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“THE CRAFT OF THIS FILM IS ASTONISHING!” – Time Out Sale jan 5 & 6 (7:00 & 9:20) yyyy jan 7 (6:45 & 9:20) “A BRACING JAN 8 & 9 (3:20 MATINEE & 7:10 & 9:15) “KNOWING THE OUTCOME DOESN’T JAN. 6 – 12, 2016 TRIUMPH.” BLOCK THE EMOTIONAL PUNCH!” EVEREST VICTORIA –The Guardian FREEHELD – National Post 10 movies for only $50 Director: Baltasar Kormákur UK/US/Iceland, 2015, 122 min; PG Director: Sebastian Schipper Director: Peter Sollett USA, 2015, 104 min; PG Cast: , , John Hawke, , Emily Watson, Keira Germany, 2015, 138 min; 14A Cast: Julianne Moore, Ellen Page, Michael Shannon and Steve Carell Knightley, Sam Worthington, Naoko Mori English & German with subtitles It takes something to steal a scene from Julianne Moore, but that’s exactly what Ellen Based on the ill-fated 1996 ascent of the Himalayan peak by two expedition groups, Shot in a single astonishing take, this tour- Page accomplishes in this timely look at a gay couple’s fight for equality. Moore and Available to students, Cinemagic members, seniors, and during which several persons perished (the same climb that Jon Krakauer chronicled de-force heist thriller plunges us into the Page play two partners in the early 2000s. What keeps the story from drowning in sap in Into Thin Air), the film is an unflinching sensory experience. It depicts the physi- predicament of Victoria (Laia Costa), whose is the dynamic relationship at its core: the tough cop and her younger lover. It’s a power UVic Faculty, Staff & Alumni. Limit of two per customer. cal anguish these climbers endure when they tread the unforgiving terrain (start- “one crazy night” in Berlin grows increasingly struggle between two strong women. That “Freeheld “ is based on a true story makes it ing at around 26,000 feet), a height at which oxygen barely exists. FOUR STARS. perilous as she’s roped into a bank robbery. slightly predictable, but doesn’t take away from the emotion conclusion. Let’s be honest: —Austin Chronicle —Vancouver International Film Festival I nearly lost it in the final few minutes. 4.5 STARS. —Eli Glasner, CBC JAN 10 KIDS MATINEE 1PM E.T. THE EXTRA-TERRESTRIAL JAN 16 KIDS MATINEE 1PM HOTEL TRANSYLVANIA 2 “A HANDSOME AND MATURE ENTERTAINMENT, RICH WITH NOVELISTIC Winner ! Winner ! INTRIGUE.” – The Telegraph BEST CANADIAN MOST POPULAR 9 BACK BY POPULAR DEMAND! 0 FEATURE CANADIAN DOCUMENTARY JAN 10 (3:20 MATINEE & 5:15 & 7:15) JAN 11 & 12 (7:00 & 9:00) DOCUMENTARY JAN 13 & 14 (7:00 & 8:45) JAN 15 & 16 (3:00 MATINEE & 7:00 ONLY) -Hot Docs -VIFF “A BUOYANT TRIBUTE!” yyyyy – Slant Magazine Director: Steven Spielberg USA, 2015, 142 min; PG HAIDA GWAII: ON THE EDGE OF THE WORLD HITCHCOCK / TRUFFAUT BRIDGE OF SPIES Cast: Tom Hanks, Mark Rylance, Alan Alda, Amy Ryan Director: Charles Wilkinson; Canada, 2015, 75 minutes Director: Kent Jones USA, 2015, 81 minutes; PG In this moody, perfectly directed thriller, Spielberg returns you to the good old bad days of the Cold War and its moral gray areas. —NY Times A paean to breathtaking Haida Gwaii and the spirited people who populate it. The natural beauty of this culturally rich archipelago has Kent Jones’s enjoyable documentary is a tribute to a pioneering act of cinephilia. François served as a backdrop for tragedies such as outbreaks of smallpox and the exploitation of natural resources. And yet, the Haida Nation Truffaut’s remarkable interview series with Alfred Hitchcock, conducted over a week in jan 15 & 16 (10:00PM only) remains undaunted, drawing on 14,000 years of tradition in preparing for a showdown over the Northern Gateway pipeline and planning 1962, changed the way cinema was thought of as an art form. Truffaut produced a fasci- for a more sustainable future. —Vancouver International Film Festival natingly illustrated book. Hitchcock was already famous as a director, but Truffaut insisted “It hints at what’s to come in a showdown over Enbridge’s proposed Northern Gateway pipeline. As one resident warns and promises: on his importance as an artist. Kent Jones’s film elicits brilliant contributions from modern DONNIE DARKO: THE DIRECTOR’S CUT “We are ready to fight, believe me.” —The Globe and Mail directors, including Martin Scorsese, Paul Schrader, Wes Anderson, David Fincher, Richard (USA, 2001/2004, 134 min) Linklater, Peter Bogdanovich. A fascinating film. —The Guardian Preceded by “DEBRIS,” a 15-minute portrait of Tofino intertidal artist Pete Clarkson as he crafts Jake Gyllenhaal stars in Richard Kelly’s darly delicious fable. A late-night a memorial to the 2011 Japan earthquake and tsunami, shaping remnants into a unique public sculpture. classic!

