Diane CILENTO

Total Page:16

File Type:pdf, Size:1020Kb

Diane CILENTO AUSTRALIAN BIOGRAPHY DIANE STUDY GUIDE RIE NATALENKO AND JACQUI STONE CILENTO SERIES 8 (1932 - 2011 ) Actor INTRODUCTION his program is an episode of Australian Biography (Series 8) produced by the Na- ...she went to New tional Interest Program of Film Australia. This well-established series profiles some Tof the most extraordinary Australians of our time. Many have had a major impact York with her father, on the nation’s cultural, political and social life. All are remarkable and inspiring people who have reached a stage in their lives where they can look back and reflect. Through where she secretly ISSUE 29 revealing in-depth interviews, they share their stories - of beginnings and challenges, landmarks and turning points. In so doing, they provide us with an invaluable archival spent her days at AUSTRALIAN SCREEN EDUCATION record and a unique perspective on the roads we, as a country, have travelled. the museum and SYNOPSIS an Academy Award nomination for Tom the movies instead Jones in 1963. That was also the year Diane Cilento achieved international ac- her celebrity reached its height, with her claim as a stage and screen actor in the husband Sean Connery as James Bond of in the classroom, 1950s and 60s. A graduate of the Royal attracting feverish attention the world Academy of Dramatic Art in London, she over. and where she dis- won a Critics Choice Award for her thea- tre role in Tiger at the Gates in 1956 and It was far removed from her days growing covered acting. 1 ABOVE: DIANE CILENTO IN 2001 8 AUSTRALIAN BIOGRAPHY DIANE CILENTO CURRICULUM LINKS son, Jason, who is now a famous actor in his own right. Diane left Sean Connery in Australian Biography: Diane Cilento will 1970 and divorced him the following year. have interest and relevance for students In 1985, Diane married English playwright at upper secondary and tertiary levels. Anthony Shaffer (1926 – 2001). Curriculum links include English, Drama, Media Studies, Society and Culture, • The first image we see of Diane’s first Personal Development, Philosophy and husband is a painting. How would you Studies of Religion. describe it? What effect is produced by using this image? Why was this BEFORE WATCHING image selected, do you think? • What were some of the issues that Construct a timeline showing the major Diane faced in her marriage to Andrea historical events in Australia in the 20th Volpe? What does she mean by the century. reference to Romeo and Juliet? • What was the effect of Sean Con- Research news making the headlines in nery’s success on Diane Cilento’s Australia in the 1930s and on the date Di- life and on their marriage? ane Cilento was born: 5 October 1932. • What were some of the challenges that Diane experienced in trying to Find some statistics about her birthplace, raise children in a ‘normal’ family Brisbane, from that year, eg. population, environment? main industries, etc. • If you were the child of two famous people, what privileges and what Discuss some reasons a person may problems might you experience? up in Queensland as one of six children have for wanting to become an actor and to Lady Phyllis and Sir Raphael Cilento, the skills that are required. ROLE: ACTOR both eminent doctors. But not necessar- ily surprising. Diane had been a rebel- AFTER WATCHING LEARNING TO ACT lious child. Expelled from her school in Australia, she went to New York with her FORMATIVE YEARS The best part of learning any profession father, where she secretly spent her days is when you’re really going through those at the museum and the movies instead of Diane Cilento doesn’t believe that her huge stretching escalated times of learn- in the classroom, and where she discov- childhood years were ‘normal’, in that ing and energy, when you want to do it ered acting. her home was always full of visitors and so much. she was given a lot of freedom by her Young Diane was impetuous, passion- parents. • Do you agree with Diane Cilento’s ate, dramatic. Her early life was marked statement? To what extent can the by intense peaks of emotion: her elope- She says that she became rebellious during power of a burning ambition help ment with a romantic Italian at the age her time at boarding school, where she was someone to achieve their goals? Do of 23, a nervous breakdown and suicide sent after her father was posted overseas. you think there is also a downside? attempt, and twice fleeing marriages When she joined her father in New York she without warning. says her behaviour did not improve and she Instead of going to school while in New became a chronic truant. York, Diane fuelled her passion for per- These days, Diane talks about balance. formance and