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November 5Th 2001
California State University, San Bernardino CSUSB ScholarWorks Coyote Chronicle (1984-) Arthur E. Nelson University Archives 11-5-2001 November 5th 2001 CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/coyote-chronicle Recommended Citation CSUSB, "November 5th 2001" (2001). Coyote Chronicle (1984-). 504. https://scholarworks.lib.csusb.edu/coyote-chronicle/504 This Newspaper is brought to you for free and open access by the Arthur E. Nelson University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Coyote Chronicle (1984-) by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A&E A&E A&E A&E A&E A&E A&E A&eH The Scene The Scene The Scene The Scene Multi-Cultural Multi-Cultural Multi-Cultural A Funny Thing Halloween on campus, Happened on the coverage, contest Inked skin- The Way to the Theater results and more... Tattoo Culture ON PAGE 11 ON PAGE 5 ON PAGE 7 November 5, 2001 Serving the Students of CSUSB for 35 Years Volume 35, Issue 6 The dead return: ElEMadeLosMuertos By Joe Flores Special to the Chronicle Di'a de Los Muertos was an event on Thursday, November 1. It was sponsored and put together by the Cross Cultural Center, the Foreign Language Department, and Lambda Theta Phi. All three organizations and departments went through a lot of trouble and work to make the Student Ahibassa event a success. Of course, it was a success, with a turnout to search for new applicants of at least 150 people. The event started at 10am By Mathew Taylor with a lecture by speaker -y r,AmbassadorsSociety (SAS) , Miguel Mora. -
Mhysa Or Monster: Masculinization, Mimicry, and the White Savior in a Song of Ice and Fire
Mhysa or Monster: Masculinization, Mimicry, and the White Savior in A Song of Ice and Fire by Rachel Hartnett A Thesis Submitted to the Faculty of Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, FL August 2016 Copyright 2016 by Rachel Hartnett ii Acknowledgements Foremost, I wish to express my heartfelt gratitude to my advisor Dr. Elizabeth Swanstrom for her motivation, support, and knowledge. Besides encouraging me to pursue graduate school, she has been a pillar of support both intellectually and emotionally throughout all of my studies. I could never fully express my appreciation, but I owe her my eternal gratitude and couldn’t have asked for a better advisor and mentor. I also would like to thank the rest of my thesis committee: Dr. Eric Berlatsky and Dr. Carol McGuirk, for their inspiration, insightful comments, and willingness to edit my work. I also thank all of my fellow English graduate students at FAU, but in particular: Jenn Murray and Advitiya Sachdev, for the motivating discussions, the all-nighters before paper deadlines, and all the fun we have had in these few years. I’m also sincerely grateful for my long-time personal friends, Courtney McArthur and Phyllis Klarmann, who put up with my rants, listened to sections of my thesis over and over again, and helped me survive through the entire process. Their emotional support and mental care helped me stay focused on my graduate study despite numerous setbacks. Last but not the least, I would like to express my heart-felt gratitude to my sisters, Kelly and Jamie, and my mother. -
The Cord Weekly
/ Laurier musicians Pierre Berton rock out at Wilf's visits Laurier Page Page THE , 2 CORD WEEKLY * Wednesday November 21, 2001 *Laurier's Official Student Newspaper • Volume 42 • Issue 15 2 News 6 Opinion 10 International 12 Feature 14 Entertainment 17 Sports 20 Student Life 22 Business 23 Classifieds More growing concerns "The reputation of Laurier has has also adversely affected WLU's She went on to say that many Students' Union requests an been tainted," said David public image, most notably in last more people accepted the offers of Wellhauser, Executive Vice week's Maclean's magazine univer- admission than in past years, a immediate freeze on current President of University Affairs. sity rankings. development that WLU was unable "Over-enrollment has had a nega- "WLU sent out too many offers to anticipate. The increase in enrollment levels tive