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Pages on Australian Society Published by Brandl & Schlesinger Pty Ltd PO Box 127 Blackheath NSW 2785 Tel (02) 4787 5848 Fax (02) 4787 5672
MODERN GREEK STUDIES (AUSTRALIA & NEW ZEALAND) Volume 13, 2005 A Journal for Greek Letters Pages on Australian Society Published by Brandl & Schlesinger Pty Ltd PO Box 127 Blackheath NSW 2785 Tel (02) 4787 5848 Fax (02) 4787 5672 www.brandl.com.au for the Modern Greek Studies Association of Australia and New Zealand (MGSAANZ) Department of Modern Greek University of Sydney NSW 2006 Australia Tel (02) 9351 7252 Fax (02) 9351 3543 E-mail: [email protected] ISSN 1039-2831 Copyright in each contribution to this journal belongs to its author. © 2006, Modern Greek Studies Association of Australia All rights reserved. No parts of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means electronic, mechanical or otherwise without the prior permission of the publisher. Typeset and design by Andras Berkes Printed by Griffin Press MODERN GREEK STUDIES ASSOCIATION OF AUSTRALIA & NEW ZEALAND (MGSAANZ) ETAIREIA NEOELLHNIKWN SPOUDWN AUSTRALIAS KAI NEAS ZHLANDIAS President: Michalis Tsianikas, Flinders University Vice-President: Anthony Dracoupoulos, University of Sydney Secretary: Thanassis Spilias, La Trobe University, Melbourne Treasurer: Panayota Nazou, University of Sydney, Sydney MGSAANZ was founded in 1990 as a professional association by those in Australia and New Zealand engaged in Modern Greek Studies. Membership is open to all interested in any area of Greek studies (history, literature, culture, tradition, economy, gender studies, sexualities, linguistics, cinema, -
Ghosts of Ned Kelly: Peter Carey’S True History and the Myths That Haunt Us
Ghosts of Ned Kelly: Peter Carey’s True History and the myths that haunt us Marija Pericic Master of Arts School of Communication and Cultural Studies Faculty of Arts The University of Melbourne November 2011 Submitted in total fulfillment of the requirements of the degree of Master of Arts (by Thesis Only). Abstract Ned Kelly has been an emblem of Australian national identity for over 130 years. This thesis examines Peter Carey’s reimagination of the Kelly myth in True History of the Kelly Gang (2000). It considers our continued investment in Ned Kelly and what our interpretations of him reveal about Australian identity. The paper explores how Carey’s departure from the traditional Kelly reveals the underlying anxieties about Australianness and masculinity that existed at the time of the novel’s publication, a time during which Australia was reassessing its colonial history. The first chapter of the paper examines True History’s complication of cultural memory. It argues that by problematising Kelly’s Irish cultural memory, our own cultural memory of Kelly is similarly challenged. The second chapter examines Carey’s construction of Kelly’s Irishness more deeply. It argues that Carey’s Kelly is not the emblem of politicised Irishness based on resistance to imperial Britain common to Kelly narratives. Instead, he is less politically aware and also claims a transnational identity. The third chapter explores how Carey’s Kelly diverges from key aspects of the Australian heroic ideal he is used to represent: hetero-masculinity, mateship and heroic failure. Carey’s most striking divergence comes from his unsettling of gender and sexual codes. -
The Surgeon and the Fashion Icon: in Search of Florence Cooper and Reta Findlay
