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Aleksandr Bogdanov and Systems Theory
Democracy & Nature, Vol. 6, No. 3, 2000 Aleksandr Bogdanov and Systems Theory ARRAN GARE ABSTRACT The signi cance and potential of systems theory and complexity theory are best appreciated through an understanding of their origins. Arguably, their originator was the Russian philosopher and revolutionary, Aleksandr Bogdanov. Bogdanov anticipated later developments of systems theory and complexity theory in his efforts to lay the foundations for a new, post-capitalist culture and science. This science would overcome the division between the natural and the human sciences and enable workers to organise themselves and their productive activity. It would be central to the culture of a society in which class and gender divisions have been transcended. At the same time it would free people from the deformed thinking of class societies, enabling them to appreciate both the limitations and the signi cance of their environments and other forms of life. In this paper it is argued that whatever Bogdanov’s limitations, such a science is still required if we are to create a society free of class divisions, and that it is in this light that developments in systems theory and complexity theory should be judged. Aleksandr Bogdanov, the Russian revolutionary, philosopher and scientist, has a good claim to being regarded as the founder of systems theory.1 His ‘tektology’, that is, his new science of organisation, not only anticipated and probably in uenced the ideas of Ludwig von Bertalanffy—who must have been familiar with his work,2 but anticipated many of the ideas of the complexity theorists. As Simona Poustlinik commented at a recent conference on Bogdanov: It is remarkable the extent to which Bogdanov anticipated the ideas which were to be developed in systems thinking later in the twentieth century. -
Art Without Death: Conversations on Russian Cosmism Contents
e-flux journal Art without Death: Conversations on Russian Cosmism Contents 5 Introduction 9 Hito Steyerl and Anton Vidokle Cosmic Catwalk and the Production of Time 41 Elena Shaposhnikova and Arseny Zhilyaev Art without Death 57 Anton Vidokle and Arseny Zhilyaev Factories of Resurrection 73 Franco “Bifo” Berardi and Anton Vidokle Chaos and Cosmos 93 Boris Groys and Arseny Zhilyaev Contemporary Art Is the Theology of the Museum 109 Marina Simakova, Anton Vidokle, and Arseny Zhilyaev Cosmic Doubts 133 Bart De Baere, Arseny Zhilyaev, and Esther Zonsheim Wahlverwandtschaft Introduction For those who still benefit from colonial wealth, the indigenous lifeworlds destroyed by the steamroller of modernity are always somewhere far away. It is important that they remain so. It is important that the centers of power remain places where healthy 5 state infrastructure and decent industry produce forward-thinking and empowered individuals with enough energy in their bodies and money in the bank to believe all of it had to be for the best. After all, progress always comes at a price. The heroes of modernity can never be allowed to waver in this, for they have learned the important lesson that trium- phalism can be the only entry to the modern. And their job is to give life to those poor souls whose his- tories were usurped, who can only traffic in death, whose victimhood disallows ever reimagining their own conditions. But what if the heroes of moder- nity are also paying the price? What if, behind the veneer of triumphalism and pity—pity for others, pity for oneself—we have all lost? What if we are all victims, not only of modernity’s great redistribution of wealth, but of its wholesale reformatting of life in relation to death? But what if another kind of modernity had been developed which was even more radical—so much so that its forward arrow actually sought to conserve and preserve previous lifeworlds against the ravages not of vanguardist reforms but of time itself? And reanimate those worlds. -
S H a P E S O F a P O C a Ly P
Shapes of Apocalypse Arts and Philosophy in Slavic Thought M y t h s a n d ta b o o s i n R u s s i a n C u lt u R e Series Editor: Alyssa DinegA gillespie—University of Notre Dame, South Bend, Indiana Editorial Board: eliot Borenstein—New York University, New York Julia BekmAn ChadagA—Macalester College, St. Paul, Minnesota nancy ConDee—University of Pittsburg, Pittsburg Caryl emerson—Princeton University, Princeton Bernice glAtzer rosenthAl—Fordham University, New York marcus levitt—USC, Los Angeles Alex Martin—University of Notre Dame, South Bend, Indiana irene Masing-DeliC—Ohio State University, Columbus Joe pesChio—University of Wisconsin-Milwaukee, Milwaukee irina reyfmAn—Columbia University, New York stephanie SanDler—Harvard University, Cambridge Shapes of Apocalypse Arts and Philosophy in Slavic Thought Edited by Andrea OppO BOSTON / 2013 Library of Congress Cataloging-in-Publication Data: A bibliographic record for this title is available from the Library of Congress. Copyright © 2013 Academic Studies Press All rights reserved. ISBN 978-1-61811-174-6 (cloth) ISBN 978-1-618111-968 (electronic) Book design by Ivan Grave On the cover: Konstantin Juon, “The New Planet,” 1921. Published by Academic Studies Press in 2013 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. -