effect on all students. It's irre- of admission," said Wellhauser. "It acceptances was most noticeable sponsible, and has to stop." was an irresponsible mistake that from students for whom Laurier MartinKuebler regarding the unexpected growth The Students' Union pointed should have been caught." was not a first choice. of Laurier's student body in recent to a number of reasons that have However, Undergraduate In order to properly address The issue of responsible growth at years. Of particular concern was contributed to over-crowding. Admissions Manager Gail Forsyth the growth situation, WLUSU pro- Laurier has not been given the what the Union called a "miscalcu- Among them are inadequate said the increased enrollment posed that current enrollment lev- "proper attention or recognition," lation in the admissions formula," provincial funding for universities experienced in 2001 was unfore- els be frozen immediately until stu- and the WLU Students' Union resulting in the surplus of 962 stu- and the deviation from the seeable, and was not as a result of dent concerns are addressed. -
Vinyls-Collection.Com Page 1/222 - Total : 8629 Vinyls Au 05/10/2021 Collection "Artistes Divers Toutes Catã©Gorie
Collection "Artistes divers toutes catégorie. TOUT FORMATS." de yvinyl Artiste Titre Format Ref Pays de pressage !!! !!! LP GSL39 Etats Unis Amerique 10cc Windows In The Jungle LP MERL 28 Royaume-Uni 10cc The Original Soundtrack LP 9102 500 France 10cc Ten Out Of 10 LP 6359 048 France 10cc Look Hear? LP 6310 507 Allemagne 10cc Live And Let Live 2LP 6641 698 Royaume-Uni 10cc How Dare You! LP 9102.501 France 10cc Deceptive Bends LP 9102 502 France 10cc Bloody Tourists LP 9102 503 France 12°5 12°5 LP BAL 13015 France 13th Floor Elevators The Psychedelic Sounds LP LIKP 003 Inconnu 13th Floor Elevators Live LP LIKP 002 Inconnu 13th Floor Elevators Easter Everywhere LP IA 5 Etats Unis Amerique 18 Karat Gold All-bumm LP UAS 29 559 1 Allemagne 20/20 20/20 LP 83898 Pays-Bas 20th Century Steel Band Yellow Bird Is Dead LP UAS 29980 France 3 Hur-el Hürel Arsivi LP 002 Inconnu 38 Special Wild Eyed Southern Boys LP 64835 Pays-Bas 38 Special W.w. Rockin' Into The Night LP 64782 Pays-Bas 38 Special Tour De Force LP SP 4971 Etats Unis Amerique 38 Special Strength In Numbers LP SP 5115 Etats Unis Amerique 38 Special Special Forces LP 64888 Pays-Bas 38 Special Special Delivery LP SP-3165 Etats Unis Amerique 38 Special Rock & Roll Strategy LP SP 5218 Etats Unis Amerique 45s (the) 45s CD hag 009 Inconnu A Cid Symphony Ernie Fischbach And Charles Ew...3LP AK 090/3 Italie A Euphonius Wail A Euphonius Wail LP KS-3668 Etats Unis Amerique A Foot In Coldwater Or All Around Us LP 7E-1025 Etats Unis Amerique A's (the A's) The A's LP AB 4238 Etats Unis Amerique A.b. -
Beatlesinfomail (Wöchentlich): Sonntag 12. Mai 2019
BeatlesInfoMail (wöchentlich): 12.05.19: Angebote /// Termine /// THINGS /// MANY YEARS AGO /// Aktuelle Veröffentlichungen _______________________________________________________________________________________________ BeatlesInfoMail (wöchentlich): Sonntag 12. Mai 2019 für M.B.M.s und Fans, denen wir die täglichen und wöchentlichen BeatlesInfoMails zuschicken dürfen InfoMails verschicken wir auf Wunsch an alle, deren E-Mail-Adresse vorliegt. täglich = alle Neuerscheinungen und alle Angebote / wöchentlich = Termine und einige Angebote / monatlich = die wöchentliche SonntagsInfoMail zum Monatswechsel. Wichtig ist uns, dass wir in Kontakt bleiben - also bitte ab und zu melden. Bei länger zurückliegenden Kontakten, melden wir uns nur noch wöchentlich oder monatlich. Alter Markt 12, 06108 Halle (Saale); Telefon / phone: 0345-2903900, Fax: 0345-2903908; E-Mail: [email protected]; Internet: www.BeatlesMuseum.net Geöffnet: dienstags bis sonntags und an Feiertagen (außer Weihnachten und Jahreswechsel) jeweils 10.00 bis 18.00 Uhr (nach Absprache auch später - oder morgens früher) Zusätzliche Öffnungszeiten für Gruppen und Schulklassen auf Anfrage; auch abends. Geschlossen: Heiligabend/Weihnachten und Silvester/Neujahr. Betrachte diese InfoMail (wie alle anderen auch) also auch als einen Info-Service vom Beatles Museum! Und wenn wir Dir ab und zu mal etwas zuschicken dürfen - bestens!! Und wenn wir Dir bereits unser Beatles-Magazin zuschicken oder künftig zuschicken dürfen - allerbestens!!! _______________________________________________________________________________________________ -
