DOCSLIB.ORG

Social Innovation and Design

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Social Innovation and Design Lulea 10.10.2013 in the age of networks and sustainability social innovation and design Ezio Manzini, Politecnico di Milano - DESIS Network social innovation “ideas that work in solving growing problemssocial problems and do it in a socially meaningful way” new technologies J. Mulgan new waves of social innovation design “Everyone designs who diffuse design devises courses of action aimed at changing existing expert design situations into preferred ones” H. Simon new designing coalitions social innovation = diffuse design + expert design where are we? we are here Hurricane Sandy, NYC, 30 October 2012 we are here March 11, 2011, Fukushima. Japan we are here Hong Kong, 2013, China Hong Kong, China we are here Favela, Brazil we are here Changsha, China we are here Delhi, India we are here © Peter Menzel www.menzelphoto.com from the book Hungry Planet: What the World Eats Germany: The Melander family of Bargteheide Food expenditure for one week: 375.39 Euros or $500.07 we are here © Peter Menzel www.menzelphoto.com from the book Hungry Planet: What the World Eats Chad: The Aboubakar family of Breidjing Camp Food expenditure for one week: 685 CFA Francs or $1.23 we are here Ahmadabad, India we are here Hong Kong, China we are here “SOS Handicap”, Madrid, 2 November 2012 we are here Syrian refugees camp, 2013, Giordania we are here Mediterranean sea, today we are here elderly population growth, immigrant integration difficulties, young un- employment growth, life-long diseases, health care costs, life-long education needs, democracy crisis, poverty, mlowultiple costs housing crisis demands, traffic growth, co2 emission growth, catastrophic events, mwaterultiplegrowing scarcity, fertile soil scarcity, bio-diversitylocal/global problems reduction, energy conservationcrisis costs, air pollution, soil pollution spread, ... ? to build a sustainable future means to use at best the available Planet resources in a small, densely populated, highly connected planet, social resources are the most abundant ones people the main resource social innovation “ideas that work in solving social problems and do it in a socially meaningful way” J. Mulgan cohousing, collaborative housing, couch surfing, circles of care, elderly mutual-help, micro-nurseries, time banks, local currencies, car pooling, car sharing, foodhundreds coops , farmers markets, zero-milesof original food , community- supported agriculture,service idea neighbourhoods care, street festivals,local community radical gardens, community-based tourism, social enterprises, cochanges-working, fair trade organisations, social incubators Community Garden, New York City the power of doing together collaboration . Parco Sud, Milano re-combinig what exists creativity . Photo: Anna Meroni – 2007 Farmers market, Hobart traditions as building materials re-invented traditions . Community-supported agriculture, Bejing different motivations for new economic models. win-win solutions . Circle of care, Sauthwark “users” as part of the solution citizens involvement . Lower East Side, New York cohousing, collaborative housing, couch surfing, circles of care, elderly mutual-help, micro-nurseries, time banks, local currencies, car pooling, car sharing, food coops, farmers markets, zeroviable-miles solutions food, community - supported agriculture, neighbourhood care, streetdisruptive festivals, communityqualities gardens, community-based tourism, social enterprises, co-working, fair trade organisations, social incubators the quality of mutual trust relationships WASHINGACTIVE RESTAURANTSHOPPING LIST PRODUCT EMICRO-STOP- SHARING NURSERIES the quality of the “well done” work the quality of human scale scale the quality of the local-connected places the quality of slowness time people choose innovative solutions because they like them they search for new qualities they generate new qualities cohousing, collaborative housing, couch surfing, circles of care, elderly mutual-help, micro-nurseries, time banks, local currencies, car pooling, viable solutions car sharing, food coops, farmers markets, dzeroisruptive-miles foodqualities, community - supported agriculture,technology neighbourhood care, street festivals, community , communitygovernance-based tourism, gardens social enterprises, co-working, fair design trade organisations, social incubators new media are reshaping the range of possibilities unprecedented forms of organization become possible new political awareness new governance tools “the financial and