at the OLD GLOBE THEATRE MAY 2010 Welcome to

THE GLOBE

AT A GLANCE I am happy to welcome back to the Globe The sixth-largest regional to portray , the theatre in the country, grandmother who was the iron The Old Globe offers more woman of . It’s particularly programming and a greater poignant to have Tovah bring repertoire than any theatre her artistry to our stage as we of its size. celebrate the legacy of Craig Noel. Tovah is one of the many • • • artists whose work and life he As a not-for-profit theatre graced. When we first talked with a budget of $20 million, about Golda’s Balcony, Tovah the Globe earns $10 million recounted the fond memories in ticket sales and must raise she has of Craig from the time an additional $10 million from she performed at the Globe as Juliet in Romeo and Juliet, Isabelle in Measure individual and institutional tax- For Measure and Margery Pinchwife in The Country Wife. deductable donations. • • • Tovah is known for portraying many great and compelling women and Golda Meir is no exception. She had a huge success with this production on Broadway The Globe provides over 20 where it still stands as the longest running one woman show in history. different community outreach With Tovah and Golda’s Balcony we have a compelling story and a riveting and education programs to performance. nearly 50,000 people annually.

• • • I can’t think of a better way to celebrate our 75th Anniversary year and the The Old Globe has sent 20 legacy of Craig Noel than by welcoming Tovah Feldshuh once again to the Old productions to Broadway Globe stage to perform in Golda’s Balcony. since 1987. • • • Charity Navigator has designated The Old Globe an “exceptional” organization, earning its coveted four- star rating for the past five Louis G. Spisto consecutive years and ranks Executive Producer the Globe in the top 4% of all not-for-profits in the United States.

PErFORMANCEs MAGAZINE 1 PRESENTS

IN

A NEW PLAY BY by WILLIAM GIBSON

SCENIC CONSULTANT COSTUME CONSULTANT LIGHTING DESIGN SOUND DESIGN Anna Louizos Jess Goldstein Jeff Croiter Alex Hawthorn

ORIGINAL BROADWAY PROPERTIES PROJECTIONS WIG DESIGN SOUND DESIGN Kathy Fabian Batwin and Robin Paul Huntley Mark Bennett Productions, Inc.

GENERAL MANAGER ASSISTANT DIRECTOR PRODUCTION STAGE MANAGER KL Management Nell Balaban Michael Joseph Ormond Richard Martini Sharon Tinari Pratt

PRODUCTION CONSULTANT SCOTT SCHWARTZ

—————————————————— Old Globe Theatre, Donald and Darlene Shiley Stage April 28 - May 30, 2010

2 PERFORMANCES MAGAZINe Cast of Characters

GOLDA MEIR...... Tovah Feldshuh

Stage Manager...... Michael Joseph Ormond

Golda’s Balcony will be performed without an intermission.

The Actor and Stage Manager employed by this production are members of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.

Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa.

If you would like a synopsis of this production in English or Spanish, please request it from an usher.

Cover photo by Aaron Epstein Shiley Artist-in-Residence 2010

Established in 2002 with a magnanimous gift from cades. Their lead gift of $20 million to the Globe’s Donald and Darlene Shiley, the Shiley Artist-in-Resi- current capital and endowment campaign, Securing dence program furthers the Globe’s commitment to a San Diego Landmark, marked the largest individual bringing artists of the highest caliber, drawn from a contribution in the Globe’s history. national and international pool of talent, to work at The Shileys have served as sponsors for dozens of the Theatre. productions and have been Season Sponsors since This year’s Shiley Artist-in-Residence, Tovah Feld- 1995. In addition, they have helped fund many Globe shuh, is an Associate Artist of The Old Globe, and projects, including the Shiley Terrace Apartments, has previously appeared at the Globe in The Coun- which provide much-needed local housing for Globe try Wife, Measure for Measure, Romeo and Juliet and artists, as well as underwriting two full scholarships The Two Gentlemen of Verona. She has earned four for The Old Globe/University of San Diego Master of Tony Award nominations for Best Actress and won Fine Arts Program annually. In honor of their endur- four Drama Desk Awards, four Outer Critics Circle ing support, the stage of the Old Globe Theatre was Awards, the Obie, the and the named the Donald Lucille Lortel Award for Best Actress for her work on and Darlene Shiley the New York stage, from to Saravà! to Lend Stage. The Shiley Me A Tenor to Golda’s Balcony. Artist-in-Residence As the 2010 Shiley Artist-in-Residence, Tovah marks one more brings the longest-running one-woman show in way in which the Broadway history to the Donald and Darlene Shiley Shileys support the Stage at The Old Globe. creativity and qual- Donald and Darlene Shiley have been dedicated ity of work on the supporters of The Old Globe for more than two de- Globe’s stages. Donald and Darlene Shiley

PErFORMANCEs MAGAZINE 3 Board of Directors

Dear Friends, We are pleased that you have joined us for another memorable production in The Old Globe’s 2009/2010 Season. Our current plays, Golda’s Balcony on the Globe stage and the West Coast premiere of The Whipping Man in the Sheryl and Harvey White Theatre are supported by our enthusiastic audiences, and, in the case of Golda’s Balcony, several major donors who recently stepped forward with special funding to allow us to bring this world-class production to San Diego. Since our founding day on May 29, 1935, The Old Globe has played an enormous role in the San Diego community, having grown to be recognized as a cultural icon and artistic leader. Exciting times lie ahead as we begin to celebrate our 75-year birthday, and you’ll be reading more about us and receiving invitations to special events, such as the Globe’s anniversary open house on June 13 and the 75th Anniversary Gala on July 31. I know that Craig Noel would have been so proud of what we’ve planned to mark this milestone anniversary in the Globe’s history. We’ll miss him deeply. On behalf of the Board of Directors, I would like to thank you for making the The Old Globe a part of your life. We hope you will continue to be involved as a patron and a supporter. Enjoy the play!

Sincerely,

Donald L. Cohn, Chair BOARD OF DIRECTORS

BOARD OF DIRECTORS Donald Cohn* Kathy Hattox* Anthony S. Thornley* Sandra Redman* Susan Major* Harvey P. White* Chair Immediate Vice Chair, Finance Vice Chair, Vice Chair, Secretary Past Chair & Treasurer Nominating Development

DIRECTORS Timothy P. Haidinger Daniel L. Sullivan, Ph.D. Clair Burgener (1921-2006) Mary Beth Adderley Nanci Hull Julie H. Sullivan, Ph.D. Mrs. John H. Fox (1908–2003) Elizabeth Altman Viviana Ibañez Evelyn Mack Truitt Audrey Geisel Joseph Benoit Deni Jacobs Debra Turner Paul Harter Pamela Cesak Daphne Jameson Stacey LeVasseur Vasquez Gordon Luce (1925-2006) Marsha Chandler Jo Ann Kilty Crystal Watkins Dolly Poet (1921-2007) Peter J. Cooper Mitzi Yates Lizarraga James A. Wening Deborah Szekely Valerie S. Cooper Joyce Nash Brian E. Wineke Hon. Pete Wilson Stephen M. Cusato Rafael Pastor* June Yoder Elaine Bennett Darwin Conrad Prebys* Carolyn Yorston-Wellcome EMERITUS DIRECTORS Bea Epsten Sara Rosenthal, M.D. Deborah Young Garet B. Clark Pamela A. Farr Jeri Rovsek *Executive Committee Member J. Dallas Clark (1913–2005) Harold W. Fuson, Jr.* Reneé Schatz Sally Furay, R.S.C.J. Victor P. Gálvez Jean Shekhter HONORARY DIRECTORS Bernard Lipinsky (1914-2001) Robert H. Gleason Louis G. Spisto* Mrs. Richard C. Adams Delza Martin (1915–2005) (1912–2005) Patsy Shumway

4 PERFORMANCES MAGAZINe GOLDA’S BALCONY IS GENEROUSLY SPONSORED IN PART BY

Arthur Brody and Phyllis Cohn Mickey Stern Arthur Brody and Phyllis Cohn have been longtime subscribers and gen- Mickey Stern has been a patron and erous donors to The Old Globe as Circle Patrons and Gala supporters. supporter of the arts for many years, Arthur is currently President of Brosoar Corporation, a management and both in San Diego and previously administrative service for business and personal investments located in when she lived in Omaha. She strongly Rancho Santa Fe, CA. As President of the Sophie & Arthur Brody Foun- believes in the Globe’s artistic goals, its dation, Arthur contributes significantly to a number of local and national stability as a leading non-profit institu- charities. Arthur serves on the boards of the UCSD Foundation and the tion and the impact of the Theatre’s Sanford-Burnham Cancer Institute, and was one of eight founding mem- work in the community. Mickey has bers of the World Presidents Organization. Together, he and Phyllis share held a deep admiration and respect for an enthusiasm for the performing arts and regularly support and attend Prime Minister Golda Meir and believes the San Diego Opera, San Diego Symphony, La Jolla Playhouse and the La that Meir’s courage and vision were not Jolla Music Society. only a gift to the state of Israel but also an inspiration to everyone who cares Joan and Irwin Jacobs about the importance of the endurance Joan and Irwin Jacobs have been enthusiastic supporters and loyal sub- and safety that Israel offers the world. scribers of The Old Globe for more than 20 years, during which time the Theatre and San Diego community have greatly benefited from their gen- Erna and Andrew Viterbi erosity and involvement. Previous Globe productions sponsored by Joan Erna and Andrew Viterbi have generous- and Irwin include George Gershwin Alone, Macbeth, Resurrection Blues, ly supported the Globe for many years, Smash, Julius Caesar, Avenue Q and The Merry Wives of Windsor. most recently with a leadership gift of $2 The couple has been active philanthropically throughout the San Diego million to the Capital Campaign. Andrew community, supporting numerous organizations, including University of co-founded QUALCOMM, a leading California, San Diego, the Museum of Contemporary Art, San Diego Op- developer and manufacturer of mobile era, La Jolla Playhouse, Museum of Photographic Arts, San Diego Reper- satellite communications and digital tory Theatre and the San Diego Symphony. wireless telephony. Today, all internation- al standards for digital cellular telephony utilize the Viterbi algorithm for interfer- ence suppression, as do most digital satellite communication systems. He has received multiple awards including the Franklin Medal and National Medal of Science and holds the Presidential Chair in Electrical Engineering at USC. Erna, born in Sarajevo and raised in Italy and Switzerland, is fluent in four languages and is active in many philanthropic roles.

