBHJTUFSJBMEJTUSJDU TIF founded a health project designed to assist the people of the dislocated community of Lenyenye.

PAN AFRICANIST CONGRESS SPEAKS :FBS-FOHUINJO %JSFDUPS4UVBSU#SPXO 1SPEVDUJPO$PNQBOZ/PUDSFEJUFE 4VNNBSZ*O+VMZ B1BO"GSJDBOJTU$POHSFTTEFMFHBUJPOWJTJUFE/FX:PSLJOPSEFSUPQFUJUJPOUIF4FDVSJUZ$PVODJM PGUIF6OJUFE/BUJPOTPOUIFPOHPJOHWJPMFODFJO4PVUI"GSJDB0OUIJTPDDBTJPOJUT1SFTJEFOU $MBSFODF.BLXFUV BOEJUT4FDPOE%FQVUZ1SFTJEFOU %JLHBOH.PTFOFLF XFSFJOUFSWJFXFE

PART OF THE PROCESS :FBS-FOHUINJO Filmmakers: Paul Weinberg & Harriet Gavshon (uncredited) Production Company: I.M.P. Super 8 Film Unit 4VNNBSZ1BHFWJFX BMTPLOPXOBT'JFUBT XBTBOBSFBJO+PIBOOFTCVSHUIBUIBEBMXBZTCFFOSFHBSEFEBTBQSFEPNJ- OBOUMZ*OEJBOTVCVSC*OJUXBTEFDMBSFEBXIJUFBSFBBOEPWFSUIFGPMMPXJOHZFBSTNPTUPGUIF*OEJBOGBNJMJFT were resettled in Lenasia. This film was made just before the bulldozers moved in.

PASSING THE MESSAGE :FBS-FOHUINJO Filmmakers: Cliff Bestall & Mike Gavshon Production Company: VARA-TV 4VNNBSZ5IPVHICZUIF4PVUI"GSJDBOBVUIPSJUJFTIBESFMBYFETPNFPGUIFSFTUSJDUJPOTPOCMBDLUSBEFVOJPOT workers’ lives were still governed by the contract labour system and the pass laws. This film takes a look at the state of the black trade union movement by focusing on a contract worker and two union organisers.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt PATU! :FBS-FOHUINJO %JSFDUPS.FSBUB.JUB Production Company: Awatea Films 4VNNBSZ*OUIF/FX;FBMBOE3VHCZ6OJPOJOWJUFEUIF4PVUI"GSJDBOSVHCZUFBNUPUPVSUIFDPVOUSZ5IJTJTBO BDDPVOUPGUIFBUUFNQUTCZWBSJPVTHSPVQTBOEPSHBOJTBUJPOTJO/FX;FBMBOEUPQSFWFOUUIFUPVSGSPNUBLJOHQMBDF and later, once the Springboks are in the country, to disrupt the matches.

THE PEACEMAKERS (SERIES: ORDINARY PEOPLE) :FBS-FOHUINJO %JSFDUPS$MJGGPSE#FTUBMM Production Company: Weekly Mail Television for SABC 4VNNBSZ&WFSZZFBS PO.BSDIst 4PVUI"GSJDBOTDPNNFNPSBUFUIF4IBSQFWJMMFNBTTBDSFPG)JTUPSJDBMMZB EBZGPSEFNPOTUSBUJPOTPGVOJUZBOESFTJTUBODFUPBQBSUIFJE UIJTQSPHSBNNFMPPLTBUUIFSBMMJFTJO7PTMPPSVT XIFSFBDMBTICFUXFFOTVQQPSUFSTPGUIF"/$BOE*OLBUIBUISFBUFOT

PEOPLE UNDER FIRE: A SHOOTING IN SOWETO :FBS-FOHUINJO %JSFDUPS.BOEMB4NJU 1SPEVDUJPO$PNQBOZ"/$%FQBSUNFOUPG*OGPSNBUJPO1VCMJDJUZ 4VNNBSZ0O"QSJMth BGUFSMJTUFOJOHUPBOBEESFTTCZ/FMTPO.BOEFMBDPNNFNPSBUJOHUIFEFBUIPG$ISJT)BOJ inhabitants of Soweto marched to the Protea police station where the police opened fire. This video recounts the events, presenting the views of eyewitnesses and relatives of the victims.

PEOPLE’S EDUCATION FOR PEOPLE’S POWER (SERIES: SOUTH AFRICA NOW) :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE Production Company: 5th Encounter Motion Picture Company 4VNNBSZ%JTTBUJTGBDUJPOXJUI#BOUV&EVDBUJPOGJSTUFYQMPEFEJOBOETJNNFSJOHEJTDPOUFOUDPOUJOVFEVOUJMUIF TUVEFOUVQSJTJOHTPGSFTVMUFEJOUIFCBOOJOHPG$04"4*OUIJTSFQPSU&SJD.PMPCFPGUIF4PXFUP1BSFOUT$SJTJT Committee and Msindise Mbalo, a Transvaal Students Congress member, talk about these issues.

PEOPLE’S POWER: INTERIM GOVERNMENT NOW :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE 1SPEVDUJPO$PNQBOZ"VEJP7JTVBM"MUFSOBUJWFT 6OJWFSTJUZPG/BUBM 4VNNBSZ8IFO$0%&4"CSPLFEPXO UIF"/$4"$1$04"56BMMJBODFFNCBSLFEVQPOBQSPHSBNNFPGNBTT BDUJPO5IJTWJEFPQSFTFOUTBOBDDPVOUPGUIFDBNQBJHOBTJUBGGFDUFEUIFDJUZPG%VSCBO CFHJOOJOHXJUIBNBSDIUP DPNNFNPSBUFUIFTUVEFOUVQSJTJOHBOEFOEJOHXJUIUIFPDDVQBUJPOPGUIFDJUZDFOUSF

t4")""VEJPWJTVBM"VEJU3FQPSU PHAMBILI! WORKING WOMEN IN SOUTH AFRICA :FBS-FOHUINJO %JSFDUPS4IFMMFZ8FMMT 1SPEVDUJPO$PNQBOZ7/4 Summary: Though South Africa’s working women have made a major contribution to the wealth of the country, theirs has been an uphill struggle against prejudice and oppression. This video takes a look at what it means to be a black or Coloured woman working in the South African economy.

PHANTSI MELLOW YELLOW (SERIES: PETROL BOMBS & BAD HAIR DAYS) :FBS-FOHUINJO %JSFDUPS$IBSMFOF)PVTUPO Production Company: AfroSoul Productions for SABC 4VNNBSZ5IJTEPDVNFOUBSZEFBMTXJUIUIFQPMJUJDBMQSPUFTUTJOUIF8FTUFSO$BQFEVSJOHUIFTBOETFUTPVUUPQBZ tribute to the foot soldiers of the struggle, i.e. those individuals whose later careers weren’t based on their prominence as leaders of the anti-apartheid movement, but who were just as much involved. PLAGUE WARS: THE SECRET KILLINGS :FBS-FOHUINJO %JSFDUPS1FUFS.PMMPZ Production Company: Paladin for BBC & WGBH Frontline 4VNNBSZ5IJTEPDVNFOUBSZEFBMTXJUIUIFDPWFSUCJPMPHJDBMXBSGBSFQSPHSBNNFSVOCZ%S8PVUFS#BTTPOEVSJOHUIF apartheid era. Incorporating evidence given at the TRC hearings, it discussed how a number of poisons were devel- PQFEBOEIPX%S#BTTPO JOTUFBEPGEFTUSPZJOHUIFTFEPDVNFOUTBGUFS IBEBQQSPQSJBUFEUIFGJMFT

PLAYING HISTORY :FBS-FOHUINJO %JSFDUPS.BBSUFO3FOT Production Company: Afrikan Connection Productions & Maarten Rens Produkties Summary: Prior to South Africa’s first democratic elections, those involved in the freedom struggle received growing support from the international anti-apartheid movement, which had chapters throughout the world. This film fo- DVTFTPOUIFSFMBUJPOTIJQCFUXFFOUIF"/$BOEUIF%VUDI"OUJ"QBSUIFJE.PWFNFOU ""#/

POLICE BRUTALITY IN BOPHUTHATSWANA (SERIES: SOUTH AFRICA NOW) :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE Production Company: 5th Encounter Motion Picture Company 4VNNBSZ%VSJOH BOVNCFSPGBMMFHBUJPOTXFSFNBEFUIBUUIFQPMJDFJOUIFIPNFMBOEPG#PQIVUIBUTXBOBXFSF VTJOHFYUSFNFWJPMFODFPOPQQPOFOUTPGUIFHPWFSONFOU*OUIJTWJEFP%S'BCJBO3JCFJSP $BUIPMJD"SDICJTIPQ (FPSHF%BOJFMBOEBUUPSOFZ1FUFS)BSSJTUFMMPGTVDIJOTUBODFT

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt POLITICAL IMPRISONMENT: LESSONS IN AFRICAN LEADERSHIP :FBS-FOHUINJO %JSFDUPS+BDL-FXJT Production Company: Idol Pictures for Robben Island Museum Summary: This four-part series sets out to illustrate how political imprisonment helped to shape our traditions of leadership in the South African struggle for democracy. It is structured around interviews with people who were involved in the fight against apartheid and are now in positions of some prominence.

THE PRESIDENT & THE PROSECUTOR :FBS-FOHUINJO %JSFDUPS*OHSJE(BWTIPO Production Company: Free Filmmakers 4VNNBSZ"UUIF3JWPOJBUSJBM XIFSF/FMTPO.BOEFMBBOEOJOFPUIFSTXFSFDIBSHFEXJUITBCPUBHF UIF$IJFG1SPTFDV- UPSXBT%S1FSDZ:VUBS*O BGUFS.S.BOEFMBIBECFDPNF4UBUF1SFTJEFOU IFNFUXJUI%S:VUBSBUUIFQSFTJ- dential residence in Pretoria. This programme records part of the meeting and reflects on the trial itself.

PRIME EVIL :FBS-FOHUINJO %JSFDUPS+BDRVFT1BVX Production Company: SABC 4VNNBSZ*O"VHVTU $PMPOFM&VHFOFEF,PDLXBTDPOWJDUFEPGDSJNFT SBOHJOHGSPNNVSEFSUPGSBVE BMMPG UIFNDPNNJUUFEEVSJOHUIFZFBSTUIBUIFXBTDPNNBOEFSPGBGBSNXIFSFUIFTFDVSJUZQPMJDFPQFSBUFEBIJUTRVBE This two-part programme tries to determine what turned him into one of apartheid’s top assassins.

PRISCILLA: A WOMAN OF THE 90’S :FBS-FOHUINJO %JSFDUPS'BJUI*TJBLQFSF Production Company: Moments Entertainment for SABC 4VNNBSZ"TBIVNBOSJHIUTMBXZFS 1SJTDJMMB+BOBSFQSFTFOUFENBOZPGUIFNPTUQSPNJOFOUQFPQMFJOWPMWFEJOUIF BOUJBQBSUIFJETUSVHHMF*OUIJTQSPHSBNNFTIFUBMLTBCPVUIFSMFHBMDBSFFS JODMVEJOHIFSGJSTUNFFUJOHXJUI/FMTPO Mandela and her representation of the young activist Solomon Mahlangu.

PRISONERS OF HOPE: ROBBEN ISLAND REUNION :FBS-FOHUINJO %JSFDUPS%BOOZ4DIFDIUFS Production Company: Videovision Entertainment 4VNNBSZ*O'FCSVBSZ TPNF GPSNFSQPMJUJDBMQSJTPOFSTHPUUPHFUIFSGPSBSFVOJPO.PTUPGUIFNIBECFFO incarcerated on Robben Island and this documentary accompanies them as they tour the island, discuss its future and reunite with friends whom they had not seen for a number of years.

t4")""VEJPWJTVBM"VEJU3FQPSU PROPERTY OF THE STATE: GAY MEN IN THE APARTHEID MILITARY :FBS-FOHUINJO %JSFDUPS(FSBME,SBBL Production Companies: GALA & Out in Africa 4VNNBSZ'PSBOZZFBSPME DPOTDSJQUJPOJOUPUIFBSNZJTPGUFOBOVOOFSWJOHFYQFSJFODF CVUGPSHBZNFOJOBQBSU- IFJE4PVUI"GSJDBJUDPVMECFUSBVNBUJD*OUIJTEPDVNFOUBSZBOVNCFSPGJOEJWJEVBMTXIPTFSWFEJOUIF4"%'UFMM of their experiences, some of which have been reinterpreted in their writings.

QAMATA UVUMILE / EVEN THE GODS HAVE AGREED :FBS-FOHUINJO 'JMNNBLFST+FOOZ#FSHFS .FMBOJF'MFUDIFS /JDLZ-B[BS%ZMBO8SBZ 1SPEVDUJPO$PNQBOZ%FQBSUNFOUPG)JTUPSZ 6OJWFSTJUZPG$BQF5PXO Summary: This video uses stills, archival newsreel footage and interviews to sketch the background to the PAC’s anti- pass campaign and then recalls the events of 30th.BSDI XIFOUIFPSHBOJTBUJPOT8FTUFSO$BQF3FHJPOBM Secretary, Philip Kgosana, led a crowd estimated at 30,000 on a march from Langa to Cape Town’s city centre.

