Turandot Giacomo Puccini
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Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
Puccini's Version of the Duet and Final Scene of "Turandot" Author(S): Janet Maguire Source: the Musical Quarterly, Vol
Puccini's Version of the Duet and Final Scene of "Turandot" Author(s): Janet Maguire Source: The Musical Quarterly, Vol. 74, No. 3 (1990), pp. 319-359 Published by: Oxford University Press Stable URL: http://www.jstor.org/stable/741936 Accessed: 23-06-2017 16:45 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Oxford University Press is collaborating with JSTOR to digitize, preserve and extend access to The Musical Quarterly This content downloaded from 198.199.32.254 on Fri, 23 Jun 2017 16:45:10 UTC All use subject to http://about.jstor.org/terms Puccini's Version of the Duet and Final Scene of Turandot JANET MAGUIRE ALTHOUGH it has been said that Puccini did not finish Turandot because he could not, I have always been convinced that he had the music for the duet and final scene clearly in mind and that he would have had his Turandot Finale ready for the publisher by the end of the year, 1924, had he survived his throat operation. The key to the completion of the opera lies in a relatively few pages of musical ideas sketched out in brief, schematic form. -
“Turandot” by Giacomo Puccini Libretto (English-Italian) Roles Personaggi
Giacomo Puccini - Turandot (English–Italian) 8/16/12 10:44 AM “Turandot” by Giacomo Puccini libretto (English-Italian) Roles Personaggi Princess Turandot - soprano Turandot, principessa (soprano) The Emperor Altoum, her father - tenor Altoum, suo padre, imperatore della Cina (tenore) Timur, the deposed King of Tartary - bass Timur, re tartaro spodestato (basso) The Unknown Prince (Calàf), his son - tenor Calaf, il Principe Ignoto, suo figlio (tenore) Liù, a slave girl - soprano Liú, giovane schiava, guida di Timur (soprano) Ping, Lord Chancellor - baritone Ping, Gran Cancelliere (baritono) Pang, Majordomo - tenor Pang, Gran Provveditore (tenore) Pong, Head chef of the Imperial Kitchen - tenor Pong, Gran Cuciniere (tenore) A Mandarin - baritone Un Mandarino (baritono) The Prince of Persia - tenor Il Principe di Persia (tenore) The Executioner (Pu-Tin-Pao) - silent Il Boia (Pu-Tin-Pao) (comparsa) Imperial guards, the executioner's men, boys, priests, Guardie imperiali - Servi del boia - Ragazzi - mandarins, dignitaries, eight wise men,Turandot's Sacerdoti - Mandarini - Dignitari - Gli otto sapienti - handmaids, soldiers, standard-bearers, musicians, Ancelle di Turandot - Soldati - Portabandiera - Ombre ghosts of suitors, crowd dei morti - Folla ACT ONE ATTO PRIMO The walls of the great Violet City: Le mura della grande Città Violetta (The Imperial City. Massive ramparts form a semi- (La Città Imperiale. Gli spalti massicci chiudono circle quasi that enclose most of the scene. They are interrupted tutta la scena in semicerchio. Soltanto a destra il giro only at the right by a great loggia, covered with è carvings and reliefs of monsters, unicorns, and rotto da un grande loggiato tutto scolpito e intagliato phoenixes, its columns resting on the backs of a mostri, a liocorni, a fenici, coi pilastri sorretti dal gigantic dorso di massicce tartarughe. -
Monday, November 27 | 7:30 Pm
MONDAY, NOVEMBER 27 | 7:30 PM ALSO INSIDE This month, artists-in-residence Kontras Quartet explore the folk roots of classical music; on Live from WFMT, Kerry Frumkin welcomes the young string artists of the Dover Quartet and the acclaimed new-music ensemble eighth blackbird. Air Check Dear Member, The Guide Geoffrey Baer’s distinguished on-camera career at WTTW began in 1995 with the very first Chicago The Member Magazine for River Tour. A decade later, he took audiences back to that familiar territory to highlight big changes WTTW and WFMT Renée Crown Public Media Center that had taken place along its banks. Now, 12 years later, Geoffrey returns with an all-new tour that 5400 North Saint Louis Avenue covers more ground – all three branches of the river, in six different vessels, and the development Chicago, Illinois 60625 along the Chicago Riverwalk! Join him on WTTW11 and at wttw.com/river as Geoffrey shows us the incredible transformation that has taken place Main Switchboard (773) 