the arts. Cilento’s acting She has a happy marriage, spiritual con- • Do you think that there is such a thing career began when she stumbled into an tentment and a magnificent Queensland as ‘too much freedom’ for a child? audition session at Carnegie Hall where property where she runs a theatre amidst • What attitudes are revealed by the she took dance lessons and instantly the rainforest. It’s a place she has reached statement Diane uses, ‘You’re not won a part. She then studied at the Royal after turning her back on stardom in the the boss of me’? Academy of Dramatic Art in London and 1970s and beginning a journey of self- in New York. discovery. ROLE: WIFE AND MOTHER Diane’s stage and screen careers seemed In a very candid interview, Diane talks Diane Cilento married three times. When to fall into place when director Alexander AUSTRALIAN SCREEN EDUCATION about what she has learnt from her roles: she was 23 she eloped to marry Andrea Korda saw her work and signed her on a as an actor, as wife and mother, and as Volpe, an Italian, with whom she had her long-term contract. In 1963, she played ISSUE 29 someone seeking spiritual fulfilment. first child, Giovanna. She married fellow Tom’s promiscuous, mud-stained lady actor Sean Connery in 1962. They had a friend Molly Seagrim in Tom Jones, and 2 DIANE CILENTO AT 17 YEARS OF AGE was nominated for an Oscar for the role. ance fees actors who have ‘made A NEW DIRECTIOn – THE SUFI As well as acting, Diane has directed and it’ receive are justifiable? Why/why EXPERIENCE worked as a crew member on a number not? of films. Diane began going to philosophical and ROLE: SEEKING SPIRITUAL meditation classes with a group of people • What does Diane say she learned at FULFILMENT whom she described as ‘bizarre’. While the Royal Academy of Dramatic Art? open to new ideas, she initially didn’t think • Where does she say she really learned LIFE CRISES IN REVIEW that she’d continue attending, but after a to act? Why were movement studies short while felt that she was interested in and observation so important to her What I realise is that I probably am a pursuing the pathway. development as an actor? person who skips off when things get a bit difficult and I can’t hope to get them For a year she studied under John Godol- CELEBRITY in order. phin (J.G.) Bennett, an English Mystic and teacher (1897-1974). Bennett utilized For some actors, fame and fortune seem In the program Diane reveals several ideas from Sufism in his teachings. to go hand in hand. By the time she was occasions when she literally ran away about 18, Diane says she was earning from the challenges that she was facing Mysticism is described as the search more than her parents, which was a great in life. During her first marriage she also for direct personal experience of the surprise to them. attempted suicide. divine. A mystic may use prayer, medita- tion, invocation, chanting, recitation or • What is celebrity? What lifestyle In the wake of her break-up with Sean various ascetic practices as part of the changes do you think it might bring Connery, Diane Cilento asked herself discipline. Sufism is generally understood to someone who becomes famous at ‘Who am I?’ and ‘What am I doing by scholars and Sufis to be the inner, a young age? here?’ mystical dimension of Islam. Tradition- • How did Diane Cilento help Sean ally, it is regarded as the esoteric aspect Connery break into acting? • Why did she ask these questions? What of Islam, rather than a separate religion. • How did Diane Cilento cope with the was it that she wanted from life? Today, however, many Muslims and non- pressure of her celebrity status? Muslims regard Sufism as being outside the sphere of Islam. THE ROLE OF THE MEDIA When talking about the media attention she received, Diane emphasizes the word ‘huge’. • The image of Diane Cilento on the cover of the magazine Picture Post was not glamorous. Was this an ap- propriate image for the accompanying story? • View the piece of news footage about Diane’s return to Australia. The cov- erage mentions her hair but not her pregnancy. Why is this? How might this be reported differently today? • Why does she say that living with the press attention was ‘worse than living ISSUE 29 in a fishbowl’? AUSTRALIAN SCREEN EDUCATION CAREER • Why was Sean Connery not accept- able to the film and theatre world of the time? • Is a career something that you have for your whole life? • What transferable skills do you think actors in general would have? • Do you think that the large perform- 3 DIANE CILENTO IN A STILL FROM HITLER: THE LAST TEN DAYS 8 AUSTRALIAN BIOGRAPHY DIANE CILENTO In Sufism, ascetic practices commonly visual form? 6 Sufism include standing, sitting or night vigils.
