AGC and JJDA DIALOGHI Catalogue

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Gioielli Contemporanei DIALOGHI Gioielli Contemporanei __ DIALOGHI 対話 Japan Jewellery Designers Association / associazione gioiello contemporaneo 対話 2015 2015 Gioielli Contemporanei DIALOGHI 対話 JJDA 創立 50 周年記念事業 日伊コンテンポラリージュエリー交流展 主催 公益社団法人日本ジュエリーデザイナー協会 イタリアコンテンポラリージュエリー協会 共催 東京会場 イタリア文化会館 金沢会場 石川しいのき迎賓館 協賛 甲府会場 山梨ジュエリーミュージアム 1 この度イタリア文化会館で、日伊コンテンポラリージュエリー交流展「DIALOGHI -対話」が開催され Sono particolarmente lieto di ospitare presso il nostro Istituto la mostra “Dialoghi” in cui sono esposte le opere ますことをたいへん嬉しく思います。イタリアコンテンポラリージュエリー協会と公益社団法人日本ジュ realizzate da artisti appartenenti all’AGC Associazione Gioiello Contemporaneo e alla JJDA Japanese Jewellery Design Association. Si tratta della prima tappa di un percorso che toccherà varie prestigiose sedi in Giappone e in エリーデザイナー協会のデザイナーたちの作品を展示するこの展覧会は、本年から来年にかけて日伊各地 Italia nel corso di quest’anno e del prossimo. を巡回する予定で、今回はその幕開けを飾るものです。 La mostra nasce dalla scelta di queste due importanti associazioni che hanno deciso, come il titolo della mostra 展覧会のタイトルが示すように、本展は上記の協会が両国のデザイナーたちの「対話」を意図したこと suggerisce, di far “dialogare” tra loro i propri artisti, utilizzando come elemento principale di comunicazione le opere から生まれました。その際に使われたコミュニケーション手段は言葉ではなく作品でした。アーティスト e non le parole. Del resto, quale modo migliore per degli artisti di manifestare i loro pensieri, sentimenti, gusti estetici, にとって、アイデアや感情、美的嗜好を表現するのに、作品以上に適切な手段はないでしょう。 che esprimerli attraverso il proprio lavoro? 周知のとおり来年は、日伊修好通商条約が締結された 1866 年から数えて 150 年の記念の年です。イタ Come è noto, il prossimo anno ricorrerà l’anniversario dei 150 anni di amicizia tra Italia e Giappone. Infatti il primo Trattato di Amicizia e Commercio fra il Regno d’Italia e l’Impero del Giappone fu firmato nel 1866. L’Istituto Italiano リア文化会館ではこの機会に、日伊両国の芸術文化が対話するようなさまざまな企画を実施しょうと考え di Cultura intende celebrare l’anniversario con diverse iniziative che vedranno rappresentanti dell’arte e della cultura ています。本展は、両国のアートの交流に力点を置いて、お互いの創造力を刺激し合い、友好関係を強化 giapponesi e italiane dialogare tra loro. Questa mostra, con la sua enfasi sullo scambio artistico tra i due paesi, rivolta することを目的としており、150 周年の企画の核となるコンセプトを先取りするものです。私は本展で展 a stimolare la creatività di entrambe le parti e a rafforzarne l’amicizia, anticipa lo spirito delle prossime celebrazioni. 示される作品を実際にはまだ見ていませんが、才能あふれるデザイナーたちの手によるジュエリーの写真 Non ho ancora potuto ammirare le opere da vicino, ma nel vedere le foto dei gioielli realizzati da questi designer pieni を見て、交流というこの展覧会の目的はすでに達成されていると理解しました。 di talento mi sono reso conto che lo scopo dell’iniziativa è già stato raggiunto. Gli artisti giapponesi e quelli italiani si sono scambiati fra loro dei temi che fossero idee e fonti di ispirazione su 日伊のデザイナーたちは、作品のテーマを提供し合い、アイデアや着想を得て作品を制作しました。