WITH ADDITIONAL SUPPORT FROM Barbara Bloom Diane and Elliot Feuerstein Elaine and Leonard Hirsch Marina and Rafael Pastor Photo by Aaron Epstein by Aaron Photo Iris and Matthew Strauss

PErFORMANCEs MAGAZINE 5 Who was this woman ism and Socialism. She began to throw ever. After the first elections of of iron will and a warm herself into Zionist work proper. In the 1949, Ben-Gurion recalled her to take “Jewish heart,” whose midst of these activities, she and Morris up the post of Minister of Labour. single-minded dedica- married on December 24, 1917—a few Golda herself described her seven tion to her ideals could weeks after the Balfour Declaration. years as Minister of Labour as the hap- make a greater impres- Three and a half years later, on July 24, piest of her life. At last, she was where sion on statesmen 1921, she and Morris left the United she wanted to be, doing what she most than any amount of States for . wanted to do. Indeed it was a challeng- intellectual explana- It did not take long for Golda to make ing job. It meant providing homes and tions, whose formidable her mark in circles, and within a work for the thousands of immigrants determination could year she was representing Kibbutz Mer- who had begun to pour into Israel, an elicit both devotion and havia at a conference. But while she felt almost superhuman task. fear among those who in her element, the same could not be In 1956, Golda Meir was appointed worked closely with said for her husband. Morris was a quiet Foreign Minister. Golda’s greatest her? and private man who loved music and achievement as Foreign Minister, and Her autobiography poetry. It was hard for him, both physi- the one which made her name a house- described the rise of cally and mentally, to accustom himself hold word in far-flung places, was in the the Russian-born child to kibbutz life and a wife who thrived field of international cooperation. She of poor parents in Kiev on public activity. The couple moved saw Israel’s version of international co- to adolescence and first to and then to , operation as typifying the drive towards young womanhood in where their two children, Menachem social justice that was at the heart of

Obituary from The Jerusalem Post December 10, 1978 Jerusalem Post December from The Obituary the United States, to and Sarah, were born. Labour . Golda Meir held the

GOLDA a kibbutz in Palestine Those were not happy years for office of Foreign Minister for nine years, and then on to public life—through the Golda. Morris had a minor job, the pay retiring in 1965, pleading poor health. , the Jewish Agency and the was small and, as was the case so often Then, in , Government of Israel which she served in those years, irregular. Then, in 1928, died of a heart attack and Golda Meir as both diplomat and statesman. David Remez, the secretary-general was called upon to step into the breach, Golda became a Zionist long before of the Histadrut, offered her the post to assume the country’s highest office. she knew the meaning of the word of secretary of the Woman Workers’ In her own words, she accepted “for the “ideology.” The sound of Cossack Council. sake of the country, the nation, the La- horsemen galloping past her home When she was appointed to the His- bour movement and the Jewish people when she was four years old put fear tadrut Executive, Golda Meir’s activities throughout the world.” into her heart. But even then she knew lay in the field of labour relations, no Her term of office as Prime Minister instinctively that the terror-laden word easy task at a time of economic depres- began when Israel was in the throes of “” presaged harm to her and her sion, but it was to stand her in good the and ended with family simply because they were . stead later on. Then, during the days the Yom War. The Labour Party It was her elder sister Sheyna who later of World War II, Golda Meir began to to which she was devoted was torn by explained that the only hope of being show her real steely mettle. She served divisions. Unacceptable “peace propos- freed from that gut fear lay in some- on the Mandatory Government’s Eco- als” were being put forward by the thing called Zionist Socialism. nomic War Council and arranged for great powers. The situation would have Many youngsters of fifteen threaten emissaries to go to Europe to see how been daunting for anyone of her age to run away from home when they Jews could be saved. On the “Black and her poor state of health. But she have disagreements with their par- Sabbath” of June 29, 1946, when the thrived on difficulties and once in the ents. Golda, an activist even at that British arrested the leaders of the Jew- harness, her health improved. age, did more than threaten when her ish Agency, she took over the Political Although Golda Meir felt herself the parents decided it was time for her to Department. equal of any man in her Cabinet, she leave school. She ran away to live with Four months after the birth of the believed herself less-than-adequately Sheyna, who for medical reasons had State, Golda took up her first and only equipped to sum up military situations moved to . diplomatic post as Minister to Moscow. and for this she relied heavily on her It was during her stay there that she It was a typical decision that the lega- army advisers. They assured her that met Morris Meyerson, a young Jewish tion should be as characteristic of Israel the reports need not be taken too seri- immigrant from Lithuania. In Denver, as possible and should therefore be run ously. Golda went to high school and at the on the lines of a kibbutz. She did not It was typical of her almost instinctive same time learned more about Zion- remain long in her diplomatic post, how- approach that one item of intelligence

6 PERFORMANCES MAGAZINe should have bothered her, an item that did not seem to perturb her advisers. Why, she asked them and herself, should the families of the Rus- sian advisers in Syria have left in such a hurry? Perhaps the reserves should be called up? Later, she was to write: “I should have listened to the warnings of my own heart and ordered a call-up.” She never forgave herself for that one decision she failed to make “and I shall live with that terrible knowledge for the rest of my life.” And so it was Golda Meir’s fate, at the age of 75, to be head of govern- ment during the War and lead the country through its darkest hours. Golda referred to those dread- ful early days of the war as “hard as death.” If the war itself had been agonizing for her, the aftermath was even more exhausting. (The Kissinger shuttles and endless negotiations, accusations and recriminations, counter-accusa- tions and the war of the generals, the burning anger of the public which led to protest demonstrations.) Although she was personally exonorated of blame for the mishaps and mistakes, she was not so insensitive as to have been left untouched by the public outcry. In March 1974, she told her party that she could no longer carry on. Most political leaders who retire from office become “elder states- men.” For Israel and the world, Golda remained “Golda”: a matriarchal figure of undeniable courage, known for her complete dedication to duty as she understood it, and her undeviat- ing love of the Jewish people and its land. Yet she was, at the same time, a woman of fierce likes and dislikes. She had little taste for intellectual subtle- ties. She could inspire devotion and yet exasperate those who admired her. She commanded the world’s respect. Golda was Golda, solid as a monument.

PErFORMANCEs MAGAZINE 7 There is a type of woman who cannot remain at home. —Golda Meir (1975)

THE MEYERSON FAMILY

Golda’s Children I stayed up at night to cook for Menachem and Sarah. I remember that once when I was the chairwoman of a I mended their clothes. I went to concerts and films with public meeting and asked “all those in favor” of whatever them. We always talked and laughed a lot together. But were the issue was to raise their hands, to my utter astonishment my sister Sheyna and my mother right when they charged I saw Sarah and Menachem (who had stolen into the hall to me for years with depriving the children of their due? I sup- fetch me) loyally raise their hands to indicate their approval. pose that I shall never be able to answer this question to my It was the most reassuring vote of confidence I ever got, but own satisfaction and that I will never stop asking it. Were it didn’t keep me from feeling that being able to vote for they proud of me, then or later? I like to think so, of course, your mother is not nearly as good or important as having her but I am not really sure that being proud of one’s mother at home when you get back from school. makes up for her frequent absences. from My Life, Golda’s autobiography (1975)

Morris The tragedy was not that Morris didn’t he knew what it really meant. He had always been quiet and understand me, but, on the contrary, reserved. To the outside world he may have appeared inef- that he understood me only too well fectual or unsuccessful; but the truth is that his inner life was and felt that he couldn’t make me over very rich—richer than mine, for all my activity and drive—and or change me. So he didn’t discourage he shared it generously with his close friends, his family and, me from going back to work, although particularly, his children. from My Life (1975)

8 PERFORMANCES MAGAZINe PEOPLE MENTIONED IN GOLDA’S BALCONY King Abdullah (1882-1951), (1930-2003), the son of a Bedouin, worked an expert in foreign affairs, closely with the British gov- worked with Meir through the ernment, who appointed him 1960s before she appointed Emir of Transjordan in 1922. him Ambassador to the United A relative moderate regard- States in 1973. He remained in ing Zionism, he negotiated with Golda Meir in this post until 1978, when he was integral to 1947 and 1948. In 1951, he was assassinated the peace agreement formed between Israel by a Palestinian nationalist. and at Camp David. David Ben-Gurion (1886-1973), Lou Kaddar was Golda Meir’s personal a Zionist pioneer and Israel’s attaché when she joined the first Prime Minister (1948- Israeli diplomatic corps to 1963), turned the Histadrut the . Her fluency from a trade union into a polit- in French proved invaluable ical and social institution; from on Golda’s diplomatic as- it he formed the Israeli government in 1948. signments. Although she retired in the early He was a key figure in Israeli politics until 1960s, she returned to her duties when Gol- his death. da became Prime Minister. (1915-1977) (1923- ), lost his eye on a mission be- an expert in foreign policy and hind Axis lines during WWII. U.S. Secretary of State (1973- In the 1950s and ’60s, Dayan 1977), helped to define the directed most of Israel’s mili- tone of Nixon’s presidency. tary successes. He resigned His brokerage of the peaceful from the post of Defense Minister in 1974, withdrawal of armies after the Yom Kippur following criticism for his too-cautious prepa- War established a forum for the Israeli-Egyp- rations before the . tian peace of the late ’70s. David “Dado” Elazar (1925-1976) Pope Paul VI (1897-1978), fled to Palestine from the Na- met with Golda Meir in Janu- zis in 1940. One of the coun- ary, 1973 to discuss peace ef- try’s greatest generals, Dado forts in the Middle East, and captured the chastised her for her country’s in the Six Day War of 1967. As “fierceness.” During his papa- Meir’s Army Chief of Staff, he oversaw the cy, the Vatican favored a special international Yom Kippur War effort, and resigned his posi- status for Jerusalem and Israeli holy places. tion because of the heavy losses.

PErFORMANCEs MAGAZINE 9 Leadership Gifts Production Sponsors

The Old Globe recognizes and thanks Globe Guilders the following generous individuals who have made extraordinary gifts As The Old Globe’s volunteer auxiliary, the Globe Guilders have of $1 million or more. These major been an essential part of The Old Globe family for more than 50 years. Hundreds of dedicated members provide invaluable assistance contributions have been designated to the Globe through their gracious hosting of Company Calls, for artistic, endowment and facilities involvement in the community, and many fundraising activities, projects, and help The Old Globe including the annual Fashion Show: remain one of our country’s great 20 Years of Celebrating Couture theatre institutions. Tuesday, August 24, 2010 $20,000,000 or greater Hilton San Diego Bayfront Champagne Reception | Luncheon | Silent and Live Auctions Donald and Darlene Shiley Fashion Show presented by Neiman Marcus, featuring designs by world-famous designer, Naeem Khan $10,000,000 or greater Tickets are still available, and proceeds will benefit Conrad Prebys the Globe’s artistic and educational programs. For more information on attending, please contact Jill Holmes at $5,000,000 or greater (858) 454-0014 or by email at [email protected] or Pat Yelenosky at [email protected]. You may also contact Jill Holmes, Vice Sheryl and Harvey White President Membership, for information on becoming a Guilder.

