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UNESP Instituto De Artes ELEMENTOS VISUAIS NO
UNIVERSIDADE ESTADUAL PAULISTA – Júlio de Mesquita Filho – UNESP Instituto de Artes ELEMENTOS VISUAIS NO SHOUJO MANGÁ: EXPRESSANDO SENSAÇÕES, EMOÇÕES E SENTIMENTOS Lígia Harumi Yamamoto São Paulo 2015 Lígia Harumi Yamamoto ELEMENTOS VISUAIS NO SHOUJO MANGÁ: EXPRESSANDO SENSAÇÕES, EMOÇÕES E SENTIMENTOS Trabalho de Conclusão de Curso apresentado como exigência parcial para a conclusão do Curso de Bacharelado em Artes Visuais no Instituto de Artes da UNESP, sob a orientação do Prof. Dr. Sergio Romagnolo. São Paulo 2015 Lígia Harumi Yamamoto ELEMENTOS VISUAIS NO SHOUJO MANGÁ: Expressando sensações, emoções e sentimentos Trabalho de conclusão de curso aprovado como requisito parcial para obtenção do grau de Bacharel em Artes Visuais no Curso de Graduação em Artes Visuais, do Instituto de Artes da Universidade Estadual Paulista – UNESP, pela seguinte banca examinadora: Prof. Dr. Sergio Mauro Romagnolo Instituto de Artes – Orientador Bacharel em Artes Visuais Mariana Cagnin Instituto de Artes Prof. Dr. Milton Terumitsu Sogabe Instituto de Artes – Suplente São Paulo, 26 de Novembro de 2015 A meus queridos pais, amigos e familiares, sem vocês a realização deste trabalho não seria possível. Muito obrigada. Agradecimentos A meus pais, Maria Hiroko Doi Yamamoto e Paulo Roberto Yamamoto Ao namorado Vitor Mitsuo Matrubashi À Almira da Silva Matrubashi e ao Carlos Massahiro Matrubashi A meus tios Tereza Kyoko Doi Cintho e Seiji Cintho A minhas primas Mina Cintho, Camila Yoko Cintho e Talita Yumi Cintho À querida amiga Thais Rodrigues Kassawara À querida amiga Mariana Lopes Fogo Ao Roberto de Melo Franco Jr. Ao Prof. Dr. Sergio Mauro Romagnolo Ao Prof. Dr. Omar Khouri Ao Prof. Dr. -
The Japanese Schoolgirl Figure
The Japanese Schoolgirl Figure: Renegotiation of Power through Societal Construction, Masking a Crisis of Masculinity Sarah Hamm A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in International Studies University of Washington 2012 Committee: Sara Curran Gary Hamilton Program Authorized to Offer Degree: International Studies TABLE OF CONTENTS Page List of Figures .................................................................................................................................. i List of Tables .................................................................................................................................. ii Acknowledgements ........................................................................................................................ iii Dedication ...................................................................................................................................... iv Introduction ..................................................................................................................................... 1 Part I: The Schoolgirl Figure and Masculinity in Crisis ................................................................. 7 Japanese Adolescent Girls ........................................................................................................... 7 The Context of Japan in the 1990s ............................................................................................ 10 The Salaryman Family Model and the -
Ausgabe 7 September 2006
Ausgabe 58 Ende Dezember 2008 Liebe Leserinnen und Leser, liebe Kolleginnen und Kollegen, in unserer etwa zwölf Mal im Jahr erscheinenden Publikation möchten wir Sie über interessante Romane, Sachbücher, Magazine, Comics, Hörbücher und Filme aller Genres informieren. Gastbeiträge sind herzlich willkommen. RATTUS LIBRI ist als Download auf folgenden Seiten zu finden: www.rattus-libri.buchrezicenter.de http://blog.g-arentzen.de/ www.foltom.de www.geisterspiegel.de/ http://haraldhillebrand.blog.de www.HARY-PRODUCTION.de www.light-edition.net www.literra.info www.phantastik-news.de www.rezensenten.de www.terranischer-club-eden.com/ www.uibk.ac.at/germanistik/dilimag/ RATTUS LIBRI ist außerdem auf CD oder DVD erhältlich innerhalb des Magazins BILDER, das kostenlos bestellt werden kann bei [email protected]. Einzelne Rezensionen erscheinen bei: www.buchrezicenter.de, www.sfbasar.de, www.filmbesprechungen.de, www.phantastik-news.de, www.literra.info, www.rezensenten.de, Terracom: www.terracom-online.net, Kultur-Herold/Crago- Verlag: www.kultur-herold.de, www.edition-heikamp.de, Andromeda Nachrichten/SFCD: www.sfcd- online.de. Für das PDF-Dokument ist der Acrobat Reader 6.0 erforderlich. Diesen erhält man kostenlos bei www.adobe.de. Die Rechte an den Texten verbleiben bei den Verfassern. Der Nachdruck ist mit einer Quellenangabe, einer Benachrichtigung und gegen ein Belegexemplar erlaubt. Das Logo hat Freawyn für RATTUS LIBRI entworfen: http://elfwood.lysator.liu.se/loth/u/t/uta/uta.html Wir bedanken uns vielmals bei allen Verlagen und Autoren, die uns Rezensionsexemplare für diese Ausgabe zur Verfügung stellten, und den fleißigen Kollegen, die RATTUS LIBRI und die Rezensionen in ihren Publikationen einbinden oder einen Link setzen. -
(Mahō Shōjo) Anime
Make-Up!: The Mythic Narrative and Transformation as a Mechanism for Personal and Spiritual Growth in Magical Girl (Mahō Shōjo) Anime by N’Donna Rashi Russell B.A. (Hons.), University of Victoria, 2015 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in the Department of Pacific and Asian Studies ©N’Donna Russell, 2017 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii SUPERVISORY COMMITTEE Make-Up!: The Mythic Narrative and Transformation as a Mechanism for Personal and Spiritual Growth in Magical Girl (Mahō Shōjo) Anime by N’Donna Rashi Russell B.A (Hons)., University of Victoria, 2015 Supervisory Committee Dr. M. Cody Poulton, Supervisor (Department of Pacific and Asian Studies) Dr. Michael Bodden, Committee Member (Department of Pacific and Asian Studies) iii ABSTRACT Supervisory Committee Dr. M. Cody Poulton (Department of Pacific and Asian Studies) Dr. Michael Bodden (Department of Pacific and Asian Studies) The mahō shōjo or “magical girl”, genre of Japanese animation and manga has maintained a steady, prolific presence for nearly fifty years. Magical Girl series for the most part feature a female protagonist who is between the ages of nine and fourteen - not a little girl but not yet a woman. She is either born with or bestowed upon the ability to transform into a magical alter-ego and must save the world from a clear and present enemy. The magical girl must to work to balance her “normal life” – domestic obligations, educational obligations, and interpersonal relationships – with her duty to protect the world. -
The Female Gaze in Contemporary Japanese Literature
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2013 The Female Gaze in Contemporary Japanese Literature Kathryn Hemmann University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Studies Commons, Comparative Literature Commons, and the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Hemmann, Kathryn, "The Female Gaze in Contemporary Japanese Literature" (2013). Publicly Accessible Penn Dissertations. 762. https://repository.upenn.edu/edissertations/762 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/762 For more information, please contact [email protected]. The Female Gaze in Contemporary Japanese Literature Abstract The female gaze can be used by writers and readers to look at narratives from a perspective that sees women as subjects instead of objects. Applying a female gaze to discourses that have traditionally been male-dominated opens new avenues of interpretation that are empowering from a feminist perspective. In this dissertation, I use the murder mystery novels of the bestselling female author Kirino Natsuo and the graphic novels of a prolific four-woman artistic collective called CLAMP to demonstrate how writers are capable of applying a female gaze to the themes of their work and how readers can and have read their work from the perspectives allowed by a female gaze. Kirino Natsuo presents a female perspective on such issues as prostitution, marriage, and equal employment laws in her novels, which are often based on sensationalist news stories. Meanwhile, CLAMP challenges the discourses surrounding the production and consumption of fictional women, especially the young female characters, or shojo, that have become iconic in Japanese popular culture. -
