Art Association of Australia and New Zealand Annual Conference 6 – 8 December 2017

ART ASSOCIATION OF AUSTRALIA AND NEW ZEALAND ANNUAL CONFERENCE 6 – 8 DECEMBER 2017

WEDNESDAY 6 DECEMBER 2017 POSTGRADUATE DAY DAY 1 Arts Lecture Rooms (ALR) 4 & 5, Arts Building, UWA

8.00 - 9.00 - 10.30am 10.30 - 11.00am - 12.30pm 12.30 - 1.30 - 3.00pm 3.00 - 3.30 - 5.00pm 5.00 - 6.00pm 9.00am 11.00am 1.30pm 3.30pm 5.45pm

CONFERENCE ART HISTORY Arts Lecture Room 4 - Chair: E/Prof Richard Read CONFERENCE WELCOME TO REGISTRATION REGISTRATION COUNTRY Patricia Crawford Session 1 Session 2 Session 3 Session 4 Patricia Crawford Court, Arts Chair: E/Prof Richard Read Chair: A/Prof Alison Inglis Chair: E/Prof Richard Read Chair: Dr Caroline Wallace Court, Arts by Nyungar Elder Building Building Walter McGuire Annie Shelley Réka Mascher-Frigyesi Angela Chung Kee Ng Rusaila Bazlamit Drawing the Nile: The Artistic Sketches Related to Objects - Culturally Collecting Australian Contemporary Using Interactive Installations in of Women Travellers in Imperialist Conditioned Value of Taonga Maori in Art: Why or Why Not? Market Patterns Spatial Communication of Complex Constructions of Egypt Museum Collections of Art Collecting, Art Investment and Political Narratives Influences in Australia Jenny Beatriz Quijano Martinez Nikita Vanderbyl Julia Murphy Australian Artists in Spain Aboriginal Engagements with Celia Dottore Crawl Out Your Window: On Kate Colonial Collecting: The Case of Contemporary Indigenous Jewellery Newby’s Spatial Interventions Leela Gosfield Wurundjeri Artist William Barak in Australia: The Evolution and Reading Art and Literature: The Revolution of Material Practice Nevena Mrdjenovic KEYNOTE Painterly Style of Patrick White Annika Harding War on Architecture: Scenographic

LUNCH BREAK LUNCH PRESENTATION ‘The Curatorial’ vs the Sara Daly Strategies in Tracing Post-War Home PROFESSOR Debbie Robinson MORNING TEA BREAK Professionalisation of the Curator Is Creativity a Problem at Art School? in the Former SFR Yugoslavia Clifton Pugh, Aboriginalism and (and How This Affects Artist/Curators) AFTERNOON TEA BREAK ANNE DUNLOP, Environmentalism The University of Melbourne PRACTICE-LED RESEARCH/ART HISTORY Arts Lecture Room 5 - Chair: Dr Wendy Garden AAANZ Leonardo, the Coming PHD PRIZE Apocalypse, and the Session 5 Session 6 Session 7 Session 8 PRESENTATION Global History of Art Chair: Dr Wendy Garden Chair: Dr Paul Uhlmann Chair: Dr Susanna Castleden Chair: Dr Nicole Slatter ALR 5 Murdoch Lecture Leonie Mansbridge Annette Peterson Rodrigo Hill Michael Bullock Theatre, Arts Building Colonisation You Nearly Got Me Everyday Journeys in Suburbia: Perceiving the River Ride: Rags and Riches: The Second Hand Liminal Moments and Place Photography and Place Making at Te Market Place as Source for Creative Annette Nykiel Perception Awa River Ride Research in Sculpture Making Place Monika Lukowska Emma Wallbanks Alira Callaghan Jen Bowmast Absorptive Mapping: A Means of As Other, Original Unknown Recall and Reflections: Finding My Artefacts of the Future Understanding Place Through Art Practice in Strange Places Practice Dr Sarah Robinson Digitising Rembrandt: 3d Print Re- Jane Whelan BREAK LUNCH Images the Real Beyond Notions of

MORNING TEA BREAK Landscape: Travel and the Sensory the Original and Copy Dimension of Place AFTERNOON TEA BREAK