A QUESTION OF MADNESS :FBS-FOHUINJO %JSFDUPS-J[B,FZ 1SPEVDUJPO$PNQBOZ,FZ'JMNTGPS4"#$ 4VNNBSZ0Oth4FQUFNCFS BQBSMJBNFOUBSZNFTTFOHFSOBNFE%JNJUSJ5TBGFOEBTLJMMFE%S)'7FSXPFSE then Prime Minister of South Africa and regarded by many as the founder of the political ideology of apartheid. This film recalls the assassination and then goes on to examine aspects of Tsafendas’s life.

RALLY FOR PEACE :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE 1SPEVDUJPO$PNQBOZ/BUBM0SHBOJTBUJPOPG7JEFPBOE"MMJFE8PSLFSTGPS/BUBM3FDFQUJPO$PNNJUUFF 4VNNBSZ5IFWJEFPEPDVNFOUTTPNFPGUIFIJHIMJHIUTPGBSBMMZIFMEBU,JOHT1BSL %VSCBO POth'FCSVBSZ PSHBOJTFEUPXFMDPNF/FMTPO.BOEFMBUP/BUBMBGUFSIJTSFMFBTFGSPNQSJTPO*UJODMVEFTFYUSBDUTGSPNTQFFDIFTCZ Archie Gumede, Harry Gwala and the address by Mandela himself.

THE RED FLAG :FBS-FOHUINJO 1SPEVDFST3BQJUTF.POUTIP4UBOMFZ/EMPWV 1SPEVDUJPO$PNQBOZ/PUDSFEJUFE Summary: After having been banned for forty years, the Communist Party of South Africa is now allowed to operate in the open again and in this programme a number of their leaders, as well as their ideological opponents, discuss the options for South Africa.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt REMEMBER KASSINGA :FBS-FOHUINJO %JSFDUPS(1BHBOP Production Company: International University Exchange Fund 4VNNBSZ0Oth.BZ 4PVUI"GSJDBOGPSDFTBUUBDLFEXIBUUIFZTBJEXBTB48"10NJMJUBSZDBNQBU$BTTJOHB TPNFLJMPNFUSFTJOTJEF"OHPMB0UIFSTDMBJNFEUIBUJUXBTBDPNNVOJUZPGTPNF /BNJCJBOSFGVHFFT

REMEMBER MANDELA! :FBS-FOHUINJO 1SPEVDFS1FUFS%BWJT Production Company: Villon Films 4VNNBSZ.BEFJO XIFO/FMTPO.BOEFMBXBTTUJMMJOQSJTPOBOEUIFSFTFFNFEUPCFOPMJLFMJIPPEPGIJNCFJOH released, this film was designed to keep his memory alive and to contribute to the campaign to help him regain his freedom. It includes footage of concerts and actions abroad designed to keep him in the public eye.

RETURN, THE :FBS-FOHUINJO %JSFDUPS.JSJBN1BUTBO[B Production Company: Talent Consortium Summary: Over a period of some three decades, South Africans opposed to apartheid left the country to continue the TUSVHHMFFMTFXIFSF"GUFS'FCSVBSZ NBOZPGUIFNNBEFQMBOTUPSFUVSOUPUIFDPVOUSZPGUIFJSCJSUI5IJTQSP- gramme talks to a number of these returnees and raises some of the issues facing them.

RETURN IN HOPE: MIRIAM MAKEBA COMES HOME :FBS-FOHUINJO %JSFDUPS#FBUB-JQNBO Production Company: Targacatch 4VNNBSZ'PMMPXJOHUIFTVDDFTTPGIFSBQQFBSBODFJOUIFTUBHFNVTJDBMi,JOH,POHw .JSJBN.BLFCBJOWPMVOUBSZ embarked on a period of political exile that was to last for more than 30 years. This film was made on her return to 4PVUI"GSJDBJOBOEDPWFSTIFSGJSTUDPODFSUBU&MMJT1BSL +PIBOOFTCVSH

RETURN TO GUGULETHU (SERIES: CHRONICLES OF CHANGE) :FBS-FOHUINJO %JSFDUPS#BSCBSB'PMTDIFS Production Company: Current Affairs Productions for SABC 4VNNBSZ"TBTUVEFOUBOEUFBDIFS ;FMEB)PMU[NBOXBTBOBOUJBQBSUIFJEBDUJWJTUXIPXBTBSSFTUFEBOEJOUFSSPHBUFE by the police. Today, as Commissioner Holtzman, she is the highest ranking female officer in the Police Service. This programme tells her story.

t4")""VEJPWJTVBM"VEJU3FQPSU REVOLUTIONARIES LOVE LIFE (SERIES: PETROL BOMBS & BAD HAIR DAYS) :FBS-FOHUINJO %JSFDUPS3JBBO)FOESJDLT 1SPEVDUJPO$PNQBOZ:PVOH-JPO'JMNTGPS4"#$ 4VNNBSZ#BTJM'FCSVBSZXBTBNFNCFSPG6NLIPOUPXF4J[XFXIPEJFEJOCBUUMFJO3IPEFTJBJO)FBOEPUI- ers like him sacrificed a lot for the liberation struggle and this very personal film sets out to determine whether the revolution actually achieved what its supporters hoped it would.

RHYTHM OF RESISTANCE: THE BLACK MUSIC OF SOUTH AFRICA :FBS-FOHUINJO %JSFDUPST$ISJT"VTUJO+FSFNZ.BSSF 1SPEVDUJPO$PNQBOZ)BSDPVSU'JMNTGPS$IBOOFM Summary: An introduction to aspects of black music in South Africa which, according to the commentary, is often a subtle form of resistance to the apartheid regime. It refers to the black recording industry, as well as to rural traditions, the origins of street workers’ songs and the phenomenon of isicathamiya.

THE RIBBON :FBS-FOHUINJO %JSFDUPS)BSSJFU(BWTIPO 1SPEVDUJPO$PNQBOZ$PPQFSBUJPOGPS%FWFMPQNFOU*OUFSOBUJPOBM 4VNNBSZ*O BHSPVQPGXIJUFXPNFOPGUIF#MBDL4BTI XPSLJOHJODPOKVODUJPOXJUIUIF&OE$POTDSJQUJPO$BN- paign, embarked on a project to display a unifying peace ribbon. This programme follows their efforts over eight months and depicts public and official reaction to the showing of the banner.

A RIGHTEOUS MAN: NELSON MANDELA AND THE JEWS OF SOUTH AFRICA :FBS-FOHUINJO %JSFDUPS*OHSJE(BWTIPO 1SPEVDUJPO$PNQBOZ"OHFM'JMNTGPS4PVUI"GSJDBO+FXJTI.VTFVN 4VNNBSZ.BEFGPSUIF4PVUI"GSJDBO+FXJTI.VTFVN XIFSFJUJTTIPXOBTQBSUPGUIFPWFSBMMFYIJCJUJPO UIJTGJMN QBZTUSJCVUFUP/FMTPO.BOEFMBXIP JOUVSO BDLOPXMFEHFTUIFDPOUSJCVUJPOPGNBOZ+FXJTINFOBOEXPNFOUPUIF anti-apartheid struggle.

THE RIGHTS OF THE WRONGED (SERIES: IF TRUTH BE TOLD) :FBS-FOHUINJO %JSFDUPS.BSL+,BQMBO Production Company: Big World Cinema 4VNNBSZ0OFJOBUISFFQBSUTFSJFTNBEFUPGBDJMJUBUFUIFXPSLPGUIF53$ UIJTSBJTFTUIFRVFTUJPOPGXIFUIFSJUDBO BDIJFWFBMMJUTFUTPVUUPEP8IJMFESBXJOHVQPOUIFFYQFSJFODFTPGPUIFSDPVOUSJFT "SDICJTIPQ%FTNPOE5VUVBOE %S"MFY#PSBJOFFYQMBJOUIFQVSQPTFPGUIFDPNNJTTJPO XIJMF.JOJTUFSPG+VTUJDF%VMMBI0NBSEJTDVTTFTUIFMFHBM SFRVJSFNFOUT

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt ROBBEN ISLAND, OUR UNIVERSITY :FBS-FOHUINJO %JSFDUPS-JOEZ8JMTPO Production Company: Lindy Wilson Productions 4VNNBSZ-BXZFS'JLT#BN $SFEJU6OJPOPSHBOJTFS,XFEJ.LBMJQJ BOEFEVDBUJPOBMJTU/FWJMMF "MFYBOEFS XFSFBMMQSJTPOFSTPO3PCCFO*TMBOE*OUIJTQSPHSBNNFUIFZHFUUPHFUIFSUPUBMLBCPVUUIFJS years on the island and what it taught them.

ROBERT SOBUKWE: A TRIBUTE TO INTEGRITY :FBS-FOHUINJO %JSFDUPS,FWJO)BSSJT 1SPEVDUJPO$PNQBOZ,FWJO)BSSJT1SPEVDUJPOTGPS4"#$ 4VNNBSZ3PCFSU4PCVLXF 1SFTJEFOUPGUIF1"$ XBTPOFPGUIFNPTUBENJSFEMFBEFSTPGUIFMJCFSBUJPO struggle. This film traces his life through the comments of people who knew him, notably his wife, Veronica, his ZPVOHFTUTPO %BMJOEZFCP IJTGSJFOEBOECJPHSBQIFS #FOKBNJO1PHSVOE BOE1IJMJQ,HPTBOB SABC TV – 20 YEARS: THE UNTOLD STORY :FBS-FOHUINJO %JSFDUPS,FWJO)BSSJT Production Company: Kevin Harris Productions for SABC Summary: Transmitted just prior to the launch of the reconstructed SABC TV, this programme takes a look at aspects of the broadcaster’s political past, specifically its editorial policy as determined by the government of the time. Various individuals recall their experiences working for an organisation governed by the Broederbond.

SANDRA LAING: A SPIRITUAL JOURNEY :FBS-FOHUINJO %JSFDUPS,BSJFOWBOEFS.FSXF Production Company: SABC 4VNNBSZ*O BZPVOHHJSMOBNFE4BOESB-BJOHCFDBNFBTZNCPMPGUIFCSVUBMJUZPGBQBSUIFJE#PSOUP"GSJLBBOT QBSFOUT TIFIBEBEBSLFSTLJOUIBOPUIFSNFNCFSTPGIFSGBNJMZBOEXBTTVCTFRVFOUMZFYQFMMFEGSPNIFSTDIPPM This report pays a return visit to Sandra Laing and asks her to relive the events of 25 years ago.

A SAVAGE WAR OF PEACE :FBS-FOHUINJO 1SPEVDFST+FSFNZ/BUIBO-BVSFODF%XPSLJO 1SPEVDUJPO$PNQBOZ7/4 4VNNBSZ#FUXFFO+VMZBOE.BZ PWFS QFPQMFMPTUUIFJSMJWFTJOUIFWJPMFODFUIBUTXFQUUISPVHIUIF Reef townships. This programme presents a picture of the situation at the time and records the accusations and DPVOUFSBDDVTBUJPOTPGTVQQPSUFSTPGUIF"/$BOE*OLBUIB

t4")""VEJPWJTVBM"VEJU3FQPSU A SCARLET PIMPERNEL IN SOUTH AFRICA: THE LIFE IN VIOLENT TIMES OF MAC MAHARAJ :FBS-FOHUINJO %JSFDUPS#FBUB-JQNBO 1SPEVDUJPO$PNQBOZ$VSSFOU"GGBJST'JMNTGPS5/1 4VNNBSZ4FOUFODFEUPUXFMWFZFBSTJOQSJTPOJO .BD.BIBSBKTFSWFEIJTUJNFPO3PCCFO*TMBOEBOE BGUFSIJT release, left South Africa, only to return in secret as commander of Operation Vula. In this programme Maharaj and a number of his political associates recall their experiences.

SCHOOL CRISIS IN SOWETO (AKA SCHOOLS CRISIS 1989) :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE 1SPEVDUJPO$PNQBOZ7/4 4VNNBSZ*O 4PXFUPTDIPPMTGBDFEBOPUIFSQPUFOUJBMDSJTJTXIFOUIFQSFWJPVTZFBSTGBJMFENBUSJDTUVEFOUTXFSF SFGVTFESFBENJTTJPO XIJMFQPMJUJDBMBDUJWJTUTXFSFFYQFMMFEBOECBSSFEGSPNBMM%FQBSUNFOUPG&EVDBUJPOBOE5SBJO- ing schools. In this video students, parents, a teacher and a principal comment on the issues.

THE SEARCH FOR SANDRA LAING :FBS-FOHUINJO %JSFDUPS"OUPOZ5IPNBT 1SPEVDUJPO$PNQBOZ"57/FUXPSL 4VNNBSZ *O 4BOESB -BJOH UIF ZPVOH EBVHIUFS PG XIJUF QBSFOUT XBT PGGJDJBMMZ DMBTTJGJFE BT iDPMPVSFEw BOE expelled from the white school she had been attending. Some eleven years later, this film recalls the events in an attempt to establish what became of the victim of these injustices.

THE SECRET SAFARI :FBS-FOHUINJO %JSFDUPS5PN;VCSZDLJ Production Company: Emerald Films 4VNNBSZ%VSJOHUIFQSPUSBDUFETUSVHHMFBHBJOTUBQBSUIFJE WBSJPVTTDIFNFTXFSFEFWJTFEUPTNVHHMFXFBQPOTJOUP 4PVUI"GSJDB POFPGUIFNBOPWFSMBOETBGBSJPQFSBUJPOUIBUDBSSJFEUPVSJTUTPWFSUIFCPSEFSXJUI;JNCBCXF5IJT programme tells the story of Africa Hinterland Safaris and those involved on various levels.