つ cui lavorare. Ognuno quindi si è concentrato sul tema che gli era stato assegnato, libero però di interpretarlo a まり、各デザイナーが与えられたテーマに取り組み、思い思いに解釈したのです。想像力を使いながら、テー modo suo. Ho trovato interessante e sorprendente il modo in cui ogni artista ha svolto il proprio tema, usando la sua マを発展させる方法は興味深く、感心させられます。そうしてできあがったジュエリーは、想像力こそが immaginazione. Il risultato sono dei gioielli in cui la vera gemma è la fantasia, e dove a brillare è soprattutto la gioia 真の「宝石」であることを示し、創作の喜びをひときわ輝かせています。ジュエリーを贅沢品と考えるこ dell’invenzione. Chi è abituato a considerare il gioiello come espressione del lusso, questa volta scoprirà in esso とに慣れている人は、本展でジュエリーの違った面を見い出すことでしょう。それは、イタリアと日本の una dimensione diversa: il gioiello come un luogo in cui due sensibilità apparentemente straniere – l’italiana e la giapponese - si incontrano, riconoscendosi diverse ma scoprendosi anche intimamente vicine. Auguro a questa mostra ふたつの感受性が、違いを認め、かつ奥底で近いことを発見しつつ出会う場としてのジュエリーです。 grande successo a Tokyo e nelle tappe che seguiranno. 最後に、本展とその後の巡回展が大きな成功を収めることを願っています。 Giorgio Amitrano イタリア文化会館館長 Direttore ジョルジョ・アミトラーノ Istituto Italiano di Cultura di Tokyo 2 3 ご挨拶 Saluto 2012 年 12 月東京で AGC 会長マリア・ローザ・フランツィンと会ったそ コンテンポラリージュエリーの世界には絶え間ない探究と新たな試みが Questo progetto ha avuto inizio nel dicembre 2012, a Tōkyō, in occasione del mio In una costante ricerca e nel solco del rinnovamento nell’ambito del gioiello の時からこのプロジェクトは始まりました。温厚な彼女との会話に言葉の壁 あります。このたびイタリアコンテンポラリージュエリー協会と日本ジュ incontro con la Presidente dell’AGC Maria Rosa Franzin. Nel dialogare con lei non ho contemporaneo, l’Associazione Gioiello Contemporaneo AGC e JJDA avvertito alcuna barriera linguistica, ed è stato anzi come incontrare un’amica di vecchia は感じず古い友人に出合ったようでした。2015 年に 50 周年を迎える JJDA エリーデザイナー協会は共同プロジェクトとして両国の文化交流を目的と Associazione del Gioiello Giapponese hanno creato un’intesa di sviluppo data. Abbiamo da subito deciso di inaugurare l’iniziativa nel 2015, anno in cui ricorre il と 10 周年を迎える AGC、この記念すべき年に開催することはすぐに決まっ した「DIALOGHI-対話 」展を行う事となりました。 50 esimo anniversario dalla fondazione della JJDA e il 10 mo dalla fondazione della AGC. per un nuovo progetto di relazione e proposta di scambio culturale con la たのです。AGC からの提案でパートナーを決めテーマ写真を交換し、それぞ mostra “Dialoghi”. 両協会から同人数のメンバーが対峙して創作したジュエリーは今後 2 年間 Su proposta della stessa AGC sono state formate delle coppie tra i partecipanti, ci si è れが決めたテーマのもとに作品を制作、展覧会終了後その作品はパートナー scambiati delle fotografie, e, sulla base dei soggetti ivi ritratti, sono stati poi realizzati i I membri delle due istituzioni si sono posti in un confronto alla pari, al fine に渡って各地で展示されます。 gioielli. Inoltre, in modo del tutto originale, si è stabilito che, al termine della mostra, i 同士でプレゼントするというユニークなスタイルで行うことになりました。 