Recommended publications
  • Shakespeare on Film, Video & Stage
    William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994.
    [Show full text]
  • Set in Scotland a Film Fan's Odyssey
    Set in Scotland A Film Fan’s Odyssey visitscotland.com Cover Image: Daniel Craig as James Bond 007 in Skyfall, filmed in Glen Coe. Picture: United Archives/TopFoto This page: Eilean Donan Castle Contents 01 * >> Foreword 02-03 A Aberdeen & Aberdeenshire 04-07 B Argyll & The Isles 08-11 C Ayrshire & Arran 12-15 D Dumfries & Galloway 16-19 E Dundee & Angus 20-23 F Edinburgh & The Lothians 24-27 G Glasgow & The Clyde Valley 28-31 H The Highlands & Skye 32-35 I The Kingdom of Fife 36-39 J Orkney 40-43 K The Outer Hebrides 44-47 L Perthshire 48-51 M Scottish Borders 52-55 N Shetland 56-59 O Stirling, Loch Lomond, The Trossachs & Forth Valley 60-63 Hooray for Bollywood 64-65 Licensed to Thrill 66-67 Locations Guide 68-69 Set in Scotland Christopher Lambert in Highlander. Picture: Studiocanal 03 Foreword 03 >> In a 2015 online poll by USA Today, Scotland was voted the world’s Best Cinematic Destination. And it’s easy to see why. Films from all around the world have been shot in Scotland. Its rich array of film locations include ancient mountain ranges, mysterious stone circles, lush green glens, deep lochs, castles, stately homes, and vibrant cities complete with festivals, bustling streets and colourful night life. Little wonder the country has attracted filmmakers and cinemagoers since the movies began. This guide provides an introduction to just some of the many Scottish locations seen on the silver screen. The Inaccessible Pinnacle. Numerous Holy Grail to Stardust, The Dark Knight Scottish stars have twinkled in Hollywood’s Rises, Prometheus, Cloud Atlas, World firmament, from Sean Connery to War Z and Brave, various hidden gems Tilda Swinton and Ewan McGregor.
    [Show full text]
  • Critical Australian Indigenous Histories
    Transgressions critical Australian Indigenous histories Transgressions critical Australian Indigenous histories Ingereth Macfarlane and Mark Hannah (editors) Published by ANU E Press and Aboriginal History Incorporated Aboriginal History Monograph 16 National Library of Australia Cataloguing-in-Publication entry Title: Transgressions [electronic resource] : critical Australian Indigenous histories / editors, Ingereth Macfarlane ; Mark Hannah. Publisher: Acton, A.C.T. : ANU E Press, 2007. ISBN: 9781921313448 (pbk.) 9781921313431 (online) Series: Aboriginal history monograph Notes: Bibliography. Subjects: Indigenous peoples–Australia–History. Aboriginal Australians, Treatment of–History. Colonies in literature. Australia–Colonization–History. Australia–Historiography. Other Authors: Macfarlane, Ingereth. Hannah, Mark. Dewey Number: 994 Aboriginal History is administered by an Editorial Board which is responsible for all unsigned material. Views and opinions expressed by the author are not necessarily shared by Board members. The Committee of Management and the Editorial Board Peter Read (Chair), Rob Paton (Treasurer/Public Officer), Ingereth Macfarlane (Secretary/ Managing Editor), Richard Baker, Gordon Briscoe, Ann Curthoys, Brian Egloff, Geoff Gray, Niel Gunson, Christine Hansen, Luise Hercus, David Johnston, Steven Kinnane, Harold Koch, Isabel McBryde, Ann McGrath, Frances Peters- Little, Kaye Price, Deborah Bird Rose, Peter Radoll, Tiffany Shellam Editors Ingereth Macfarlane and Mark Hannah Copy Editors Geoff Hunt and Bernadette Hince Contacting Aboriginal History All correspondence should be addressed to Aboriginal History, Box 2837 GPO Canberra, 2601, Australia. Sales and orders for journals and monographs, and journal subscriptions: T Boekel, email: [email protected], tel or fax: +61 2 6230 7054 www.aboriginalhistory.org ANU E Press All correspondence should be addressed to: ANU E Press, The Australian National University, Canberra ACT 0200, Australia Email: [email protected], http://epress.anu.edu.au Aboriginal History Inc.
