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Princeton University Library September 27, 2013
Checklist of Western Medieval, Byzantine, and Renaissance Manuscripts in the Princeton University Library and the Scheide Library Princeton University Library September 27, 2013 Contents Introduction, p. 3 Manuscripts Division Robert Garrett Medieval and Renaissance Manuscripts, p. 5 Robert Taylor Medieval and Renaissance Manuscripts, p. 44 Grenville Kane Medieval and Renaissance Manuscripts, p. 48 Princeton Medieval and Renaissance Manuscripts, p. 56 Cotsen Children’s Library Cotsen Medieval and Renaissance Manuscripts, p. 87 Rare Books Division Manuscripts bound with early printed books, p. 88 The Scheide Library Scheide Medieval and Renaissance Manuscripts, p. 88 Introduction The present checklist is not a catalogue, but rather is a checklist intended to serve as a guide to sources of up-to-date cataloging, textual and codicological description, and digital images for western medieval, Byzantine, and Renaissance manuscripts in the Princeton University Library and the Scheide Library. Manuscripts are listed by holding unit, collection, and manuscript number or shelfmark. Links are given for more than well over 2,000 digital images of miniatures, illustrations, and selected diagrams and decoration in the manuscripts, about a third of which are illuminated. In addition, links are provided for digitized grayscale microfilm of a large number of Middle English manuscripts at Princeton and for a group of important manuscripts digitized in the Library since the 1990s. For additional information about the holdings of the Manuscripts Division and to make appointments, potential researchers should contact Don C. Skemer, Curator of Manuscripts, at [email protected]. For information about holdings of the Scheide Library, please contact Paul Needham, Librarian, at [email protected] For information concerning photoduplication and permission to publish and/or broadcast, please send an email to [email protected] A brief overview of the manuscripts and their cataloging follows. -
Anglican and Free Church End of Life Prayers Amen
N, go forth from this world: in the love of God the Father who created you, in the mercy of Jesus Christ who redeemed you, in the power of the Holy Spirit who strengthens you. May the heavenly host sustain you and the company of heaven enfold you. In communion with all the faithful, may you dwell this day in peace. Anglican and Free Church End of Life Prayers Amen. Loving God, in your arms we are born and in your arms we die. Prayer for the family In our sadness (and shock) contain and comfort us; Embrace each one of us with your love Most merciful God, And give us grace to let N go to new life. whose wisdom is beyond our understanding, In the name of Jesus Christ our Lord and Saviour. Amen. surround the family of N with your love, that they may not be overwhelmed by their loss, Psalm 23 but have confidence in your love, and strength to meet the days to come. The Lord is my shepherd; We ask this through Christ our Lord. therefore can I lack nothing. Amen. He makes me lie down in green pastures and leads me beside still waters. He shall refresh my soul and guide me in the paths of righteousness for his name’s sake. Though I walk through the valley of the shadow of death, I will fear no evil; for you are with me; your rod and your staff, they comfort me. You spread a table before me in the presence of those who trouble me; you have anointed my head with oil and my cup shall be full. -
A Eric an Choral Review