THURSDAY 7 DECEMBER 2017 Downstairs: ALR 4, ALR 5, ALR 6, Fox Lecture Theatre DAY 2 Arts Lecture Rooms (ALR) and Lecture Theatres, Arts Building, UWA Upstairs: ALR 8, ALR 9, ALR 10, Austin Lecture Theatre

8.00 - 9.00am CONFERENCE REGISTRATION, Patricia Crawford Court, Arts Building 8.00-8.50am AAANZ EXECUTIVE COMMITTEE MEETING, ALR 5

9.00 - 10.00am KEYNOTE PRESENTATION - DR VANESSA RUSS, Berndt Museum, The University of Western Australia Professor Ronald Berndt: A response to the 1971 lecture ‘Changing Face of Aboriginal Art’ Murdoch Lecture Theatre, Arts Building

10.00 - 10.30am MORNING TEA BREAK

10.30am - 12.00pm

Session 9 Session 10 Session 11 Session 12 Session 13 Session 14 Session 15 Session 16 ALR 6 Fox Lecture Theatre ALR 9 ALR 10 ALR 4 Austin Lecture Theatre ALR 8 ALR 5 OPEN SESSION EXHIBITIONS, ART HISTORY ARTISTS’ STUDIOS: BETWEEN MY BEST FIEND: ART, SCIENCE, THE ECOCRITICAL TURN: AUSTRALIAN ROCK ART GROTESQUE & TABOO: OTHER DIRECTIONS: Chair: Prof Ted Snell AND CURATORSHIP THE ACT OF MAKING AND THE AND DISSENSUS STUDIES MAPPING HISTORICAL IN THE EXPANDED FIELD: REPRESENTATIONAL NINETEENTH CENTURY Convenors: MADE Convenor: Dr Francis Russell INTERSECTIONS OF ART AND HISTORY, MEANING, AND STRATEGIES IN THE ART OF AUSTRALASIAN ARTISTS Prof Catherine Speck, Convenor: Dr Marian Macken THE ENVIRONMENT CONTEMPORARY CONTEXT BRENT HARRIS OUTSIDE THE CANON A/Prof Joanna Mendelssohn, Convenor: Dr Anna Arabindan- Convenors: Dr Susan Lowish, Convenor: Maria Zagala Convenors: A/Prof Linda Tyler, A/Prof Alison Inglis Kesson Dr R. G. (ben) Gunn Responder: Brent Harris Jane Davidson-Ladd

Representing Culture: The Art of From Breeze Blocks to Cottesloe: The Mobile Studio: Working in Chasing Chimeras: The Failure The Aesthetic Anthropocene: The Place of Rock Art in Ex Umbris The Ascendancy of “Empirical Japanese POWS in New Zealand Six Decades of Contemporary the Field and on Opposite Sides of a Third Culture Visual Culture, Environmental South African Art History: A Steven Miller Naturalism” in Nineteenth Century Dr Richard Bullen Australian Sculpture Surveys of the World Ash Tower Violence, and the ‘Geothermal Comparative Study for Australia New Zealand Art: The Case of What Bubbles Up: Form Eric Riddler Dr Susanna Castleden Sublime’ […] Dr Benjamin Smith John Buchanan 1819-1898 Liminal Zones and Interstitial Metal Fictions and Process in the Recent Dr Rosie Ibbotson A/Prof Linda Tyler Practices: Making Art Through Who’s talking … and how? The Studio as a Safety Bubble: Dr Janice Baker Fred Williams on the Burrup Monotypes of Brent Harris Edgelands How Different Voices Shape the Artistic Production under Contested Landscapes: Peninsula/Murujuga Maria Zagala “The Best Brown Manner” – Louis Neuroaesthetics and Non- Lydia Trethewey Experience of Art Dictatorship Pligimages to Glover Country Dr Helen McDonald John Steele, a Case Study in the Aesthetics Past Considerations: Dr Jennifer Blunden Jacinda Renae Carey Dr Karen Hall Exclusion of Academic Painters Explorations in the Dr Francis Russell Murujuga Rock Art: One Artist’s Appropriation and Influence in from New Zealand’s Art History Particularities of Place: The Artist as Curator: Jonathan The Artist’s Studio in the Age of Curating Cities (from the Ground Experience as a Witness to the the Work of Brent Harris Jane Davidson-Ladd Franck Gohier’s Place-based Jones and Barrangal Dyara Immaterial Labour Up) History, the Contemporary, and Leigh Robb Manoeuvres (Skin and Bones) Matthew Mason Dr Felicity Fenner the Politic Emergent Form in the Late Dr Wendy Garden A/Prof Joanna Mendelssohn Dr Clyde McGill Nineteenth Century: Charles Blomfield and Photographic