    [Show full text]
  • The Pioneers of Australian Military Malariology: Some Biographical Profiles (Part 1)
    History The Pioneers of Australian military malariology: Some biographical profiles (Part 1) Ian Howie-Willis Abstract Australian military malariology has a long but discontinuous history extending back to the Boer War and possibly earlier. Its origins could possibly have been in the Sudan campaign (1885) and more certainly in the second Boer War (1899–1902) in the years before the establishment of the Australian Army. The discipline has continued, increasingly purposefully during the past half-century, to the present. The continuing struggle of the Australian Defence Force against malaria is now led by the Australian Army Malaria Institute (AAMI), the forerunner of which, the 1st Malaria Research Laboratory (1MRL), was founded in June 1966. The Army’s anti-malaria effort has typically been led by officers of the Royal Australian Army Medical Corps; however, particular distinguished civilian malariologists have also influenced the directions taken by Australian military malariology. This article is the first in a proposed series that will trace the careers of about 20 Australian malariologists who have made significant, pioneering contributions to the development of their discipline. As the AAMI will be able to celebrate the 50th anniversary of the formal establishment of the 1MRL on 14 June 2016, such a series is timely. Later articles in the series will demonstrate how the AAMI has grown from humble, even inauspicious origins as the 1MRL to become a leading malariological research agency. Introduction One way of conceptualising the development of Australian malariology is to view it through a Malariology was a late developing discipline in ‘biographical prism’, that is to trace the growth of the Australia.
    [Show full text]
  • Sleuth by Anthony Shaffer Directed by Michael Evan Haney
    2009—2010 SEASON SLEUTH by Anthony Shaffer Directed by Michael Evan Haney CONTENTS 2 The 411 3 A/S/L & RMAI 4 FYI 5 HTH 6 F2F 7 B4U 10 IRL 11 RBTL 12 SWDYT? At The Rep, we know MIHYAP: Top Ten Ways to that life moves fast— Stay Connected at The Rep okay, really fast. 10. TBA Ushers will seat your school or class as a group, But we also know so even if you are dying to mingle with the group from the that some things all girls school that just walked in the door, stick with your are worth slowing friends until you have been shown your section in the theatre. down for. We believe that live theatre is one of those pit stops worth making and are excited that you are 9. SITD The house lights will dim immediately before the performance begins and then go dark. Fight off that oh-so- going to stop by for a show. To help you get the most bang immature urge to whisper, giggle like a grade schooler or yell for your buck, we have put together WU? @ THE REP—an at this time and during any other blackouts in the show. IM guide that will give you everything you need to know to get at the top of your theatergoing game—fast. You’ll find 8. SED Before the performance begins, turn off all cell character descriptions (A/S/L), a plot summary (FYI), phones, pagers, beepers and watch alarms. If you need to biographical information (F2F), historical context (B4U), text, talk or dial back during intermission, please make sure and other bits and pieces (HTH).
    [Show full text]
  • DANTE NEWS Gold Coast
    DANTE NEWS Gold Coast 18 Fairway Drive, Clear Island Waters, Qld Australia Mail: P.O.Box 6862 Gold Coast MC 9726 Ph: 07 5575 5772 Fax: 07 5575 5772 Società Dante Alighieri Gold Coast Inc. Web site: www.dantegoldcoast.com.au Email: [email protected] February/febbraio 2017 PRESIDENT’S LETTER Like us on Facebook – Dante Gold Coast We are also on Instagram Dear Members, https://www.instagram.com/dantegoldcoast/ Thank you for renewing your membership. We appreciate www.ladante.it/associati your support and that of newsletter sponsors. Thank you to (discounts in Italy for members) Canale Travel Service for sponsoring our Web page Please DATE CLAIMER 2017 check out the Sede Centrale Rome web site to see where you can get discounts in Italy. (www.ladante.it/associati) Monday 6th February – 1st Semester starts Saturday 25th February – Carnevale Members enjoyed attending the Summer Classes offered as st well as the Immersion Day. Thank you to Ester Ceron and Easter holidays 1 April – 17 April Monday 6th March – AGM Vilma Andriani for the pasta making lessons. Next time we st will include gnocchi making and it will be in winter time! Friday 21 July – Opera – sung in English “The Marriage of Figaro” The Nonne, June, Luisa, Rena and Clelia in collaboration Gold Coast Arts Centre with the Gold Coast Italo Australian Club organized a very --------------------------------------------------------------- successful Befana party on the 5th January. I only included THE GOLD COAST a couple of photos here but all photos of our events are on ITALO AUSTRALIAN CLUB the Web Site and on the Facebook page.