Checking the Checking Value in the Teapot Dome Scandal
Communication Law Review Volume 15, Issue 2 (2015) Checking the Checking Value in the Teapot Dome Scandal David R. Dewberry, Ph.D. Rider University This article examines the history of journalism in the initial reporting of the Teapot Dome scandal to argue that the press falls short in fulfilling the checking value of the First Amendment. Similar arguments have been made about the press in other major scandals (e.g., Watergate, Iran-Contra, etc.). But this article exclusively focuses on the key journalistic agents in Teapot Dome including Frederick G. Bonfils and H. H. Tammen of the Denver Post, John C. Schaffer of the Rocky Mountain News, Carl Magee of New Mexico, and Paul Y. Anderson of the St. Louis Post- Dispatch, to demonstrate how they were more protagonists in the scandal, rather than members of the fourth estate. INTRODUCTION Political scandals reveal the worst and also the best of our democracy. The worst is that our public leaders have transgressed some norm or rule. The best is that the presence of scandals also suggests that a free press was able to enact what noted First Amendment scholar Vincent Blasi called “the checking value.” The checking value is “that free speech, a free press, and free assembly can serve in checking the abuse of power by public officials.”1 Furthermore, Blasi believes that free speech was a central and critical principle for the drafters of the First Amendment to “guard against breaches of trust by public officials.”2 As such, the American press is often dubbed the “watchdogs of democracy.”3 Given the press’s status in our democracy, its reputation sometimes reaches an undeserved mythic status. -
Alternative Perspectives of African American Culture and Representation in the Works of Ishmael Reed
ALTERNATIVE PERSPECTIVES OF AFRICAN AMERICAN CULTURE AND REPRESENTATION IN THE WORKS OF ISHMAEL REED A thesis submitted to the faculty of San Francisco State University In partial fulfillment of Zo\% The requirements for IMl The Degree Master of Arts In English: Literature by Jason Andrew Jackl San Francisco, California May 2018 Copyright by Jason Andrew Jackl 2018 CERTIFICATION OF APPROVAL I certify that I have read Alternative Perspectives o f African American Culture and Representation in the Works o f Ishmael Reed by Jason Andrew Jackl, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master of Arts in English Literature at San Francisco State University. Geoffrey Grec/C Ph.D. Professor of English Sarita Cannon, Ph.D. Associate Professor of English ALTERNATIVE PERSPECTIVES OF AFRICAN AMERICAN CULTURE AND REPRESENTATION IN THE WORKS OF ISHMAEL REED Jason Andrew JackI San Francisco, California 2018 This thesis demonstrates the ways in which Ishmael Reed proposes incisive countemarratives to the hegemonic master narratives that perpetuate degrading misportrayals of Afro American culture in the historical record and mainstream news and entertainment media of the United States. Many critics and readers have responded reductively to Reed’s work by hastily dismissing his proposals, thereby disallowing thoughtful critical engagement with Reed’s views as put forth in his fiction and non fiction writing. The study that follows asserts that Reed’s corpus deserves more thoughtful critical and public recognition than it has received thus far. To that end, I argue that a critical re-exploration of his fiction and non-fiction writing would yield profound contributions to the ongoing national dialogue on race relations in America. -
Shinedownthe Biggest Band You've Never Heard of Rocks the Coliseum
