Green Light for Youth Theatre and Housing
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London Borough of Lambeth Election Results 1964-2010
London Borough of Lambeth Election Results 1964-2010 Colin Rallings and Michael Thrasher The Elections Centre Plymouth University The information contained in this report has been obtained from a number of sources. Election results from the immediate post-reorganisation period were painstakingly collected by Alan Willis largely, although not exclusively, from local newspaper reports. From the mid- 1980s onwards the results have been obtained from each local authority by the Elections Centre. The data are stored in a database designed by Lawrence Ware and maintained by Brian Cheal and others at Plymouth University. Despite our best efforts some information remains elusive whilst we accept that some errors are likely to remain. Notice of any mistakes should be sent to [email protected]. The results sequence can be kept up to date by purchasing copies of the annual Local Elections Handbook, details of which can be obtained by contacting the email address above. Front cover: the graph shows the distribution of percentage vote shares over the period covered by the results. The lines reflect the colours traditionally used by the three main parties. The grey line is the share obtained by Independent candidates while the purple line groups together the vote shares for all other parties. Rear cover: the top graph shows the percentage share of council seats for the main parties as well as those won by Independents and other parties. The lines take account of any by- election changes (but not those resulting from elected councillors switching party allegiance) as well as the transfers of seats during the main round of local election. -
Issue 193 Dec 2005/Jan 2006 £1.00
CAATnews 75% OF ARMS DEALS WOULD NOT HAVE HAPPENED WITHOUT OUR HELP Issue 193 11 Goodwin Street, London N4 3HQ Dec 2005/Jan 2006 Tel: 020 7281 0297 Fax: 020 7281 4369 £1.00 Email: [email protected] Website: www.caat.org.uk CAATnews IN THIS ISSUE... Editor Melanie Jarman [email protected] Legal Consultant Glen Reynolds Proofreader Rachel Vaughan Design Richie Andrew Contributors Bristol CAAT, Kathryn Busby, Beccie D’Cunha, Ann Feltham, Nicholas Gilby, Anna Jones, Mike Lewis, James O’Nions, Ian Prichard, South Essex CAAT. Thank you also to our dedicated team of CAATnews stuffers. Printed by Russell Press on 100% recycled paper using only post consumer de-inked waste. Copy deadline for the next issue is 12 January 2006. We shall be posting it the week beginning 26 January 2006. Content of most website references are also available in print – contact CAAT National Gathering – see page 6 PATRICK DELANEY the CAAT office. Contributors to CAATnews express Countdown to DESO 3 their own opinions and do not necessarily reflect those of CAAT as an organisation. Contributors retain Arms Trade Shorts 4–5 copyright of all work used. CAAT was set up in 1974 and is a broad coalition of groups and News and updates 6 individuals working for the reduction and ultimate abolition of the Local campaign news and views 7 international arms trade, together with progressive demilitarisation within arms-producing countries. Cover story: DESO 8–9 Campaign Against Arms Trade 11 Goodwin Street, London N4 3HQ Feature: Arms trade treaty 10 tel: 020 7281 0297 fax: 020 7281 4369 email: [email protected] Reed campaign 11 web: www.caat.org.uk If you use Charities Aid Foundation cheques and would like to help TREAT Parliamentary 12 (Trust for Research and Education on Arms Trade), please send CAF Clean investment campaign 13 cheques, payable to TREAT, to the office. -
Sundowning by Nessah Muthy
Sundowning by Nessah Muthy Betty . .Hazel Maycock Intrepid plays by fearless women since 1991 Teresa . Nadia Nadif Alyssa . Aasiya Shah Kali Theatre develops and tours ground breaking, Director . .Helena Bell thought provoking, contemporary theatre by women Writer . Nessah Muthy writers of South Asian descent. Designer . .Rajha Shakiry Lighting Designer . Pablo Fernandez Baz We seek out and nurture talented writers, bringing their experience and stories to audiences from all backgrounds to transform the theatre Sound Designer . .Dinah Mullen landscape and better reflect modern Britain. Video Designer . .Daniel Denton Sundowning Choreographer . Yarit Dor We have been championing women writers from a South Asian background for over twenty five years. We actively encourage our Production Manager . .Kate Jones by Nessah Muthy writers to reinvent the theatrical agenda and have gained a reputation Company Stage Manager . Charlotte R L Cooper for staging inspiring and provocative new theatre. Wardrobe Support . Alex Horner Our new Discovery and Festival Writer Development Programmes Kali Theatre encourage and support the creation of new work through writing Artistic Director . Helena Bell workshops, dramaturgical support and public readings. Executive Director . .Christopher Corner Administrator. Samia Djilli Publicist . Nancy Poole Find our more and join our mailing list at kalitheatre.co.uk Marketing . Reshmi Mayer Email us [email protected] Thanks to the staff of Plymouth Theatre Royal for all their support in creating this Like us facebook.com/kalitheatureUK production of Sundowning. Follow us @KaliTheatreUK Thanks to Pursued by a Bear who first commissioned Sundowning when under previous AD Helena Bell and in particular Julia Tymukas, Thomas Kell, Katharine Ives and Cathy Westbrooke who helped support early sharings. -
