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Paul Weller with the BBC Symphony Orchestra and Jules Buckley
For immediate release Paul Weller with the BBC Symphony Orchestra and Jules Buckley concert date added to ‘Live from the Barbican’ line-up in spring 2021 Barbican Hall, Saturday 6 February 2021, 8pm The Barbican and Barbican Associate Orchestra, the BBC Symphony Orchestra are excited to announce that the orchestra and its Creative Artist in Association Jules Buckley, will be joined by legendary singer songwriter Paul Weller on Saturday 6 February for a concert reimagining Weller’s work in stunning orchestral settings as part of Live from the Barbican in 2021. In Weller’s first live performance for two years, songs spanning the broad spectrum of his career from The Jam to as yet unheard new material will delight fans and newcomers alike. Classic songs including ‘You Do Something to Me’, ‘English Rose’ and ‘Wild Wood’ along with tracks from Weller’s latest number 1 album ‘On Sunset’ will be heard as never before in brand new orchestral arrangements by Buckley. Weller, who takes cultural authenticity to the top of the charts, reunites with Steve Cradock for this one-off performance. Part of the acclaimed Live from the Barbican series which returns to the Centre in the spring, the concert will have a reduced, socially distanced live audience in the Barbican Hall, and it will also be available to watch globally via a livestream on the Barbican website. Whilst the concert will reflect on some of Weller’s back catalogue, as is typical of his constantly evolving career, it will look to the future with performances of songs from an album not released until May 2021, as well as welcoming guest artists to illustrate his work and the music that influenced him. -
Pynchon's Sound of Music
Pynchon’s Sound of Music Christian Hänggi Pynchon’s Sound of Music DIAPHANES PUBLISHED WITH SUPPORT BY THE SWISS NATIONAL SCIENCE FOUNDATION 1ST EDITION ISBN 978-3-0358-0233-7 10.4472/9783035802337 DIESES WERK IST LIZENZIERT UNTER EINER CREATIVE COMMONS NAMENSNENNUNG 3.0 SCHWEIZ LIZENZ. LAYOUT AND PREPRESS: 2EDIT, ZURICH WWW.DIAPHANES.NET Contents Preface 7 Introduction 9 1 The Job of Sorting It All Out 17 A Brief Biography in Music 17 An Inventory of Pynchon’s Musical Techniques and Strategies 26 Pynchon on Record, Vol. 4 51 2 Lessons in Organology 53 The Harmonica 56 The Kazoo 79 The Saxophone 93 3 The Sounds of Societies to Come 121 The Age of Representation 127 The Age of Repetition 149 The Age of Composition 165 4 Analyzing the Pynchon Playlist 183 Conclusion 227 Appendix 231 Index of Musical Instruments 233 The Pynchon Playlist 239 Bibliography 289 Index of Musicians 309 Acknowledgments 315 Preface When I first read Gravity’s Rainbow, back in the days before I started to study literature more systematically, I noticed the nov- el’s many references to saxophones. Having played the instru- ment for, then, almost two decades, I thought that a novelist would not, could not, feature specialty instruments such as the C-melody sax if he did not play the horn himself. Once the saxophone had caught my attention, I noticed all sorts of uncommon references that seemed to confirm my hunch that Thomas Pynchon himself played the instrument: McClintic Sphere’s 4½ reed, the contra- bass sax of Against the Day, Gravity’s Rainbow’s Charlie Parker passage. -
Summer Festival Set to Offer Treat to Shanghai Music Fans
