New Release Information Media Contact

Total Page:16

File Type:pdf, Size:1020Kb

New Release Information Media Contact NEW RELEASE INFORMATION REQUIEM ÆTERNAM CHRISTINE RICE, MEZZO-SOPRANO MARK STONE, BARITONE GUY JOHNSTON, CELLO TRISTAN MITCHARD, ORGAN THE CHOIR OF SOMERVILLE COLLEGE, OXFORD DAVID CROWN, CONDUCTOR CD RELEASE DATE: 17 September 2012 This is the debut release from one of Oxford’s most exciting and up-and-coming choirs – that of Somerville College. Under the leadership of its musical director, David Crown, the disc highlights the group’s youthful vibrancy and adventurous repertoire, pairing the familiar Duruflé Requiem with Milford’s Mass for five voices, both of which were composed in 1947. For the Durufle Requiem, which was recorded in the stunning acoustic of Douai Abbey with its excellent Kenneth Tickell organ played by organ scholar Tristan Mitchard, the choir was joined by internationally-renowned soloists Christine Rice, Mark Stone and Guy Johnston. The beautiful Milford Mass for five voices receives its world-première recording, performed in the choir’s college chapel. These two pieces not only demonstrate the versatility of the Somerville Choir, but also provide a thought-provoking juxtaposition of the different approaches to neo-classicism in post-war choral music. Crown’s work since his recent appointment at Somerville College has seen the choir go from strength to strength, to the point where it is now one of the most impressive young vocal ensembles in Oxford. CRITICAL ACCLAIM "From the very first piece, the 22 mixed voices of Somerville College Choir evoked an atmosphere of high spirituality”, Il Citadino "We were rolled over not only by the robust and gorgeous tone of this choir, but also by the superb attacks and deeply expressive singing.”, Dr John Bertalot CONTINUES OVERLEAF MEDIA CONTACT: Mark Stone at Stone Records Ltd Tel: 07595 534350 Email: [email protected] NEW RELEASE INFORMATION BIOGRAPHIES Christine Rice is one of the leading British mezzo-sopanos of her generation. A regular performer at the major European opera houses including Covent Garden, Bayerische Staatsoper Munich, Frankfurt Opera, Teatro Real Madrid and English National Opera, she has built a reputation both as a singing actress and a Handelian of the highest order. Mark Stone has performed for Covent Garden, Glyndebourne, ENO, WNO, Opera North, La Scala Milan, Deutsche Oper Berlin, Liceu Barcelona, Royal Opera Stockholm Philadelphia and Santa Fe. In concert he has appeared with the Berlin Rundfunk Orchestra, Danish Radio Orchestra, Netherlands Radio Philharmonic Orchestra, Galicia Symphony Orchestra, Oviedo Symphony Orchestra and the Bamberg Symphony Orchestra. Guy Johnston is one of the leading British cellists of his generation. Performance include the Elgar Concerto at the First Night of the BBC Proms with the BBC Symphony Orchestra, the Brahms Double Concerto in the Philharmonie with the DSO Berlin, Tchaikovsky’s Rococo Variations with the St. Petersburg State Capella Orchestra and Elgar with the Osaka Philharmonic/Otaka in Tokyo. Tristan Mitchard was the organ scholar at Somerville College, Oxford and is now a pop singer- songwriter, hailed by GT Magazine as ‘one of the hottest young talents in the world‘. Since graduating he has performed in all the world’s continents except for Antarctica. The Choir of Somerville College, Oxford is considered to be one of the best mixed-voice choirs in the university. It has sung at many of the great cathedrals in the UK and has toured Germany, Italy and North-West England in recent years, to great acclaim. They are the only collegiate choir to have been invited to the Writing for Voices project – part of the Britten in Oxford 2013 festival. David Crown was a choral scholar at King’s College, Cambridge and a successful professional singer before embarking on his conducting career. He is Director of Music at Somerville College, Oxford, and Music Director of the Reading Phoenix Choir, the Oxford Singers and the Wychwood Chorale. www.stonerecords.co.uk ENDS Artists: Christine Rice (mezzo-soprano), Mark Stone (baritone), Guy Johnston (cello), Tristan Mitchard (organ), The Choir of Somerville College, Oxford, David Crown (conductor) Disc: Requiem æternam Label: Stone Records Catalogue number/barcode: 5060192780208 Release date: 17 September 2012 Track listing: 1. Duruflé Requiem - Introït 2. Duruflé Requiem - Kyrie 3. Duruflé Requiem - Domine Jesu Christe 4. Duruflé Requiem - Sanctus 5. Duruflé Requiem - Pie Jesu 6. Duruflé Requiem - Agnus Dei 7. Duruflé Requiem - Lux aeterna 8. Duruflé Requiem - Libera me 9. Duruflé Requiem - In Paradisum 10. Milford Mass for five voices - Kyrie eleison* 11. Milford Mass for five voices - Gloria in excelsis* 12. Milford Mass for five voices – Credo* 13. Milford Mass for five voices – Sanctus* 14. Milford Mass for five voices – Benedictus* 15. Milford Mass for five voices - Agnus Dei* *première recordings MEDIA CONTACT: Mark Stone at Stone Records Ltd Tel: 07595 534350 Email: [email protected] .
