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Mural Design Information Form LEAD ARTIST ADDRESS CITY STATE ZIP CODE EMAIL PHONE PROJECT COORDINATOR ADDRESS CITY STATE ZIP CODE EMAIL PHONE SPONSORING ORGANIZATION ADDRESS CITY STATE ZIP CODE EMAIL PHONE FUNDING SOURCES PROPOSED SITE (address, cross street ) DISTRICT District numbers can be found at http://sfgov.org/elections/district-citywide-maps MURAL TITLE DIMENSIONS ESTIMATED SCHEDULE (start and completion dates) 1. Proposal (describe proposed design, site and theme. Attach a separate document if needed). 2. Materials and processes to be used for wall preparation, mural creation and anti-graffiti treatment. 3. List individuals and groups involved in the mural design, preparation and implementation. Attach the following documents to this form: 1. Lead artist's resume/qualifications and examples of previous work 2. Three (3) letters of community support 3. Letter or resolution approving proposal from city department or; 4. Letter of approval from private property owner along with Property Owner Authorization Form 5. Signed Artist Waiver of Property Rights for artwork placed upon city property or; 6. Signed Artist Waiver of Proprietary Rights financed in whole or in part by city funds for artwork placed upon private property 7. Maintenance Plan (including parties responsible for maintenance) 8. Color image of design 9. One image of the proposed site and indicate mural dimensions Tauba Auerbach Born 1981 in San Francisco, CA Lives and works in New York Education 1999-2003 BA Visual Art, Stanford University, Palo Alto, CA Awards 2016 Queen Sonja Print Award 2016, Oslo, Norway 2011 Artist Research Fellowship, Smithsonian Institution 2008 SECA Art Award, SF MoMA, San Francisco, CA 2008 Eureka Fellowship, The Fleischhacker Foundation One-Person Exhibitions 2019 Tauba Auerbach: Current, The Artist’s Institute at Hunter College, New York, NY (4/12 —6/1/19) 2018 INDUCTION: Tauba Auerbach + Elaine Radigue, curated by Andria Hickey, Museum of Contemporary Art, Cleveland, OH (2/16—6/10/18) Tauba Auerbach: Flow Seperation, Public Art Fund, New York Harbor, NY (7/1/18— 5/12/19) TAUBA AUERBACH: OOO. 19 flags for 019, 019, Ghent, Belgium (5/5—8/14/18) Tauba Auerbach: A BROKEN STREAM, Paula Cooper Gallery, New York, NY (11/10/18—12/22/18) 2017 Diagonal Press, Stevenson Library, Bard College, Annandale-on-Hudson, NY (2/15- 4/20/17) 2016 Tauba Auerbach: Projective Instrument, Paula Cooper Gallery, New York, NY (1/9 - 2/13/16) 2014 Tauba Auerbach: The New Ambidextrous Universe, Institute of Contemporary Arts, London, UK (4/16 – 6/15/14) 2013 Gnomon/Wave, part of the Night (1947 – 2015) sculpture-in-residence program at Philip Johnson Glass House, New Canaan, CT (5/2 – 9/1/13) A comb A grating A wave A particle A solid A field A mirror A sundial A slice A charge A hole A ghost, Standard, Oslo, Norway (8/30–9/28/13) 2012 Float, Paula Cooper Gallery, New York, NY (5/5 – 6/9/12) 2011 Tetrachromat, Bergen Kunsthall, Norway (11/11 – 12/22). Travels to Malmö Konsthall, Sweden (3/16 6/10/12); Wiels Contemporary Art Center Belgium (3/28 Sweden (3/16 – 6/10/12); Wiels Contemporary Art Center, Belgium (3/28 – 6/6/13) A Book is Not An X, Glenn Horowitz Bookseller, East Hampton, NY (8/12 – 9/20) 2010 The W Axis, Standard (Oslo), Oslo, Norway Quarry, Whitney Museum Construction Site Installation, New York, NY Ne Year, Western Bridge, Seattle, WA 2009 Here and Now/And Nowhere, Deitch Projects, New York, NY 2008 Passengers, Wattis Institute for Contemporary Art, San Francisco, CA The Uncertainly Principle, Standard (Oslo), Oslo, Norway 2007 The Answer/Wasn’t Here, Jack Hanley Gallery, San Francisco, CA 2006 Yes and Not Yes, Deitch Projects, New York, NY 2005 All Time, All the Time, San Francisco Art Commission, San Francisco, CA How to Spell the Alphabet, New Image Art Gallery, Los Angeles, CA Group Exhibitions 2019 Movies are for Selling Popcorn, Standard (Oslo), Oslo, Norway (2/1—3/2/19) Surface