Kathryn Hattox

Karen and Donald Cohn

$1,000,000 or greater The Old Globe gratefully acknowledges the generous support of Viterbi Family Foundation Patrons of the Prado, an organization of dedicated women who raise funds to benefit non-profit organizations in Balboa Park. Founded California Cultural and in 1997 by four dynamic volunteers, Patrons of the Prado has since Historical Endowment granted more than $1.7 million in unrestricted funding to each of the 11 arts organizations and museums located along Balboa Park’s Estate of Dorothy S. Prough Prado. Patrons of the Prado has selected The Old Globe, The San Diego The Rivkin Family Hall of Champions and Reuben H. Fleet Science Center as the three beneficiaries to receive the proceeds from this year’s annual Gala. Estate of Beatrice Lynds Conrad Prebys and Debra Turner are serving as Honorary Chairs of this premiere event: Audrey S. Geisel/ Patrons of the Prado Gala 2010 “Rendevous in Paris” San Diego Foundation Dr. Seuss Fund Saturday, July 10, 2010 Under the Stars in Balboa Park Mr. and Mrs. Victor H. Ottenstein Featuring Tony Award nominee Obba Babatundé as “Sammy Davis in Paris” Mrs. Helen Edison For more information, please contact Betty Kornreich, Gala Chair at (619) 299-7292 or [email protected] The Stephen & Mary Birch Foundation

The Kresge Foundation

10 PERFORMANCES MAGAZINe CRAIG NOEL August 25, 1915 - April 3, 2010

PErFORMANCEs MAGAZINE 11 CRAIG NOEL A THEATRICAL LIFE

CRAIG NOEL WAS A SIGNIFICANT FIGURE in the de- velopment of American theatre, having led The Old Globe from its earliest days as a community organization to an internationally renowned institution. Over his more than 70-year career at the Globe, Noel directed more than 200 works, produced an additional 270 productions and created innovative and influential theatre programs. In 2007, Noel received the National Medal of Arts – the nation’s highest honor for artistic excellence – from President George W. Bush in a ceremony at the White House. Born on August 25, 1915 in Deming, New Mexico, Craig Noel moved to San Diego as a child. He began his associa- tion with the Old Globe in 1937 as an actor, appearing in The Distaff Side, the very first production of The Old Globe. After fighting in the 37th Infantry for the liberation of the Philippines, Noel served in post-war Japan as director of the Ernie Pyle Theatre (Tokyo’s largest performance venue which Special Services operated for the entertainment of American forces) before returning to civilian life as one of two junior directors for 20th Century Fox – alongside Orson Welles. Noel returned to lead the Old Globe Theatre in 1947 and created one of nation’s most successful not-for-profit pher Reeve, Barry Bostwick, Harry Groener, Dennis Hopper, arts organizations, overseeing the expansion of the Globe Hal Holbrook, Tovah Feldshuh, John Houseman, Rue Mc- to a sprawling three-theatre complex. In 1949, he launched Clanahan, Sada Thompson, Paxton Whitehead, Jon Voight the San Diego National Shakespeare Festival, and ten years and Kelsey Grammer, worked with Noel and considered him later guided the Globe from community to professional their mentor. status, establishing the first full Actors’ Equity company in During Craig Noel’s distinguished career with The Old California. In 1984, the Globe was the ninth theatrical insti- Globe, the much-honored director staged productions of all tution selected to receive the Regional Theatre Tony Award styles and periods. Noel’s final world premiere productions and is now the oldest continuing, professional not-for-profit include Lillian Garrett-Groag’s The White Rose and Reuben theatre in the state. Gonzalez’s The Boiler Room. He also directed the American Soon after the original Old Globe Theatre was destroyed premieres of Alan Ayckbourn’s Mr. A’s Amazing Maze Plays by arson in 1978, Noel conceived the idea of building an and Intimate Exchanges. Other Noel directorial assign- outdoor festival theatre in the wooded canyon adjacent ments include Wonderful Tennessee, Shirley Valentine, to the theatre complex. The original Festival Stage was de- Travels with My Aunt and Scotland Road. stroyed by fire in 1984. It was rebuilt and named the Lowell To fulfill his long-held dream of a theatre that would Davies Festival Theatre in 1985. extend across the border to enrich artists and audiences of In the early 1960s, Noel developed an audience for new Southern California’s neighboring cultures, Noel instituted plays with seasons he programmed at the La Jolla Museum the Globe’s bilingual theatre component, Teatro Meta, in of Contemporary Art, exposing local audiences to such 1983. The bilingual playwriting program served thousands playwrights as Samuel Beckett, Eugene Ionèsco, Luigi Piran- of young people in San Diego’s public schools. His passion dello, Bertolt Brecht and Edward Albee. The success of that for arts education fueled many other innovative programs, series led to a new play series at the Falstaff Tavern, later including the Globe Educational Tours in 1974 and the renamed Cassius Carter Centre Stage. renowned Master of Fine Arts graduate acting program (in He played an instrumental role in the careers of many conjunction with the University of San Diego) in 1987. theatre artists – including three-time Tony Award winner Noel was a founder of the California Theatre Council and Jack O’Brien, who he hired as Artistic Director in 1981. a former vice president of the California Confederation Scores of distinguished American actors, including many of the Arts. His numerous honors include The San Diego who became well-known to a wider audience, such as Union-Tribune list of 25 persons who shaped the city’s Marion Ross, David Ogden Stiers, Marsha Mason, Christo- history; the Governor’s Award for the Arts; University of

12 PERFORMANCES MAGAZINe “Can you think of anyone who’s had as much fun as I have? I’ve gotten to play with toys my whole life in a beautiful park, surrounded by beautiful people, and I’ve gotten paid for it. Who could ask for more?” – Craig Noel

Arizona Alumni Association’s Outstanding Citizen, for his larger community through his support and encouragement contribution to their Fine Arts department; San Diego State of playwrights, actors and artists and through the nurturing University’s Outstanding Alumnus; honorary Doctorate of of an entire generation of citizens who have become today’s Humane Letters, University of San Diego; San Diego’s Liv- theatregoers and patrons of the arts. Craig Noel was a ing Treasure Award; Conservator of American Arts Award guide, mentor and ally to virtually every professional theatre from American Conservatory Theater; the San Diego Press endeavor in San Diego’s contemporary history, and he will Club Headliner Award; San Diego Gentleman of Distinction be deeply missed. Award; and a combined tribute from the Public Arts Advi- sory Council and the San Diego County Board of Supervi- Photos clockwise from top left: Jack O’Brien and Craig Noel rebuild the Old Globe sors. The San Diego Drama Critics Circle named its annual Theatre in 1978. Craig Noel (second from left) in John Van Druten’s The Distaff Side, honors the “Craig Noel Awards for Excellence in Theatre.” the 1937 premiere production of the San Diego Community Theatre, which would later be named The Old Globe; Craig Noel with theatre legend Eva Le Gallienne; In 2007, he received the aforementioned National Medal of Craig Noel as the Stage Manager in the Globe’s 1975 production of Thorton Wilder’s the Arts. Our Town, with Holly Schoonover as Emily and Nathan Haas as George, directed by Jack O’Brien; Opposite page: Craig Noel directing Associate Artist Deborah May Noel’s contributions to the American theatre – both lo- (seated) and Melora Marshall in As You Like It, the inaugural production of the newly cally and nationally – are beyond measure. He enriched the rebuilt Old Globe Theatre.

PErFORMANCEs MAGAZINE 13 HIGHLIGHTS OF CRAIG NOEL’S YEARS WITH THE OLD GLOBE

1935 The Old Globe opens as an attraction of the California 1987 San Diego Mayor Maureen O’Connor proclaims 1987 Pacific International Exposition with a repertory of “The Year of Craig Noel” in honor of the 50th anniversary of 50-minute versions of Shakespeare plays. Craig Noel is in the executive producer’s association with The Old Globe. attendance for the Exposition. Noel establishes the Globe’s Master of Fine Arts program with the University of San Diego to help train the next First production by new organization opens at The Old 1937 generation of stage actors. Globe, The Distaff Side, by John Van Druten, with Craig Noel in the acting company. 1988 Noel directs Shakespeare’s Love’s Labour’s Lost in the Lowell Davies Festival Theatre. 1939 Noel makes his Old Globe directing debut with Edwin Justin Mayer’s Firebrand. 1991 Noel directs the world premiere of Lillian Garrett-Groag’s The White Rose. 1941 U.S. Navy commandeers Balboa Park for military purposes during World War II; Globe ordered to remove records and 1995 The Old Globe celebrates its 60th Anniversary Season. equipment within 24 hours. Noel directs a revival of the wildly successful Mister Roberts, first presented at the Globe in 1953. 1947 William Saroyan’s The Time of Your Life, directed by Noel, opens first post-war season. Noel soon named Artistic 2000 Noel directs Associate Artist Marion Ross in Joe DiPietro’s Director. Over the River and Through the Woods. 1949 Noel begins first San Diego National Shakespeare Festival in 2001 Noel directs Craig Wright’s The Pavilion in the Cassius association with San Diego State College. Carter Centre Stage. 1949 Caught in the Act, first of six original, topical, musical revues 2003 San Diego Theatre Critics Circle names its theatre awards focusing on San Diego people, places and happenings, after Craig Noel. composed and written by local talent is directed by Noel. 2004 At Noel’s urging, the Globe revives its renowned Summer 1953 Mister Roberts, directed by Craig Noel, opens, replacing Shakespeare Festival, with three productions playing in Shakespeare Festival for one summer. Capacity audiences nightly rotation in the Lowell Davies Festival Theatre. during 13 weeks provided the Globe with substantial The Old Globe celebrates its 70th Anniversary. Noel turns financial resources for the first time. 2005 90, surrounded by friends and members of the Globe family. Noel organizes first major tour to Stanford University, 1964 Noel recieves the National Medal of Arts at a ceremony at celebrating the quadricentennial of Shakespeare’s birth. 2007 the White House. 1969 Cassius Carter Centre Stage opens with Peter Ustinov’s The Unknown Soldier and His Wife, directed by Noel. 1977 Noel organizes the first of four seasons of touring productions of the Globe’s San Diego National Shakespeare Festival to Scottsdale, AZ, in association with Arizona Shakespeare Association. 1978 Arson destroys the 43-year-old Old Globe Theatre. Soon after, construction begins on a 620-seat outdoor Festival Stage adjacent to the site of the decimated theatre. Fund- raising campaign begins under co-chairs Deborah Szekely and James Mulvaney for the purpose of rebuilding the Old Globe Theatre. 1981 Craig Noel names Jack O’Brien Artistic Director and Tom Hall Managing Director; Noel becomes Executive Producer. 1982 The inaugural performance of Shakespeare’s As You Like It, directed by Noel, begins the Globe’s year-round professional theatre status. 1983 Noel helps to found the Teatro Meta program (a bilingual theatre education program) with long-time friends and theatre directors Williams Virchis and Jorge Huerta. 1984 The Festival Stage is completely destroyed by an early morning fire, later determined to be arson. The Old Globe board of directors meets in emergency session and vows to rebuild the theatre in time for the June 1985 Festival Season. The theatre is rededicated as the Lowell Davies Festival Theatre in honor of the late Davies, who was a Craig Noel with Executive Producer Lou Spisto and Hamza Houidi after receiving the board officer for 40 years. National Medal of Arts from President George W. Bush at The White House.