Recommended publications
  • FOR IMMEDIATE RELEASE Volume One of the Frederick Delius
    FOR IMMEDIATE RELEASE Volume One of the Frederick Delius Songbook to be Released in the United States this September ASHFORD, CONNECTICUT (August 22, 2011) – In honor of the 150th anniversary of the birth of the great English composer Frederick Delius (1862-1934), The Complete Delius Songbook – Volume 1 will be released as a CD in the U.S. on September 13, 2011. This is the first volume in a two-volume series that will comprise the first-ever complete recording of all 61 surviving songs of Frederick Delius for voice and piano. This recording features baritone Mark Stone accompanied by Stephen Barlow on piano. Michael Maglaras of 217 Records is Executive Producer. Produced and released first in the United Kingdom on July 18, 2011 on the Stone Records label, and produced in association with 217 Records, this eventual two-volume journey through the Delius songbook will be a delight to listeners everywhere. Pictured: Stephen Barlow and Mark Stone. “We at 217 Records cannot imagine a finer exponent of the English art song than baritone Mark Stone. That he possesses a superb instrument is clear to everyone who knows his work. But he is also a singer of rare intelligence and refinement, and this recording bears his unmistakable stamp,” said Michael Maglaras. “Stephen Barlow is the logical successor to Gerald Moore. He is a great English pianist who brings not only gracious support to this undertaking, but helps create, in every song, an immediate sense of both the drama and the deeper meaning of Delius’s work.” Volume 1, which includes first-time recordings of five of these songs, features all of Delius’s songs to English and Norwegian texts, the latter being sung in English translation.
    [Show full text]
  • Navigating, Coping & Cashing In
    The RECORDING Navigating, Coping & Cashing In Maze November 2013 Introduction Trying to get a handle on where the recording business is headed is a little like trying to nail Jell-O to the wall. No matter what side of the business you may be on— producing, selling, distributing, even buying recordings— there is no longer a “standard operating procedure.” Hence the title of this Special Report, designed as a guide to the abundance of recording and distribution options that seem to be cropping up almost daily thanks to technology’s relentless march forward. And as each new delivery CONTENTS option takes hold—CD, download, streaming, app, flash drive, you name it—it exponentionally accelerates the next. 2 Introduction At the other end of the spectrum sits the artist, overwhelmed with choices: 4 The Distribution Maze: anybody can (and does) make a recording these days, but if an artist is not signed Bring a Compass: Part I with a record label, or doesn’t have the resources to make a vanity recording, is there still a way? As Phil Sommerich points out in his excellent overview of “The 8 The Distribution Maze: Distribution Maze,” Part I and Part II, yes, there is a way, or rather, ways. But which Bring a Compass: Part II one is the right one? Sommerich lets us in on a few of the major players, explains 11 Five Minutes, Five Questions how they each work, and the advantages and disadvantages of each. with Three Top Label Execs In “The Musical America Recording Surveys,” we confirmed that our readers are both consumers and makers of recordings.