A ERIC AN CHORAL REVIEW JOURNAL OF THE AMERICAN CHORAL FOUNDATION, INC. VOLUME XIX • NUMBER 3 • JULY, 1977 AMERICAN CHORAL REVIEW ALFRED MANN, Editar ALFREDA HAYS, Assistant Editor Associate Editors EDWARD TATNALL CANBY ANDREW C. MINOR RICHARD JACKSON MARTIN PICKER JACK RAMEY The AMERICAN CHORAL REVIEW is published quarterly as the official journal of the Association of Choral Conductors sponsored by The American Choral Foundation, Inc. The FOlmdation also publishes a supplementary Research Memorandum Series and maintains a reference library of current publications of choral works. Membership in the Association of Choral Conductors is available for an annual contribution of $20.00 and includes subscriptions to the AMERICAN CHORAL REVIEW and the Research Memorandum Series and use of the Foundation's Advisory Services Division and reference library. All contributions are tax deductible. Back issues of the AMERICAN CHORAL REVIEW are available to members at $2.25; back issues of the Research Memorandum Series at $1.50. Bulk prices will be quoted on request. THE AMERICAN CHORAL FOUNDATION, INC. SHELDON SOFFER, Administrative Director 130 West 56th Street New York, New York 10019 Editorial Address 215 Kent Place Boulevard Summit, New Jersey 07901 Material submitted for publication should be sent in duplicate to the editorial address. All typescripts should be double-spaced and have ample margins. Footnotes should be placed at the bottom of the pages to which they refer. Music examples should preferably appear on separate sheets. Copyright 1977 by THE AMERICAN CHORAL FOUNDATION, INC. Indexed in MUSIC INDEX and MUSIC ARTICLE GUIDE Second-class Postage Paid- New York, New York AMERICAN CHORAL REVIEW July, 1977 CONTENTS The Madrigals of Thomas Morley A Survey Daniel R Salotti 3 Notes on Renaissance Performance Practice Joel Kramme 7 Choral Performances New York Donal Henahan 13 Allen Hughes 13 Peter G. -
Service Music
Service Music 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 Indexes Copyright Permissions Copyright Page Under Construction 441 442 Chronological Index of Hymn Tunes Plainsong Hymnody 1543 The Law of God Is Good and Wise, p. 375 800 Come, Holy Ghost, Our Souls Inspire 1560 That Easter Day with Joy Was Bright, p. 271 plainsong, p. 276 1574 In God, My Faithful God, p. 355 1200?Jesus, Thou Joy of Loving Hearts 1577 Lord, Thee I Love with All My Heart, p. 362 Sarum plainsong, p. 211 1599 How Lovely Shines the Morning Star, p. 220 1250 O Come, O Come Emmanuel 1599 Wake, Awake, for Night Is Flying, p. 228 13th century plainsong, p. 227 1300?Of the Father's Love Begotten Calvin's Psalter 12th to 15th century tropes, p. 246 1542 O Food of Men Wayfaring, p. 213 1551 Comfort, Comfort Ye My People, p. 226 Late Middle Ages and Renaissance Melodies 1551 O Gladsome Light, p. 379 English 1551 Father, We Thank Thee Who Hast Planted, p. 206 1415 O Love, How Deep, How Broad, How High! English carol, p. 317 Bohemian Brethren 1415 O Wondrous Type! O Vision Fair! 1566 Sing Praise to God, Who Reigns Above, p. 324 English carol, p. 320 German Unofficial English Psalters and Hymnbooks, 1560-1637 1100 We Now Implore the Holy Ghost 1567 Lord, Teach Us How to Pray Aright -Thomas Tallis German Leise, p. -
LCOM182 Lent & Eastertide
LITURGICAL CHORAL AND ORGAN MUSIC Lent, Holy Week, and Eastertide 2018 GRACE CATHEDRAL 2 LITURGICAL CHORAL AND ORGAN MUSIC GRACE CATHEDRAL SAN FRANCISCO LENT, HOLY WEEK, AND EASTERTIDE 2018 11 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LÆTARE Introit: Psalm 32:1-6 – Samuel Wesley Service: Collegium Regale – Herbert Howells Psalm 107 – Thomas Attwood Walmisley O pray for the peace of Jerusalem - Howells Drop, drop, slow tears – Robert Graham Hymns: 686, 489, 473 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Benjamin Bachmann Psalm 107 – Lawrence Thain Canticles: Evening Service in A – Herbert Sumsion Anthem: God so loved the world – John Stainer Hymns: 577, 160 15 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: Thomas Tomkins Psalm 126 – George M. Garrett Canticles: Third Service – Philip Moore Anthem: Salvator mundi – John Blow Hymns: 678, 474 18 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LENT 5 Introit: Psalm 126 – George M. Garrett Service: Missa Brevis – Giovanni Pierluigi da Palestrina Psalm 51 – T. Tertius Noble Anthem: Salvator mundi – John Blow Motet: The crown of roses – Pyotr Ilyich Tchaikovsky Hymns: 471, 443, 439 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Thomas Tomkins Psalm 51 – Jeffrey Smith Canticles: Short Service – Orlando Gibbons Anthem: Aus tiefer Not – Felix Mendelssohn Hymns: 141, 151 3 22 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: William Byrd Psalm 103 – H. Walford Davies Canticles: Fauxbourdons – Thomas -