The Fate of Russia: Several Observations on "New" Russian Identity
THE FATE OF RUSSIA: SEVERAL OBSERVATIONS ON "NEW" RUSSIAN IDENTITY S. V. Kortunov Introduction Russia is going through a complicated historical period. A search is taking place for the optimal path of development and the best form of state structure. Social-economic ties are changing in a fundamental manner. Along with the not insignificant positive results of the political and economic reforms that are being carried out, negative processes in the economy, in the social sphere and in the relations between the center and the regions are becoming clearly evident. On the international arena, Russia is confronting the desire of a number of countries to use the transitional period to promote their economic and political interests, often to the detriment of Russians' national aspirations. Three overarching factors characterize the Russian domestic situation: the continuing systematic crisis in society, which began in the Soviet period; the country's development crisis, which appeared during the transitional period; and the difficulties of overcoming the residues of the former totalitarian regime. (These problems are in turn linked to the global crisis that has resulted from the collapse of the Cold War order.) It is obvious that the contemporary crisis is on a larger scale than the problems associated with the February and October 1917 Revolutions, the abolition of serfdom, and even the Time of Troubles. We are discussing a crisis that is comparable only to the epic transformation of the 13th century, when the collapse of one superethnos (Kievian Russ) occurred and a new nation, country, and civilization (the Russian superethnos) began to be born. -
What Is Systems Theory?
What is Systems Theory? Systems theory is an interdisciplinary theory about the nature of complex systems in nature, society, and science, and is a framework by which one can investigate and/or describe any group of objects that work together to produce some result. This could be a single organism, any organization or society, or any electro-mechanical or informational artifact. As a technical and general academic area of study it predominantly refers to the science of systems that resulted from Bertalanffy's General System Theory (GST), among others, in initiating what became a project of systems research and practice. Systems theoretical approaches were later appropriated in other fields, such as in the structural functionalist sociology of Talcott Parsons and Niklas Luhmann . Contents - 1 Overview - 2 History - 3 Developments in system theories - 3.1 General systems research and systems inquiry - 3.2 Cybernetics - 3.3 Complex adaptive systems - 4 Applications of system theories - 4.1 Living systems theory - 4.2 Organizational theory - 4.3 Software and computing - 4.4 Sociology and Sociocybernetics - 4.5 System dynamics - 4.6 Systems engineering - 4.7 Systems psychology - 5 See also - 6 References - 7 Further reading - 8 External links - 9 Organisations // Overview 1 / 20 What is Systems Theory? Margaret Mead was an influential figure in systems theory. Contemporary ideas from systems theory have grown with diversified areas, exemplified by the work of Béla H. Bánáthy, ecological systems with Howard T. Odum, Eugene Odum and Fritj of Capra , organizational theory and management with individuals such as Peter Senge , interdisciplinary study with areas like Human Resource Development from the work of Richard A. -
Blood, Water and Mars: Soviet Science and the Alchemy for a New Man
Central Washington University ScholarWorks@CWU All Master's Theses Master's Theses Spring 2019 Blood, Water and Mars: Soviet Science and the Alchemy for a New Man Sophie Y. Andarovna Central Washington University, [email protected] Follow this and additional works at: https://digitalcommons.cwu.edu/etd Part of the European History Commons, History of Science, Technology, and Medicine Commons, Intellectual History Commons, and the Russian Literature Commons Recommended Citation Andarovna, Sophie Y., "Blood, Water and Mars: Soviet Science and the Alchemy for a New Man" (2019). All Master's Theses. 1201. https://digitalcommons.cwu.edu/etd/1201 This Thesis is brought to you for free and open access by the Master's Theses at ScholarWorks@CWU. It has been accepted for inclusion in All Master's Theses by an authorized administrator of ScholarWorks@CWU. For more information, please contact [email protected]. BLOOD, WATER AND MARS: SOVIET SCIENCE AND THE ALCHEMY FOR A NEW MAN __________________________________ A Thesis Presented to The Graduate Faculty Central Washington University ___________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts History ___________________________________ by Sophie Yennan Andarovna May 2019 CENTRAL WASHINGTON UNIVERSITY Graduate Studies We hereby approve the thesis of Sophie Yennan Andarovna Candidate for the degree of Master of Arts APPROVED FOR THE GRADUATE FACULTY ______________ _________________________________________ Dr. Roxanne Easley, Committee Chair ______________ -