economic crisis makes creativity and innovation in general, and social innovation in particular, even more important to foster sustainable growth…” ( Barroso, UE President 2.1.2009 ) new political awareness socialnew innovation governance tools Social Innovation Europe, March 2011 Arundhati Roy “Another world is not only possible, she is on her way. On a quiet day, I can hear her breathing.” World Social Forum, 2003. a new world is appearing an archipelago? an archipelago? a n emerging continent? aa newnew civilization?civilization? design “Everyone designs who devises courses of action aimed at changing existing situations into preferred ones” H. Simon expert design diffuseexpert designdesign example Example 1 - Community Gardens vacant properties transformed into attractive green spaces by neighbourhood communities NYC Lower East Side Community Gardens Example 1 - Community Gardens NYC Lower East Side Community Gardens Example 1 - Community Gardens Example 1 - Community Gardens Example 1 - Community Gardens Example 1 - Community Gardens Example 1 - Community Gardens Example 1 - Community Gardens how do they work? communitycommunity activities activities Example 1 - Community Gardens community # socializing, # community interacting breakfast # public meetings # learning how to garden # personal plots # collecting fresh food site support rules and directions public space public support garden manager technical material support standardized support fencing structures online platform gardening tools neighbourhood community sidewalks monthly workshop books public opening periods Example 1 - Community Gardens a sensitive local institution public support Example 1 - Community Gardens who designed it and how? Example 1 - Community Gardens established the NYC Green Thumb Municipality program Green Thumb approved the site for rental giving spaces, [legality] materials, rules, support to community gardeners 1970 1973 1978 2011 [...] more than 50 Community Gardens in plot vacant NYC, diffusion of lots [illegally] supported and helped neighborhood by Green Thumb participating in gardening Municipality Program gardening C.G. Green Community Guerrillas neighboors Gardens C.G. C.G. Example 1 - Community Gardens established the NYC Green Thumb Municipality program Green Thumb approved the site for rental giving spaces, [legality] materials, rules, support to community gardeners 1970 1973 1978 2011 [...] more than 50 Community Gardens in plot vacant NYC, diffusion of lots [illegally] supported and helped neighborhood by Green Thumb participating in gardening Municipality Program gardening C.G. Green Community Guerrillas neighboors Gardens diffuse designC.G. activism C.G. Example 1 - Community Gardens established the NYC Green Thumb Municipality program Green Thumb approved the site for rental giving spaces, [legality] materials, rules, support to community gardeners 1970 1973 1978 2011 [...] more than 50 Community Gardens in plot vacant NYC, diffusion of lots [illegally] supported and helped neighborhood by Green Thumb participating in gardening Municipality Program gardening C.G. Green Community Guerrillas neighboors Gardens formalC.G. co-design process C.G. Example 1 - Community Gardens established the NYC Green Thumb Municipality program Green Thumb approved the site for rental giving spaces, [legality] materials, rules, support to community gardeners 1970 1973 1978 2011 [...] more than 50 Community Gardens in plot vacant NYC, diffusion of lots [illegally] supported and helped neighborhood by Green Thumb participating in gardening Municipality Program gardening C.G. Green solutionCommunity replication Guerrillas neighboors Gardens C.G. C.G. Example 1 - Community Gardens a great example of co-design, without designers Example 2 - Circles of care a membership organisation for older people, which takes care of everyday worries and supports social networks. Lower East Side, New York Example 2 - Circles of care how do they work? Example 2 - Circles of care members Example 2 - Circles of care helper members collaborative service # learning # help with activities practical (computer) problems # organizing community activities # help with transportations # learning # organizing activities meetings (gardening) # help with everyday stuff collaborative # learning activities # help with practical (computer) service problems # organizing community activities # help with transportations # learning # organizing activities organizational support meetings (gardening) # help with expert staff everyday stuff enabling system on-line platform space support economical support providing funds for special giving spaces for meetings activities providing a calendar of activities Example 2 - Circles of care professional assistant members and helper Example 2 - Circles of care professional assistant members and helper digital platform Example 2 - Circles of care digitaldigital platform platform as organisational tool Example 2 - Circles of care service idea Example 2 - Circles of care main actors’ roles Example 2 - Circles of care services