    [Show full text]
  • Sheku Kanneh-Mason
    Sheku Kanneh-Mason Sheku Kanneh-Mason is the 2016 BBC Young Musician, a title he won with a stunning performance of the Shostakovich Cello Concerto at London’s Barbican Hall with the BBC Symphony Orchestra. In April 2017, Sheku returned to the hall for another performance of the concerto, this time with the National Youth Orchestra and Carlos Miguel Prieto after which the Guardian wrote that “technically superb and eloquent in his expressivity, he held the capacity audience spellbound with an interpretation of exceptional authority” and the Telegraph acknowledged “what a remarkable musician he already is, bringing other- worldly tone to the haunting slow movement and displaying mature musicianship in his handling of the extended cadenza” Only eighteen years old, Sheku’s international career is developing very quickly with engagements in the 2017/18 and 2018/19 seasons including the CBSO, the Philharmonia Orchestra at the Newbury Spring Festival, a return to the Royal Liverpool Philharmonic, Zurich Tonhalle Orchestra, Barcelona Symphony, Netherlands Chamber Orchestra (his debut at the Concertgebouw), Los Angeles Chamber Orchestra (Sheku’s concerto debut in North America), Louisiana Philharmonic, and the Seattle and Atlanta symphonies. He will also return to the BBC Symphony Orchestra to perform the Elgar Concerto in his hometown of Nottingham and make his debut at the Vienna Konzerthaus with the Japan Philharmonic. In recital, Sheku has several concerts across the UK with highlights over the next two seasons including his debuts at Kings Place as part of their Cello Unwrapped series, Milton Court, and Wigmore Hall. He will also perform a series of concerts in Canada in December 2017, and further recitals at the Zurich Tonhalle, and the Lucerne Festival.
    [Show full text]
  • Now We Are 126! Highlights of Our 3 125Th Anniversary
    Issue 5 School logo Sept 2006 Inside this issue: Recent Visits 2 Now We Are 126! Highlights of our 3 125th Anniversary Alumni profiles 4 School News 6 Recent News of 8 Former Students Messages from 9 Alumni Noticeboard 10 Fundraising 11 A lot can happen in 12 just one year In Memoriam 14 Forthcoming 16 Performances Kim Begley, Deborah Hawksley, Robert Hayward, Gweneth-Ann Jeffers, Ian Kennedy, Celeste Lazarenko, Louise Mott, Anne-Marie Owens, Rudolf Piernay, Sarah Redgwick, Tim Robinson, Victoria Simmons, Mark Stone, David Stout, Adrian Thompson and Julie Unwin (in alphabetical order) performing Serenade to Music by Ralph Vaughan Williams at the Guildhall on Founders’ Day, 27 September 2005 Since its founding in 1880, the Guildhall School has stood as a vibrant showcase for the City of London's commitment to education and the arts. To celebrate the School's 125th anniversary, an ambitious programme spanning 18 months of activity began in January 2005. British premières, international tours, special exhibits, key conferences, unique events and new publications have all played a part in the celebrations. The anniversary year has also seen a range of new and exciting partnerships, lectures and masterclasses, and several gala events have been hosted, featuring some of the Guildhall School's illustrious alumni. For details of the other highlights of the year, turn to page 3 Priority booking for members of the Guildhall Circle Members of the Guildhall Circle are able to book tickets, by post, prior to their going on sale to the public. Below are the priority booking dates for the Autumn productions (see back cover for further show information).
    [Show full text]
  • 2017 Season 2
    1 2017 SEASON 2 Eugene Onegin, 2016 Absolutely everything was perfection. You have a winning formula Audience member, 2016 1 2 SEMELE George Frideric Handel LE NOZZE DI FIGARO Wolfgang Amadeus Mozart PELLÉAS ET MÉLISANDE Claude Debussy IL TURCO IN ITALIA Gioachino Rossini SILVER BIRCH Roxanna Panufnik Idomeneo, 2016 Garsington OPERA at WORMSLEY 3 2017 promises to be a groundbreaking season in the 28 year history of Cohen, making his Garsington debut, and directed by Annilese Miskimmon, Garsington Opera. Artistic Director of Norwegian National Opera, who we welcome back nine years after her Il re pastore at Garsington Manor. We will be expanding to four opera productions for the very first time and we will now have two resident orchestras as the Philharmonia Orchestra joins us for Our fourth production will be a revival from 2011 of Rossini’s popular comedy, Pelléas et Mélisande. Il turco in Italia. We are delighted to welcome back David Parry, who brings his conducting expertise to his 13th production for us, and director Martin Duncan Our own highly praised Garsington Opera Orchestra will not only perform Le who returns for his 6th season. nozze di Figaro, Il turco in Italia and Semele, but will also perform the world premiere of Roxanna Panufnik’s Silver Birch at the conclusion of the season. To cap the season off we are very proud to present a brand new work commissioned by Garsington from composer Roxanna Panufnik, to be directed Pelléas et Mélisande, Debussy’s only opera and one of the seminal works by our Creative Director of Learning & Participation, Karen Gillingham, and I of the 20th century, will be conducted by Jac van Steen, who brought such will conduct.