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fEB 16 fEB 9 FEB 2 FEB : APUR SANSAR (The World of Apu) of World (The SANSAR APUR : Unvanquished) (The APARAJITO : Road) Little the of (Song PANCHALI PATHER :

film lover. –Janus Films –Janus lover. film

humane movies ever made—essential works for any any for works made—essential ever movies humane

They are among the most achingly beautiful, richly richly beautiful, achingly most the among are They

stands on its own as a tender, visually radiant journey. journey. radiant visually tender, a as own its on stands

masterworks were shot over five years, and each each and years, five over shot were masterworks

finally a sensitive man of the world. These delicate delicate These world. the of man sensitive a finally

Bengal who matures into an urban student and and student urban an into matures who Bengal

art-house film, following a free-spirited child in rural rural in child free-spirited a following film, art-house

brought India into the golden age of international international of age golden the into India brought

in a meticulous new restoration. The Apu Trilogy Trilogy Apu The restoration. new meticulous a in

tyajit Ray’s breathtaking milestone of world cinema cinema world of milestone breathtaking Ray’s tyajit Sa

THE APU TRILOGY APU THE

USA, 2015, 88 min; rated G rated min; 88 2015, USA,

1982, 115 min; rated G rated min; 115 1982,

to be announced be to

THE PEANUTS MOVIE PEANUTS THE

E.T. THE EXTRA-TERRESTRIAL THE E.T.

feb 20 & 21 & 20 feb

jan 30 & 31 & 30 jan

jan 9 & 10 & 9 jan

Kids!

USA, 1981, 114 min; PG – violence – PG min; 114 1981, USA, UK, 2015, 95 mins: rated G rated mins: 95 2015, UK,

RAIDERS OF THE LOST ARK LOST THE OF RAIDERS SHAUN THE SHEEP MOVIE SHEEP THE SHAUN

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Matinees for Matinees

USA, 2015, 90 min; rated G rated min; 90 2015, USA, 97 minutes; rated G rated minutes; 97

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Student Union Building at UVic. Many buses come to UVic and stop right right stop and UVic to come buses Many UVic. at Building Union Student

students, the University community and the public. The theatre is in the the in is theatre The public. the and community University the students, JAN - FEB 2016 FEB - JAN

of Victoria Students’ Society, conceived as an inexpensive alternative for for alternative inexpensive an as conceived Society, Students’ Victoria of

veryone is welcome at Cinecenta! We are a non-profit division of the University University the of division non-profit a are We Cinecenta! at welcome is veryone

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JAN 17 KIDS 1PM HOTEL TRANSYLVANIA 2 y Special Live Event!y JAN 23 KIDS MATINEE 1PM RAIDERS OF THE LOST ARK Admission: $10 / $8 students “THE MOST IMPORTANT THING A PAINTER CAN DO IS “ASTONISHING!” FIND A GOOD PLACE TO SIT.” –J.E.H. MacDonald – New York Magazine