14 PERFORMANCES MAGAZINe Season Sponsors

The Old Globe is deeply grateful to its Season Sponsors, each of whom has made an annual donation of $50,000 or greater. These gifts are critical to maintaining the Globe’s high quality of artistic programming and award-winning work in the community.

The Legler Benbough Foundation The County of San Diego John A. Berol at the recommendation of Vice Chairman Bill Horn Mary Ann Blair Joan and Irwin Jacobs Karen and Donald Cohn The Lipinsky Family Peter Cooper and Norman Blachford Conrad Prebys and Debra Turner Valerie and Harry Cooper Donald and Darlene Shiley The Helen K. and James S. Copley The County of San Diego Foundation at the recommendation of Chairwoman Pam Slater Price Gigi and Ed Cramer Mickey Stern Edgerton Foundation Sheryl and Harvey White Audrey S. Geisel Anonymous Globe Guilders

To become a Season Sponsor, please contact Todd R. Schultz, Director of Development at (619) 231-1941 x2310.

PErFORMANCEs MAGAZINE 15 Profiles

Tovah Feldshuh Lee Jones in The Amazing Howard Broadway, he also co-directed Jane Eyre (Golda Meir) Hughes, James Woods in Citizen Cohn, with John Caird. Off Broadway credits An Old Globe Bill Cosby on “The Cosby Mysteries” and include The Foreigner starring Matthew Associate Artist, “The Cosby Show,” and Richard Dreyfuss Broderick, Bat Boy: The Musical (Lucille Ms. Feldshuh in “The Education of Max Bickford.” In Lortel and Outer Critics Circle awards has previously 2004, she was nominated for her second Best Off-Broadway Musical, Drama Desk appeared at Emmy for her work on “Law & Order” as nomination Best Director of a Musical), the Globe in defense attorney Danielle Melnick. Her Tick, Tick... Boom! (OCC Award Best The Country one-woman show, Tovah: Out Of Her Off-Broadway Musical, Drama Desk Wife, Measure Mind!, sold out in London’s West End at nomination Best Director of a Musical), for Measure, the Duke Of York’s, and culminated in Franz Kafka’s The Castle at Romeo and a symphonic concert with Ensemble Theater (OCC nomination, Juliet and The at Los Angeles’ Royce Hall. The Boston Best Director of a Play), Miss Julie and Two Gentlemen of Verona. For her Globe selected Tovah: Out Of Her Mind! No Way to Treat A Lady. He directed work on the New York stage, from as the best one-person show of 2000. Lavender Girl as part of 3hree, an Yentl to Saravà! to Ms. Feldshuh created a new concert evening of one-act musicals conceived to Golda’s Balcony, Ms. Feldshuh has entitled Mining Golda: My Journey to by Harold Prince, at the Ahmanson earned four Tony Award nominations Golda Meir which also played the West Theatre. He received the CT Critics for Best Actress and won four Drama End at the Savoy Theatre, as well as Circle Award as Outstanding Director of Desk Awards, four Outer Critics Circle the Sheridan Suites in Manchester, The a Musical for his production of Me and Awards, The Obie, The Theatre World Royal Armouries in Leeds, Vodaworld in My Girl at Goodspeed Opera House. Award and The Lucille Lortel Award Johannesburg and The Entertainment Other regional theatres include La Jolla for Best Actress. On October 3, 2004, Centre of Sydney, Australia. Ms. Feldshuh Playhouse, A.C.T., Pasadena Playhouse, Golda’s Balcony, became the longest- is the recipient of the Eleanor Roosevelt Alley Theatre, Berkshire Theater Festival, running one-woman show in the history Humanities Award and is married to New Signature Theater, TheatreWorks, Prince of Broadway. Soon after the Broadway York attorney Andrew Harris Levy. They Theater, Virginia Stage Company and run, Ms. Feldshuh brought her Golda have two children: Garson Brandon and others. He directed American and British to Los Angeles’ Wadsworth Theatre Amanda Claire. Visit her website at tours of Godspell and has also directed and San Francisco’s Geary Theater for www.tovahfeldshuh.com Tick, Tick... Boom! in London. He is a eight sold-out weeks. In June 2008, Ms. member of the Society of Stage Directors Feldshuh brought Golda’s Balcony to William Gibson and Choreographers and is a graduate of London, where it triumphed at the Shaw (Playwright) . Theatre. She then starred in New York William Gibson, born in 1914 in New York as Polish Christian rescuer Irena Gut City, was the author of poetry, fiction Anna Louizos Opdyke in Dan Gordon’s Irena’s Vow. and scripts for stage, television and films. (Scenic Consultant) Film audiences recognize Ms. Feldshuh His plays include The Miracle Worker, Globe credits include Avenue Q, Much from Fox Searchlight’s Kissing Jessica which was originally produced for TV’s Ado About Nothing and Beyond Therapy. Stein, for which she won the Golden “Playhouse 90,” Two for the Seesaw, A Her Broadway productions include In Satellite Award for Best Supporting Cry of Players, Golda, The Butterfingers the Heights (2008 Tony nomination), Actress, A Walk On The Moon with Diane Angel, Monday After the Miracle, Goodly Curtains, High Fidelity (2007 Tony Lane and Viggo Mortensen, Lady in the Creatures and Handy Dandy, as well as nomination), Avenue Q (including London Water for M. Night Shyamalan opposite the musical version of Clifford Odets’ production), Steel Magnolias, Golda’s Paul Giamatti, Just My Luck with Lindsay Golden Boy. His several books include Balcony, Irving Berlin’s White Christmas Lohan; The Idolmaker (directed by Taylor The Cobweb, The Seesaw Log, A Mass (multiple US productions including UK) Hackford), and Toll Booth (winner – Best for the Dead, A Season in Heaven, and Disney Live Winnie the Pooh (US Supporting Actress - Method Fest Shakespeare’s Game and a volume of and world tours). Recent Off Broadway 2005). Last season she appeared on poetry entitled Winter Crook. The 1955 credits include Crimes of the Heart the big screen in O Jerusalem as Golda film version of The Cobweb was directed (directed by Kathleen Turner) and Altar Meir opposite Ian Holm, Love Life for by Vincent Minnelli and starred Lauren Boyz. She was the Art Director for “Sex German director Maria Schrader, and Bacall, Charles Boyer and Lillian Gish. and the City” (HBO). Love Comes Lately at the Sundance Gibson was elected to the Theater Hall Film Festival. Films soon to be released of Fame in 2005. He died in 2008 at the Jess Goldstein include Mount Of Olives with F. Murray age of 94. (Costume Consultant) Abraham, David Garrett’s Ten Stories designed the costumes for the Globe’s Tall playing love-torn Grace Parker, Scott Schwartz production of Compleat Female Stage Baker as army nurse Ruth Baker and (Production Consultant) Beauty. Broadway credits include Jersey Heterosexuals as fine art dealer, Remy. recently directed Lost in Yonkers at Boys, The Homecoming, The Apple Tree, On television, she received her first the Globe starring Judy Kaye. He The Rivals (2005 Tony Award), Henry IV Emmy nomination for her portrayal of directed Golda’s Balcony on Broadway, (LCT), Take Me Out, Enchanted April, the Czech freedom fighter Helena in in its original run Off Broadway and Proof, Judgment at Nuremberg, Love! . She starred opposite Tommy in Los Angeles and San Francisco. On Valour! Compassion!, Tintypes, and

