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Art Association of Australia and New Zealand Annual Conference 6 – 8 December 2017

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Art Association of Australia and New Zealand Annual Conference 6 – 8 December 2017 ART ASSOCIATION OF AUSTRALIA AND NEW ZEALAND ANNUAL CONFERENCE 6 – 8 DECEMBER 2017 WEDNESDAY 6 DECEMBER 2017 POSTGRADUATE DAY DAY 1 Arts Lecture Rooms (ALR) 4 & 5, Arts Building, UWA 8.00 - 9.00 - 10.30am 10.30 - 11.00am - 12.30pm 12.30 - 1.30 - 3.00pm 3.00 - 3.30 - 5.00pm 5.00 - 6.00pm 9.00am 11.00am 1.30pm 3.30pm 5.45pm CONFERENCE ART HISTORY Arts Lecture Room 4 - Chair: E/Prof Richard Read CONFERENCE WELCOME TO REGISTRATION REGISTRATION COUNTRY Patricia Crawford Session 1 Session 2 Session 3 Session 4 Patricia Crawford Court, Arts Chair: E/Prof Richard Read Chair: A/Prof Alison Inglis Chair: E/Prof Richard Read Chair: Dr Caroline Wallace Court, Arts by Nyungar Elder Building Building Walter McGuire Annie Shelley Réka Mascher-Frigyesi Angela Chung Kee Ng Rusaila Bazlamit Drawing the Nile: The Artistic Sketches Related to Objects - Culturally Collecting Australian Contemporary Using Interactive Installations in of Women Travellers in Imperialist Conditioned Value of Taonga Maori in Art: Why or Why Not? Market Patterns Spatial Communication of Complex Constructions of Egypt Museum Collections of Art Collecting, Art Investment and Political Narratives Influences in Australia Jenny Beatriz Quijano Martinez Nikita Vanderbyl Julia Murphy Australian Artists in Spain Aboriginal Engagements with Celia Dottore Crawl Out Your Window: On Kate Colonial Collecting: The Case of Contemporary Indigenous Jewellery Newby’s Spatial Interventions Leela Gosfield Wurundjeri Artist William Barak in Australia: The Evolution and Reading Art and Literature: The Revolution of Material Practice Nevena Mrdjenovic KEYNOTE Painterly Style of Patrick White Annika Harding War on Architecture: Scenographic LUNCH BREAK LUNCH PRESENTATION ‘The Curatorial’ vs the Sara Daly Strategies in Tracing Post-War Home PROFESSOR Debbie Robinson MORNING TEA BREAK Professionalisation of the Curator Is Creativity a Problem at Art School? in the Former SFR Yugoslavia Clifton Pugh, Aboriginalism and (and How This Affects Artist/Curators) AFTERNOON TEA BREAK ANNE DUNLOP, Environmentalism The University of Melbourne PRACTICE-LED RESEARCH/ART HISTORY Arts Lecture Room 5 - Chair: Dr Wendy Garden AAANZ Leonardo, the Coming PHD PRIZE Apocalypse, and the Session 5 Session 6 Session 7 Session 8 PRESENTATION Global History of Art Chair: Dr Wendy Garden Chair: Dr Paul Uhlmann Chair: Dr Susanna Castleden Chair: Dr Nicole Slatter ALR 5 Murdoch Lecture Leonie Mansbridge Annette Peterson Rodrigo Hill Michael Bullock Theatre, Arts Building Colonisation You Nearly Got Me Everyday Journeys in Suburbia: Perceiving the River Ride: Rags and Riches: The Second Hand Liminal Moments and Place Photography and Place Making at Te Market Place as Source for Creative Annette Nykiel Perception Awa River Ride Research in Sculpture Making Place Monika Lukowska Emma Wallbanks Alira Callaghan Jen Bowmast Absorptive Mapping: A Means of As Other, Original Unknown Recall and Reflections: Finding My Artefacts of the Future Understanding Place Through Art Practice in Strange