JJ GREY & MOFRO DAFOE IS VAN GOGH LOCAL THEATER things to do 264 in the area AT THE PAVILION BRILLIANT IN FILM PRODUCTIONS CALENDARS START ON PAGE 12 Feb. 28-Mar. 6, 2019 FREE WHAT THERE IS TO DO IN FORT WAYNE AND BEYOND THE BIGGEST BAND YOU’VE NEVER SHINEDOWN HEARD OF ROCKS THE COLISEUM ALSO INSIDE: ADAM BAKER & THE HEARTACHE · CASTING CROWNS · FINDING NEVERLAND · JO KOY whatzup.com Just Announced MAY 14 JULY 12 JARED JAMES NICHOLS STATIC-X AND DEVILDRIVER GET Award-winning blues artist known for Wisconsin Death Trip 20th Anniversary energetic live shows and bombastic, Tour and Memorial Tribute to Wayne Static arena-sized rock 'n' roll NOTICED! Bands and venues: Send us your events to get free listings in our calendar! MARCH 2 MARCH 17 whatzup.com/submissions LOS LOBOS W/ JAMES AND THE DRIFTERS WHITEY MORGAN Three decades, thousands of A modern day outlaw channeling greats performances, two Grammys, and the Waylon and Merle but with attitude and global success of “La Bamba” grit all his own MARCH 23 APRIL 25 MEGA 80’S WITH CASUAL FRIDAY BONEY JAMES All your favorite hits from the 80’s and Grammy Award winning saxophonist 90’s, prizes for best dressed named one of the top Contemporary Jazz musicians by Billboard Buckethead MAY 1 Classic Deep Purple with Glenn Hughes MAY 2 Who’s Bad - Michael Jackson Tribute MAY 4 ZoSo - Led Zeppelin Tribute MAY 11 Tesla JUNE 3 Hozier: Wasteland, Baby! Tour JUNE 11 2 WHATZUP FEBRUARY 28-MARCH 6, 2019 Volume 23, Number 31 Inside This Week LIMITED-TIME OFFER Winter Therapy Detailing Package 5 Protect your vehicle against winter Spring Forward grime, and keep it looking great! 4Shinedown Festival FULL INTERIOR AND CERAMIC TOP COAT EXTERIOR DETAILING PAINT PROTECTION Keep your car looking and Offers approximately four feeling like new. -
White Supremacy Culture and Capitalism As Co-Dependent Systems of Oppression
Western Michigan University ScholarWorks at WMU Honors Theses Lee Honors College 6-22-2020 White Supremacy Culture and Capitalism as Co-dependent Systems of Oppression Allegra Kistler Ellis Western Michigan University, [email protected] Follow this and additional works at: https://scholarworks.wmich.edu/honors_theses Part of the Social Work Commons Recommended Citation Kistler Ellis, Allegra, "White Supremacy Culture and Capitalism as Co-dependent Systems of Oppression" (2020). Honors Theses. 3329. https://scholarworks.wmich.edu/honors_theses/3329 This Honors Thesis-Open Access is brought to you for free and open access by the Lee Honors College at ScholarWorks at WMU. It has been accepted for inclusion in Honors Theses by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. The Co-Dependency of White Supremacy Culture and Capitalism Allegra Bliss Kistler Ellis Summer, 2020 Abstract This thesis seeks to discuss questions surrounding the intricacies and intertwining narratives of white supremacy culture and capitalism, and other systems of oppression that they fuel. For my research, I intentionally used anecdotes, essays, poems, books, and social media posts by primarily queer, trans, Black and Indigenous women and femmes. In doing so, I delve into the inherent relationship between whiteness, white exploitative institutions, and power. I discuss the history of the two systems of oppression in the United States through analyzing pillars and characteristics of white supremacy culture and capitalism, western colonized science and research, sexism, white feminism, fatphobia, whorephobia, classism, queerphobia, transphobia, environmental racism, the climate crisis, and compost. Through each of these frameworks, we arrive at the same conclusion: we should have been listening to queer and trans Black and Indigenous people of color, who have consistently connected the intertwining and violent nature of white supremacy and capitalism. -
Day 127 - Monday 27Th July @ 11.04Pm I Feel Like I’Ve Been Punched in the Stomach