24 ANNETTE COOPER The surgeon and the fashion icon: in search of Florence Cooper and Reta Findlay Women of outstanding gifts At her retirement as honorary surgeon from Melbourne’s Queen Victoria Memorial Hospital in 1951, Florence Cooper spoke of her early struggle for recognition as a doctor and said that all medical women owed a debt of gratitude to the hospital’s committee for the opportunities it had given them. ‘They have done much … to break down the feeling of prejudice towards women in what were once regarded as men’s professions.’1 Two blocks further south, in the prestigious ‘Paris End’ of Collins Street, Reta Findlay was at the height of her creative powers in one of Melbourne’s most elegant department stores: Georges. She had been working there since the 1930s, becoming Australia’s first female advertising manager in 1937, and had moulded the store into what we remember as Georges today – elegant and exclusive. Both women were gifted practitioners in their fields. Both were admired for their business acumen. Both were committed to furthering the cause of women, in both politics and their profession. Both worked tirelessly to support the war effort in World War II and charitable causes. And both have captured my imagination, based on personal connections and research. The first, Florence Cooper, is my late great-aunt. I was almost five years old when she died, and although it’s possible I met her, I don’t have any recollection. But, over the years, I heard stories about her brilliance The surgeon and the fashion icon 25 and achievement in medicine through my late aunt. -
Ii: Mary Alice Evatt, Modern Art and the National Art Gallery of New South Wales
Cultivating the Arts Page 394 CHAPTER 9 - WAGING WAR ON THE ESTABLISHMENT? II: MARY ALICE EVATT, MODERN ART AND THE NATIONAL ART GALLERY OF NEW SOUTH WALES The basic details concerning Mary Alice Evatt's patronage of modern art have been documented. While she was the first woman appointed as a member of the board of trustees of the National Art Gallery of New South Wales, the rest of her story does not immediately suggest continuity between her cultural interests and those of women who displayed neither modernist nor radical inclinations; who, for example, manned charity- style committees in the name of music or the theatre. The wife of the prominent judge and Labor politician, Bert Evatt, Mary Alice studied at the modernist Sydney Crowley-Fizelle and Melbourne Bell-Shore schools during the 1930s. Later, she studied in Paris under Andre Lhote. Her husband shared her interest in art, particularly modern art, and opened the first exhibition of the Contemporary Art Society in Melbourne 1939, and an exhibition in Sydney in the same year. His brother, Clive Evatt, as the New South Wales Minister for Education, appointed Mary Alice to the Board of Trustees in 1943. As a trustee she played a role in the selection of Dobell's portrait of Joshua Smith for the 1943 Archibald Prize. Two stories thus merge to obscure further analysis of Mary Alice Evatt's contribution to the artistic life of the two cities: the artistic confrontation between modernist and anti- modernist forces; and the political career of her husband, particularly knowledge of his later role as leader of the Labor opposition to Robert Menzies' Liberal Party. -
Ned Kelly's Last Words: “Ah, Well, I Suppose”
Ned Kelly’s Last Words: “Ah, Well, I Suppose” Dr. Stuart E. Dawson ∗ (Monash University) Abstract: It has long been widely, even admiringly, held that Ned Kelly’s last words before execution were “Such is life”. This is a key part of a prevalent Kelly mythology that has been subject to little serious critique. Yet the attribution of the phrase ‘Such is life’ to Kelly is pure fiction. Analysis of the reportage of the day reveals Kelly’s actual last words, and explains how they were transmuted by one journalist into the catchy expression quoted as fact by many historians. It shows that the image of Kelly standing tall and defiant, saying ‘Such is life’ as the rope was placed around his neck, is nothing but a highly romanticised myth. In fact, Kelly came to an ignominious, mumbling end on the scaffold, a far cry from popular legend. Keywords: Ned Kelly, Edward Kelly, Kelly Gang, Ned Kelly facts, Ned Kelly bushranger, Ned Kelly museum, Old Melbourne Gaol, famous last words. It has long been widely, even admiringly, held that Ned Kelly’s last words before execution were “Such is life”. 1 To television producer, Paul Terry, “the fatalistic and courageous ‘Such is life’ has become synonymous with Ned and everything he stood for”. 2 The claim has been relayed in Australian history texts and is commonly taught as fact to school children. 3 In Peter Carey’s Booker Prize-winning novel True History of the ∗ I wish to thank Sharon Hollingsworth for her valuable input and detailed discussion throughout the writing of this article, and Caroline Oxley of the Victoria Police Museum for copies of several historic documents. -