SEGOPOTSO :FBS-FOHUINJO 1SPEVDFST+PFMMF$IFTTFMFU$SBJH.BUUIFX 1SPEVDUJPO$PNQBOZ%PYB1SPEVDUJPOT 4VNNBSZi5PXOTIJQCPZw DSFBUFECZ+PIO.PBMVTJ-FEXBCBBOE$ISJTUP-FBDI XBTPOFPGNBOZQSPUFTUQMBZTUIBU XFSFQVUPOEVSJOHUIFT*OUIJTGJMNFYUSBDUTGSPNUIFQMBZBSFJOUFSDVUXJUIEPDVNFOUBSZGPPUBHFBOEJOUFS- views with some of the actors and the co-directors.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt SHEENA DUNCAN: THE BURDEN OF PRIVILEGE :FBS-FOHUINJO %JSFDUPS)BSSJFU(BWTIPO 1SPEVDUJPO$PNQBOZ'SFF'JMNNBLFSTGPS5FMFWJTJPO/FXT1SPEVDUJPOT 4VNNBSZ"CJPHSBQIZPG4IFFOB%VODBO MPOHUJNFDBNQBJHOFSGPSDJWJMSJHIUTBOEGPSNPSFUIBOZFBSTBQSPNJ- OFOUNFNCFSPGUIF#MBDL4BTI*UCSJFGMZTLFUDIFTUIFCBDLHSPVOEUPUIFGPVOEJOHPGUIFPSHBOJTBUJPOJO CFGPSFGPDVTJOHPO%VODBOIFSTFMG

SIMON NGUBANE – STILL ON STRIKE :FBS-FOHUINJO %JSFDUPS.FMBOJF$IBJU 1SPEVDUJPO$PNQBOZ-VTJB'JMNTGPS$IBOOFM Summary: After a decade of enforced silence, the early eighties saw a re-emergence of trade unions as a major force for liberation in South Africa. This programme focuses on one of them, the Metal and Allied Workers Union (MAWU), and in particular their on-going struggle for workers’ rights.

SIPHIWO MTIMKULU’S STORY (SERIES: IF TRUTH BE TOLD) :FBS-FOHUINJO %JSFDUPS.BSL+,BQMBO Production Company: Big World Cinema Summary: One in a three part series made to facilitate the work of the TRC, this focuses on the story of Siphiwo Mtim- kulu, a prominent student leader in the Eastern Cape who was shot, detained and tortured by the security police. "GUFSIJTSFMFBTFJUXBTFTUBCMJTIFEUIBUIFIBECFFOQPJTPOFEBOEJO"QSJMIFBOEBGSJFOEEJTBQQFBSFEBOE were never seen again. SIX DAYS IN SOWETO :FBS-FOHUINJO %JSFDUPS"OUPOZ5IPNBT 1SPEVDUJPO$PNQBOZ"57/FUXPSL 4VNNBSZ.BEFJO UIJTGJMNEFBMTXJUIUIF4PXFUPVQSJTJOHPGUIFQSFWJPVTZFBS XIJDICFHBOXIFOTUVEFOUT at a number of schools, who set out to demonstrate against the use of Afrikaans as a medium of instruction, were confronted and shot at by the police. It also covers the hostel massacres of 23rd to 25th August.

SOLOMON PLAATJE: A MAN FOR OUR TIME :FBS-FOHUINJO %JSFDUPS+BOF5IBOEJ-JQNBO Production Company: Current Affairs Films for e.tv 4VNNBSZ#FTJEFTCFJOHBXSJUFSBOEKPVSOBMJTUPGEJTUJODUJPO 4PMPNPO5TIFLJTP1MBBUKF XBTBMTPUIFGJSTU TFDSFUBSZHFOFSBMPGUIF4PVUI"GSJDBO/BUJWF/BUJPOBM$POHSFTT UIFQSFEFDFTTPSPGUIF"/$5IJTQSPHSBNNFQSFT- ents an account of his life, ending with his role as a spokesperson for dispossessed Africans.

t4")""VEJPWJTVBM"VEJU3FQPSU SONG OF THE SPEAR :FBS-FOHUINJO %JSFDUPS#BSSZ'FJOCFSH 1SPEVDUJPO$PNQBOZ*OUFSOBUJPOBM%FGFODF"JE'VOEGPS4PVUIFSO"GSJDB 4VNNBSZ %VSJOH UIF BOUJBQBSUIFJE TUSVHHMF UIF "/$ QSPNPUFE UIF BSUT BT B XBZ PG DVMUJWBUJOH B TQJSJU PG SFWPMU amongst the people. This film focuses on the work of the cultural ensemble Amandla as an instrument of mobilisa- tion, combining extracts from a stage performance with archival footage shot inside South Africa.

SONGOLOLO: VOICES OF CHANGE :FBS-FOHUINJO %JSFDUPS.BSJBOOF,BQMBO Production Company: MSK Productions Summary: This Canadian documentary portrays aspects of the emergent post-apartheid culture, born of the collective hopes, aspirations and memories of black South Africans. More specifically it focuses on the lives and work of writer- storyteller Gcina Mhlophe and poet-musician Mzwakhe Mbuli.

SOUTH AFRICA BELONGS TO US: FIVE PORTRAITS OF WOMEN UNDER APARTHEID :FBS-FOHUINJO %JSFDUPS$ISJT"VTUJO Production Company: Gerhard Schmidt Produktion 4VNNBSZ4IPUGPVSZFBSTBGUFSUIF4PXFUPVQSJTJOHPG UIJTEPDVNFOUBSZTIPXTUIBU BUUIFUJNF OPUNVDIIBE changed in South Africa. By focusing on the daily lives of five black women, it depicts the dehumanizing reality of life under apartheid.

SOUTH AFRICA LOVES JESUS :FBS-FOHUINJO Producer: Hugh Burnett Production Company: BBC 4VNNBSZ.BEFBUUIFUJNFUIBUUIF"SDICJTIPQPG$BOUFSCVSZ %S.JDIBFM3BNTFZ XBTWJTJUJOHUIFDPVOUSZ UIJTSF- port touches upon various aspects of religion in South Africa, but focuses especially on the possible confrontation CFUXFFOUIFTUBUFBOETPNFPGUIF&OHMJTIMBOHVBHFDIVSDIFT BTXFMMBTUIFSPMFPGUIF%VUDI3FGPSNFE$IVSDI

SOUTH AFRICA: THE BLACK MAN’S BURDEN :FBS-FOHUINJO %JSFDUPS%BWJE8JDLIBN Production Company: BBC Summary: The BBC’s Panorama programme asks a number of black South Africans to comment on the state of the OBUJPOJO FTQFDJBMMZJOWJFXPGSFDFOUMZJOUSPEVDFEDIBOHFTJOUIFBQBSUIFJEMBXT XIJDIBSFHFOFSBMMZTFFOBT cosmetic. Those interviewed include union organiser Elijah Barayi and actor Peter Se-Puma.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt SOUTH AFRICA: THE NUCLEAR FILE :FBS-FOHUINJO %JSFDUPS1FUFS%BWJT Production Company: Villon Films 4VNNBSZ5IJTEPDVNFOUBSZGPMMPXTVQTPNFBMMFHBUJPOTNBEFJOUIFCPPLi5IFOVDMFBSBYJTwCZ;EFOFL$FSWFOLBBOE Barbara Rogers, notably the involvement of firms in the United States and West Germany in the transfer of nuclear technology to South Africa.

SOUTH AFRICA: THE WASTED LAND :FBS-FOHUINJO %JSFDUPS+BNJF)BSU[FMM 1SPEVDUJPO$PNQBOZ%FCPOBJS1SPEVDUJPOTGPS$IBOOFM 4VNNBSZ5IJTEPDVNFOUBSZTIPXTUIBUPOFPGUIFVOJOUFOEFEDPOTFRVFODFTPGBQBSUIFJEIBTCFFOJUTDPOUSJCVUJPO to the devastation of the South African landscape, with much of the country’s wealth having been created at the expense of the environment.

SOUTH AFRICA: THE WHITE LAAGER :FBS-FOHUINJO %JSFDUPS1FUFS%BWJT 1SPEVDUJPO$PNQBOZ6OJUFE/BUJPOT 8(#) 4WFSJHFT3BEJP7JMMPO'JMNT 4VNNBSZ1SPEVDFEUIFZFBSBGUFSUIF4PXFUPVQSJTJOHPG UIJTGJMNVTFTBSDIJWBMSFFOBDUNFOUT OFXTSFFMNBUFSJBM and documentary footage to focus on the Afrikaner and the ideological thinking behind his apartheid policy, as well as its eventual political purpose.

SOUTH AFRICA TODAY: A QUESTION OF POWER :FBS-FOHUINJO %JSFDUPS3VTTFMM,BZ 1SPEVDUJPO$PNQBOZ,57/FXTGPS1"(* 1UZ -UE 4VNNBSZ.BEFJO UIJTQSPHSBNNFUBLFTBMPPLBUUIFQPMJUJDBMTJUVBUJPOJO4PVUI"GSJDBBUUIFUJNFUISPVHIUIF FZFTPGUXPOFXTQBQFSFEJUPSTo5FSUJVT.ZCVSHIPGUIF4VOEBZ5JNFTBOE1FSDZ2PCP[BPGUIF$JUZ1SFTT*OUIF QSPDFTTJUTQFDVMBUFTPOUIFQPTTJCJMJUJFTPGBKVTUBOEFRVJUBCMFGVUVSFGPSUIFDPVOUSZ

A SOUTH AFRICAN LOVE STORY: WALTER AND ALBERTINA SISULU :FBS-FOHUINJO %JSFDUPS5POJ4USBTCVSH Production Company: Xoxa Productions Summary: The first half of this documentary is a straightforward account of Walter and Albertina Sisulu’s involvement in the anti-apartheid struggle, while the second half deals more specifically with the family as a whole and includes interviews with their children, who discuss the importance of their mother’s role.

t4")""VEJPWJTVBM"VEJU3FQPSU SOUTH AFRICA’S KILLING GROUND :FBS-FOHUINJO %JSFDUPS(FPSHF$BTF Production Company: Twenty Twenty Television for BBC 4VNNBSZ6QUPFBSMZ TPNF QFPQMFIBECFFOLJMMFEJOUIFQPMJUJDBMWJPMFODFUIBUFOHVMGFE/BUBM5IJTQSP- HSBNNFFYQMBJOTUIFCBDLHSPVOEUPUIFDMBTIFTCFUXFFO*OLBUIBPOUIFPOFIBOEBOEUIF"/$6%'POUIFPUIFS *UQSFTFOUTBOVNCFSPGDBTFIJTUPSJFTBOERVFTUJPOTUIFQFSDFJWFEJOBDUJWJUZPGUIF4"14

SOWETO: A HISTORY :FBS-FOHUINJO %JSFDUPS"OHVT(JCTPO Production Company: Free Filmmakers Summary: Originally transmitted as a three-part series, each consisting of two episodes, this programme traces the his- UPSZPG4PXFUP GSPNUIFFBSMZEBZTPG+PIBOOFTCVSHBOEUIFDJUZTEFDJTJPOJOUPEFWFMPQBTFQBSBUFSFTJEFOUJBM BSFBGPSJUTCMBDLXPSLFST UPUIFQFSJPEKVTUCFGPSFUIFFMFDUJPOT

SOWETO BLUES :FBS-FOHUINJO %JSFDUPS'BJUI*TJBLQFSF Production Company: Moments Entertainment Summary: A documentary commissioned to commemorate the 30thBOOJWFSTBSZPGUIF4PXFUPVQSJTJOHPG UIJT film focuses primarily on the response of musicians to that fateful day, from Hugh Masekela, who composed “Sowe- UPCMVFTwXIJMFJOFYJMFJO(IBOB UP.CPOHFOJ/HFNB XIPXSPUFUIFTUBHFNVTJDBMi4BSBGJOBw

THE SOWETO UPRISING :FBSNJO %JSFDUPS,BUF5PXOTFOE Production Company: BBC & SABC 4VNNBSZ0OUIFNPSOJOHPGth+VOF UIFTDIPPMDIJMESFOPG4PXFUPUPPLUPUIFTUSFFUTUPQSPUFTUBHBJOTUUIF imposition of Afrikaans as a medium of instruction. This documentary, made to commemorate the 30th anniversary of the occasion, traces the events of that day and discusses their significance.

SPEAR OF THE NATION :FBS-FOHUINJO %JSFDUPST*BO4UVUUBSE%BWJE5FSFTIDIVL Production Company: Thames Television 4VNNBSZ.BEFJO KVTUGPVSZFBSTQSJPSUPUIFSFMFBTFPG/FMTPO.BOEFMB UIJT#SJUJTIUFMFWJTJPOEPDVNFOUBSZ QSFTFOUTBOJOUSPEVDUJPOUPUIFPSJHJO HSPXUIBOEQPMJDJFTPGUIF"GSJDBO/BUJPOBM$POHSFTT GSPNJUTGPVOEJOHBU the turn of the century, to its commitment to the liberation struggle in all its forms.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt THE SPIRIT OF NO SURRENDER :FBS-FOHUINJO %JSFDUPS/PLVUIVMB.B[JCVLP Production Company: Thulacreative for SABC Education 4VNNBSZ5IFSFIBWFCFFOBOVNCFSPGEPDVNFOUBSJFTPOUIF4PXFUPTUVEFOUVQSJTJOH CVUMFTTBUUFOUJPOIBT been paid to the activist teachers who, against impossible odds, tried to educate, protect and conscientise their charges. This programme focuses on the experiences of three of them.