Cinecenta tickets/ Winner! jan 17 (3:00 matinee & 7:10) jan 18 (7:15) passes not valid jan 19, 20 & 21 (7:00 & 8:50) jan 22 & 23 (3:20 matinee & 7:00 & 9:20) PEOPLE’S CHOICE AWARD -Toronto International ROYAL OPERA HOUSE: THE PASSION OF JOAN OF ARC ROOM Film Festival Carl Dreyer, France, 1928, 82 min; silent PAINTED LAND: IN SEARCH OF THE GROUP OF SEVEN Director: Phyllis Ellis Canada, 2015, 90 minutes Director: Lenny Abrahamson Ireland/Canada, 2015, 118 min; PG “Joan of Arc” convinced the world that The tangled wilderness of Lake Superior’s expansive North Shore inspired Canada’s most famous artists, The Group of Seven, as Cast: Brie Larson, Jacob Tremblay, Joan Allen movies could be art. Renée Falconetti gives LE NOZZE DI FIGARO well as their guiding spirit, Tom Thomson. Their work defined Canada’s artistic representation of itself for most of the past century. A beautifully crafted story set in the most unimaginable of circumstances, “Room” begins About 3 hours 40 mins including 1 interval one of the greatest performances ever Their paintings retain a powerful hold on Canada’s visual imagination. But where exactly were these iconic masterpieces created? on the morning of Jack (Jacob Tremblay)’s fifth birthday. A space outfitted with a small recorded on film, as the maiden who died Often considered a perfect opera, Figaro The passage of time had seemingly erased the memory of the precise locations that roused Lawren Harris, J.E.H. MacDonald, bed, a wardrobe, a couple of chairs and little else, “room” is all he’s ever known; the outside for God and France. represents Mozart’s genius at its most live- Arthur Lismer, Franklin Carmichael, A.Y. Jackson, A.J. Casson, and Franz Johnston to produce their magnificent, rugged landscapes. world, from which his Ma (Brie Larson) was kidnapped seven years ago is an ungraspable ly and delightful. David McVicar’s popular Live soundtrack performed by Okpk Author Joanie McGuffin, photographer Gary McGuffin and art historian Michael Burtch have spent years researching, canoeing, portag- concept. The less you know going in the better, but even fans of Emma Donoghue’s poignant staging of this comedy returns in the hands (Dan Godlovich) with Friedegghead ing and bushwhacking up cliffs to find the vistas that inspired The Group of Seven. Seeing the paintings side by side with the locations novel – which the author herself adapts – will find much to admire. It distills everything that of British conductor Ivor Bolton. Starring (Thomas Shields), with synthesizers that inspired them is a lesson on art, painting and seeing. Award-winning director Phyllis Ellis provides us with an investigative arts film made the book suspenseful, hopeful and wondrous into two of the best hours of the year. Erwin Schrott and Romanian soprano Anita that is part mystery, part history and part adventure. —Vancouver International Film Festival —The Globe and Mail Hartig. —Arts Alliance & special effects. JAN 24 KIDS MATINEE 1PM RAIDERS OF THE LOST ARK JAN 30 KIDS MATINEE 1PM THE PEANUTS MOVIE “FEROCIOUSLY WELL ACTED. “INSPIRED, INNOVATIVE, STUNNING, FASSBENDER’S PROWLING ENERGY WITH UNFORGETTABLE PERFORMANCES ELECTRIFIES THE FILM!” AND IMAGES, THIS IS UP THERE WITH –Time Out London THE GREAT SCREEN SHAKESPEARES.” –Empire & & & matinee & & jan 24 (3;20 matinee & 5:15 & 7:30) jan 25, 26, 27 28 (7:00 9:15) Victoria premiere! jan 29 30 (3:00 7:00 9:15) MACBETH yyyyy “COTILLARD IS MAGNETIC.” –The Times Director: Justin Kurzel UK, 2015, 113 minutes; 14A Cast: Michael Fassbender, Marion Cotillard, David Thewlis Braveheart meets the Bard for a blood-soaked game of thrones in Justin Kurzel’s lean, mean and Australian Kurzel pares down dialogue (and witchcraft), looking for the humanity in the Macbeths. The tyranny. Marion Cotillard is magnificent, carried away by