Report: Communications Legislation
The Senate Environment and Communications Legislation Committee Communications Legislation Amendment (Regional and Small Publishers Innovation Fund) Bill 2017 February 2018 © Commonwealth of Australia 2018 ISBN 978-1-76010-710-9 Committee contact details PO Box 6100 Parliament House Canberra ACT 2600 Tel: 02 6277 3526 Fax: 02 6277 5818 Email: [email protected] Internet: www.aph.gov.au/senate_ec This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Australia License. The details of this licence are available on the Creative Commons website: http://creativecommons.org/licenses/by-nc-nd/3.0/au/. This document was printed by the Senate Printing Unit, Parliament House, Canberra Committee membership Committee members Senator Jonathon Duniam, Chair LP, Tasmania Senator Janet Rice, Deputy Chair AG, Victoria Senator Anthony Chisholm ALP, Queensland Senator Linda Reynolds CSC LP, Western Australia Senator John Williams NATS, New South Wales Senator Anne Urquhart ALP, Tasmania Participating member for this inquiry Senator Sarah Hanson-Young AG, South Australia Senator Rex Patrick NXT, South Australia Committee secretariat Ms Christine McDonald, Committee Secretary Mr Colby Hannan, Principal Research Officer Ms Georgia Fletcher, Administration Officer iii iv Contents Committee membership ................................................................................... iii Chapter 1: Introduction ..................................................................................... 1 Conduct of the inquiry ........................................................................................... -
Participating Publishers
Participating Publishers 1105 Media, Inc. AB Academic Publishers Academy of Financial Services 1454119 Ontario Ltd. DBA Teach Magazine ABC-CLIO Ebook Collection Academy of Legal Studies in Business 24 Images Abel Publication Services, Inc. Academy of Management 360 Youth LLC, DBA Alloy Education Aberdeen Journals Ltd Academy of Marketing Science 3media Group Limited Aberdeen University Research Archive Academy of Marketing Science Review 3rd Wave Communications Pty Ltd Abertay Dundee Academy of Political Science 4Ward Corp. Ability Magazine Academy of Spirituality and Professional Excellence A C P Computer Publications Abingdon Press Access Intelligence, LLC A Capella Press Ablex Publishing Corporation Accessible Archives A J Press Aboriginal Multi-Media Society of Alberta (AMMSA) Accountants Publishing Co., Ltd. A&C Black Aboriginal Nurses Association of Canada Ace Bulletin (UK) A. Kroker About...Time Magazine, Inc. ACE Trust A. Press ACA International ACM-SIGMIS A. Zimmer Ltd. Academia Colombiana de Ciencias Exactas, Fisicas y Acontecimiento A.A. Balkema Publishers Naturales Acoustic Emission Group A.I. Root Company Academia de Ciencias Luventicus Acoustical Publications, Inc. A.K. Peters Academia de las Artes y las Ciencias Acoustical Society of America A.M. Best Company, Inc. Cinematográficas de España ACTA Press A.P. Publications Ltd. Academia Nacional de la Historia Action Communications, Inc. A.S. Pratt & Sons Academia Press Active Interest Media A.S.C.R. PRESS Academic Development Institute Active Living Magazine A/S Dagbladet Politiken Academic Press Acton Institute AANA Publishing, Inc. Academic Press Ltd. Actusnews AAP Information Services Pty. Ltd. Academica Press Acumen Publishing Aarhus University Press Academy of Accounting Historians AD NieuwsMedia BV AATSEEL of the U.S. -
Newsletter No 65 - February 2010