di realizzare i gioielli per le esposizioni che si succederanno nei prossimi このたび東京イタリア文化会館の共催を頂き「DIALOGHI展」を vari partecipanti avrebbero fatto dono l’un l’altro delle varie opere. Ciò eliminerà infatti これはお互いに返却の負担をなくすための最善策であり、機会があれば何度 due anni. l’onere della restituzione, e avrà anche il merito di rendere i gioielli disponibili per 開催し、作品を発表することで二国間の新たな交流の場となれたことは私 でも展覧会ができるというメリットも持ち合わせています。そして「DIALOGHI eventuali future mostre. In più, all’insegna del tema dell’iniziativa “Dialoghi”, i vari artisti Con grande piacere, anzitutto, ringraziamo il Direttore Giorgio Amitrano, たちにとり大きな喜びであり、特にこの素晴らしい機会を与えていただい -対話」という大テーマのもと、アーティスト同士がメールで交流を深めて hanno anche potuto fare una conoscenza approfondita dell’altro attraverso lo scambio di per l’ospitalità data alla mostra “Dialoghi” che si svolgerà all’Istituto いくことになりました。 たイタリア文化会館館長のアミトラーノ・ジョルジョ氏には深く感謝をい e-mail. di Cultura Italiano a Tokyo dando visibilità e voce alle creazioni dei Si dice che i giapponesi, popolo insulare, eccelgano nella creazione delle dō, ovvero 島国の日本人は「道」をつくることに優れていると言われ、茶道、華道、香道、 たします。 partecipanti e aprendo così lo scambio tra i due Paesi. delle “vie” che affondano le radici nella storia del paese: sadō (la “via del tè” o “cerimonia 書道、剣道、弓道、柔道などがその歴史を繋いでいます。道すなわち型を決 同様に日伊両国の美術館並びに歴史を誇る施設にご協力を頂けたことに del tè”), kadō (la “via dei fiori” o ikebana), kōdō (la “via dei profumi”), shodō (la “via del Ringraziamo altresì tutte le sedi museali e le istituzioni storiche che a め、極めていく美学、美意識が日本人の根源にあるようです。これに対して、 より今回の私たちの交流展がさらに価値のあるものとなりました事にお礼 pennello”, ovvero la calligrafia), kendō (la “via della spada”), kyūdō (la “via dell’arco”), loro volta ospiteranno la mostra in Giappone e in Italia e che renderanno jūdō, etc. Pare che alla base dell’essere giapponese vi sia quell’estetica e quell’ideale di 隣国と地続きのヨーロッパでは常に異文化との対話、交流がありその長い歴 を申し上げます。 ancora più preziosa questa collaborazione: ogni gioiello, infatti, porterà 史を持つイタリアの皆さんには人間の強さとやさしさを感じます。どこかき bellezza che, una volta stabilita la “via”, ovvero la “forma” (kata), si va apprendendo e それぞれのジュエリーは両国の持つ芸術と文化の豊かさの証として生ま un segno della reciproca ricchezza culturale e artistica dei due Paesi ,così i assorbendo fino in fondo. In Europa, invece, sono da sempre molto numerosi i dialoghi e れいに収まっている日本の作品と、人間を強く感じるイタリアの作品が並ぶ metalli nobili e tutti i diversi materiali impiegati dagli artisti proporranno le れてきます。貴金属のみならずそれ以外の全ての素材もアーティスト達の gli scambi culturali con i paesi confinanti, e riguardo all’Italia, che vanta una lunga storia この交流展は非常に興味深いものがあると思うのです。イタリアの作品が持 in tal senso, si avverte nel suo popolo sia la forza che la gentilezza dell’essere umano. differenti scuole, i caratteri e i diversi pensieri creativi che solleciteranno la 持つ様々な考え、個性、そして自由な創造力によって生まれ変わり来場者 つ強さとしなやかさの心地よい調和に少しジェラシーを感じるのは私だけで Personalmente, trovo questa mostra estremamente interessante, in quanto presenta opere curiosità e l’attenzione del visitatore. の興味と注目を集める事でしょう。 しょうか。 