    [Show full text]
  • PROMS 2018 Page 1 of 7
    PROMS 2018 Page 1 of 7 Prom 1: First Night of the Proms Sam Walton percussion Piano Concerto No 1 in G minor (20 mins) 20:15 Friday 13 July 2018 ON TV Martin James Bartlett piano Royal Albert Hall Freddy Kempf piano Morfydd Llwyn Owen Lara Melda piano Nocturne (15 mins) Ralph Vaughan Williams Lauren Zhang piano Toward the Unknown Region (13 mins) BBC Concert Orchestra Robert Schumann Andrew Gourlay conductor Symphony No 4 in D minor (original 1841 version) (28 mins) Gustav Holst The Planets (52 mins) Bertrand Chamayou piano Proms at … Cadogan Hall 1 BBC National Orchestra of Wales Anna Meredith 13:00 Monday 16 July 2018 Thomas Søndergård conductor 59 Productions Cadogan Hall, London Five Telegrams (22 mins) BBC co-commission with 14–18 NOW and Edinburgh Caroline Shaw Proms at … The Roundhouse International Festival: world première Second Essay: Echo (15 mins) 15:00 Saturday 21 July 2018 Third Essay: Ruby Roundhouse, Camden National Youth Choir of Great Britain BBC Symphony Chorus Robert Schumann Charles Ives BBC Proms Youth Ensemble Piano Quintet in E flat major, Op 44 (30 mins) The Unanswered Question (6 mins) BBC Symphony Orchestra Sakari Oramo conductor Calidore String Quartet ensemble Georg Friedrich Haas Javier Perianes piano the last minutes of inhumanity (5 mins) world première Prom 2: Mozart, Ravel and Fauré 19:30 Saturday 14 July 2018 Prom 4: Shostakovich’s ‘Leningrad’ Hannah Kendall Royal Albert Hall Verdala (5 mins) Symphony world première 19:30 Monday 16 July 2018 Gabriel Fauré Royal Albert Hall Pavane (choral version) (5
    [Show full text]
  • Guy Johnston Cello
    Guy Johnston Cello Ikon Arts Management Ltd 2-6 Baches Street +44 (0)20 7354 9199 [email protected] www.ikonarts.com Website guy-johnston.com Contact Nicola Semple Email [email protected] Guy Johnston is one of the most exciting British cellists of his generation. His early successes included winning the BBC Young Musician of the Year, the Shell London Symphony Orchestra Gerald MacDonald Award and a Classical Brit. He has performed with many leading international orchestras including the London Philharmonic, Philharmonia Orchestra, Ulster Orchestra, BBC Philharmonic, NHK Symphony Orchestra, BBC Symphony, Britten Sinfonia, Deutsches Symphonie-Orchester Berlin, Orquestra Sinfônica do Estado de São Paulo, Moscow Philharmonic and St Petersburg Symphony. Recent and forthcoming seasons have included concertos with Philharmonia Orchestra, BBC Philharmonic (Ilan Volkov), BBC Symphony Orchestra (Sakari Oramo), Aurora Orchestra, Royal Northern Sinfonia and Staatsorchester Rheinische Philharmonie. Guy continues to play chamber music and recitals at prestigious venues and festivals across Europe including Wigmore Hall, Queen Elisabeth Hall, Louvre Museum, the Moscow Tchaikovsky Conservatory, Three Choirs Festival and MusicFest Aberystwyth. He is also presenting programmes with Sheku Kanneh-Mason and Melvyn Tan. Guy was privileged to perform as part of the Wigmore Hall and BBC Radio 3 special series of concerts, livestreamed during the COVID-19 pandemic. He gave weekly outdoor impromptu recitals in his home village in Dorset, which was featured by BBC during the UK lockdown. A prolific recording artist, Guy’s recent recordings include Howells’ Cello Concerto with Britten Sinfonia (a piece he also gave the premiere of) and a celebration disc of the tricentenary of his David Tecchler cello, collaborating with the acclaimed Orchestra dell’Accademia Nazionale di Santa Cecilia in Rome, where the cello was made.
