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Home , Anne Parillaud, Billy Crystal, Dabney Coleman, Isabelle Adjani, Martin Guerre, Martin Short

C’EST DU DÉJÀ VU... AU CINÉMA Les Compères is one of my favorite remakes of French without nominated for two awards in the original films to use in French classes to stimulate sounding like a Francophile snob. version, Hollywood quickly exploited its discussion and add near the Convinced that I am biased in favor of potentiel in the remake Point of No Return. end of the academic year. In the spring of the French original, I was relieved to The success of this was followed by a 1997 the American remake of the film, come across a comment by Roger unique event. La Femme was made Fathers’ Day, happened to come to the Ebert, movie critic for the Chicago Sun- into a weekly American series shown on local theater during the time we were Times, who remarked that there seems the USA network (Sundays, 10 p.m./EST) discussing the French film in class. We to be "a trend in which Hollywood buys with the original French title. (Nikita is used compared the two films on the basis of French comedies and experiments on in to avoid confusing the series cultural contexts, plot differences, and them to see if they can be made into with the film.) La Femme Nikita now has character interaction, deciding in the end English with all the humor out." two major Web sites and chat groups to that Gérard Depardieu, playing the This is partly true for the films just discuss the activities and love interests of macho investigative reporter, and Pierre mentioned, but there is an exception. the main characters. Richard, the frizzy-haired, neurotic ex- Trois Hommes et un couffin inspired the Espionage treated in a lighter vein is school teacher, have a comic chemistry remake Three Men and a Baby, which is the subject of Le Grand Blond avec une that cannot be matched, even by Robin even funnier than the original because Williams and . the comic rhythm is better suited to an chaussure noire in which Depardieu and Richard teamed up in American audience. Hollywood seems plays an absent-minded violinist who is two other French comedies that became to have an affinity for French comic films. mistakenly identified as an enemy agent American remakes. The first was La Can remakes of Gazon maudit and Les because of his bizarre habits that suggest Chèvre (1981) about the accident-prone Visiteurs be far behind? premeditated counter-espionage ploys. daughter of a Parisian CEO who sends a Another film I enjoy using in class is The farce was transformed into The Man tough detective, Depardieu, to Mexico to Le Retour de , an with One Red Shoe, the CIA playing the find his missing daughter. When he fails, engaging historical romance based on role of the French secret service and Tom her father makes a second attempt by an authentic 16th-century trial that is full Hanks the unwitting pawn of the not-so- sending along the company accountant of suspense until the very end. Martin intelligent agents. (Richard), a bumbling airhead, on the (Depardieu), the young husband of At the end of the 1955 French thriller premise that it takes one to find one. The Bertrande (Natalie Baye), leaves home Les Diaboliques the audience is advised mismatched sleuths encounter more than to fight for the king, returning nine years not to reveal the final part to those who they bargained for as they stumble their a changed man. Is it Martin or an haven’t seen the film. When Sharon way through situations that offer clues, impostor? Set in a peasant village, the Stone and pooled their comedy, and eventually romance. The film deals with superstition, deception, talents in the 1996 American remake, remake, , loses its timing, has greed, and true love. Very successful in Diabolique, the result was disappointing long scenes that are not funny, and the original version, Martin Guerre but had the good effect of inspiring seems disorganized. The third film with inspired an American adaptation that is viewers to see the re-release of the Depardieu and Richard, disappointing unless you put the French original in a restored version, which is far (1986), also based on a parent-child film out of your mind. In with superior to the remake for reasons I can’t theme, became with Nick and , the explain without revealing the dénouement. Nolte and , who come closest returning husband is much less credible, to reproducing the comic mix found in the the historical context has been changed The prize for silliest film should be French version. to the Civil War, and recurring themes shared equally by Un Indien dans la ville It is surprising that Hollywood waited are Yankee-Dixie rivalries, tobacco and the remake Jungle 2 Jungle, both until 1996 to create a remake of La Cage farming, and racism. The plot becomes based on the story of a young boy raised aux folles (1978), which had great reviews more complex and suspenseful but with by his divorced mother in the and financial success when the original significant changes from the original. jungle. At the age of 12, he is returned to version was released in the U.S. in 1979. Ten years earlier Gere starred in his father, a businessman whose "jungle" Nominated for two Oscars in 1980, it was Breathless, a remake of the classic is the city. The cultural adaptation of the presented as a Broadway musical three French film À Bout de souffle, which, in son is revealed through a series of gags years later. In the meantime the French my opinion, cannot be successfully that are not particularly funny. were busy creating two sequels by the remade because of its unique qualities, Considering the French government’s same name in 1980 and 1985, both including the photography, the ambiance concern with imposing quotas on the disappointing attempts to carry on the of , and the main characters played number of American films that can be original theme of the gay odd couple. by the homely, boxer-nosed Jean-Paul shown in cinemas and on in Mike Nichols’ remake, The Birdcage, Belmondo and , an American , it must be all the more galling (no starring and , actress living in France. pun intended) to see mediocre versions of brings a contemporary context to the A French film that has enjoyed their own creations returning to the farce with references to gays in the remarkable success in the U.S. is La marquee. military, legal rights, and Robert Femme Nikita, a fast-paced, violent Lois Vines Mapplethorpe, but lacks certain humorous thriller based on the story of a female Ohio University aspects found in the conservative political condemned murderer who agrees to be context of the French version. retrained by the government as an anti- It is difficult to discuss American terrorist agent. After the film was [[email protected]] American Remakes of French Films

French Film American Remake

Boudu sauvé des eaux, 1932 Down and Out in Beverly Hills ,1986 , Marcelle Hainia , Les Diaboliques, 1955 Diabolique, 1996 (re-released in 1994) , Véra Clouzot , Isabelle Adjani

À Bout de souffle, 1959 Breathless, 1983 Jean-Paul Belmondo, Jean Seberg Richard Gere, Valérie Kaprisky Le Grand Blond avec une chaussure The Man with One Red Shoe, 1985 noire, 1972 Pierre Richard, , Cousin, Cousine, 1975 Cousins, 1989 Marie-Christine Barrault, Isabella Rossellini, La Cage aux folles, 1978 The Birdcage, 1996 (II, 1980; III, 1985) , Ugo Tognazzi Robin Williams, Nathan Lane La Chèvre, 1981 Pure Luck, 1991 Gérard Depardieu, Pierre Richard Martin Short, Le Retour de Martin Guerre, 1982 Sommersby, 1993 Gérard Depardieu, Richard Gere, Jodie Foster Les Compères, 1983 Fathers' Day, 1997 Gérard Depardieu, Pierre Richard Robin Williams, Billy Crystal Trois Hommes et un couffin, 1985 Three Men and a Baby, 1987 Michel Boujenah, Roland Giraud , Ted Danson Les Fugitifs, 1986 Three Fugitives, 1989 (not available on videocassette) Gérard Depardieu, Pierre Richard Nick Nolte, Martin Short La Femme Nikita, 1991 Point of No Return, 1993 , Marc Duret Bridget Fonda, Gabriel Byrne La Totale!, 1991 True Lies, 1994 Thierry Lhermite, Miou-Miou Arnold Schwarzeneggar, Jamie Lee Curtis Un Indien dans la ville, 1994 Jungle 2 Jungle, 1997 Thierry Lhermite, Patrick Timsit , Martin Short

Lois Vines and Amy Vickroy (student), Ohio University