Tension, Carolina Nitsch Project Room, New York, NY (2/2—4/6/19) Season XVI, The Artist’s Institute at Hunter College, New York, NY (4/12—6/1/19) Coordinates: Maps and Art Exploring Shared Terrain, David Rumsey Map Center, Stanford University, Stanford, CA (4/30—9/30/19) New Order: Art and Technology in the Twenty-First Century, Museum of Modern Art, New York, NY (3/17—6/15/19) Group Exhibition, Affective Care, New York, NY (6/14—9/7/19) Trade Syllables, Andreas Melas Gallery, Athens, Greece (6/21—9/21/19) 2018 Artwork for Bedrooms, CCA Wattis Institute for Contemporary Art, San Francisco, CA (3/15—5/12/18) General Rehearsal: A Show in three acts from the collections of V-A-C, MMOMA and KADIST, Moscow Museum of Modern Art, Moscow, Russia (4/26—9/16/18) The Swindle: Art Between Seeing and Believing, Albright-Knox Art Gallery, Buffalo, NY (5/26—10/28/18) Atelier E.B., Serpentine Sackler Gallery, London, England (10/3/18—1/2019) Bauhaus und Amerika, curated by Kristin Bartels, LWL-Museum für Kunst und Kultur, Kassel, Germany (11/9/18—3/10/19) Coordinates: Maps and Art Exploring Shared Terrain, curated by Emily Prince, David Rumsey Map Center, Stanford University, Stanford, CA (4/30/18—9/30/19) Programmed: Rules, Codes, and Choreographies in Art, 1965-2018, Whitney Museum of American Art, New York, NY (9/28/18—4/14/19) Graphic Revolution: American Prints 1960 to Now, Saint Louis Art Museum, St. Louis, MO (11/11/18—2/3/19) More/Less, De la Cruz Collection, Miami, FL (December 2018—November 2019) O-R-G Small Softwares Shop, New York, NY 2017 Oracle, The Broad, Los Angeles, CA (4/29-9/3/17) MEDUSA: Bijoux et tabous, curated by Anne Dressen, Museé d’art Moderne de la Ville de Paris, Paris, France (5/19—11/5/17) Unpainting, Art Gallery NSW, Sydney, Australia (9/3017–7/18) Gray Matters: Art en grisaille, Wexner Center, Ohio State University, Columbus, OH (5/20–8/11/17) ( ) Abstract / Not Abstract, organized by be Jeffrey Deitch and Gagosian, Moore Building, Miami, FL (12/6—12/10/17) Force and Form, De la Cruz Collection, Miami, FL (12/5/17—11/1/18) Vloed, Ten Bogaerde, Koksijde, Belgium (12/3/17, 12/23/17, 1/2/18, 1/7/18) 2016 New to the Cantor, The Cantor Arts Center at Stanford University, Stanford, CA (10/6/2016–indefinite) ‘33 – ‘29 – ‘36 curated by Lucy McKenzie, UM Gallery – Academy of Arts, Architecture, and Design, Prague, Czech Republic (12/20/16–2/25/17) NO MAN’S LAND: Women Artists from the Rubell Family Collection, National Museum of Women in the Arts, Washington, D.C., (9/30/16-1/8/17) Olympia, curated by Brendan Duggan, Galerie Patrick Sequin, Paris, France (10/17– 12/26/16) You’ve Got to Know the Rules… To Break Them, de la Cruz Collection, Miami FL, (11/’16–11/’17) Too Much of a Good Thing, Basilica, Hudson, NY (7/9-7/24/16) Material Considerations, John Berggruen Gallery, San Francisco, CA (2/4—3/12/16) Minimalism Into Algorithm, The Kitchen, New York, NY (3/3–4/2/16) Progressive Praxis, de la Cruz Collection, Miami FL (11/2016-11/2017) Typeface to Interface: Graphic Design from the Collection, SFMOMA, San Francisco, CA (5/14-10/23/16) Flags, 019, Ghent, Belgium (5/6/16—8/6/17) A Slow Succession with Many Interruptions, organized by Jenny Gheith, San Francisco Museum of Modern Art, San Francisco, CA (12/10/16—4/2/17) 2015 Condensed Matter Community, Synchrotron Radiation Center: Home of Aladdin, Stoughton, WI (Dec 12, 2015 - Jan. 2016) Beneath the Surface, de la Cruz Collection, Miami, FL (11-12/15) Constructive Interference: Tauba Auerbach and Mark Fox, Anderson Collection at Stanford University, Palo Alto, CA (9/9/2015 – March 2016) Flat World, David Kordanksy Gallery, Los Angeles, CA (6/26 – 8/15/15) TELE-Gen, Kunstmuseum Bonn, Bonn, Germany (10/1/15 – 1/10/16) Reciprocal Score: Tauba Auerbach + Charlotte Posenenske, Indipendenza Studio, Rome (4/23 – 7/11/15) On Paper: Spin, Crinkle, Pluck, Baltimore Museum of Art, Baltimore, MD (4/19 – 9/20/15) You’ve Got to Know the Rules… To Break Them, de la