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Memoirs of Ruby Partin Long (A Pelham Valley Story)
Memoirs of Ruby Partin Long (A Pelham Valley Story) Submitted by Jackie Layne Partin (Ruby Anna Mae Partin Long, born 1916-died 2003, was a daughter of William Harrison “Willie” and Octavia “Tavy” Goodman Partin. She was a sister to Grady Edward Partin, Lottie Partin Bell, Douglas Partin and Roy Partin. I found this little booklet containing her memoirs in one of my notebooks, and upon rereading it, I was assured that there was material in it for sharing. With corrections for clarity, italics to furnish names, added photos for interest and permission from her family, I present the memoirs as she wrote them. Jackie) Ruby Anna Mae Partin Long William Harrison “Willie” Partin and his new bride Octavia “Tavy” Goodman Partin I was born in the old Bell House in Bells Cove, Tennessee, where my mother always said the wind would whistle through the cracks. Our heat was a fireplace where you burned on one side and froze on the other. I was playing out in the yard as a small toddler, and Mama found me turning blue, so she grabbed me up and ran her finger down my throat and dislodged a cocklebur. I was bad about putting things into my mouth. My neighbor told me that she found me with pieces of pretty glass trying to chew it. They wiped my mouth out, and I was none the worse for it. While I was rather young, we moved to Alto where my brother Grady and sister Lottie started to school. I was about four at the time, and I begged to go with them saying, “I am plenty big enough to go to school.” When I was five, they let me start to school, and I don’t think I’ve ever enjoyed anything as much all through life as going to school and learning new things, especially arithmetic. -
Bibliography of Cooperatives and Cooperative Development
Bibliography of Cooperatives and Cooperative Development Compiled by the following Illinois Institute for Rural Affairs personnel: Original, 1999 Christopher D. Merrett, PhD, IIRA director and professor Norman Walzer, PhD, professor of Economics and IIRA director emeritus Update, 2007 Cynthia Struthers, PhD, associate professor, Housing/Rural Sociology Program Erin Orwig, MBA, faculty assistant, Value-Added Rural Development/Cooperative Development Roger Brown, MBA, manager, Value-Added Rural Development/Cooperative Development Mathew Zullo, graduate assistant Ryan Light, graduate assistant Jeffrey Nemeth, graduate assistant S. Robert Wood, graduate assistant Update, 2012 Kara Garten, graduate assistant John Ceglarek, graduate assistant Tristan Honn, research assistant Published by Illinois Institute for Rural Affairs Stipes Hall 518 Western Illinois University 1 University Circle Macomb, IL 61455-1390 [email protected] www.IIRA.org This publication is available from IIRA in print and on the IIRA website. Quoting from these materials for noncommercial purposes is permitted provided proper credit is given. First Printing: September 1999 Second Printing: September 2007 Third Printing: June 2012 Printed on recycled paper Table of Contents I. Introduction ................................................................................................................................................1 II. Theory and History of Cooperatives ....................................................................................................3 III. Governance, -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
Waylon Jennings