16 PERFORMANCES MAGAZINe revivals of The Most Happy Fella, Inherit Mark Bennett Paul Huntley the Wind, A Streetcar Named Desire, (Original Broadway Sound (Wig Design) Night Must Fall, Black Comedy and Designer/Composer) Broadway shows include Lend Me The Rainmaker. Off Broadway credits Broadway credits include The Coast of a Tenor, A Little Night Music, The include Dinner with Friends, How I Utopia ( Winner), Producers, Contact, Cabaret, The Learned to Drive, Buried Child, Far East, Who’s Afraid of Virginia Woolf?, Henry Crucible, Chicago, Noises Off, Fortune’s Sight Unseen, Collected Stories, Other IV, Tartuffe, The Goat, Lily Tomlin’s The Fool, Mamma Mia!, Thoroughly Modern People’s Money, The Substance of Fire, Search for Signs of Intelligent Life in the Millie and Hairspray. His films include Three Hotels, Ten Unknowns, The Mineola Universe, The Lion in Winter, A View Enough (). Twins (Hewes and Lortel Awards). Opera From the Bridge, London Assurance. credits include Lucia di Lammermoor Off Broadway credits include Julius Nell Balaban (Washington Opera), Agrippina, Dead Caesar (TFANA), The Seagull (Mike (Assistant Director) Man Walking and Of Mice and Men Nichols, director), Dogeaters, and seven has served as assistant/associate director (NYC Opera). Film credits include Shakespeare productions for the Public to Scott Schwartz on many projects A Walk on the Moon, Love! Valour! Theater, Chaucer in Rome, The Time of including Golda’s Balcony on Broadway, Compassion! and The Substance of Fire. the Cuckoo, Pride’s Crossing, The Lights Much Ado About Nothing (Alley Theatre) He is a graduate and currently on the (Lincoln Center Theater), Mad Forest, and Miss Julie (Cherry Lane Theatre). faculty of Yale School of Drama. Lypsinka (NYTW), among others. Mr. Most recently she directed a staged Bennett is the recipient of a 1998 Obie reading of The Front, a new musical Jeff Croiter for Sustained Excellence in Sound Design by Paul Gordon & Jay Gruska, for (Lighting Design) and four Drama Desk nominations. Manhattan Theatre Club. Globe credits include Working and The Sisters Rosensweig. Broadway Kathy Fabian Richard Martini / KL credits include Kiki & Herb Alive (Properties) Management on Broadway; concerts at the New Broadway credits include Les Liasons (General Management) Amsterdam including Chess, Hair, Dangereuses, South Pacific, Sunday in Richard Martini & Sharon Tinari Pratt, and On The 20th Century. Other New the Park with George, The Homecoming, as KL, have been involved in over 70 York credits include Jerry Springer-The de Bergerac, Pygmalion, shows in the last 30 years that have Opera, Rufus Wainwright’s Judy Garland Old Acquaintance, 110 in the Shade, toured throughout the world. Recent Concert at Carnegie Hall (London and Talk Radio, Prelude to a Kiss, Spring touring productions include Some Like Paris too), The Voysey Inheritance, Things Awakening, High Fidelity, Barefoot in the It Hot starring Tony Curtis, Dirty Blonde, We Want, The Internationalist (Lortel Park, Souvenir, Steel Magnolias, Sweet Guys and Dolls, Fame - The Musical, nomination), Drumstruck, Jacques Brel, Charity, Match, Fiddler on the Roof, Fully Committed in San Francisco, Alive and Well and Living in Paris, I Love Bobbi Boland, Cat on a Hot Tin Roof, and Washington, DC and Chicago, The You Because, Almost, Maine, Dedication, Golda’s Balcony. Ms. Fabian has created Vagina Monologues in San Francisco, Trumbo, Matt & Ben, Cam Jansen, Miss props Off Broadway with Atlantic Forever Plaid in Las Vegas, and the first Witherspoon, Privilege, The Dazzle and Theatre Company, The Vineyard Theatre national tour of All Shook Up. Fiction. Other recent projects include Company, Manhattan Class Company, Happy Days - A New Musical and Bloody Manhattan Ensemble Theatre and The Michael Joseph Ormond Bloody Andrew Jackson. Big Apple Circus. (Production Stage Manager) Recent credits include Irena’s Vow on Alex Hawthorn Batwin + Robin Productions, Inc. Broadway (starring Tovah Feldhsuh). (Sound Design) (Projections) His Off Broadway and regional credits Off Broadway credits include Target Linda Batwin and Robin Silvestri. include Irena’s Vow, the critically Margin Theater’s Old Comedy From Broadway credits include Bells Are acclaimed revival of Room Service, Aristophanes’ Frogs. NYU: Galileo, Ringing, The Rocky Horror Show, The Aida (Opera), Mo Faya, The Kenyan There Was and There Wasn’t, Hedwig Best Man, Parade, God’s Heart (Lincoln Musical and The Rise of Dorothy Hale. and the Angry Inch, Nocturne, and Hair Center), Minnelli on Minnelli, How to Mr. Ormond’s directing credits include (co-designer, Travis Sawyer). Broadway Succeed in Business (National Tour), Beyond the Horizon, Anna Christie, Ah, credits include The Coast of Utopia Bring in ‘da Noise, Bring in ‘da Funk Wilderness, As Is, Morning’s at Seven and (Sound Assistant to Mark Bennett). Off (National Tour), Twilight: Los Angeles, The Glass Menagerie. His acting credits Broadway projects as Assistant Sound 1992, The Who’s Tommy (also national A Little Night Music (Henrik), Little Designer include Women’s Project’s and international productions), The Shop of Horrors (Seymour), Tenderloin, Crooked, Walmartopia, The Civilians’ Radio City Christmas Spectacular. Mousetrap, Kismet, A Tale of Cinderella Gone Missing, The Public Theater’s Off Broadway credits include Radiant and Silver Skates. He is a two-time Passing Strange, MCC’s In a Dark Dark Baby, Harlem Song, Slanguages, House recipient of the Frederick Loewe Vocal House, TFANA’s Jew of Malta and The Arrest, Gate of Heaven and Passport Scholarship. Mr. Ormond has been a Merchant of Venice. to the Universe, Hayden Planetarium. proud member of AEA since 1996. Their multimedia design work has been featured in exhibitions, installations and museums.

PErFORMANCEs MAGAZINE 17 Profiles

Louis G. Spisto Henry IV (Tony Award), Hairspray (Tony 25 persons who shaped the city’s (CEO/Executive Producer) Award), The Invention of Love (Tony history; the Governor’s Award for the directs both the artistic and nominations: Best Director and Play), Arts; University of Arizona Alumni administrative activities of The Old The Full Monty (Tony nominations: Best Association’s Outstanding Citizen, Globe. During his tenure, Mr. Spisto Director and Musical), More to Love, for his contribution to their Fine spearheaded the return of the Labor Day, St. Louis Woman, Pride’s Arts department; San Diego State Crossing, The Little Foxes, Hapgood Shakespeare Repertory Company, University’s Outstanding Alumnus; revitalized the Globe’s new works (Lucille Lortel Award for Direction, 1995), Conservator of American Arts Award program, resulting in ten world Damn Yankees (Tony nomination Best premiere plays and nine world premiere Musical Revival), Two Shakespearean from American Conservatory Theater; musicals, and produced more than Actors (Tony nominations: Best Director the San Diego Press Club Headliner 100 productions. Under Mr. Spisto’s and Play), Porgy and Bess for Houston Award; San Diego Gentleman of leadership, ticket sales and contributions Grand Opera and Broadway (Tony Distinction Award; and a combined have increased substantially, and the Award), as well as Radio City Music Hall, tribute from the Public Arts Advisory fiscal health of the organization has Il Trittico, Metropolitan Opera. RECENT Council and the San Diego County been strengthened to support the AWARDS: 2008 Theatre Hall of Fame Board of Supervisors. Mr. Noel was expanded artistic vision. Mr. Spisto has Inductee, 2004 Thomas Degaetani particularly proud of the following two successfully led the Globe’s $75 million Award (USITT), 2002 “Mr. Abbott” honors representing education and Capital Campaign and managed the Award (SDCF), 2001 Joan Cullman theatre: Honorary Doctor of Humane development of the Conrad Prebys Award for Extraordinary Creativity, 2001 Letters, University of San Diego and Theatre Center, which includes a state- Joe A. Callaway Award (SDCF), the the annual Awards for Excellence in of-the-art arena theatre and education Drama League’s Julia Hansen Award for Theatre named in his honor by the San center. An advocate of arts education, Excellence in Directing, 2001. Honorary Diego Theatre Critics Circle. In 2007, he Mr. Spisto created a number of new Doctorate, University of Michigan. received the National Medal of Arts – Honorary Doctor of Humane Letters, programs that serve tens of thousands the nation’s highest honor for artistic of young San Diegans each year. These University of San Diego. Recipient of excellence – in a ceremony at the White programs include a bilingual summer ArtServe Michigan’s 2008 International Shakespeare intensive, a major initiative Achievement Award. Mr. O’Brien is a House. Craig Noel died on April 3, 2010 in Southeastern San Diego which member of the College of Fellows of the at the age of 94. includes the development of new works American Theatre. for younger and more diverse audiences, and free student matinees of the Globe’s Craig Noel FOR THIS PRODUCTION regular productions. Mr. Spisto holds (Founding Director) Additional Staff a Master’s degree from the University was first appointed director in 1939, of Wisconsin and a Bachelor’s degree directing 15 productions prior to World Assistant Scenic from the University of Notre Dame. He War II. Since then he directed more than Designer...... Sean Fanning has served as chief executive for the 200 plays of all styles and periods and Pacific Symphony, Detroit Symphony and produced an additional 270 productions. American Ballet Theatre. His vision for The Old Globe resulted in the establishment of the Shakespeare Jack O’Brien Festival and the San Diego Junior Theatre (Artistic Director Emeritus) in the late ‘40s, the expansion to two served as the Artistic Director of The theaters in the ‘50s, Globe Educational Old Globe from 1982 through 2007. Tours in the ‘70s and Teatro Meta and the Recent Globe productions: Dirty Rotten Old Globe/University of San Diego MFA Scoundrels, Imaginary Friends, Twelfth program in the ‘80s. During the 1940s, Night, The Full Monty, The Seagull, The Mr. Noel served as dialogue director for This theatre operates under an agreement between the League of Resident Theatres Magic Fire, Dr. Seuss’ How the Grinch the 20th Century Fox Studios and was and Actors’ Equity Association, the union of Stole Christmas! WEST END: Love Never the former director of the Ernie Pyle professional actors and stage managers in the United States. Dies (sequel to Andrew Lloyd Webber’s Theatre in Tokyo. Described by Variety The Phantom of the Opera), Hairspray as the eminence grise of San Diego (Olivier Award for Best Musical, Best theatre, Mr. Noel is one of the few San The directors are members of the Stage Direc- tors and Choreographers Society, an indepen- Director nomination). BROADWAY: Diegans to have had an entire year (1987) dent national labor union. Impressionism (Creator/ Supervisor), Dr. proclaimed in his honor, and to be named Seuss’ How the Grinch Stole Christmas!, one of San Diego’s “Living Treasures.” He This theatre operates under an agreement with the International Alliance of Theatrical Stage The Coast of Utopia (2007 Tony Award was a founder of the California Theatre Employees Local No. 122. for Best Direction of a Play, which won Council and a former vice president a total of seven , including of the California Confederation of the Best Play), Dirty Rotten Scoundrels (Tony Arts. His numerous honors include The Scenic, Costume, Lighting and Sound nominations: Best Director and Musical), Designers in LORT theatres are represented by The San Diego Union-Tribune list of United Scenic Artists Local USA-826, IATSE.