Erasure Dr Harry Rickit

12.00 - 1.30pm LUNCH BREAK 12.15-1.15pm ARC PRESENTATION ON HASS-RELATED PROPOSALS FOR CENTRES OF EXCELLENCE Professor Therese Jefferson, Executive Director for Social, Behavioural and Economic Sciences, ARC Applying for and Managing Large ARC Investments, ALR 5

1.30 - 3.00pm

Session 17 Session 10 Session 18 Session 19 Session 20 Session 14 Session 21 Session 22 ALR 10 Fox Lecture Theatre ALR 4 ALR 8 ALR 6 Austin Lecture Theatre ALR 5 ALR 9 PAPER MIGRATIONS continued ART AND THE CHANGING THE MOBILITY OF IMAGES IN DISPLACED: ART AND SPACES continued CONTAINERS, CONTAINMENT, CHANGING PLACES, ALTERING Convenors: Arvi Wattel, NATURE OF PLACE THE DIGITAL AGE OF CULTURAL EXCHANGE TRANSFER AND SYMBOLIC SPACES: THE TRANSLOCATION Prof Stephanie S. Dickey Convenor: Dr Felicity Fenner Convenors: Dr Jess Berry, Convenor: Dr Emily Brink ORDERS OF MODERN ART FROM 1918 Prof Susan Best Convenor: E/Prof Richard Read TO 1939 Convenors: David Challis, Dr Diana J. Kostyrko

Israhel Van Meckenem’s Kettle’s Yard – Collecting, High Tide Mobility Across Mediums: The Disease of Luxury: Louis From Deep Past to Deep The Ark in the Hebrew Bible: Why Cézanne’s Mont Sainte- Questionable Currency Assembling and Disseminating Tom Mùller Fashion as Translatable Image Pasteur, Silk and Pathogenic Present: The Enduring Receptacle or Conveyance of Victoire Motif Appears in Public Dr Miya Tokumitsu Jennifer Scott Dr Jess Berry Vision in Late Nineteenth- Relevance of Rock Art in the Divine Power, Divine Will Collections Worldwide, but not Share Zone: Time and Place in Century France Contemporary World Lisa Davis Melbourne’s Between the Lines - Johann Exhibitions at the Potter; Do Eat the City New Refractions of Selves: Dr Emily Brink Dr Ursula Frederick David Challis Neudörffer’s Gute Ordnung University Art Museums Bridge Katherine Wilkinson & Reading the Digital Exchange Paintings of Studios that Melt Dr Susanne Meurer the “Two Art Histories”? Elizabeth Pedler Between Art & the Selfie, ‘Wilding’ the Pacific Rim: Vengeance of the Spirits, into Ships: Reflexive Fantasies of Investigating Australia’s A/Prof Alison Inglis Through the Work of The Trafficking of Australian or the Eroticism of Rock Art Romantic Travel Acquisitions of Modern Art: A The Soldier and Figural Contexts of Generosity: Making Cindy Sherman and Other Eucalypts in Californian Art, Appropriations E/Prof Richard Read Vehicle of National Identity? Invention: From Leonardo to Art, History and the Public Resilient Public Art Contemporary Women Domestic Architecture and Dr Darren Jorgensen Victoria Souliman Watteau Domain Prof David Cross Photographers. Environmental History Frankenstein in the Automatic The Castle Hill Saint: Relevant Factory: Force and Containment ‘Sowing New Seed’: R D Elliott, Daniel Dolin A/Prof Catherine De Lorenzo Mimi Kelly Prof William Taylor Disobedience in Townsville, in Bodies and Machines William Orpen and Changing What Can the Magic Lantern Camp Australia: Imagining North Queensland Dr Russell Smith Views of British Art in Australia Teach us about Today’s ‘right- Occupation and Avocation in Natalie Lynch 1914-36 click culture’ the City and the Bush Michael Moignard Dr Martyn Jolly Joely-Kym Sobott

