Rant ‘N’ Roll by Mike Greenblatt PUBLISHERS DIANE CASAZZA CSPHERCIIASL PFRAORJEINCTASS PUBLISHER
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STAFF rant ‘n’ roll by Mike Greenblatt PUBLISHERS DIANE CASAZZA SCPHERCIIASL PFRAORJEINCTASS PUBLISHER R.E.M. at the BBC He’s Got The Whole MAANRAGKIN SGC EDEIUTORR MAN The British Broadcasting Corporation World In His Hands JENNA ROMAINE I CONTRIBUTING EDITORS N always did love that little old band from I V Chord-less jazz bands walk a high wire R Georgia, REM . Active from 1980 to 2011, E JAMES CAMPION C with no net. Without the glue of either guitar O MIKE GREENBLATT T you could make a convincing argument S or piano chording, the musicians have to E TIM LOUIE N R JOHN PFEIFFER E weave their notes in and around each F PATRICK SLEVIN O CONTRIBUTING WRITERS Y other creating a cohesive whole. On the S E T DANIEL ALLEVA mystifying, circuitous, complex, satisfying R U O AMANDA FERRANTE BATISTA C and wholly entertaining Night (Fresh O MICHAEL CAVACINI T O RACHAEL CICCONE Sounds Records), Brazilian/Israeli New H P CHARLEY CRESPO Yorker Eden Bareket plays a dazzling SAMANTHA CURRELI Michael Herring and drummer Richie ALESSANDRA DONNELLY Europe), Metallica’s ‘92 “Nothing Else Barshay -- who steadfastly remain Fearless AMY EBELING Matters,” Britney’s ‘03 “Toxic” and, again, GLYN EMMERSON and Kind on their second CD together. ROBERT GLUCK Meghan Trainor’s ‘14 “All About That Bass” The promise of their Kings County debut ALISON GRAVES (reprised from the first PMJ CD) is a 1930s JESSICA GUICA has now been realized (adding street beats STEPHANIE GUIDA swing-jazz gem. It all works beautifully, DOKTOR JOHN N and dance rhythms). The three Canadians A JENNIFER KAJZER amazingly and righteously valid. M B are bolstered by American drummer E I MORGAN MAGID L that Michael Stipe, Bill Berry, Peter Buck C A RYAN M GRATH I Barshay who knows a little something D and Mike Mills were the first alternative- Y GREGG M cQUEEN L British Rockabilly F about keeping the beat because he did GIORGIO MUSTICA O rock band. Their hovering influence remains Y VERONICA RAJADNYA Ruzz Guitar’s Big Band Blues Revue S so for none other than Chick Corea and E indelibly etched even today. Now, with the T BRYAN REESMAN R Herbie Hancock. Formed in 2014 Brooklyn, has pulled off The Heist on Rhythm Bomb U DANIELLE SARIYAN release of the 9-disc boxed set R.E.M. at O C Records. It’s an amalgam of totally rockin’ Way North goes beyond the usual ANDREA SEASTRAND O the BBC (Craft Recordings), their fans T HAL SELZER O parameters for such an endeavor. Their H MARIA SHIELDS have something to celebrate. The rare P Jelly Roll Morton medley (consisting of studio and live recordings take in 24 years LEANNE ACIZ STANTON baritone saxophone and a sinewy clarinet. “Buddy Bolden’s Blues” and “King Porter DANI TAUBER of controlled chaos, many of the 133 tracks OLIVIA TAUBNER His originals blur the line between Stomp”) is, in a word, delightful. They all (disc No. 9 is a DVD) never-before-released. CARMEN TRIOLA improvisation and composition. Armed write and they all play circles around each STEVE TRUGLIO TINA WHELSKI with bassist/brother Or Bareket and Chilean other, chasing each other’s tails in a most KLEADM P HWOTIOLGLRIAAPHMESR French Rockabilly drummer Felix Lecaros (who are both enduring, fitful, irregular and complex way. MARK WEISS The Hoodoo Tones are Here To Stay totally attuned to his every tic, wiggle and Heartily Recommended. CONTRIBUTING PHOTOGRAPHERS on their new Rhythm Bomb CD. This French percussive thump), he takes us on a nine- KELSEY AYRES guitar/bass/drums trio makes an unholy track trip through accessible avant-garde. GLYN EMMERSON Retirement? NADINE JOY racket, sublime in execution and satisfying “Canadian Sea Monster” is the highlight. MICHELE TERRY to the soul. The all-original roots-reverent Call it post-post-bop if you want. I just call No Way! STEVE TRUGLIO APRIL WORONOWICZ rockabilly done ‘50s/’60s style sounds just jump blues, white-Euro R&B and it brilliant. With the announcement of the Rolling EDITORIAL INTERN Tennessee rockabilly with classic rock Stones 2019 “No Filter” 13-city American ADDEVBERTAIS IKNGA DTIREE CSTCOHR AFER flourishes. Ruzz writes. He shreds. He From Alaska To tour starting in Miami April 20 and finishing MICHELLE DENHOLTZ sings. He crawls on his belly like a reptile. in Chicago June 21 (local dates June 4 in PRINT ART DIRECTOR Hawaii Philly and June 13 in East Rutherford), His trio with hotshot upright bassist Joe ANGELA TEIXEIRA Allen and steamroller drummer Mike Taumei “Big John” Akapo comes the time is right for fighting over good seats. PRODUCTION DESIGNER Hoddinott is