The Emergence of the Anime Media Mix: Character
THE EMERGENCE OF THE ANIME MEDIA MIX: CHARACTER COMMUNICATION AND SERIAL CONSUMPTION BY MARC AARON STEINBERG B.A., MCGILL UNIVERSITY, 1999 M.A., MCGILL UNIVERSITY, 2002 A.M., BROWN UNIVERSITY, 2006 A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE DEPARTMENT OF MODERN CULTURE AND MEDIA AT BROWN UNIVERSITY PROVIDENCE, RHODE ISLAND MAY 2009 © Copyright 2009 by Marc Aaron Steinberg This dissertation by Marc Aaron Steinberg is accepted in its present form by the Department of Modern Culture and Media as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date___________________ _________________________________ Mary Ann Doane, Advisor Recommended to the Graduate Council Date___________________ _________________________________ Philip Rosen, Reader Date___________________ _________________________________ Thomas Lamarre, Reader Approved by the Graduate Council Date___________________ _________________________________ Sheila Bonde, Dean of the Graduate School ! """! VITA Marc Aaron Steinberg was born on July 27, 1977 in Montreal, Quebec, Canada. He attended McGill University where he received his B.A. in East Asian Studies in 1999, and his M.A. in East Asian Studies in 2002. He received his Ph.D. from Brown University in Modern Culture and Media in 2009. He has published articles on the subjects of contemporary art, architecture and Japanese animation! "$! !"#"$%&'(%! )*+,"'+-*./)*/0*'(#1+2$+34+*"#5/6-&#*"4%!6"3"*/7-#&,!&$'!8%(-#59/:&4'&#(/;/<-$+('5=/ ! "#! ACKNOWLEDGEMENTS This project reached completion thanks to the help, support, advice and contributions of family, friends and professors. I would like to extend particular thanks to Mary Ann Doane and Philip Rosen for their warm welcome to Brown, their intellectual guidance, encouragement and support over the years of graduate school, and their faith in this project. -
English Subtitled Unless Noted by "Raw", Meaning "In Japanese Without Subtitles"
English Subtitled unless noted by "raw", meaning "in Japanese without subtitles" 4Chan Otakon 2005 Panel and Aftermath 1001 Nights by Yoshitaka Amano 2X2 = Shinobuden 1-12 all 3000 Leagues in Search of Mother 1-7 Ah! My Goddess TV Promo, 1-24, special Aim for the Ace 1-6, movie, Live Action 1-2 Air Movie Special Disc Part 1 Air Movie Air TV 1-13 all Air Master 1-27 all Aishiteruze Baby 1-26 all Ai Yori Aoshi 1-24 all Ai Yori Aoshi Enishi 0-12 all Aijimu Beach Story OVAs 1-4 all Akage no Anne 1-50 all Akazukin Chacha 1-4 Akazukin Chacha OVA 1-2 Android Announcer Maico 1-24 all Angel Cop OVA 1-6 all Angel's Egg Angel's Tail 1-12, OVA 5.5 and 13 all Angel's Tail Chu 1-7 all Saint Beast 1-6 all Angelic Layer 1-26 all Angelique OVA 1 Animation Runner Kuromi-chan 2 Anime Expo 2005 Videos Animix 1,2,3,4 Music Video Appleseed OVA Appleseed 2004 Movie Archtype Forces Area 88 TV 1-12 all Arion Asagiri no Miko 1-26 all Ashita no Joe 1-3 Ashita no Nadja 1-26 Ask Dr. Rin! 1-6 Atashinchi 1-11 Aquarian Age 1-13 all Avenger 1-13 all Ayashi no Ceres 1-24 all Azumanga Daioh 1-26, web, movie all Azusa Will Help OVA Baby Love OVA Bagi Bakuretsu Tenshi 1-24 all Barefoot Gen Movie Battle Programmer Shirase 1-5 all Beboy Kidnappin' Idol OVA Beck 1-26 all Beyond the Clouds Movie Blackjack Movie Black Magic M-66 Blame! 1-6 + extras all Bleach 1-25 Blue Gender 1-26 all Bomberman Jetterz 1-35 Bobobo~bo Bo~bobo 1-7 Boku wa Imouto ni Koi wo Suru OVA Bottle Fairy 1-13 all Bouken Yuuki Pluster World 1-3 Boys Be 1-13 all The Boy Who Saw the Wind Movie Brave Command Dagwon -