    [Show full text]
  • Vivat Regina! Melbourne Celebrates the Maj’S 125Th Birthday
    ON STAGE The Spring 2011 newsletter of Vol.12 No.4 Vivat Regina! Melbourne celebrates The Maj’s 125th birthday. he merriment of the audience was entrepreneur Jules François de Sales — now, of course, Her Majesty’s — almost continuous throughout.’ Joubert on the corner of Exhibition and celebrated its birthday by hosting the third TThat was the observation of the Little Bourke Streets. The theatre’s début Rob Guest Endowment Concert. The Rob reporter from M elbourne’s The Argus who was on Friday, 1 October 1886. Almost Guest Endowment, administered by ANZ ‘covered the very first performance in what exactly 125 years later — on Monday, Trustees, was established to commemorate was then the Alexandra Theatre, the 10 October 2011 the merriment was one of Australia’s finest music theatre handsome new playhouse built for similarly almost continuous as the theatre performers, who died in October 2008. * The Award aims to build and maintain a This year’s winner was Blake Bowden. Mascetti, Barry Kitcher, Moffatt Oxenbould, appropriate time and with due fuss and ‘“Vivat Regina!” may be a bit “over the Clockwise from left: Shooting the community for upcoming music theatre He received a $10 000 talent development the theatre’s archivist Mary Murphy, and publicity, as well as the final casting, but I top” — but then, why not?’ commemorative film in The Maj's foyer. Mike Walsh is at stairs (centre). artists and to provide one night every year grant, a media training session, a new theatre historian Frank Van Straten. am thrilled that they are spearheaded by a Why not, indeed! when all facets of the industry join to headshot package and a guest performance Premier Ted Baillieu added a special brand new production of A Chorus Line — as Rob Guest Endowment winner Blake Bowden welcome a new generation of performers.
    [Show full text]
  • The Shock of Presence.’ Brook Articulated This Very Clearly in His Essay on Gurdjieff, ‘The Secret Dimension,’
    ABSTRACT This thesis investigates the social, political, and cultural climate which facilitated the emergence of Peter Brook and Jerzy Grotowski as the most influential theatre directors in the Fig. 1. Unknown. Last photograph taken of George Gurdjieff. 1948. second half of the Twentieth Century. Jeremy Johnson This thesis is submitted in fulfillment of the requirements for the degree of Master of Arts THE SHOCK OF (Research) Department of Theatre and Performance Studies. Faculty of Arts and Science, University of Sydney November 2017 PRESENCE Peter Brook & Jerzy Grotowski - The Reinvention of Australian Theatre I certify that the intellectual content of this thesis is the product of my own work and that all the assistance received in preparing this thesis and sources have been acknowledged. 1 Table of Contents Prologue 2 Introduction 4 Part 1 1.1 Stanislavski and the Russian Soul 13 1.2 A Challenge to Prevailing Ideologies: 20 How the Cultural Landscape was shaped to receive the Ideas of Gurdjieff in the 1920s and Brook and Grotowski in the 1960s 1.3 Jerzy Grotowski: hic et nunc. The Sacred Aim. 31 1.4 Peter Brook: An Orthodoxy within the Mysticism 37 Part 2 2.1 1960: The Time is Not Yet Ripe 51 2.2 1970: Australia and the Shock of Identity in an Overdue Cultural Revolution 56 2.3 Larrikins, Ockers and the Empty Space 62 2.4 Freestyle Upstream to Jerzy Shore 73 Part 3 3.1 Poor Theatre, Women’s Theatre, and Take No Prisoners 79 3.2 Conclusion: The Socio-Political and Spiritual Legacy 86 Endnotes 96 Bibliography 100 2 Prologue Even at a superficial level, looking at Peter Brook and Jerzy Grotowski, one cannot help but see two sides of the same coin: Brook re-evaluating theatre as an empty space for ritual practice, Grotowski re-evaluating the empty soul of ritual practice and making it theatre.