di fattura giapponese, elegantemente composte, e opere di fattura italiana, in cui si avverte Ringrazio la Presidente Takako Komiya e tutto il direttivo JJDA per 本展の実現の為に尽力頂いた JJDA 会長の小宮宇子氏並びに実行委員の皆 forte l’uomo. Sono soltanto io a guardare con un pizzico d’invidia alla piacevole armonia この交流展実現には多くの友人や委員会メンバーの助けがあり、そして快 l’organizzazione e il Maestro. Yutaka Nagai per la costante collaborazione. tra forza e gentilezza presente nei gioielli italiani? 様そして絶え間ない協力を頂いたマエストロ長井豊氏に感謝いたします。 く開催を引き受けてくださいましたイタリア文化会館のアミトラーノ・ジョ Presidente AGC La realizzazione di questa mostra è stata possibile grazie alla collaborazione di molti Maria Rosa Franzin ルジョ館長をはじめ、山梨ジュエリーミュージアム、石川県しいのき迎賓館、 amici e dei membri delle due associazioni, nonché grazie all’ospitalità del direttore 並びにイタリア国内のローマ、パドヴァ、リヴォルノなど各開催会場の皆様 AGC会長 マリアローザ・フランツィン dell’Istituto Italiano di Cultura Giorgio Amitrano, al Museo dei Gioielli di Yamanashi, に心より御礼申し上げます。 alla Residenza Statale Shiinoki nella prefettura di Ishikawa, e ai luoghi dell’esposizione di Roma, Padova e Livorno. A tutti loro va il mio sincero ringraziamento. JJDA と AGC はこれをスタートとして今後も交流を深め、日伊両国のコン Con l’augurio che JJDA e AGC possano continuare anche in futuro il sodalizio テンポラリージュエリーの発信を通して広く世界の文化交流に寄与していき appena inaugurato, contribuendo, attraverso la presentazione dei gioielli
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    East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 8-2003 There is a Silver Lining. Kaki D. Crowell-Hilde East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Art and Design Commons Recommended Citation Crowell-Hilde, Kaki D., "There is a Silver Lining." (2003). Electronic Theses and Dissertations. Paper 784. https://dc.etsu.edu/etd/784 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. There Is A Silver Lining A thesis presented to the faculty of the Department of Art and Design East Tennessee State University In partial fulfillment of the requirements for the degree Master of Fine Arts by Kaki D. Crowell-Hilde August 2003 David G. Logan, Committee Chair Carol LeBaron, Committee Member Don R. Davis, Committee Member Keywords: Metalsmithing, Casting, Alloys, Etching, Electroforming, Raising, Crunch-raising, Patinas, Solvent Dyes ABSTRACT There Is A Silver Lining by Kaki D. Crowell-Hide I investigated two unique processes developed throughout this body of work. The first technique is the cracking and lifting of an electroformed layer from a core vessel form. The second process, that I named “crunch-raising”, is used to form vessels. General data were gathered through research of traditional metalsmithing processes. Using an individualized approach, new data were gathered through extensive experimentation to develop a knowledge base because specific reference information does not currently exist.
  • Reliable Irogane Alloys and Niiro Patination—Further Study Of