STEVE BIKO: JOURNEY OF THE SPIRIT :FBS-FOHUINJO %JSFDUPS.BUTFNFMB.BOBLB 1SPEVDUJPO$PNQBOZ&LIBZB5FOUGPS4"#$ Summary: Made to commemorate the twentieth anniversary of Steve Biko’s death, this programme is not so much a biography as a tribute to the Black Consciousness leader’s social, cultural and political legacy. It is structured around interviews with a number of people who knew him or were influenced by his writings.

STOPPING THE MUSIC :FBS-FOHUINJO %JSFDUPS%PVH.JUDIFMM Production Company: Freemuse & Cutting Grooves 4VNNBSZ%VSJOHUIFBQBSUIFJEFSB 3PHFS-VDFZXBTPOFPGBOVNCFSPGXIJUFNVTJDJBOTXIPNBEFUIFJSWJFXTLOPXO UISPVHIUIFMZSJDTPGUIFJSTPOHTBOETVCTFRVFOUMZCFDBNFUBSHFUTPGUIFTFDVSJUZQPMJDF"TTJHOFEUPIJTDBTFXBT Paul Erasmus. This documentary traces their relationship.

THE STORY OF UMKHUMBANE-CATO MANOR: WHOSE LAND? WHOSE MEMORY? :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE 1SPEVDUJPO$PNQBOZ.FEJB3FTPVSDF$FOUSF 6OJWFSTJUZPG/BUBM 4VNNBSZ$BUP.BOPS BMTPLOPXOBT6NLIVNCBOF JTTJUVBUFEKVTUPVUTJEF%VSCBO*UXBTBOFBSMZWJDUJNPGUIF Group Areas Act and this video presents a history of the area, recalling the story of the forced removals through the recollections of former residents.

A STRANGER IN A STRANGE LAND: PAUL SIMON IN SOUTH AFRICA :FBS-FOHUINJO %JSFDUPS)BSSJFU(BWTIPO Production Company: Free Filmmakers 4VNNBSZ*O BGUFSNBOZZFBSTPGTVQQPSUJOHUIFDVMUVSBMCPZDPUU 1BVM4JNPOEFDJEFEUPWJTJU4PVUI"GSJDB)F IBEUIFTVQQPSUPGNBOZPSHBOJTBUJPOT JODMVEJOHUIF"/$ UIPVHINFNCFSTPG";"10PQQPTFEJU5IJTGJMNGPM- MPXTFWFOUTPWFSBQFSJPEPGGJWFEBZTQSFDFEJOHUIFGJSTUDPODFSUJO+PIBOOFTCVSH

t4")""VEJPWJTVBM"VEJU3FQPSU STREETS ON FIRE (SERIES: PETROL BOMBS & BAD HAIR DAYS) :FBS-FOHUINJO %JSFDUPS#FSUSBN'SFEFSJDLT Production Company: Ancestral Voices Pictures for SABC Summary: Thousands of people were affected by the violence that engulfed townships like KTC and Crossroads in the 8FTUFSO$BQFJOUIFT*OUIJTGJMNGPVSXPNFOSFDBMMUIFFWFOUTPGUIPTFEBZTBOEUIFJSQBSUJOUIFN4PNF continue to live with the trauma they experienced and are still trying to come to terms with the past.

STRENGTH IN UNITY: THE 1976 CAPE TOWN UPRISING :FBS-FOHUINJO 'JMNNBLFST"MFYBOESB"MMFN/JDIPMBT.FSSFUU 1SPEVDUJPO$PNQBOZ%FQBSUNFOUPG)JTUPSJDBM4UVEJFT 6OJWFSTJUZPG$BQF5PXO 4VNNBSZ8IFO BGUFSUIF4PXFUPVQSJTJOHTPG UIF$BQF5PXOTDIPPMTSFPQFOFE UIFTUVEFOUTPGUIF$BQF'MBUT also took to the streets. This film makes use of archival footage, still photographs and the reminiscences of those involved to trace events in the Cape Peninsula over these weeks.

THE STRUGGLE FROM WITHIN :FBS-FOHUINJO %JSFDUPS,FWJO)BSSJT Production Company: Kevin Harris Productions for South African Council of Churches 4VNNBSZ$PNQJMFEGSPNGPPUBHFTIPUEVSJOHBOE UIJTQSFTFOUTBOPWFSWJFXPGQPMJUJDBMMZJNQPSUBOUFWFOUT in the people’s struggle against apartheid. It contrasts the official view as presented by the SABC with those ex- pressed by government opponents, especially individuals involved with the SACC.

STRYDOM IS VERY, VERY DEAD :FBS-FOHUINJO %JSFDUPS1VMF%JQIBSF Production Company: Films 2 People for e.tv 4VNNBSZ1SFUPSJBT4USZEPN4RVBSFXBTOBNFEBGUFS+(4USZEPN 1SJNF.JOJTUFSPG4PVUI"GSJDBGSPNUP XIPXBTBGJSNCFMJFWFSJOBQBSUIFJE5IJTJTUIFGJMNNBLFSTQFSTPOBMWJFXPGUIFTRVBSFBOEJUTTVSSPVOEJOHT XIFSF JO XIJUFFYUSFNJTU#BSFOE4USZEPNXFOUPOBTIPPUJOHTQSFF

SUFFER THE CHILDREN: A REPORT FROM INSIDE SOUTH AFRICA :FBS-FOHUINJO %JSFDUPS/JDIPMBT$MBYUPO Production Company: Penumbra Productions for BBC Summary: This television programme focuses primarily on the suffering of black children under the then prevailing State of Emergency. Their demand for political change through both violent and peaceful means has placed them in the forefront of the struggle and a number of them testify to the brutal treatment they have received.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt THE SUN WILL RISE :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE 1SPEVDUJPO$PNQBOZ7/4 4VNNBSZ5IJTGJMN NBEFJO GJSTUGPDVTFTPOTJYZPVOHNFOXIP BUUIFUJNF XFSFVOEFSTFOUFODFPGEFBUIGPS high treason. The parents of two of them, as well as the mother of Solomon Mahlangu, affirm their support, while a number of other young people assert their commitment to the armed struggle.

TAKE A PLACE LIKE CANAAN :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE 1SPEVDUJPO$PNQBOZ"VEJP7JTVBM"MUFSOBUJWFT 6OJWFSTJUZPG/BUBMGPS#MBDL4BTI 4VNNBSZ$BOBBOXBTBDPNNVOJUZPGTRVBUUFSTXIPIBETFUUMFEPOWBDBOUMBOEPXOFECZUIF%FQBSUNFOUPG5SBOTQPSU POUIFQFSJQIFSZPGUIFDJUZPG%VSCBO8IFOUIJTGJMNXBTNBEFUIFQFPQMFXFSFVOEFSUISFBUPGFWJDUJPOCZUIF authorities.

THABO MBEKI: RENAISSANCE MAN :FBS-FOHUINJO %JSFDUPS%BMJ5BNCP Production Company: Southern Streams for SABC Summary: Originally transmitted to coincide with Thabo Mbeki becoming the second democratically elected president PG4PVUI"GSJDB UIJTUXPQBSUQSPHSBNNFUSBDFTIJTSJTFJOUIFMFBEFSTIJQPGUIF"/$BOEQSFTFOUTBOPWFSWJFXPG his thinking on a wide range of subjects. It incorporates extracts from some of his speeches.

THEMBA HARRY GWALA: SOUTH AFRICAN REVOLUTIONARY :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE Production Company: Inkululeko Productions Summary: An interview with Harry Gwala, a long-time trade unionist, during which he talks about his membership of UIF4"$1BOEUIF"/$ UIFEJGGFSFODFTJOQPQVMBSNPPEBGUFSIJTSFMFBTFGSPNQSJTPOJOBOESFTQFDUJWFMZ UIFDPOGMJDUCFUXFFO6%'$04"56BOE*OLBUIB BOEUIFJTTVFTUIBUIFSFHBSETBTOPOOFHPUJBCMF

THIS CRAZY THING CALLED GRACE :FBS-FOHUINJO %JSFDUPS+PFMMF$IFTTFMFU 1SPEVDUJPO$PNQBOZ%PYB1SPEVDUJPOT 4VNNBSZ'PSNBOZZFBST%FTNPOE5VUVIBTCFFOPOFPGUIFNPTUQSPNJOFOUQFSTPOBMJUJFTJO4PVUI"GSJDB GJSTUBT Archbishop of Cape Town and, at the time this film was made, as Chairperson of the Truth & Reconciliation Com- mission. The programme alternates interviews with him with extracts from the TRC hearings.

t4")""VEJPWJTVBM"VEJU3FQPSU THIS WE CAN DO FOR JUSTICE AND FOR PEACE :FBS-FOHUINJO %JSFDUPS,FWJO)BSSJT Production Company: Kevin Harris Productions for South African Council of Churches Summary: A film made for the SACC intended to confirm the organisation’s commitment against apartheid. It focuses QSJNBSJMZPOUIF(FOFSBM4FDSFUBSZ #JTIPQ%FTNPOE5VUV BOEIJTJNNFEJBUFQSFEFDFTTPS UIF3FW1FUFS4UPSFZ Specifically singled out for attack are the Group Areas Act and the migrant labour policy.

THOSE GLOWING EYES: LETTER FROM SOUTHERN AFRICA :FBS-FOHUINJO %JSFDUPST4JNPO8JMLJF3JDIBSE1BLMFQQB 1SPEVDUJPO$PNQBOZ%FOBMJ 4VNNBSZ*O UIFQFPQMFPG3JFNWBTNBBLJOUIF/PSUIFSO$BQFXFSFUBLFOGSPNUIFJSQMBDFPGCJSUIBOETDBUUFSFE throughout South and South West Africa. Twenty-one years later they are finally able to return to their homeland and UIJTGJMNGPMMPXTPOFHSPVQBTUIFZQBDLVQUIFJSCFMPOHJOHTBOEMFBWF%F3JFUJO%BNBSBMBOE

THROUGH MY EYES: BLANCHE LA GUMA :FBS-FOHUINJO %JSFDUPS-VDJMMB#MBOLFOCFSH Production Company: Idol Pictures for SABC Summary: After spending some 30 years in exile, Blanche La Guma, the widow of writer Alex La Guma, returned to South Africa and now lives in Cape Town. In this film she speaks to filmmaker Lucilla Blankenberg about her life, her marriage and her involvement in the anti-apartheid struggle as a member of the SACP.

TIDE MARKS: LEGACIES OF APARTHEID :FBS-FOHUINJO %JSFDUPS4BSBI"CCPUU Production Company: Amoeba Works Summary: The Khulumani Support Group campaigns for reparations from the authorities and from companies who benefited from the apartheid policies. In this film its work is seen through the eyes of three members, as well as through those of Shirley Gunn, at the time Chairperson of the Western Cape chapter.

TO BE AGAINST APARTHEID IS NORMAL: AFRIKAANS WRITERS MEET THE ANC :FBS-FOHUINJO %JSFDUPS3JDIBSE8JDLTUFFE Production Company: Capricorn Video Unit 4VNNBSZ*O+VMZ BEFMFHBUJPOPG"GSJLBBOTXSJUFST QPFUT DSJUJDTBOEBDBEFNJDTUSBWFMMFEUP7JDUPSJB'BMMTUP NFFUXJUINFNCFSTPGUIFDVMUVSBMXJOHPGUIF"/$0WFSBOVNCFSPGEBZT UIPTFBUUFOEJOHUPPLQBSUJOBTFSJFTPG discussions covering a variety of issues. This film presents an account of these deliberations.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt TOO FAR APART :FBS-FOHUINJO %JSFDUPS-J['JTI Production Company: BBC 4VNNBSZ"UUIFUJNFUIJTQSPHSBNNFXBTNBEF JUXBTFTUJNBUFEUIBUUIFSFXFSFTPNF 4PVUI"GSJDBOESBGU evaders in London alone. The video takes a look at the lives of these young men who chose to go into exile rather UIBOTFSWFJOUIF4PVUI"GSJDBO%FGFODF'PSDF

TOOTHLESS TIGERS?: THE DEMOBILISATION OF SOUTH AFRICAN FREEDOM FIGHTERS :FBS-FOHUINJO Filmmakers: Lars Henry Andersen, Tammy Gardner, Andreas Mansholt & Vuyile Cameron Voyiya 1SPEVDUJPO$PNQBOZ%FQBSUNFOUPG)JTUPSJDBM4UVEJFT 6OJWFSTJUZPG$BQF5PXO 4VNNBSZ%VSJOHUIFBQBSUIFJEZFBST NBOZZPVOH4PVUI"GSJDBOTMFGUUIFDPVOUSZUPKPJOUIFBSNFETUSVHHMF8IFO BGUFSUIFFMFDUJPO UIFZSFUVSOFEGSPNFYJMF TPNFIPQFEUPCFDPNFQFSNBOFOUNFNCFSTPGUIF4PVUI"GSJDBO %FGFODF'PSDF5IJTQSPHSBNNFUBLFTBMPPLBUIPXUIFJSJOJUJBMIPQFTGPSUIFGVUVSFXFSFEBTIFE

TREKKING TO UTOPIA :FBS-FOHUINJO %JSFDUPS.JDIBFM)BNNPO 1SPEVDUJPO$PNQBOZ.FUSPGJMNGPS;%' 4VNNBSZ.BEFCFGPSFUIFFMFDUJPO UIJTGJMNUSBWFMTBMPOHSPVUFTUBLFOCZUIFPSJHJOBM7PPSUSFLLFSTJOUPSVSBM South Africa in order to listen to ordinary Afrikaners expressing their often conflicting views on the political changes GBDJOHUIFDPVOUSZ5IFZSBOHFGSPNNFNCFSTPGUIF"8#UPBGBSNFSXIPCFMPOHTUPUIF"/$

TRUE CONFESSIONS OF AN ALBINO TERRORIST :FBS-FOHUINJO %JSFDUPS/JHFM8JMMJBNT Production Company: BBC Summary: An interview with Afrikaans author Breyten Breytenbach, conducted one year after his release from prison JO)FUBMLTBCPVUBOVNCFSPGJTTVFT CVUUIFCVMLPGUIFQSPHSBNNFEFBMTXJUIIJTFYQFSJFODFTJOQSJTPO GJSTU in Pretoria Central and then in Pollsmoor, near Cape Town.

