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MUSICAL COLLABORATION IN THE FILMS OF DAVID O. SELZNICK, 1932–1957 by Nathan R. Platte A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music: Musicology) in The University of Michigan 2010 Doctoral Committee: Associate Professor Mark A. Clague, Chair Professor James M. Borders Professor Roland J. Wiley Adjunct Associate Professor James E. Wierzbicki Professor Gaylyn Studlar, Washington University in St. Louis © NATHAN R. PLATTE 2010 To Diane ii Acknowledgements This dissertation has benefited tremendously from the support of many individuals and institutions. I am grateful to my committee chair, Prof. Mark Clague, and committee members, Profs. James Borders, Gaylyn Studlar, James Wierzbicki, and Roland John Wiley. Not only did they serve as guides during the dissertating process, but each has influenced me profoundly in my development as a writer and scholar. I would not be where I am now were it not for their help. The Rackham School of Graduate Studies, which has been a steady rock even in hard economic times, provided crucial funding for research, writing, and conference papers related to the dissertation. The Harry Ransom Humanities Research Center at the University of Texas at Austin, served as my archival home base and also generously funded multiple trips to the enormous David O. Selznick Collection through a dissertation fellowship. I would also like to thank archivists Lauren Buisson at the University of California, Los Angeles, Edward Comstock at the University of Southern California, James D’Arc and Norm Gillespie at Brigham Young University, Nicolette Dobrowolski at Syracuse University, and Steve Wilson at the University of Texas at Austin, who helped me during my visits to their respective institutions and also provided numerous photocopies.
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