ambition, power and glory but unable to keep absolutely sensational adaptation of the terrifying tale of “Macbeth.” It’s the only Shakespearean couple are first seen paralysed with grief at the funeral pyre of a little boy, and everything that follows her despair at bay. She cuts a pitiable tragic figure, her disintegration beautifully, quietly calibrated. It’s play that is entirely about evil, its protagonist the only of his who is damned beyond any redemption. may be seen as a frantic power-grabbing bid to fill the void in their lives. shot exquisitely (by Arkapaw) as a medieval piece in Scotland — mists in the gloaming, austere We’ve seen a lot of Macbeths (Welles, Kurosawa, Polanksi). But you have never shed tears for Macbeth Fassbender is ideal. He looks like a warrior and leader of men and he has the resources to mesmerise castles, red skies and smoky battlefields. Twists from the original text yield ingenious invention, proving (Michael Fassbender) or the decidedly unhinged Lady Macbeth (Marion Cotillard). Not until now. that an unconventional take on a classic can still bring it to new, breathtakingly cinematic life. —Empire with Macbeth’s darkly poetic introspection, his flickers of conscience and increasingly desperate JAN 31 KIDS MATINEE 1PM THE PEANUTS MOVIE FEB 6 KIDS MATINEE 1PM CHARLOTTE’S WEB “A CAPSULE HISTORY OF MODERNISM AND A POIGNANT “A RELEVANT PERSONAL PORTRAIT.” RABBLE-ROUSER!” – Los Angeles Times –Rolling Stone jan 31 (3:00 matinee & 5:10 & 7:15) feb 1 (7:00 & 9:10) feb 2 (7:00 & 9:20) feb 3 & 4 (7:00 & 9:00) feb 5 & 6 (3:00 matinee & 7:00 & 10:00) SUFFRAGETTE THE APU TRILOGY: PEGGY GUGGENHEIM: ART ADDICT SPECTRE Director: Sarah Gavron UK, 2015, 107 min; PG Director: Lisa Immordino Vreeland USA/Italy, 2015, 96 minutes Director: Sam Mendes UK, 2015, 148 min; PG Cast: Carey Mulligan, Helena Bonham Carter, Meryl Streep, Ben Wishaw PATHER PANCHALI Peggy Guggenheim not only amassed one of the world’s most impressive collections of Cast: Daniel Craig, Ralph Fiennes, Léa Seydoux, Christoph Waltz, Monica Bellucci, Ben How could a country as civilized as Great Britain stoop to beating, imprisoning, Satyajit Ray, India, 1955, 125 min; contemporary art but also rightfully earned a reputation as the consummate bohemian. In Whishaw, and Naomie Harris and ostracizing females seeking women’s suffrage, or the simple right to vote?Bengali with subtitles her wildly entertaining documentary, Lisa Immordino Vreeland explores how Guggenheim Bond is back and Daniel Craig is back in a terrifically exciting, spectacular, almost oper- These shameful acts are briskly brought to the screen, with the smoke and bustle forsook her bourgeois birthright in favour of crashing international art scenes and dis- It’s not just the film’s enduring status as a land- atically delirious 007 adventure – endorsing intelligence work as old-fashioned derring- of Edwardian England. Carey Mulligan leads the cast as a woman spurred to revolt covering the likes of Jackson Pollock and Mark Rothko in the process. —FilmsWeLike mark of world cinema; it remains a miracle do and taking a stoutly pro-Snowden line against the creepy voyeur surveillance that by conscience and fate. Mulligan’s character is fictional, an amalgam of working- Vreeland’s sleek, entertaining portrait tracks the heiress on her travels: In bohemian Paris of lyrical realism in the detailed observation undermines the rights of a free individual. It’s pure action mayhem with a real sense of class women who didn’t see themselves as rebels but who could no longer abide in the ’20s; in London, she opened the gallery credited with introducing Britain to Modern of village life as experienced by young Apu, style. —The Guardian the demeaning patriarchy that ruled their lives. Like the global suffrage movement art; returning