A TRULY WONDERFUL ADVENTURE (SERIES: PETROL BOMS & BAD HAIR DAYS) :FBS-FOHUINJO %JSFDUPS-FEFSMF#PTDI Production Company: Idol Pictures for SABC 4VNNBSZ'PSNBOZZPVOHQFPQMFUIFQSPUFTUTUIBUXFSFTQSFBEJOHUISPVHIPVUUIFDPVOUSZJOUIFTXFSFUPCFB defining period in their lives. In this programme director Lederle Bosch relives those days and talks to a range of his fellow activists about what motivated them and what they remember most vividly.

t4")""VEJPWJTVBM"VEJU3FQPSU TRY FREEDOM :FBS-FOHUINJO %JSFDUPS$MJGGPSE#FTUBMM 1SPEVDUJPO$PNQBOZ.BJM(VBSEJBO5FMFWJTJPOGPS4"#$57/FX;FBMBOE 4VNNBSZ8IFOUIF/FX;FBMBOE3VHCZ6OJPOJOWJUFEUIF4QSJOHCPLUFBNUPUPVSUIFDPVOUSZJO JUDBVTFEBO enormous conflict between rugby fans and those supporting the sports boycott. This programme re-examines the tour and assesses its impact on both players and politicians.

TSIAMELO: A PLACE OF GOODNESS :FBS-FOHUINJO %JSFDUPS#FUUZ8PMQFSU Production Company: E. Wolpert Productions 4VNNBSZ8IJMFWJTJUJOH-POEPO &MMFO,V[XBZPSFDBMMTUIBU JO 4PM51MBBUKFXBTUIFSFBTQBSUPGB4PVUI"GSJDBO /BUJWF/BUJPOBM$POHSFTTEFMFHBUJPO4IFUBMLTBCPVUIFSGBNJMZTGSJFOETIJQXJUIUIFBVUIPSBOEUIFOSFUVSOTUP 5IBCB/DIVXIFSFIFSFMEFSMZBVOUBOEPUIFSTEFTDSJCFIPXUIFJSGBNJMJFTXFSFEJTQPTTFTTFEPGUIFJSGBSNT

TSIETSI, MY HERO :FBS-FOHUINJO %JSFDUPS1PSUJB3BOLPBOF Production Company: Gatirisano Productions 4VNNBSZ5TJFUTJ.BTIJOJOJ BZFBSPMETUVEFOUBUUIF.PSSJT*TBBDTPO)JHI4DIPPM XBTBMFBEFSBOETQPLFTQFSTPO PGUIF4PXFUPTUVEFOUVQSJTJOHPG5IJTEPDVNFOUBSZQSFTFOUTBOBDDPVOUPGIJTMJGFBOEUIFJNQBDUIFIBEPO the politics of his generation.

TUTU :FBS-FOHUINJO Producer: Christine Morgan Production Company: BBC Manchester 4VNNBSZ%VSJOHUIFIFBSJOHTPGUIF53$ BOVNCFSPGEPDVNFOUBSJFTXFSFNBEFBCPVUJUT$IBJSNBO "SDICJTIPQ %FTNPOE5VUV5IJTQBSUJDVMBSPOFXBTNBEFGPSUIF##$T&WFSZNBOTFSJFTBOEUPVDIFTVQPOBHSFBUNBOZJTTVFT discussing the milestones of his career as well as aspects of his personality.

TWELVE DISCIPLES OF NELSON MANDELA :FBS-FOHUINJO %JSFDUPS5IPNBT"MMFO)BSSJT Production Company: Chimpanzee Productions for Independent Television Service 4VNNBSZ"GUFSUIF"/$XBTCBOOFEJO 1VMFi-FFw-FJOBFOHXBTPOFPGBHSPVQPGUXFMWFZPVOHNFNCFSTXIP chose to go into exile and continue the anti-apartheid struggle from abroad. This film discusses his life in Bloemfon- tein against the background of the political events of the day and traces the group’s journey.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt TWO DECADES STILL :FBS-FOHUINJO %JSFDUPS,IBMP.BUBCBOF Production Company: The Gatehouse for SABC3 4VNNBSZ0O+VOFth UIFTDIPPMDIJMESFOPG4PXFUPUPPLUPUIFTUSFFUTUPQSPUFTUBHBJOTUUIFVTFPG"GSJLBBOTBT a medium of instruction. In this programme, commissioned to commemorate the 20th anniversary, some of those involved recall the events that played such an important part in the liberation struggle.

THE TWO RIVERS :FBS-FOHUINJO %JSFDUPS.BSL/FXNBO Production Company: Murunzi Motion Picture Company Summary: In this documentary Rashaka Ratshitanga, a Venda writer and poet, chronicles the cultural and social history of his people. Beginning in the land of his ancestors, he then travels to Soweto, explaining how a new culture, much of it centred on the struggle against apartheid, was formed.

ULIBAMBE LINGASHONI: THE ANC AND POPULAR POWER IN THE MAKING :FBS-FOHUIYNJO %JSFDUPST-FTMFZ-BXTPO #SJBO5JMMFZ -BVSFODF%XPSLJO $MBSFODF)BNJMUPO.PLPOFOZBOB.PMFUF Production Company: Afravision for Toron & Thebe Investment Corporation Summary: A documentary series that uses archival footage and interviews with many individuals to trace the history of UIF"GSJDBO/BUJPOBM$POHSFTTBOEUIFHSPXUIPGUIFMJCFSBUJPONPWFNFOUJOGJWFQBSUT 3PPUTPGTUSVHHMF &OUFSUIFNBTTFT 4VCNJUPSGJHIU 5IFOFXHFOFSBUJPO BOE /PUUIFLJOHTBOEHFOFSBMT

THE UNBANNINGS AND MANDELA FREED :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE 1SPEVDUJPO$PNQBOZ7/4 4VNNBSZ5IJTWJEFPGPDVTFTWFSZMBSHFMZPOUIFFWFOUTPG'FCSVBSZ GSPNUIFNBSDIPOQBSMJBNFOU '8EF ,MFSLTBOOPVODFNFOUUIBUUIFSFTUSJDUJPOTQMBDFEPOUIF"/$BOEPUIFSPSHBOJTBUJPOTXPVMECFMJGUFEBOEUIFSF- MFBTFPG/FMTPO.BOEFMB UPGPPUBHFPGUIFGJSTUPGGJDJBMNFFUJOHCFUXFFOUIFHPWFSONFOUBOEUIF"/$

UNDER THE VOLCANO :FBS-FOHUINJO Producers: Lasse Berg & Anders Ribbsjo Production Company: Sveriges Television 4VNNBSZ#FHJOOJOHJOUIFTBOEMBTUJOHBMNPTUUPUIFFOEPGBQBSUIFJEJOUIFFBSMZT UIF4PVUI"GSJDBOHPW- ernment carried out a campaign of destabilization against neighbouring states. This Swedish-made documentary WJTJUT"OHPMB .P[BNCJRVF #PUTXBOBBOE;JNCBCXFUPTIPXUIFFGGFDUPGUIFTFNJMJUBSZFYDVSTJPOT

t4")""VEJPWJTVBM"VEJU3FQPSU UNFINISHED BUSINESS :FBS-FOHUINJO %JSFDUPS,FWJO)BSSJT 1SPEVDUJPO$PNQBOZ+PVSOPDBN1SPEVDUJPOT 4VNNBSZ"NPOHTUUIPTFXIPMFGU4PVUI"GSJDBUPKPJO6NLPOUIPXF4J[XFJOFYJMFXBT5JNPUIZi$IJFGw4FSFNBOF XIPXBTTVCTFRVFOUMZFYFDVUFEBUUIF"/$T2VBUSP%FUFOUJPO$BNQJO"OHPMB5IJTQSPHSBNNFEFBMTXJUIUIF BUUFNQUPG$IJFGTPMEFSCSPUIFS +PF4FSFNBOF UPGJOEPVUUIFUSVUIBCPVUXIBUIBQQFOFE

THE UNFOLDING OF SKY (SERIES: LANDSCAPE OF MEMORY) :FBS-FOHUINJO %JSFDUPST"OUKJF,SPH3POFMMF-PPUT 1SPEVDUJPO$PNQBOZ%BZ;FSP'JMN7JEFPGPS4"$0%BOE4"#$ 4VNNBSZ*O %FCPSBI.BUTIPCBXBTEFUBJOFEGPSGJWFNPOUITBOEBHBJO JO GPSFJHIUFFONPOUIT8IJMF intention she was tortured and on the day of her release she was put under house arrest for five years. She was one of the many individuals who gave evidence to the TRC and in this film she talks to Antjie Krog.

THE UNTOLD TRUTH :FBS-FOHUINJO %JSFDUPS+PIO+PIO.LIPO[B Production Company: The BOMB for SABC Summary: One of a number of documentaries that were made to commemorate the 30thBOOJWFSTBSZPGUIF4PXFUP VQSJTJOH UIJTGFBUVSFTGJMNNBLFS+PIO+PIO.LIPO[BSFWJTJUJOH1IFGFOJ+VOJPS4FDPOEBSZ4DIPPMXJUIUISFFPGIJT classmates to talk about the events that led to these historic protests. VIVA MANDELA! :FBS-FOHUINJO %JSFDUPS7BSJPVT Production Company: Wadham Film Productions for Canon Collins Educational Trust 4VNNBSZ5IJTWJEFPXBTNBEFUPDFMFCSBUFUIFSFMFBTFPG/FMTPO.BOEFMBGSPNQSJTPOJO'FCSVBSZ6TJOHBS- DIJWBMNBUFSJBMBOEEPDVNFOUBSZGPPUBHF JUJTPOMZQBSUMZBCJPHSBQIZPGUIF"/$MFBEFS'PSUIFNPTUJUUSBDFTUIF restrictive legislation that has governed the lives of black South Africans, intercut with concert footage.

VOICES FOR NAMIBIA :FBS-FOHUINJO %JSFDUPS#BSSZ'FJOCFSH 1SPEVDUJPO$PNQBOZ*OUFSOBUJPOBM%FGFODF"JE'VOEGPS4PVUIFSO"GSJDB 4VNNBSZ0Oth+VMZ TPNFJOEJWJEVBMTUPPLQBSUJOBQSPEVDUJPOTUBHFEBUUIF#MPPNTCVSZ5IFBUSFJO-PO- don in aid of Archbishop Trevor Huddleston’s SWAPO Election Campaign Appeal. In this film extracts from the TUBHFQSPEVDUJPOBSFJOUFSDVUXJUIEPDVNFOUBSZGPPUBHFTIPUPOMPDBUJPOJO/BNJCJB

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt VOICES FROM PURGATORY :FBS-FOHUINJO %JSFDUPS3PFMBOE,FSCPTDI Production Company: Roeland Kerbosch Filmproduktie 4VNNBSZ4IPUDMBOEFTUJOFMZXIFOUIF%VUDIGJMNNBLFSWJTJUFE4PVUI"GSJDBBTBUPVSJTU UIJTEPDVNFOUBSZDPOTJTUTPG twelve short segments that deal, rather loosely, with various aspects of apartheid. It combines fairly innocuous footage with more pointed material and interviews with individuals involved in the liberation struggle.

VOICES FROM THE ISLAND :FBS-FOHUINJO %JSFDUPS"EBN-PX Production Company: Schadeberg Movie Company & BBC Summary: This documentary takes a look at the history of Robben Island, first as an asylum for mental patients and as a leper colony, and then as a place of exile for opponents of the governments of the day. Interviews with ex-political prisoners are intercut with archival material, photographs and documentary footage.

VUKANI – AWAKE! :FBS-FOHUINJO %JSFDUPS-JPOFM/HBLBOF 1SPEVDUJPO$PNQBOZ/PUDSFEJUFE 4VNNBSZ3FMFBTFEJO UIJTJTUIFGJSTUEPDVNFOUBSZBCPVUUIFQPMJUJDBMTJUVBUJPOJO4PVUI"GSJDBNBEFFYDMVTJWFMZ from a black filmmaker’s point of view. It explains how various discriminatory laws keep the African population in poverty and servitude.