    Reliable Irogane Alloys and Niiro Patination—Further Study Of

    Reliable irogane alloys and niiro patination—further study of production and application to jewelry JONES, Alan Hywel and O'DUBHGHAILL, Coilin Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/4331/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version JONES, Alan Hywel and O'DUBHGHAILL, Coilin (2010). Reliable irogane alloys and niiro patination—further study of production and application to jewelry. In: Santa Fe Symposium on Jewelry Manufacturing Technology 2010: proceedings of the twenty- fourth Santa Fe Symposium in Albuquerque, New Mexico. Albuquerque, N.M., Met- Chem Research, 253-286. Repository use policy Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in SHURA to facilitate their private study or for non- commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. Sheffield Hallam University Research Archive http://shura.shu.ac.uk Jones Reliable Irogane Alloys and Niiro Patination—Further Study of Production and Application to Jewelry Jones Dr. A. H. Jones Principal Researcher, Materials and Engineering Research Institute Dr. Cóilín Ó Dubhghaill Jones Senior Research Fellow, Art and Design Research Centre Sheffield Hallam University Sheffield, UK Jones Abstract Japanese metalworkers use a wide range of irogane alloys (shakudo, shibuichi), which are colored with a single patination solution (niiro eki).
  • Precious Metal Products Catalogue

    Precious Metal Products Catalogue

    CHAFNER@ Precious Metal • Technology Precious Metal Products General catalogue c-hafner.de/en Table of contents C.HAFNER page 04 High-quality precious metal products page 06 Certified security page 07 Semi-finished parts - Stock range page 08 Stock range (Semi-finished parts and solders, brazing pastes) page 10 Efficient soldering page 14 Equipment page 15 Creative semi-finished parts and semi-finished products page 16 Fibre mats page 18 Fibre sheets page 19 Layer sheets page 20 Layer tubes page 20 Strip gold page 21 Mokume gane page 22 Mokume gane blocks page 23 Mokume gane sheets page 24 Silver clay page 25 Ring blanks page 26 Loops page 28 Loops - bracelets and huggies page 29 Services in the field of precious metals page 30 Precious Metal Recycling page 32 Precious Metal Trading page 34 environmental C.HAFNER High-quality precious metal products As a leading manufacturer of precious metal products, C.HAFNER offers a full range of high-quality materials and semi-finished products. This includes casting materials, sheets, wires, tubes, solders and brazing pastes, as well as our unique range of creative semi-finishedproducts. Wealways have a broad range of products available fromstock forunique and small series manufacturers. Customised solutions. For industry and craftsmen. Platin Gold In addition to the distribution of standard products, The innovative platinum alloy PlatinGold by C.HAFNER C.HAFNER sees itself as a provider of customised so­ has rewritten the history of platinum: Platingold sets new lutions for processing precious metals. These include, standards with its unprecedented and fascinating com­ for example, modern CNC/EM technologies.
  • Fine Japanese Art J J AUCTION Fine Japanese Art

    Fine Japanese Art J J AUCTION Fine Japanese Art

    Fine Japanese Art J J AUCTION Fine Japanese Art Saturday, June 2nd 2018 at 4pm CET CATALOG JAP0618 VIEWING www.zacke.at IN OUR GALLERY May 21st - June 1st Monday - Friday 10am - 6pm June 2nd 10am - 2pm and by appointment GALERIE ZACKE MARIAHILFERSTRASSE 112 1070 VIENNA AUSTRIA Tel +43 1 532 04 52 Fax +20 E-mail offi[email protected] 1 IMPORTANT INFORMATION ABSENTEE BIDDING FORM (According to the general terms and conditions of business Gallery Zacke Vienna) FOR THE AUCTION FINE JAPANESE ART JAP0618 ON DATE Saturday, June 2ND, 2018 at 4 pm CET NO. TITLE BID IN EURO PLEASE RAISE MY PURCHASE BID BY ONE PLEASE CALL ME IF THERE IS ALREADY A HIGHER WRITTEN BID BID STEP (APPROX. 10%) IF NECESSARY TEL Notice: All bids are to be understood plus buyer`s premium (incl. VAT). If you like to bid by telephone please write in the column purchase limit „ TEL” . A bid by telephone shall automatically represent a bid at the starting price for this item. If Galerie Zacke cannot reach the Client during the auction, Galerie Zacke will bid up to the starting price for him. If no one else bids on the corresponding good, then the Client shall automatically receive the winning bid at the starting price. TERMS OF PAYMENT, SHIPPING AND COLLECTION: NAME EMAIL With the signature on this form the client declares his consent to aforementioned commissioning of Galerie Zacke. Bids by telephone shall be governed by the AGB (terms and conditions) of Galerie Zacke. The AGB of Galerie Zacke are part of the commissioning of Galerie Zacke by the client.
  • Saint Louis Art Fair 2019 Juror Scorecard