    [Show full text]
  • Sir Colin Davis Anthology Volume 1
    London Symphony Orchestra LSO Live Sir Colin Davis Anthology Volume 1 Sir Colin Davis conductor Colin Lee tenor London Symphony Chorus London Symphony Orchestra Hector Berlioz (1803–1869) – Symphonie fantastique, Op 14 (1830–32) Recorded live 27 & 28 September 2000, at the Barbican, London. 1 Rêveries – Passions (Daydreams – Passions) 15’51’’ Largo – Allegro agitato e appassionato assai – Religiosamente 2 Un bal (A ball) 6’36’’ Valse. Allegro non troppo 3 Scène aux champs (Scene in the fields) 17’16’’ Adagio 4 Marche au supplice (March to the Scaffold) 7’02’’ Allegretto non troppo 5 Songe d’une nuit de sabbat (Dream of the Witches’ Sabbath) 10’31’’ Larghetto – Allegro 6 Hector Berlioz (1803–1869) – Overture: Béatrice et Bénédict, Op 27 (1862) 8’14’’ Recorded live 6 & 8 June 2000, at the Barbican, London. 7 Hector Berlioz (1803–1869) – Overture: Les francs-juges, Op 3 (1826) 12’41’’ Recorded live 27 & 28 September 2006, at the Barbican, London. Hector Berlioz (1803–1869) – Te Deum, Op 22 (1849) Recorded live 22 & 23 February 2009, at the Barbican, London. 8 i. Te Deum (Hymne) 7’23’’ 9 ii. Tibi omnes (Hymne) 9’57’’ 10 iii. Dignare (Prière) 8’04’’ 11 iv. Christe, Rex gloriae (Hymne) 5’34’’ 12 v. Te ergo quaesumus (Prière) 7’15’’ 13 vi. Judex crederis (Hymne et prière) 10’20’’ 2 Antonín Dvořák (1841–1904) – Symphony No 9 in E minor, Op 95, ‘From the New World’ (1893) Recorded live 29 & 30 September 1999, at the Barbican, London. 14 i. Adagio – Allegro molto 12’08’’ 15 ii. Largo 12’55’’ 16 iii.
    [Show full text]
  • Download Booklet
    MAG IC L A N T Sophie Daneman ~ soprano Beth Higham-Edwards ~ vibraphone E D Alisdair Hogarth ~ piano Anna Huntley ~ mezzo-soprano R A George Jackson ~ conductor Sholto Kynoch ~ piano O N Anna Menzies ~ cello Edward Nieland ~ treble H Sinéad O’Kelly ~ mezzo-soprano Natalie Raybould ~ soprano - T S E Collin Shay ~ countertenor Philip Smith ~ baritone Nicky Spence ~ tenor A Mark Stone ~ baritone Verity Wingate ~ soprano C L N A E R S F L Y R E H C Y B S G N O S FOREWORD Although the thought of singing and acting in front of an audience terrifies me, there is nothing I enjoy more than being alone at my piano and desk, the notes on an empty page yet to be fixed. Fortunately I am rarely overheard as I endlessly repeat words and phrases, trying to find the music in them: the exact pitches and rhythms needed to portray a particular emotion often take me an exasperatingly long time to find. One of the things that I love most about writing songs is that I feel I truly get to know and understand the poetry I am setting. The music, as I write it, allows me to feel as if I am inhabiting the character in the poem, and I often only discover what the poem really says to me when I reach the final bar. This disc features a number of texts either written especially for me (Kei Miller, Tamsin Collison, Andrew Motion, Stuart Murray), or already in existence (Kate Wakeling, Ian McMillan, 4th century Aristotle).
    [Show full text]
  • Sinfonia Viva with Guy Johnson
    About the Orchestra Sinfonia Viva is a virtuoso ensemble delivering original and extraordinary creative musical experiences. Founded in 1982, Sinfonia Viva has a national reputation as a leader in creative music activity in the UK. Its work offers relevant and enriching possibilities for all. Sinfonia Viva: in association with Embraces new opportunities and ways of working whilst nurturing the Orchestras Live best of existing practice, making music accessible to the widest audience presents Connects participants, communities and professional musicians through shared creative activities and performances Creates exciting and imaginative performance experiences for audiences and participants Collaborates with partners to devise, develop and deliver original Sinfonia Viva musical opportunities Is an ambassador for music making with Guy Johnson The Orchestra has toured to Ireland and Berlin, has broadcast on BBC Radio 3 and has been part of a project for Granada Television. The Orchestra made its London debut as part of an Indian music festival in London’s Kings Place, building on its partnership with top Indian classical violinist Kala Derby Assembly Rooms Ramnath. One of the Orchestra’s tracks on the Gorillaz’ album Plastic Beach was nominated for a nd Grammy award. The Orchestra has hosted the Association of British Orchestras’ national conference. Wednesday 2 April 2014, 7.30pm It took part in the BBC Radio 3 co-ordinated Music Nation week-end which was a countdown event to the London 2012 Festival and the performance was also broadcast on BBC Radio 3. The Orchestra was the local content producer for the Olympic Torch Evening Celebration event in June 2012 in Derby.