20 Monday, June 10, 2019 LIFE CHINA DAILY HONG KONG EDITION s a kid growing up in Yin chuan, Northwest China’s Ningxia Hui autonomous A documentary on singer Su Yang’s musical inspiration region, Su Yang recalls local people singing “infectious” folk A will be in Chinese cinemas soon, Chen Nan reports. songs as they worked on farms there. It wasn’t until adulthood, however, after Su founded his own band, influ enced by rock, that he discovered his interest in Ningxia’s folk and tradi tional music. Since 2003, the 50yearold singer songwriter, who picked up music at the age of 16, has been traveling around Northwest China collecting folk material from local artists. In 2006, he released his debut album, Able and Virtuous, which soon gained him a fan base with its combi nation of folk music and rock. Four years later, he released his second album, Like A Grass, which, like his debut album, features ele ments of Chinese folk. One of the songs Su performs is a traditional hua’er, a type of folk singing from the country’s northwest. Titled The Night Journey, the song tells the sto ry of a man’s secret date with the woman of his dreams. In 2016, Su and a team of filmmak ers visited four folk artists in differ Folk rocks ent locations, who have influenced his music, and shot the documentary, The River in Me, which is set to be released in Chinese cinemas on June 18. The film was screened during this Ke Yongquan, 30, who was born year’s Cannes Film Festival on May and raised in Wuchuan, Guangdong 18. -
Annual Subscription UK/Eire £19.50
TE/HPO A Quarterly Review of Modern Music Editor: Calum MacDonald Price £4.00 (plus postage) - Annual Subscription UK/Eire £19.50 (individuals), £29.00 (institutions) Overseas £21.50 (individuals), £31.50 (institutions) Web Site www.temporeview.com Editorial and U.K. Subscription Office 295 Regent Street, London W1B 2JH. Tel: 020-7580 2060 E-mail: [email protected] Advertising Arthur Boyars, 4 Hollywood Mews, London SW10 9HU. Tel: 020-7352 6400 Overseas Subscription (South Africa) Accent Music C.C., PO Box 30634, Braamfontein Contributors Jonathan Cross is Reader in Musicology at the University of Julian Anderson has been appointed Artistic Director of Music Bristol. He has edited the Cambridge Companion to Stravinsky Today, the Philharmonia Orchestra's contemporary music which will appear later in 2002. series, in succession to James MacMillan. Julian Haylock is currently editor of International Piano Raymond Yiu is a composer, jazz pianist and music researcher magazine and a former editor of CD Revieiv (UK). He is the who also works as a systems analyst. His works have been author of biographical studies on Rachmaninoff and Mahler, performed both in the UK and in the USA, including and has contributed numerous articles to a wide range of Distance of the Moon for 11 solo strings, which was premiered publications. in 2001 by the Adantic Chamber Orchestra Players with Lukas Foss conducting. John Kersey is Director of the London Society for Musicological Research, Vice-Delegate for England and John York is well known as a pianist and accompanist. He is President of the English National Office of the World a professor at the Guildhall School of Music and Drama and University, Arizona, USA. -
Radio 3 Listings for 20 – 26 May 2017 Page 1 of 12
Radio 3 Listings for 20 – 26 May 2017 Page 1 of 12 SATURDAY 20 MAY 2017 (conductor) DELIUS: String Quartet (1916) [plus two movements from original version, reassembled by Daniel Grimley] SAT 01:00 Through the Night (b08q2ss1) 5:25 AM ELGAR: String Quartet in E minor Op. 83 Edward Gardner conducts the BBC Symphony Orchestra Förster, Kaspar Jr (1616-1673) Villiers Quartet Edward Gardner conducts the BBC Symphony Orchestra in a Dialogus a 5 ©Quid faciam misera?© NAXOS 8573586 (CD) world premiere by Raymond Yiu, plus music by Britten, Nielsen Olga Pasiecznik & Marta Boberska (sopranos), Dirk Snellings and Janácek. Catriona Young presents. (bass), Il Tempo Baroque Ensemble - Wim Maseele (theorbo), La Symphonie des Oiseaux Anna Sliwa (viola), Lilianna Stawarz (chamber organ), Marcin CASALS: El Cant dels Ocells (Song of the birds) 1:01 AM Zalewski (bass viol), Agata Sapiecha (violin & director) DVORAK: Waldesruhe (Silent woods) for cello and orchestra Britten, Benjamin (1913-1976) Op. 68 No. 5 Sinfonia da requiem, Op.20 5:32 AM GRANADOS: Goyescas: Quejas o La