    [Show full text]
  • A Doctor Across Borders Raphael Cilento and Public Health from Empire to the United Nations
    A DOCTOR ACROSS BORDERS RAPHAEL CILENTO AND PUBLIC HEALTH FROM EMPIRE TO THE UNITED NATIONS A DOCTOR ACROSS BORDERS RAPHAEL CILENTO AND PUBLIC HEALTH FROM EMPIRE TO THE UNITED NATIONS ALEXANDER CAMERON-SMITH PACIFIC SERIES Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au ISBN (print): 9781760462642 ISBN (online): 9781760462659 WorldCat (print): 1088511587 WorldCat (online): 1088511717 DOI: 10.22459/DAB.2019 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design and layout by ANU Press. Cover images: Cilento in 1923, John Oxley Library, State Library of Queensland, Neg: 186000. Map of the ‘Austral-Pacific Regional Zone’, Epidemiological Record of the Austral-Pacific Zone for the Year 1928 (Canberra: Government Printer, 1929), State Library of New South Wales, Q614.4906/A. This edition © 2019 ANU Press Contents Abbreviations . vii Map and plates . ix Acknowledgements . xi Introduction . 1 1 . An education in empire: Tropical medicine, Australia and the making of a worldly doctor . 17 2 . A medico of Melanesia: Colonial medicine in New Guinea, 1924–1928 . 51 3 . Coordinating empires: Nationhood, Australian imperialism and international health in the Pacific Islands, 1925–1929 . 93 4 . Colonialism and Indigenous health in Queensland, 1923–1945 . 133 5 . ‘Blueprint for the Health of a Nation’: Cultivating the mind and body of the race, 1929–1945 . 181 6 . Social work and world order: The politics and ideology of social welfare at the United Nations .
    [Show full text]
  • Transgressions: Critical Australian Indigenous Histories
    Transgressions critical Australian Indigenous histories Transgressions critical Australian Indigenous histories Ingereth Macfarlane and Mark Hannah (editors) Published by ANU E Press and Aboriginal History Incorporated Aboriginal History Monograph 16 National Library of Australia Cataloguing-in-Publication entry Title: Transgressions [electronic resource] : critical Australian Indigenous histories / editors, Ingereth Macfarlane ; Mark Hannah. Publisher: Acton, A.C.T. : ANU E Press, 2007. ISBN: 9781921313448 (pbk.) 9781921313431 (online) Series: Aboriginal history monograph Notes: Bibliography. Subjects: Indigenous peoples–Australia–History. Aboriginal Australians, Treatment of–History. Colonies in literature. Australia–Colonization–History. Australia–Historiography. Other Authors: Macfarlane, Ingereth. Hannah, Mark. Dewey Number: 994 Aboriginal History is administered by an Editorial Board which is responsible for all unsigned material. Views and opinions expressed by the author are not necessarily shared by Board members. The Committee of Management and the Editorial Board Peter Read (Chair), Rob Paton (Treasurer/Public Officer), Ingereth Macfarlane (Secretary/ Managing Editor), Richard Baker, Gordon Briscoe, Ann Curthoys, Brian Egloff, Geoff Gray, Niel Gunson, Christine Hansen, Luise Hercus, David Johnston, Steven Kinnane, Harold Koch, Isabel McBryde, Ann McGrath, Frances Peters- Little, Kaye Price, Deborah Bird Rose, Peter Radoll, Tiffany Shellam Editors Ingereth Macfarlane and Mark Hannah Copy Editors Geoff Hunt and Bernadette Hince Contacting Aboriginal History All correspondence should be addressed to Aboriginal History, Box 2837 GPO Canberra, 2601, Australia. Sales and orders for journals and monographs, and journal subscriptions: T Boekel, email: [email protected], tel or fax: +61 2 6230 7054 www.aboriginalhistory.org ANU E Press All correspondence should be addressed to: ANU E Press, The Australian National University, Canberra ACT 0200, Australia Email: [email protected], http://epress.anu.edu.au Aboriginal History Inc.