THE TRACKERS of OXYRHYNCHUS by Tony Harrison
Press Information ! ! VIBRANT NEW WRITING | UNIQUE REDISCOVERIES Winter Season 2016-17 | October 2016 – January 2017 at the Finborough Theatre The first London production in nearly 30 years THE TRACKERS OF OXYRHYNCHUS by Tony Harrison. Directed by Jimmy Walters. Designed by Philip Lindley. Lighting by Rob Mills. Music by Piers Sherwood Roberts. Choreography by Amy Lawrence. Presented by Proud Haddock in association with Neil McPherson for the Finborough Theatre. Cast: Peta Cornish. Nik Drake. Richard Glaves. Sacha Mandel. Dylan Mason. Tom Purbeck. Dannie Pye. James Rigby. Adam Small. “I'm a God, Apollo, but I was tipped On a rubbish tip inside this manuscript. I’ve spent two thousand years asleep On an Oxyrhynchus rubbish heap." In a new production commissioned by the Finborough Theatre, the rediscovery of Tony Harrison’s The Trackers of Oxyrhynchus in its first London production for nearly 30 years opens at the Finborough Theatre for a four week limited season on Tuesday, 3 January 2017 (Press Nights: Thursday, 5 January and Friday, 6 January 2017 at 7.30pm). Egypt, 1907. Two archaeologists, Bernard Grenfell and Arthur Hunt, are searching for ancient fragments of poetry and plays, next to an old rubbish heap. Until the Greek God, Apollo, descends from the skies... Apollo is furious that they have failed to unearth the fragmentary text of a lost Satyr play by Sophocles. As he forces the two papyrologists to find the lost play, Grenfell and Hunt become part of the story they have discovered. Multi-award-winning poet and playwright Tony Harrison remakes the ancient Greek original into a play for our times – and rediscovers the satyr play. -
Streatham Hill East M CPZ N
LONDON BOROUGH OF LAMBETH INTRODUCTION OF A NEW CONTROLLED PARKING ZONE TO BE KNOWN AS THE STREATHAM HILL EAST “M” CONTROLLED PARKING ZONE AND EXTENSION OF THE BRIXTON HILL “F” AND THE TULSE HILL “H” CONTROLLED PARKING ZONES INTRODUCTION OF “AT ANY TIME” WAITING RESTRICTIONS (DOUBLE YELLOW LINES) AND AN AMBULANCE PARKING PLACE IN ROADS IN THE STREATHAM HILL AND TULSE HILL AREAS [Note: This notice is about the introduction of a new controlled parking zone (CPZ) in streets to the east of Streatham Hill to be known as the Streatham Hill East “M” CPZ, the extension of the Brixton Hill “F” CPZ to include a part of Roupell Road and the extension of the Tulse Hill “H” CPZ to include Probyn Road. On-street parking places and single and double yellow line waiting restrictions will be introduced in the new and extended CPZs, double yellow line waiting restrictions will also be introduced in various roads in the Streatham Hill and Tulse Hill areas that are not to be included in any CPZ and an ambulance parking place will be introduced in Palace Road.] 1. NOTICE IS HEREBY GIVEN that the Council of the London Borough of Lambeth on 30th September 2020 made the Lambeth (Streatham Hill East “M”) (Parking Places) (No. 1) Order 2020, the Lambeth (Brixton Hill “F”) (Parking Places) (No. 2) Order 2020, the Lambeth (Tulse Hill) (Parking Places) (No. 3) Order 2020, the Lambeth (Free Parking Places) (Disabled Persons) (No. 3) Order 2020, the Lambeth (Free Parking Places) (Limited Time) (No. 3) Order 2020, the Lambeth (Free Parking Places) (Motor Cycles) (No. -
Council Leader Jack Hopkins Has Written To
From: The Leader of Lambeth Council Our Ref: Leader 2020 03 20 Your Ref: Rt Hon Rishi Sunak Chancellor of the Exchequer House of Commons London SW1A 0AA Sent by email: [email protected] CC: [email protected] Tuesday, 24 March 2020 RESILIENCE OF LAMBETH’S CULTURAL SECTOR AND ITS SELF-EMPLOYED WORKERS Dear Chancellor We write with concern about the impact Covid-19 will have on our borough’s cultural sector and its self-employed workers. Lambeth is rich with culture and the borough’s creative and digital industries provide 22,000 jobs, generating £1.8bn GVA to the economy. The borough is home to 20 Arts Council England National Portfolio Organisations, including the National Theatre, BFI, Rambert and the Southbank Centre. Organisations that play a key part in ensuring the diversity and accessibility of London’s cultural