Cruz Collection, Miami FL (11/2015-11/2016) 2014 Looking at Progress, de la Cruz Collection, Miami, FL (11-12/14) DECORUM: Carpets and tapestries by artists, Musee D’Art Moderne, Paris, France (10/11/14 – 2/9/15) Reductive Minimalism, University of Michigan Museum of Art, Ann Arbor, MI (10/4/14 – 2/25/15) Halftone: Through the Grid, Max Hetzler Gallery, Berlin, Germany and Paris, France (6/28 – 7/30/14) PLIAGE/FOLD, Gagosian Gallery, Paris, France (2/28 – 4/19/14) FIFTH DIMENSION, Reva and David Logan Center for the Arts, University of Chicago, IL (12/20/13 – 2/16/14) 2013 Selections from the de la Cruz Collection, de la Cruz Collection, Miami, FL (11-12/13) UIA (Unlikely iterations of the abstract), curated by Bill Arning, Contemporary Arts Museum, Houston, TX (10/31/13 – 1/5/14) The Illuminated Library, San Francisco State University, CA (9/21 – 10/17/13) Test Pattern, Whitney Museum of American Art, New York, NY (8/22 – 12/1/13) Surface Tension, Senior & Shopmaker Gallery, New York, NY (6/20 – 8/8/13) Collection Sandretto Re Rebaudengo: Have you seen me before?, Whitechapel Gallery, London, UK (6/18 – 9/8/13) Abstract Generation: Now in Print, Museum of Modern Art, New York, NY (3/15 – 9/2/13) 9/2/13) Contemporary Galleries: 1980 – Now, Museum of Modern Art, New York, NY (March 2013 – February 2014) White Collar Crimes, organized by Vito Schnabel, Acquavella Gallery, New York, NY (2/21 – 3/27/13) 2012 Field Conditions, curated by Joseph Becker, SFMOMA, San Francisco, CA (9/1/12- 1/6/13) Coquilles Mécaniques, curated by Joanna Fiduccia, Centre Rhénan d’Art Contemporain, Alsace, France (10/7/12-1/13/13) Ecstatic Alphabets, curated by Laura Hoptman, Museum of Modern Art, New York, NY (5/5 – 8/27/12) The Painting Factory, Museum of Contemporary Art, Los Angeles, CA (4/29 – 8/20/2012) Remote Control, curated by Matt Williams, ICA London, London, UK (4/3 – 6/10/12) Lifelike, Walker Art Center, Minneapolis (2/25 – 5/27/12); travels to New Orleans Museum of Art, New Orleans, LA (11/10/12 -1/27/13), Museum of Contemporary Art, San Diego, CA (2/24-5/25/13), Blanton Museum of Art, University of Texas at Austin, TX (6/23 – 9/29/13) 2011 The Indiscipline of Painting, curated by Daniel Sturgis, Martin Clark and Sarah Shalgosky, Tate St.
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    Auto PILOT CARSTEN N I C O L a I

    230781640628620899862803482534 64823378678316527120190914564 602 aUTO 1465495853710507922796892PILOT 5892354 1059731732816096318595024459455CARSTEN N I C O L A I 3 731159562863882353 4201989380952 572010654858632 7242454150695950829533 11686172 4012858361603 47104047534 09341 7216412199245863150302861 7467289097777279380008164 862518983569485 2327917860857843838279679766814 60424196528502221066118630674 305068203496 885959772975498930161753928468 73622 26260991246080512 456498035593634 6829989487226588048575640142 1021359695362314429524849371871 138687519435064302184531910484 4894090718649423196156794520809514 11706798214808651328230664709 0199561121290 690830264 252230825334 8865936153381 82796823030 29745557067498385054945885 410 78622039194945047123713786960956 1382686838689427 145765403 005370614680 55022523160388193014209376213 aUTO PILOT CARSTEN N I C O L A I raster-noton Inhalt/Contents 05 Source of innovation, keywords from a sketch Takashi Ikegami 08 Von der Synapse zum Signal: Carsten Nicolais ›telefunken‹ 14 From synapse to signal: Carsten Nicolai’s ‘telefunken ’ Christoph Cox 20 Nachrichten aus der Produktion 32 News from the production front Martin Pesch 59 Laboratorium ist die Antwort. Was ist die Frage? – ein Gespräch 74 Laboratorium is the answer.What ist the question? – a conversation Hans Ulrich Obrist, Carsten Nicolai 86 Sketch Takashi Ikegami 96 Appendix 3 4 Source of innovation Takashi Ikegami understanding/what is randomness noise generates structures in non equal. open systems dissipative structure noise in dna-
  • Biography Charlotte Posenenske

    Biography Charlotte Posenenske