WALTER SISULU: FATHER OF THE NATION :FBS-FOHUINJO %JSFDUPS#FBUB-JQNBO Production Company: Current Affairs Films 4VNNBSZ3FHBSEFEBTUIFFMEFSTUBUFTNBOPGUIF"/$ 8BMUFS4JTVMVXBTCPSOJO UIFZFBSJOXIJDIUIFPSHBOJ- sation was founded. This programme pays tribute to his role in the struggle and retraces his steps from the rural 5SBOTLFJVQUPIJTSFMFBTFGSPNQSJTPOUPXBSETUIFFOEPG

WANTED: SHIRLEY GUNN :FBS-FOHUINJO %JSFDUPS;VMGBI0UUP4BMMJFT Production Company: O’dacity Films 4VNNBSZ*O"VHVTU BCPNCXFOUPGGJO,IPUTP)PVTF BCVJMEJOHJO+PIBOOFTCVSHUIBUIPVTFEBOVNCFSPG BOUJBQBSUIFJEPSHBOJTBUJPOT5IFQPMJDFBOOPVODFEUIBUUIFZXFSFTFFLJOH4IJSMFZ(VOOXIPXBTTVCTFRVFOUMZ BSSFTUFEoUIPVHIJUXBTMBUFSBDLOPXMFEHFEUIBUBQPMJDFUFBNIBE JOGBDU CFFOSFTQPOTJCMF

t4")""VEJPWJTVBM"VEJU3FQPSU WE ARE THE ELEPHANT :FBS-FOHUINJO %JSFDUPS(MFOO6KFCF.BTPLPBOF Production Company: Ceddo Film & Video Workshop 4VNNBSZ"HFOFSBMPWFSWJFXPGCMBDLQPMJUJDBMBDUJWJUZJO4PVUI"GSJDBJOUIFT DPWFSJOHTUVEFOUJO- volvement, union meetings, alternative newspapers, cultural groups, etc. It includes an extract from #FOKZ'SBODJTTi#VSOJOHFNCFSTwCZUIF/BUJPOBM5IFBUSFPG"[BOJB

WE NEVER GIVE UP :FBS-FOHUINJO %JSFDUPS$BIBM.D-BVHIMJO Production Company: Human Rights Media Centre Summary: This documentary is a tapestry of stories told by eleven survivors of apartheid violence, represent- ing the harsh experiences of thousands of ordinary South Africans who participated in the TRC hearings or who, for various reasons, were excluded from it and never received any form of compensation for their sacrifices.

WE TELL OUR STORIES THE WAY WE LIKE: THE WIVES OF THE CRADOCK FOUR :FBS-FOHUINJO Filmmakers: Taryn da Canha, Gaironisa Parker & Lauren van Vuuren 1SPEVDUJPO$PNQBOZ%FQBSUNFOUPG)JTUPSZ 6OJWFSTJUZPG$BQF5PXO 4VNNBSZ*O+VOF GPVSPSHBOJTFSTPGUIF6OJUFE%FNPDSBUJD'SPOUJOUIF&BTUFSO$BQFXFSFNVSEFSFE by the security police. This video visits the Karoo town of Cradock and seeks out the widows of the four men in order to ask them about their own experiences, both before and after their husbands were killed.

WEBSTER SPIRIT :FBS-FOHUINJO %JSFDUPS.JLF"MESJEHF Production Company: Black Flag Productions 4VNNBSZ0O.BZst BOUJBQBSUIFJEBDUJWJTU%BWJE8FCTUFSXBTBTTBTTJOBUFEPVUTJEFIJT+PIBOOFT- burg home. This video presents a composite portrait of Webster, from his academic career as a social BOUISPQPMPHJTUUPIJTJOWPMWFNFOUXJUIPSHBOJTBUJPOTTVDIBTUIF%14$BOE/64"4

WEDNESDAY :FBS-FOHUINJO %JSFDUPS%BWJE.D,FO[JF 1SPEVDUJPO$PNQBOZ5IF#PNCGPS4"#$ 4VNNBSZ0O+VOFth DIJMESFOGSPNTFDPOEBSZBOEIJHITDIPPMTJO4PXFUPFNCBSLFEVQPOBQSPUFTU march against the compulsory use of Afrikaans as a medium of instruction. Combining the recollections of a few participants with selected archival footage, this programme recalls the events of that day.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt WHAT HAPPENED TO MBUYISA? :FBS-FOHUINJO %JSFDUPS'FJ[FM.BNEPP Production Company: Endemol Productions Summary: Though the name of Mbuyisa Makhubu may not be immediately familiar, the photograph of him carrying UIFCPEZPG)FDUPS1FUFSTPOFQJUPNJ[FTUIF4PXFUPVQSJTJOHPG5IJTGJMNUSBDFTUIFCBDLHSPVOEUPUIFQIPUP- graph and then tries to find out what happened to Mbuyisa.

WHEN I EAT CHOCOLATE I REMEMBER YOU :FBS-FOHUINJO %JSFDUPST3BNPMBP.BLIFOF "SUIVS.PMFQP1BUSJDL4IBJ Production Company: Free Filmmakers 4VNNBSZi4PQIJBUPXOw BNVTJDBMQMBZBCPVUUIFGPSDFESFNPWBMTPGUIFT XBTGJSTUQFSGPSNFEBUUIF.BSLFU5IF- BUSFJO+PIBOOFTCVSH5IJTGJMN QIPUPHSBQIFEBOEEJSFDUFECZUISFFNFNCFSTPGUIFDBTU SFDPSETUIFJSJNQSFTTJPOT of a four-week tour of Europe.

WHEN THE WAR IS OVER :FBS-FOHUINJO %JSFDUPS'SBODPJT7FSTUFS Production Company: Undercurrent Film & Television 4VNNBSZ%VSJOHUIFT UFFOBHFSTBDSPTT4PVUI"GSJDBKPJOFEUIFBSNFETUSVHHMFBHBJOTUBQBSUIFJE BOE#POUFIFV- wel, on the Cape Flats, became renowned for militant activism. After the fall of apartheid, its members had to find their own way in life and this documentary focuses on two such individuals.

WHEN YOU COME BACK HOME… (SERIES: THE HEART OF SOWETO) :FBS-FOHUINJO %JSFDUPS+FOOZ.PSHBO 1SPEVDUJPO$PNQBOZ%PVCMF&YQPTVSFGPS##$1FCCMF.JMM 4VNNBSZ5IJTQSPHSBNNFGPDVTFTPOUIFMJWFTPGUXP4PXFUPNPUIFSTo'MPSFODF8JMMJBNT POFPGXIPTFEBVHIUFST XBTTFOUUPKBJMJOGPSKPJOJOHUIF"/$ BOE/PNCVMFMP.BLIVCV POFPGXIPTFTPOTXBTUIFZPVOHNBOXIP QJDLFEVQUIFCPEZPG)FDUPS1FUFSTPOEVSJOHUIF4PXFUPVQSJTJOHPG

WHITE GIRL IN SEARCH OF THE PARTY: THE STORY OF PAULINE PODBREY AND H.A. NAIDOO (SERIES: LOVE STORIES) :FBS-FOHUINJO %JSFDUPS1BUSJDJBWBO)FFSEFO Production Company: Curious Pictures for SABC3 4VNNBSZ1BVMJOF1PECSFZXBTKVTUZFBSTPMEBOETUJMMBUTDIPPMXIFOTIFBUUFOEFEBNFFUJOHPGUIF$PNNVOJTU 1BSUZJO%VSCBOBOENFU)"/BJEPP UIFNBOXIPNTIFXBTUPNBSSZ5IJTJTUIFTUPSZPGUIFJSMJGFUPHFUIFS GJSTU in South Africa and later in exile in Hungary and Great Britain.

t4")""VEJPWJTVBM"VEJU3FQPSU WHITES AGAINST APARTHEID (SERIES: SOUTH AFRICA NOW) :FBS-FOHUINJO %JSFDUPS/PUDSFEJUFE Production Company: 5th Encounter Motion Picture Company 4VNNBSZ/PUBMMXIJUF4PVUI"GSJDBOTTVQQPSUUIFHPWFSONFOUTQPMJDJFTBOEUIJTQSPHSBNNFGPDVTFTPOTPNFPGUIF organisations and individuals that are actively engaged in the anti-apartheid struggle, namely the End Conscription $BNQBJHO UIF#MBDL4BTIBOEUIF+PIBOOFTCVSH%FNPDSBUJD"DUJPO$PNNJUUFF

WHITE LIES :FBS-FOHUINJO %JSFDUPS1BVM:VMF 1SPEVDUJPO$PNQBOZ#FSXJDL6OJWFSTBM1JDUVSFT$BTF5FMFWJTJPOGPS$IBOOFM 4VNNBSZ"IJTUPSZPGUIF*OUFSOBUJPOBM%FGFODFBOE"JE'VOEGPS4PVUIFSO"GSJDB GPVOEFEJOUIFFBSMZTCZ $BOPO+PIO$PMMJOTPG4U1BVMT$BUIFESBM XIJDITFDSFUMZVOEFSQJOOFEUIFBOUJBQBSUIFJETUSVHHMFPWFSBQFSJPEPG forty years. WHITER THAN WHITE :FBS-FOHUINJO %JSFDUPS(VZ4QJMMFS Production Company: Lizardfilm 4VNNBSZ*OUIJTGJMNBXIJUFXPSLJOHDMBTTGBNJMZXBUDIFTUIFSFMFBTFPG/FMTPO.BOEFMBPOUFMFWJTJPOBOEDPNNFOUT EJTQBSBHJOHMZPOUIFFGGFDUUIJTXJMMIBWFPOUIFiXIJUFOFTTwPGCMBDLT XIJMFSFHSFUUJOHUIFGBDUUIBU8JU8PMG#BSFOE Strydom remains in jail.

WINNIE MANDELA: UNDER APARTHEID :FBS-FOHUINJO 1SPEVDFS1FUFS%BWJT 1SPEVDUJPO$PNQBOZ/BUJPOBM#MBDL1SPHSBNNJOH$POTPSUJVN7JMMPO'JMNT 4VNNBSZ%VSJOHUIFZFBSTUIBU/FMTPO.BOEFMBTQFOUJOQSJTPO IJTXJGF 8JOOJF JODSFBTJOHMZSFQSFTFOUFEIJNUP UIFPVUTJEFXPSME%FTQJUFDPOUJOVBMIBSBTTNFOUCZUIFTFDVSJUZQPMJDF IFSTUSFOHUIBOEGPSUJUVEFQPTFEBOPOHPJOH challenge to white supremacy. This film presents an introduction to her life under apartheid.

WINNIE: THE POLITICS OF VIOLENCE :FBS-FOHUINJO %JSFDUPS#FBUB-JQNBO Production Company: Targacatch 4VNNBSZ"UUIFUJNFUIJTGJMNXBTNBEF 8JOOJF.BOEFMBXBTQSPCBCMZUIFNPTUDPOUSPWFSTJBMGJHVSFJOUIF"/$ Made just after her conviction in an assault trial, the programme takes a closer look at the woman who, despite years of harassment, carried on a resolute fight against government repression.

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt WORKING FOR BRITAIN :FBS-FOHUINJO %JSFDUPS"OUPOZ5IPNBT 1SPEVDUJPO$PNQBOZ"57/FUXPSL 4VNNBSZ*O XIFOUIJTEPDVNFOUBSZXBTNBEF (SFBU#SJUBJOXBT4PVUI"GSJDBTMBSHFTUUSBEJOHQBSUOFSBOE British-owned or controlled firms were estimated to employ some 250,000 black workers. The film sets out to show that, on the whole, these workers had not benefited from this relationship.

WORKING FOR THE WORKERS :FBS-FOHUINJO %JSFDUPS4IFMMFZ8FMMT 1SPEVDUJPO$PNQBOZ7/4 4VNNBSZ"QPSUSBJUPG+PIO(PNPNP BOFNQMPZFFPGUIF7PMLTXBHFOQMBOUJO6JUFOIBHFXIPSPTFUISPVHIUIFSBOLT PG/6.4"UPCFFMFDUFEQSFTJEFOUPG$04"56JO

YOU HAVE STRUCK A ROCK! :FBS-FOHUINJO 1SPEVDFS%FCPSBI.BZ 1SPEVDUJPO$PNQBOZ6OJUFE/BUJPOT Summary: A documentary that recalls women’s involvement in the anti-pass campaign, from the first protests to the NBSDIUIBUUPPLQMBDFJO1SFUPSJBJO"VHVTU XIFO XPNFOEFMJWFSFEBQFUJUJPOUPUIF1SJNF.JOJTUFST office.