Load more

Recommended publications
  • Creative Places for Collaborative Cities
    Creative Places for Collaborative Cities Teresa Franqueira* * Univeridade de Aveiro / Politecnico di Milano Aveiro, Portugal / Milan, Italy, [email protected] Abstract: This paper will focus in the urban territory and its social, cultural and economic dynamics, and in particular in the different manifestations of creativity that can be found here, namely in spaces in which spontaneous and diffuse forms of social innovation and creativity are emerging: Creative Places. It is in this urban context that Creative Places thrive, working as incubators of change, sustainable behaviours, bottom-up creativity and a subculture of collaboration. In this framework, Creative Places shape a Collaborative City, which in turn fosters the appearance of Creative Places. The assumption of design as a strategic instrument to operate in complex systems involving complex networks of actors and able to decode, combine and make sense of multidisciplinary knowledge; and in so doing, able to decline it into a coherent projectual, flexible and open-ended language in order to promote the diffusion of sustainable social innovations and widen their reach and impact through designing for sustainability and for radical systemic innovation. Key words: strategic design for sustainability, collaboration, social innovation. 3675 1. Introduction The world is in a continuous and fastpaced change, whether we consider environmental, technological or economic transformations, or, even more significantly, whether we look at the social ones. The lack of policies adjusted to tackle those transformations and the need to adapt and develop systems able to structure the social, economic, and cultural fabric towards the transition to a more sustainable development model have given birth to a diffuse phenomenon of collaborative communities, in which individuals collaborate between them to produce the outcomes that the traditional welfare state does not seem able to deliver.
    [Show full text]
  • Learning and Practicing in Service Design
    ServDes2018 - Service Design Proof of Concept Politecnico di Milano 18th-19th-20th, June 2018 Learning and practicing in service design Alessandro Deserti, Anna Meroni [email protected]; [email protected] Department of Design, Politecnico di Milano, Via Durando 38a, 20158 Milan, Italy Bas Raijmakers [email protected] Design Academy Eindhoven and STBY, The Netherlands Abstract The paper analyses the contributions to the “learning and practicing’ track of “ServDes.2018 Proof of Concept” and categorises them by identifying convergences and defining six emerging topics. As a result, new roles and responsibilities emerge. They can be summarised in a few directions: 1) beyond learning - where more and more, service designers are explicitly or implicitly requested to play the role of educators within organisations; 2) beyond human centred design – where the need to better understand the role of and the interaction with ‘non-human agents’ emerges; 3) beyond organisational change – where the transformational role of design seems to expand from within organisations to the relationships that organisations establish with external actors. KEYWORDS: service design, learning, designer skills, stakeholders, big data, impact, emotional intelligence Introduction The ‘learning and practicing’ track of “ServDes.2018 Proof of Concept” Conference was designed with the ambition to investigate two apparently traditional topics, coming out with new ideas and trajectories. This was done in the first place by putting the topics together, in order to investigate their interplay within a context of fast change in the role of a service designer. The risk, for a track that explicitly aimed to “… explore the evolution of the skills a service designer must acquire and which education is expected to provide”, was to tie learning and practicing respectively to education and professional practice, ending up with two disconnected sets of papers, focused on the one hand on the formal training of designers and on the other hand on the new skills of practitioners.