TABLE OF CONTENTS 3 Introduction 4 About the Guide 5 Pre and Post-Lesson: Anticipation Guide 6 Lesson 1: Introduction to Outlaws 7 Lesson 1: Worksheet 8 Lyric Sheet: Me and Paul 9 Lesson 2: Who Were The Outlaws? 10 Lesson 3: Outlaw Influence 11 Lesson 3: Worksheet 12 Activities: Jigsaw Texts 14 Lyric Sheet: Are You Sure Hank Done It This Way 15 Lesson 4: T for Texas, T for Tennessee 16 Lesson 4: Worksheet 17 Lesson 5: Literary Lyrics 19 “London” by William Blake 20 Complete Tennessee Standards 22 Complete Texas Standards 23 Biographies 3-6 Table of Contents 2 Outlaws and Armadillos: Country’s Roaring ‘70s examines how the Outlaw movement greatly enlarged country music’s audience during the 1970s. Led by pacesetters such as Willie Nelson, Waylon Jennings, Kris Kristofferson, and Bobby Bare, artists in Nashville and Austin demanded the creative freedom to make their own country music, different from the pop-oriented sound that prevailed at the time. This exhibition also examines the cultures of Nashville and fiercely independent Austin, and the complicated, surprising relationships between the two. Artwork by Sam Yeates, Rising from the Ashes, Willie Takes Flight for Austin (2017) 3-6 Introduction 3 This interdisciplinary lesson guide allows classrooms to explore the exhibition Outlaws and Armadillos: Country’s Roaring ‘70s on view at the Country Music Hall of Fame and Museum® from May 25, 2018 – February 14, 2021. Students will examine the causes and effects of the Outlaw movement through analysis of art, music, video, and nonfiction texts. In doing so, students will gain an understanding of the culture of this movement; who and what influenced it; and how these changes diversified country music’s audience during this time. -
Page 1 of 279 FLORIDA LRC DECISIONS
FLORIDA LRC DECISIONS. January 01, 2012 to Date 2019/06/19 TITLE / EDITION OR ISSUE / AUTHOR OR EDITOR ACTION RULE MEETING (Titles beginning with "A", "An", or "The" will be listed according to the (Rejected / AUTH. DATE second/next word in title.) Approved) (Rejectio (YYYY/MM/DD) ns) 10 DAI THOU TUONG TRUNG QUAC. BY DONG VAN. REJECTED 3D 2017/07/06 10 DAI VAN HAO TRUNG QUOC. PUBLISHER NHA XUAT BAN VAN HOC. REJECTED 3D 2017/07/06 10 POWER REPORTS. SUPPLEMENT TO MEN'S HEALTH REJECTED 3IJ 2013/03/28 10 WORST PSYCHOPATHS: THE MOST DEPRAVED KILLERS IN HISTORY. BY VICTOR REJECTED 3M 2017/06/01 MCQUEEN. 100 + YEARS OF CASE LAW PROVIDING RIGHTS TO TRAVEL ON ROADS WITHOUT A APPROVED 2018/08/09 LICENSE. 100 AMAZING FACTS ABOUT THE NEGRO. BY J. A. ROGERS. APPROVED 2015/10/14 100 BEST SOLITAIRE GAMES. BY SLOANE LEE, ETAL REJECTED 3M 2013/07/17 100 CARD GAMES FOR ALL THE FAMILY. BY JEREMY HARWOOD. REJECTED 3M 2016/06/22 100 COOL MUSHROOMS. BY MICHAEL KUO & ANDY METHVEN. REJECTED 3C 2019/02/06 100 DEADLY SKILLS SURVIVAL EDITION. BY CLINT EVERSON, NAVEL SEAL, RET. REJECTED 3M 2018/09/12 100 HOT AND SEXY STORIES. BY ANTONIA ALLUPATO. © 2012. APPROVED 2014/12/17 100 HOT SEX POSITIONS. BY TRACEY COX. REJECTED 3I 3J 2014/12/17 100 MOST INFAMOUS CRIMINALS. BY JO DURDEN SMITH. APPROVED 2019/01/09 100 NO- EQUIPMENT WORKOUTS. BY NEILA REY. REJECTED 3M 2018/03/21 100 WAYS TO WIN A TEN-SPOT. BY PAUL ZENON REJECTED 3E, 3M 2015/09/09 1000 BIKER TATTOOS. -
Pigeon District Library