The Marginalization of Female Creators and Consumers in Comics
INKING OVER THE GLASS CEILING: THE MARGINALIZATION OF FEMALE CREATORS AND CONSUMERS IN COMICS A thesis submitted to the College of the Arts of Kent State University School of Art in partial fulfillment of the requirements for the degree of Master of Arts. by Maria Campbell August, 2015 Thesis written by Maria Campbell B.F.A, Lesley University, 2011 M.F.A., Kent State University, 2015 Approved by Diane Scillia, Ph.D., Advisor Christine Havice, Ph.D., Director, School of Art John R. Crawford, Ed.D., Dean, College of the Arts TABLE OF CONTENTS Page LIST OF FIGURES……………………………………………………………….v ACKNOWLEDGMENTS………………………………………………………viii AUTHOR’S NOTE……………………………………………………………….ix INTRODUCTION………………………………………………………………...1 CHAPTER ONE THE ORIGINS OF COMICS AND THE GOLDEN AGE……………………….6 The Early History of Comic Strips…………………………………………...6 World War II and the Golden Age……………………………………….......9 Wonder Woman and Her Creators………………………………………….11 The Seduction of the Innocent………………………………………….......13 Jackie Ormes………………………………………………………………..17 The Silver (1956-1970) and Bronze Ages (1970-1985) of Comics Sales…..19 CHAPTER TWO UNDERGROUND COMICS TO MODERN DAY..……………………………23 Pop Art and Comix………………………………………………………....23 Feminist Anthologies……………………………………………………….26 Alternative Comics and Graphic Novels……………………………………27 Women in Refrigerators…………………………………………………….31 “No Girls Allowed” in Comic Books……………………………………….34 Feminist Writers and Heroines…………………………………………......37 Bitch Planet…………………………………………………………………42 CHAPTER THREE MANGA IN AMERICA AND WEBCOMICS….................................................45 -
El Còmic Japonès, Una Aproximació Al Gènere
Treball Fi de Màster de Patrimoni Cultural El còmic japonès, AINA MARIA una aproximació al GUERRERO FULLANA gènere “shôjo” a Espanya. Setembre de 2009 | [email protected] Índex Pàgina 1. Introducció P. 4 2. El còmic 2.1. Definicó de còmic P. 5 2.2. El còmic com a mass-media P. 7 3. Terminologia P. 10 4. Estat de la qüestió 4.1. Consideracions prèvies P. 16 4.2. Bibliografia general P. 18 4.3. Bibliografia específica P. 27 4.4. Recursos en xarxa P. 34 5. Anàlisis del shôjo 5.1. Anàlisi històric P. 35 5.1.1. Japó P. 35 5.1.2. Espanya P. 37 5.2. Estil i temàtiques P. 38 5.3. Cronologia del shôjo a Espanya P. 44 5.4. Autores més importants en la història del gènere a Espanya P. 59 5.4.1. CLAMP P. 59 5.4.2. Naoko Takeuchi P. 64 5.4.3. Wataru Yoshizumi P. 67 5.4.4. Arina Tanemura P. 69 5.4.5. Yuu Watase P. 72 5.4.6. Riyoko Ikeda P. 75 2 6. Conclusions P. 78 7. Bibliografia consultada 7.1. General P. 80 7.2. Específica P. 82 7.3. Recursos en xarxa P. 83 8. Annex: models de fitxes P. 84 8.1. Baby my love P. 84 8.2. Georgie P. 89 8.3. La Rosa de Versalles P. 96 8.4. Marmalade Boy P. 100 8.5. Secretos del Corazón P. 108 8.6. X “Ics” P. 113 3 1. Introducció Aquesta investigació és una aproximació a un nou tipus d’art amb un nombrós públic, estem parlant del còmic japonès o manga. -
Teenage Girls and Female Shōjo Manga Characters
PALACKÝ UNIVERSITY OLOMOUC Faculty of Arts Department of Asian Studies Hana Kloutvorová TEENAGE GIRLS AND FEMALE SHŌJO MANGA CHARACTERS: CONTINUITY OR DIFFERENCE IN THE USE OF JAPANESE SOCIO-PERSON DEIXIS? (DOCTORAL DISSERTATION) Supervisor: doc. Mgr. Ivona Barešová, Ph.D. OLOMOUC 2020 1 Annotation / Anotace Jméno a příjmení: Mgr. Hana Kloutvorová Katedra: Katedra asijských studií Obor studia: Jazyky a kultura Číny a Japonska Vedoucí práce: doc. Mgr. Ivona Barešová, Ph.D. Rok obhajoby: %&%& Náze práce: $ospívající dívky a žensk( postavy v šódžo manze: Souvislost ne*o rozdílnost v užívání socio-personální deixe- !notace práce: #ráce se v.nuje porovnání užití výrazů sociopersonální deixe pro první a druhou oso*u mezi japonskými studentkami ve v.ku 12215 let a postavami ve vy*raných komiksech pro dívky (šódžo manga). Práce z pragmatick(ho hlediska mapuje používané výrazy a sleduje do jak( míry jazyk postav odráží jazyk čtenáře a zda naopak