The Crucifixion: Stainer's Invention of the Anglican Passion
The Crucifixion: Stainer’s Invention of the Anglican Passion and Its Subsequent Influence on Descendent Works by Maunder, Somervell, Wood, and Thiman Matthew Hoch Abstract The Anglican Passion is a largely forgotten genre that flourished in the late nineteenth and early twentieth centuries. Modeled distinctly after the Lutheran Passion— particularly in its use of congregational hymns that punctuate and comment upon the drama—Anglican Passions also owe much to the rise of hymnody and small parish music-making in England during the latter part of the nineteenth century. John Stainer’s The Crucifixion (1887) is a quintessential example of the genre and the Anglican Passion that is most often performed and recorded. This article traces the origins of the genre and explores lesser-known early twentieth-century Anglican Passions that are direct descendants of Stainer’s work. Four works in particular will be reviewed within this historical context: John Henry Maunder’s Olivet to Calvary (1904), Arthur Somervell’s The Passion of Christ (1914), Charles Wood’s The Passion of Our Lord according to St Mark (1920), and Eric Thiman’s The Last Supper (1930). Examining these works in a sequential order reveals a distinct evolution and decline of the genre over the course of these decades, with Wood’s masterpiece standing as the towering achievement of the Anglican Passion genre in the immediate aftermath of World War I. The article concludes with a call for reappraisal of these underperformed works and their potential use in modern liturgical worship. A Brief History of the Passion Genre from the sung in plainchant, and this practice continued Medieval Era to the Eighteenth Century through the late medieval and early Renaissance eras. -
St.Mary's Catholic Church
St.Mary’s Catholic Church www.saintmarysparish.org | www.facebook.com/stmaryscatholicchurch | Office Phone: 816-252-0121 Office Hours: Monday-Thursday 9:00am-3:00pm | Friday Office Closed 600 N Liberty Street | Independence, MO 64050 Mass Times Outreach Agency Monday: 12 noon (OF) Food, Clothing and Prescription Tuesday: 12 noon (OF) Medication Assistance Wednesday: 12 noon (EF) HOURS: Thursday: 6:00 pm (EF) Wednesday & Friday: 12 noon (EF) Thursday 9:00am - Saturday: 5:00 pm (OF) 3:00pm Sunday: (816) 252-8649 8:00 am (OF) (Please call for an appointment) 11:00 am (EF - During Lent) *Donations of food & 5:00 pm (EF) clothing may be OF - Ordinary Form brought to the Ministry EF - Extraordinary Form Center Monday - Confessions are 30 minutes Thursday by 12:00 before every Mass March 1st, 2020: 1st Sunday of Lent noon Mass Ordinary for All Masses: Kyriale Mass XVII (Kyrie I) pgs 887-889 Entrance Hymn for All Masses: Lord, Who Throughout These Forty Days #43 5pm Saturday Mass and 8am Sunday Mass (Ordinary Form) 11am Sunday Mass (Extraordinary Form) Readings: pgs. 96-98 Propers of the Mass for Lent I Entrance Antiphon: When he calls on me, I will answer him... Credo III (pg. 916 #44) Offertory Motet: Non nobis Domine-attr. Byrd Communion Antiphon: The Lord will conceal you with his Communion Motet: O Bone Jesu-attr. Palestrina pinions...(pg. 917) Responsorial Psalm: Be merciful, O Lord, for we have sinned. Please find red Missals and dark blue hymnals near the Offertory Hymn: Forty Days and Forty Nights #40 church entrance Communion Hymn: Ave verum Corpus #142 Marian Antiphon: Ave Regina Caelorum #45 ! Exit in silence Type to enter text Divine Mercy Chaplet pg. -
The Book of Common Prayer