583-5000 over the past decade – not just in the architecture but in how Chicagoans Member and Viewer Services enjoy it. Along the way, he shares fascinating stories about the River’s history, (773) 509-1111 x 6 and introduces some memorable characters who live, work, and play there. WFMT Radio Networks (773) 279-2000 Also this month on WTTW11 and wttw.com/watch, join us for the Chicago Production Center premiere of another exciting new local film and its companion website, (773) 583-5000 Making a New American NUTCRACKER, a collaboration with The Joffrey Websites Ballet that goes behind the scenes of a new interpretation of Tchaikovsky’s wttw.com classic holiday favorite. -
The Apology | the B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero Scene & Heard
November-December 2017 VOL. 32 THE VIDEO REVIEW MAGAZINE FOR LIBRARIES N O . 6 IN THIS ISSUE One Week and a Day | Poverty, Inc. | The Apology | The B-Side | Night School | Madonna: Rebel Heart Tour | Betting on Zero scene & heard BAKER & TAYLOR’S SPECIALIZED A/V TEAM OFFERS ALL THE PRODUCTS, SERVICES AND EXPERTISE TO FULFILL YOUR LIBRARY PATRONS’ NEEDS. Learn more about Baker & Taylor’s Scene & Heard team: ELITE Helpful personnel focused exclusively on A/V products and customized services to meet continued patron demand PROFICIENT Qualified entertainment content buyers ensure frontlist and backlist titles are available and delivered on time SKILLED Supportive Sales Representatives with an average of 15 years industry experience DEVOTED Nationwide team of A/V processing staff ready to prepare your movie and music products to your shelf-ready specifications Experience KNOWLEDGEABLE Baker & Taylor is the Full-time staff of A/V catalogers, most experienced in the backed by their MLS degree and more than 43 years of media cataloging business; selling A/V expertise products to libraries since 1986. 800-775-2600 x2050 [email protected] www.baker-taylor.com Spotlight Review One Week and a Day and target houses that are likely to be empty while mourners are out. Eyal also goes to the HHH1/2 hospice where Ronnie died (and retrieves his Oscilloscope, 98 min., in Hebrew w/English son’s medical marijuana, prompting a later subtitles, not rated, DVD: scene in which he struggles to roll a joint for Publisher/Editor: Randy Pitman $34.99, Blu-ray: $39.99 the first time in his life), gets into a conflict Associate Editor: Jazza Williams-Wood Wr i t e r- d i r e c t o r with a taxi driver, and tries (unsuccessfully) to hide in the bushes when his neighbors show Editorial Assistant: Christopher Pitman Asaph Polonsky’s One Week and a Day is a up with a salad. -
Arrigo Boito
Servizio Toponomastica Progetto “ CHI SONO ?” note sui nomi delle vie di CESENA Scheda relativa a : ARRIGO BOITO Poeta, narratore e compositore Arrigo Boito è noto per il suo melodramma "Mefistofele" e per i suoi libretti d'opera. Arrigo Boito nasce a Padova il 4 febbraio 1842; dal 1854 studia violino, pianoforte e composizione al Conservatorio di Milano. Terminati gli studi si reca a Parigi con Franco Faccio dove prende contatto con Gioacchino Rossini, quando questi viveva alla periferia della capitale francese; successivamente si sposterà in Polonia, Germania, Belgio e Inghilterra. Torna a Milano e dopo un periodo nel quale si presta a compiere svariati lavori, nel 1862 scrive i versi per l'"Inno delle Nazioni" che successivamente verrà musicato da Giuseppe Verdi per l'Esposizione Universale di Londra. Seguono anni di lavoro, interrotti solamente per due mesi nel 1866 durante i quali, con Faccio ed Emilio Praga, Arrigo Boito segue Giuseppe Garibaldi nella sua azione nel Trentino. Nel 1868 alla Scala di Milano viene rappresentata la sua opera "Mefistofele", basata sul "Faust" di Goethe. Al suo debutto l'opera non viene accolta benevolmente, tanto che provoca disordini e scontri per il supposto implicito "Wagnerismo". Dopo due rappresentazioni la polizia decide di interrompere le esecuzioni. Boito successivamente rivedrà drasticamente l'opera, riducendola: la parte di Faust, scritta per baritono, verrà riscritta in chiave tenorile. La nuova versione viene rappresentata al Teatro Comunale di Bologna nel 1876 e ottiene un grande successo; unica fra le composizioni di Boito, entra nel repertorio delle opere ancor oggi rappresentate e registrate con maggiore frequenza. Negli anni successivi Boito si dedica alla stesura di libretti per altri compositori. -