Maja y el Ruisenor BBC Symphony Orchestra, Edward Gardner (conductor) Rameau, Jean-Philippe (1683-1764) GRIEG: Lyric Pieces Op. 43: No. 4 - Little bird Suite in G major - from Nouvelles suites de pièces de clavecin - LISZT: Legende S.175 No. 1, St Francis of Assisi preaching to 1:20 AM arr. for wind quintet the birds Yiu, Raymond (b.1973) Yur-Eum Woodwind Quintet MESSIAEN: Louange a L©Immortalite de Jesus (from Quatuor Symphony, for countertenor and orchestra pour la fin du temps) Andrew Watts (countertenor), BBC Symphony Orchestra, 5:47 AM MOZART: Der Vogelfanger bin ich, ja (from Die Zauberflote) Edward Gardner (conductor) Chopin, Frédéric (1810-1849) PERLMAN: A Birdling sings Andante spianato and Grande polonaise brillante, Op.22 RAMEAU: La poule 1:49 AM Janina Fialkowska (piano), Kitchener-Waterloo Symphony SAINT-SAENS: Le carnaval des animaux: Le Cygne Nielsen, Carl (1865-1931) Orchestra, Raffi Armenian (conductor) SCHUMANN: Vogel als Prophet (No. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
Julian Anderson
JULIAN ANDERSON HEAVEN IS SHY OF EARTH THE COMEDY OF CHANGE SUSAN BICKLEY LONDON SINFONIETTA BBC SYMPHONY ORCHESTRA & CHORUS OLIVER KNUSSEN Julian Anderson JULIAN ANDERSON (b. 1967) The Comedy of Change (2009) 23:48 for chamber ensemble of 12 players 1 I. 2:11 2 II. – 2:47 3 III. 1:55 4 IV. – 2:31 5 V. 3:39 6 VI. 5:30 7 VII. 5:15 Heaven is Shy of Earth (2006/2009–10) 38:32 for mezzo-soprano, chorus & orchestra 8 Intrada 3:10 9 Kyrie 5:07 10 Gloria (with Bird) 6:59 11 Quam dilecta tabernacula tua 5:08 12 Sanctus 8:06 13 Agnus Dei 10:02 London Sinfonietta (1–7) Susan Bickley, mezzo-soprano (9–13) BBC Symphony Chorus (9, 10, 12, 13) BBC Symphony Orchestra (8–13) Oliver Knussen, conductor hen Julian Anderson was commissioned to write a substantial work for solo Wmezzo-soprano, chorus and orchestra for the 2006 BBC Proms, the stage was set for a large-scale summation of his recent musical concerns. Anderson would be able to revisit the communal expressive ideal of several recent works for unaccompanied choir in the context of his by now well-established orchestral style, with its characteristic integration of lyrical simplicity and joyous complexity. The solo female voice, meanwhile, suggested a new and often dramatic presence – an individual consciousness at the heart of one of Anderson’s typical evocations of the natural world. Clearly, the choice of texts would be a central decision. Anderson had set poems by Emily Dickinson before, and now found in her visionary eccentricity a compelling expression of nature’s abundance as a kind of secular miracle. -
A Choral Christmas
Sunday 2 December 7–9pm Barbican Hall LSO SING A CHORAL CHRISTMAS Lucy Griffiths presenter & conductor, LSO Discovery Junior Choir David Lawrence conductor, LSO Community Choir & Discovery Senior Choir A CHORAL T Jae Cole conductor, Powerhouse Gospel Choir Simon Halsey conductor LSO Community Choir LSO Discovery Choirs Powerhouse Gospel Choir CHRISTMAS LSO Brass Ensemble The LSO Discovery and Community Choirs are generously supported by the Garfield Weston Foundation, John S Cohen Foundation, Slaughter and May Charitable Trust, D’Oyly Carte Charitable Trust and John Thaw Foundation Welcome Latest News Keep in Touch conductor of the Discovery Junior Choir, who BRITISH COMPOSER NOMINATIONS SUBSCRIBE will also be presenting tonight’s concert. Receive monthly updates from the The British Academy of Songwriters, LSO, LSO Live and LSO St Luke’s. Thank you to those who have supported the Composers and Authors has announced lso.co.uk/elist singers on-stage tonight, and to all those its nominations for the 2018 British who support the LSO’s singing activities, Composer Awards. Nominees include 2012 LISTEN including the Garfield Weston Foundation, LSO Soundhub Member Richard Bullen, Stream, download or buy music John S Cohen Foundation, Slaughter and Soundhub Associates Matt London and from our record label LSO Live. May Charitable Trust, D’Oyly Carte Charitable Liam Taylor-West, and Panufnik composers lsolive.co.uk Trust and John Thaw Foundation. Raymond Yiu (2008), Cevanne Horrocks- Hopayian (2010) and Cassie Kinoshi LSO PLAY warm welcome to the LSO’s annual I hope that you enjoy the performance, (current). The winners are to be announced See the Orchestra from a different Choral Christmas concert, as we and I wish you a very happy festive season. -