    [Show full text]
  • Design Culture and Dialogic Design Ezio Manzini
    Design Culture and Dialogic Design Ezio Manzini The question of culture is virtually absent from the debate on contemporary design and especially from what in this paper I refer to as emerging design: a problem-based, solution-oriented design, the defining characteristic of which is not the products, services, and communicative artifacts it produces, but the tools and methods it uses.1 The discussion on it dutifully covers envi- ronmental, economic, and social issues, together with those of participation and the environmental, economic, and social effects of its results. Certainly all these aspects are very important, but the absence of a debate on emerging design’s cultural dimension is a serious limitation that prevents it from becoming the agent of (cultural and therefore also social and environmental) change that it could and indeed should be. Meanwhile, although rarely dis- cussed, emerging design also has its own culture—a culture that is rather limited and limiting precisely because of this lack of debate. In this paper I call this culture solution-ism and participation-ism. To go beyond this somewhat reductive culture, we need to return to the discussion on issues that are or should be typical of design: from the criteria by which to orient and assess the quality of local solutions, to the broadest visions of the world toward which we work. This discussion must be undertaken through a dia- 1 A very clear statement on the nature of emerging design, and of its present lim- logic approach, in which the various interlocutors, design experts its, was proposed in 2014 in a manifesto included, interact as they bring their own ideas and define and titled “DesignX,” collaboratively authored accept their own responsibilities.
    [Show full text]
  • Participation-Based Parametric Design in Early Stages
    Participation-based Parametric Design in Early Stages A participative design process for spatial planning in office building Elie Daher1, Sylvain Kubicki2, Burak Pak3 1,2Luxembourg Institute of Science and Technology 3KU Leuven Department of Architecture Campus Sint-Lucas Brussels 1,2{elie.daher|Sylvain.kubicki}@list.lu [email protected] The term participation has been used to define different activities, such as civil debate, communication, consultation, delegation, self-help construction, political decisions. However, participation in design started from the idea that individuals whom being affected by a design project must contribute to the design process. Recently, designers have been moving closer to the future users and developing new ways to empower them to get involved in the design process. In this paper we rethink the way the early design process is developed in a participatory approach thanks to parametric methods. A use case is proposed showing the potential of parametric design methods to empower the participation of users in the design of their facilities. The use case is dealing in particular with the spatial planning of an office building where the users together with the spatial planning team are able to design the layout spatial configuration by 1) fixing the objectives, 2) manipulating the model, 3)modifying some parameters, 4) visualizing the iterations and evaluating in a real-time each solution in an interactive 3D environment and together with facility managers 5) choosing the configuration of the spatial layout. Keywords: Computational design, Participatory design, Optimization , Parametric design PARTICIPATORY DESIGN of what they design and developing new ways to The term participation has been used to define dif- empower them to get involved in the design pro- ferent activities, such as civil debate, communication, cess (Sanders and P.J.
    [Show full text]
  • Design for Supply Chain
    SJRATi.GY PROCESS VALUE Spreading the Word Across HP hcscdius. there is o^rowiti^i acceptance (il ing products with the suppK chain in mintl. We see more articles and success stories tout- ing the importance and impact of the "design For several years, Hewlett-Packard (HP) for sLippiy chain" (DfSC) eoncepl. Furihcr. the DfSC approaches themselves—such as variety has run a design for supply chain (DfSC) management, logistics enhancement, common- program aimed at bringing supply chain ality and reuse, postponement, tax and duty reduction, and take- cost considerations to bear on product hack lacililatlon—are fast becoming staples of todays business vocabulan.' As multinational corporations adapt to increasingly design decisions.The program has been global supply chains, product design decisions are affecting their an unqualified success.To date, DfSC sLipply chain costs and efficiency to an unprecedented degree. efforts have resulted in aggregate cost Despite the growing attention, however, many large man- Lilacturers are still a long way from making DfSC an integral savings that exceed $100 million. |iart ot their product-development and product-management Here's a look at how design for supply missions and processes. There are many circumstances where cbain best practices are diffused managers may see some value in practicing DfSC. But other constraints-—limited time, scarce personnel resources, or lack of throughout HP lamiliarity with the benefit.^ of DfSC. for instance—stand in the way. \ he challenge lies in the diffusion of re.sponsibility Supjily chain cost savings are rarely reflected in the [lerlormance score- By Brian Cargille and Chris Fry card of a design engineer or marketing manager.