Volume 2, Issue 1 January 2017 Pigeon District Library RECENTLY ADDED BOOKS Adult Winter Reading Program How this Book was Made OC by Mac Barnett FIC The Pigeon District Library Adult Winter Reading Program is scheduled to begin on January 30th. The program will run for five weeks and end on Robot Revolution JA by James Patterson FIC March 4th. The theme of this year’s program is Curl Up with a Good Book. An igloo will be available to keep track of the quantity of books that are being read By Your Side YA By Kasie West FIC by the program participants. There also will be a “blind book read” available. The end of the program party will be on Thursday, March 9th at 5:30 with Unpunished FIC by Lisa Black soups and subs provided. The Mistress FIC by Danielle Steel Mrs. Sherlock Holmes NON by Brad Recca FIC Visit our website for more! UPCOMING ADDED MOVIES Middle School 1/03 Birth of a Nation 1/10 Deepwater Horizon 1/10 Light Between Oceans 1/24 LIBRARY HOURS Never Go Back 1/31 Monday 9 a.m.—5 p.m. Tuesday 9 a.m.—7 p.m. Masterminds 1/31 Wednesday 9 a.m.—5 p.m. Visit our website for Thursday 9 a.m.—7 p.m. more releases! Friday 9 a.m.—5 p.m. Saturday 9 a.m.—2 p.m. P a g e 2 Pigeon District Library UPCOMING MOVIE RELEASE Light Between Oceans "The Light Between Oceans" is a heart-breaking drama about fate, love, moral dilemmas and the lengths to which one couple will go to see their dreams realized. -
BUSINESS 1964 Review 1965 Preview
DECEMBER 31, 1964 -JANUARY 9, 1965-ON SALE TWO WEEKS PRICE THIS ISSUE: 50 CENTS DOUBLE VALUE HOLIDAY ISSUE BUSINESS 1964 Review 1965 Preview The Yearend Awards1964 taw?. OP4PZ VIN1t)81A 1S3m Atlyfi N0130N18d A3xViv*V 1301N 3 413 S- 111111111t.t. "FANCY PANTS,"AL HIRT'S SWINGING NEW SINGLE SERVED UP IN HIS HONEY HORN STYLE Vw "STAR DUST." -8487 -0iiiCk VICIORCO- @The most trusted name in sound .110116_ grftil Illemene 3" 91101 Ammer, I1166 REVIEWOF THEWEEK Epic's GreatYear Victor Gets "Sound" cert dates in Spain,Italy, Ger- V.ctor Records landeda hotmany and Sweden. The taken and dosome more ix _ne last week, the sound ist wound up his pian-cording with them. Soif any of the upcoming track tour last Sat- film versionurday (19) witha concert inone knows where toreach th of Rodgers and Brussels. James Gang, callUnited Art Hammerstein's ists Records. Phone -The Sound OfMusic." The Garner is planninganother No. is Ci film stars JulieAndrews andtour of Europein late 1965 5-6000. (No gagsplease.) Christopher Plummer.The pic-or early 1966. Hemay tour Screen GemsStreak ture will be premieredin NewSouth Americaand Australia Screen Gems -ColumbiaMu York on March2,1965, andthe first half of1965. While insic is heading intothe home. later that monthwill open inEurope he recordedan albumstretch of 1964 intenton lead. cities throughoutthe land. live in Amsterdamwhich willing the parade ofBMI song As a Broadwaymusical "Thebe issued inEurope by Phil-award winners forthe year. Sound Of Music"sold over aips. American The firm, headedup by Don million copies, rights are not one of the rareyet sewed up.(Line formson Kirshner, has alreadyscored albums ever toreach this fig-the left, and the with a half dozentop ten songs ure. -
October/November/December 2020
Vol. 38 , Issues 10-12 NorthWest Western Swing Music Society October - December 2020 PO Box 14003, Mill Creek, WA 98082 Preserving the music that is too country for Jazz and too jazz for Country Included In This Issue 1 Winter Reading Suggestion: Twentieth- BILLY (CHAMP) RAY CHAMPION - A LIFE WELL-LIVED Century Honky-Tonk Billy Ray Champion was born on May 6, 1928 in 4 Cherishing the Memories: Barbara Holdenville, Oklahoma, the second of eight children born to Chester and Ada Champion. As music was an important Martin (HOF 2011) party of Billy’s life, he wanted his life honored through the Western Swing Forum Western Swing Forum lens of his music career. 