Places Practice Dr Sarah Robinson Digitising Rembrandt: 3d Print Re- Jane Whelan BREAK LUNCH Images the Real Beyond Notions of MORNING TEA BREAK Landscape: Travel and the Sensory the Original and Copy Dimension of Place AFTERNOON TEA BREAK THURSDAY 7 DECEMBER 2017 Downstairs: ALR 4, ALR 5, ALR 6, Fox Lecture Theatre DAY 2 Arts Lecture Rooms (ALR) and Lecture Theatres, Arts Building, UWA Upstairs: ALR 8, ALR 9, ALR 10, Austin Lecture Theatre 8.00 - 9.00am CONFERENCE REGISTRATION, Patricia Crawford Court, Arts Building 8.00-8.50am AAANZ EXECUTIVE COMMITTEE MEETING, ALR 5 9.00 - 10.00am KEYNOTE PRESENTATION - DR VANESSA RUSS, Berndt Museum, The University of Western Australia Professor Ronald Berndt: A response to the 1971 lecture ‘Changing Face of Aboriginal Art’ Murdoch Lecture Theatre, Arts Building 10.00 - 10.30am MORNING TEA BREAK 10.30am - 12.00pm Session 9 Session 10 Session 11 Session 12 Session 13 Session 14 Session 15 Session 16 ALR 6 Fox Lecture Theatre ALR 9 ALR 10 ALR 4 Austin Lecture Theatre ALR 8 ALR 5 OPEN SESSION EXHIBITIONS, ART HISTORY ARTISTS’ STUDIOS: BETWEEN MY BEST FIEND: ART, SCIENCE, THE ECOCRITICAL TURN: AUSTRALIAN ROCK ART GROTESQUE & TABOO: OTHER DIRECTIONS: Chair: Prof Ted Snell AND CURATORSHIP THE ACT OF MAKING AND THE AND DISSENSUS STUDIES MAPPING HISTORICAL IN THE EXPANDED FIELD: REPRESENTATIONAL NINETEENTH CENTURY Convenors: MADE Convenor: Dr Francis Russell INTERSECTIONS OF ART AND HISTORY, MEANING, AND STRATEGIES IN THE ART OF AUSTRALASIAN ARTISTS Prof Catherine Speck, Convenor: Dr Marian Macken THE ENVIRONMENT CONTEMPORARY CONTEXT BRENT HARRIS OUTSIDE THE CANON A/Prof Joanna Mendelssohn, Convenor: Dr Anna Arabindan- Convenors: Dr Susan Lowish, Convenor: Maria Zagala Convenors: A/Prof Linda Tyler, A/Prof Alison Inglis Kesson Dr R. G. (ben) Gunn Responder: Brent Harris Jane Davidson-Ladd Representing Culture: The Art of From Breeze Blocks to Cottesloe: The Mobile Studio: Working in Chasing Chimeras: The Failure The Aesthetic Anthropocene: The Place of Rock Art in Ex Umbris The Ascendancy of “Empirical Japanese POWS in New Zealand Six Decades of Contemporary the Field and on Opposite Sides of a Third Culture Visual Culture, Environmental South African Art History: A Steven Miller Naturalism” in Nineteenth Century Dr Richard Bullen Australian Sculpture Surveys of the World Ash Tower Violence, and the ‘Geothermal Comparative Study for Australia New Zealand Art: The Case of What Bubbles Up: Form Eric Riddler Dr Susanna Castleden Sublime’ […] Dr Benjamin Smith John Buchanan 1819-1898 Liminal Zones and Interstitial Metal Fictions and Process in the Recent Dr Rosie Ibbotson A/Prof Linda Tyler Practices: Making Art Through Who’s talking … and how? The Studio as a Safety Bubble: Dr Janice Baker Fred Williams on the Burrup Monotypes of Brent Harris Edgelands How Different Voices Shape the Artistic Production under Contested Landscapes: Peninsula/Murujuga Maria Zagala “The Best Brown Manner” – Louis Neuroaesthetics and Non- Lydia Trethewey Experience of Art Dictatorship Pligimages to Glover Country Dr Helen McDonald John Steele, a Case Study in the Aesthetics Past Considerations: Dr Jennifer Blunden Jacinda Renae Carey Dr Karen Hall Exclusion of Academic Painters Explorations in the Dr Francis Russell Murujuga Rock Art: One