sector are located throughout our borough, including the Black Cultural Archives, The Old Vic, Young Vic, Extant, Corali, Ovalhouse Theatre and Streatham Space Project. VCS organisations such as Iconic Steps, Creative Sparkworks and Spiral Skills join the afore mentioned organisations, and many more, in partnership led initiatives spearheaded by the council and backed by the GLA. Designed to strengthen the sector and achieve inclusive growth, these initiatives and the very viability of organisations are now under threat. In order to protect the resilience of the sector, Lambeth Council is calling for further mitigating measures from government. While measures such as the job retention scheme are welcomed, urgent clarification is needed over the groups of workers covered (e.g. -
Spectral Latinidad: the Work of Latinx Migrants and Small Charities in London
The London School of Economics and Political Science Spectral Latinidad: the work of Latinx migrants and small charities in London Ulises Moreno-Tabarez A thesis submitted to the Department of Geography and Environment of the London School of Economics for the degree of Doctor of Philosophy, London, December 2018 Declaration I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 93,762 words. Page 2 of 255 Abstract This thesis asks: what is the relationship between Latina/o/xs and small-scale charities in London? I find that their relationship is intersectional and performative in the sense that political action is induced through their interactions. This enquiry is theoretically guided by Derrida's metaphor of spectrality and Massey's understanding of space. Derrida’s spectres allow for an understanding of space as spectral, and Massey’s space allows for spectres to be understood in the context of spatial politics. -
THE UNIVERSITY of HULL (Neo-)Victorian
THE UNIVERSITY OF HULL (Neo-)Victorian Impersonations: 19th Century Transvestism in Contemporary Literature and Culture being a Thesis submitted for the Degree of PhD in the University of Hull by Allison Jayne Neal, BA (Hons), MA September 2012 Contents Contents 1 Acknowledgements 3 List of Illustrations 4 List of Abbreviations 6 Introduction 7 Transvestites in History 19th-21st Century Sexological/Gender Theory Judith Butler, Performativity, and Drag Neo-Victorian Impersonations Thesis Structure Chapter 1: James Barry in Biography and Biofiction 52 ‘I shall have to invent a love affair’: Olga Racster and Jessica Grove’s Dr. James Barry: Her Secret Life ‘Betwixt and Between’: Rachel Holmes’s Scanty Particulars: The Life of Dr James Barry ‘Swaying in the limbo between the safe worlds of either sweet ribbons or breeches’: Patricia Duncker’s James Miranda Barry Conclusion: Biohazards Chapter 2: Class and Race Acts: Dichotomies and Complexities 112 ‘Massa’ and the ‘Drudge’: Hannah Cullwick’s Acts of Class Venus in the Afterlife: Sara Baartman’s Acts of Race Conclusion: (Re)Commodified Similarities Chapter 3: Performing the Performance of Gender 176 ‘Let’s perambulate upon the stage’: Dan Leno and the Limehouse Golem ‘All performers dress to suit their stages’: Tipping the Velvet ‘It’s only human nature after all’: Tipping the Velvet and Adaptation 1 Conclusion: ‘All the world’s a stage and all the men and women merely players’ Chapter 4: Cross-Dressing and the Crisis of Sexuality 239 ‘Your costume does not lend itself to verbal declarations’: -
Boundary Commission for Wales
BOUNDARY COMMISSION FOR ENGLAND PROCEEDINGS AT THE 2018 REVIEW OF PARLIAMENTARY CONSTITUENCIES IN ENGLAND HELD AT THE MAIN GUILDHALL, HIGH STREET, KINGSTON UPON THAMES ON FRIDAY 28 OCTOBER 2016 DAY TWO Before: Mr Howard Simmons, The Lead Assistant Commissioner ______________________________ Transcribed from audio by W B Gurney & Sons LLP 83 Victoria Street, London SW1H 0HW Telephone Number: 0203 585 4721/22 ______________________________ Time noted: 9.12 am THE LEAD ASSISTANT COMMISSIONER: Good morning, ladies and gentlemen. Welcome to the second day of the hearing here at Kingston. I am Howard Simmons, the Lead Assistant Commissioner responsible for chairing this session, and my colleague Tim Bowden is here from the Boundary Commission, who may want to say something about the administrative arrangements. MR BOWDEN: Thank you very much indeed, Howard, and good morning. We are scheduled to run until 5 pm today. Obviously, Howard can vary that at his discretion. We have quite a number of speakers. I think so far we have about 29 or 30 pre-booked and the first one is due to start in a couple of moments. Just a few housekeeping rules for the day. We are not expecting any fire alarms. If one does go off, it is out of this door and down the stairs and the meeting point is outside the front of the building; toilets out of the back door, please; ladies to the right, gents down the corridor to the left. Can you keep mobile phones on silent or switched off. If you want to take a call please go out of the back of the room. -