Turandot Giacomo Puccini
2016 SPIEL AUF DEM SEE TURANDOT GIACOMO PUCCINI 20. JULI – 21. AUGUST SPIEL AUF DEM SEE TURANDOT GIACOMO PUCCINI ein Mann soll sie je besitzen – die chinesische Prinzessin Turandot stellt jedem, der um ihre K Liebe wirbt, drei Rätsel. Bisher hat sie keiner lösen können, und alle haben dafür mit ihrem Kopf bezahlt. Einem unbekannten Prinzen gelingt das Unmögliche: er kann alle Fragen beantworten. Doch Turandot möchte sich trotzdem nicht erobern lassen, deshalb ist der Prinz bereit zu sterben, wenn sie bis zum nächsten Morgen seinen Namen herausfindet. Keiner darf diese Nacht schlafen, jeder muss nach dem Namen forschen... Mit Calafs Arie »Nessun dorma« wurde Giacomo Puccinis letzte Oper weltberühmt. Vor der mächtigen Kulisse der drachenförmigen Mauer im Bodensee hallt diese Arie in die Nacht. Marco Arturo Marellis Bühnenbild spielt mit chinesischen Herrschaftssymbolen: Die riesige Mauer wird von Terrakotta-Kriegern durchkreuzt. Turandots Erscheinen wird zum spektakulären Auftritt für Akroba- ten, Tänzer und dem begeisterten Volk. Lyrisches Drama in drei Akten und fünf Bildern Libretto von Giuseppe Adami und Renato Simoni nach dem Schauspiel von Carlo Gozzi In italienischer Sprache mit deutschen Übertiteln PREMIERE 21. Juli 2016 – 21.15 Uhr VORSTELLUNGEN 22., 23., 24., 26., 29., 30. & 31. Juli – 21.15 Uhr 2., 4., 5., 6., 7., 9., 11., 12., 13., 14., 16., 19., 20. & 21. August – 21.00 Uhr Seebühne | Festspielhaus Musikalische Leitung Paolo Carignani Inszenie rung & Bühne Marco Arturo Marelli Kostüme Constance Hoffman Wiener Symphoniker | Prager Philharmonischer Chor | Bregenzer Festspielchor FESTSPIEL-LOUNGE Die Festspiel-Lounge eröffnet Ihnen und Ihren Gästen alle Möglichkeiten für einen exklusiven Abend bei den Bregenzer Festspielen. -
La Fille Du Régiment
LELELELE BUGUE BUGUEBUGUEBUGUE Salle Eugène Le Roy Réservation : Maison de la Presse Le Bugue 05 53 07 22 83 Gaetano Donizetti LA FILLE DU RÉGIMENT Orpheline, Marie was taken in by Sergeant Sulpice, who employs him as a cantinière in his regiment. Crazy in love with Marie, the young peasant Tonio engages in the battalion to see her every day. When the Marquise of Berkenfield reveals the true identity of Mary, who is her daughter, the young woman could be separated forever from Tonio. Acclaimed by the lyric press, South African soprano Pretty Yende returns to the stage of the Met opposite the tenor Javier Camarena for an opera of great vocal virtuosity under the baton of Enrique Mazzola. The alchemist Donizetti's expertise once again acts with this unique blend of melancholy and joy. Tenor Javier Camarena and soprano Pretty Yende team up for a feast of bel canto vocal fireworks—including the show-stopping tenor aria “Ah! Mes amis … Pour mon âme,” with its nine high Cs. Alessandro Corbelli and Maurizio Muraro trade off as the comic Sergeant Sulpice, with mezzo-soprano Stephanie Blythe as the outlandish Marquise of Berkenfield. And in an exciting piece of casting, stage and screen icon Kathleen Turner makes her Met debut in the speaking role of the Duchess of Krakenthorp. Enrique Mazzola conducts. Conductor Marie Marquise Enrique Pretty Stéphanie Mazzola Yende Blythe soprano Mezzo soprano Duchess Tonio Sulpice Kathleen Javier Maurizio Turner Camarena Muraro actress tenor Bass Production : Laurent Pelly DATE : 2nd March 2019 Time : 6.25pm Opera en 2 acts by Giacomo Puccini LA FILLE DU RÉGIMENT World Premiere : Opéra Comique, Paris, 1840. -
Liurandot, Ovvero the Strange Case of Princess Turandot and Slave Liù *