3.00 - 3.30pm AFTERNOON TEA BREAK

3.30 - 5.00pm

Session 17 Session 23 Session 24 Session 19 Session 25 Session 26 Session 21 Session 27 ALR 10 Fox Lecture Theatre ALR 9 ALR 8 Austin Lecture Theatre ALR 6 ALR 5 ALR 4 continued INDIGENISING MUSEUMS: NEW DIRECTIONS IN continued THE ART OF WEATHER: RIVERS AND A WELL continued CONFLICT AND COMPLICITY: THEORIES AND PRACTICE ARTIST RESIDENCIES: REPRESENTATIONAL Convenors: Kenzee Patterson, EMBEDDING ARTISTS IN Convenor: Stephen Gilchrist TRANSNATIONAL SOCIALLY- PRACTICES AND CLIMATE Therese Keogh, Clare Britton INTERNATIONAL WAR ZONES ENGAGED ARTS PRACTICE Convenors: Dr Rosie Ibbotson, Convenor: Dr Kit Messham-Muir Convenor: Dr Marnie Badham Dr Barbara Garrie

Picturing Dutch Batavia Indigenising the Past: Outsourcing Transnationalism Uprisings as Theoretical Object: Speculative Weathers: Drinking A Week on the Cooks River The Wartime Interior as Broken John Vickery - An Australian War Arvi Wattel Reconstructing the 1946/47 David Brazier When Exhibitions “Think” Clouds and Riding the Jet- Clare Britton Container Artist in the U.S. Berndt Bark Painting Dr Chari Larsson Streams Dr Georgina Downey Toby Miller Architectural Migrations: Prints Ghosting the Hosted A Tree Branches, So Does a River Assemblage Dr Janine Randerson and the 18th Century English The Choreographic Turn: Yugoslav Maritime Diplomacy Unsettling the Archive: The Stasi, Matt Poll Beth Sometimes Kenzee Patterson Print Room Performance Art and the Narrativising the Weather and Traffic of Exotic Animals Photography and Escape from Mishap: Making Relations Visible Revisiting the LBK Wells of Louise Box The Indigenous Curatorial Turn Collective Body Dr Barbara Garrie during the Cold War the GDR Saxony Stephen Gilchrist Dr Peter Burke Prof Susan Best Dr Tijana Vujosevic Dr Donna West Brett Prints and the Pursuit of Six Seasons: Shane Pickett Therese Keogh Connoisseurship from Arthur Identity Politics and the Museum Transitioning Beyond Screens: Meeyakba The Tupperware Sublime Embedded Artists: An Historical Pond to Thomas Wilson Dr Vanessa Russ Tensions Between Images Dr Diane Mossenson Dr Chris Poole Perspective Prof Stephanie S Dickey and Bodies in Contemporary Dr Anthea Gunn Performance Dr Victoria Wynne-Jones

THE KERRY STOKES COLLECTION, 30 KINGS PARK ROAD, WEST PERTH 5.30 - 7.30pm SPECIAL VIEWING OF THE KERRY STOKES COLLECTION* Bus Departs: 5.10; 5.15; 5.20pm - See map overleaf for bus pickup location (*Please note this is a ticketed event, numbers limited) ART ASSOCIATION OF AUSTRALIA AND NEW ZEALAND ANNUAL CONFERENCE 6 – 8 DECEMBER 2017

FRIDAY 8 DECEMBER 2017 Downstairs: ALR 4, ALR 5, ALR 6, Fox Lecture Theatre DAY 3 Arts Lecture Rooms (ALR) and Lecture Theatres, Arts Building, UWA Upstairs: ALR 8, ALR 9, ALR 10, Austin Lecture Theatre

6.00pm 9.00 - 10.00am KEYNOTE PRESENTATION - DR ANTHONY GARDNER, The University of Oxford 1955: A Year of Fragile Legacies and Possible Directions Murdoch Lecture Theatre, Arts Building