Art and Technology Between the Usa and the Ussr, 1926 to 1933
THE AMERIKA MACHINE: ART AND TECHNOLOGY BETWEEN THE USA AND THE USSR, 1926 TO 1933. BARNABY EMMETT HARAN PHD THESIS 2008 DEPARTMENT OF HISTORY OF ART UNIVERSITY COLLEGE LONDON SUPERVISOR: PROFESSOR ANDREW HEMINGWAY UMI Number: U591491 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U591491 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 I, Bamaby Emmett Haran, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 3 ABSTRACT This thesis concerns the meeting of art and technology in the cultural arena of the American avant-garde during the late 1920s and early 1930s. It assesses the impact of Russian technological Modernism, especially Constructivism, in the United States, chiefly in New York where it was disseminated, mimicked, and redefined. It is based on the paradox that Americans travelling to Europe and Russia on cultural pilgrimages to escape America were greeted with ‘Amerikanismus’ and ‘Amerikanizm’, where America represented the vanguard of technological modernity. -
ST, Phd Masterdoc, 14.02.2016
Bilderverbot: Adorno & the Ban on Images Sebastian Truskolaski Goldsmiths College, University of London PhD in Visual Cultures February 2016 1 Declaration: I, Sebastian Truskolaski, hereby confirm that the content of this thesis is entirely my own. Signature:_______________________________________ Date:_______________ 2 Acknowledgments: I’d like to thank my family, my supervisors and my friends who generously commented on sections of this thesis. Vielen Dank. 3 Abstract: My thesis examines the significance of Theodor W. Adorno’s recurrent reference to the Old Testament ban on making images of God: the ‘Bilderverbot’. In particular I focus on three facets of this figure that occur at prominent junctures of Adorno’s work: his ‘imageless materialism’ (Chapter One), his ‘inverse theology’ (Chapter Two) and his ‘negative aesthetics’ (Chapter Three). In each case I argue that Adorno strips the image ban of its religious associations and enlists it in the service of a broadly Marxian critique of capitalist modernity. The ban on picturing the absolute is rendered as a ban on pre-determining a future in which all historical antagonisms are reconciled. As Adorno argues, only an unflinching criticism of the present can throw into relief the contours of an ‘imageless’ Utopia. I approach Adorno’s writings with a view to his sources, many of which contain notable references to the image ban that span the history of modern German thought. They include: Marx and Lukács, Benjamin and Bloch, Kant and Hegel, as well as Hölderlin, Kafka and Schoenberg. By emphasising these elective affinities, I aim to shed light on Adorno’s singular application of the figure of the image ban to his critical project. -
Introduction 11. I Have Approached This Subject in Greater Detail in J. D
NOTES Introduction 11. I have approached this subject in greater detail in J. D. White, Karl Marx and the Intellectual Origins of Dialectical Materialism (Basingstoke and London, 1996). 12. V. I. Lenin, Collected Works, Vol. 38, p. 180. 13. K. Marx, Grundrisse, translated by M. Nicolaus (Harmondsworth, 1973), p. 408. 14. N. I. Ziber, Teoriia tsennosti i kapitala D. Rikardo v sviazi s pozdneishimi dopolneniiami i raz"iasneniiami. Opyt kritiko-ekonomicheskogo issledovaniia (Kiev, 1871). 15. N. G. Chernyshevskii, ‘Dopolnenie i primechaniia na pervuiu knigu politicheskoi ekonomii Dzhon Stiuarta Millia’, Sochineniia N. Chernyshevskogo, Vol. 3 (Geneva, 1869); ‘Ocherki iz politicheskoi ekonomii (po Milliu)’, Sochineniia N. Chernyshevskogo, Vol. 4 (Geneva, 1870). Reprinted in N. G. Chernyshevskii, Polnoe sobranie sochineniy, Vol. IX (Moscow, 1949). 16. Arkhiv K. Marksa i F. Engel'sa, Vols XI–XVI. 17. M. M. Kovalevskii, Obshchinnoe zemlevladenie, prichiny, khod i posledstviia ego razlozheniia (Moscow, 1879). 18. Marx to the editorial board of Otechestvennye zapiski, November 1877, in Karl Marx Frederick Engels Collected Works, Vol. 24, pp. 196–201. 19. Marx to Zasulich, 8 March 1881, in Karl Marx Frederick Engels Collected Works, Vol. 24, pp. 346–73. 10. It was published in the journal Vestnik Narodnoi Voli, no. 5 (1886). 11. D. Riazanov, ‘V Zasulich i K. Marks’, Arkhiv K. Marksa i F. Engel'sa, Vol. 1 (1924), pp. 269–86. 12. N. F. Daniel'son, ‘Ocherki nashego poreformennogo obshch- estvennogo khoziaistva’, Slovo, no. 10 (October 1880), pp. 77–143. 13. N. F. Daniel'son, Ocherki nashego poreformennogo obshchestvennogo khozi- aistva (St Petersburg, 1893). 14. V. V. Vorontsov, Sud'by kapitalizma v Rossii (St Petersburg, 1882). -
Russian Cosmists, John and the Liturgy