může jazyk postav ovlivňovat míru užívání nap7. maskulinních výraz/ japonskými dívkami. Klíčo á slo a: šódžo manga" lingvistika" japonština" první oso*a" druhá oso*a Title of Thesis: 9eenage girls and female shōjo manga characters; <ontinuity or diference in the use of Japanese socio+ person deixis- !nnotation: 9he presented >ork :ocuses on the co0parison o: the use o: socioperson deictic expressions :or the ?rst and second person among Japanese students aged 1%–13 years and characters in selected comics :or girls 4shōjo manga). @ro0 a pragmatic point o: vie>" this >ork maps >hich terms are *eing used and studies the extent to >hich the language o: the characters refects the language o: the readers and >hether the language o: the characters can infuence the use o:" :or e,ample" masculine expressions *y young Japanese girls. -
2014 International Winners TOP 25 CATS
Page 1 2014 International Winners TOP 25 CATS BEST CAT OF THE YEAR IW SGC CULLYKHAN LICENCE TO KILL, BLACK/WHITE Bred/Owned By: MRS A MILLICAN SECOND BEST CAT OF THE YEAR IW SGC SARAJEN EZRA BROOKS, BROWN (BLACK) CLASSIC TABBY/WHITE Bred/Owned By: TERI MATZKIN THIRD BEST CAT OF THE YEAR IW SGC SIEMPREAMAR MOVES LIKE JAGGER, SEAL POINT/BICOLOR Bred By: MIRJAM SCHROEVERS Owned By: AMY STADTER FOURTH BEST CAT OF THE YEAR IW SGC SUNNANORDICA SWEET WILLIAM, Bred/Owned By: TAMARA MARTEMYANOVA FIFTH BEST CAT OF THE YEAR IW SGC KINDOFMAGIC I DREAM ROMEO, BLUE POINT/BICOLOR Bred By: IVANNE PINCEDE Owned By: AMY STADTER SIXTH BEST CAT OF THE YEAR IW SGC DARK ANGEL DE LONGUA AQUA/LO, BLACK TORTIE Bred/Owned By: JOEL RENAUDIN SEVENTH BEST CAT OF THE YEAR LA SGC MYSTICMELODY BAZINGA, BROWN (BLACK) MACKEREL TABBY Bred By: JUDITH JOHNSON Owned By: DAN/JUDITH/TESSA JOHNSON EIGHTH BEST CAT OF THE YEAR IW SGC SYNERGY NIGELLA, BLUE TICKED TABBY Bred By: HEATHER E LORIMER Owned By: HEATHER LORIMER NINTH BEST CAT OF THE YEAR IW SGC PURRSIA MATHILDA, CHOCOLATE Bred/Owned By: SUSANNA AND STEVEN SHON TENTH BEST CAT OF THE YEAR IW SGC BATIFOLEURS RANGO, BROWN (BLACK) SPOTTED TABBY Bred/Owned By: IRENE VAN BELZEN ELEVENTH BEST CAT OF THE YEAR IW SGC SKEENVILLE SKINDEPENDENCE DAY, RED MACKEREL TABBY/WHITE Bred By: MARION YATES Owned By: M YATES/L SCHIFF/T STEELE TWELFTH BEST CAT OF THE YEAR IW SGC MYSTRE MAYBE IM AMAZED, BROWN (BLACK) SPOTTED TABBY Bred/Owned By: MARK PENNINGTON THIRTEENTH BEST CAT OF THE YEAR LA SGC CHANTEUSE MLLE MINDIE, BROWN (BLACK) MACKEREL -
Collective Creation in Contemporary Manga and Anime A
UNIVERSITY OF CALIFORNIA Los Angeles Inside the Media Mix: Collective Creation in Contemporary Manga and Anime A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Film and Television by Bryan Hikari Hartzheim 2015 © Copyright by Bryan Hikari Hartzheim 2015 ABSTRACT OF THE DISSERTATION Inside the Media Mix: Collective Creation in Contemporary Manga and Anime by Bryan Hikari Hartzheim Doctor of Philosophy in Film and Television University of California, Los Angeles, 2015 Professor John T. Caldwell, Chair Japanese creative media – particularly, its comics, animation, and video games – has found success globally, but it is primarily a product made for and by a domestic audience. What characterizes the success of its various creative industries on the domestic level, before they reach out to global spheres? This dissertation attempts to provide an answer to this question by examining the logics of franchise media production in Japan. I conduct ethnographic fieldwork into Japan’s manga and anime industries, as well as close analyses of concomitant transmedia texts, in order to demonstrate the collective authorship that surrounds the production of contemporary media in these industries today. By focusing on the production of texts in commercial outlets such as Shueisha’s Weekly Shōnen Jump and Toei Animation Studies, I show how large-scale, franchise media in Japanese production is organized, managed, and distributed through small networks of mangaka, ii assistants, editors, and readers,