Rivista di Storia delle Idee 3:1 (2014) pp. 196-218 ISSN.2281-1532 http://www.intrasformazione.com DOI 10.4474/DPS/03/01/ONT124/23 Patrocinata dall’Università degli Studi di Palermo Antonino Fiorenza Liurandot, ovvero The strange case of Princess Turandot and slave Liù * Tra il 1886 e il 1887 lo scrittore inglese Henry Rider Haggard pubblica sulla rivista «The Graphic» un romanzo intitolato She, che ha per protagonista Ayesha, una bellissima donna bianca, in possesso di poteri soprannaturali ed ancora giovane dopo oltre 2000 anni di vita. Ella regna su una sperduta popolazione africana (gli Amahagger), cui si mostra raramente e sempre con il viso coperto da un velo, perché gli uomini, alla visione della sua bellezza, impazziscono d’amore, “perdono la testa” per Lei-cui-si-deve-obbedienza (She-Who-Must-Be-Obeyed). Ma anche essere amati da Ayesha si rivela molto pericoloso: Callicrate, il sacerdote egizio di Iside, del quale la regina si è invaghita, viene da Lei ucciso perché è l'unico che le resiste, mentre nel successivo Ayesha: The Return of She (1905) il suo discendente Leo Vincey, che dovrebbe vendicarlo (il suo cognome significa appunto Vendicatore), ma resta vittima del fascino di Ayesha, muore baciandola, perché il suo corpo mortale non può reggere il potere e l'amore della Donna eterna (questo il titolo di alcune traduzioni italiane di She). Il romanzo di Haggard diventa ben presto popolarissimo, tant’è vero che tra il 1899 e il 1925 ispira ben sei film. Il primo di questi, il brevissimo La Danse du feu o La colonne de feu di Georges Meliès, ci mostra Ayesha mentre si bagna nel Fuoco che, essendo la vita e il sangue della Natura, la rende eternamente giovane, come poi farà nel 1932 nei fumetti di Cino e Franco una sua epigona, la regina Loana, la cui misteriosa fiamma ha dato il titolo al quinto romanzo di Umberto Eco (2004). -
For Immediate Release September 28, 2017
Media Release For Immediate Release September 28, 2017 Contact: Edward Wilensky, Director of Media Relations [email protected] Telephone: 619.232.7636 San Diego Opera Presents “Taste of Opera” A Series of Communitywide Events Designed to Offer a Casual Introduction to the San Diego Opera Season Events feature tango classes, magic realism painting classes, an exploration transgender representation in the arts, and more. San Diego, CA – San Diego Opera is pleased to announce a series of communitywide events designed to offer a fun and casual introduction to San Diego Opera’s 2017-2018 season offerings for both the operaphile and opera curious. Centered on themes that are covered in the Company’s season –As One, Maria de Buenos Aires, Turandot, and Florencia en el Amazonas – Taste of Opera events are fun community building gatherings that brings people together for a drink, a bite to eat, and an educational component that should make coming to the opera more enjoyable. San Diego Opera is proud to present the opera As One, part of the dētour series which reflects topics and stories that are important to diverse communities. As One explores the journey of Hannah from her youth in a small town to a place where she learns to embrace herself and her true identity emerges. As One strips the topic of being transgender bare to one human being’s personal and emotional story with a beautiful score illuminated by empathy and humor. To engage our community in dialogue about this current topic, San Diego Opera is please to present Transgender Visibility in the Arts on Thursday, October 26, 2017 at 6:30 PM at Diversionary Theatre (4545 Park Blvd. -
"Duetto a Tre": Franco Alfano's Completion of "Turandot" Author(S): Linda B
"Duetto a tre": Franco Alfano's Completion of "Turandot" Author(s): Linda B. Fairtile Source: Cambridge Opera Journal, Vol. 16, No. 2 (Jul., 2004), pp. 163-185 Published by: Cambridge University Press Stable URL: http://www.jstor.org/stable/3878265 Accessed: 23-06-2017 16:44 UTC REFERENCES Linked references are available on JSTOR for this article: http://www.jstor.org/stable/3878265?seq=1&cid=pdf-reference#references_tab_contents You may need to log in to JSTOR to access the linked references. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Cambridge University Press is collaborating with JSTOR to digitize, preserve and extend access to Cambridge Opera Journal This content downloaded from 198.199.32.254 on Fri, 23 Jun 2017 16:44:32 UTC All use subject to http://about.jstor.org/terms Cambridge Opera Journal, 16, 2, 163-185 ( 2004 Cambridge University Press DOI- 10.1017/S0954586704001831 Duetto a tre: Franco Alfano's completion of Turandot LINDA B. FAIRTILE Abstract: This study of the ending customarily appended to Giacomo Puccini's unfinished Turandot offers a new perspective on its genesis: that of its principal creator, Franco Alfano. Following Puccini's death in November 1924, the press overstated the amount of music that he had completed for the opera's climactic duet and final scene.