    [Show full text]
  • Traces As Service Evidence
    ServDes2018 - Service Design Proof of Concept Politecnico di Milano 18th-19th-20th, June 2018 Traces as service evidence Spyros Bofylatos [email protected] Department of Product and Systems Design Engineering, University of the Aegean Konstaninoupoleos 1, Hermoupolis, Syros 84100, Greece Abstract In this paper, the idea of leveraging traces in service design for sustainability is presented. Physical evidence is an essential aspect of services as the service experience exists as a choreography of people, things and processes. These designed, tangible aspects of services play an important role in the overall service experience and at the same time act as affordances, leading the user through a desired service journey without interpersonal interactions. Viewing services in the context of actor network theory, as networks of humans and non- humans suggests that this service evidence act as a carrier of explicit knowledge relegated to it by the designers. Integrating tacit knowledge in the design process is a meaningful endeavour especially in the context of service design for sustainability. Traces is a notion associated with focal practices that shed light in this unexplored direction of service design. Traces exhibit similar characteristics to evidence but in a capacity of carrying tacit knowledge. KEYWORDS: traces, service design, craft, tacit knowledge, social innovation Introduction This paper aims to introduce the idea of traces in the design of services. Traces, the perceptible enduring marks left on the material world through the engagement with people with it (Ingold 2007), are carriers of tacit knowledge acting as the keystone (Robbins 2016) between people, practices and things. We turn to the idea of service evidence to better understand the tools that create meaning in the intersection of time and material in contemporary service design in order to identify the meaningful design space for the integration of traces in service design.
    [Show full text]
  • Review of Design of Collective Housing in the 21St Century
    buildings Essay Review of Design of Collective Housing in the 21st Century David Hernández Falagán Escuela Técnica Superior de Arquitectura de Barcelona, Universitat Politècnica de Catalunya, 08028 Barcelona, Spain; [email protected] Abstract: This essay proposes a review of current trends in the design of collective housing projects. The method for the review is based on the observation of certain conditions of contemporary society that show an immediate influence on new habitat patterns. The concepts of uncertainty, scarcity and contingency are the catalysts for the observation, and conditions that provoke new diffuse scenarios for residential buildings. The concept of diffuse dwelling is identified here as the conjunction of three factors: non-permanent coexistence models, residential adaptation of the built environment, and non- hierarchical typological patterns. The review proposes a qualitative analysis questionnaire for the recognition of significant projects of this new residential paradigm. By tracing the EU Mies Award Archive, various examples have been identified that allow us to recognize common characteristics. The result of the analysis reveals how these parameters define a new paradigm in the design of collective housing based on collectivity, constructive resilience, and a new value of domesticity. Keywords: housing; diffuse design; built environment; uncertainty; scarcity; contingency; domestic- ity; resilience; collectivity Citation: Hernández Falagán, D. Review of Design of Collective 1. Introduction Housing in the 21st Century. Part of the responsibility for analyzing contemporary housing is related to our ability Buildings 2021, 11, 157. https:// to foresee how the collective habitat will evolve in the future. It is important to identify doi.org/10.3390/buildings11040157 how we can incorporate quality conditions and balances in the hierarchies of use to the new residential figurations that we can recognize in current experiences.