augmented here with a joyous straight out of Hawaii (after growing up in Meanwhile, one can revel in some supreme CDIRECBU LKAETIRORN-IMGAARNKETING Louisiana-styled three-piece horn section. Alaska) to rock your world on his debut moments on the three-disc 1994 Voodoo PHIL FIUMANO Highlights include “Juke Joint Shakedown” Lounge Uncut (Eagle Vision). BRUCE HOLLAND and “High Stakes Hustle” but all 10 originals With 10 never-before-seen Miami CHARLES PIZZUTA ANDREW LAZZAROTTI sizzle like grease in a frying pan. performances (the third disc is a DVD) TSRE. DMA SRKHEITKINO G DIRECTOR and five bonus New Jersey tracks from SERENA CASAZZA Native Americana Giant Stadium…with guests Sheryl Crow, MARKETING DIRECTOR A I Robert Cray and Bo Diddley…with a D BRIANNA AGUIRRE Born into the Crow Indian tribe in E MARKETING COORDINATOR M great, produced with crystal clarity where stripped-down three-song acoustic spot, Y Montana before settling in Colorado, Cary P A JACQUELYN PETRILLO the trebly hi-hat drum sound tickles the R this, the largest grossing tour in rock ’n’ CREATIVE DIRECTOR E Morin has astounded international H T ear and the jump-back bass will flatten D I DENNIS RAKAUCKAS U AWM DESIGNERS your stomach. They’re tight, energetic and Q I L Y slap-happy. Vocalist/Guitarist Kevin B has B PETER BREITFELDER O T PAUL CALABRESE his hiccups down pat and his electric solos O H CHARLIE PLATOW take from punk and prog. I bet Ben D Driver P EFORUINCD ESR TEINERT can stand on his double-bass just like Lee with his specialized brand of Paradise Rocker of the Stray Cats. Drummer Michael Blues (Mensch House Records). He’s a JAMES RENSENBRINK S 1932-2013 D is a force-of-nature, a non-stop machine R THE AQUARIAN WEEKLY (USPS 009-474) A hip-hop producer and a singer/ W is published ( Weekly), by Arts Weekly , of human excess. Highlights include “Hair,” D E songwriter/guitarist. He wrote seven and 52 Sindle Ave., Little Falls, NJ 07424. D A “Rink Rage,” “Ernie The Virgin” and “Suicide H arranged three sterling covers: Tommy Periodical postage paid at C Y Wayne, New Jersey 07470. Boogie.” B Johnson’s 1928 “Big Road Blues,” Robert O Subscription $99.00 per year. T O Johnson’s 1936 “Rambling On My Mind” POSTMASTER send address changes to: H P and Muddy Waters’ 1958 “I Can’t Be THE AQUARIAN WEEKLY, P.O. Box 1140, Mash-Up City Little Falls, NJ 07424. Satisfied.” Originals “Little Lani,” “Maui roll history up to that point (134 shows Welcome to Mash-Up City Round No. audiences for years with the dexterity of Drive” and “Caramae Blues” lean on his over six continents for 6.5 million fans, The Aquarian Weekly is owned and operated by 2 where on The Essentials II (Concord) his complex acoustic finger-picking style Arts Weekly Inc. The entire contents of Samoa culture, thus the result is an their first without bassist Bill Wyman) The Aquarian Weekly are copyright 2018 and Scott Bradlee’s Postmodern Jukebox on guitar, compositional chops and exquisite individualized take on the blues contains some real magic. Opener “Not cannot be reproduced in any manner without has Soundgarden’s ‘94 grunge masterpiece unforgettable voice. When I Rise (Maple written permission of the publisher. that is as refreshing and soulful as it is Fade Away” is deliriously orgasmic. Robert Arts Weekly is not responsible for any errors, “Black Hole Sun” as a sexy torch song Street Music) is his sixth, its 10 originals valid and entertaining. Johnson’s 1937 “Stop Breaking Down” is omissions, placements or photo reproductions showstopper…where Bowie’s glam ‘77 in any or all advertisements. and two covers (Grateful Dead’s “Dire majestic royalty. “Monkey Man” is a rare “Heroes” is a cabaret ballad…where Ozzy’s Wolf” and Duane Allman’s “Little Martha”) inclusion. Bobby Womack’s 1964 “It’s ‘80 metal anthem “Crazy Train” is Detroit Searching FOLLOW • LIKE • SHARE -- bound by his own pedal steel plus a cast All Over Now” never sounded better. And Soul…where Aerosmith’s ‘73 power ballad of drums, percussion, electric guitar, For That Jelly Roll that’s just the tip of the iceberg. To “Dream On” starts with a classical string backing vocals, piano, bass, clarinet, Venture Way North and you’ll find four paraphrase what Kris Kristofferson wrote quartet…where Michael Jackson’s ‘82 harmonica and flying fiddle, is a primer in individuals -- trumpeter Rebecca Hennessy, about Hank Williams, if you don’t like the “Thriller” stands alongside “The Final all that’s truly righteous about Americana tenor saxophonist Petr Cancura, bassist Stones, you can kiss my ass. Countdown” (that cheesy ‘86 song by music. Phone: 973-812-6766 Fax: 973-812-5420 4 ARTS WEEKLY DECEMBER 5, 2018 www.theaquarian.com.