Day 127 - Monday 27th July @ 11.04pm I feel like I’ve been punched in the stomach. This may be not only the worst day of lockdown, but one of the worst days of my entire life. So, my friends are all seeing each other tomorrow whilst I’m being left out. I... feel so many emotions I’ve not felt in months. I thought they were my friends, apparently not. So, it’s short tonight, but for good reason. My friends are leaving me out and I’ve probably annoyed my best friend. Please fix this. Until tomorrow. Day 126 - Sunday 26th July @ 11.24pm Today wasn’t the greatest. We visited grandparents for a while which was nice to see them again. It’s strange seeing family more often since the change in lockdown. I played for a wee while this afternoon with friends but they all eventually moved on to competitive which made me feel not the best. I brought it up with a friend who seemed supportive but I really don’t know anymore. Please bring back the past couple of weeks. Until tomorrow. Day 125 - Saturday 25th July @ 11.50pm See yesterday’s entry: nothing has really changed today. I played with friends today which was awesome to be able to but I still can’t do competitive so... I feel slightly left out (of course unintentionally and it’s all on me). I just feel worried about playing it and messing up in front of friends. Thanks anyway for the great past couple of weeks so far! Until tomorrow. -
Kärbholz Inhalt
GRATIS | FEBRUAR 2019 Ausgabe 55 ARIANA GRANDE LUIS FONSI J. S. ONDARA DISARSTAR SARAH MCCOY TOM WALKER DREAM THEATER IN FLAMES RIVAL SONS KÄRBHOLZ INHALT INHALT EDITION – IMPRESSUM 03 KÄRBHOLZ HERAUSGEBER 04 ARIANA GRANDE | CHAKA KHAN | AVRIL LAVIGNE AKTIV MUSIK MARKETING GMBH & CO. KG 05 DIDO | ALICE MERTON | LOU DOILLON Steintorweg 8, 20099 Hamburg, UstID: DE 187995651 06 LUIS FONSI | JAMES BLAKE | ONE OK ROCK PERSÖNLICH HAFTENDE GESELLSCHAFTERIN: 07 J. S. ONDARA | NATHAN GRAY | THE SPECIALS AKTIV MUSIK MARKETING 08 DISARSTAR | WEEZER | AT PAVILLON VERWALTUNGS GMBH & CO. KG 09 RUDIMENTAL Steintorweg 8, 20099 Hamburg 10 SARAH MCCOY | RAADIE | GREGOR HUEBNER SITZ: Hamburg, HR B 100122 11 BRANFORD MARSALIS QUARTET | GESCHÄFTSFÜHRER Marcus-Johannes Heinz DOMINIC MILLER | „IMPRESSIONS OF PEPPER” FON: 040/468 99 28-0 Fax: 040/468 99 28-15 12 BRING ME THE HORIZON | E-MAIL: [email protected] DE STAAT | LE BUTCHERETTES 13 TOM WALKER | THE CLAYPOOL LENNON DELIRIUM | REDAKTIONS- UND ANZEIGENLEITUNG SAN2 & HIS SOUL PATROL Daniel Ahrweiler (da) (verantwortlich für den Inhalt) 14 DREAM THEATER | STEVE HACKETT | QUEENSRŸCHE 15 IN FLAMES | AVANTASIA | CHILDREN OF BODOM MITARBEITER DIESER AUSGABE 16 RIVAL SONS | BACKYARD BABIES | SPIDERGAWD Marcel Anders (ma), Kai Florian Becker (kfb), 17 ROGERS | FEVER 333 | THE TOTEN CRACKHUREN Helmut Blecher (hb), Dagmar Leischow (dl), IM KOFFERRAUM | RANTANPLAN Henning Richter (hr), Steffen Rüth (sr), 18 ALBUM-TIPPS Anja Wegner (aw), Stefan Woldach (sw) 22 DAS LÄUFT IM LADEN FOTOGRAFEN DIESER AUSGABE 23 PLATTENLADEN DES MONATS | PLATTENLÄDEN Metalville (3 Kärbholz), Universal Music (4 Ariana 24 CHARTS Grande, 6 Luis Fonsi, 7 The Specials), Paper Plane Bleibe auf dem Laufenden und bestelle unseren Newsletter auf Records (5 Alice Merton), BMG (5 Dido), Craig McDean WWW.PLATTENLADENTIPPS.DE/NEWSLETTER (5 Lou Doillon), Josh Cheuse (7 J. -
Television and the Cold War in the German Democratic Republic
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE Revised Pages Envisioning Socialism Revised Pages Revised Pages Envisioning Socialism Television and the Cold War in the German Democratic Republic Heather L. Gumbert The University of Michigan Press Ann Arbor Revised Pages Copyright © by Heather L. Gumbert 2014 All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (be- yond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2017 2016 2015 2014 5 4 3 2 A CIP catalog record for this book is available from the British Library. ISBN 978– 0- 472– 11919– 6 (cloth : alk. paper) ISBN 978– 0- 472– 12002– 4 (e- book) Revised Pages For my parents Revised Pages Revised Pages Contents Acknowledgments ix Abbreviations xi Introduction 1 1 Cold War Signals: Television Technology in the GDR 14 2 Inventing Television Programming in the GDR 36 3 The Revolution Wasn’t Televised: Political Discipline Confronts Live Television in 1956 60 4 Mediating the Berlin Wall: Television in August 1961 81 5 Coercion and Consent in Television Broadcasting: The Consequences of August 1961 105 6 Reaching Consensus on Television 135 Conclusion 158 Notes 165 Bibliography 217 Index 231 Revised Pages Revised Pages Acknowledgments This work is the product of more years than I would like to admit.