UBS Soundscapes: Lang Lang, 18 – 26 April 2009 - a Major London Symphony Orchestra Project Submitted By: Dvora Lewis Wednesday, 21 January 2009
UBS Soundscapes: Lang Lang, 18 – 26 April 2009 - A major London Symphony Orchestra project Submitted by: Dvora Lewis Wednesday, 21 January 2009 The LSO and UBS are delighted to welcome sensational pianist Lang Lang to the Barbican and LSO St Luke’s in an artist portrait series to celebrate the LSO and UBS partnership, UBS Soundscapes. PIANO EXTRAVAGANZA WITH 100 YOUNG PIANISTS (http://lso.co.uk/detailedeventinfo&detailid=4864&showdetailstype=event) Saturday 18 April 2009, 10am – 5pm, LSO St Luke’s A Piano Extravaganza led by international soloist Lang Lang. The day offers activities for pianists of all abilities: a morning workshop with 100 pianists learning Schubert’s Marche Militaires, and an inspirational masterclass in the afternoon with aspiring young pianists from the Guildhall School. LANG LANG PERFORMS BARTOK PIANO CONCERTO NO 2 (http://lso.co.uk/detailedeventinfo&detailid=4598&showdetailstype=event) Monday 20 April 2009, 7.30pm, Barbican Hall Lang Lang and the LSO perform Bartok Piano Concerto No 2 conducted by Daniel Harding in a programme that also includes Bruckner Symphony No 5. TAN DUN CONDUCTS LANG LANG AND LSO IN UK PREMIERE OF HIS PIANO CONCERTO (http://lso.co.uk/detailedeventinfo&detailid=4510&showdetailstype=event) Tuesday 21 April 2009, 7.30pm, Barbican Hall Lang Lang performs the UK premiere of Tan Dun’s Piano Concerto which he premiered with the New York Philharmonic in April 2008. The LSO also performs Mahler Symphony No 1, conducted by Daniel Harding, and Tan Dun’s Internet Symphony Eroica – which the LSO recorded especially for the YouTube Symphony Orchestra. The first performance of the work will place in New York six days earlier. -
Choral & Song Reviews
Choral & Song Reviews performance captures the work’s This series of discs to record power and its intimacy. the complete madrigals here We’re also treated to a clutch reaches Books Three and Four. of superb but little-known pieces The texts – mostly by Ferrarese by Biber’s contemporaries. In two poets – revel in morbid themes of motets by Christoph Bernhard love unrequited and an obsessional (works which fuse the intricate longing for death. The singers sobriety of Renaissance polyphony pay studious attention to the with Italian Baroque lyricism), the poetry and its nuances, painting performers balance clean and lucid the words with a rich palette and timbres with pliant expressivity. contrasting light and shade to While in Johann Joseph Fux’s Omnis reflect Gesualdo’s chiaroscuro. terra adoret, the mixed ensemble ‘Dolce spirto d’amore’, for example, is beautifully balanced – not least is seductively whispered in breathy by Alpha’s recording engineers. tones suggesting ‘The sweet spirit The singers are very much part of of love, greeted with a sigh’; in the instrumental consort so the ‘Sospirava il mio core’ the singers threads of Fux’s musical texture plumb resonant depths to carve out all weave together in a diaphanous the words ‘You may die, but your fabric. Finally, sonatas by Fux and martyrdom will continue’; ‘Se vi Johann Michael Nicolai showcase miro pietosa’ oscillates between Fire and finesse: the Freiburger Barockconsort and Vox Luminis peform Biber the supple finesse of the Freiburg pulsating life and hushed silence, players. Kate Bolton-Porciatti pointing up the textual antitheses; PERFORMANCE HHHHH in ‘Io tacerò, ma nel silentio mio’, For the most not quite work – in the duet ‘Zefiro RECORDING HHHHH steel-edged sopranos suggest the part we torna’, for example, the second ‘heartless lady’ of the poet’s fixation. -