    [Show full text]
  • Allegati 6014.Pdf
    MD Journal [ 2 ] 2016 SINAPSI. DESIGN E CONNETTIVITÀ SYNAPSES. DESIGN AND CONNECTIVITY Editoriale Vanessa De Luca, Michele Zannoni Issue editors Essays Venanzio Arquilla, Alessandra Bosco, Alfredo Calosci, Nicolò Ceccarelli, Medardo Chiapponi, Andrea Ciotti, Pietro Costa, Veronica Dal Buono, Barbara Del Curto, Annalisa Di Roma, Marinella Ferrara, Stefano Follesa, Agnese Piselli, Giovanni Profeta, Valentina Rognoli, Alessandra Scarcelli, Marco Sironi, Michela Toni, Gustavo Zepeda 2 A. Acocella MD Journal [ 1 ] 2016 MD Journal Rivista scientifica di design in Open Access Numero 2, Dicembre 2016 Anno I Periodicità semestrale Direzione scientifica Alfonso Acocella Direttore Veronica Dal Buono Vicedirettore Dario Scodeller Vicedirettore Comitato scientifico Alberto Campo Baeza, Flaviano Celaschi, Matali Crasset, Claudio D’Amato, Alessandro Deserti, Max Dudler, Hugo Dworzak, Claudio Germak, Fabio Gramazio, Massimo Iosa Ghini, Hans Kollhoff, Kengo Kuma, Manuel Aires Mateus, Caterina Napoleone, Werner Oechslin, José Carlos Palacios Gonzalo, Tonino Paris, Vincenzo Pavan, Gilles Perraudin, Christian Pongratz, Kuno Prey, Patrizia Ranzo, Marlies Rohmer, Cristina Tonelli, Michela Toni, Benedetta Spadolini, Maria Chiara Torricelli Comitato editoriale Alessandra Acocella, Chiara Alessi, Luigi Alini, Angelo Bertolazzi, Valeria Bucchetti, Rossana Carullo, Vincenzo Cristallo, Federica Dal Falco, Vanessa De Luca, Barbara Del Curto, Giuseppe Fallacara, Anna Maria Ferrari, Emanuela Ferretti, Lorenzo Imbesi, Alessandro Ippoliti, Carla Langella, Alex Lobos,
    [Show full text]
  • Download (770Kb)
    Designing resilient creative communities through biomimetic service design Spyros Bofylatos – Juliet Kampasi Department of Product and Systems Design Engineering University of the Aegean Research question This study aims to explore how the adoption of biomimetic tools in the design of services in the context of social innovation can increase the resilience of the community. Increased resilience acts as an exit strategy for the designers, as a way to enable the evolution of the diffuse design capacity within the community and as strategy to flexible address scale in the context of reconstituting the domains of everyday life. Creative communities • Creative communities are grassroots, bottom-up initiatives of people who through their diffuse design capacity propose new, desirable service futures that address the problems of their everyday life. • These creative communities exist within a transition from modernity towards sustainment, the next epoch of human development. The adversarial character of these systems causes them to embody alternative values such as conviviality, solidarity, openness and shift the focus from growth to flourishing (Ehrenfeld, 2008). • Creative communities use diffuse design capacity (Manzini 2016) to create these solutions. Design for sustainability • The inability of modernity to work within the planet’s carrying capacity has created a society that is unsustainable, and unless some of the core values change, it cannot be salvaged. The scale of environmental degradation puts our existence on the planet in jeopardy. • Approaches that aim to reduce environmental or societal impacts whilst preserving the current model of growth are impossible to lead to sustainability. These approaches reduce unsustainability but one must ask oneself whether reducing unsustainability to zero lead to the emergence of sustainability? (Ehrenfeld, 2008).
    [Show full text]
  • Designing Resilient Creative Communities Through Biomimetic Service Design
    Relating Systems Thinking and Design Symposium 2018 www.systemic-design.net WORKING PAPER Designing resilient creative communities through biomimetic service design Spyros Bofylatos a*, Juliet Kampasib, Thomas Spyroua a Department of Product and Systems Design Engineering, University of the Aegean b The Institute of Leadership and Management, * Corresponding author e-mail: [email protected] Abstract: Creative communities are grassroots, bottom-up initiatives of people who through their diffuse design capacity propose new, desirable service futures that address the problems of everyday life. These creative communities exist within a transition from modernity towards sustainment, their adversarial character embodies alternative values such as conviviality, solidarity, openness and shift the focus from growth to flourishing. The sociotechnical system that is a creative community creating social innovation faces constant threats due to the collapse of traditional support structures and their disruptive, adversarial character and so, identifying strategies to increase its resilience is necessary. We turn to nature for inspiration and mentoring. Biomimisis is a framework that designs solutions inspired by biological systems. We argue that permaculture, provides an interesting direction for the development and research in the context of social innovation. Keywords: Design for sustainability; Service design; Resilience; Biomimisis; Permaculture 206 Relating Systems Thinking and Design Symposium 2018 www.systemic-design.net WORKING PAPER 1. Introduction This paper aims to support the idea that increasing the resilience of creative communities by fostering the emergence of greater diffuse capacity on a local level can act as a successful exit strategy for service design. To achieve this goal, we turn to Biomimisis, the study of biological systems to translate their principles in sociotechnical ones.