18 PERFORMANCES MAGAZINe Israel’s Nuclear Option

The Israelis a nuclear arsenal of thirteen atomic happened to many. We are the only would fight bombs, assembled, stored and ready country in the world whose neigh- with conven- to be dropped on enemy forces from bors do not say, “We are going to war tional weap- specially equipped Kfir and Phantom because we want a certain piece of ons for as long fighters or missiles. These land from Israel,” or waterways or

Golda Meir as they could, weapons have a 20-kiloton yield, anything of that kind. We’re the only and if the tide roughly as powerful as those that people in the world where our neigh- were turning decisively against them, obliterated Hiroshima and Nagasaki. bors openly announce they just won’t and if help in the form of resupply The Dimona nuclear reactor went have us here. And they will not give from the United States or any other into operation in 1964. Meanwhile, up fighting and they will not give up guarantors were not forthcoming, it is an intense secret debate had begun war as long as we remain alive. Here. safe to predict that they would fight within Israel about whether the So this is the crux of the problem: it with nuclear weapons in the end. It government should also build a isn’t anything concrete that they want used to be said that the Israelis had separation plant to produce the from us. That’s why it doesn’t make a Masada complex, but if the Israe- fissionable material necessary for sense when people say, “Give up this lis are to be understood in terms an A-bomb. Ben-Gurion and Shimon and give up the other place. Give of a “complex” involving suicide Peres, then Deputy Prime Minister, up the Golan Heights,” for instance. rather than surrender and rooted in favored doing so. Others, including What happened when we were not a relevant precedent of Jewish his- Golda Meir and , initially on the Golan Heights? We were not tory, the example of Samson, whose opposed the project. on the Golan Heights before ’67, and suicide brought about the destruc- Israel’s thirteen bombs, Time has for 19 years, Syria had guns up there tion of his enemies, would be more also learned, were hastily assembled and shot at our agricultural settle- appropriate than Masada, where in at a secret underground tunnel dur- ments below. We were not on the committing suicide the Zealots killed ing a 78-hour period at the start of Golan Heights! So what, if we give only themselves and took no Romans the 1973 War. up the Golan Heights, they will stop with them. Time Magazine shooting? We were not in the Suez Norman Podhoretz Canal when the war started. Commentary, July 1976 I guess we have no choice. Either It’s because Egypt and Syria and we do everything that is possible, and the other Arab countries refuse to For years there has been wide- may seem to others as impossible, acquiesce to our existence. There- spread speculation about Israel’s and just give up. Or we do every- fore there can be no compromise. nuclear potential—speculation that thing that is really impossible and we They say we must be dead. And we has now been confirmed. At a brief- remain alive. There’s one more basic say we want to be alive. Between life ing for a group of American space thing that I think that people outside and death, I don’t know of a com- experts in Washington recently, an of Israel must realize, and if they promise. And that’s why we have no official of the Central Intelligence understand and accept that, maybe choice. Agency estimated that Israel had other things will fall into place. Prime Minister Golda Meir between ten and twenty nuclear For instance, we’re not the only 60 Minutes, CBS-TV weapons “available for use.” In fact, people in the world who’ve had September, 1973 Time has learned, Israel possesses difficulties with neighbors; that has

PErFORMANCEs MAGAZINE 19 Annual Fund Donors

The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the financial support of more than 2,000 individuals, businesses, foundations and government agencies. Please join us in giving a warm thanks and recognition to these leaders who have made tonight and our 629 other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight.

Benefactors ($100,000 and above)

The Legler Benbough Foundation Audrey S. Geisel/The San Diego The James Irvine Foundation City of San Diego Commission for Foundation Dr. Seuss Fund Donald & Darlene Shiley Arts & Culture Globe Guilders The Shubert Foundation The Helen K. and James S. Copley The County of San Diego The County of San Diego Foundation at the recommendation of at the recommendation of Vice Chairman Bill Horn Chairwoman Pam Slater Price

Season Sponsors ($50,000 to $99,999)

Bank of America Peter Cooper & Norman Blachford The Bernard & Dorris Lipinsky John A. Berol Advised Fund at the San Diego Fund of the Jewish Community Mary Ann Blair Human Dignity Foundation Foundation California Bank & Trust Valerie & Harry Cooper National Endowment for the Arts J. Dallas & Mary H. Clark Fund at Edgerton Foundation Conrad Prebys & Debra Turner The San Diego Foundation HM Electronics, Inc. Qualcomm, Inc. Karen & Donald Cohn Joan & Irwin Jacobs Fund of the Mickey Stern Jewish Community Foundation Wells Fargo Sheryl & Harvey White Foundation

Production Sponsors ($25,000 to $49,999)

Mary Beth Adderley & Kathryn & John Hattox E. Hield and Robert R. Hield Elizabeth Adderley Barbara Kjos Endowment Fund American Express National Corporate Theatre Fund Sempra Energy Alan Benaroya The San Diego Foundation, a grant Sheraton San Diego Hotel & Marina Arthur & Sophie Brody Fund of the made possible by the Colonel Gillian & Tony Thornley Jewish Community Foundation Frank C. Wood Memorial Fund; Union Bank Cohn Restaurant Group/ Ariel W. Coggeshall Fund; U.S. Bank Prado Restaurant Kantor-Lebow-Stroud Memorial Erna & Andrew Viterbi Continental Airlines Endowment Fund; and Mary Mandell Weiss Charitable Trust

Director Circle ($10,000 to $24,999)

Anonymous Lee & Frank Goldberg Renee Schatz Jane Smisor Bastien Leonard & Elaine Hirsch Jean & Gary Shekhter Richard & Kathy Binford The Hull Family Patsy & Forrest Shumway Barbara Bloom Deni & Jeff Jacobs Ms. Jeanette Stevens Pamela & Jerry Cesak Daphne H. & James D. Jameson Iris & Matthew Strauss Elaine & Dave Darwin Jo Ann Kilty Anne Taubman & David Boyle Mr. & Mrs. Brian Devine Dr. Ronald & Mrs. Ruth Leonardi Evelyn Mack Truitt Nina & Robert Doede Sue & John Major Brent V. Woods & Laurie C. Mitchell Dr. & Mrs. Robert Epsten Dr. Patricia Montalbano June E. Yoder Pamela A. Farr Allison & Robert Price Carolyn Yorston-Wellcome Danah H. Fayman Price Family Charitable Fund Robert & Deborah Young Hal & Pam Fuson San Diego Tourism Robert Gleason & Marc Matys Promotion Corporation