to New York, she gave first shows to seemingly every major Abstract and his family, turning a simple rites-of-pas- it recalls, and as the end credits underline, there is still much of the story to tell. Expressionist. Ms. Vreeland has paced her documentary well, with hundreds of beautiful sage story into pure poetry. A masterpiece. —Toronto Star images spanning decades of artists, galleries, parties, scenes. —The New York Times –Empire —Time Out London “THERE ARE SEQUENCES THAT RANK WITH BOND’S BEST.” FEB 7 KIDS MATINEE 1PM CHARLOTTE’S WEB FEB 13 KIDS MATINEE 1PM SHAUN THE SHEEP MOVIE BRYAN Golden Globe yyyy CRANSTON “A WARM AND WITTY 9 0 nomination BEST ACTOR Nominee! PROFILE IN COURAGE.” best actress – Movie Nation - lily tomlin - Golden Globes - Screen Actors BACK BY POPULAR DEMAND! Guild feb 7 (3:00 & 7:00) feb 8 (7:00 & 9:00) feb 9 (7:00 & 9:10) feb 10 & 11 (7:00 & 9:00) “ATOM EGOYAN’S MASTERFUL feb 12 & 13 (3:00 matinee 7:00 & 9:20) ROYAL OPERA HOUSE: CAVALLERIA GRANDMA THE APU TRILOGY: REMEMBER NEW THRILLER!” – The Telegraph TRUMBO Director: Paul Weitz USA, 2015, 82 mins Director: Atom Egoyan Canada/Germany, 2015, 95 min; 14A Director: Jay Roach USA, 2015, 125 minutes; PG RUSTICANA / PAGLIACCI Cast: Christopher Plummer, Martin Landau, Henry Czerny, Dean Norris, Bruno Ganz and Cast: Bryan Cranston, Diane Lane, Helen Mirren, Louis C.K. About 3 hours with 1 interval A honey of a role for Lily Tomlin. Playing an APARAJITO ill-tempered lesbian on an odyssey to raise India, 1956, 109 min; Bengali with subtitles Jurgen Prochnow “Trumbo” is a corny, well-made B-movie about an A-list screenwriter who had These two short Italian operas are brought the money her granddaughter needs for an Satyajit Ray created one of the screen’s Oscar-winner Christopher Plummer is riveting as Zev, a man seeking revenge on the to take jobs writing B-movies after he was blacklisted, but eventually worked his together in a new staging by director abortion, Tomlin is in her glorious element. It great family tales -- the story of a moth- Nazi soldier who murdered his family at Auschwitz 70 years earlier. His dementia way back to writing A-movies. The great Bryan Cranston sinks his teeth into the Damiano Michieletto, who sets both in a doesn’t hurt that there are numerous other er’s love for her son, and the son’s con- makes his journey increasingly difficult. With help from a fellow Auschwitz survivor, title role. There’s a lot of ham and cheese in the performance, but it’s great fun to poverty stricken village in 1980s south- expertly gauged performances to savor, plus flicting need for adventure and indepen- he relies on a handwritten letter to remind him of his mission. The plot becomes com- watch. Dalton Trumbo was a larger-than-life character who was probably the most ern Italy. ROM’s Music Director Antonio a bundle of heart, in this consistently funny dence. Ray’s use of camera and composi- plicated as Zev’s fading memory gets in the way. Director Atom Egoyan takes audi- successful and famous of “The Hollywood Ten,” writers and directors with sympa- Pappano conducts a cast that includes Eva- and poignant comedy-drama. Anybody who tion, and his blending of Ravi Shankar’s ences on an intricate, thrilling ride, with a few surprises along the way. FOUR STARS. thies to the Communist Party who were cited for contempt of Congress in 1947 Maria Westbroek, Carmen Giannattasio and loves Lily Tomlin won’t want to miss this. music into a storytelling fabric, are flawless. —CBC.ca for refusing to cooperate with the House Committee on Un-American Activities. Aleksandrs Antonenko. —Arts Alliance —The Hollywood Reporter —San Francisco Chronicle —Chicago Sun-Times FEB 14 KIDS MATINEE 1PM SHAUN THE SHEEP MOVIE y Special Event! y Admission: $10 / $5 students or youth BIG SCREEN yyyy Classic