    [Show full text]
  • Design in a Changing, Connected World1
    Strategic Design Research Journal, 7(2): 95-99 May-August 2014 ©2014 by Unisinos – doi: 10.4013/sdrj.2014.72.06 Design in a changing, connected world1 Design em um mundo conectado e em transformação Ezio Manzini [email protected] DESIS Network, University of the Arts London, Politecnico di Milano Località il Casello 30, 52 021 Bucine, Arezzo, Italy One of the most obvious things people can do today will find 460 projects presenting diverse typologies of ac- is talk about change. Although it is an overused expres- tivities and results. Moving from this observation we, a col- sion, we cannot escape from it. The change I am talking league of mine and I, did a fast and rough research on their about here is driven by two main forces: the spread of main characters (we did it on sample of 34 projects that had higher levels of connectivity and the growing evidence of been chosen to be exhibited as representative of the whole the limits of the Planet. Both these drivers of change im- WDC in Cape Town). In order to make the discussion of its pact on every aspect of our societies, from the way we pro- results easier, we built a matrix using two axis: the first one, duce, to the one we live our everyday life, to the one the the “What” axis, indicates the project outputs, from individ- same societies are managed. In this dynamic environment ual entities (industrial and craft products, buildings, graphic design is obviously changing too. projects) to systems (complex, hybrid artifacts as services or When, several years ago, I started to deal with design, organizations).
    [Show full text]
  • Allegati 5993.Pdf
    MD Journal [ 2 ] 2016 SINAPSI. DESIGN E CONNETTIVITÀ SYNAPSES. DESIGN AND CONNECTIVITY Editoriale Vanessa De Luca, Michele Zannoni Issue editors Essays Venanzio Arquilla, Alessandra Bosco, Alfredo Calosci, Nicolò Ceccarelli, Medardo Chiapponi, Andrea Ciotti, Pietro Costa, Veronica Dal Buono, Barbara Del Curto, Annalisa Di Roma, Marinella Ferrara, Stefano Follesa, Agnese Piselli, Giovanni Profeta, Valentina Rognoli, Alessandra Scarcelli, Marco Sironi, Michela Toni, Gustavo Zepeda Le immagini utilizzate nella rivista rispondono alla pratica del fair use (Copyright Act 17 U.S.C. 107) recepita per l’Italia dall’articolo 70 della Legge sul Diritto d’autore che ne consente l’uso a fini di critica, insegnamento e ricerca scientifica a scopi non commerciali. MD Journal Rivista scientifica di design in Open Access Numero 2, Dicembre 2016 Anno I Periodicità semestrale Direzione scientifica Alfonso Acocella Direttore Veronica Dal Buono Vicedirettore Dario Scodeller Vicedirettore Comitato scientifico Alberto Campo Baeza, Flaviano Celaschi, Matali Crasset, Claudio D’Amato, Alessandro Deserti, Max Dudler, Hugo Dworzak, Claudio Germak, Fabio Gramazio, Massimo Iosa Ghini, Hans Kollhoff, Kengo Kuma, Manuel Aires Mateus, Caterina Napoleone, Werner Oechslin, José Carlos Palacios Gonzalo, Tonino Paris, Vincenzo Pavan, Gilles Perraudin, Christian Pongratz, Kuno Prey, Patrizia Ranzo, Marlies Rohmer, Cristina Tonelli, Michela Toni, Benedetta Spadolini, Maria Chiara Torricelli Comitato editoriale Alessandra Acocella, Chiara Alessi, Luigi Alini, Angelo Bertolazzi,
    [Show full text]