10.00 - 10.30am MORNING TEA BREAK

10.30am - 12.00pm

Session 28 Session 29 Session 30 Session 31 Session 32 Session 33 Session 34 Session 35 Fox Lecture Theatre ALR 10 ALR 8 ALR 4 ALR 9 ALR 5 ALR 6 Austin Lecture Theatre CHANGING HISTORIES AND OPEN SESSION THE FUTURE OF ART INVASIVE AESTHETICS: ART THE ART OF LACK AND THE CONTINUOUS OPEN SESSION POSTNATIONAL ART USES OF PLACE, EUROPE Chair: E/Prof Richard Read PRACTICE AS RESEARCH AND THE EXPERIENCE OF EXCESS: ARCHITECTURE, DEBUTANTE, A GLOBAL Chair: Lee Kinsella HISTORIES: POSTNATIONAL 1400-1700 Convenor: Dr Anthony White BIOLOGICAL DISTRIBUTION LANDSCAPE AND ITS LIMITS MOMENT FOR ART BY WOMEN? REVISIONS OF NATIONAL Convenors: Prof Charles Zika, Convenor: Oron Catts Convenors: Dr Annette Convenor: Adj/A/Prof Gary CULTURES Prof Anne Dunlop Condello, Isabel Rousset Dufour Convenors: Prof Ian McLean, Lisa Slade Topographies of Salvation: ‘to SEE and BE seen’ Inside The Gentle Disrupter - Stories Excess, Emptiness and Creole Landscapes: Domestic Feminist Investigation: The Mobilising Culture Through Hollis Frampton’s Magellan: The Place in Renaissance Plague the Museum: The Brooklyn from a Community Artist Indifference: Fleshy, Fractal Space, Race, and Reproduction Representation of Woman in Photographic Proxies: Law’s Metahistory of Film and Post- Images Community Gallery, 1967-1972 Working in Leadership Phantom Bodies in French Colonial Mauritius Contemporary Chinese Art Chilling Effect national Art History Dr Louise Marshall Dr Caroline Wallace Lisa Jane Philip-Harbutt Prof Stelarc Isabel Rousset Su Yang A/Prof Jani McCutcheon Giles Fielke

The Erotic and Playful Graham Hay and the Strategies for a HDR Artist– Confessions of a Kinky Sublime Sights: The Uncanny Transpedagogy as Photography and Place: Postwar Transnationalism and Significance of Fountains of Democratisation of Art Researcher to Find their Beekeeper: Bee Beds, Bush Lack and Excess in Exploration Intersectional Feminist Practice Reimagining the Ground of Australian Artists at the Abbey Love in Renaissance Visual Joanne Baitz Methodological Voice in Blasters, and Interspecies Journals and Material Culture in Melinda Reid Experience Art Centre, London, 1947–1953 Culture Practice-led Research Fusions the Victorian Era Dr Melanie McKee Dr Sheridan Palmer & Prof Patricia Simons Kylie Stevenson Mike Bianco Lesa-Belle Furhagen Australia’s First Socialist Dr Jane Eckett Political Candidate, Alexander Australian Portraiture and Calvary as a Place of Execution Injesting Grown Art Conspicuous Excess and Global Downer’s Grandmother Emerging Identities: A Case Curating Australia: Building a in Pieter Brueghel the Younger’s Oron Catts Power: Yamasaki’s World’s and a Chinese Australian: Study of the Peter O’Callaghan Nation Through Exhibitions in Crucifixion of 1615 Fair Pavilions in New Delhi and Reassembling the Shards of the QC Gallery London Prof Charles Zika Seattle, 1959-62 Erased Generation of Sydney Adam Bushby Petrit Abazi Joss Kiely Female Plein Air Artists and other Female Contemporaries Dr Juliette Peers

12.00 - 1.30pm LUNCH BREAK 12.15 - 1.15pm AAANZ AGM, ALR 5

1.30 - 3.00pm

Session 28 Session 36 Session 37 Session 38 Session 39 Session 40 Session 41 Session 35 Fox Lecture Theatre ALR 5 ALR 9 ALR 4 ALR 6 ALR 8 ALR 10 Austin Lecture Theatre continued EXHIBITION / HISTORY THE GROUND OF PRACTICE: DIRECTIONS IN BIOLOGICAL OPEN SESSION THE SHIFTING OF OPEN SESSION continued Convenor: Adj/A/Prof John PLACE AND CONTEMPORARY ARTS PRACTICE Chair: Dr Emily Brink VISUAL CURRENCY AND Chair: Dr Kit Messham-Muir POSTNATIONAL ART Barrett-Lennard ART PRACTICES Convenor: Dr Ionat Zurr TRANSFORMATIVE EXPERIENCE HISTORIES: CONTEMPORARY Convenor: Dr Maria Miranda IN THE REALM OF DIGITAL ART PRACTICES PHOTOGRAPHIC REPLICATION Convenors: Enya Moore, Dr Kevin Alexander Su