Artist’s Appropriation and Influence in from New Zealand’s Art History Particularities of Place: The Artist as Curator: Jonathan The Artist’s Studio in the Age of Curating Cities (from the Ground Experience as a Witness to the the Work of Brent Harris Jane Davidson-Ladd Franck Gohier’s Place-based Jones and Barrangal Dyara Immaterial Labour Up) History, the Contemporary, and Leigh Robb Manoeuvres (Skin and Bones) Matthew Mason Dr Felicity Fenner the Politic Emergent Form in the Late Dr Wendy Garden A/Prof Joanna Mendelssohn Dr Clyde McGill Nineteenth Century: Charles Blomfield and Photographic Erasure Dr Harry Rickit 12.00 - 1.30pm LUNCH BREAK 12.15-1.15pm ARC PRESENTATION ON HASS-RELATED PROPOSALS FOR CENTRES OF EXCELLENCE Professor Therese Jefferson, Executive Director for Social, Behavioural and Economic Sciences, ARC Applying for and Managing Large ARC Investments, ALR 5 1.30 - 3.00pm Session 17 Session 10 Session 18 Session 19 Session 20 Session 14 Session 21 Session 22 ALR 10 Fox Lecture Theatre ALR 4 ALR 8 ALR 6 Austin Lecture Theatre ALR 5 ALR 9 PAPER MIGRATIONS continued ART AND THE CHANGING THE MOBILITY OF IMAGES IN DISPLACED: ART AND SPACES continued CONTAINERS, CONTAINMENT, CHANGING PLACES, ALTERING Convenors: Arvi Wattel, NATURE OF PLACE THE DIGITAL AGE OF CULTURAL EXCHANGE TRANSFER AND SYMBOLIC SPACES: THE TRANSLOCATION Prof Stephanie S. Dickey Convenor: Dr Felicity Fenner Convenors: Dr Jess Berry, Convenor: Dr Emily Brink ORDERS OF MODERN ART FROM 1918 Prof Susan Best Convenor: E/Prof Richard Read TO 1939 Convenors: David Challis, Dr Diana J. Kostyrko Israhel Van Meckenem’s Kettle’s Yard – Collecting, High Tide Mobility Across Mediums: The Disease of Luxury: Louis From Deep Past to Deep The Ark in the Hebrew Bible: Why Cézanne’s Mont Sainte- Questionable Currency Assembling and Disseminating Tom Mùller Fashion as Translatable Image Pasteur, Silk and Pathogenic Present: The Enduring Receptacle or Conveyance of Victoire Motif Appears in Public Dr Miya Tokumitsu Jennifer Scott Dr Jess Berry Vision in Late Nineteenth- Relevance of Rock Art in the Divine Power, Divine Will Collections Worldwide, but not Share Zone: Time and Place in Century France Contemporary World Lisa Davis Melbourne’s Between the Lines - Johann Exhibitions at the Potter; Do Eat the City New Refractions of Selves: Dr Emily Brink Dr Ursula Frederick David Challis Neudörffer’s Gute Ordnung University Art Museums Bridge Katherine Wilkinson & Reading the Digital Exchange Paintings of Studios that Melt Dr Susanne Meurer the “Two Art Histories”? Elizabeth Pedler Between Art & the Selfie, ‘Wilding’ the Pacific Rim: Vengeance of the Spirits, into Ships: Reflexive Fantasies of Investigating Australia’s A/Prof Alison Inglis Through the Work of The Trafficking of Australian or the Eroticism of Rock Art Romantic Travel Acquisitions of Modern Art: A The Soldier and Figural Contexts of Generosity: Making Cindy Sherman and Other Eucalypts in Californian Art, Appropriations E/Prof Richard Read Vehicle of National Identity? Invention: From Leonardo to Art, History and the Public Resilient Public Art Contemporary Women Domestic Architecture and Dr Darren Jorgensen Victoria Souliman Watteau Domain Prof David Cross Photographers. Environmental
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