20 PERFORMANCES MAGAZINe FOUNDER CIRCLE Deede Gales Mary R. Warkentin Linda Terramagra ($5,000 to $9,999) Barbara & Albert Garlinghouse Jan Harden Webster & Raul Ortega Celeste & Gene Trepte Anonymous Bill & Judy Garrett Chris & Pat Weil Stan & Anita Ulrich Lawrence G. Alldredge & Drs. Thomas H. & Jane D. Gawronski Helene & Allan Ziman Brendan M. & Kaye I. Wynne Dawn Moore Sheila & Tom Gorey Christy & Howard Zatkin The Louis Yager Cantwell Private Ms. Cheryl Haimsohn ($1,500 to $2,499) Foundation Norm Hapke & Valerie Jacobs Hapke Anita Busquets & William Ladd GOLD Nicole A. Clay Drs. Patrick Harrison & Lisa & David Casey ($500 to $999) The Colwell Family Fund at Eleanor Lynch Ron & Devora Eisenberg - Anonymous (3) The San Diego Foundation Susan & Dr. Ronald Heller Great News! George Amerault R. Patrick & Sharon Connell Dr. & Mrs. Peter K. Hellwig Joy & Dr. Fred Frye Drs. Michael & Gabriela Antos Bernard J. Eggertsen & Rhonda Heth & Thomas Mabie Elaine & Murray Galinson John & Carolyn Backman Florence Nemkov Dr. & Mrs. Harry F. Hixson, Jr. Gary & Carrie Huckell Richard & Linda Basinger Carol Spielman-Ewan & Joel Ewan Dr. David K. Hostetler William & Edythe Kenton Madelyn Bennett Diane & Elliot Feuerstein Richard & Janet Hunter Sherry & Larry Kline Nicholas B. Binkley Mary Ann & Arnold Ginnow Hutcheson Family Fund at Christopher & Cheryl Lee Bob & Joyce Blumberg Alexa Kirkwood Hirsch The San Diego Foundation Robin J. Lipman & Miro Stano Mr. & Mrs. Blaine A. Briggs Carol & George Lattimer Al Isenberg & Regina Kurtz Elizabeth Meyer Nancy Brock Peter & Inge* Manes Andrew & Sonia Israel Fund of the Akiko Charlene Morimoto & Ruth Mary Campbell Paul I. & Margaret W. Meyer Jewish Community Foundation Hubert Frank Hamilton,Jr. Beth & Tim Cann Money/Arenz Foundation, Inc. *Al & Pat JaCoby Nancy & James Mullen Greg & Loretta Cass Harle Garth Montgomery Mary & Russell Johnson Dolly* & Jim Poet Luc Cayet & Anne Marie Pleska Arthur & Marilyn Neumann Jackie Johnston-Schoell Marie & Don Prisby Lynne Champagne & Wilfred Kearse The Kenneth T. & Eileen L. Norris William Karatz Marisa SorBello & Peter Czipott Betsy Dam Foundation Marge & Jerry Katleman Pat & Jack Thomas Dr. & Mrs. William Davidson Jeannie & Arthur Rivkin Bob* & Gladys King Pamela J. Wagner Wes & Elaine Dillon Robert & Julie Sullivan Ken & Sheryl King Z.J. Waxenberg Fund of the Dr. Donald & Eilene Dose Deborah Szekely John & Cindy Klinedinst Jewish Community Foundation Dorothy R. Dring The Thursday Club Foundation Jane & Ray Klofkorn James & Ellen Weil Patricia Eichelberger Dixie & Ken Unruh Curt & Nancy Koch Shirli Fabbri Weiss William Eiffert & Leslie Hodge Brooke & Dan Koehler Dr. Steve & Lynne Wheeler Paul & Clare Friedman CRAIG NOEL CIRCLE Rosalie Kostanzer & Mike Keefe Dr. & Mrs. Steven Garfin As of July 2008, the Craig Noel Circle Bob & Laura Kyle DIAMOND Peter & Christine Gault includes gifts of $2,500 - $4,999. This Dr. Eric Lasley & Judith Bachner ($1,500 to $2,499) Arthur & Judy Getis change is being phased in as patrons Terry & Mary Lehr Anonymous Norman & Patricia Gillespie renew their gifts. For donors who con- Ms. Sherrill Leist tribute to the Paver Campaign, the Mrs. Lazare F. Bernhard Louise & Doug Goodman phase-in period is up to five years. James & Pamela Lester Ronda & Stanley Breitbard Robert & Edry Goot Jerry Lester, M.D./Rosarito, Mexico ($2,500 to $4,999) Dr. & Mrs. Robert M. Callicott Drs. Barbara & Leonard Gosink Dr. & Mrs. Wayne Akeson Sandy & Arthur Levinson Enid & Martin Gleich Chris Graham & Michael Albo Gail Andrade and John & Mathew & Barbara Loonin Webster & Helen Kinnaird Carol & Don Green Jennifer Andrade Merriel F. Mandell, Ph.D. Joy & Ronald Mankoff Theodore Gryga Anonymous (2) Charlie & Jackie Mann Ruth & Jim Mulvaney Alex & Mary Hart Mr. & Mrs. Richard Baldwin Elizabeth & Edward McIntyre Susan Parker Mr. & Mrs. Arnold Hess Diana J. Barliant & Nowell Wisch Harold O. McNeil Peggy Price Mr. Stephen Hopkins & Melissa Garfield Bartell & Rebecca Moores Dee E. Silver, M.D. Dr. Carey Pratt Michael Bartell Mr. & Mrs. David Mulliken Susan Steele & Mike Conley Viviana Ibanez Joan & Jeremy Berg Joyce & Martin Nash Susan D. Inot Charles & Charlotte Bird National Alliance for Musical Theatre PLATINUM Isabella Fund at The San Diego Paul Black Eileen & Lawrence Newmark ($1,000 to $1,499) Foundation Dr. Herman & Irene Boschken Tom & Lisa Pierce Edward Anderson Edward & Linda Janon Dr. & Mrs. Edgar D. Canada Matthew & Judith Pollack Dr. Bob & Jill Andres Dr. & Mrs. Clyde W. Jones George & Ellen Casey Mo & Bill Popp Jeff & Donna Applestein Kathy & Rob Jones Carol & Rudy Cesena Dr. & Mrs. Daniel Porte Gary & Barbara Blake Family Fund of Kenneth & Marilyn Jones Marsha & Bill Chandler Brian & Paula Powers the Jewish Community Foundation Nancy Jones Carol & Jeff Chang Joanne Powers Sandra & Harry Carter David & Susan Kabakoff Garet & Wendy Clark The Pratt Memorial Fund at Union Roger Cornell, M.D. Patricia & Alexander Kelley Jack & Carol Clark Bank of California Ken Crouch Gerald & Phyllis Kelly Ms. Heidi Conlan/ Joseph & Jane Rascoff Peter & Doris Ellsworth Kaaren H. Kerlin The Sahan Daywi Foundation Sarah B. Marsh-Rebelo & In Memory of John A. Geisel Gayle & Jerry Klusky Richard & Stephanie Coutts John G. Rebelo Mr. & Mrs. Arthur A. Greenberg Bill & Linda Kolb Susan B. Cowell Mrs. Charlotte Rees Leo S. Guthman Fund Dr. Marvin Kripps Gigi & Ed Cramer Roger & Christine Roberts Richard & Candace Haden LABS, Inc./Silvia Dreyfuss Ann & John Davies Nancy J. Robertson Pat & Rick Harmetz Sherry & Rick Levin Darlene G. Davies in memory Warren & Beverly Sanborn Dr. & Mrs. James E. Lasry Marshall & Judy Lewis Fund of the of Lowell Davies Gabriela & Charles Sanders Don & Mary Jane Lincoln Jewish Community Foundation Pat & Dan Derbes Sanderson Family Donor Advised Dr. Robert & Marcia Malkus Dr. & Mrs. David D. Lynn Mrs. Philip H. Dickinson Fund at the Rancho Santa Jasna Markovac & Gary Miller Edward & Nancy Lyon Jim & Sally Ditto Fe Foundation Valorie McClelland Carl Maguire & Margaret Sheehan Marion Eggertsen Jay & Julie Sarno Dr. & Mrs. M. Joseph McGreevy Jeanne Maltese Mr. & Mrs. Ira S. Epstein Herbert $ Elene Solomon Judith & Neil Morgan Drs. Betty Joan Maly & John Meyers Carol Fink Nancy & Alan Spector and Family Elspeth & Jim Myer Ron & Mercy Mandelbaum Mary & David Fitz Nancy Steinhart & Jack & Virginia Oliver F. Dale & Lois Marriott Susanna & Michael Flaster Rebecca Goodpasture Dr. Julie Prazich & Dr. Sara Rosenthal JoAnne D. Marugg Jean & Sid Fox Hannah & Eugene Step Alice & Lewis Silverberg Rev. Stephen J. Mather Samuel I. & John Henry Fox Cherie Halladay Tirschwell Alan & Esther Siman Ronald McCaskill & Foundation at Union Bank Ric Torres Faustina F. Solis Robyn Rogers of California Carol Vassiliadis Nancy & George Stassinopoulos Mr. & Mrs. William McKenzie Millicent & Charles Froehlich Doris & Lou Vettese Jack & Louise Strecker Estelle D. & Jim Milch Martha & George Gafford Jordine Skoff Von Wantoch Margery & John Swanson Carole S. Miller Merle Wahl Rena Minisi & Rich Paul

PErFORMANCEs MAGAZINE 21 Annual Fund Donors Public Support

(continued) Steve & Jill Morris Helga & Sam Strong As announced in July 2008, the Susan & Charles Muha Ron & Susan Styn names of Annual Fund donors Shirley Mulcahy Clifford & Kay Sweet at the Silver level are published Katherine Newton Eric Leighton Swenson semi- annually, once in the Mark Niblack Dr. Terry & Naomi Tanaka Shakespeare Festival program Anthony Passante & Dr. Charles & Brita Tesar and again in a winter Globe Maureen Hallahan Randy Tidmore Julius J. Pearl Fund at Lt. & Mrs. Jack E. Timmons program. The San Diego Foundation Gertrude Trebon In Memory of Margaret Peninger Jeffrey & Sheila Truesdell To learn more about supporting Lawrence Roy Perrin Natalie C. Venezia & The Old Globe’s artistic, educa- Kathleen H. Porter Paul A. Sager tion and community programs, Robert & Doris Reed R. Douglas Wallingford please visit our website at Elaine Rendon* & Alicia Atun Jo & Howard Weiner www.TheOldGlobe.org, Rowling Family Charitable Fund Mr. & Mrs. David Weinrieb call Josh Martinez-Nelson at of The Jewish Community Judith L. White (619) 231-1941 x2308 Foundation Katherine White or email Jack & Carol Sanders Dennis & Carol Wilson [email protected]. Linda J. Seifert Cass Witkowski Family Mr. & Mrs. Randall Silvia Bill & Betty Witman William Smith & Carol Harter RAdm. & Mrs. Guy Zeller Gloria Penner Snyder & Major funding provided by the City of San Diego Com- Bill Snyder *In Memoriam mission for Arts and Culture. The Old Globe is funded Edward Stickgold & by the County of San Diego at the recommendation of Steven Cande This list is current as of Chairwoman Pam Slater-Price, Vice-Chairman Bill Horn Sharon S. Storey & March 31, 2010 and The County of San Diego Board of Supervisors. Theodore A. Milby Corporate Donors

SEASON SPONSORS ($50,000 or more) FOUNDER CIRCLE ($5,000 - $9,999) M2000 Corporation San Diego Business Journal Bertrand at Mister A’s

CRAIG NOEL CIRCLE ($2,500-$4,999) Break-Away Tours Target Cushman Family Foundation WD-40 Company Designer Fabrics The Westgate Hotel Nordstrom

Corporate Partners enjoy benefits and recognition, including the opportunity to entertain clients and employees with exclusive receptions at the Theatre, behind-the- scenes tours, and preferred seating at our shows. For information, please contact Todd Schultz at (619) 231-1941 x2310.

National Corporate Theatre Fund is a not-for profit corporation created to increase PRODUCTION SPONSORS ($25,000 - $49,999) and strengthen support from the business community for ten of this country’s most distinguished professional theatres. The following foundations, individuals and corpo- rations support these theatres through their contributions to NCTF:

Bank of America McCarter & English LLP Bingham McCutchen MetLife Bloomberg Morgan Stanley BNY Mellon Wealth Management New York State Council on the Arts Bruce R. Ewing Ogilvy & Mather Christopher Campbell Ovation TV /Palace Production Center Paul, Weiss, Rifkind, Wharton & Garrison LLP Cisco Systems, Inc. Pfizer, Inc. Citi RBC Wealth Management Credit Suisse Richard Fitzburgh Dorsey & Whitney Foundation Samuel French, Inc. Dramatists Play Service, Inc. Sharp Electronics Ernst & Young Skadden, Arps, Slate, Meagher & Flom LLC Frank Orlowski Steven Bunson George Smith The McGraw-Hill Companies DIRECTOR CIRCLE ($10,000 - $24,999) Goldman, Sachs & Co. Theatermania.com/Gretchen Shugart James S. Turley Thomas Quick City National Bank KPMG, LLP John Breglio UBS Cyberknife Centers Neiman Marcus John G. Miller USA Today of San Diego, Inc./ ResMed Foundation JPMorgan Chase Foundation Wells Fargo KPMG Willkie Farr & Gallagher LLP Radiation Medical Group Torrey Pines Bank Marsh & McLennan Companies Higgs, Fletcher & Mack, LLP Vistage International

22 PERFORMANCES MAGAZINe Associate Artists of The Old Globe

In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in acknowledging as Associate Artists, the following who have repeatedly demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of the Globe. William Anton Richard Easton Joseph Hardy Katherine McGrath Steven Rubin Conrad Susa Jacqueline Brooks Tovah Feldshuh Mark Harelik John McLain Ken Ruta Deborah Taylor Lewis Brown Monique Fowler Bob James Jonathan McMurtry Douglas W. Schmidt Irene Tedrow * Victor Buono* Robert Foxworth Charles Janasz Stephen Metcalfe Seret Scott Sada Thompson Wayland Capwell * Ralph Funicello Peggy Kellner* Robert Morgan David F. Segal Paxton Whitehead Kandis Chappell Lillian Garrett- Tom Lacy Ellis Rabb* Richard Seger James Winker Eric Christmas* Groag Diana Maddox Steve Rankin Diane Sinor Robert Wojewodski George Deloy Harry Groener Dakin Matthews Robin Pearson Rose Don Sparks G Wood* Tim Donoghue A.R. Gurney Deborah May Marion Ross David Ogden Stiers * in memoriam

Patron Information

TICKET SERVICES HOURS seating of latecomers is extremely disruptive. Latecomers Monday: Closed may be given alternative seating and will be seated at an Tuesday - Sunday: Noon – last curtain appropriate interval. Hours subject to change. Please call ahead. Phone (619) 23-GLOBE or (619) 234-5623 YOUNG CHILDREN FAX (619) 231-6752 Children five years of age and under will not be admitted to Email [email protected] performances.