The Book of Common Prayer and Administration of the Sacraments and Other Rites and Ceremonies of the Church Together with The Psalter or Psalms of David According to the use of The Episcopal Church Church Publishing Incorporated, New York Certificate I certify that this edition of The Book of Common Prayer has been compared with a certified copy of the Standard Book, as the Canon directs, and that it conforms thereto. Gregory Michael Howe Custodian of the Standard Book of Common Prayer January, 2007 Table of Contents The Ratification of the Book of Common Prayer 8 The Preface 9 Concerning the Service of the Church 13 The Calendar of the Church Year 15 The Daily Office Daily Morning Prayer: Rite One 37 Daily Evening Prayer: Rite One 61 Daily Morning Prayer: Rite Two 75 Noonday Prayer 103 Order of Worship for the Evening 108 Daily Evening Prayer: Rite Two 115 Compline 127 Daily Devotions for Individuals and Families 137 Table of Suggested Canticles 144 The Great Litany 148 The Collects: Traditional Seasons of the Year 159 Holy Days 185 Common of Saints 195 Various Occasions 199 The Collects: Contemporary Seasons of the Year 211 Holy Days 237 Common of Saints 246 Various Occasions 251 Proper Liturgies for Special Days Ash Wednesday 264 Palm Sunday 270 Maundy Thursday 274 Good Friday 276 Holy Saturday 283 The Great Vigil of Easter 285 Holy Baptism 299 The Holy Eucharist An Exhortation 316 A Penitential Order: Rite One 319 The Holy Eucharist: Rite One 323 A Penitential Order: Rite Two 351 The Holy Eucharist: Rite Two 355 Prayers of the People -
American Canticle DALE ADELMANN, DIRECTOR • DAVID FISHBURN and PATRICK A
American Canticle DALE ADELMANN, DIRECTOR • DAVID FISHBURN AND PATRICK A. SCOTT, ORGAN THE CATHEDRAL CHOIR AND SCHOLA • CATHEDRAL OF ST. PHILIP, ATLANTA, GEORGIA American Canticle DALE ADELMANN, DIRECTOR • DAVID FISHBURN AND PATRICK A. SCOTT, ORGAN THE CATHEDRAL CHOIR AND SCHOLA • CATHEDRAL OF ST. PHILIP, ATLANTA, GEORGIA 1 | Jubilate Deo 1,4,5 Craig Phillips (b.1961) 4:25 9 | Magnificat in F 1,3 Harold Friedell (b.1905-1958) 5:13 (Cathedral of St. Philip, Atlanta ) 10 | Nunc dimittis in F 1,3 4:03 2 | Magnificat 2,3 Roland Martin (b.1955) 6:05 11 | Nunc dimittis in D 2,3 Leo Sowerby (1895-1968) 4:34 3 | Nunc dimittis 2,3 4:40 (St. Paul’s Cathedral, Buffalo, in D ) 12 | Te Deum 1,4,5 Phillips 8:41 (Cathedral of St. Philip, Atlanta ) 4 | Magnificat on Plainsong Themes 2,3 Gerald Near (b.1942) 4:30 2 5 | Nunc dimittis on Plainsong Themes 2,3 3:13 13 | Beata es, Maria plainsong antiphon 0:41 2,4,6 6 | A Canticle of Praise 2,3 Larry King (1932-1990) 2:39 14 | Magnificat Martin 6:08 15 | Nunc dimittis 2,4,6 4:28 7 | Magnificat in B flat 2,3 Howard Helvey (b.1968) 6:41 (St. Paul’s Cathedral, Buffalo, in E, for trebles ) 8 | Nunc dimittis in B flat 2,3 3:46 16 | Lord, you now have set your servant free 1,3,5 Phillips 5:33 Total: 75:26 1 Cathedral Choir | 2 Cathedral Schola | 3 David Fishburn, organ | 4 Patrick Scott, organ | 5 with brass and timpani | 6 Megan Brunning, soprano 2 the music American Canticle From the time of Thomas Cranmer and his fellow English reformers, the Church’s earliest days. -
A Comparison of Origins and Influences in the Music of Vaughn Williams and Britten Through Analysis of Their Festival Te Deums
A Comparison of Origins and Influences in the Music of Vaughn Williams and Britten through Analysis of Their Festival Te Deums Item Type text; Electronic Dissertation Authors Jensen, Joni Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 05/10/2021 21:33:53 Link to Item http://hdl.handle.net/10150/193556 A COMPARISON OF ORIGINS AND INFLUENCES IN THE MUSIC OF VAUGHAN WILLIAMS AND BRITTEN THROUGH ANALYSIS OF THEIR FESTIVAL TE DEUMS by Joni Lynn Jensen Copyright © Joni Lynn Jensen 2005 A Document Submitted to the Faculty of the SCHOOL OF MUSIC AND DANCE In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS WITH A MAJOR IN MUSIC In the Graduate College THE UNIVERSITY OF ARIZONA 2 0 0 5 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Document Committee, we certify that we