    [Show full text]
  • Films & Major TV Dramas Shot (In Part Or Entirely) in Wales
    Films & Major TV Dramas shot (in part or entirely) in Wales Feature films in black text TV Drama in blue text Historical Productions (before the Wales Screen Commission began) Dates refer to when the production was released / broadcast. 1935 The Phantom Light - Ffestiniog Railway and Lleyn Peninsula, Gwynedd; Holyhead, Anglesey; South Stack Gainsborough Pictures Director: Michael Powell Cast: Binnie Hale, Gordon Harker, Donald Calthrop 1938 The Citadel - Abertillery, Blaenau Gwent; Monmouthshire Metro-Goldwyn-Mayer British Studios Director: King Vidor Cast: Robert Donat, Rosalind Russell, Ralph Richardson 1940 The Thief of Bagdad - Freshwater West, Pembrokeshire (Abu & Djinn on the beach) Directors: Ludwig Berger, Michael Powell The Proud Valley – Neath Port Talbot; Rhondda Valley, Rhondda Cynon Taff Director: Pen Tennyson Cast: Paul Robeson, Edward Chapman 1943 Nine Men - Margam Sands, Neath, Neath Port Talbot Ealing Studios Director: Harry Watt Cast: Jack Lambert, Grant Sutherland, Gordon Jackson 1953 The Red Beret – Trawsfynydd, Gwynedd Director: Terence Young Cast: Alan Ladd, Leo Genn, Susan Stephen 1956 Moby Dick - Ceibwr Bay, Fishguard, Pembrokeshire Director: John Huston Cast: Gregory Peck, Richard Basehart 1958 The Inn of the Sixth Happiness – Snowdonia National Park, Portmeirion, Beddgelert, Capel Curig, Cwm Bychan, Lake Ogwen, Llanbedr, Morfa Bychan Cast: Ingrid Bergman, Robert Donat, Curd Jürgens 1959 Tiger Bay - Newport; Cardiff; Tal-y-bont, Cardigan The Rank Organisation / Independent Artists Director: J. Lee Thompson Cast:
    [Show full text]
  • Gunmen Free Two Hostages
    W - MANCHESTER HERALD, Friday. June 20, 1986 SPORTS WEEKEND PLUS About Town Orioles blow out WVIT’s Crispino Cedars set potiuck additional fees for materials. Also for preschool children, will board of governors of the Univer­ cruise, Noank. Bus leaves at 10; 15 leaves Cheney Hall at 7:30 a.m. The student season will open be Lunch at Lutz from July 1 to 3 sity of Michigan Club of Hartford a.m. Nov. 21 — Culinary Institute and Tall Cedars, Nutmeg Forest 116, with two classes running from from 11 a.m. to 12:30 p.m. Oiildren at the recent annual meeting. Both Aug. 12 — Statue of Liberty. New Roosevelt mansion, Hyde Fark, first-place Bosox on his T V career will have its annual potiuck with July 1 to 3. They are a robot will bring a lunch, hear stories and received bachelor’s and master's York City. Bus leaves at 7;30 a.m. N.Y. Dec. 4 to 5 — Christmastime in strawberry shortcake on Monday . creation class for children who play games. The cost wilt be $15 for degrees at the university. Sept. 9 — Housatonlc railroad page 9 ... magazine Inside at 6 p.m. at the Masonic Temple, 25 have just completed Grades 2 to 4 members and $18 for non­ tour, Canaan Union Depot to the Brandywine Valley at the E. Center St. Bernie Bentley will and a nature exlorer class for members. AARP plans trips Cornwall. Bus leaves at 8 a.m. Pennsylvania-Delaware border. play his banjo. The event is open to children who have just completed For more information on these Sept.
    [Show full text]