ADMINISTRATION HOURS Monday - Friday: 9am – 5pm ELECTRONIC DEVICES AND CAMERAS Phone (619) 231-1941 Use of recording devices and cameras is not permitted. Website www.TheOldGlobe.org If you are wearing a digital watch or pager, or if you are Address The Old Globe carrying a cellular phone, please silence it prior to entering P.O. Box 122171 the theatre. San Diego, CA 92112-2171 ASSISTED LISTENING SYSTEM ORDERING TICKETS/CHANGE OF ADDRESS For the convenience of the hearing impaired, the assisted The Old Globe accepts Visa, Discover, MasterCard, or listening system is available in the Old Globe Theatre. American Express. Phone orders for non-subscribers Lightweight headsets may be obtained from the house are subject to a $3.50 per ticket service charge. Ticket manager prior to performances, free of charge. exchanges are subject to a service charge for non- subscribers. If you have moved, please notify the Ticket PUBLIC TOURS Services Office to update our records. Call (619) 234-5623 Go behind the scenes at The Old Globe to learn about the during Ticket Services hours, mail your change of address history, three stages, shop and craft areas. Open tours: most to the Ticket Services Office, or email us at Tickets@ Saturdays and Sundays at 10:30am. Groups by reservation. TheOldGlobe.org. $5 adults; $3 seniors and students. Phone (619) 231-1941 x2142 for information/reservations. UNABLE TO ATTEND? If you find you are unable to use your tickets, please give LOST AND FOUND them to a friend, or turn them in to the Ticket Services If you have misplaced a personal item while at the theatre, Office and receive a tax receipt for your donation. Tickets please contact the Ticket Services Office or Security as must be received by show time. soon as possible. If we are unable to locate your item, we’ll happily take down your contact information as well as a RESTROOMS AND TELEPHONES description of the item and contact you if it is found. The Restrooms are located in the lower lobby of the Old Globe Old Globe does not assume liability for items left behind on Theatre and adjacent to the Festival Theatre; pay phones premises. may be found in the lower Globe Theatre lobby and next to the Gift Shop. Natural Herb Cough Drops - Courtesy of Ricola USA, Inc., are available upon request. Please ask an usher. SEATING OF LATECOMERS Although we understand parking is often at a premium, the

PErFORMANCEs MAGAZINE 23 Staff

Louis G. Spisto...... CEO/Executive Producer Dwaine Best, Josh Camp...... Craftspersons Josh Martinez-Nelson...... Development Manager, Michael G. Murphy...... General Manager David Medina...... Properties Buyer Individual Annual Giving Dave Henson...... Director of Marketing Pat Cain...... Property Master, Globe Diane Addis...... Membership Administrator and Communications David Buess...... Property Master, White Rachel Plummer...... Development Assistant Todd Schultz...... Director of Development Trevor Hay...... Property Master, Festival Diana Steffen...... VIP Donor Ticketing Mark Somers...... Director of Finance Richard Seer...... Director of Professional Training LIGHTING DONOR SERVICES Robert Drake...... Director of Production Nate Parde...... Lighting Director Lee Conavay, Monica Jorgensen, Barbara Lekes, Roberta Wells-Famula...... Director of Education Shawna Cadence...... Lighting Assistant Pamela Malone, Richard Navarro, Stephanie Reed, Judy Zimmerman...... Suite Concierges Tonnie Ficken...... Master Electrician, Globe ARTISTIC Jim Dodd...... Master Electrician, White MARKETING Jack DePalma...... Play Development Director Kevin Liddell...... Master Electrician, Festival Jeffrey Weiser...... Public Relations Director Samantha Barrie...... Casting Director Kevin Anthenill, Meghan Bourdeau, Bernadette Hanson...... Artistic Associate Mark Dewey, Cristin Kuhns...... Electricians Mia Fiorella...... Audience Development Manager Kelly Barry...... Publications Coordinator PRODUCTION SOUND Carolyn Stephens...... Public Relations Assistant Debra Pratt Ballard.....Associate Director of Production Paul Peterson...... Sound Director Marissa Haywood...... Marketing Assistant Ron Cooling...... Company Manager Erik Carstensen...... Master Sound Technician, Globe Monica Jorgensen, Susie Virgilio ...... Marketing/Events Assistants Carol Donahue...... Production Coordinator Jeremy Siebert...... Master Sound Technician, White Desiree Williams...... Company Management Assistant SUBSCRIPTION SALES ADMINISTRATION Scott Cooke...... Subscription Sales Manager STAGE MANAGEMENT Suzanne Bradley...... Assistant General Manager Anna Bowen-Davies, Arthur Faro, Andy Fink, Leila Knox...... Production Stage Manager Bryan Scott...... Executive Assistant Rachel Hurn, Pamela Malone, Yolanda Moore, Jessica Morrow, Ken Seper, Cassandra Shepard, TECHNICAL INFORMATION TECHNOLOGY Jerome Tullmann, Grant Walpole Benjamin Thoron...... Technical Director Dean Yager...... Information Technology Manager ...... Subscription Sales Representatives Wendy Berzansky...... Associate Technical Director Thad Steffen...... Information Technology Asst. Mgr. Sean Fanning...... Resident Design Assistant John Ralston...... Information Technology Assistant TICKET SERVICES Eric Kessler...... Assistant Technical Director Bob Coddington...... Ticket Services Manager Eliza Korshin...... Technical Assistant/Buyer HUMAN RESOURCES Marsi Fisher...... Ticket Operations Manager Christian Thorsen...... Stage Carpenter/Flyman, Globe Sandra Parde...... Human Resources Director Dani Meister...... Group Sales Manager Carole Payette...... Charge Scenic Artist Tony Dixon, Rob Novak Adam Bernard, Victoria Erbe, Edee Armand MAINTENANCE ...... Lead Ticket Services Representatives ...... Scenic Artists Randy McWilliams...... Facilities Manager Brian Abraham, Kari Archer, John Boaz, Gillian Kelleher...... Master Carpenter Sarah Ditges, Katie Dupont, Merri Fitzpatrick, Violanda Corona, Ismael Delgado, Miguel Gaspar, Jeremy Hutchison, Claire Kennelly, Cassie Lopez, Robert Dougherty...... Master Carpenter, Festival Roberto Gonzalez, Reyna Huerta, Jose Morales, Caryn Morgan, Carlos Quezada Andrew Young...... Charge Carpenter, White Albert Rios, Maria Rios, Vielka Smith, Nicolas Torres, ...... Ticket Services Representatives Leonardo Rodriguez ...... Building Staff Chris Chauvet, Jason Chohon, Aaron Garcia, Jack Hernandez, Eszter Julian, Bill Kalman, PATRON SERVICES Daniel Klebingat, Josh Letton, Laura McEntyre, PROFESSIONAL TRAINING Mike Callaway...... Theatre Manager Mason Petersen...... Carpenters Llance Bower...... Program Coordinator David Carson, Brian Davis...... House Managers Maria Carrera, Cynthia Caywood, Ray Chambers, COSTUMES Gerhard Gessner, Jan Gist, Fred Robinson, A. Samantha Beckhart...... Front of House Assistant Stacy Sutton...... Costume Director Liz Shipman...... MFA Faculty Elaine Gingery...... Food and Beverage Manager Charlotte Devaux Shields...... Resident Design Associate Jeannie Marie Galioto, Ben Seibert, Haydee Aldas.....Food and Beverage Assistant Manager Maureen Mac Niallais...... Assistant to the Director George Yé...... MFA Production Staff Missy Bradstreet, Samantha Harper, Valerie Rhodes, Anne-Marie Shafer, Ben Salazar-Dunbar...... Pub Staff Shelly Williams...... Design Assistant/Shopper EDUCATION Rose Espiritu, Stephanie Rakowski, Michelle Souza...... Design Assistant Stephanie Reed...... Gift Shop Supervisors Erin Cass, Wendy Miller...... Drapers Kim Montelibano Heil...... Education Associate Carol Green...... Speakers Bureau Coordinator Babs Behling, Anne Glidden Grace...... Assistant Cutters SECURITY/PARKING SERVICES Mary Miller...... Costume Assistant James Cota, Marisela De la Parra, Jo Anne Glover, Brian Hammond, Erin Hatch, Jason Maddy, Rachel “Beahr” Garcia...... Security Supervisor Joanna Stypulkowska...... Stitchers Sarah Price-Keating, Craig Rovere, Irene Herrig...... Associate Security Supervisor Erin Carignan...... Craft Artisan-Dyer/Painter Jennifer Barclay Newsham...... Teaching Artists Dallas Chang, Sherisa Eselin, Bernardo Holloway, Molly O’Connor...... Wig and Makeup Supervisor Janet Larson, Jeffrey Neitzel...... Security Officers Kim Parker...... Assistant to Wig and Makeup Supervisor FINANCE Patricia Ceja, Lee Conavay, Stephanie Eberl, Beverly Boyd...... Wardrobe Supervisor Paula Nickodemus...... Senior Accountant Nicole Hagemeyer Beth Merriman...... Globe Crew Chief Trish Guidi...... Accounts Payable/Accounting Assistant ...... Parking Lot Attendants Kristin Bongiovanni...... Globe Run Crew Adam Latham...... Payroll Coordinator/ Andrew Ashton, Isaac B. Cuevas.... VIP Valet Attendants Anna MacDonald...... White Crew Chief Accounting Assistant Marie Jezbera...... Rental Agent Tim Cole...... Receptionist

PROPERTIES DEVELOPMENT Neil A. Holmes...... Properties Director Marilyn McAvoy...... Major Gifts Director Kristin Steva Campbell...... Assistant to the Director Annamarie Maricle...... Associate Director, Jack O’Brien...... Artistic Director Emeritus Kristi Hummel-Rosen...... Assistant Institutional Grants Craig Noel...... Founding Director M.H. Schrenkeisen...... Shop Foreman Bridget Cantu Wear...... Associate Director, Rory Murphy...... Lead Craftsman Planned Giving Eileen Prisby...... Events Manager

24 PERFORMANCES MAGAZINe