have read the document prepared by Joni Lynn Jensen entitled A Comparison of Origins and Influences in the Music of Vaughan Williams and Britten through Analysis of Their Festival Te Deums and recommend that it be accepted as fulfilling the document requirement for the Degree of Doctor of Musical Arts _______________________________________________________________________ Date: July 29, 2005 Bruce Chamberlain _______________________________________________________________________ Date: July 29, 2005 Elizabeth Schauer _______________________________________________________________________ Date: July 29, 2005 Josef Knott Final approval and acceptance of this document is contingent upon the candidate’s submission of the final copies of the document to the Graduate College. -
A BRIEF GUIDE to the LITURGY of the HOURS (For Private/Individual Recitation) Taken in Part From
A BRIEF GUIDE TO THE LITURGY OF THE HOURS (For Private/Individual Recitation) taken in part from http://www.cis.upenn.edu/~dchiang/catholic/hours.html Names: LOH, Divine Office, “The Office,” “The Breviary” Brief History Jewish practice: • Ps. 119:164: "Seven times a day I praise you" • perhaps originating in the Babylonian Exile (6th cent. BC): “sacrifice of praise.” • Perhaps older: synagogues • Temple use after the Exile: o Morning and Evening Prayer and at the Third, Sixth and Ninth Hours Early Christians continued • Acts 3: 1 Now Peter and John were going up to the temple at the hour of prayer, the ninth hour. • Acts 10:9: The next day, as they were on their journey and coming near the city, Peter went up on the housetop to pray, about the sixth hour. Mass of the Catechumens Monastic Use Current Canonical Use: clerics, religious and laity Liturgical nature: • “why”: the prayer of the Church • “norm”: public recitation, with rubrics, etc. o chanted Instructions: • General Instruction of the Liturgy of the Hours • Rubrics • “Saint Joseph Guide for the Liturgy of the Hours” Sources used to pray the liturgy of the hours, either: • the 4 volume “Liturgy of the Hours” (“Breviary”) • the 1 volume “Christian Prayer”: there are various versions of this. • various “apps” for smartphones and websites as well (e.g.: http://divineoffice.org/. 1 When: The “Hours” (Note: each is also called an “office”, that is “duty”) There are seven “hours”—or each day: 1. Office of Readings [OR] or “Matins”: can be any time of day, but traditionally first 2. -
John Stainer Michael Tippett Lennox Berkeley George Dyson
Hampstead Chamber Choir Musical Director Dominic Brennan The Sun, 1909 by Edvard Munch John Stainer Like as a ship I saw the Lord Michael Tippett Five Negro spirituals Lennox Berkeley Four poems of St Teresa of Avila George Dyson Hierusalem Maud Millar – soprano Celia Walser – alto Hampstead Sinfonietta Rosslyn Hill Chapel Saturday 21 March 2015 Programme John Stainer (1840–1901) Like as a ship I saw the Lord Soprano: Maud Millar – Alto: Celia Walser Tenor: Nick Walser – Bass: Tim Shelton Michael Tippett (1905–1998) Five Negro spirituals 1. Steal away 2. Nobody knows 3. Go down, Moses 4. By and by 5. Deep river Soprano: Maud Millar – Alto: Celia Walser Tenor: Nick Walser – Bass: Ben Posen, Richard Harris INTERVAL Lennox Berkeley (1903–1989) Four poems of St Teresa of Avila 1. If, Lord, Thy love for me is strong 2. Shepherd, shepherd, hark that calling! 3. Let mine eyes see Thee, sweet Jesus of Nazareth 4. Today a shepherd and our kin Alto: Celia Walser George Dyson (1883–1964) Hierusalem Soprano: Maud Millar Stainer: Like as a ship / I saw the Lord We start the evening with John Stainer’s little-known and unpublished madrigal Like as a ship, written in 1867 for the Bristol Madrigal Society prize and edited recently by noted Stainer authority Jeremy Dibble. Based on Edmund Spenser’s Amoretti: Sonnet xxxiv, the text compares the loss of a lover to a ship lost at sea in a storm. Stainer uses the vast expanse of eight voice parts and harmonic devices to bring the text to life.