Spirit of Place in 15th Century Revivalism and Revision(ism): From the Ground Up: Artist-Run Fat Culture: The Art of Adipose Picasso’s Horses in Parade: Transformative Replications: A Navigating the Ethical Curating Translocality: Australia Book Illumination – Nostalgia, On Contemporary Restaging of Initiatives and Place Dr Nina Sellars Vaudeville, Masks and Digital Experience Dilemmas of Painting Reality and the Global Contemporary Loyalty and Political Expediency Canonical Exhibitions Dr Maria Miranda Mythology Enya Moore & Tania Price David Corbet Dr Hilary Maddocks Adj/A/Prof John Barrett- Hyperprometheus and Distant Carina Nandlal Dr Kevin Alexander Su Lennard Midlands: The Role of Creative Early Warnings Cool Japan: Japan’s Alternative The Bureau for the Organisation Visual Strategies of Place in the Practice in Areas of Biodiversity Dr Laetitia Wilson Liminality on the Slip: Agnes Uploading Materiality Direction to Utilise its Arts and of Origins (BOO) Cronica Cronicarum Exhibiting the Art of the Library: Patrick Sutczak Martin in New York Tai Mitsuji Culture Benjamin Sheppard Prof Véronique Duché Art and History in ‘1968: Biomess: What Kind of Andrew Ward Tets Kimura Changing Times’ at the National Norfolk Island Pine Trees & Art Aesthetics Should Be Used When ‘Does She Seem Real to You? Epistemic Disobedience: Library of Australia in Regional WA: City of Greater Life Becomes a Commodity of As Life Itself’: Replication and Semiotic De/constructions of Grace Blakeley-Carroll Geraldton Desire? Realness in Sculpture and the Zones Between Colonial and Dr Deborah Cain Dr Ionat Zurr Cinema Postnational Histories The Sir Samuel Way Print Trail: Teresa Hunter Hicks Dr Belinda MacGill Exploring the Legacy of a Print Collector Alice Clanachan

3.00 - 3.30pm AFTERNOON TEA BREAK

3.30 - 5.00pm PLENARY SESSION Art History, Art Practice, Art Curatorship: Synergies and Tensions Chair: Dr Anthony White Murdoch Lecture Theatre, Arts Building

5.00 - 7.00pm AWARDS CEREMONY AND DRINKS, Lawrence Wilson Art Gallery, UWA

USEFUL INFORMATION Campus Security: 6488 3020 Campus Security emergency: 6488 2222 UWA AV: 6488 2026 UWA Campus Maps: uwa.edu.au/campus_maps Getting to UWA: transport.uwa.edu.au Taxi: 13 13 30 ary Taxi Pick-up (in front of the University Club) - Hackett Entrance 1 To City of Perth Libr Bus Routes: 950, 102, 103, 107, 97, 998 & 999 - Circle Route, 23, 24 for more information visit transperth.wa.gov.au Parking: For the period of the conference the university will be in vacation, therefore Student permit parking bays (indicated by yellow signs) are available to non-permit holders, except Carpark 31 and Carpark 37. Paid visitor parking is also available in some areas of the campus. All parking free after 5pm and on weekends

Please refer to conference website for any changes or updates to the programme

Special Viewing of the Kerry Stokes Collection Bus pick up location is on the ring road towards the north-east corner of campus Bus Departs: 5.10; 5.15; 5.20pm

AAANZ Venues at UWA Lawrence Wilson Art Gallery (LWAG) Arts Building • Patricia Crawford Court • Murdoch Lecture Theatre • Arts Lecture Rooms & Lecture Theatres »» Downstairs: ALR 4, ALR 5, ALR 6, Fox Lecture Theatre »» Upstairs: ALR 8, ALR 9, ALR 10, Austin Lecture Theatre ANNUAL CONFERENCE 6 – 8 DECEMBER 2017 y To Perth Stirling Hw

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Social Science Lecture Theatre

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