Russian cosmism, the Temple, and the Eucharist in the Gospel of John. Dominic Rubin. 1. INTRODUCTION In this talk, I would like to approach the gospel of John from two angles: firstly, looking at it through the lens of certain Russian Orthodox cosmist thinkers; and secondly, looking at it by considering how this relates to Margaret Barker’s temple theology. I believe that to a great extent their thinking is compatible and can produce useful insights for Orthodox theology and Biblical exegesis today, though it is not a completely trouble-free synthesis. My starting-point for applying this tentative and still shaky synthesis will be to see how it can illumine references to the Temple in John in general, but then I want to focus on one specific aspect of the book: the institution of the Eucharist, especially the verses in Jn 6.52 onwards which so shocked Christ’s and John’s contemporaries: “My flesh is real food and my blood is real drink…whoever eats my flesh and drinks my blood lives in me and I in him.” 2. RUSSIAN COSMISM First, I should define the term Russian Cosmism. This was a general tendency in Russian religious philosophy in the first quarter of the twentieth century. It built on the ideas of early church fathers like Origen, Gregory of Nyssa, Irenaeus of Lyons and Maximus the Confessor concerning the role of man as a microcosmos and recapitulation, or anakephalaiosis, of creation, and supplemented it with various other sources, such as Western Christian mysticism and theosophy, and often Jewish and Christian Kabbalah1. -
The Comrades of the Past: the Soviet Enlightenment Between Negation
Abstract: The paper constructs a concept of Soviet Enlightenment C R through the debate between Lenin and Bogdanov on the question of what I is proletarian culture and what is the relationship of the proletariat to the S The Comrades of I bourgeois knowledge. The paper starts with the overview of Bolshevik’s S political theory of spontaneity and organization. By referring to Adorno, Lukács and Lifshitz I show that this philosophical binary points to the & the Past: The Soviet dark rationalist side of the Soviet Enlightenment, but at the same time C demonstrate that this couple produces a critical reinvestigation of what R I is the now and what is the past. From here I try to elaborate two models T of the Soviet Enlightenment encyclopedic knowledge production that I Enlightenment Q equally calls to reformulate the past systems in the proletarian terms, but U differs in the understanding of the type of relationality that bridges the E past and the proletarian present. Lenin’s model rests on the “use value” / Between Negation of the historical past and proposes to appropriate it for the Socialist use, Volume 4 / while Bogdanov’s model treats past in terms of continuous comradeship Issue 2 between the labour of generations. I conclude by elaborating the idea of and Affirmation the comradeship in its relation to history, communism and knowledge production. Keywords: Soviet Enlightenment, Lenin and Bogdanov, proletarian culture, comradeship, encyclopaedia, dialectics of the old and the new. ‘It is not without reason that the proletarian avant-garde, irreconcilable in Maria Chehonadskih relation to the “cooperation of classes” is so willingly, where it depends on him, puts monuments to the great creators and workers of the past, who were not proletarians at all. -
Revolution and Culture: the Bogdanov-Lenin Controversy (Cornell, 1988) Library of Congress Cataloging-In-Publication Data Sochor, Zenovia A
A. A. Bogdanov, 1873-1928 REVOLUTION AND CULTURE The Bogdanov-Lenin Controversy ZENOVIA A. SOCHOR Studies of the Harriman Institute CORNELL UNIVERSITY PRESS Ithaca and London Copyright © 1988 by Cornell University All rights reserved. Except for brief quotations in a review, this book, or parts thereof, must not be reproduced in any form without permission in writing from the publisher. For information, address Cornell University Pres~, 124 Roberts Place, Ithaca, New York 14850. First published 1988 by Cornell University Press. • International Standard Book Number 0-8014-2088-1 Library of Congress Catalog Card Number 87-25063 Printed in the United States of America Librarians: Library of Congress cataloging information appears on the last page of the book. The paper in this book is acid-free and meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. To my parents, Joseph and Maria Sochor STUDIES OF THE HARRIMAN INSTITUTE Columbia University The W. Averell Harriman Institute for Advanced Study of the Soviet Union, Columbia University, sponsors the Studies of the Harriman Institute in the belief that their publication contributes to scholarly research and public understanding. In this way the Institute, while not necessarily endorsing their conclusions, is pleased to make available the results of some of the research conducted under its auspices. A list of the Studies appears at the back of the book. Contents Preface ix Part I Points of Departure 1. The Bogdanov-Lenin Controversy 3 2. Cultural Prerequisites of Revolution 21 3. Bogdanovism 42 Part II After October: Which Way to Socialism? 4.