    Biography Mehdi Chouakri, Berlin “Récit d’un temps court,” MAMCO Musée d'art moderne et contemporain, Geneva 2013 “Rain, Steam and Speed,” Galerie Sommer & Kohl, Berlin “Minimalism and Applied II,” Daimler Contemporary, Berlin “Dies alles, Herzchen, wird einmal gehören\All this, sweetheart, will one day be yours,” Aujourd’hui, June 2015 Stiftung für konstruktive und konkrete Kunst Museum Haus Konstruktiv Zürich, Zurich, 2010 “Charlotte Posenenskes Vierkantrohre in einem Stuttgarter Parkhaus und in der 2005 Galerie im Taxispalais Innsbruck, Innsbruck “Open studio Rein Dufait. A dialogue with works of Bernd Lohaus, Charlotte Posenenske and Guy “Conspicous unusable,” Miguel Abreu Gallery, New York “Big Sign – Little Building,” OCA Office for Contemporary Art, Oslo Galerie Dorothea Loehr, Frankfurt am Main “Tauba Auerbach and Charlotte Posenenske at Indipendenza,” Contemporary Art Daily, “Die Vorläufer,” Hinrichsen, J., Der Tagesspiegel, April 30, 2010: p. 29 Rotunde der Neuen Staatsgalerie Stuttgart,” Werner Esser, ebd./ibid Museum für Gegenwartskunst Siegen, Siegen Rombouts,” Gallery Sofie Van de Velde, Antwerp “The Sixties. Kunst und Kultur der 1960er Jahre in Deutschland,” Galerie der Stadt Sindelfingen, “Geometría en el siglo XX en la Daimler Art Collection,” Museo de Arte Latinoamericano de Studiogalerie, Johann Wolfgang Goethe Universität, Frankfurt am Main June 15, 2015 “Rohre wie aus der Chemiefabrik,” Hierholzer, M., Frankfurter Allgemeine Sonntagszeitung, 1988 “Kurzübersicht über das Werk,” Burkhard Brunn, Poster/Dokumentation des Events in Charlotte Posenenske 2003 Galerie Konstantin Adamopoulos, Frankfurt am Main “Lewis Baltz with works by Carl Andre and Charlotte Posenenske,” Stills: Centre for Photography, Sindelfingen Buenos Aires, Buenos Aires “Gelsenkirchen,” Galerie Hauptstraße 1, Gelsenkirchen (with Gonschior, Kahlen, Lueg, Roehr et.al.) “Tauba Auerbach + Charlotte Posenenske “Reciprocal Score” at Indipendenza, Rome,” October 31, 2010: p.
  • CAA 2020 Awards for Distinction in Publication: Shortlisted Books

    CAA 2020 Awards for Distinction in Publication: Shortlisted Books

    CAA Logo, Black/Grey Black C0 M0 Y0 K100 R0 G0 B0 Hex #000000 Grey C0 M0 Y0 K50 R147 G149 B152 CAA 2020 Hex #939598 Awards for Distinction Alfred H. Barr Jr. Award Karl Kusserow and Alan C. Braddock, Nature’s Nation: American Art and Environment, Princeton University Art Museum, 2019 Honorable Mention: Esther Gabara, Pop América, 1965–1975, Duke University Press, 2018 Alfred H. Barr Jr. Award for Smaller Museums, Libraries, Collections, and Exhibitions Denise Murrell, Posing Modernity: The Black Model from Manet and Matisse to Today, Yale University Press in association with The Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York, 2018 Honorable Mention: Phillip Earenfight, Shan Goshorn: Resisting the Mission, Trout Gallery, Dickinson College, 2019 Art Journal Award Philip Glahn and Cary Levine, “The Future Is Present: Electronic Café and the Politics of Technological Fantasy,” Art Journal, vol. 78, no. 3 (Fall 2019): 100–121 Arthur Kingsley Porter Prize Claudia Brittenham, “Architecture, Vision, and Ritual: Seeing Maya Lintels at Yaxchilan Structure 23,” The Art Bulletin, vol. 101, no. 3 (September 2019): 8–36 Charles Rufus Morey Book Award J. P. Park, A New Middle Kingdom: Painting and Cultural Politics in Late Chosŏon Korea (1700–1850), University of Washington Press, 2018 Frank Jewett Mather Award Darby English, To Describe a Life: Notes from the Intersection of Art and Race Terror, Yale University Press, 2019 Artist Award for a Distinguished Body of Work Kyle Staver CAA/AIC Award for Distinction in Scholarship and Conservation Jeanne Marie Teutonico Distinguished Artist Award for Lifetime Achievement Eleanor Antin Distinguished Lifetime Achievement Award for Writing on Art Joseph Leo Koerner Distinguished Feminist Award—Artist Will not be given this year Distinguished Feminist Award—Scholar Maud K.