5 Thoughts from Behind My Bass, Phil In 1935, at seven years old, Billy started playing rhythm Mitchell guitar and singing with his two brothers, James and Joe. In Cherishing the Memories: their hometown of Holdenville, Oklahoma, a local minister Billy Ray Champion (HOF 1999) heard that the brothers wanted to play music and offered to give them lessons. It wasn’t long before they were performing Gene (Geno) Burbank at local lodges, political rallies, and churches. They even 6 Stage Safety (Check those vintage amps) 6 Stage Safety (Check those vintage amps) entered and won a few amateur contests. About 1938, the 7 2020 - 2021 . Shelley McNaughton brothers played on their first live radio broadcast over KADA in Ada, Oklahoma. Billy (Champ) Ray 9 Cherishing the Memories: Ed Bischoff The song, “Texas Plains” was their favorite song and Champion (HOF 2014) their favorite band was Bob Wills and His Texas Playboys. -
Austin's Progressive Country Music Scene and the Negotiation
Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978 Travis David Stimeling A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements of the Doctor of Philosophy in the Department of Music. Chapel Hill 2007 Approved by: Jocelyn R. Neal, Chair Jon W. Finson David García Mark Katz Philip Vandermeer © 2007 Travis David Stimeling ALL RIGHTS RESERVED ii ABSTRACT TRAVIS DAVID STIMELING: “Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978” (Under the direction of Jocelyn R. Neal) The progressive country music movement developed in Austin, Texas, during the early 1970s as a community of liberal young musicians and concertgoers with strong interests in Texan country music traditions and contemporary rock music converged on the city. Children of the Cold War and the post-World War II migration to the suburbs, these “cosmic cowboys” sought to get back in touch with their rural roots and to leave behind the socially conservative world their parents had created for them. As a hybrid of country music and rock, progressive country music both encapsulated the contradictions of the cosmic cowboys in song and helped to create a musical sanctuary in which these youths could articulate their difference from mainstream Texan culture. Examining the work of the movement’s singer-songwriters (Michael Murphey, Guy Clark, Gary P. Nunn), western swing revivalists (Asleep at the Wheel, Alvin Crow and the Pleasant Valley Boys), and commercial country singers (Willie Nelson, Waylon Jennings), this dissertation explores the proliferation of stock imagery, landscape painting, and Texan stereotypes in progressive country music and their role in the construction of Austin’s difference. -
Willie Hugh Nelson Est Né Le 29 Avril 1933 À Abbott, Périphérie De Fort Worth (Texas), Pendant La Grande Dépression
Willie Hugh Nelson est né le 29 avril 1933 à Abbott, périphérie de Fort Worth (Texas), pendant la Grande Dépression. Il sera élevé par ses Grands Parents (ses parents, sa mère Myrle Marie (née Greenhaw et son père Ira Doyle Nelson divorcent alors que Willie n’a que 6 mois). Son grand-père forgeron décèdera lorsque Willie à 6 ans. En dehors de l’école il va travailler dans les champs de coton ou de maïs pour s’acheter des fournitures scolaires. Sa Grand-mère, cantinière, gagne 18 $ par jour et s’occupe de sa famille. Autour de sa 5ème année Willie apprend la musique sur une guitare ’’ Harmony ‘’ que lui achète son grand père, à partir d’un catalogue de vente par correspondance ‘’ Sears and Roebuck ‘’. Sa grand-mère commence à lui montrer quelques accords ; sa sœur Bobbie, aînée de 2 ans, joue du piano. A 7 ans Willie écrit sa première chanson et à 9 ans il chante dans un groupe local, les ‘’Bohemian Polka’’. Après ses études secondaires Willie occupe plusieurs emplois : vendeur d’encyclopédies en faisant du porte-à-porte, puis représentant de machines à coudre Singer. Willie commence à jouer dans des orchestres puis intègre l'US Air Force en 1950. En 1956 Il reprend quelques études à l'université Baylor de Waco, mais abandonne rapidement celles-ci et une future carrière d’agriculteur pour devenir musicien et disc jockey et se destiner à la Country Music. S'installant à Vancouver, dans l'état de Washington, le jeune homme débute dans les clubs, tentant d'imposer son style folk sudiste traditionnel face à un public globalement indifférent à ce genre. -