YOUNG LIONS :FBS-FOHUINJO %JSFDUPS,IBMP.BUBCBOF Production Company: M&G TV for SABC3 4VNNBSZ%VSJOHUIFT NBOZZPVOHQFPQMFCFDBNFJOWPMWFEJOUIFBOUJBQBSUIFJETUSVHHMFBOE BTTUVEFOUBDUJW- ists, were part of the ‘young lions’ who fought to bring down the regime. This documentary examines what happened to the youth of the time and assesses the price they paid for their involvement.

t4")""VEJPWJTVBM"VEJU3FQPSU 5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt SUBJECT INDEX - LIBERATION STRUGGLE DOCUMENTARIES

African National Congress "GSJLB.BZJCVZF "/$/BUJPOBM$POTVMUBUJWF$POGFSFODFo%FDFNCFS *OUIFOBNFPG.BOEFMBXBSBOEQFBDF -BVODI"/$8PNFOT-FBHVF 4QFBSPGUIFOBUJPO Ulibambe lingashoni (Series) 82

African National Congress Leaders (see also under Hani, Luthuli, Mandela, Sisulu) )FBSUBOETUPOF -FNCFEF 035BNCP "TDBSMFUQJNQFSOFMJO4PVUI"GSJDBUIFMJGFJOWJPMFOUUJNFTPG.BD.BIBSBK 4PMPNPO1MBBUKFBNBOGPSPVSUJNF 5IBCP.CFLJSFOBJTTBODFNBO 5IFNCB)BSSZ(XBMB4PVUI"GSJDBSFWPMVUJPOBSZ

Anti-Apartheid Movement Before dawn: culture in another South Africa 28 5IFCMPPEZNPOFZTNVHHMJOH/PSXBZTDPWFSUBJEGPSUIFMJCFSBUJPOPG4PVUI"GSJDB )BWFZPVIFBSEGSPN+PIBOOFTCVSH "QBSUIFJEBOEUIFDMVCPGUIF8FTU 1MBZJOHIJTUPSZ 5IFTFDSFUTBGBSJ 8IJUFMJFT

Apartheid History & Ideology Apartheid 25 "QBSUIFJE 4FSJFT Back on the frontier 28 5IF#SPFEFSCPOEBOEUIF%VUDI3FGPSNFE$IVSDI 4PVUI"GSJDBUIFXIJUFMBBHFS

Armed Struggle The battle for South Africa 28 %FBGFOJOHFDIPFT 'MPXFSTPGUIFOBUJPO 'PSHPUUFO The knitting needles guerrillas: fatigues on fire 52 .,UIFQFPQMFTBSNZHSBEVBUJPOUPUIFGVUVSF 5IFTFDSFUTBGBSJ 5IFTVOXJMMSJTF Toothless tigers? The demobilisation of South African freedom fighters 80 8IFOUIFXBSJTPWFS

t4")""VEJPWJTVBM"VEJU3FQPSU Biko, Steve Bantu Steve Biko: beacon of hope28 Biko: the spirit lives 30 The life and death of Steve Biko 55 4UFWF#JLPKPVSOFZPGUIFTQJSJU

Black Sash 5IF#MBDL4BTIUIFFBSMZZFBST 5IFSJCCPO 4IFFOB%VODBOUIFCVSEFOPGQSJWJMFHF

Culture Before dawn: culture in another South Africa 28 Breyten Breytenbach: the artist 32 $PNQFMMJOHGSFFEPN;JMJNB[JZBFUTIFOJ %PHNBBOEESFBNT (FPSHF1FNCBQBJOUFSPGUIFQFPQMF *OEBSLFTU)PMMZXPPEDJOFNBBOEBQBSUIFJE .[XBLIF.CVMJUIFQFPQMFTQPFU 4"#$oZFBSTUIFVOUPMETUPSZ 4POHPGUIFTQFBS 4POHPMPMPWPJDFTPGDIBOHF "TUSBOHFSJOBTUSBOHFMBOE1BVM4JNPOJO4PVUI"GSJDB The two rivers 82 7PJDFTGPS/BNJCJB 8IFO*FBUDIPDPMBUF*SFNFNCFSZPV

Daily Life Under Apartheid "QBSUIFJEJOTJEF PVUTJEF Civilisation on trial in South Africa 35 $PNFCBDL "GSJDB &OEPGUIFEJBMPHVFBQBSUIFJEJO4PVUI"GSJDB1IFMBOEBCB )BWFZPVTFFO%SVNSFDFOUMZ +VTUBOJODIBXBZ ,BUVUVSB -BTUHSBWFBU%JNCB[B -FUNZQFPQMFHP 4BOESB-BJOHBTQJSJUVBMKPVSOFZ 5IF4FBSDIGPS4BOESB-BJOH 4PVUI"GSJDBUIFCMBDLNBOTCVSEFO 4PVUI"GSJDBUIFXBTUFEMBOE 4PXFUPBIJTUPSZ 7PJDFTGSPNQVSHBUPSZ 7VLBOJo"XBLF

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt Destabilisation of Frontline States Killing a dream 52 The last domino 52 .P[BNCJRVFBQBSUIFJETTFDPOEGSPOU 6OEFSUIFWPMDBOP

Detention, Torture & Assassination (see also Biko, Steve) Any child is my child 25 "QBSUIFJEUIFTUSFTTPOUIFNJOE #FUSBZBM #FUXFFO+PZDFBOESFNFNCSBODF $FSUBJOVOLOPXOQFSTPOT $IJMESFOJOEFUFOUJPO $MJFOUOVNCFSUXP %BWJE8FCTUFSMJWFEGPSEFNPDSBDZ LJMMFECZBQBSUIFJE 5IFEFBUIPG/FJM"HHFUU 5IFEFBUIPG1FUSVT/DIBCFMFOH 'BDJOHEFBUI GBDJOHMJGF 'MPXFSTPGUIFSFWPMVUJPO%FCPSBI.BUTIPCB 'MPXFSTPGUIFSFWPMVUJPO'MPSFODF3JCFJSP 5IF(VHVMFUVTFWFO 5IFMJCFSBMBOEUIFQJSBUF 5IFNBOXIPLOPXTUPPNVDI 5IF.PIBMF4US#SPUIFST 5IFNPPOJONZQPDLFU 5IFNZTUFSJPVTEJTBQQFBSBODFPG#PJLJ.BKFTUJD.IMBQJ /FFEUPLOPX /PUZFUGSFFy 0VUJOUIFPQFO 1MBHVFXBSTUIFTFDSFULJMMJOHT 1PMJDFCSVUBMJUZJO#PQIVUIBUTXBOB 1SJNFFWJM "RVFTUJPOPGNBEOFTT 4JQIJXP.UJNLVMVTTUPSZ 4VGGFSUIFDIJMESFOBSFQPSUGSPNJOTJEF4PVUI"GSJDB 5IFTVOXJMMSJTF 5SVFDPOGFTTJPOTPGBOBMCJOPUFSSPSJTU Unfinished business 5, 83 The unfolding of sky 83 Wanted: Shirley Gunn 85 Webster spirit 85

t4")""VEJPWJTVBM"VEJU3FQPSU Domestic Workers .BJETBOENBEBNT .Z"GSJDBONPUIFS

Economic Sanctions & Consumer Boycotts Act of Union 23 "QBSUIFJEHPME Calling for pressure 33 $POTVNFSCPZDPUUT 'SFFEPNJOPVSMJGFUJNF )BWFZPVIFBSEGSPN+PIBOOFTCVSH "QBSUIFJEBOEUIFDMVCPGUIF8FTU 5IF.JEBTUPVDI /BNJCJBOVDMFBSSFBDUJPOT 4PVUI"GSJDBUIFOVDMFBSGJMF Working for Britain 88

Education $PMPVSJOHJOPVSDMBTTSPPNT &EVDBUJPOBCBTJDIVNBOSJHIU The island & the apple box 50 1FPQMFTFEVDBUJPOGPSQFPQMFTQPXFS 4DIPPMDSJTJTJO4PXFUP 5IFTQJSJUPGOPTVSSFOEFS

End Conscription Campaign & National Service Crossing the border / Over de grens 38 &BUNZDBMMVQ .BSDIJOHPSEFST /PBQBSUIFJEXBSTUBOECZ*WBO5PNT 1SPQFSUZPGUIFTUBUFHBZNFOJOUIFBQBSUIFJENJMJUBSZ Too far apart 80

Forced Removals Abaphuciwe: the dispossessed 23 The broken string 33 $BUP.BOPSQFPQMFXFSFMJWJOHUIFSF Crossroads 38 Crossroads / South Africa: the struggle continues 38 %JTDBSEFEQFPQMF 5IFEVNQJOHHSPVOET %VSCBOBDJUZQMBOOFECZBQBSUIFJE &OUIPNCF Kliptown 52

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt Land affairs2, 52 Last supper in Hortsley Street 53 /EBCFOJUIFGJSTUGPSDFESFNPWBM /PUJDFUPRVJU 1BSUPGUIFQSPDFTT 5IFTUPSZPG6NLIVNCBOF$BUP.BOPS8IPTFMBOE 8IPTFNFNPSZ 4USFFUTPOGJSF 5BLFBQMBDFMJLF$BOBBO

Freedom Charter Isitwalandwe: the story of the South African ‘Freedom Charter’ told by those who struggle for it 50 Kliptown 52

Hani, Chris 5IFMJGFUJNFTPG$ISJT)BOJ .BSUJO5IFNCJTJMF)BOJ

Homeland Policy Abaphuciwe: the dispossessed 23 5IFDPNSBEFLJOH 5IFEJTDBSEFEQFPQMF 5IFEVNQJOHHSPVOET

Individual Anti-Apartheid Activists (see also Women) #PSOJOUPTUSVHHMF Brothers in arms 33 5IFDPNSBEFLJOH %FOOJT#SVUVT*BNBSFCFM +BNFT.BOHFUIFNBOXIPTIPPL1SFUPSJB +PF4FSFNBOFOPNBOTNBO 3PCFSU4PCVLXFBUSJCVUFUPJOUFHSJUZ

Inkatha *NCBCB[BOFUIFMJGFBOEUJNFTPG.BOHPTVUIV#VUIFMF[J ,JMMFSPSIFBMFS

Internecine Violence Behind black on black 28 Bisho: the story behind the massacre 30 5IF$PNSBEFT %SPXOJOHJOCMPPE ,JMMFSPSIFBMFS

t4")""VEJPWJTVBM"VEJU3FQPSU 5IFPUIFSTJEF 5IFQFBDFNBLFST "TBWBHFXBSPGQFBDF 4PVUI"GSJDBTLJMMJOHHSPVOE

Land Reform The broken string 33 $MBJNJOHUIFQBTUUIF3JDIUFSTWFMETUPSZ Love and the bulldozers 55 Those glowing eyes: letter from Southern Africa 80

Luthuli. Albert "MCFSU-VUIVMJUIFMFHBDZ5IFMFHFOE .BZJCVZF"GSJDB$IJFG"MCFSU-VUVMJoIJTTUPSZ

Mandela, Nelson #JSUIEBZUSJCVUFUP/FMTPO.BOEFMB 5IFGJSTUBDDVTFEBOJOUJNBUFQPSUSBJUPG/FMTPO.BOEFMB 'SFF.BOEFMB 5IFJOBVHVSBUJPO .BOEFMB Mandela: father of a nation 58 Mandela: the living legend 58 Mandela: the man and his country 58 /FMTPO.BOEFMBJOIJTPXOXPSET /FMTPO.BOEFMBKPVSOFZUPGSFFEPN /FMTPO.BOEFMBUIFTUSVHHMFJTNZMJGF 5IFQSFTJEFOUUIFQSPTFDVUPS "SJHIUFPVTNBO/FMTPO.BOEFMBBOEUIF+FXTPG4PVUI"GSJDB 7JWB.BOEFMB

Mandela, Winnie 5IFPUIFS.BOEFMB 8JOOJF.BOEFMBVOEFSBQBSUIFJE 8JOOJFUIFQPMJUJDTPGWJPMFODF

Migrant Labour (PMEXJEPXT

Music "NBOEMB"SFWPMVUJPOJOGPVSQBSUIBSNPOZ #MPXJOHIPNF 'SFFEPNCFBU

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt +BNFT.BOHFUIFNBOXIPTIPPL1SFUPSJB +BNFT1IJMMJQTGBNPVTGPSOPUCFJOHGBNPVT Mandela tribute, Wembley 58 .JSJBN.BLFCB.BNB"GSJDB 3IZUINPGSFTJTUBODFUIFCMBDLNVTJDPG4PVUI"GSJDB 4PXFUPCMVFT 4UPQQJOHUIFNVTJD "TUSBOHFSJOBTUSBOHFMBOE1BVM4JNPOJO4PVUI"GSJDB 7JWB.BOEFMB

Namibia $MJFOUOVNCFSUXP A cry for freedom 38 /BNJCJBOVDMFBSSFBDUJPOT /BNJCJBoUFMMUIFXPSME 3FNFNCFS,BTTJOHB 7PJDFTGPS/BNJCJB

Naude, Beyers #FZFSTBOE*MTF/BVEFBKPVSOFZ 5IFDSZPGSFBTPO#FZFST/BVEFBO"GSJLBOFSTQFBLTPVU

Negotiations "QBSUIFJEUIF%BLBSDPOGFSFODF "QBSUIFJETMBTUTUBOE Breaking the fetters 32 $PVOUEPXOUPGSFFEPNEBZTUIBUDIBOHFE4PVUI"GSJDB 5IFEFBEMJOF %FBUIPGBQBSUIFJE .BOEFMBGSFFEBOEPSHBOJTBUJPOTVOCBOOFE The lawyer, the farmer & the clerk 2, 53 5IFQFBDFNBLFST 3BMMZGPSQFBDF 4PVUI"GSJDBUPEBZBRVFTUJPOPGQPXFS 5PCFBHBJOTUBQBSUIFJEJTOPSNBM"GSJLBBOTXSJUFSTNFFUUIF"/$ The unbannings and Mandela freed 83