    Saint Louis Art Fair 2019 Juror Scorecard

    ZAPP - Custom Report 4/1/19, 1'53 PM JUROR EVENT JURYING LOGGED IN AS LERICKC Logout Main Jury Menu 1. Jury 2. > Scorecard Saint Louis Art Fair 2019 Juror Scorecard Application: 1 of 551 ID#: 1761005 Statement: Contemporary, unique jewelry primarily comprised of gold vermeil and sterling silver. Each piece of jewelry explores a varied range of shapes, sizes and textures. Sheets of metal are manipulated using various techniques such as sanding, forging and hammering to create satin and pummeled finishes. Discipline: Three - Dimensional Work Score: Yes No Maybe Comments: Pod Pendant Lola Earrings Sterling silver ribbon Grace Cuff 2019 Booth 1" x 2" x .5" .5" x 1.5" x 3mm earrings 1" x 3.5" x 3mm 1" x 1.25" x .5" Save Score Application: 2 of 551 ID#: 1761009 Statement: Fabricated from re purposed silver plate trays from thrift stores. The material is always a new challenge because the base metal may be brass, copper, or a mystery. The metal is treated with a heat patina from a torch with sometimes surprising results. Deconstructed, wabi- sabi, never predictable. Discipline: Three - Dimensional Work Score: Yes No Maybe Comments: Brooch Two Bangles Two Pendants Chain Necklace booth 3" x 3" 4" x 4" x .25" 1.50" x 3" x .25" 18" x 2" https://admin.zapplication.org/admin/dir_jury/app_view.php?nonce=5…c0a773f865d&limit=9999&limitvalue=0&discipline=104551&limit=100000 Page 1 of 221 ZAPP - Custom Report 4/1/19, 1'53 PM Save Score Application: 3 of 551 ID#: 1761023 Statement: I lift textures from seeds, pods and buds.
  • Van Cleef & Arpels

    Van Cleef & Arpels

    The National Museum of Modern Art, Kyoto April 29 – August 6, 2017 Organized by The National Museum of Modern Art, Kyoto Nikkei Inc. The Kyoto Shimbun Supported by the Embassy of France / Institut français du Japon With special cooperation from Van Cleef & Arpels • The numbers correspond to the catalogue, though the objects may not necessarily be displayed in the same order. • Some objects may be rotated during the exhibition period (First term April 29 - June 18; Second term June 20 - August 6). Display may change as circumstances require. • The temperature, humidity and brightness of the exhibition rooms are strictly controlled under international standards for preservation reasons. We apologize for any inconvenience this may cause. Jewelry * Unless otherwise noted, works of jewelry are from the Van Cleef & Arpels Collection. Section 1: History of Van Cleef & Arpels No. title date material and technique ownership Italy, circa 1 Marie-Madeleine brooch, Gold, glass, micromosaic 1860–1870 2 Model of the Varuna yacht, circa 1907 Gold, silver, jasper, wood, enamel 3 Watch pendant necklace 1912 Platinum, enamel, pearls, diamonds 4 Nice meeting of aviation cigarette case 1922 Gold, sapphires 5 Envelope powder case circa 1922 Gold, enamel 6 Earrings 1923 Platinum, sapphires, diamonds 7 Pampilles earrings 1923 Platinum, emeralds, diamonds 8 Chinese inspired lapel watch 1924 Platinum, gold, enamel, pearl, diamonds 9 Sarpech brooch 1924 Platinum, emeralds, sapphires, rubies, diamonds 10 Art Deco bracelet 1925 Platinum, diamonds 11 Flowers basket