The Co-Operative Council
The Co-operative Council Sharing power: A new settlement between citizens and the state Lambeth’s proposal to become a Co-operative Council has generated a striking amount of passion, interest and debate over the past year. This new approach to public service delivery aims to reshape the settlement between citizens and the state by handing more power to local people so that a real partnership of equals can emerge. I believe the huge level of interest in our ideas both locally and nationally is driven by a genuine desire to find new and better ways to deliver public services in the 21st century. Although we publish this report at a time of unprecedented Government cuts in funding for local services, ours is not a cuts-driven agenda. I believe that if we do not make this change then the future of public services will be much more uncertain. The Co-operative Council draws inspiration from the values of fairness, accountability and responsibility that have driven progressive politics in this country for centuries. It is about putting the resources of the state at the disposal of citizens so that they can take control of the services they receive and the places where they live. More than just volunteering, it is about finding new ways in which citizens can participate in the decisions that affect their lives. The Co-operative Council is also not just about changing the council, it is about building more co-operative communities and realising that, for too long, the council has stood in the way rather than supported this development. -
Lambeth Techaid to Get Laptops to Children in Need
Bell Ribeiro-Addy MP Monthly Report, December 2020 Why I opposed the Tories' sham Brexit vote Thank you to all those of you who shared your thoughts with me on the Brexit Deal. Whilst it was clear that people in Streatham were worried about the possibility of a No Deal, it was also clear that the prospect of a hard Brexit was equally repellent. In the event, I cast my vote against in the division lobby. Nobody wanted a deal which fails to protect the NHS, workers’ rights, migrants, environmental standards and security. But the problem with this rotten Brexit deal goes much deeper. It is bad enough that MPs were given just five hours to debate a 1,200 page document that will determine the future of generations to come. What is even worse is that Parliament didn’t actually get a meaningful vote on the deal itself, just on whether or not to give the Government a wide-ranging set of powers to implement it. To be clear, the deal would have been implemented however Parliament voted on it. When the Government stood up and declaimed that voting against their deal was voting for No Deal, they were straightforwardly lying about this. We know that for the elite who steered the project from start to finish, Brexit was never about democracy. Its predictable ending was a far cry from the arguments about parliamentary sovereignty and accountability used by those who argued for it in the first place. Left with a deal which will inflict damage on jobs and the economy, drive down living standards and erode workers’ rights in the name of competition, our priority must now be opposing the inevitable race to the bottom that will follow. -
Trams in Brixton 1870 - 1951
TRAMS IN BRIXTON 1870 - 1951 Horse Trams Two Acts of Parliament, passed in 1869 and 1870, empowered the Metropolitan Street Tramways Company to construct tramways from the Lambeth end of Westminster Bridge to Brixton and to Clapham. The company got to work quickly; they lost no time in laying down double tracks with rails level with the surface of the road. 2 May 1870 was an important day in Brixton's history. It was the day when the first authorised tramcars operated in London. 1 The new trams ran that day from the Horns Tavern in Kennington Road and along Brixton Road as far as its junction with Stockwell Road. The smart blue tramcars were hauled by two horses. Cars seated 22 persons inside and 24 on the open top deck. The passengers inside sat on red velvet cushions. For top deck passengers were two wooden benches running the length of the tram; these passengers faced outwards. Trams ran every five minutes. The normal fare was a penny a mile but Parliament had required special trams to be run for workmen in the morning and evenings at a halfpenny a mile.2 As soon as the 1870 Act was passed more track laying was rushed on with, and by the end of 1870 trams were in service from the Lambeth end of Westminster Bridge to St Matthew's church, Brixton, and another line ran along Clapham Road to the Swan at Stockwell. During 1871 tramcars had reached the Plough at Clapham, and the Brixton Line had been extended to the junction of Brixton Water Lane.