Willie Nelson Phases and Stages Mp3, Flac, Wma
Willie Nelson Phases And Stages mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Phases And Stages Country: US Style: Country MP3 version RAR size: 1779 mb FLAC version RAR size: 1412 mb WMA version RAR size: 1217 mb Rating: 4.2 Votes: 342 Other Formats: MIDI MP3 VOC AAC WAV AUD DMF Tracklist Hide Credits A1a Phases And Stages (Theme) 0:20 A1b /Washing The Dishes 1:24 A2a Phases And Stages(Theme 0:24 A2b Walkin' 3:41 A3 Pretend I Never Happend 3:00 A4a Sister's Coming Home 1:46 Down At The Corner Beer Joint A4b 2:00 Banjo – Eric Weissberg A5 (How Will I Know) I'm Falling In Love Again 3:30 Bloody Mary Morning B1 2:51 Fiddle – Al Lester B2a Phases And Stages (Theme) 0:32 B2b No Love Around 1:49 I Still Can't Believe You're Gone B3 4:15 Arranged By [Strings] – Mike Lewis It's Not Supposed To Be That Way B4 3:30 Arranged By [Strings] – Mike Lewis B5 Heaven And Hell 1:53 B6a Phases And Stages (Theme) 0:24 Pick Up The Tempo B6b 2:42 Backing Vocals – George Soule, Jeanie Greene, Pete Carr B6c Phases And Stages (Theme) 0:20 Companies, etc. Recorded At – Muscle Shoals Sound Studios Remixed At – Criteria Recording Studios Mastered At – Atlantic Studios Pressed By – Presswell Manufactured By – Atlantic Recording Corporation Phonographic Copyright (p) – Atlantic Recording Corporation Copyright (c) – Atlantic Recording Corporation Published By – Willie Nelson Music, Inc. Credits Acoustic Guitar, Electric Guitar, Dobro – Pete Carr Bass – David Hood Dobro, Acoustic Guitar, Twelve-String Guitar, Electric Guitar – Fred Carter, Jr. -
Willie Nelson
BIOGRAPHY: WILLIE NELSON OUTLAW LEGEND Willie Nelson’s influence has stretched into almost every corner of country music since the 1960s, but his role in the Outlaw movement has particular significance. During the mid-1970s, Nelson, along with Waylon Jennings, led the way in bringing the raw, rootsy, and renegade sound to country. “He wasn’t merely a singer with a big song — there were plenty of those,” his biographer Graeme Thomson wrote about Nelson’s Outlaw era. “He was at the head of a movement, something completely new and odd this rebellious style, Nelson took on a countercultural and intriguing . .” appearance, wearing a beard, tying a bandanna around his head, and letting his hair grow long and eventually Born into the Great Depression on April 30, 1933, in turn into his trademark pigtails. tiny Abbott, Texas, Nelson was virtually abandoned as a baby by his parents and raised by his paternal His first #1 song, in 1975, was an inspired and unlikely grandparents. He started writing poems at age five. His choice, “Blue Eyes Crying in the Rain,” written thirty grandfather gave him his first guitar at age seven and years before by Country Music Hall of Fame member taught him D, A, and G, “the three chords you have to Fred Rose. In 1976, Nelson joined Waylon Jennings, know to play country music,” Nelson recalled, and he Jennings’s wife, Jessi Colter, and Tompall Glaser on almost immediately started writing songs. Wanted! The Outlaws, a compilation of songs that became the first country album to be certified platinum, By the time he turned twenty-six, Nelson was married with more than one million in sales.