wwwwwwww feb 14 (3:00 matinee & 5:00 & 7:00) feb 15 (7:00 ONLY) feb 16 (7:00 & 9:10) feb 17 (7:00 & 9:10) feb 18 (7:00 & 9:20) feb 19 (3:00 matinee & 7:00 & 9:45) feb 20 (3:00 matinee & 5:00 & 7:00) Cinecenta tickets/ WINDS OF HEAVEN passes not valid WHEN HARRY MET SALLY WINGS OF DESIRE THE APU TRILOGY: WITHNAIL & I Michael Ostroff, Canada, 2010, 87 min, G THE MARTIAN I AM ELEVEN Rob Reiner, USA, 1989, 96 min Wim Wenders, Germany, 1987, 127 min, Bruce Robinson, UK, 1987, 107 min Director: Ridley Scott Genevieve Bailey, Australia, 2011, 96 min This is a must-see - one of the best films Does sex make it impossible for men and German with subtitles, PG Endlessly quotable, touching, and funny, USA, 2015, 142 min; PG Cast: Matt Damon, 11-year-olds, ‘not quite kids, not quite teen- APUR SANSAR ever made about our province and these women to be true friends? Billy Crystal this is a British cult classic about friendship, Jessica Chastain, Chiwetel Ejiofor, Jeff agers,’ share thoughts on love, war, global Bruno Ganz is an angel perched atop build- Satyajit Ray, India, 1959, 105 min; forests. Few of us were as sensitive as Emily and Meg Ryan star in Nora Ephron’s very acting, and alcohol. Lots of alcohol. Withnail warming, music, family, religion, and hap- ings over Berlin who can hear the thoughts Bengali with subtitles Carr, and no one has interpreted this place Daniels, Kristen Wiig, Michael Peña funny and now classic romantic comedy of all the people living below. But when he (Richard E. Grant) and ‘I’ (Paul McGann) are piness with the naivety of childhood yet Apu is now in his early twenties, out of more profoundly in their art. Subtitled Emily ‘Alien’ director Ridley Scott returns to that chronicles the eleven-year relationship falls in love with a beautiful trapeze artist, two actors, holed up in a rat-infested London surprisingly sharp wisdom of adulthood. “I college, and hoping to live as a writer. Carr, Carvers, and the Spirits of the Forest. outer space in this rousing crowd-pleas- between Harry and Sally who meet in col- he is willing to come back to earth to be flat. They persuade Withnail’s uncle to lend Am Eleven” is an insightful, funny and mov- Alongside his professional ambitions, the er. It has a perfect cast, a riveting pace lege, then pursue their own lives until they with her. Made not long before the fall of the them his remote farmhouse. But the city Preceded by: BONE WIND FIRE (30 min), ing documentary of childhood and creates a film charts his romantic awakening, which and a devotion to the science part of reconnect ten years later. Berlin wall, this stunning tapestry of sounds boys are hardly equipped for country liv- Jill Sharpe’s journey into the hearts, minds & powerful insight into the future. occurs as the result of a most unlikely turn sci-fi that’s damn near inspirational. and images, shot in black and white and ing. There could never be another Withnail. eyes of Georgia O’Keeffe, Emily Carr & Frida of events, and his eventual, fraught father- —The Globe and Mail color is movie poetry. —Criterion Collection —BBCi Kahlo. Sponsored by: Division of Fine Arts, Presented by CISV Victoria Happy Valentine’s Day! hood. Memorial University. cisvvictoria.ca

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