Pan Africanist Congress "1-"TUJDLTUPHVOT &OEPGUIFEJBMPHVFBQBSUIFJEJO4PVUI"GSJDB1IFMBOEBCB 1BO"GSJDBOJTU$POHSFTTTQFBLT 2BNBUBVWVNJMF&WFOUIFHPETIBWFBHSFFE 3PCFSU4PCVLXFBUSJCVUFUPJOUFHSJUZ

t4")""VEJPWJTVBM"VEJU3FQPSU Pass Law System -BXBOEGSFFEPN1BSU 8IPXBT.ST ,PNBOJ :PVIBWFTUSVDLBSPDL

Photographers GJOHFSPOUIFUSJHHFS &MJ8FJOCFSH QIPUPHSBQIFS%FEPOLFSFLBNFSWBO&MJ8FJOCFSH &SOFTU$PMFQIPUPKPVSOBMJTU *NBHFTJOTUSVHHMF4PVUI"GSJDBOQIPUPHSBQIFSTTQFBL

Political Trials "DDVTFE/FMTPO.BOEFMBUIFUSJBMPGUIF3JWPOJB %FMNBTUIFQBTTJPOyUIFQBJO *OUIFEPDL 5IFQSFTJEFOUUIFQSPTFDVUPS

Popular Resistance The anvil & the hammer 25 #FMFBHVFSFEMBTUIPQF Bound to strike back32 'PSXBSEUPBQFPQMFTSFQVCMJD 'SFFEPNXBTOPUGSFF 'SVJUTPGEFGJBODF (FOFSBUJPOTPGSFTJTUBODF )JTUPSZVODVU 4FSJFT 1FPQMFVOEFSGJSFBTIPPUJOHJO4PXFUP 1IBOUTJNFMMPXZFMMPX 3FWPMVUJPOBSJFTMPWFMJGF 4USFOHUIJOVOJUZUIF$BQF5PXOVQSJTJOH "USVMZXPOEFSGVMBEWFOUVSF We are the elephant 85 8IFOUIFXBSJTPWFS :PVOHMJPOT

Post-Apartheid The bureaucrats 33 Children of God 35 5IFEFBEMJOF 5IFJOBVHVSBUJPO 5IFNBJEFOTQFFDI 4USZEPNJTWFSZ WFSZEFBE

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt Pre-Apartheid The African from Aberystwyth 23 #IBNCBUIBXBSPGUIFIFBET /EBCFOJUIFGJSTUGPSDFESFNPWBM 4PMPNPO1MBBUKFBNBOGPSPVSUJNF

Press 5IJTSFQPSUIBTCFFODFOTPSFE TFF(SPXJOHVOEFSBQBSUIFJETGFFU )BWFZPVTFFO%SVNSFDFOUMZ

Protest Theatre "TJOBNBMJ/PUIJOHUPMPTF #PQIB"SSFTU Lakutshon ‘ilanga 52 /BHHJOHEPVCU 4FHPQPUTP 7PJDFTGPS/BNJCJB 8IFO*FBUDIPDPMBUF*SFNFNCFSZPV

Religion and Apartheid #FZFSTBOE*MTF/BVEFBKPVSOFZ #JTIPQ%FTNPOE5VUVBQBSUIFJEJO4PVUI"GSJDB 5IFCMPPEZNPOFZTNVHHMJOH/PSXBZTDPWFSUBJEGPSUIFMJCFSBUJPOPG4PVUI"GSJDB 5IF#SPFEFSCPOEBOEUIF%VUDISFGPSNFE$IVSDI $IBMMFOHFUPUIFDIVSDIFT TFF(SPXJOHVOEFSBQBSUIFJETGFFU Christians and the underground struggle 35 The church and the struggle 35 5IFDSZPGSFBTPO#FZFST/BVEFBO"GSJLBOFSTQFBLTPVU 'BJUIJOSFTJTUBODF 4FSJFT (PECMFTT"GSJDB 4FSJFT *G(PECFGPSVTy Love and the bulldozers 55 .BLIBMJQJMFUIFEBVOUMFTTPOF .BOXJUIPVUGFBS%FTNPOE.QJMP5VUV /PNJEEMFSPBEUPGSFFEPN 4PVUI"GSJDBMPWFT+FTVT 5IFTUSVHHMFGSPNXJUIJO 5IJTXFDBOEPGPSKVTUJDFBOEGPSQFBDF

Returning Exiles #FMPOHJOH #PSOJOUPTUSVHHMF Children of the revolution 35

t4")""VEJPWJTVBM"VEJU3FQPSU %PXO4FDPOE"WFOVFUIFMJGFBOEUJNFTPG&TLJB.QIBIMFMF 'PSHPUUFO 5IFSFUVSO 3FUVSOJOIPQF.JSJBN.BLFCBDPNFTIPNF Toothless tigers? The return of South African freedom fighters 80 5XFMWFEJTDJQMFTPG/FMTPO.BOEFMB

Robben Island #BDLIPNFSPPUTPGBOFX4PVUI"GSJDB The island & the apple box 50 "KPVSOFZCBDL 5IFMPOHKPVSOFZPG$MFNFOU;VMV 1PMJUJDBMJNQSJTPONFOUMFTTPOTJO"GSJDBOMFBEFSTIJQ 1SJTPOFSTPGIPQF3PCCFO*TMBOESFVOJPO 3PCCFO*TMBOE PVSVOJWFSTJUZ 7PJDFTGSPNUIFJTMBOE

Security Police "QBSUIFJETGPPUTPMEJFST The British desk: South Africa’s intelligence operations in Britain 32 1SJNFFWJM

Sharpeville Massacre &DIPFTPGNZQBTUBQFSTPOBMIJTUPSZPGUIF4IBSQFWJMMFNBTTBDSF /BHHJOHEPVCU

Sisulu, Walter "4PVUI"GSJDBOMPWFTUPSZ8BMUFSBOE"MCFSUJOB4JTVMV 8BMUFS4JTVMVGBUIFSPGUIFOBUJPO

Solomon Mahlangu Freedom College "NBOEMB.BBUMBBGJMNBCPVU4PVUI"GSJDBOZPVUI .B[JNCV

South African Communist Party "NBLPNBOJTJUIF4PVUI"GSJDBO$PNNVOJTUQBSUZ -PWF DPNNVOJTN SFWPMVUJPO3JWPOJB#SBN'JTDIFSTTUPSZ 5IFSFEGMBH 8IJUFHJSMJOTFBSDIPGUIFQBSUZUIFTUPSZPG1BVMJOF1PECSFZBOE)"/BJEPP

Soweto Uprising 4JYEBZTJO4PXFUP 4PXFUPBIJTUPSZ

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt 4PXFUPCMVFT 5IF4PXFUPVQSJTJOH 5IFTQJSJUPGOPTVSSFOEFS Tsietsi, my hero 82 Two decades still 82 The untold truth 83 8FEOFTEBZ 8IBUIBQQFOFEUP.CVZJTB

Sport Breaking the line 32 Burning down the house 33 *RBCB)BSECBMMUIFIJTUPSZPGCMBDLDSJDLFUJO4PVUI"GSJDB /PUDSJDLFUUIF#BTJM%0MJWFJSBDPOTQJSBDZ /PXIFSFUPQMBZDPOWFSTBUJPOTXJUI4PXFUPHPMGFST 1BUV 5SZGSFFEPN

Trade Unions UIFSFCJSUIPG"GSJDBOUSBEFVOJPOT $IBOHJOHUIJTDPVOUSZUIFUFTUJNPOZPGGPVS4PVUI"GSJDBOXPSLFST $PNQFMMJOHGSFFEPN;JMJNB[JZBFUTIFOJ $04"56BHJBOUIBTSJTFO 'JHIU .BCIJEBGJHIU .BZ%BZ TFF(SPXJOHVOEFSBQBSUIFJETGFFU )MBOHBOJOJBTIPSUIJTUPSZPG$04"56 *OTJNCJBZJHPCJBIJTUPSZPGUIF/BUJPOBM6OJPOPG.FUBMXPSLFSTPG4" ."86BOE.BZ%BZ /PUZFUGSFFy 1BTTJOHUIFNFTTBHF 1IBNCJMJ8PSLJOHXPNFOJO4PVUI"GSJDB 4JNPO/HVCBOFoTUJMMPOTUSJLF Working for Britain 88 Working for the workers 88

Truth, Reconciliation & Compensation #FUSBZBM $POGSPOUJOHUIFIJUNFO 'BDJOHUIFUSVUI XJUI#JMM.PZFST *GUSVUICFUPMEy ,IVMVNBOJ4QFBLPVU -JCFSBUJPOPGUIFTPVM Long night’s journey into day 55

t4")""VEJPWJTVBM"VEJU3FQPSU 0VUJOUIFPQFO 5IFSJHIUTPGUIFXSPOHFE 4JQIJXP.UJNLVMVTTUPSZ 5IJTDSB[ZUIJOHDBMMFEHSBDF Tide marks: legacies of apartheid 80 Tutu 82 The unfolding of sky 83 We never give up 85

Tutu, Desmond #JTIPQ%FTNPOE5VUVBQBSUIFJEJO4PVUI"GSJDB .BOXJUIPVUGFBS%FTNPOE.QJMP5VUV 5IJTDSB[ZUIJOHDBMMFEHSBDF Tutu 82

Whites Against Apartheid (see also Black Sash, End Conscription Campaign) "MBO1BUPOTCFMPWFEDPVOUSZ "MCJF4BDITCSPLFOCVUVOCSPLFOBQPSUSBJUPGBOJSSFQSFTTJCMFGSFFEPNGJHIUFS "QBSUIFJETGPPUTPMEJFST #FZFSTBOE*MTF/BVEFBKPVSOFZ Burning down the house 33 Christians and the underground struggle 35 5IFDSZPGSFBTPO#FZFST/BVEFBO"GSJLBOFSTQFBLTPVU %BWJE8FCTUFSMJWFEGPSEFNPDSBDZ LJMMFECZBQBSUIFJE 5IFEFBUIPG/FJM"HHFUU &MJ8FJOCFSH QIPUPHSBQIFS%FEPOLFSFLBNFSWBO&MJ8FJOCFSH (PJOHGPSTQBSSPXTXJUIBNBDIJOFHVO )FMFO4V[NBOBOUJBQBSUIFJEDBNQBJHOFS -PWF DPNNVOJTN SFWPMVUJPO3JWPOJB#SBN'JTDIFSTTUPSZ .BLIBMJQJMFUIFEBVOUMFTTPOF 5IFNBOXIPESPWFXJUI.BOEFMB .FNPSJFTPGESFBNT .ZGBUIFS 3JDL5VSOFS "SJHIUFPVTNBO/FMTPO.BOEFMBBOEUIF+FXTPG4PVUI"GSJDB Wanted: Shirley Gunn 85 Webster spirit 85 8IJUFTBHBJOTUBQBSUIFJE

White Right-Wing The boxer 32 )PSTFNBO.BOJFSJEFTUPEFGFBU The lawyer, the farmer & the clerk 2, 53

5IF4PVUI"GSJDBO-JCFSBUJPO4USVHHMFt 5IFMFBEFS IJTESJWFSUIFESJWFSTXJGF .BLFCFMJFWF .ZCFMPWFEDPVOUSZUIFFYUSFNFSJHIUJO4PVUI"GSJDB /PXBZCBDL 5SFLLJOHUP6UPQJB 8IJUFSUIBOXIJUF

Women (see also Black Sash) "XBLFGSPNNPVSOJOH Cissie Gool 35 'MPXFSTPGUIFOBUJPO 'MPXFSTPGUIFSFWPMVUJPO%FCPSBI.BUTIPCB 'MPXFSTPGUIFSFWPMVUJPO'MPSFODF3JCFJSP 'MPXFSTPGUIFSFWPMVUJPO7FTUB4NJUI 'SFFEPNJTBQFSTPOBMKPVSOFZ The knitting needles guerrillas: fatigues on fire 52 -BVODI"/$8PNFOT-FBHVF 8PNFOBXBLF TFF(SPXJOHVOEFSBQBSUIFJETGFFU -JCFSBUJPOXPNFO .BNB.LIJ[F 0VUPGEFTQBJSo*UIVTFOH 1IBNCJMJ8PSLJOHXPNFOJO4PVUI"GSJDB 1SJTDJMMBBXPNBOPGUIFT 3FUVSOUP(VHVMFUIV 4PVUI"GSJDBCFMPOHTUPVTGJWFQPSUSBJUTPGXPNFOVOEFSBQBSUIFJE 4USFFUTPOGJSF Through my eyes: Blanche La Guma8 0 5TJBNFMPBQMBDFGPSHPPEOFTT We tell our stories the way we like: the wives of the Cradock four 85 8IFOZPVDPNFCBDLIPNFy :PVIBWFTUSVDLBSPDL

Youth "NBOEMB.BBUMBBGJMNBCPVU4PVUI"GSJDBOZPVUI Any child is my child 25 $IJMESFOJOEFUFOUJPO $IJMESFOPGBQBSUIFJE (PJOHGPSTQBSSPXTXJUIBNBDIJOFHVO +VTUBOJODIBXBZ 4VGGFSUIFDIJMESFOBSFQPSUGSPNJOTJEF4PVUI"GSJDB

t4")""VEJPWJTVBM"VEJU3FQPSU