Prahran mechanics’ institute victorian history library Newsletter no 65 - February 2010 BRUCE TURNER* LECTURE: IInsidenside Gary Presland Around the Library 2 Short History Prize 4 Writing History 5 The Place for a Village Art Deco Aeroplane Ashtrays Display 6 How nature has shaped the city of Melbourne Books Etcetera 7 Have you ever wondered Historic Happenings 11 why Melbourne is located About the PMI: where it is? Or why it has 140 High Street, Prahran the shape it does? (PO Box 1080 The Place for a Village Windsor VIC 3181) Ph/Fax (03) 9510 3393 looks at the history of [email protected] Melbourne from the www.pmi.net.au point of view of nature, Open: and considers the ways Mon-Fri 9.30am- that urban development 4.30pm has been influenced Sat 9.30am-1.00pm by the nature of local Membership: environments. $12 individual Though many natural $10 student/pensioner $30 institutional features observed by the first settlers are long gone Patron: − destroyed or altered Keith Dunstan OAM beyond recognition − find Feedback/suggestions out how nature continues for this newsletter to exert a powerful may be directed to writer/compiler influence on the shape Christine Worthington and size of Melbourne. ISSN: 1836 2567 (print) 1836-2559 (pdf online) Published quarterly. 7.00pm Wednesday 17 March All welcome - entry is free - bookings are ESSENTIAL: 9510 3393 or [email protected] This newsletter is sponsored by The lecture will be followed by refreshments in the library. Windsor If you belong to a Victorian historical group, Community you are invited to participate in the PMI’s inaugural Bank Short History Prize See p.4 for details 111 Chapel Street, Coming up - a most unusual display: Windsor, VIC 3181 Ph 9510 9311 ww2 art deco aeroplane ashtrays www.bendigobank.com. -
Ink in the Blood: (1987–2016), He Worked As a Reporter, Staff of Arts Melbourne, City of Melbourne, for 17 February 2018 Subeditor and Feature Writer
AUTHOR THANKS TO Andrew Stephens is a writer and The Lord Mayor Robert Doyle, Ron Tandberg and editor. A former Age journalist Rachel Buchanan for their opening remarks; the 5 October 2017 – Ink in the Blood: (1987–2016), he worked as a reporter, staff of Arts Melbourne, City of Melbourne, for 17 February 2018 subeditor and feature writer. He did The life of Melbourne’s his cadetship at The Sun News-Pictorial commissioning and guiding this project; Ron City Gallery (1983–87) when there were still Tandberg, cartoonist; Michelle Stillman, Fairfax Melbourne Town Hall newspapers typewriters. librarian; Rachel Buchanan, Germaine Greer The life of isbn 978-1-74250-901-3 archivist; Sandy Shaw, Newsboys Foundation CEO; melbourne.vic.gov.au/ Melbourne’s newspapers have Ken Williams, Dean Donoghue, Michael Gawenda, Melbourne’s citygallery Jim Pavlidis, Robin Cowcher, Rod Kirkpatrick, newspapers long had a daily race against the Kenny Pittock, Stephen Armstrong, Victor Issacs, clock to reflect the city’s life and Bob Urquhart, Catherine Reade, Siobahn Dee and Stella Marr. Special thanks to Kenneth, Timothy personality, and connect it to the and Adelaide. world. They have deeply affected the psychogeography of our metropolis. INK IN THE BLOOD INK THIS IS A IN THE STORY OF BLOOD BUSY HANDS AND TICKING CLOCKS. 3.30pm 1.00pm Cartoonists City workers The day’s big events are becoming clear Newsgirls and the cartoonists and graphic artists In the City Square, the Treasury have been briefed. The graphic artists She was once a stringer, then a cadet, Gardens, the park benches along prepare maps, tables, panels and ‘do-ups’. -
Bicycles (As Shown in Free Youth and Family Movement
RIDING HIGH\MTH REPCO 69cmwheels SUPERLITE CHROME MOLY 12 SPEED Equipped with: 730 c hrome moly frame, alloy Dia Compe side pull bra kes with safety levers, a lloy stem, alloy ha ndlebar with c loth tape, brazed on cable stoppers, racing c hime bell, Sugino cotterless aero a lloy cranks, nickelplated chain, racing padded saddle, Suntour Seven 12 speed gears, Italian Nisi alloy wheels with front quick release hub, gumwall tyres, steel reflector pedals, safety reflectors. Colours: Beige with Dark Brown, Sky Blue with Dark Blue. Available in two frame sizes: Model 2781/12Rframe size 53cm Model 2783/12R frame size 58cm. 69cmwheels LE MANS 12 SPEED Equipped with: 755 Hi Tensile frame, Alloy Dia Compe brakes with safety levers, a ll oy stem, handlebar with c loth tape, brazed