    [Show full text]
  • Bernard Haitink 59 Murray Perahia
    Table of Contents | Week 22 7 bso news 17 on display in symphony hall 18 bso music director andris nelsons 20 the boston symphony orchestra 23 resonance by gerald elias 32 this week’s program Notes on the Program 34 The Program in Brief… 35 Ludwig van Beethoven 43 Gustav Mahler 51 To Read and Hear More… Guest Artists 57 Bernard Haitink 59 Murray Perahia 62 sponsors and donors 80 future programs 82 symphony hall exit plan 83 symphony hall information program copyright ©2016 Boston Symphony Orchestra, Inc. program book design by Hecht Design, Arlington, MA cover photo by Constantine Manos cover design by BSO Marketing BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617)266-1492 bso.org andris nelsons, ray and maria stata music director bernard haitink, lacroix family fund conductor emeritus seiji ozawa, music director laureate 135th season, 2015–2016 trustees of the boston symphony orchestra, inc. William F. Achtmeyer, Chair • Paul Buttenwieser, President • George D. Behrakis, Vice-Chair • Cynthia Curme, Vice-Chair • Carmine A. Martignetti, Vice-Chair • Theresa M. Stone, Treasurer David Altshuler • Ronald G. Casty • Susan Bredhoff Cohen • Richard F. Connolly, Jr. • Alan J. Dworsky • Philip J. Edmundson, ex-officio • William R. Elfers • Thomas E. Faust, Jr. • Michael Gordon • Brent L. Henry • Susan Hockfield • Barbara W. Hostetter • Stephen B. Kay • Edmund Kelly • Martin Levine, ex-officio • Joyce Linde • John M. Loder • Nancy K. Lubin • Joshua A. Lutzker • Robert J. Mayer, M.D. • Susan W. Paine • John Reed • Carol Reich • Arthur I. Segel • Roger T. Servison • Wendy Shattuck • Caroline Taylor • Stephen R.
    [Show full text]
  • Download PDF Booklet
    THE COMPLETE volume 1 SONGBOOK MARK STONE SIMON LEPPER THE COMPLETE volume 1 SONGBOOK MARK STONE SIMON LEPPER THE COMPLETE SONGBOOK volume 1 CHARLES WILFRED ORR (1893-1976) SEVEN SONGS FROM “A S HROPSHIRE LAD ” (Alfred Edward Housman) 1 i Along the field 2’58 2 ii When I watch the living meet 3’17 3 iii The Lent lily 1’54 4 iv Farewell to barn and stack and tree 4’51 5 v Oh fair enough are sky and plain 2’54 6 vi Hughley steeple 3’13 7 vii When smoke stood up from Ludlow 2’58 8 SILENT NOON (Dante Gabriel Rossetti) 4’33 9 TRYSTE NOEL (Louise Imogen Guiney) 3’23 10 THE BREWER ’S MAN (Leonard Alfred George Strong) 1’36 TWO SEVENTEENTH CENTURY POEMS 11 i The Earl of Bristol’s farewell (John Digby) 2’01 12 ii Whenas I wake (Patrick Hannay) 1’37 13 SLUMBER SONG (Noel Lindsay) 2’26 14 FAIN WOULD I CHANGE THAT NOTE (Anonymous) 2’09 15 WHEN THE LAD FOR LONGING SIGHS (Alfred Edward Housman) 2’43 16 THE CARPENTER ’S SON (Alfred Edward Housman) 5’29 17 WHEN I WAS ONE -AND -TWENTY (Alfred Edward Housman) 2’01 18 SOLDIER FROM THE WARS RETURNING (Alfred Edward Housman) 2’57 19 WHEN SUMMER ’S END IS NIGHING arr. Mark Stone (b.1969) 3’31 (Alfred Edward Housman) TWO SONGS FROM “A S HROPSHIRE LAD ” (Alfred Edward Housman) 20 i ’Tis time, I think, by Wenlock town 1’51 21 ii Loveliest of trees, the cherry 3’34 62’07 MARK STONE baritone SIMON LEPPER piano CHARLES WILFRED ORR The unsung hero of English song Part one: The creation of a song-writer Charles James Orr, a captain in the Indian army, met Jessie Jane Coke whilst visiting his aunt in Cheltenham, Gloucestershire.
    [Show full text]