A Countertenor Songbook Andrew Watts Countertenor · Iain Burnside Piano
Andrew Watts countertenor A Countertenor Songbook Andrew Watts countertenor · Iain Burnside piano 2 Andrew Watts countertenor Iain Burnside piano A Countertenor Songbook Michael Tippett Songs for Ariel 1 Come unto these yellow sands 1’54 2 Full fathom fi ve 1’44 3 Where the bee sucks 1’09 Michael Finnissy Dann nicht zu fragen 4 I 6’25 5 II 4’41 6 Joe Cutler Song for Arthur 7’18 7 Raymond Yiu Forget-Me-Not 4’36 8 Tansy Davies Song of Pure Nothingness 13’45 Neville Bower Songs of Innocence Op. 46 9 Infant Joy 1’36 bl Piping Down the Valleys Wild 3’37 bm The Lamb 3’41 bn Raymond Yiu Symphony (Intermezzo and Movement V) 5’59 Colin Matthews Un Colloque Sentimental bo I Colloque Sentimental, 1ère Partie 1’25 bp II Le Jet d’Eau 4’26 photo © Sarah Hickson © Sarah photo bq III Que diras-tu ce soir 3’53 br IV Intermezzo: Une Allée du Luxembourg 2’24 bs V Colloque Sentimental, 2ème Partie 4’52 Total timing 73’58 3 A Countertenor Songbook Typography in the sixteenth century Gershwin or Ella Fitzgerald. These too in this album there are aesthetic respectful of Shakespeare’s speech revolutionized the production and were snapshots of contemporary culture, overlaps; Andrew is omnivorous in his rhythms; in ‘Full fathom fi ve’ he seems consumption of songbooks, which though the image became slightly blurry tastes, yet the composers he invited to easily as grief stricken as poor Ariel at in Medieval Europe were beautifully as performers and publishers mined Snape Maltings in Aldeburgh, Suffolk for the reported death of Ferdinand’s father illustrated singular items. -
David Robertson 2019 Highlights
Eric Latzky Culture | Communications NY ELCCNY NEWS FOR RELEASE: March 21, 2019 Contact: Eric Latzky, [email protected], +1 212-358-0223 DAVID ROBERTSON 2019 HIGHLIGHTS DEATH IN VENICE DAVID ROBERTSON and the ROYAL CONCERTGEBOUW ORCHESTRA Directed by IVO VAN HOVE – Original Music by NICO MUHLY A Co-Production with Internationaal Theater Amsterdam APRIL 4 – 13 at the ROYAL THEATRE CARRÉ, AMSTERDAM The Gershwins’ PORGY & BESS THE METROPOLITAN OPERA DAVID ROBERTSON TO CONDUCT NEW PRODUCTION BY JAMES ROBINSON TO OPEN 2019-20 SEASON, SEPTEMBER 23 With ERIC OWENS and ANGEL BLUE Additional Performances September 27-30, October 5-16, 2019, January 8 – February 1, 2020 As Juilliard Director of Conducting Studies, Distinguished Visiting Faculty Robertson to Conduct the Juilliard Orchestra MESSIAEN’s TURANGALÎLA-SYMPHONIE David Geffen Hall at Lincoln Center, May 3 . DAVID ROBERTSON and the DALLAS SYMPHONY ORCHESTRA Stravinsky, and Bernstein’s Symphony No. 2 (The Age of Anxiety) With Orli Shaham, Piano, April 25 – 28 . ROBERTSON RETURNS TO BBC SYMPHONY ORCHESTRA Shostakovich, Britten, Raymond Yiu – May 15 at the Barbican SYNDNEY SYMPHONY ORCHESTRA 2019 Valedictory Season as Chief Conductor and Artistic Director to Feature Musical Celebrations with Lang Lang and Susan Graham in June and July CONCERT PRODUCTION of BRITTEN’S PETER GRIMES, JULY 25 and 27 . DAVID ROBERTSON / SSO RECORDING RELEASED on ABC CLASSICS NIGEL WESTLAKE’s Spirit of the Wild with STEVE REICH’s Desert Music REACHES #1 CLASSICAL and #2 CROSSOVER on ARIA AUSTRALIAN CHARTS In 2019, Conductor David Robertson – an independent thinker and champion of the art form, associated with the world’s most noted musical institutions – will conduct two innovative music/theater/opera productions with a distinct group of artistic collaborators, as he continues his journey of performances spanning centuries of repertoire with a special focus on music’s future, opera and the theatrical setting of music.