on cable stopper, racing chime bell, Sugino cotterless Aero a lloy cranks, vinyl racing saddle, Suntour 12 speed a lloy gears, a ll oy stand, q uick release front hub, gumwall tyres, steel reflector pedals, safety reflectors. Colours: Burgundy Red, Midnight Blue, Sable Black. Available in three different frame sizes: Model 2765/12R 53cm fra me size Model 2760/1 2R 58cm frame size Model 2770/1 2R 63cm frame size. REPCO Available from all leading Cycle Dealers. NUMBER SEVENTEEN TWO DOLLARS NOVEMBER/DECEMBER 1982 CONTENTS 4 Freewheeling Readers and Dealers Classifieds National Bike Events Calendar 5 Between the Lines News from Freewheeling 6 New Products and Ideas Some interesting gift ideas for Christmas 14 Cyclistes Those amazing women of the Victorian era. 22 Touring with -
William Edwin Pidgeon Was Born in 1909 at Paddington, Sydney
William Edwin Pidgeon (WEP) 1909- 1981 Page | 1 Summary Bill Pidgeon’s career spanned from the mid-1920s through the 1970s. He started out in the newspaper industry and quickly forged a name in the local Sydney press, known as “Wep”. In 1933 he helped create the dummy for The Australian Women’s Weekly with his friend and the magazine’s first editor, George Warnecke. Working for Consolidated Press he became well known throughout Australia for his political cartoons, comic strips, illustrations, his covers and war paintings for The Australian Women’s Weekly, which are now collectables today. However, Bill’s true passion was his painting and in January 1949 he resigned from Consolidated Press to focus on winning Australia’s most prestigious prize for portraiture, the Archibald Prize. Not only did he achieve that aim but he won the award three times. However, his earlier career always overshadowed the success of his painting with headlines such as “Cartoonist wins Archibald.” In 1956 he was diagnosed with glaucoma in both eyes and underwent a total of six operations on his eyes to remove cataracts and ultimately his eye lenses. By the 1970s he was deemed legally blind. The difficulties he faced with his eyesight were always kept very private for fear of losing valuable commissions. Shortly after Bill’s glaucoma diagnosis he was invited by the Romanian Government to visit Romania on a Cultural Exchange trip. It was his only trip overseas despite a yearning to see the works of the great masters of Europe since the late 1920s. In addition to Romania, Bill took the opportunity to visit Rome and Venice in Italy, Munich in Germany, Vienna and Budapest whilst in transit to Bucharest, Romania. -
Bill Whittaker Award
Ken Linnett’s story of the life of Tulloch—Tulloch, the extraordinary life and times of a true champion—has won the 2018 Bill Whittaker Book Award. The award, commemorating the highly respected former racing writer Bill Whittaker, is presented every two years for the best book on horse racing published in Australia/New Zealand in that period. A total of 39 books were published on horse racing in 2016/2017, and presented for judging. Three fiction books and four for juveniles were excluded, leaving a total of 32 books eligible for the award. The criteria underpinning the award are that the book must: • add to the knowledge of Australian racing history. • be well written. • be well produced. The books short-listed were: Tulloch by Ken Linnett (Slattery Media Group). The Life and Times of Eric Connolly by John Macnaughtan (self-published). Good Losers Die Broke by Max Presnell (Allen & Unwin). Moods by Helen Thomas (Schwartz Publishing). A Long Way from Wyandra by Peter Moody with Trevor Marshallsea (Allen & Unwin). Subzero by Adam Crettenden (Penguin). Pumper by Jim Cassidy with Andrew Webster (Pan Mac Millan). Foul Luck & Outrageous Fortune by Rick Hore-Lacy (Sid Harta Publishers). Previous winners of the award were: 2010 The Master's Touch by Keith Paterson. (Runner-up, Phar Lap: the untold story by Graeme Putt). 2012 Peter Pan by Jessica Owers. 2014 Over the Hurdles by John Adams and Shannon by Jessica Owers, joint winners 2016 Heroes & Champions by Bob Charley. (Runner-up Mosstrooper by Peter Harris). .